DOCSLIB.ORG

Rosa Maria Falvo Is an Independent Writer and Curator, Specialising in Asia-Pacific Contemporary Art, As Well As Skira’S International Commissions Editor

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rosa Maria Falvo Is an Independent Writer and Curator, Specialising in Asia-Pacific Contemporary Art, As Well As Skira’S International Commissions Editor Rosa Maria Falvo is an independent writer and curator, specialising in Asia-Pacific contemporary art, as well as Skira’s International Commissions Editor. Italian-Australian, she graduated with honours in English literature from Monash University in Melbourne, and art history from Perugia University in Italy. She travels extensively throughout the world, working closely with artists, writers, galleries, collectors, foundations, and various institutions in the ideation, production, and promotion of book and exhibition projects. Rosa is particularly interested in the power of art as a vehicle for cultural education, appreciation and exchange. Some of her projects include: East of Nowhere: Contemporary Art from post-Soviet Asia curated exhibition and catalogue (Fondazione 107 Turin 2009), Rashid Rana monograph (Chatterjee & Lal/Chemould Prescott Road Mumbai 2010); Faiza Butt: Pehlwan catalogue and London talk (Grosvenor Gallery London 2010), Shifting Ground: Naiza Khan & Faiza Butt catalogue (Rossi & Rossi Hong Kong 2011); Shahidul Alam: My Journey as a Witness monograph, curated exhibition and worldwide talks (Skira Milan, Bengal Foundation Dhaka, & Wilmotte Gallery London 2011), Thomas Fuesser: SHORT CUTS Artists in China photo book (Skira Milan & ShanghART Gallery Shanghai 2012); Masters of Bangladesh Series: Kazi Ghiyasuddin 2011, Safiuddin Ahmed 2011, Zainul Abedin 2012, Rafiq Azam: Architecture for Green Living 2013 monographs and worldwide talks (Skira Milan & Bengal Foundation Dhaka); Fahd Burki: Works from 2003-2013 monograph (Skira Milan 2013); LIFEBLOOD: Photographers in Bangladesh curated exhibition and catalogue (Samdani Art Foundation & Dhaka Art Summit 2014); Karen Knorr: India Song monograph and London talk (Skira Milan 2014); CHINA: The New Generation book (Skira Milan & Ullens Center Contemporary Art Beijing 2014); Sakti Burman: A Private Universe monograph and Delhi talk (Skira Milan & Art Alive Gallery Delhi 2014); Inner Constellations: Maïmouna Guerresi Photographs monograph (Glitterati New York 2015); Maïmouna Guerresi Le souffle des géants catalogue and award presentation Villa Gautieri Casalbeltrame, Italy (Arpitesca Novara 2015); Christopher Benninger: Architecture for Modern India monograph and worldwide talks (Skira Milan & India House Pune 2015); Looking Down Under: Contemporary Artists from Australia Imago Mundi Luciano Benetton Foundation curated exhibition, catalogue, worldwide talks (Fabrica Treviso 2015); Paresh Maity: Eyes of the Soul catalogue and Sydney Contemporary (Art Alive Gallery Delhi 2015); Wang Zhiyuan: Bigger, Better, and Cheaper monograph and worldwide talks (Skira Milan 2016); Bloodline: The Zhang Xiaogang Story monograph and worldwide talks (Skira Milan 2016); Elias Zayat: Cities and Legends monograph and Dubai talk (Skira Milan 2016); Kiwi Consciousness: 210 Contemporary Artists from New Zealand Imago Mundi Luciano Benetton Foundation curated exhibition, catalogue, worldwide talks (Fabrica Treviso 2016); Gezelligheid : Contemporary Artists from the Netherlands Imago Mundi Luciano Benetton Foundation curated exhibition, catalogue, worldwide talks (Fabrica Treviso 2016); Historicode: Scarcity and Supply book (Skira Milan & Nanjing International Art Festival 2016); Ahmed Mater: Prognosis monograph and worldwide talks (Skira Milan & King Abdullah Economic City 2017); Oxford Centre for Islamic Studies: Bridging Civilisations book and inaugural opening with Royal Charter Patron HRH The Prince of Wales (Skira Milan & OCIS Oxford 2017); Kazakhstan Contemporary 21 Artists for the 21st Century , book and World Expo exhibition (Skira Milan & IADA Paris and Astana 2017). Rosa participates regularly in all the major contemporary art fairs, including the Chobi Mela International Photo Festival and Dhaka Art Summit in Bangladesh. She writes for many international artists and has been a guest presenter at numerous venues, such as the Soros Foundation Almaty, Fotografie Museum Amsterdam, Foreign Correspondents’ Club Tokyo, Shanghai & Beijing M Literary Festivals, India Art Fair Delhi, National Geographic Washington D.C., Prince Claus Fund Amsterdam, University of Oxford Brasenose College, American Institute of Architects New York, Photographers’ Gallery London, 21,39 Jeddah Arts Saudi Arabia, Nanjing International Art Festival China. .
