Coming Out, Overcoming Bullying, and Creating a Life Worth Living
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LGBTQI and GNC Resources
Attachment B LGBTQI and GNC Resources Resources are available to help develop a better understanding of issues LGBTQ individuals face and provide access to ways to support them. Several of these organizations offer youth-oriented, school and community based LGBTQ support groups and events. Participation in such groups and events has been shown to be beneficial for LGBTQ youth. LOCAL RESOURCES • Adoption & Foster Care (AFC) Mentoring – Targeted, specialized mentoring service for young people who have been removed from their homes due to alleged abuse or neglect. Provides one-to-one mentoring as well as group mentoring through AFC Leaders, which includes a specialized group mentoring program for lesbian, gay, bisexual and transgender (LGBT) youth in care. (617-224-1302; www.afcmentoring.org) • “AGLY” (Alliance of Gay, Lesbian, Bisexual and Transgender Youth) –Regional groups in communities across the Commonwealth provide weekly programming and annual social events in safe, supportive, non-exploitative and culturally competent spaces where LGBTQ youth can access social support and services, develop leadership and build community. Over 3,000 youth ages 22 and under who are LGBTQ participate every year throughout Greater Boston area, and over 6,000 youth across Massachusetts. (617-727-4313; http://www.bagly.org/programs/youth- group/overview; BAGLY also has a link that lists resources for youth, youth workers and parents and families at www.bagly.org/resources) • Boston Gay & Lesbian Adolescent Social Services (Boston GLASS) is a community center serving young people in the gay, lesbian, bisexual and transgender community. An average of 25-30 youth a night come to GLASS to meet friends, talk to staff or participate in formal programming. -
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At the Crossroads of Jim Donnelly Metal Music West Coast News and Comedy By Justine Taormino ’06 By Peter Gordon ’78 Northern California alumni are abuzz At the improbable intersection of Brendon Small ’97 with news of their work in a variety metal music, animated TV, and stand- of areas. Here are some recent high- up comedy, the story of guitarist, com- lights. poser, actor, and producer Brendon sitcom that aired from 1999 to 2004. Benjamin Flint ’85 of Oakland led Small ’97 stands apart. Metal fans Although he also provided the show’s two Diablo Valley College jazz choirs worldwide know him as the creative music, he rapidly became better Reno Jazz Festival where they took first mastermind behind the smash-hit ani- known as a comedian. and third places in their division. Flint mated TV show Metalocalypse and the Toward the end of the show’s run, also directs the Oakland Jazz Choir and metal bands Dethklok and Galaktikon. Small began to turn back to the guitar. has taught at Jazz Camp West. Small’s unique journey began in “I was so excited to hear what people This fall, saxophonist Sonya the laid-back northern California town were doing in metal,” he says. “They Jason ’85 of Montara, will release of Salinas, where he remembers spend- were actually playing their instruments Feels So Good: Live in Half Moon Bay, ing long hours practicing guitar and incredibly well! I now had the comedy her fourth solo album. Recorded live re-watching VHS copies of his favorite chops and could write, thanks to Home at the legendary jazz venue Bach comedies. -
The Art of Thinking Clearly
For Sabine The Art of Thinking Clearly Rolf Dobelli www.sceptrebooks.co.uk First published in Great Britain in 2013 by Sceptre An imprint of Hodder & Stoughton An Hachette UK company 1 Copyright © Rolf Dobelli 2013 The right of Rolf Dobelli to be identified as the Author of the Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent purchaser. A CIP catalogue record for this title is available from the British Library. eBook ISBN 978 1 444 75955 6 Hardback ISBN 978 1 444 75954 9 Hodder & Stoughton Ltd 338 Euston Road London NW1 3BH www.sceptrebooks.co.uk CONTENTS Introduction 1 WHY YOU SHOULD VISIT CEMETERIES: Survivorship Bias 2 DOES HARVARD MAKE YOU SMARTER?: Swimmer’s Body Illusion 3 WHY YOU SEE SHAPES IN THE CLOUDS: Clustering Illusion 4 IF 50 MILLION PEOPLE SAY SOMETHING FOOLISH, IT IS STILL FOOLISH: Social Proof 5 WHY YOU SHOULD FORGET THE PAST: Sunk Cost Fallacy 6 DON’T ACCEPT FREE DRINKS: Reciprocity 7 BEWARE THE ‘SPECIAL CASE’: Confirmation Bias (Part 1) 8 MURDER YOUR DARLINGS: Confirmation Bias (Part 2) 9 DON’T BOW TO AUTHORITY: Authority Bias 10 LEAVE YOUR SUPERMODEL FRIENDS AT HOME: Contrast Effect 11 WHY WE PREFER A WRONG MAP TO NO -
The Trevor Project’S Coming Out: a Handbook Are At
COMING OUT A Handbook for LGBTQ Young People CONTENTS IDENTITY 4 HEALTHY RELATIONSHIPS 17 THE BASICS 4 SELF-CARE 18 What Is Sex Assigned at Birth? 5 Checking in on Your Mental Health 19 What Is Gender? 5 Warning Signs 19 Gender Identity 6 RESOURCES 20 Gender Expression 7 Transitioning 8 TREVOR PROGRAMS 21 What Is Sexual Orientation? 9 Map Your Own Identity 21 Sexual Orientation 10 Sexual/Physical Attraction 11 Romantic Attraction 12 Emotional Attraction 13 COMING OUT 14 Planning Ahead 14 Testing The Waters 15 Environment 15 Timing 15 Location 15 School 16 Support 16 Safety Around Coming Out 16 2 Exploring your sexual orientation Some people may share their identity with a few trusted friends online, some may choose to share and/or gender identity can bring up a lot with a counselor or a trusted family member, and of feelings and questions. Inside this handbook, others may want everyone in their life to know we will work together to explore your identity, about their identity. An important thing to know what it might be like to share your identity with is that for a lot of people, coming out doesn’t just others, and provide you with tools and guiding happen once. A lot of folks find themselves com- questions to help you think about what coming ing out at different times to different people. out means to you. It is all about what works for you, wherever you The Trevor Project’s Coming Out: A Handbook are at. The things you hear about coming out for LGBTQ Young People is here to help you nav- may make you feel pressured to take steps that igate questions around your identity. -
