Blackburn Cathedral Newsletter Sep 2003
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Sunday 22Nd September 2019 Fourteenth Sunday After Trinity
SUNDAY 22ND SEPTEMBER 2019 FOURTEENTH SUNDAY AFTER TRINITY 8.00 HOLY COMMUNION Service begins on page 236 of the Prayer Book. Collect and readings for the Fourteenth Sunday After Trinity are on pp 179-180. 10.00 MATTINS Ireland in F Responses: Byrd Tye - O come, ye servants of the Lord Ezra 1 John 7: 14-36 Psalm: 129 Hymn: 466 Preacher: The Reverend Ish Smale, Cathedral Deacon Organ Voluntary: Herr Jesu Christ, dich zu uns wend BWV 632 by J S Bach (1685 - 1750) 11.00 SUNG EUCHARIST For full details of this Service please refer to the separate Order of Service. After the Sung Eucharist this morning, wine, coffee and soft drinks will be served in the South Transept, to which all members of the congregation are warmly invited. 2.15 HOLY BAPTISM 3.30 EVENSONG Tomkins - Fifth Service Responses: Byrd Stanford - For lo, I raise up Isaiah 45: 9-22 Revelation 14: 1-5 Psalm: 130 Hymns: 349, 433 Organ Voluntary: Postlude in D minor by C V Stanford (1852 - 1924) Notices The Funeral Service for Nadja Everson will take place in the Lady Chapel on Monday 23rd September at 2.30pm. Message from Jeremy Mudford: Jeremy was surprised and moved by the all wonderful messages he has received from volunteers and staff in the Cathedral after more than twenty years service. In addition to the card Jeremy says he was ‘overwhelmed by the wonderful gifts of Theatre Tokens and cash’ which was totally unexpected and also the lovely bunch of flowers for his wife Carolyn which was much appreciated. -
Introduction
GSG S 1550 Introduction On behalf of the Trustees, we are pleased to present this, the fifth annual report of the Archbishops’ Council. 2003 was a year when the Council had to grapple with a very wide range of issues: the employment status of clergy; the training and formation of clergy and lay ministers; the legal framework for reviewing dioceses and parishes; the shape of the Church’s mission; how its national financial resources are used; building the Church of the future through educating and involving children and young people; how the Church of England relates to other Churches; a strategy for the use of our 16,000 church buildings, half of which were constructed before the Reformation. All of these – and more – were considered by the Council during the year. The workload has at times been challenging. The Council is grateful for the support it receives from its staff and from the staff and members of its Boards, Councils and Divisions. It is they who bear the brunt of tight deadlines and heavy workloads in preparing the way for the Council’s own considerations and those of the Synod. Without them, we should not have achieved a fraction of what has been achieved since the Archbishops’ Council was established just over five years ago. We are happy to commend this report, which details the variety of work undertaken on behalf of the Archbishops’ Council. We continue to pray that together we may be able to build on what has already been achieved and to meet with confidence the challenges that lie ahead. -
Choral Evensong
Summer 2017 Service & Music List Sunday 2nd July The Third Sunday after Trinity Thursday 6th July Decani Week 11.05am Eucharist said in Saint Stephen’s Chapel 9.15am Eucharist said in the Lady Chapel 5.30pm Choral Evensong sung by the Georgia Boys’ Choir 11 .15 am Choral Eucharist sung by the Maryland State Boy choir Canticles Brewer in D Responses: Hancock Setting Piccolo: Canterbury Mass Anthem All in the April evening Roberton Psalm: 34 vv 1 -10 Gradual O sing joyfully Batten Motet Ave Verum corpus Byrd Friday 7th July Preacher The Revd T.S. Forster, B.A., B.Th., M.Phil. 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Prebendary of Yagoe Hymns: 334, 272, 475 3.15pm Choral Evensong sung by the Maryland State Boy choir Canticles Kelly in C Responses: Hancock Anthem Like as the hart Howells Psalm: 37 vv 1 -11 Canticle s Stanford in C Responses: Quinn An them Hail gladdening light Wood Psalm: 12 Saturday 8th July Voluntary Preludium in G Buxtehude Hymns: 483 (t.77), 252 11.05am Eucharist said in Saint Stephen’s Chapel rd Monday 3 July Saint Thomas th 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Sunday 9 July The Fourth Sunday after Trinity Cantoris Week Canticles Dyson in D Re sponses: Hancock Anthem The deer’s cry Pärt Psalm: 18 vv 1 -16 9.15am Eucharist said in the Lady Chapel 11.15am Choral Eucharist sung by the Georgia Boys’ Choir Tuesday 4th July Setting Missa de Angelis 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Gradual Os Justi Bruckner Motet Faire is th e Heaven Harris Canticles Hogan in D b Responses: Hancock Preacher The Revd W.P. -
Print Version
