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Calliope - a Timeline of Divine Inspiration in the Literary Canon
Calliope - A Timeline of Divine Inspiration in the Literary Canon ‘Where do you get your ideas from?’ To the timeless question Creative Writers are asked, I attempt an historical answer, based on both personal experience and professional expertise. Contemporary theories of creativity do not mention divine inspiration. It isn’t ‘politically correct’ to suggest that the best stories are given to a few fated writers by God, that great plots and characters are bestowed on favoured authors by goddesses; that famous poems are already realised in a perfect form in some heavenly setting before a human hand puts pen to paper, chalk to slate or fingers to keyboard. Storytelling today relies more on subconscious processes, which sound scientific, but don’t get much closer to the origin of poetry, or identify the omniscient narrator whose voice every novelist must master. Here is what three modern muses of creative writing say about where the words come from: In Becoming a Writer (1983) Dorothea Brande acknowledges ‘there is a sort of writers’ magic’ (p.25) but warns ‘the beginner may be waiting for the divine fire… to glow unmistakeably, and may believe it can only be lighted by a fortuitous spark from above’ (p.29). Instead, new authors must ‘teach the unconscious to flow into the channel of writing’ which she advises to do by ‘hitching your unconscious mind to your writing arm’ (p.69). In this best-selling handbook since 1934, Brande’s key recommendation is ‘writing on schedule’ to channel that magical flow. Heaven as a source of ideas is replaced by the head of the author; an equally mysterious, vaulted haunt of poems and stories waiting to be born. -
MYTHOLOGY MAY 2018 Detail of Copy After Arpino's Perseus and Andromeda
HOMESCHOOL THIRD THURSDAYS MYTHOLOGY MAY 2018 Detail of Copy after Arpino's Perseus and Andromeda Workshop of Giuseppe Cesari (Italian), 1602-03. Oil on canvas. Bequest of John Ringling, 1936. Creature Creation Today, we challenge you to create your own mythological creature out of Crayola’s Model Magic! Open your packet of Model Magic and begin creating. If you need inspiration, take a look at the back of this sheet. MYTHOLOGICAL Try to incorporate basic features of animals – eyes, mouths, legs, etc.- while also combining part of CREATURES different creatures. Some works of art that we are featuring for Once you’ve finished sculpting, today’s Homeschool Third Thursday include come up with a unique name for creatures like the sea monster. Many of these your creature. Does your creature mythological creatures consist of various human have any special powers or and animal parts combined into a single creature- abilities? for example, a centaur has the body of a horse and the torso of a man. Other times the creatures come entirely from the imagination, like the sea monster shown above. Some of these creatures also have supernatural powers, some good and some evil. Mythological Creatures: Continued Greco-Roman mythology features many types of mythological creatures. Here are some ideas to get your project started! Sphinxes are wise, riddle- loving creatures with bodies of lions and heads of women. Greek hero Perseus rides a flying horse named Pegasus. Sphinx Centaurs are Greco- Pegasus Roman mythological creatures with torsos of men and legs of horses. Satyrs are creatures with the torsos of men and the legs of goats. -
Novice – Preliminary Round 1 1
Yale Certamen 2019 Written by Samir Al-Ali, Nestoras Apodiakos, Margot Armbruster, Aspen Bombardo, Andres Cook, Ram Gollapudy, Noah Harris, Connor Harrison, Michael Howard, Minyoung Hwang, David Jackson, David Jaffe, Lina Kapp, Michael Kearney, John Kim, Carina Layfield, Joshua Lomasney, Mindren Lu, Noah McThenia, Gabriel Molina, Ali Murray, Matt Nelson, Ben Ream, Henry Schott, Jason Tan, Matthew Thomas, and Jonathan Yuan. Edited by Michael Kearney. Novice – Preliminary Round 1 1. Complete the following analogy: “Rōma” is to “Italy” as “Athēnae” is to “blank”? GREECE B1: Now complete this analogy: “Rōma” is to “Italy” as “Alexandria” is to “blank”? EGYPT B2: Now complete this analogy: “Rōma” is to “Italy” as “Londinium” is to “blank”? ENGLAND 2. What daughter of Idmon hanged herself after losing a weaving contest to Athena? ARACHNE B1: What offensive image did Arachne weave into her tapestry? MISDEEDS OF THE GODS // GODS’ AFFAIRS WITH MORTALS [ACCEPT EQUIVALENTS] B2: What