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Poetry(June 1915) The Newsletter of the T. S. Eliot Society Number 86 Summer 2015 CONTENTS Poetry (June 1915) Essay Poetry (June 1915) By Christopher Ricks by Christopher Ricks 1 The cover of Poetry (June 1915) named eight contributors. Their names Eliot Society Annual Meeting 3 took markedly different forms. In order of appearance: Ajan Syrian, Arthur Davison Ficke, Bliss Carman, Dorothy Dudley, Georgia Wood Pangborn, Reviews William Griffith, Skipwith Cannéll, and T. S. Eliot. The Young Eliot: A Biography, by Robert Crawford The last of these namings is more than distinctive, it is unique. Reviewed by Lesley Wheeler 7 It is distinguished, first, from the five who muster two names. (Dorothy Dudley, we hear in the notes to contributors, might have featured—à la Mrs. Modernism and the Reinvention of Henry Wood—as Mrs. Henry B. Harvey.) It is distinguished, second, from Decadence, by Vincent Sherry the couple of contributors who sport three names: a man, whether married Reviewed by Martin Lockerd 10 or not—Arthur Davison Ficke—and a married woman: Georgia Pangborn, née Wood. True, there are other unique forms of namery here: Ajan Syrian Ascetic Modernism in the Work of is not exactly his name (the notes on contributors have him as “Ajan Syrian” T. S. Eliot and Gustave Flaubert, in inverted commas), and Skipwith Cannéll has an accent. But it is T. S. by Henry Michael Gott Eliot, upon his initial appearance in a literary world beyond that of school Reviewed by Joshua Richards 11 or college, who stands out. Stands there, complete. Public Sightings He went by many names. During 1915-16 he signed himself not only by David Chinitz 9 T. S. Eliot but T. Stearns Eliot, Thomas S. Eliot, and Thomas Stearns Eliot. Eliot News 11 Of the other names that figure on the cover, two come twice. The first is that of a woman: “Edited by Harriet Monroe,” “Copyright 1915 by Harriet T. S. Eliot Bibliography 2014 Monroe.” The second is that of a man, a contributor not to this number by Elisabeth Däumer 15 of “A Magazine of Verse” but to the tragedy of the Great War: there is a sequence of five poems “To Rupert Brooke,” Died before the Dardanelles, April, 1915 (shades of Jean Verdenal, “mort aux Dardanelles”). And there are three pages of elegiac ecstasy, “The Death of Rupert Brooke.” ******* The names of a few of the contributors are not on the cover. Of these, two who are commentators will append solely their initials to their contributions. Register now for the By convention, these are at once more modest and more proud than names, since initials may represent either subordination or ordination. The pages 2015 T. S. Eliot Society on the Death of Rupert Brooke, which are announced on the cover, will be initialed H.M., with editorial authority, while those on Edgar Lee Masters’ Annual Meeting Spoon River Anthology, which are not announced on the cover, will duly be initialed A.C.H., combining authority, though less of it, with assistance, at our website more of it: Alice Corbin Henderson, editorial assistant. Relatedly, there will www.luc.edu/eliot/meeting.htm be (not specified on the cover) H.M. on Some Imagist Poets – An Anthology, and (likewise) a triple review by A.C.H. on Antwerp by Ford Madox Hueffer (whose name is not yet Ford Madox Ford), Poems by John Rodker, and Sing- Published by the T. S. Eliot Society, a tax-exempt, nonprofit 501(c)(3) literary organization 5007 Waterman Blvd., St. Louis, Missouri 63108 ESSAY Songs of the War by Maurice Hewlett. So it turns out immediately to set it against the plangent propitiations to be not only all the named contributors—with the of poesy, that easeful thing. Poetry (June 1915) mounted notable exception of the last on the cover—who bear first the supremely new—there in Eliot’s inaugurative names and surnames. This includes the author of “To concluding poem—alongside the good old assurances Poetry: On Reading the April number in Exile” which that poetry can be relied on to supply the poetical. This appears under “Correspondence”: Eunice Tietjens, a is clear from all the illuminating discrepancies between name that when paraded “The Love Song of J. in the immediate Alfred Prufrock” and the neighbourhood of Ford company that it found Madox Ford does make itself keeping a century one wonder Who Goes ago. There. (Christopher? Sylvia?) But she is Clear, and all the Tietjens née Hammond. clearer if we expand the titles from their summary Apart from T. S. version on the cover to Eliot, who stands apart, those they actually bear no one—whether writing within the magazine. Not here, or here written