Mythology Crossword Puzzle

Total Page：16

File Type：pdf, Size：1020Kb

Name: _____________________________________ Date: _______ Period: _______ Mythology Crossword puzzle 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Across 23. What is Zeus's symbol? 7. Who was the god of fire? 1. Who was the goddess of love and 25. Where did Zeus live? 8. Who is the KIng of the gods? beauty? 27. Who was the god of music? 9. Who was Demeter's parents? 3. What is Nike's Roman name? 28. Who was the god of travelers and 11. Who was Apollo's Parents? 10. Who was the goddess of hospitality? agriculture? 12. Who was Hermes parents? 29. Who was Aphrodite parents? 13. Who was the god of Forethought, 14. Who was Zeus's son? Hint: Very crafty counsel? 30. Who was the parents of Nike? Strong 15. Who was the Queen of the gods? Down 17. Who was the goddess of wisdom? 16. Who was the goddess of hearth 2. What is Poseidon's symbol? 18. Who was the god of war? and home? 4. What is Hades's symbol? 19. Where does does the 12 gods 20. Who is the god of the underworld? 5. Who were Ares parents? live? 21. Who was Athena parents? 6. Which god holds the heavens on 24. What was Zeus's Roman name? 22. Who was the goddess of victory? his shoulders? 26. Who was the King of the Sea? Word Bank Lighting Bolt Hercules Aphrodite Zeus and Dione Apollon Zeus and Leto Ares Zeus and Hera Athene Mount Olympus Demeter Cronus and Rhea Zeus and Metis Mount Olympus Hermes Zeus and Maia Jupiter Hera Poseidon Hephaestus Nike Pallas and Styx Victoria Hestia Trident Hades Cap of Invisibility Zeus Prometheus Atlas.

Copy Link

Recommended publications

The Myth of the Messenger Jules Cashford
ARAS Connections Issue 3, 2011 Figure 1 The Etruscan Hermes. Terracotta statue head. Museo Nazionale di Villa Giulia, Rome. C. 500 BC. The Myth of the Messenger Jules Cashford The images in this paper are strictly for educational use and are protected by United States copyright laws. Unauthorized use will result in criminal and civil penalties. 1 ARAS Connections Issue 3, 2011 The German novelist Thomas Mann, in his address on the occasion of Freud’s 80 th birthday, spoke of myth as offering a “smiling knowledge of eternity” – such, perhaps, as is evoked by this Etruscan Hermes of 500 BC (1936, p. 89) It is impossible to define Imagination since the only definition we can make is that we are far from it when we talk about it. It is perhaps a power so ultimate that only its own numinous images can call it forth, as though we have, as it were, to ask the Imagination to imagine itself. We might say that whenever there is numinosity – a coming alive of divine presence – literally, the “nod” or “beckoning” of a god – whenever an image becomes translucent to a reality beyond itself, we are in the presence of Imagination. The images that come towards us – as divinities, daimons, soul-birds, angels, geniuses, muses – are all figures who bring messages from afar or beyond, from the heights or the depths – the realms where consciousness may not go, yet on which it rests and through which it grows. “Wisdom first speaks in images,” W. B. Yeats, says (1961, p. 95). The role of “the messenger” is to go between, and so to connect, two terms – gods or persons or worlds or states of being.
[Show full text]
A Lifetime of Trouble-Mai(Ing: Hermes As Trici(Ster
FOUR A LIFETIME OF TROUBLE-MAI(ING: HERMES AS TRICI(STER William G. Doty In exploring here some of the many ways the ancient Greek figure of Hermes was represented we sight some of the recurring characteristics of tricksters from a number of cultures. Although the Hermes figure is so complex that a whole catalog of his characteristics could be presented,1 the sections of this account include just six: (1) his marginality and paradoxical qualities; (2) his erotic and relational aspects; (3) his func tions as a creator and restorer; (4) his deceitful thievery; (5) his comedy and wit; and (6) the role ascribed to him in hermeneutics, the art of interpretation whose name is said to be derived from his. The sixth element listed names one of the most significant ways this trickster comes to us-as interpreter, messenger-but the other characteristics we will explore provide important contexts for what is conveyed, and how. This is not just any Western Union or Federal Express worker, but a marginal figure whose connective tasks shade over into creativity itself. A hilarious cheat, he sits nonetheless at the golden tables of the deities. We now recognize that even apparently irreverent stories show that some mythical models could be conceived in a wide range of sig nificances, even satirized, without thereby abandoning the meaning complex in which the models originated. For example an extract from a satire by Lucian demonstrates that Hermes could be recalled with re Copyright © 1993. University of Alabama Press. All rights reserved. of Alabama Press. © 1993. University Copyright spect, as well as an ironic chuckle: Mythical Trickster Figures You :are Contours, reading Contexts, copyrighted and material Criticisms, published edited by Williamthe University J.