woman did Athena transform into a Gorgon after she lay with Poseidon in the goddess’ shrine? MEDUSA 3. In the following Chicago lyrics, identify a word derived from the Latin verb for “see”: “Unless of course that personage should be, / invisible, inconsequential, me.” INVISIBLE B1: From what Latin word with what meaning do we derive “personage”? PERSŌNA – PERSON / CHARACTER / MASK B2: In the following Hamilton lyric, please identify either word derived from a Latin verb meaning “stand”: “He woulda been dead and destitute without a cent of restitution.” DESTITUTE or RESTITUTION 4. What enemy of Rome, acting on behalf of the city of Tarentum, led his war elephants against the Romans at Heraclea in 280 B.C.? PYRRHUS (OF EPIRUS) B1: What Roman refused to be bribed by Pyrrhus? (GAIUS) FABRICIUS B2: Where did the Romans, led by Curius Dentatus, defeat Pyrrhus in 275 B.C.? BENEVENTUM / MALEVENTUM 5. -
Identifying the Muses: Control Marks on the Denarii of Q
Identifying the Muses: Control Marks on the Denarii of Q. Pomponius Musa Quintus Pomponius Musa, otherwise unknown, minted a series of coins in 66 BCE. Each of Musa’s reverses type featured one of the nine muses, each identifiable by her attributes, as a pun on his cognomen. In the field behind a bust of Apollo, each obverse type bears a control mark which appears to correspond to the attribute possessed by the muse on the reverse. The Clio type, for example, features the muse holding a scroll on the reverse, with a scroll as the control mark on the obverse. The strong connection between obverse control mark and reverse attribute, also evident in the Calliope, Euterpe, Polymnia and Urania types, suggests that the relationship can be logically extended to the remaining types. I argue that we must reconsider the organization of these coins based on an understanding of the relationship between the muses’ attributes on the reverse and the control marks on the obverse. My paper identifies a problem with seriation of Musa’s coins (Crawford 1974) wherein two separate obverse types—one bearing a tortoise, the other a flower otherwise associated with the Erato type—are assigned to Terpsichore based on the similarity of the reverse dies. Given the rarity of the Erato type (Seaby 1952) it seems that the flower control mark was intended to be associated solely with her. That both goddesses have a lyre as their attribute may have resulted in some conflation or confusion of the two, as is attested elsewhere with these muses in ancient art (Cohon 1991-1992 & 2009). -
Poseidon [Twelve Labors 5] (Siren Publishing Classic Manlove) Online
OUsvZ [Read free] Poseidon [Twelve Labors 5] (Siren Publishing Classic ManLove) Online [OUsvZ.ebook] Poseidon [Twelve Labors 5] (Siren Publishing Classic ManLove) Pdf Free Cree Storm ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #8130564 in Books Storm Cree 2016-05-10Original language:English 9.02 x .29 x 5.98l, .42 #File Name: 163259241X136 pagesPoseidon Twelve Labors 5 Siren Publishing Classic Manlove | File size: 57.Mb Cree Storm : Poseidon [Twelve Labors 5] (Siren Publishing Classic ManLove) before purchasing it in order to gage whether or not it would be worth my time, and all praised Poseidon [Twelve Labors 5] (Siren Publishing Classic ManLove): 0 of 0 people found the following review helpful. Awesome book HOT when needed I cried I laughed I ...By corieAwesome book HOT when needed I cried I laughed I cheered and then yelled it was over a must read.0 of 0 people found the following review helpful. Must read in orderBy Crystal's Many ReviewersI have been hoping that Hunter was going to get a book of his own since we first met him in Apollo, so when I realized that this book was his, I was excited to start it!I did really love how he knew what he wanted and wasnrsquo;t willing to take any crap from anyone, least of all his mate. I thought it was great getting to know a different side of Hunter, and to see him finally happy. Especially with everything that had happened to him in the past, he deserved his happy ending.I am a bit confused about Hunter in this story though because Hunter mentions how he was Alexrsquo;s mate, yet he is now Posidonrsquo;s mate? Especially since the fates do mention that you can only have 1 mate, how does he end up with 2?Besides all of that though, I do have to say that I thought Hunter really carried this book and I hope that we get to see some more of him in the future books of the series. -
Tooting Joy, Tooting Hope, I Am the Calliope!