Load more

Recommended publications
  • South Asia Multidisciplinary Academic Journal, 9 | 2014 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl
    South Asia Multidisciplinary Academic Journal 9 | 2014 Imagining Bangladesh: Contested Narratives Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Electronic version URL: https://journals.openedition.org/samaj/3725 DOI: 10.4000/samaj.3725 ISSN: 1960-6060 Publisher Association pour la recherche sur l'Asie du Sud (ARAS) Electronic reference Lala Rukh Selim, “Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization”, South Asia Multidisciplinary Academic Journal [Online], 9 | 2014, Online since 22 July 2014, connection on 21 September 2021. URL: http://journals.openedition.org/samaj/3725 ; DOI: https://doi.org/10.4000/samaj.3725 This text was automatically generated on 21 September 2021. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Gl... 1 Art of Bangladesh: the Changing Role of Tradition, Search for Identity and Globalization Lala Rukh Selim Introduction 1 The art of Bangladesh embodies the social and political changes that have transformed the country/region through history. What was once a united state of Bengal is now divided into two parts, the sovereign country of Bangladesh and the state of West Bengal in India. The predominant religion in Bangladesh is Islam and that of West Bengal is Hinduism. Throughout history, ideas and identifications of certain elements of culture as ‘tradition’ have played an important role in the construction of notions of identity in this region, where multiple cultures continue to meet. The celebrated pedagogue, writer and artist K.
    [Show full text]
  • 15Th Anniversary Exhibition 2019
    15th Anniversary Exhibition A selection of works done between 1957 to 2019 by 43 modern & contemporary artists 15th Anniversary Exhibition A selection of works done between 1957 to 2019 by 43 modern & contemporary artists 5th till 20th July 2019 Exhibition sponsor Published on the occasion of the inauguration of the 15th Anniversary Exhibition of Galleri Kaya. © www.facebook.com/gallerikaya Printed in Bangladesh. Ahmed Shamsuddoha 1958 Aditya Basak 1953 Ajit Seal 1959 Aloptogin Tushar 1968 Aminul Islam 1931-2011 Amitabha Banerjee 1928-2013 Anisuzzaman 1972 Ashraful Hasan 1977 Atin Basak 1966 Chandra Shekhar Dey 1952 Debdas Chakraborty 1933-2008 Dipa Haq 1953-1999 Ganesh Haloi 1936 Goutam Chakraborty 1965 Hamiduzzaman Khan 1946 Hashem Khan 1941 Hashi Chakraborty 1948-2014 Jamal Ahmed 1955 Kamaluddin 1977 Kanak Chanpa Chakma 1963 K.G. Subramanyan 1924-2016 Lalu Prasad Shaw 1937 Maksuda Iqbal Nipa 1975 M.F. Husain 1915-2011 Mohammad Eunus 1954 Mohammad Iqbal 1967 Murtaja Baseer 1932 Qayyum Chowdhury 1932-2014 Rabin Mondal 1929 Rafiqun Nabi 1943 Ranjit Das 1956 Ratan Mojumder 1954 Safiuddin Ahmed 1922-2012 Samarjit Roy Choudhury 1937 Sanat Kar 1935 S.H. Raza 1922-2016 Shahabuddin Ahmed 1950 Shahanoor Mamun 1986 Sheikh Afzal Hossain 1960 Shishir Bhattacharjee 1960 Shohag Parvez 1981 Suhas Roy 1936-2016 Tarun Ghosh 1953 15. A. E. No. 01 Ahmed Shamsuddoha (B. 1958) Sundarban Signed in English l.l., 2019 102 x 82cm Acrylic on canvas Provenance : Galleri Kaya, Dhaka 05 15. A. E. No. 02 Aditya Basak (B. 1953) Untitled Signed in English l.r., 2014 20 x 25cm Etching Provenance : Galleri Kaya, Dhaka 06 04 05 03 06 15.