[Show full text]
Brother G's Cyclopedia
Brother G’s Cyclopedia Of Comparative Mythology 210 building blocks for the aspiring mythopoet B c d e f g h k l m t u Dedicated To Messrs. Mircea Eliade and Hugh Nibley, who introduced a young boy to comparative mythology. To Lord Dunsany and Mr. H. P. Lovecraft, who pioneered the art of literary mythopoeia. And To Messrs. M. A. R. Barker and J. R. R. Tolkien, who taught us that master worldbuilders must be referred to by three initials and a last name. Table of Contents Introduction…………………………………………………………………...................................1 From Acosmism to Writing ………………………………………………………………….....x Appendix A: Non-Standard Portfolios………………………………………………………...x Appendix B: Epithets and Fusions……………………………………………………………..x Appendix C: Meta-Theory…………………………………………………………………......... x Appendix D: Story-starting Phrases…………………………………………………………… x Appendix E: Bringing It Together……………………………………………………………… x Appendix F: Random Tables…………………………………………………………………... x 1 Introduction Appendix A: Appendix B: Appendix C: If the main entry concerns itself chiefly with ideas of religion and mythology, then Appendix C concerns itself chiefly with ideas about religion and mythology. Appendix D: Appendix E: Appendix F: Include reading list 2 A solar vehicle is a mode of transportation used by the sun to make its journey across the sky and anywhere else that it goes (such as the underworld). It is most commonly a barge or chariot. Depictions of solar barges date to the Neolithic and are older than the sun chariot. Examples include the solar barge of Ra (Egyptian) and the chariots of Apollo (Greek) and Surya (Hindu). A world tree is an AXIS MUNDI. Typically its roots reach the UNDERWORLD (represented as either earth or water) and its branches (inhabited by birds) the OVERWORLD in order to connect them to each other and to the phenomenal world.
[Show full text]
The Gorgon Whom Perseus 1
TM Storytime WE ARE 1 HEROESProtecting yourself and others ue s iss hi In t Pegasus Perseus and Medusa PLUS fun puzzles, activities, games and much more! Welcome to Storytime: We Are Heroes, a new supplement that retells classic stories for modern times! In the past, our ancestors told myths and legends about brave men, women, children and even animals facing their fears and coping with challenging situations. Many of these myths were created hundreds or thousands of years ago, but they still have lessons to teach us today. Storytime: We Are Heroes is a special set of six supplements that feature myths and legends that are particularly relevant to the challenges we are facing in the current COVID-19 crisis. We encourage parents and carers to read these stories with children, discuss the Story Quest! questions with them, and even help them do the puzzles in the Playbox section. We Are Heroes is a set of six special This supplement is produced as part of supplements that is being published monthly a research project based at Queen Mary from October 2020 to March 2021 by University of London and funded by the Storytime, 90 London Rd, London, SE1 6LN. British Academy, Childhood heroes: storytelling survival strategies and role © Storytime Magazine Ltd, 2020. All rights models of resilience to COVID-19 in the UK reserved. No part of this magazine (BA COV19\201444 PI: Dr Rachel Bryant may be used or reproduced without Davies) prior written permission of the publisher. You can contact us at: Storytime is a trademark of Storytime [email protected] Magazine Ltd.