anglican focus 26 August 2020 Reflections • Wednesday 19 August 2020 • By Bishop John Roundhill Three degrees of separation ‘Six degrees of separation’ is the notion that all people are a maximum of six social connections away from each other. In the Church, it is more like three. It is a big world, but within the life of faith, unexpected connections are constantly being found. One of the Church of England’s many theological “In my Ann St, Brisbane office I have a photo taken during my colleges is on the outskirts of Oxford. Oxford itself curacy of a church full of people, young and old. I cannot sports three Anglican theological colleges which remember the particular occasion, but it is a powerful itself is noteworthy – it once had even more! The reminder of my roots, for curacies are also formative" (Bishop one that is on the outskirts of Oxford is in a small John Roundhill) leafy village called Cuddesdon. The college’s name is Ripon College Cuddesdon. The Rev’d Max Lambourne from St Alban’s Church in Wilston, Brisbane, trained there, as too did this cleric. Theological colleges are formative places. The older I get the more I realise what a gift the lectures were, and what a privilege it was to study, worship and live as part of a college community. I was at Cuddesdon for three years and then propelled into a curacy. Many of my fellow ordinands stayed in the south of England. I headed back north to The Diocese of Blackburn in Lancashire, where I spent four years as a curate in a suburban parish in Lancaster. -
The 2007 Edition Is Available in PDF Form By
VOX The new Chapter Secretary: Nick Gale [email protected] The Academy of St Cecilia Patrons: The Most Hon. The Marquess of Londonderry Dean and Education Advisor: Sir Peter Maxwell Davies CBE John McIntosh OBE Vice Patrons: James Bowman CBE, Naji Hakim, Monica Huggett [email protected] From the master Treasurer: Paula Chandler [email protected] elcome to the 2007 edition of Vox - the mouthpiece of the Academy of St Cecilia. Registrar: Jonathan Lycett We always welcome contributions from our members - [email protected] indeed without them Vox would not exist. In this edition we announce our restructured Chapter and its new members; feature a major article on Thomas Tallis Director of Communications: whose 500th anniversay falls at this time; and we Alistair Dixon review the Academy’s most major event to date, the [email protected] chant day held in June 2006. Our new address is: Composer in Residence: Nicholas O'Neill The Academy of St Cecilia Email: [email protected] C/o Music Department [email protected] Cathedral House Westminster Bridge Road Web site: LONDON SE1 7HY www.academyofsaintcecilia.com Archivist: Graham Hawkes Tel: 020 8265 6703 [email protected] ~ Page 1 ~ ~ Page 2 ~ Advisors to the Academy Thomas Tallis (c.1505 - 1585) Alistair Dixon, a member of the Chapter of the Academy, spent ten years studying and performing the music of Thomas Tallis. In 2005 Academic Advisor: he released the last in the series of recordings with his choir, Chapelle Dr Reinhard Strohm PhD (KU Berlin) FBA HonFASC. Heather Professor of Music Oxford University du Roi, of the Complete Works of Thomas Tallis in nine volumes. -
The Anglo-Catholic Companion to Online Church
content regulars Vol 23 No 292 July/August 2020 19 THE WAy WE LIVE nOW cHRISTOPHER SmITH 3 LEAD STORy 20 Views, reviews & previews is listening ‘Replying we sing as one individual...’ ART : Owen Higgs on 25 gHOSTLy cOunSEL Exhibitions in Lockdown AnDy HAWES Barry A Orford encourages wants to save the book unity amongst Catholic BOOkS: John Twisleton on An Anglicans Astonishing Secret Andrew Hawes on EDITORIAL 18 3 The Anglo-catholic Pointers to Heaven BISHOPS Of THE SOcIETy 35 companion to Online church Jack Allen on Why LukE WALfORD Medieval Philosophy introduces a new resource Maers William Davage on a 26 SAInT QuEnTIn 4 World Peace Day Primrose Path J A LAn SmITH Barry A Orford on 29 SummER DIARy calls for an act of reconciliation Evelyn Underhill THuRIfER continues in lockdown 5 Anglo-catholicism in 32 The resurrection of a special Lancashire church 31 fAITH Of OuR fATHERS TOm HODgSOn kEVIn cABLE ARTHuR mIDDLETOn considers the legacy of Bishop is moving to Jaffa on staying orthodox Baddeley 35 corpus christi in Bickley 34 TOucHIng PLAcE 8 The Wesley Brothers and the Ss Just et Pasteur, Valcabrere, France Eucharist RyAn n D AnkER encourages us to read Wesley’s hymns 11 Lauda Sion HARRI WILLIAmS on a very different Corpus Christi 11 A message from the Director of forward in faith 12 Who? me? mIcHAEL fISHER is called 14 meeting mrs Scudamore ELEAnOR RELLE introduces a Catholic pioneer 16 Ecce Sacerdos magnus ROgERS cASWELL remembers Fr Brandie E R E G Adoration for Corpus Christi V A at St Mary’s, Walsingham. -
Music List – May 2021