    [Show full text]
  • British Art Studies September 2019 London, Asia, Exhibitions, Histories
    British Art Studies September 2019 London, Asia, Exhibitions, Histories Edited by Hammad Nasar and Sarah Victoria Turner British Art Studies Issue 13, published 30 September 2019 London, Asia, Exhibitions, Histories Edited by Hammad Nasar and Sarah Victoria Turner Cover image: Rubber shavings made during Bettina Fung's performance of "Towards All or Nothing (In Memory of Li Yuan-chia)" at Manchester Art Gallery, 6 March 2019.. Digital image courtesy of Bettina Fung. PDF generated on 2 February 2021 Note: British Art Studies is a digital publication and intended to be experienced online and referenced digitally. PDFs are provided for ease of reading offline. Please do not reference the PDF in academic citations: we recommend the use of DOIs (digital object identifiers) provided within the online article. Theseunique alphanumeric strings identify content and provide a persistent link to a location on the internet. A DOI is guaranteed never to change, so you can use it to link permanently to electronic documents with confidence. Published by: Paul Mellon Centre 16 Bedford Square London, WC1B 3JA https://www.paul-mellon-centre.ac.uk In partnership with: Yale Center for British Art 1080 Chapel Street New Haven, Connecticut https://britishart.yale.edu ISSN: 2058-5462 DOI: 10.17658/issn.2058-5462 URL: https://www.britishartstudies.ac.uk Editorial team: https://www.britishartstudies.ac.uk/about/editorial-team Advisory board: https://www.britishartstudies.ac.uk/about/advisory-board Produced in the United Kingdom. A joint publication by Contents Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London, Lotte Hoek and Sanjukta Sunderason Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London Lotte Hoek and Sanjukta Sunderason Abstract This article explores the journeys of two key twentieth-century artists from East Pakistan—Zainul Abedin and S.M.
    [Show full text]
  • Bangladesh Beckons 2019
    BANGLADESH 2019 EDITION BECKONS The Art of Bangladesh: Embodiment of Social and Political Changes Social and Economic Progress of Bangladesh Bangladesh: An Ideal Destination for Foreign Investment Doing Business in Bangladesh: An overview Going Digital: Realizing the Dreams of a Digital Bangladesh for All Bangladesh: A Fascinating Tourism Destination A COMMEMORATIVE PUBLICATION BY THE HIGH COMMISSION OF THE PEOPLE’S REPUBLIC OF BANGLADESH, SINGAPORE CONTENTS 2019 EDITION 1 Message from Hon’ble President 33 Opportunities of Investment in Power and Energy Sector in Bangladesh 2 Message from Hon’ble Prime Minister 39 Opportunities of Investment in Leather 3 Message from Hon’ble Foreign Minister Industry of Bangladesh 4 Message from Hon’ble 42 Going Digital: Realizing the Dreams of State Minister for Foreign Affairs a Digital Bangladesh for All 5 Bangladesh-Singapore Relations: 47 The Art of Bangladesh: Embodiment of Prospects and Priorities Social and Political Changes 9 Economic and Social Progress of Bangladesh 51 Bangladesh – A Fascinating Tourism Destination 14 Rohingyas in Bangladesh: The Crisis in Numbers 55 Activites of the High Commission in Pictures 19 Bangladesh: An Ideal Destination for Foreign Investment 27 Doing Business in Bangladesh: An overview Chief Patron Members Articles and Photo Cover His Excellency Khaja Miah Sabbir Ahmed Contribution Painting of Artist Md. Mustafizur Rahman Samia Halim Md. Rafiqul Islam High Commission Shahabuddin Ahmed A.K.M. Azam Chowdhury Morioum Begum Sworna of People's Editor Mohammad Ataur Rahman Republic of Bangladesh Md Faruk Hossain PROPERTY OF HIGH COMMISSION OF THE PEOPLE'S OF BANGLADESH #04-00/#10-00, Jit Poh Building, 19 Keppel Road Singapore 089058 Tel (65) 6255 0075 Fax (65) 6255 1824 URL www.bdhc.sg This publication has been prepared by the High Commission of the People's Republic of Bangladesh in Singapore commemorating the 48th Anniversary of Independence and National Day.
