How Peer Influence and Media Messages Converge to Create
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Undergraduate Play Reading List
UND E R G R A DU A T E PL A Y R E A DIN G L ISTS ± MSU D EPT. O F T H E A T R E (Approved 2/2010) List I ± plays with which theatre major M E DI E V A L students should be familiar when they Everyman enter MSU Second 6KHSKHUGV¶ Play Hansberry, Lorraine A Raisin in the Sun R E N A ISSA N C E Ibsen, Henrik Calderón, Pedro $'ROO¶V+RXVH Life is a Dream Miller, Arthur de Vega, Lope Death of a Salesman Fuenteovejuna Shakespeare Goldoni, Carlo Macbeth The Servant of Two Masters Romeo & Juliet Marlowe, Christopher A Midsummer Night's Dream Dr. Faustus (1604) Hamlet Shakespeare Sophocles Julius Caesar Oedipus Rex The Merchant of Venice Wilder, Thorton Othello Our Town Williams, Tennessee R EST O R A T I O N & N E O-C L ASSI C A L The Glass Menagerie T H E A T R E Behn, Aphra The Rover List II ± Plays with which Theatre Major Congreve, Richard Students should be Familiar by The Way of the World G raduation Goldsmith, Oliver She Stoops to Conquer Moliere C L ASSI C A L T H E A T R E Tartuffe Aeschylus The Misanthrope Agamemnon Sheridan, Richard Aristophanes The Rivals Lysistrata Euripides NIN E T E E N T H C E N T UR Y Medea Ibsen, Henrik Seneca Hedda Gabler Thyestes Jarry, Alfred Sophocles Ubu Roi Antigone Strindberg, August Miss Julie NIN E T E E N T H C E N T UR Y (C O N T.) Sartre, Jean Shaw, George Bernard No Exit Pygmalion Major Barbara 20T H C E N T UR Y ± M ID C E N T UR Y 0UV:DUUHQ¶V3rofession Albee, Edward Stone, John Augustus The Zoo Story Metamora :KR¶V$IUDLGRI9LUJLQLD:RROI" Beckett, Samuel E A R L Y 20T H C E N T UR Y Waiting for Godot Glaspell, Susan Endgame The Verge Genet Jean The Verge Treadwell, Sophie The Maids Machinal Ionesco, Eugene Chekhov, Anton The Bald Soprano The Cherry Orchard Miller, Arthur Coward, Noel The Crucible Blithe Spirit All My Sons Feydeau, Georges Williams, Tennessee A Flea in her Ear A Streetcar Named Desire Synge, J.M. -
Hypersphere Anonymous
Hypersphere Anonymous This work is licensed under a Creative Commons Attribution 4.0 International License. ISBN 978-1-329-78152-8 First edition: December 2015 Fourth edition Part 1 Slice of Life Adventures in The Hypersphere 2 The Hypersphere is a big fucking place, kid. Imagine the biggest pile of dung you can take and then double-- no, triple that shit and you s t i l l h a v e n ’ t c o m e c l o s e t o o n e octingentillionth of a Hypersphere cornerstone. Hell, you probably don’t even know what the Hypersphere is, you goddamn fucking idiot kid. I bet you don’t know the first goddamn thing about the Hypersphere. If you were paying attention, you would have gathered that it’s a big fucking 3 place, but one thing I bet you didn’t know about the Hypersphere is that it is filled with fucked up freaks. There are normal people too, but they just aren’t as interesting as the freaks. Are you a freak, kid? Some sort of fucking Hypersphere psycho? What the fuck are you even doing here? Get the fuck out of my face you fucking deviant. So there I was, chilling out in the Hypersphere. I’d spent the vast majority of my life there, in fact. It did contain everything in my observable universe, so it was pretty hard to leave, honestly. At the time, I was stressing the fuck out about a fight I had gotten in earlier. I’d been shooting some hoops when some no-good shithouses had waltzed up to me and tried to make a scene. -
David Rabe's Good for Otto Gets Star Studded Cast with F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perl
