香港文化中心大劇院grand Theatre Hong Kong Cultural Centre 製作及演出credits and Cast 節目介紹programme Note
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Nutcracker Three Hundred Sixty-Seventh Program of the 2012-13 Season ______Indiana University Ballet Theater Presents
2012/2013 Peter Ilyich Tchaikovsky NutcrackerThe Three Hundred Sixty-Seventh Program of the 2012-13 Season _______________________ Indiana University Ballet Theater presents its 54th annual production of Peter Ilyich Tchaikovsky’s The Nutcracker Ballet in Two Acts Scenario by Michael Vernon, after Marius Petipa’s adaptation of the story, “The Nutcracker and the Mouse King” by E. T. A. Hoffmann Michael Vernon, Choreography Andrea Quinn, Conductor C. David Higgins, Set and Costume Designer Patrick Mero, Lighting Designer Gregory J. Geehern, Chorus Master The Nutcracker was first performed at the Maryinsky Theatre of St. Petersburg on December 18, 1892. _________________ Musical Arts Center Friday Evening, November Thirtieth, Eight O’Clock Saturday Afternoon, December First, Two O’Clock Saturday Evening, December First, Eight O’Clock Sunday Afternoon, December Second, Two O’Clock music.indiana.edu The Nutcracker Michael Vernon, Artistic Director Choreography by Michael Vernon Doricha Sales, Ballet Mistress Guoping Wang, Ballet Master Shawn Stevens, Ballet Mistress Phillip Broomhead, Guest Coach Doricha Sales, Children’s Ballet Mistress The children in The Nutcracker are from the Jacobs School of Music’s Pre-College Ballet Program. Act I Party Scene (In order of appearance) Urchins . Chloe Dekydtspotter and David Baumann Passersby . Emily Parker with Sophie Scheiber and Azro Akimoto (Nov. 30 & Dec. 1 eve.) Maura Bell with Eve Brooks and Simon Brooks (Dec. 1 mat. & Dec. 2) Maids. .Bethany Green and Liara Lovett (Nov. 30 & Dec. 1 eve.) Carly Hammond and Melissa Meng (Dec. 1 mat. & Dec. 2) Tradesperson . Shaina Rovenstine Herr Drosselmeyer . .Matthew Rusk (Nov. 30 & Dec. 1 eve.) Gregory Tyndall (Dec. 1 mat.) Iver Johnson (Dec. -
October 2020 New York City Center
NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ -
WHERE the BOYS ARE SAB’S Boys Program Celebrates Tenth Anniversary
School of American Ballet Newsletter/Fall 2002 WHERE THE BOYS ARE SAB’s Boys Program Celebrates Tenth Anniversary ate afternoon visitors to SAB usually find the hall- vivid memories of his early years at SAB, dutifully com- ways teeming with young girls and boys, a colorful ing to class every afternoon to hang out with . girls. "At Lscene that more often than not leads newcomers to that age, you want camaraderie. I missed it. The boys spontaneously exclaim, "There are so many boys!" The today are psyched to come here to be with their pals. And sight of young boys pursuing ballet in large numbers it's much more inspiring for them when their classes can may still be unexpected to some, but at SAB it has become include learning how to do multiple pirouettes and dou- the norm—the result of a decade-long effort to increase ble tours. That's what they see Damian Woetzel and the School’s male enrollment and ultimately to bolster the Ethan Stiefel doing. That's what's going to inspire them to number of young men pursuing professional ballet continue with ballet. The co-ed children's classes when I careers. was a kid were much more focused on the girls—on barre work and preparing to dance en pointe." Just over 10 years ago, an internal review of SAB's pro- grams pointed up what Chairman of Faculty Peter As the Boys Program enters its eleventh year, it has tallied Martins believed was a major weakness: a longstanding 216 participants, including 57 who are still working their dearth of male students in the Children's Division. -
Miami City Ballet 37