[Show full text]
An Online Textbook for Classical Mythology
Utah State University DigitalCommons@USU Textbooks Open Texts 2017 Mythology Unbound: An Online Textbook for Classical Mythology Jessica Mellenthin Utah State University Susan O. Shapiro Utah State University, [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/oer_textbooks Recommended Citation Mellenthin, Jessica and Shapiro, Susan O., "Mythology Unbound: An Online Textbook for Classical Mythology" (2017). Textbooks. 5. https://digitalcommons.usu.edu/oer_textbooks/5 This Book is brought to you for free and open access by the Open Texts at DigitalCommons@USU. It has been accepted for inclusion in Textbooks by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Mythology Unbound: An Online Textbook for Classical Mythology JESSICA MELLENTHIN AND SUSAN O. SHAPIRO Mythology Unbound by Susan Shapiro is licensed under CC-BY-NC-SA 4.0 Contents Map vii Aegis 1 Agamemnon and Iphigenia 5 Aphrodite 9 Apollo 15 Ares 25 The Argonauts 31 Artemis 41 Athena 49 Caduceus 61 Centaurs 63 Chthonian Deities 65 The Delphic Oracle 67 Demeter 77 Dionysus/Bacchus 85 Hades 97 Hephaestus 101 Hera 105 Heracles 111 Hermes 121 Hestia 133 Historical Myths 135 The Iliad - An Introduction 137 Jason 151 Miasma 155 The Minotaur 157 The Odyssey - An Introduction 159 The Oresteia - An Introduction 169 Origins 173 Orpheus 183 Persephone 187 Perseus 193 Poseidon 205 Prometheus 213 Psychological Myths 217 Sphinx 219 Story Pattern of the Greek Hero 225 Theseus 227 The Three Types of Myth 239 The Twelve Labors of Heracles 243 What is a myth? 257 Why are there so many versions of Greek 259 myths? Xenia 261 Zeus 263 Image Attributions 275 Map viii MAP Aegis The aegis was a goat skin (the name comes from the word for goat, αἴξ/aix) that was fringed with snakes and often had the head of Medusa fixed to it.
[Show full text]
Greek Name Roman Name Description Zeus Jupiter King of Gods Hera Juno Goddess of Marriage Poseidon Neptune God of the Sea Cronos
Greek Name Roman Name Description Zeus Jupiter King of Gods Hera Juno Goddess of Marriage Poseidon Neptune God of the Sea Cronos Saturn Youngest son of Uranus, Father of Zeus Aphrodite Venus Goddess of Love Hades Pluto God of the Underworld Hephaistos Vulcan God of the Forge Demeter Ceres Goddess of the Harvest Apollo Apollo God of Music and Medicine Athena Minerva Goddess of Wisdom Artemis Diana Goddess of the Hunt Ares Mars God of War Hermes Mercury Messenger of the Gods Dionysus Bacchus God of Wine Persephone Proserpine Goddess of Underworld Eros Cupid God of Love Gaia Gaea Goddess of Earth GREEK ROMAN GOD OF... SYMBOL 1. Zeus Jupiter/Jove King of the Gods Thunderbolt, eagle and oak tree 2. Hera Juno Queen of the Gods Peacock, cow, wedding ring 3. Poseidon Neptune The Sea Sea, trident, horse, dolphin 4. Hades Pluto The Underworld Pomegranate, cap of invisibility 5. Hestia Vesta Hearth/Home Fireplace 6 Athena Minerva Wisdom/War Owl, olive, tree, plow, loom 7. Artemis Diana Moon/Hunt Moon, deer, silver bow and arrows 8. Apollo Apollo Light/Music/Prophecy Lyre, sun, mice, Laurel tree 9. Aphrodite Venus Love/Beauty Dove, swan, roses 10. Hephaestus Vulcan Fire/Forge Hammer, quail 11. Ares Mars War Dog, wild boar, vulture 12. Hermes Mercury Messenger/Divine Herald Caduceus, crane Greek Roman Relationship Role Attribute god Counterpart King and father of gods, Zeus husband and brother of Hera Thunderbolt, eagle. Jupiter sky. Queen and mother of gods; veil, cuckoo, pomegranate, Hera wife and sister of Zeus women, marriage, Juno peacock maternity. daughter of Zeus, but not of Hera.