    [Show full text]
  • Faculty of Fine Arts at Jahangirnagar University, Saver, Dhaka
    FACULTY OF FINE ARTS AT JAHANGIRNAGAR UNIVERSITY, SAVER, DHAKA BY shariful haque Seminar II Submitted in partial fulfillment of the requirements For the degree of Bachelor of Architecture Department of Architecture BRAC University August 2011 INSTITUTE OF FINE ARTS, JAHANGIRNAGAR UNIVERSITY AT SAVAR. A Thesis Dissertation submitted to the Department of Architecture in partial fulfilment of the requirement for the degree of Bachelor of Architecture (B. Arch) in the Faculty of BRAC University, Dhaka. The textual and visual content of the design dissertation is the intellectual output of the student mentioned below unless otherwise mentioned. Information given within this Design Dissertation is true to the best knowledge of the student mentioned below. All possible efforts have been made by the author to acknowledge the dissertation in any form belongs to its author. Contents within this design dissertation can be reproduced for academic purposes only without written consent from the author. A.K.M. SHARIFUL HAQUE Id 05308009 Department of architecture BRAC University, Dhaka. Abstract Art plays an immense role in the life of society being a special, relatively independent and extremely complex phenomenon. It performs a number of extremely important functions. It is instrumental in the shaping of a definite world-view in individuals, in their understanding of phenomena of social reality, in developing their moral, political and other ideas. It develops creative thinking and ability for independent evaluation of reality and enriches man's spiritual world. Acknowledgement I acknowledge a lot of people without whom this dissertation would have been impossible. I would like to thank my Prof. Fuad H.
    [Show full text]
  • Sl. No. Name of the Investor IA. No. 1 AFZALUR RAHMAN 3 2 DR. AFAZUDDIN AHMED 5 3 M. RAHMAT ALI 12 4 ANWAR RAHIM 13 5 M. ASHRAF HUSAIN 14 6 AZHARUL ISLAM 15 7 MD
    Sl. No. Name of the Investor IA. No. 1 AFZALUR RAHMAN 3 2 DR. AFAZUDDIN AHMED 5 3 M. RAHMAT ALI 12 4 ANWAR RAHIM 13 5 M. ASHRAF HUSAIN 14 6 AZHARUL ISLAM 15 7 MD. SHAMSUL ALAM 17 8 SK FAZLUL HAQUE 22 9 MD. AKRAM HUSSAIN 28 10 MONZURUR RAHMAN 31 11 ANISUL BARI CHOWDHURY 32 12 NOOR-UL-HAQ FARUK 33 13 SYED SHAHIDUZZAMAN 40 14 DELAWAR HOSSAIN 41 15 MRS. SURAIYA RAHMAN 42 16 PROF. MD. FAZLUL KARIM AKH. 51 17 N. A. AL-MASOOD 55 18 ABDUL BARIK CHOUDHURY 60 19 MRS. HOSNE ARA BEGAM 63 20 SHAMEENA NASRIN 68 21 MRS. AKTARI BEGUM 85 22 ROWSHAN ARA RAHMAN 87 23 A. M. M. HABIBUR RAHMAN. 99 24 MISBAHUL MANNAN 121 25 MD. ABDUL AZIM CHOUDHURY 122 26 ABDUR RAZZAQUE CHOUDHURY 123 27 ABDUL MANNAN CHOWDHURY 127 28 MRS. SALMA AZIZ 129 29 M. SYEDUR RAHMAN 134 30 MRS. TAHERA RAHMAN CHOWDHURY 138 31 SYED ABDUS SALIQUE 159 32 ABDUS SALAM CHOWDHURY 164 33 FAROOK RASHID CHOUDHURY 173 34 MRS. ZOHRA CHOUDHURY 174 35 MD. MUEED HOSSAIN 194 36 JAHANARA RASHID 197 37 GOURANGA CHANDRA BHAKTA 211 38 SYED SHIBLY AHMED 215 39 RANJAN RAHMAN CHOUDHURY 216 40 MRS. ROWSHAN ARA MAHMOOD 218 41 MD. YASIN 221 42 SIRAJUL ISLAM CHOUDHURY 228 43 ABDUL MOMIN CHOUDHURY 253 44 MISS. HASINA BARIK CHOU. 256 45 ROKEYA CHOUDHURY 258 46 MISS. ROKSANA BARIK CHOU. 259 47 KAISER REZA CHOWDHURY 267 48 ABDUL MAJID CHOWDHURY 268 Page 1 of 111 ICB Head Office, Dhaka 49 MD. MASHFU-UR-RAHMAN 281 50 BEGUM MONOWARA 282 51 MS.
