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PAUL F. DOERKSEN, PH.D. Chair, Department of Music Education and Music Therapy Mary Pappert School of Music, Duquesne University (Pittsburgh PA) 412-396-1888 • [email protected] Background Education 1 Academic Positions 1 Administration 1 Scholarship Books 2 Chapters 3 Articles 3 International Presentations 3 National Presentations 4 Regional Presentations 6 State Presentations 6 Professional Development 8 Music Education Programs 8 Grants 10 Memberships and Subscriptions (Active) 10 Teaching Graduate Teaching 10 Undergraduate Teaching 12 Combined Teaching (Graduate and Undergraduate) 13 Service Learning and Community Engagement 14 Service Professional Associations 14 Institutional 15 Arts Education Programs 18 Awards and Honors Teaching Activities 18 Scholarly and Artistic Work 18 Professional Service 18 Addendum 1: Citations of Scholarly Work Dissertation 19 Book 19 Articles 19 Online Resource 24 Presentations 25 Grant 25 Addendum 2: Graduate Committees Dissertations 25 Projects, Theses, Recitals 26 i PAUL F. DOERKSEN, PH.D. Curriculum Vitae Background Education 1994 Doctor of Philosophy in Music Education: The Ohio State University (Columbus) Dissertation: A Study of the Aural-Diagnostic and Prescriptive Skills of Preservice and Expert Instrumental Music Teachers. ProQuest Dissertations and Theses: Dissertation 9427697. 1991 Diploma of the Faculty of Fine Arts in Music: The University of Calgary (Alberta) Focus: Symphonic Band and Wind Ensemble. 1985 Master of Music in Instrumental Conducting: Northwestern University (Evanston IL) 1983 Bachelor of Music in Music Education: Western Washington University (Bellingham WA) Academic Positions 2004– Duquesne University (Pittsburgh PA) Associate Professor (2007–), Instrumental Music Education. Assistant Professor (2004–07), Instrumental Music Education. Chair (2015–), Department of Music Education and Music Therapy. Chair (2004–15), Department of Music Education. 1997–04 University of Oregon (Eugene) Assistant Professor, Instrumental Music Education. 1995–97 Ball State University (Muncie IN) Assistant Professor, Instrumental Music Education. 1994–95 The Ohio State University (Columbus) Lecturer, Music Education. Administration Accomplishments Accreditation: Consistently successful accreditation cycles—including university, school, and department levels: Middle States Commission on Higher Education, National Association of Schools of Music (NASM), CAEP (formerly NCATE), annual and major reviews by the Pennsylvania Department of Education (PDE), and American Music Therapy Association. Results are pending for a 2017 NASM reaccreditation cycle; a 2017 PDE Major Review was successful. Assessment: Systematic assessment points serving as gateways are embedded across department programs. Examples include Freshman Interviews, Sophomore Evaluations, and Junior Proficiencies for all undergraduate and post-baccalaureate music-education majors— in addition to state-required tests for post-graduation certification. Annual reports are provided to the university for all undergraduate and graduate programs, articulating intended and actual outcomes (along with supportive evidence). An anticipated project in support of assessment efforts is a new Alumni Survey. Budgets: Manage and balance annual department budgets, with a primary focus on faculty support (e.g., conferences and professional development); curricular resources (e.g., classroom and technique instruments); student preparation (e.g., guest faculty and professional-association events); and staff needs (e.g., office equipment). Collaborate with upper administration for other, significant department needs (e.g., faculty, equipment, and infrastructure). The 2017– 18 academic year marks a university transition to a decentralized budget model. Curricula: Completed a comprehensive retooling of the undergraduate/post-baccalaureate Music Education curriculum—addressing university core and state certification requirements while adding new degree courses per faculty guidance (Eurhythmics for Music Educators, Piano for Choral Music Educators, Teaching Lab, and a series of eight major methods courses). In addition, the combined expertise between Music Therapy and Music Education led to the creation of a new undergraduate course—Inclusive Teaching Strategies for the Music Classroom—to address emerging state requirements for Special Education. The process involved faculty, alumni, and community stakeholders. 