[Show full text]
Norse Mythology: Legends of Gods and Heroes
Norse Mythology Legends of Gods and Heroes by Peter Andreas Munch In the revision of Magnus Olsen Translated from Norwegian by Sigurd Bernhard Hustvedt New York The American-Scandinavian Foundation 1926 vii CONTENTS PAGES Translator’s Preface xi Introduction xiii I. MYTHS OF THE GODS The Creation of the World — The Giants — The Æsir — Men and Women — Dwarfs — Vanir — Elves ……………………… 1 The Plains of Ida — Valhalla — Yggdrasil …………………….. 5 Odin ………………………………………………………………... 7 Thor ………………………………………………………………... 10 Balder ……………………………………………………………… 12 Njord ……………………………………………………………….. 13 Frey ………………………………………………………………... 15 Tyr ………………………………………………………………..... 16 Heimdal ………………………………………………………….... 17 Bragi ……………………………………………………………….. 18 Forseti ……………………………………………………………... 18 Hod — Vali — Vidar — Ull ………………………………………. 18 Hœnir — Lodur …………………………………………………… 19 Loki and His Children ……………………………………………. 21 Hermod — Skirnir ………………………………………………… 25 The Goddesses — Frigg — Jord — Freyja .…………………... 25 Saga — Eir — Gefjon — Var — Vor — Syn — Snotra ………. 28 Idun — Nanna — Sif ...…………………………………………... 29 The Norns …………………………………………………………. 30 Familiar Spirits — Attendant Spirits ……………………………. 31 The Valkyries ……………………………………………………... 32 Thorgerd Hœlgabrud and Irpa ………………………………….. 34 The Forces of Nature — Ægir …………………………………... 34 Night — Day ………………………………………………………. 37 viii Hel …………………………………………………………………. 37 The Giants ………………………………………………………… 39 The Dwarfs ………………………………………………………... 41 The Vettir ………………………………………………………….. 42 The Heroes and Life in Valhalla ………………………………… 48 Corruption
[Show full text]
The Routledge Handbook of Greek Mythology the Rise of Zeus And
This article was downloaded by: 10.3.98.104 On: 29 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK The Routledge Handbook of Greek Mythology Robin Hard The Rise of Zeus and Revolts Against his Rule Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203446331.ch3 Robin Hard Published online on: 17 Jun 2008 How to cite :- Robin Hard. 17 Jun 2008, The Rise of Zeus and Revolts Against his Rule from: The Routledge Handbook of Greek Mythology Routledge Accessed on: 29 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203446331.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. cover ISBN: 0-415-18636-6, The Routledge Handbook of Greek Mythology, Robin Hard, © 2004 Robin Hard,
[Show full text]
The Greek Myths 1955, Revised 1960
Robert Graves – The Greek Myths 1955, revised 1960 Robert Graves was born in 1895 at Wimbledon, son of Alfred Perceval Graves, the Irish writer, and Amalia von Ranke. He went from school to the First World War, where he became a captain in the Royal Welch Fusiliers. His principal calling is poetry, and his Selected Poems have been published in the Penguin Poets. Apart from a year as Professor of English Literature at Cairo University in 1926 he has since earned his living by writing, mostly historical novels which include: I, Claudius; Claudius the God; Sergeant Lamb of the Ninth; Count Belisarius; Wife to Mr Milton (all published as Penguins); Proceed, Sergeant Lamb; The Golden Fleece; They Hanged My Saintly Billy; and The Isles of Unwisdom. He wrote his autobiography, Goodbye to All That (a Penguin Modem Classic), in 1929. His two most discussed non-fiction books are The White Goddess, which presents a new view of the poetic impulse, and The Nazarene Gospel Restored (with Joshua Podro), a re-examination of primitive Christianity. He has translated Apuleius, Lucan, and Svetonius for the Penguin Classics. He was elected Professor of Poetry at Oxford in 1962. Contents Foreword Introduction I. The Pelasgian Creation Myth 2. The Homeric And Orphic Creation Myths 3. The Olympian Creation Myth 4. Two Philosophical Creation Myths 5. The Five Ages Of Man 6. The Castration Of Uranus 7. The Dethronement Of Cronus 8. The Birth Of Athene 9. Zeus And Metis 10. The Fates 11. The Birth Of Aphrodite 12. Hera And Her Children 13. Zeus And Hera 14.