    [Show full text]
  • A Comparison of Art Education Practices in Bangladesh and in the United States
    Georgia State University ScholarWorks @ Georgia State University Art and Design Theses Ernest G. Welch School of Art and Design 8-12-2016 A Comparison Of Art Education Practices In Bangladesh And In The United States Nafisa I. Nova Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/art_design_theses Recommended Citation Nova, Nafisa I., A" Comparison Of Art Education Practices In Bangladesh And In The United States." Thesis, Georgia State University, 2016. https://scholarworks.gsu.edu/art_design_theses/209 This Thesis is brought to you for free and open access by the Ernest G. Welch School of Art and Design at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Art and Design Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. A COMPARISON OF ART EDUCATION PRACTICES IN BANGLADESH AND IN THE UNITED STATES by NAFISA ISLAM NOVA Under the Direction of Melody Milbrandt, Ph.D. ABSTRACT The intent of this study is to provide a comparison study of art education philosophies, methods, and practices in Bangladeshi schools to schools in the United States. This is a descriptive study with an intensive examination of curriculum materials and textbooks from the education system in Bangladesh as well as narrative based on my past experiences as a student in Bangladeshi primary schools. After translating and analyzing Bangladeshi middle school curriculum, I compared and contrasted art education philosophies,
    [Show full text]
  • ART of PAKISTAN Wednesday May 24 2017
    ART OF PAKISTAN Wednesday May 24 2017 ART OF PAKISTAN Wednesday 24 May 2017 at 2pm 101 New Bond Street, London VIEWING BIDS ENQUIRIES CUSTOMER SERVICES Friday 19 May 2017 +44 (0) 20 7447 7447 Tahmina Ghaffar Monday to Friday 8:30am to 6pm 11am to 3pm +44 (0) 20 7447 7401 fax +44 (0) 20 7468 8382 +44 (0) 20 7447 7447 Sunday 21 May 2017 To bid via the internet please [email protected] 11am to 3pm visit bonhams.com As a courtesy to intending Monday 22 May 2017 PRESS ENQUIRIES bidders, Bonhams will provide a 9am to 4.30pm Please note that bids should be written Indication of the physical [email protected] Tuesday 23 May 2017 submitted no later than 4pm condition of lots in this sale if a 9am to 1.30pm on the day prior to the sale. request is received up to 24 Wednesday 23 May 2017 New bidders must also provide hours before the auction starts. 9am to 12pm proof of identity when submitting This written Indication is issued bids. Failure to do this may result subject to Clause 3 of the Notice in your bid not being processed. to Bidders. SALE NUMBER Telephone bidding can only be ILLUSTRATIONS 24249 accepted on lots with a Front cover: lot 18 low-estimate in excess of £1000. Back cover: lot 19 CATALOGUE Inside Front cover: lot 25 £30.00 Live online bidding is available Inside Frontispiece: lot 14 for this sale Inside Back cover: lot 27 Please email [email protected] with ‘live bidding’ in the subject IMPORTANT INFORMATION line 48 hours before the auction The United States Government to register for this service has banned the import of ivory into the USA.