David Rabe’s Good for Otto Gets Star Studded Cast With F. Murray Abraham, Ed Harris, Mark Linn-Baker, Amy Madigan, Rhea Perlman and More t2conline.com/david-rabes-good-for-otto-gets-star-studded-cast-with-f-murray-abraham-ed-harris-mark-linn-baker-amy- madigan-rhea-perlman-and-more/ Suzanna January 30, 2018 Bowling F. Murray Abraham (Barnard), Kate Buddeke (Jane), Laura Esterman (Mrs. Garland), Nancy Giles (Marci), Lily Gladstone (Denise), Ed Harris (Dr. Michaels), Charlotte Hope (Mom), Mark Linn- Baker (Timothy), Amy Madigan (Evangeline), Rileigh McDonald (Frannie), Kenny Mellman (Jerome), Maulik Pancholy (Alex), Rhea Perlman (Nora) and Michael Rabe (Jimmy), will lite up the star in the New York premiere of David Rabe’s Good for Otto. Rhea Perlman took over the role of Nora, after Rosie O’Donnell, became ill. Directed by Scott Elliott, this production will play a limited Off-Broadway engagement February 20 – April 1, with Opening Night on Thursday, March 8 at The Pershing Square Signature Center (The Alice Griffin Jewel Box Theatre, 480 West 42nd Street). Through the microcosm of a rural Connecticut mental health center, Tony Award-winning playwright David Rabe conjures a whole American community on the edge. Like their patients and their families, Dr. Michaels (Ed Harris), his colleague Evangeline (Amy Madigan) and the clinic itself teeter between breakdown and survival, wielding dedication and humanity against the cunning, inventive adversary of mental illness, to hold onto the need to fight – and to live. Inspired by a real clinic, Rabe finds humor and compassion in a raft of richly drawn characters adrift in a society and a system stretched beyond capacity. -
Women's Ways of Drinking : College Women, High-Risk Alcohol Use, and Related Consequences
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Women's ways of drinking : college women, high-risk alcohol use, and related consequences. Margaret Ann Smith University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Smith, Margaret Ann, "Women's ways of drinking : college women, high-risk alcohol use, and related consequences." (2007). Doctoral Dissertations 1896 - February 2014. 5799. https://scholarworks.umass.edu/dissertations_1/5799 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst L I B R R Y DATE DUE MAR Trjm HIGHSMITH #45115 1 \ I ) J I This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. T TA/TT Dissertation U1VU Services From: Pro 6vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2008 by digital xerographic process on acid-free paper UMI Number: 3289272 Copyright 2007 by Smith, Margaret Ann All rights reserved. _ ® UMI UMI Microform 3289272 Copyright 2008 by ProQuest Information and Learning Company. -
Winter Newsletter: Week 7
Week 7 February 21st, 2017 In This Issue Department News Alumni News Department News David Rabe's "Streamers" Opens In The Mandell Weiss Forum ~Photo by Jim Carmody "Streamers" by David Rabe, the first graduate theatre production of the winter quarter, begins performances this week. Directed by Directing Faculty Professor Kim Rubinstein, "Streamers" focuses on the interactions and personal conflicts of a group of soldiers preparing to ship out to fight in the Southeast Asian conflict in 1965. Among them are middle class African American Roger, upper class Manhattanite Richie, who is struggling with his sexual orientation, conservative Wisconsin country boy Billy, and fearful loose cannon Carlyle, a streetwise black. In charge of their barracks are abrasive alcoholic Sgt. Cokes, who already has served overseas, and aggressive Sgt. Rooney, who is anxious to get into combat. There will be a preview performance at 7:00pm on February 21st with free admission to all Veterans, followed by a talkback with the director, professor Kim Rubinstein, and Peter Levine, Ph.D. Streamers By David Rabe Directed by Kim Rubinstein in the Mandell Weiss Forum graduate theatre production Show dates: February 21-March 4 Cast List Billy - Kyle Hester Carlyle - DeLeon Dallas Rooney - Brandon O'Sullivan Martin/Lieutenant - Enrico Nassi Richie - Martin Meccouri Roger - Sidney Hill Cokes - Yonatan Gebeyehu The Creative Team Director - Kim Rubinstein Scenic Designer - Charlie Jicha Costume Designer - Junior Bergman Lighting Designer - Alex Miller-Long Sound Designer - Justin Livengood Dramaturg - Jim Short Production Stage Manager - Kamra Jacobs Asst. Stage Managers - Bryan Runion Show Carpenter - Dwaine Best Wardrobe Supervisor - Carissa Cash Costume Crew - Michael Ayoubkhan, Katie Mal Scenic Crew - Robert Barlow, Caleb Kneip, Jiayu Liu Light Board Operator - Hazel Park Sound Operator - William Quach For tickets and more information, click here. -
Appendix Plays Discussed in This Book