Tooting Joy, Tooting Hope, I am the Calliope! Circus music was a large part of the circus experience, and one unique feature of circus parades was the musical wagon called the calliope. Calliopes make their distinct, loud sound when steam travels through large whistles. Originally, they were locomotive whistles – an example of the important role trains played in the growth of the American circus. Consider how loud train whistles are – they can be heard for miles! Calliopes are no different, and there’s no way to change its tone or volume. Calliopes can be played by a person at a keyboard, or mechanically with a roll like a player piano. This type of calliope was often installed in steam- powered carousels. Unknown artist, Circus Parades – a Photographic History: Ringling Bros. Calliope, no date. Tibbals Digital Collection This instrument is named after the Greek muse Calliope, whose name is pronounced ka-LIE-oh-pee. Calliope was the mother of Orpheus and chief of the muses. Her name means “beautiful voice,” and she is associated with elegance and epic poetry. The circus community generally pronounces the name of the th instrument as kal-ee-OHP. Poking fun at the dispute of pronunciation, a 19 century magazine published this rhyme: Proud folk stare after me, Call me Calliope; Tooting joy, tooting hope, I am the calliope. Poem in Reedy’s Mirror, 1877, according to Ted Guillaum in “MQ Calliope Press Release – Part 2.” Simon Vouet, The Muses Urania and Calliope , Retrieved from steamboats.org. 1634 (detail). Creative Commons. In today’s Family Workshops, we made calliopes from red oaktag and decorated them with gold buttons and glitter glue. -
Siren Motifs on Glazed Dishes
Art This is how the harpies and sirens were seen in Europe in the Middle Ages 34 www.irs-az.com 2(30), SPRING 2017 Aida ISMAYILOVA Siren motifs on glazed dishes (Based on materials of the National Azerbaijan History Museum) www.irs-az.com 35 Art This is how the harpies and sirens were seen in ancient Greece. Image on a ceramic vase he National Azerbaijan History Museum (NAHM) is mation about the semantics of the image with a human rich in archaeological materials belonging to vari- head and a bird’s body. Tous periods of our history, including the 12th-13th First of all, let’s get acquainted with the description centuries. Based on this material evidence, we can study of the material cultural artifacts we mentioned above: the artistic and aesthetic image and world outlook of A fragment of a dish was found in the urban area of the period, as well as its principle of cultural succession. Beylagan in 1963 (1, No 25058). The clay of the glazed From this point of view, we will be talking about archaeo- fragment was bright orange and well fired. The inter- logical materials, which belong to the aforesaid period, nal surface is covered with engobing and is glazed with found in the urban areas of Beylagan and Bandovan and images of birds and plants engraved on it. The outlines handed over to the NAHM from the Nizami museum. of the image are bright brown. The profile of a bird is The particularity of these material cultural artifacts is that depicted from the right side. -
Xanadu - Character Descriptions
XANADU - CHARACTER DESCRIPTIONS Sonny Malone - is the young male lead from the beaches of California. He is wide-eyed, full of dreams and can be a bit sensitive; after all, he is an artist! While Sonny may not be the brightest, he is very sincere and earnest. Actor with excellent comedic timing and singing voice. Kira - Kira is the Greek heroine and loveable, young ingénue. She begins the play as Clio, the youngest and the most idealistic of the Muses. With the addition of leg warmers and an Australian accent, she quickly becomes Kira to help Sonny realize his dreams. She is ambitious, smart and like Sonny, pure of heart. Must be a strong actor, singer, dancer. Danny Maguire - Danny Maguire is a real estate magnate and owner of the Xanadu theater. He should be a malleable actor who can evolve from being guarded about protecting the theater to becoming partners with Sonny and then betraying him. Danny should be an experienced singer. The Andrews Sisters - The Andrews Sisters (Maxene, Patty and Laverne) are an exact duplicate of the Andrews Sisters that were famous in the 1940s. Great singers - might double with other ensemble roles. The Tubes - The Tubes is an iconic, hard-rockin' new-wave band of the 80s. Band members can be ANY GENDER. Must have a lot of energy and sing with character. Melpomene - Muse of Tragedy, is the eldest of the Muses and is most responsible for plotting against Kira. Strong acting and singing required. Calliope - Calliope, Muse of Epics, is Melpomene's "Wing-Muse." She is equally devious and listens closely to her sister's direction. -
Robert Graves the White Goddess