MUSIC LIST – MAY 2021 SUNDAY 2nd MAY WEDNESDAY 5th FIFTH SUNDAY OF EASTER Cantoris 5.45pm Choral Evensong services sung by the Boys and Lay Clerks sung by the Consort 10.30am Sung Eucharist Oxley responses Psalm 99 Rowley Sursum corda Harris in A Darke in E Bairstow Sing ye to the Lord arr. Wood This joyful Eastertide Stanford Andante maestoso Hymns: 205 (omit vv. 2 & 4); 112 (omit vv. 2 & 4); 110 THURSDAY 6th Langlais Fête 5.45pm Choral Evensong Preacher: Canon Benjamin Carter sung by the Girls and Lay Clerks Cullen responses Psalm 104 3.00pm Choral Evensong Dyson in F Stanford Prelude on Tallis’ Canon Wesley Blessed be the God Moore responses Psalm 96 and Father Dyson in D Willan O filii et filiae Stanford Ye choirs of new Jerusalem Hymns: 119 (omit vv. 4 & 5); 120 FRIDAY 7th Stanford Prelude on the Easter Hymn 5.45pm Choral Evensong sung by the Boys and Lay Clerks TUESDAY 4th Shephard responses Psalm 66 5.45pm Choral Evensong Sumsion in G sung by the Lay Clerks Millican Haec dies Ashfield responses Psalm 97 Sumsion Ceremonial march Lang in E flat MacPherson Te Deum in E Brahms Schmücke dich, O liebe Seele SUNDAY 9th MAY WEDNESDAY 12th SIXTH SUNDAY OF EASTER Decani 5.45pm Choral Evensong services sung by the Girls and Lay Clerks sung by the Consort 10.30am Sung Eucharist Clucas responses Psalms 15, 24 Widor Symphonie Romane: Cantilène Ireland in F (founded upon the Easter hymn Amner Come, let’s rejoice ‘Haec dies’) Murrill Carillon Haydn Little organ mass Palestrina Sicut cervus THURSDAY 13th Hymns: 106 (omit v. -
Some Tho:Ughts on Antiphonal Singing
SOME THO:UGHTS ON ANTIPHONAL SINGING placement of organs in two separate arms Decani choir (south side of the Cathe• LEONARD VAN CAMP of this cross caused the experimentation dral) and a Cantoris choir (north side of Prepared for the Fourth Annual High with alternating the sound of the two the Cathedral). Many works which we School Choral Clinic, Southern Illinois instruments (which had been done ear- think to be for four-part choir were in• University, Edwardsville Campus, ·by Dr. lier in other places). Further exploration stead intended to be sung by alternate Van Camp, Director of Choral Activities showed the feasibility of placing separate choirs, including for example (in the choirs across the nave from each other. writer's opinion) the oft-performed A marvelously colorful musical experi- With each succeeding generation of mas- "Lord, for Thy Tender Mercies' Sake" ence awaits the director and choir who ter composers the Venetian school of by Richard Farrant (c. 1530-1581) and undertake choral music which. incorpor-' polychoral singing developed to a higher Christopher Tye's (c. 1500-c. 1572) "O ates antiphonal singing. We must first and more colorful peak. The height of Come, Ye Servants of the Lord," both of of all answer the question: "What do you this development which began in earnest which take mi new meaning when per• mean, antiphonal singing?" The term at St. Mark's in 1527 with Adrian Wil- formed in this way. The Roman School, refers, in a general way, to music for laert (c. 1490-1562), and continued even especially Antonio Lotti (1667-1740) two choirs in which one choir imitates after the days of the famous composer, and Antonio Caldara ( 1670-1736), was or echoes the music of the other. -
The Plight of Anglican Church Music in the Western Cape: Three Case Studies
THE PLIGHT OF ANGLICAN CHURCH MUSIC IN THE WESTERN CAPE: THREE CASE STUDIES Levi Eudo Alexander Thesis presented in partial fulfilment of the requirements for the degree of Master of Music (Choral Conducting) in the Faculty of Arts and Social Sciences at Stellenbosch University. Supervisor: Martin Berger March 2021 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Levi Alexander March 2021 Copyright © 2021 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za ABSTRACT Music ministries still providing Anglican church congregations with traditional Anglican church music find themselves clutching onto a musical tradition in a church plagued by the increasing secularisation of society. This thesis, in three case studies, investigates the musical output and general daily function of three Anglican churches in the Western Cape by interviewing the rector and music director of each parish. Each parish was selected as it presented a varied historical, musical, liturgical and churchmanship culture. The aim of the thesis is to ascertain, primarily, whether traditional music is under threat of falling into disuse in the church and secondly, if traditional music is indeed under threat, the possible measures which could be implemented to preserve the heritage for future generations of Anglican worshippers. -
Services and Music List