[Show full text]
A Comparison Between Classical and Norse Mythologies
A comparison between Classical and Norse mythologies Aina Camí Ramonet Second of batxillerat B 2016-2017 Mythology Classics Roser Cuñat IES Francesc Ribalta 25th October 2016 Myths are, in fact…neither primitive nor untrue. They are, rather a kind of poetry that helps us make sense of the world and our place in it. Stephen H. Furrer. INDEX I. Introduction…………………………………………………………………….. 2 I. 1. Motivation…………………………………………………………………. 2 I. 2. Hypothesis………………………………………………………………… 3 I. 3. Methods and structure…………………………………………………… 3 II. Comparison…………………………………………………………………….. 5 II. 1. Civilisation………………………………………………………………………… 5 II. 1.1. Ancient Greece………………………………………………………………… 5 II. 1.2. Ancient Rome………………………………………………………………….. 8 II. 1.3. Viking Age……………………………………………………………………… 11 II. 1.4. Comparison……………………………………………………………………. 14 II. 2. Origin of the universe…………………………………………………………… 15 II. 2.1. The creation…………………………………………………………………… 15 II. 2.2. Worlds………………………………………………………………………….. 18 II. 3. Gods and goddesses…………………………………………………………… 20 II. 4. Creatures and beings…………………………………………………………… 27 II. 4.1. Classical……………………………………………………………………….. 27 II. 4.2. Norse…………………………………………………………………………… 32 II. 4.3. Comparison……………………………………………………………………. 36 II. 5. Weapons and items…………………………………………………………….. 37 II. 6. Common myths and topics…………………………………………………….. 39 II. 7. Literature…………………………………………………………………………. 42 II. 7.1. Norse…………………………………………………………………………... 43 II. 7.2. Classical……………………………………………………………………….. 44 II. 7.3. Comparison……………………………………………………………………. 45 II. 8. Mythology
[Show full text]
Fate and the Astrological Pluto: Their Role in Women's Development
Fate and the Astrological Pluto: Their Role in Women’s Development “Hades [Pluto] is the God presiding over our descents, investing the darkness in our lives, our depressions, our anxieties, our emotional upheavals and our grief with the power to illumination and renewal.” (Arianna Stassinopoulos, The Gods of Greece taken from Jean Shinoda Bolen’s Gods in Every Man pg 98) Christina Becker © 2015 All rights reserved. FATE AND THE ROLE OF PLUTO IN WOMEN’S DEVELOPMENT I. Introduction Astrology has a lot to say about the path of the individuation throughout our lives. It is a discipline that shares a common lineage with the ancient art of alchemy. Both involve the projection of unconscious contents into matter, and they share the same world view – a vision of a unified cosmos where “what is above is like what is below and what is below is like what is above; and thus the miracle of the One is accomplished”1 that is, where outer and inner realities reflect each other as part of one whole. The underlying theme of alchemy is transformation of the raw substance of human nature and releasing its potential for inner divinity through confrontation with and integration of the dark and alien elements in the personality. The alchemists also believed in “Kairos”2 , that for the alchemical work to be successful, the right transits needed to be involved. Within this view of reality, the concept of Kairos suggests that there are optimum moments for conscious efforts of development. It is therefore possible that with the co-operation of the right transits, the alchemical work can be accomplished toward fashioning the Philosopher’s Stone, individuation, the goal of wholeness.
[Show full text]
Who's Who in Classical Mythology
Who’s Who in Classical Mythology The Routledge Who’s Who series Accessible, authoritative and enlightening, these are the definitive biographical guides to a diverse range of subjects drawn from literature and the arts, history and politics, religion and mythology. Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Christianity Lavinia Cohn-Sherbok Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in Contemporary Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in Contemporary Women’s Writing Edited by Jane Eldridge Miller Who’s Who in Contemporary World Theatre Edited by Daniel Meyer-Dinkegräfe Who’s Who in Dickens Donald Hawes Who’s Who in Europe 1450–1750 Henry Kamen Who’s Who in Gay and Lesbian History Edited by Robert Aldrich and Garry Wotherspoon Who’s Who in the Greek World John Hazel Who’s Who in Jewish History Joan Comay, revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Modern History Alan Palmer Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in the Roman World John Hazel Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who of Twentieth-Century Novelists Tim Woods Who’s Who in Twentieth-Century World Poetry Edited by Mark Willhardt
[Show full text]