Miami City Ballet 37 MIAMI CITY BALLET Charleston Gaillard Center May 26, 2:00pm and 8:00pm; Martha and John M. Rivers May 27, 2:00pm Performance Hall Artistic Director Lourdes Lopez Conductor Gary Sheldon Piano Ciro Fodere and Francisco Rennó Spoleto Festival USA Orchestra 2 hours | Performed with two intermissions Walpurgisnacht Ballet (1980) Choreography George Balanchine © The George Balanchine Trust Music Charles Gounod Staging Ben Huys Costume Design Karinska Lighting Design John Hall Dancers Katia Carranza, Renato Penteado, Nathalia Arja Emily Bromberg, Ashley Knox Maya Collins, Samantha Hope Galler, Jordan-Elizabeth Long, Nicole Stalker Alaina Andersen, Julia Cinquemani, Mayumi Enokibara, Ellen Grocki, Petra Love, Suzette Logue, Grace Mullins, Lexie Overholt, Leanna Rinaldi, Helen Ruiz, Alyssa Schroeder, Christie Sciturro, Raechel Sparreo, Christina Spigner, Ella Titus, Ao Wang Pause Carousel Pas de Deux (1994) Choreography Sir Kenneth MacMillan Music Richard Rodgers, Arranged and Orchestrated by Martin Yates Staging Stacy Caddell Costume Design Bob Crowley Lighting Design John Hall Dancers Jennifer Lauren, Chase Swatosh Intermission Program continues on next page 38 Miami City Ballet Concerto DSCH (2008) Choreography Alexei Ratmansky Music Dmitri Shostakovich Staging Tatiana and Alexei Ratmansky Costume Design Holly Hynes Lighting Design Mark Stanley Dancers Simone Messmer, Nathalia Arja, Renan Cerdeiro, Chase Swatosh, Kleber Rebello Emily Bromberg and Didier Bramaz Lauren Fadeley and Shimon Ito Ashley Knox and Ariel Rose Samantha -
JUNE 27–29, 2013 Thursday, June 27, 2013, 7:30 P.M. 15579Th
06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 23 JUNE 2 7–29, 2013 Two Works by Stravinsky Thursday, June 27, 2013, 7:30 p.m. 15, 579th Concert Friday, June 28, 2013, 8 :00 p.m. 15,580th Concert Saturday, June 29, 2013, 8:00 p.m. 15,58 1st Concert Alan Gilbert , Conductor/Magician Global Sponsor Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director These concerts are sponsored by Yoko Nagae Ceschina. A production created by Giants Are Small Generous support from The Andrew W. Mellon Foundation, Clifton Taylor, Lighting Designer The Susan and Elihu Rose Foun - Irina Kruzhilina, Costume Designer dation, Donna and Marvin Matt Acheson, Master Puppeteer Schwartz, the Mary and James G. Margie Durand, Make-Up Artist Wallach Family Foundation, and an anonymous donor. Featuring Sara Mearns, Principal Dancer* Filming and Digital Media distribution of this Amar Ramasar , Principal Dancer/Puppeteer* production are made possible by the generos ity of The Mary and James G. Wallach Family This concert will last approximately one and Foundation and The Rita E. and Gustave M. three-quarter hours, which includes one intermission. Hauser Recording Fund . Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic June 2013 23 06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 24 New York Philharmonic Two Works by Stravinsky Alan Gilbert, Conductor/Magician Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director A production created by Giants Are Small Clifton Taylor, Lighting Designer Irina Kruzhilina, Costume Designer Matt Acheson, Master Puppeteer Margie Durand, Make-Up Artist Featuring Sara Mearns, Principal Dancer* Amar Ramasar, Principal Dancer/Puppeteer* STRAVINSKY Le Baiser de la fée (The Fairy’s Kiss ) (1882–1971) (1928, rev. -
Nutcracker Media Release R1
FOR IMMEDIATE RELEASE November 14, 2014 Contact: Erika Overturff (Founder and Artistic Director), (402) 541-6946 Print-quality photos are available for download here. BALLET NEBRASKA'S NUTCRACKER BLENDS NEW FEATURES, OLD FAVORITES The premiere of a new French scene and the debut of a new Sugar Plum Fairy and are among the features of this year's edition of Ballet Nebraska's The Nutcracker. “I’m always looking for ways to maintain the ballet’s story and charm, while adding fresh touches,” said artistic director Erika Overturff, who choreographs and stages the holiday classic, as well as dancing the role of the Snow Queen. “Personalizing the ballet for your own company and audience is something that every company has done since the beginning – it’s part of the tradition of The Nutcracker.” The French scene – often called “Mirletons” or “Dance of the Reed Flutes” – gets a makeover this year, with new concept, choreography and costumes, Overturff said. “I was listening to the music and thinking about things we associate with France,” she said, “and I thought: What could be more French than cooking? I don’t want to spoil the surprise, but I can tell you that the new scene involves a ballerina, a chef with a lot of assistants, and a cake.” A signature role in The Nutcracker, Overturff said, is that of the Sugar Plum Fairy – the benign ruler of the Kingdom of Sweets, who welcomes the young heroine, Clara, and commands a series of spectacular dances in her honor. Making her debut as the Sugar Plum Fairy this year is Vivi DiMarco, a dancer in her third season with Ballet Nebraska. -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