1 8/24/17 PAUL F. DOERKSEN, PH.D. Curriculum Vitae Administration: Accomplishments, Continued Facilities and Equipment: New faculty and staff offices—and a major Music Education instrument storage facility consolidating and securing inventory—were among large-scale building renovations addressing ensemble rehearsal space, chamber/solo performance venue, video/sound recording (providing on-campus experiences for students), and consolidated teaching areas for Music Education. A recent $100,000 university grant provided significant replacements and additions of music instruments (brass, string, percussion, and woodwind); secured funds for classroom technology (including the addition of a Smart Board for the Music Education’s general music methods sequence). Faculty and Staff: Created a new full-time, tenure line for Early Childhood/Elementary General Music Education; chaired the national, good-faith search. (The colleague hired recently received tenure and promotion.) Created a new Administrative Assistant position for Music Education. (The position is now filled, providing department-wide support.) Created four new adjunct positions for undergraduate/post-baccalaureate courses (in tandem with curricular revisions—Eurhythmics for Music Education, Voice for Music Education I/II, Vocal/Choral Methods, Marching Band Techniques), along with three new supervisor positions for student teachers (Band, General Music, Strings/Orchestra). Chaired a successful, national, good-faith search for a full-time, tenure-line Director of Choral Activities. The new colleague has now completed her second year, working toward third-year review and eventual tenure decision. Finally, a national, tenure-line search for a collaborative position between my department (specifically Music Therapy) and the School of Nursing was successfully concluded—with a new colleague joining effective Fall 2017. Student Recruitment: Outreach efforts among regional school districts, state and regional professional events, and a wide alumni network support the consistent attainment of annual enrollment targets. Further, matriculates meet rigorous department standards (demonstrated through audition results) and are often among the top-tier of entering students across the university (when comparing SAT scores). Beyond local and regional efforts, faculty work together on behalf of prospective students (and in support of efforts from the Music Admissions Office) in communication (calls and e-mails); campus visits (class attendance, individual meetings, studio lessons); and interviews and informational sessions during audition days. Parents are welcomed and involved in all stages. Professional Development External Organizations: American Council on Education (ACE) / Council of Independent Colleges (CIC): ACE Department Chairs Workshop (2010, Arlington VA): Chairing the Academic Department. CIC Department and Division Chair Workshop (2014, Charlotte NC). ACE topics from among managing conflict, legal issues, faculty and staff evaluations, effective decision-making, developing a collegial environment, and program assessment; CIC focus on developing institution-wide perspectives, communication and collaboration, and strategic planning—with attention to admissions, faculty development, and student affairs. Conversation and group work across the two workshops further addressed budget and resource management, curricular leadership, and broad-scale planning. Duquesne University: Academic Chair Series (2004–Present). An annual slate of conversations, panel discussions, and workshops designed for university department chairs covering (among other topics) budget management, promotion and tenure process, junior faculty mentorship, performance counseling, community building within the department, effective faculty peer reviews, and reflected best-self portrait. While clarifying and supporting university policies and practices, these many opportunities provide an essential forum for department chairs across campus to discuss concerns and share approaches in the administration of their respective departments. Scholarship Books Carnovale, N. A., & Doerksen, P. F. (1994). Twentieth century music for trumpet and orchestra (2nd ed.). Nashville, TN: The Brass Press. ISBN: 0-914282-81-2. (Distributed by Thompson Edition, Inc.) Rowman & Littlefield Education; Co-published with MENC: The National Association for Music Education (1991). Teaching wind & percussion instruments: A course of study. Reston, VA: Author. ISBN: 1-56545-004-3. Invited contributor. 2 8/24/17 PAUL F. DOERKSEN, PH.D. Curriculum Vitae Chapters In Progress Doerksen, P. F. (In-press; 2018.) The use of student assessment in music teacher evaluation: Consequences, perceptions, and recommendations of Pennsylvania (United States) PK–12 music educators. In T. Brophy & M. Fautley (Eds.), Selected papers from the 6th International Symposium on Assessment in Music Education. Chicago: GIA Publications. Blind-reviewed. Doerksen, P. F. (Under contract; anticipated 2018.) Curricular frameworks in preservice music teacher education. In C. Conway (Ed.), The Oxford