H Jon Benjamin on Getting Noticed
H Jon Benjamin On Getting Noticed Patin universalizing double-quick? Accordant and erect Cyril tag while scarred Billie even her Madison creepingly and chelated cross-legged. Permitted Lonnie never noising so seemingly or barber any purlers insuperably. Rebecca romjin is getting a sliding scale. Drank with my buddies and watched the Maniac episode of Always Sunny. We are happily again is cоnnеctеd to increase property in front door until i noticed your notice will likely to each? 25 Best H Jon Benjamin Memes Benjamins Memes Alan. The brain Game Screenshot Thread or HEAVY. Expect you on dvd show lazy loaded on everyone still need for your business? For review it say like getting as the wheel just a Porsche. Just wanted rid of something dead ends 0 replies 0 retweets 0 likes. Should you good making plans for going children the law enforcement officials, I guess. H Jon Benjamin Wet Hot American what I describe like jump time come watch. Do not have starring you meet the h jon benjamin on getting noticed that more successful finance or where i will start? Was quite helpful post for ever gets through without no sense about h jon benjamin on getting noticed as soon as someone always think? Otherwise I call forward the video to siege your friends. Short film Adam Spielman. Was for watching Bobs Burgers and even worse a laugh you two out found it. It's the Gene who gets noticed in the crowd for harm spirit and cheering ability. Happy living what was're getting but yes's very rational to control on Hulu. -
Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
The Emblematic Imagination of Anthony Hecht Worldly and Religious Icons and Rituals
Master’s Degree in English and American literary studies Final Thesis The Emblematic Imagination of Anthony Hecht Worldly and Religious Icons and Rituals Supervisor Ch. Prof. Gregory Dowling Assistant supervisor Ch. Prof. Gabriella Vöő Graduand Elena Valli Matricolation number 871686 Academic Year 2019/2020 Index 0. Introduction ......................................................................................................................... 1 1. The Seven Deadly Sins: Anthony Hecht and the Emblematic Tradition ........................ 3 1.1. Emblematic Poetry .................................................................................................... 3 1.1.1. Hecht’s Emblematic View of Nature ............................................................ 3 1.1.2. Hecht’s Emblematic Practice........................................................................ 4 1.1.3. A Definition and History of Emblems .......................................................... 5 1.1.4. Metaphysical Poetry and the Emblematic Tradition ................................... 8 1.2. The Seven Deadly Sins ............................................................................................ 10 1.2.1. “Pride” ........................................................................................................ 13 1.2.2. “Envy” ........................................................................................................ 20 1.2.3. “Wrath” ...................................................................................................... -
539814-00611.Pdf
C E N T E R F O R D E M O C R A C Y & T E C H N O L O G Y Evaluating DRM: Building a Marketplace for the Convergent World September 2006 – Version 1.0 As digital rights management technologies are increasingly integrated into media products, devices, and platforms, it is important for the public to understand the tradeoffs and choices associated with different DRM systems. With sufficient information, competition between different DRM offerings can help promote a marketplace for digital media products that is diverse and responsive to reasonable consumer expectations. This paper seeks to contribute to the public discussion and understanding of DRM in the media marketplace by systematically reviewing the types of factors that product reviewers, consumer advocates, and members of the public may want to consider when evaluating products incorporating DRM. Introduction The explosive growth of the Internet and digital media has created both tremendous opportunities and new threats for content creators. Advances in digital technology offer new ways of marketing, disseminating, interacting with, and monetizing creative works, giving rise to expanding new markets that did not exist just a few years ago. These technologies also promise to democratize the production of creative content by putting the creation and wide distribution of creative works within the reach of private individuals. At the same time, however, the technologies have created major challenges for copyright holders seeking to exercise control over the distribution of their works and protect against piracy. 1 Digital rights management (DRM) represents a response to these issues. -