New E-Items Added 1 5 to 1 11 2016 1 Title Author Publisher Published
New E-items Added 1 5 to 1 11 2016 Title Author Publisher Published Location Call Number Class Subject First Baptist Church, Charlotte, N.C., 1832- McLean, Carrie L. Washburn Press, 1917 Ebooks - LU BX 6480 C BX BX - Christian 1916 [electronic resource] / compiled by users only 34 F 53 Denominations. Carrie L. McLean. 1917 EB History of Steele Creek Church [electronic Douglas, John, Isha Books, 2013 Ebooks - LU BX 9211 C BX BX - Christian resource] : Mecklenburg County, N.C. / users only 265 S 74 Denominations. compiled and written by Rev. John Douglas ; 1901 EB revised and extended to the close of the 19th century by the Historical Committee. Historical sketch of New Hope Church, in Craig, D. I. (David Isha Books, 2013 Ebooks - LU BX 9211 N BX BX - Christian Orange County, N.C. [electronic resource] / by Irwin), 1849-1925, users only 47 C 7 1891 Denominations. Rev. D.I. Craig. EB Spanish archives of New Mexico [electronic Twitchell, Ralph Torch Press, 1914 Ebooks - LU CD 3394 T CD CD - resource] : compiled and chronologically Emerson, 1859-1925, users only 9 1914 EB Diplomatics, arranged with historical, genealogical, Archives, Seals. geographical, and other annotations, by authority of the state of New Mexico / by Ralph Emerson Twitchell. Franklin County, Illinois, war history, 1832- Baird, S. Sylvester. Pub. by H.W. 1920 Ebooks - LU D 505 B 35 D D - General 1919 [electronic resource] : containing a brief Trovillion for users only 1920 EB World History. review of the world war--complete history of the Franklin Franklin County's activities--photographs and County War service records of Franklin County's soldiers, History Society, sailors and marines--ind Tulsa County in the world war [electronic Lampe, William T., 1919 Ebooks - LU D 57085 O D D - General resource] / comp. -
World of Dancemagazine an UNCOMMON SIGHT Boca Ballet
Gateway to Florida Dance Community! Florida’s f March/April 2016 Magazine World o Dance AN UNCOMMON SIGHT The Next Generation of Male Dancers Boca Ballet Theatre’s 25th Anniversary Gala Performance How Dance Studios are Making the Most of their Space The Powerful Healthy Root: TURMERIC See our Featured Students WIN IT! NOW Win tickets to various performances around Florida. FREE PUBLICATION Supporting, Promoting and Preserving the Art of Dance! World of Dance Magazine FEATURES 20 12 14 25 26 CONTENTS 6 Break a Leg 21 Summer Special Editor’s Note 2016 Summer Intensive listings 7 Dance Highlights Dance Inspiration 25 Prevention Back Pain 8 Dance Highlights What’s going on ... 26 Healthy Eating & Lifestyle The Powerful Healthy Root: Turmeric 12 Students Insights Keeping your ankles in action 28 Featured Students Abigail Rodgers, Darriel Johnakin, 14 Studio Owners Kristen Gaertner, Emma Bell Pulling Double Duty 31 Win your tickets now! 17 Tribute Boca Ballet Theatre’s 25th Anniversary 32 Calendar of Events 18 Cover Spotlight Paris Ballet & Dance 38 Directory March/April 2016 .www.dancemagazineflorida.com .World of Dance Magazine 3 WEBSITE www.DanceMagazineFlorida.com Publisher/Editor/Feature Writer Karina Felix [email protected] The goal of WoDM is: To promote the achievements of Florida’s Dance Communities. To Support, Promote and Preserve Dance Developments. SUPPORTING: To highlight the efforts of Studio Owners, Teachers, Dancers, Students, Choreographers, Performing Art Schools, Theatres and all in the dance-related world PROMOTING: To share all dance events, performances, auditions, festivals, educational material, health issues, and art appreciation through this publication, weekly newsletters, Calendar of Events, Mark Your Calendar, Facebook, Twitter and Blogs; exposing and creating public appreciation & support. -
Spring Ballet