of— “I Sing of My Life,” but comes forward as initials- “I Sing of My Life While plus-surname. Granted, I Live It.” Here there there are special cases. arrives what both is and Named on the cover is is not a coincidence: is, a poet who is written because there had been of: “Hark to Sturge no particular editorial Moore.” And there are placing of Eliot’s poem three appearances by a in the vicinity of Ajan contributor whose name Syrian’s; is not, because did not make the cover. some such sugared “I To this Jack of Hearts Sing” was sure to be (the only person on the somewhere there to scene missing), we shall please current taste, being return. the poeticality that “The The name T. S. Eliot Love Song of J. Alfred then, and there on Prufrock” was up against. the cover, is signal. So, I sing of my life while unforgettably,ESSAY is the title I live it. of his poem, given the intriguing name that is its climax and Cover of Poetry (June 1915) courtesy of Do you, now? I have its anti-climax: “The Love Song of J. Houghton Library, Harvard University measured out my life with coffee Alfred Prufrock.” As with its author, spoons. albeit differently, no name in the vicinity takes any such A happy accident, the link that I have forged, happy form as this one. to be a screen on which a pattern may be cast. The name Ajan Syrian may prompt a recollection. Take the direct though specious appeal, not quite Eliot in 1959 opened with delectable dryness: “I once (as the cover has it) of “The Syrian Lover in Exile,” but wrote a poem called The Love Song of J. Alfred Prufrock. I of the poem fully titled, “The Syrian Lover in Exile am convinced that it would never have been called Love Remembers Thee, Light of My Land.” Eliot was and Song but for a title of Kipling’s that stuck obstinately in was not remembering the light of his land, was and was my head, The Love Song of Har Dyal.” not in exile. He registered his suspicions of the poetical The title of Eliot’s poem prepares a face, and proceeds register that goes in for remembering Thee—he was continued on page 4 Time Present 2 Summer 2015 T. S. ELIOT SOCIETY 36TH ANNUAL MEETING St. Louis, September 25–27, 2015 FRIDAY, SEPTEMBER 25 SATURDAY, SEPTEMBER 26 Announcements 6:00 Washington U in St. Louis The St. Louis Woman’s Club Society Dinner 6:30 4600 Lindell Boulevard Home of Tony & Melanie Fathman Board Meeting 9:00–12:00 4967 Pershing Place Coffee Room, 2nd floor, Duncker Session II 9:00–10:30 Hall Chair: David Chinitz, Loyola U, Chicago SUNDAY, SEPTEMBER 27 Peer Seminar 10:00–12:00 Christopher McVey, Boston U First Unitarian Church “Prufrock” at 100 Critical Scrutiny: Eliot and F.R. 5007 Waterman Boulevard Chair: Cassandra Laity, U of Tennes- Leavis see–Knoxville Kevin Rulo, Catholic U No auditors, please Session V 10:00–11:30 Satire and the “human engine” Chair: Tony Cuda, UNC Greensboro of The Waste Land Scholars Seminar 10:00–12:00 Joshua Richards, Williams Baptist C David Huisman, Grand Valley St U Chair: Matthew Seybold, Elmira C Residues of Aristophanic Choric The Waste Land and E. E. No auditors, please Elements in “The Hollow Men” Southard’s Grammar of Delusions Fabio Vericat, U Complutense de Madrid Lunch ad lib 12:00–1:30 Session III 10:45–12:15 The American Broadcast of Chair: John Whittier-Ferguson Registration 12:00–1:30 Murder in the Cathedral and the Michael Coyle, Colgate U Duncker Hall Sound of Preaching Eliot’s “Afternoon” in the Carol Yang, National Chengchi U, British Museum President’s Welcome 1:30 Taipei, Taiwan Joon-Soo Bong, Seoul National U Hurst Lounge, Duncker Hall The Stranger Revisited in Eliot’s Borders: Europe, Eliot’s The Cocktail Party Opening Lecture 1:45–2:15 America, and Asia Nancy Hargrove, Mississippi State Vincent Sherry, Washington U Eliot Aloud 11:45–12:15 Eliot and Asian and African Art Eliot and the Great War Chair: Julia Daniel, Baylor U in Paris and London, 1910–1911 Session I 2:30–4:00 Chair: Anita Patterson, Boston U Society Luncheon 12:30–1:50 Suzanne Churchill, Davidson C Peer Seminar Members Session IV 2:00–3:30 Proletarian Prufrock Joon-Soo Bong, Seoul National U Chair: Chris Buttram, Winona Annarose Steinke, U of New Mexico Elisabeth Daümer, Eastern Mich. U State U Knowing “The Anguish of the Nancy Gish, U of Southern Maine J. C. Marler, St. Louis U Marrow”: Eliot, Corporeality, Deborah Leiter-Nyabuti, Clark U The Philosophical Formation of and the Modern Rhetoric of William Malcuit, U of Wisconsin- the Young Artist Illness Washington County J. W. Case, St. Louis U John Tamilio III, Salem State U Yvette Mylett, Loyola U Maryland Eliot, R.
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