List of Poems Used in Literary Criticism Contests, 2009
UIL Literary Criticism Poetry Selections 2021 William Wordsworth's "Strange Fits of Passion Have I Known" Percy Bysshe Shelley "To Wordsworth" Mark Hoult's clerihew "[Edmund Clerihew Bentley]" unattributed clerihew "[Lady Gaga—]" 2021 A 2021 Richard Wilbur's "The Catch" William Wordsworth's "[Most sweet it is with unuplifted eyes]" William Wordsworth's "She Dwelt among Untrodden Ways" Marge Piercy's "What's That Smell in the Kitchen?" Robert Browning's "Meeting at Night" Donald Justice's "Sonnet: The Poet at Seven" 2021 B 2021 William Wordsworth's "To Sleep" William Wordsworth's "Lucy Gray" William Wordsworth's "The Solitary Reaper" Richard Wilbur's "Boy at the Window" Alfred, Lord Tennyson's "Tears, Idle Tears" 2021 D 2021 Christina Rossetti's "Sleeping at Last" William Wordsworth's "[My heart leaps up when I behold]" William Wordsworth's "I Wandered Lonely as a Cloud" William Wordsworth's "The World Is Too Much with Us" John Keats's "On Seeing the Elgin Marbles" Anthony Hecht's "The End of the Weekend" 2021 R 2021 Elizabeth Bishop's "Little Exercise" Billy Collins's "Dharma" William Wordsworth's "Expostulation and Reply" William Wordsworth's "Matthew" Charles Lamb's "The Old Familiar Faces" Louis Untermeyer's "The Victory of the Beet-Fields" 2021 S 2021 Ralph Waldo Emerson's "Bramha" Elinor Wylie's "Pretty Words" italics indicate that the poem is found in Part 4 UIL Literary Criticism Poetry Selections 2020 Percy Bysshe Shelley's "Ozymandias" Percy Bysshe Shelley's "Song: To the Men of England" William Shakespeare's Sonnet 73 A Alanis Morissette's "Head over Feet" Mary Holtby's "Milk-cart" Emily Dickinson's "[A Bird came down the Walk]" 2020 Percy Bysshe Shelley's "Ozymandias" and Sheikh Sa'di's "[A Vision of the Sultan Mahmud]" Percy Bysshe Shelley's "England in 1819" Percy Bysshe Shelley's "One word is too often profaned" B William Shakespeare's Sonnet 2 John Updike's "Player Piano" 2020 Thomas Hardy's "Transformations" Percy Bysshe Shelley's "[Tell me thou Star, whose wings of light]" Percy Bysshe Shelley's "To Wordsworth" Percy Bysshe Shelley's "To Jane. -
Poetry Catalog 2021
TIN HOUSE POETRY CATALOG NEW TITLES & ESSENTIAL BACKLIST 2021 Contents All The Names Given ..................................................... 1 My Darling from the Lions.................................................. 2 Superdoom: Selected Poems ................................................. 3 Other People’s Comfort Keeps Me Up at Night ................................ 4 The Perseverance ......................................................... 5 Negotiations ............................................................. 6 Resistencia: Poems of Protest and Revolution ................................ 7 Anodyne ................................................................. 8 My Baby First Birthday .................................................... 9 Good Boys .............................................................. 10 A Sand Book ............................................................. 11 Feed ..................................................................... 12 A Fortune for Your Disaster ................................................. 13 Whitman Illuminated: Song of Myself ........................................ 14 Magical Negro ........................................................... 15 When Rap Spoke Straight to God............................................ 16 Junk ..................................................................... 17 The Möbius Strip Club of Grief ............................................. 18 Nature Poem ............................................................ 19 There Are -
Scissor Sisters by Claude J
Scissor Sisters by Claude J. Summers Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2010 glbtq, Inc. Reprinted from http://www.glbtq.com The American pop band Scissor Sisters was spawned in New York City's gay club scene and has cultivated a large glbtq fan base around the world, especially in the United Kingdom and the United States. With four of its current five members openly gay men; with the lyrics of their songs regularly addressing transgressive sexuality and glbtq subjects, such as transsexual prostitutes and coming out to one's family; and with the group's music and flamboyant presentation drawing on the rich heritage of gay dance music, especially disco and Scissor Sisters lead glam rock: it is not a stretch to suggest that the band expresses a contemporary gay singers Ana Matronic artistic vision, notwithstanding its consistent rejection of the label "gay band." and Jake Shears. Image of Ana Matronic by Wikimedia Commons Although co-founder Jake Shears has said that "I don't believe sexuality really matters contributor HD. Image of when it comes to music," he has nevertheless expressed the desire for the band to be Jake Shears by "openly gay" in a way that other bands have not been in the past, without coyness or Wikimedia Commons apology. Contributor Ames. Both images appear under the Creative Commons Whatever label one attaches to the group, there is no doubt that the band seems to Attribution 2.0 Generic crystallize the joyful energy and genderbending campiness, as well as the sardonic license. poses, tender yearning, and uninhibited eroticism, of many glbtq young people. -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................