    [Show full text]
  • School of Art and Architecture Ulab
    SCHOOL OF ART AND ARCHITECTURE ULAB Umme Hani 10308009 Seminar II Submitted in Partial Fulfillment of the requirements For the Degree of Bachelor of Architecture Department of Architecture BRAC University I ACKNOWLEDGMENT As I reflect on my five years in architecture, I realize I have come a long way from the confused fresher back in 2010. I have learned and experienced so much and I am ever so grateful to the Almighty for giving me that opportunity. I would start out with a clichéd expression in the architecture community-“Architecture is not a career or a profession but it’s a lifestyle”. Throughout my undergraduate period, I have understood how righteously this was said and I am thankful to those who have helped me get acquainted with this lifestyle, offered assistance when I fell back and guided me during my crucial hours. The teachers have been more than helpful. Some of them really believed in me and inspired me to push it to my limits. Their words of wisdom have always helped me to see the light at the end of the tunnel whenever I was in doubt and over time I have realized how important this could be. I would like to mention some of them and offer my gratitude for helping me come this far: Shams Mansoor Ghani Nesfun Nahar Abul Fazal Mahmudun Nobi Hafiz Hasan Zainab Faruqui Ali Muzibur Rahman Shakil Ahmad Shimul There’s another set of people without whom I would have been entirely lost in my thesis. Without the help of these people, it would not be possible for me to develop my project and bring it this far.
    [Show full text]
  • A Qualitative Study on Advancement of Scholastic Arts and Its Observances: the Perspective of Bangladesh
    Information and Knowledge Management www.iiste.org ISSN 2224-5758 (Paper) ISSN 2224-896X (Online) Vol.6, No.1, 2016 A Qualitative Study on Advancement of Scholastic Arts and its Observances: The Perspective of Bangladesh Arafat Hosen Lecturer, Department of Graphics Design and Multimedia Shanto-Mariam University of Creative Technology, Bangladesh Abstract The study has attempted to provide information how academic system has been initiated in fine art practices in Bangladesh, geographically which was a part of the greater of Bengal in Moghul era and thereafter in British colonial period, was a province of the South Asian Indian sub-continent. The history of art practices in Bangladesh eventually involves the sub continental perspective. Our cultural tradition has an admirable heritage compared to the general identity of Bangladesh in the world map as a country afflicted by poverty and crises. The artists working in various media and cultural workers of this country are earning out the responsibility to keep this honor continuing. It can be said without doubt that our fine artists are playing a visible and leading role in the contemporary world of cultural activities in this country. The tendency to experiment and to accept the context of our country is gradually beginning to be instilled within young artists through various encouraging effort. In the field of sculpture and printmaking, the desire to create has overcome the shortage of materials and is being expressed in many ways. Keywords: Scholastic, Historical Integration, Practices and Scrutinizing, Arts and Culture 1. Prologue Traditional art practices in the past had been mostly patronized by rulers of different era.
    [Show full text]
  • Hoek BAS 2019 Journeyingthr
    Edinburgh Research Explorer Journeying through Modernism Citation for published version: Hoek, L & Sunderason, S 2019, 'Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London', British Art Studies, no. 13. https://doi.org/10.17658/issn.2058-5462/issue- 13/hoek-sunderason Digital Object Identifier (DOI): 10.17658/issn.2058-5462/issue-13/hoek-sunderason Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: British Art Studies General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 11. Oct. 2021 British Art Studies September 2019 London, Asia, Exhibitions, Histories Edited by Hammad Nasar and Sarah Victoria Turner British Art Studies Issue 13, published 30 September 2019 London, Asia, Exhibitions, Histories Edited by Hammad Nasar and Sarah Victoria Turner Cover image: Rubber shavings made during Bettina Fung's performance of "Towards All or Nothing (In Memory of Li Yuan-chia)" at Manchester Art Gallery, 6 March 2019.. Digital image courtesy of Bettina Fung.
    [Show full text]
  • Edinburgh Research Explorer
    Edinburgh Research Explorer Journeying through Modernism Citation for published version: Hoek, L & Sunderason, S 2019, 'Journeying through Modernism: Travels and Transits of East Pakistani Artists in Post-Imperial London', British Art Studies, no. 13. https://doi.org/10.17658/issn.2058-5462/issue- 13/hoek-sunderason Digital Object Identifier (DOI): 10.17658/issn.2058-5462/issue-13/hoek-sunderason Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: British Art Studies General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 11. May. 2020 British Art Studies September 2019 London, Asia, Exhibitions, Histories Edited by Hammad Nasar and Sarah Victoria Turner British Art Studies Issue 13, published 30 September 2019 London, Asia, Exhibitions, Histories Edited by Hammad Nasar and Sarah Victoria Turner Cover image: Rubber shavings made during Bettina Fung's performance of "Towards All or Nothing (In Memory of Li Yuan-chia)" at Manchester Art Gallery, 6 March 2019.. Digital image courtesy of Bettina Fung.
    [Show full text]