Appendix Plays Discussed in This Book Abe Lincoln in Illinois, Robert Sherwood. 1938 Broadway run: 472 performances. 1993 Lincoln Center revival: 27 previews, 40 performances. Abraham Lincoln, John Drinkwater. 1919 Broadway run: 193 per- formances. 1929 Broadway revival: 8 performances. Abraham Lincoln’s Big Gay Dance Party, Aaron Loeb. 2008 San Francisco. 2010 off-Broadway run. American Iliad, Donald Freed. 2001 Burbank, California. As the Girls Go, William Roos (book), Jimmy McHugh (music), Harold Adamson (lyrics). 1948 Broadway run: 414 performances. Assassins, John Weidman (book), Stephen Sondheim (music and lyrics). 1990 off-Broadway run: 73 performances. 1992 London revival. 2004 Broadway revival: 26 previews, 101 performances. The Best Man, Gore Vidal. 1960 Broadway run: 520 performances. 2000 Broadway revival: 15 previews, 121 performances. Bloody, Bloody Andrew Jackson, Alex Timbers (book), Michael Friedman (music and ly73rics). 2008 Los Angeles. 2009 and 2010 off-Broadway runs. Buchanan Dying, John Updike. 1976 Franklin and Marshall College. Bully! Jerome Alden. 1977 Broadway run: 8 previews, 8 performances. 2006 off Broadway revival. The Bully Pulpit, Michael O. Smith. 2008 off-Broadway. Camping with Henry and Tom, Mark St. Germain. 1995 off- Broadway run: 105 performances. Numerous regional theater revivals since then. An Evening with Richard Nixon, Gore Vidal. Broadway run: 14 previews, 16 performances. First Lady, Katherine Dayton and George S. Kaufman. 1935 Broadway run: 246 performances. 1952 off-Broadway revival. 1980 Berkshire Theater Festival revival. 1996 Yale Repertory Theatre revival. First Lady Suite, Michael John LaChiusa. 1993 off-Broadway run: 32 performances. Revivals include Los Angeles 2002, off Broadway 2004, and London 2009. 160 Appendix Frost/Nixon, Peter Morgan. -
Sorry for Partying: Substance Use, Socialization, and Social
SORRY FOR PARTYING: SUBSTANCE USE, SOCIALIZATION, AND SOCIAL CONTROL ON THE AMERICAN COLLEGE CAMPUS by Patrick Kevin O’Brien B.A., Ohio University, 2004 M.A., Ohio University 2006 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Doctor of Philosophy Department of Sociology 2013 This thesis entitled: Sorry for Partying: Substance Use, Socialization, and Social Control on the American College Campus written by Patrick Kevin O’Brien has been approved for the Department of Sociology ___________________________________________ Dr. Patricia A. Adler (Chair) ___________________________________________ Dr. Leslie Irvine ___________________________________________ Dr. Sara Steen ___________________________________________ Dr. Peter Simonson ___________________________________________ Dr. Tom Vander Ven Date ______________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB Protocol # 0310.22 IRB Protocol # 0507.9 iii O’Brien, Patrick K. O’Brien (Ph.D., Sociology) Sorry for Partying: Substance Use, Socialization, and Social Control on the American College Campus Thesis directed by Professor Patricia A. Adler I examine the social controls that operate among and upon emerging adults as they navigate university life and the college party scene. The data are drawn from six years of participant- observation and 90 in-depth interviews with junior and senior level college students. First, I explore students’ first years of college and the structural, cultural, and interactional dynamics that often contribute to excessive and irresponsible partying behaviors. I also investigate the formal and medical university sanctions used to manage student substance use and discuss the manifest and latent consequences of these punitive control mechanisms. -
1-~~J~...R:."""~' Beyond the Dance Floor, Lincrod with Cigarette Or Drunk Dialing Blocker Isn't Worth It