Services and Music List December 2018 WELCOME December begins almost immediately with the thrill of Advent and our Carol Service, How shall we call Thee?, built around the Great Advent Antiphons. These are set to music this year by Richard Allain under the title Vero Cras. Amid the many celebrations of Christmas hosted by the Cathedral throughout Advent, we keep the daily round of prayer and praise as excitement builds, and we are surprised again by God’s gift of himself. We hope very much that you will join us when you can. The Reverend Canon Nicholas Jepson-Biddle, Precentor Communicant members of other churches in good standing are welcome to receive the Sacrament in this church if they so desire. IN RESIDENCE December 1: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 2 – 8: The Very Reverend Dr John Davies DL, Dean December 9 – 15: The Reverend Canon Rosalind Paul, Pastor December 16 – 25: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 26 – 31: The Reverend Canon Rosalind Paul, Pastor WELLS CATHEDRAL CHOIR The Cathedral’s Organist and Master of the Choristers, Prebendary Matthew Owens, is always pleased to hear from parents of prospective choristers. Scholarships and additional bursaries for Wells Cathedral School, which all choristers attend, are available. For more information, or about choral and organ scholarships at the Cathedral, please telephone 01749 832204 or email [email protected] USE OF INCENSE At certain services throughout the year, incense is used to enhance the festal nature of the day. These services are marked with an asterisk (*). ANTHEMS Selected translations of anthems which are not sung in English may be found towards the back of the Services and Music List, following the final listed week. -
Choral Evensong for the Fifth Sunday of Easter
Choral Evensong For the Fifth Sunday of Easter May 6, 2012 5:00 PM The Rev. Judith L. Rhodes, Rector The Reverend Dr. Paul J. Carling, Associate Rector The Reverend Kristin K. Miles, Assistant for Formation The Saint Paul’s Choir, John Abdenour, Director Joseph Ripka, Organ Welcome to this service of Choral Evening Prayer, or Evensong. In the Episcopal Church, the Daily Office—that is , services of Morning and Evening Prayer—celebrate the sacramental nature of the movement of time. Rooted in ancient monastic tradition, the services focus on the Word of God as it is revealed through the Lessons (scripture readings), the Canticle(s) (at Evening Prayer drawn from the Gospel of Luke), the Psalm, and the prayers, which are always grounded in Scripture. This service will be conducted as a ‘choir’ service, that is, a service being held in the choir—or chancel—of the church, and sung primarily by the choir and Precentor (cantor). The congregation is invited to sing the hymns and to participate through listening, contemplation, and prayer. Hymns may be found in the blue Hymnal 1982 in the pew rack in front of you. Order of Service Organ Voluntary Adagio e dolce from Sonata III BWV 527 Johann Sebastian Bach (1685-1750) The People stand as the Choir and Officiant enter. Introit John Abdenour (b. 1962) I will bless the Lord at all times * his praise shall ever be in my mouth. Look upon him and be radiant, * Nor let your faces be ashamed. Taste and see that the Lord is good; * Happy are they that trust in him. -
Robert Shay (University of Missouri)
Manuscript Culture and the Rebuilding of the London Sacred Establishments, 1660- c.17001 By Robert Shay (University of Missouri) The opportunity to present to you today caused me to reflect on the context in which I began to study English music seriously. As a graduate student in musicology, I found myself in a situation I suspect is rare today, taking courses mostly on Medieval and Renaissance music. I learned to transcribe Notre Dame polyphony, studied modal theory, and edited Italian madrigals, among other pursuits. I had come to musicology with a background in singing and choral conducting, and had grown to appreciate—as a performer—what I sensed were the unique characteristics of English choral music of the sixteenth and seventeenth centuries. It was a seminar on the stile antico that finally provided an opportunity to bring together earlier performing and newer research interests. I had sung a few of Henry Purcell’s polyphonic anthems (there really are only a few), liked them a lot, and wondered if they were connected to earlier music by Thomas Tallis, William Byrd, and others, music which I soon came to learn Purcell knew himself. First for the above-mentioned seminar and then for my dissertation, I cast my net broadly, trying to learn as much as I could about Purcell and his connections to earlier English music. I quickly came to discover that the English traditions were, in almost every respect, distinct from the Continental ones I had been studying, ranging from how counterpoint was taught (or not taught) 1 This paper was delivered at a March 2013 symposium at Western Illinois University with the title, “English Cathedral Music and the Persistence of the Manuscript Tradition.” The present version includes some subsequent revisions and a retitling that I felt more accurately described the paper.