ROBERT GRAVES THE WHITE GODDESS IN DEDICATION All saints revile her, and all sober men Ruled by the God Apollo's golden mean— In scorn of which I sailed to find her In distant regions likeliest to hold her Whom I desired above all things to know, Sister of the mirage and echo. It was a virtue not to stay, To go my headstrong and heroic way Seeking her out at the volcano's head, Among pack ice, or where the track had faded Beyond the cavern of the seven sleepers: Whose broad high brow was white as any leper's, Whose eyes were blue, with rowan-berry lips, With hair curled honey-coloured to white hips. Green sap of Spring in the young wood a-stir Will celebrate the Mountain Mother, And every song-bird shout awhile for her; But I am gifted, even in November Rawest of seasons, with so huge a sense Of her nakedly worn magnificence I forget cruelty and past betrayal, Careless of where the next bright bolt may fall. FOREWORD am grateful to Philip and Sally Graves, Christopher Hawkes, John Knittel, Valentin Iremonger, Max Mallowan, E. M. Parr, Joshua IPodro, Lynette Roberts, Martin Seymour-Smith, John Heath-Stubbs and numerous correspondents, who have supplied me with source- material for this book: and to Kenneth Gay who has helped me to arrange it. Yet since the first edition appeared in 1946, no expert in ancient Irish or Welsh has offered me the least help in refining my argument, or pointed out any of the errors which are bound to have crept into the text, or even acknowledged my letters. -
Eurydice: a Brief Synopsis of the Myth Production History Highlights of Eurydice Motifs in the Play
PLAYGOER’S GUIDE Prepared by Production Dramaturg Kimberly Colburn and Literary Intern Rachell Campbell TABLE OF CONTENTS Part I: THE PLAY Orpheus and Eurydice: A Brief Synopsis of the Myth Production History Highlights of Eurydice Motifs in the Play Part II: THE PLAYWRIGHT About the Playwright: Sarah Ruhl by David Myers List of Ruhl’s Plays Part III: THE PRODUCTION Designing Eurydice Part IV: QUESTIONS FOR DISCUSSION Before the Show After the Show Part V: RESOURCES Other Study Guides and Programs Reference Materials Articles Part I: THE PLAY Orpheus and Eurydice: A Brief Synopsis of the Myth hile there are many variations on the myth of Orpheus and Eurydice among poets Ovid, Virgil, and WApollonius or philosophers Plato and Aristotle, the basic story goes as follows. A charming and talented musician, Orpheus is the son of a Thracian king and the muse Calliope. When Orpheus plays, every animate and inanimate thing follows and his music can divert the course of rivers. He meets and marries the maiden Eurydice—thought to be perhaps a nymph (minor Greek deity related to nature), or maybe a daughter of Apollo. Their joy is brief; on their wedding day Eurydice travels through a meadow with her bridesmaids (in some versions, she’s running to Orpheus Leading Eurydice from the Underworld by Jean-Baptiste-Camille Corot, 1861. escape the sexual advances of a satyr or shepherd) and she steps into a pit of vipers. She is bitten by a snake and dies. never touches a myth without developing, expanding, and sometimes radically changing it.” Eurydice’s father Overcome with grief, Orpheus strikes a sad note on his doesn’t play a role in the original myth, but he plays a lyre and travels to the Underworld. -
Mythology in Poetry
Mythology in AP Poetry Andromeda sorrowing father was close at hand, and her mother too. They were Andromeda was the princess of Ethiopia, daughter of Cepheus and both in deep distress, though the mother had more cause to be so Cassiopeia. Cassiopeia was a boastful woman, and foolishly bragged (Metamorphoses IV 674-692) Perseus said to her parents that he that she was more beautiful than Juno, the queen of the gods, and the would kill the monster if they agree to give him their daughter's hand Nereids. In order to avenge the insult to his nymphs, Neptune sent a in marriage. They of course gave their consent, and Perseus killed the sea monster to ravage the Ethiopian coast. (Some accounts state that monster. (His exact method of doing so varies in different versions of the constellation Cetus represents the sea monster, but a more the myth. Ovid has Perseus stab the monster to death after a drawn- common view of Cetus is that he is a peaceful whale.) out, bloody battle, while other versions have the hero simply hold up the head of Medusa, turning the monster to stone.) Andromeda was The horrified king consulted Ammon, the oracle of Jupiter, who said freed, and the two joyously marry. that Neptune could be appeased only by sacrificing Cassiopeia's *Andromeda is represented in the sky as the figure of a woman with beautiful virgin daughter, Andromeda, to the monster. Andromeda her arms outstretched and chained at the wrists. was duly chained to a rock on the coast, fully exposed to the monster. -
Durham E-Theses
Durham E-Theses Rethinking mythology in Greek museums through contemporary culture Antonopoulou, Marina How to cite: Antonopoulou, Marina (2010) Rethinking mythology in Greek museums through contemporary culture, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/2511/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk lml'Hlm:ING MYTHOLOGY IN <mEEK »KUSE{]Ml$ THROUGH CONTEMPORARY ClJL1UllB MARINAANTONOPOULOU Appendices The copyright of this thesis rests with the author or the university to which it was submitted. No quotation from it, or information derived from it may be published without the prior written consent of the author or university, and any information derived from it should be acknowledged. 2 6 MAY 2010 Appendix 1 Socratis Malamas Date: 15/01/2005 Venue: Hotel'Olympia', Thessaloniki. Q: Could you tell me what is the first thing that comes to mind when you hear the words 'Greek mythology'? A: The usual, what we learned in school.