Page 4 - The Shield Thurs day. April to, 202§. ~!.~~t or: ~~~~1-~~J~...r:."""~' Beyond the dance floor, lincrod with cigarette or drunk dialing blocker isn't worth it. ~ buns and spilt beer, lurks a late night detrimental W1e all know what tl1e hazards social situation. Seven beers conjure up the courage are of mixing alcohol and cellular to dial seven digits, which can lead to embarrass- devices. Even those of us (myself men~ jokes and even worsc ... tenible regret. included) who don't own a cell We all know someone, (or are addicted our- phone, can easily stumble selves) to calling someone while under the influ- our way through our cnce of alcohol. The drunken dialing epidemic was fiiends purse to make M~~ quick to infect the party scene. Thanks to advance- a few phone calls I ments in technology, no longer docs one have to from a bathroom slur a sloppy message for voicemail. Faulty fingers stall, or text a can type incomplete intoxicated thoughts and send short message ' them faster tl1en the bartender can mix a round of while our friends rodheaded sluts. are in the bathroom stall . Since 2005, big name cell phone companies Most of us have even bave fow1d that a large number of consumers held onto others devices, to admitted to trequent habits of drunken dialing. keep them from dialing the ex. According to ABC news, 95 percent of respondents (Only to give in ourselves after out of 400 customers admitted that they do indeed a few puppy dog eyes and sad drunk dial, which convinced Virgin Mobile to offer sob story.) Not to mention we to its Australian consumers (for a small fee of are drinking, too. -
Audition Material Must Be Selected from Published Plays; Please Do Not Audition with Original Material
Audition material must be selected from published plays; please do not audition with original material. Choose a monologue that you connect with personally and that best demonstrates your acting abilities. If you need assistance in finding a monologue, please consult the lists of suggested monologues below. Or you might choose to review http://stageagent.com/monologues FEMALE Play Author Tiny Alice Albee Independence Blessing Suburbia Bogosian The Nina Variations Dietz Hello and Goodbye Fugard House of Blue Leaves Guare Six Degrees of Separation Guare Painting Churches Howe Angels in America Kushner Bash LaBute Some Girls LaBute Lobby Hero Lonergan Picasso at the Lupin Agile Martin Extremities Mastrosimone A Member of the Wedding McCullers Spike Heels Rebeck A dreamer examines his pillow Shanley Kissing Christine Shanley Danny and the Deep Blue Sea Shanley Lives of Great Waitresses Shengold Buried Child Shepard A Lie of the Mind Shepard Cowboy Mouth Shepard Stop Kiss Son How I Learned to Drive Vogel Lemon Sky Wilson Burn This Wilson MALE The Zoo Story Albee Suburbia Bogosian Laughing Wild Durang A Soldiers Play Fullers Snakebit Grant Eastern Standard Greenberg Six Degrees of Separation Guare As Is Hoffman Orphans Kressler Boy’s Life Korder Search and Destroy Korder Angels in America Kushner Bash LaBute Fat Pig LaBute This is Our Youth Lonergan American Buffalo Mamet The Woods Mamet All My Sons Miller Streamers Rabe Spike Heels Rebeck A dreamer examines his pillow Shanley Danny and the Deep Blue Sea Shanley A Lie of the Mind Shepard Action Shepard Buried Child Shepard Home Williams The Glass Managerie Williams . -
Alcohol Outcome Expectancies and Regrettable Drinking-Related Social Behaviors Eugene M
Alcohol and Alcoholism Advance Access published March 26, 2015 Alcohol and Alcoholism, 2015, 1–6 doi: 10.1093/alcalc/agv026 Article Article Alcohol Outcome Expectancies and Regrettable Drinking-Related Social Behaviors Eugene M. Dunne1,* and Elizabeth C. Katz2 1Department of Clinical and Health Psychology, University of Florida, Gainesville, FL, USA, and 2Department of Psychology, Towson University, Towson, MD, USA *Corresponding author: Department of Clinical and Health Psychology, College of Public Health and Health Professions, University of Florida, 101 S. Newell Drive, Room 3151, Gainesville, FL 32611, USA. Tel.:+1-732-598-7534; Downloaded from E-mail: [email protected]fl.edu Received 19 August 2014; Revised 2 March 2015; Accepted 3 March 2015 Abstract http://alcalc.oxfordjournals.org/ Aims: Research has shown that alcohol outcome expectancies are predictive of heavy alcohol con- sumption, which can lead to risky behavior. The purpose of the present study was to assess the in- cidence of various low-risk social behaviors while drinking among college students. Such social behaviors may later be regretted (referred to as regrettable social