Six Hundred Fifty-Fifth Program of the 2014-15 Season _______________________ Indiana University Ballet Theater presents Spring Ballet Swan Lake (Act II) Choreography by George Balanchine Staged by Patricia Blair and Daniel Duell Music by Peter Ilyich Tchaikovsky Duets Choreography by Merce Cunningham Staged by Banu Ogan Music by John Cage Rubies Choreography by George Balanchine Staged by Paul Boos Music by Igor Stravinsky Michael Vernon, Artistic Director, IU Ballet Theater Stuart Chafetz, Conductor Patrick Mero, Lighting Design _________________ Musical Arts Center Friday Evening, March Twenty-Seventh, Eight O’Clock Saturday Afternoon, March Twenty-Eighth, Two O’Clock Saturday Evening, March Twenty-Eighth, Eight O’Clock music.indiana.edu Swan Lake (Act II) Choreography by George Balanchine* ©The George Balanchine Trust Music by Peter Ilyich Tchaikovsky Original Scenery and Costumes by Rouben Ter-Arutunian Premiere: November 20, 1951 | New York City Ballet City Center of Music and Drama Staged by Patricia Blair and Daniel Duell Stuart Chafetz, Conductor Violette Verdy, Principal Coach Shawn Stevens, Ballet Mistress Guoping Wang, Ballet Master Odette, Queen of the Swans Raffaella Stroik (3/27) Elizabeth Edwards (3/28 mat ) Natalie Nguyen (3/28 eve ) Prince Siegfried Matthew Rusk (3/27) Colin Ellis (3/28 mat ) Andrew Copeland (3/28 eve ) Swans Bianca Allanic, Mackenzie Allen, Margaret Andriani, Caroline Atwell, Morgan Buchart, Colleen Buckley, Danielle Cesanek, Leah Gaston (3/28), Bethany Green (3/28 eve ), Rebecca Green, Cara Hansvick -
Duncan Stewart, CSA and Benton Whitley, CSA, Casting Directors
Duncan Stewart, CSA and Benton Whitley, CSA, Casting Directors/Partners Paul Hardt, Christine McKenna-Tirella, CSA Casting Director Ian Subsara, Emily Ludwig Casting Assistant Resume as of 3.15.2019 _________________________________________________________________ CURRENT & ONGOING: HADESTOWN Theater, Broadway – Walter Kerr Theater March 2019 – Open Ended Mara Isaacs, Hunter Arnold, Dale Franzen (Prod.) Rachel Chavkin (Dir.), David Newmann (Choreo.) By: Anais Mitchell CHICAGO THE MUSICAL Theater, Broadway – Ambassador Theater May 2008 – Open Ended Barry and Fran Weissler (Prod.) Walter Bobbie (Dir.), Ann Reinking (Choreo.) By: John Kander & Fred Ebb CHICAGO THE MUSICAL Theater, West End – Phoenix Theater March 2018 – Open Ended Barry and Fran Weissler (Prod.) Walter Bobbie (Dir.), Ann Reinking (Choreo.) By: John Kander & Fred Ebb ZOEY’S EXTRAORDINARY PLAYLIST NBC Lionsgate TV Pilot March 2019 Richard Shepard (Dir.), Austin Winsberg (Writer) NY Casting AUGUST RUSH Theater, Regional – Paramount Theater January 2019 – June 2019 Paramount Theater (Prod.) John Doyle (Dir.), JoAnn Hunter (Choreo.) By: Mark Mancina, Glen Berger, David Metzger PARADISE SQUARE: An American Musical Theater, Regional – Berkeley Repertory Theatre December 2018 – March 2019 Garth Drabinsky (Prod.) ________________________________________________________________________ 1 Stewart/Whitley 213 West 35th Street Suite 804 New York, NY 10001 212.635.2153 Moisés Kaufman (Dir.), Bill T. Jones (Choreo.) By: Marcus Gardley, Jason Howland, Larry Kirwan, Craig Lucas, Nathan -
DHS at Odds Withdep Tersection
NON PROFIT ORG. U.S. Postage Paid Darien, Conn. Permit No. 43 Darien High School 80High School Lane Darien, CT 06820 Courts: Students cannot grade other students' papers .ByMike Sullivan Rights and Privacy Act, when they al rights to a student, which allows the stu all federal funding to an institution, News Editor lowed other students to grade her dent to see his or her educational which violates FERPA. These harsh pen Privacy in our classrooms is some children's assignments. Ms. Falvo filed records, seek amendment to those alties associated with FERPA are why thing that students take for granted a class-action lawsuit against the school records, the right to consent disclosure the ruling is such a landmark decision. these days. Many of us don't think district in October of 1998. The lawsuit ofhis or her records, and the right to file The problem for some people is that about it when peers edit or grade our was turned down on both counts in 1998, a compliant with the Department ofEdu the decision is too broad and affects too papers. Many of us share our grades in however the Court of Appeals over cation. In short, it means that the educa many aspects of school life, such as the hallways, in attempts to determine our turned the lower courts' decision on the tional records of a student must be kept posting of honor rolls, and displays of how we rank in our group of friends. second count of the case. As the Court confidential. Although this law has been student work in hallways.