behaviors) and include electronic and in-person communications. Methods: College students (N = 236) completed measures of alcohol outcome expectancies and re- grettable social behaviors. Results: Regrettable social behaviors were reported by 66.1% of participants, suggesting that they may occur at a much higher rate than more serious drinking-related consequences (e.g. drinking and by guest on March 28, 2015 driving, violence, etc.). Expectancies for social facilitation predicted regrettable social behavior. Fur- ther, this relationship was mediated by amount of alcohol consumed. Conclusion: Given the high incidence, regrettable social behaviors may be effective targets in alco- hol prevention programming. -
University of Oklahoma Graduate College An
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE AN ETHNOGRAPHY OF TWITCH STREAMERS: NEGOTIATING PROFESSIONALISM IN NEW MEDIA CONTENT CREATION A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By CHRISTOPHER M. BINGHAM Norman, Oklahoma 2017 AN ETHNOGRAPHY OF TWITCH STREAMERS: NEGOTIATING PROFESSIONALISM IN NEW MEDIA CONTENT CREATION A DISSERTATION APPROVED FOR THE DEPARTMENT OF COMMUNICATION BY _______________________________ Dr. Eric Kramer, Chair _______________________________ Dr. Ralph Beliveau _______________________________ Dr. Ioana Cionea _______________________________ Dr. Lindsey Meeks _______________________________ Dr. Sean O’Neill Copyright by CHRISTOPHER M. BINGHAM 2017 All Rights Reserved. Dedication For Gram and JJ Acknowledgements There are many people I would like to acknowledge for their help and support in finishing my educational journey. I certainly could not have completed this research without the greater Twitch community and its welcoming and open atmosphere. More than anyone else I would like to thank the professional streamers who took time out of their schedules to be interviewed for this dissertation, specifically Trainsy, FuturemanGaming, Wyvern_Slayr, Smokaloke, MrLlamaSC, BouseFeenux, Mogee, Spooleo, HeavensLast. and SnarfyBobo. I sincerely appreciate your time, and am eternally envious of your enthusiasm and energy. Furthermore I would like to acknowledge Ezekiel_III, whose channel demonstrated for me the importance of this type of research to semiotic theory, as well as CohhCarnage and ItmeJP, whose show Dropped Frames, allowed further insight into the social milieu of professional Twitch streaming. I thank Drew Harry, PhD, Twitch’s Director of Science for responding to my enquiries. Finally, I thank all the streamers and fans who attended TwitchCon in 2015 and 2016, for the wonderful experience. -
The Reconstruction of the American Identity in Post-9/11 Cinema
An Apocalypse of Change: The Reconstruction of the American Identity in Post-9/11 Cinema Author: Kellen E. O'Gara Persistent link: http://hdl.handle.net/2345/1189 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2010 Copyright is held by the author, with all rights reserved, unless otherwise noted. An Apocalypse of Change: The Reconstruction of the American Identity in Post-9/11 Cinema By Kellen O’Gara A Senior Honors Thesis Submitted to the Department of Communication Of Boston College May 2010 1 A man finds his identity by identifying. A man's identity is not best thought of as the way in which he is separated from his fellows, but the way in which he is united with them.” –Robert Terwilliger 2 TABLE OF CONTENTS ABSTRACT........................................................................................................................4 CHAPTER ONE- INTRODUCTION…………………………………………………..5 CHAPTER TWO-THE SPARK THAT LIT THE FIRE: THE CRASH THAT SET THE MODERN WORLD AFLAME ………………….....7 CHAPTER THREE-DIVIDED LINES: POST 9/11 RACISM AND INTOLERANCE…………….............................................9 CHAPTER FOUR- AMBIGUITY OF IDENTITY: PREVIOUS STUDIES OF INTOLERANCE, RACISM, AND THE AMERICAN RACIAL IDENTITY…………………………………………………………………...12 CHAPTER FIVE-A HISTORICAL APPROACH TO IDENTITY CONSTRUCTION……………………………………………………………………...22 Progress and Perimeters: Concepts of the Modern Era…………………...…23 Blissful Ambiguity: The Post-Modern Outlook……………………………....25 CHAPTER SIX-