Oklahoma Today May-June 2004 Volume 54 No. 3
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Friends of the Capitol 2009-June 2010 Report
Friends of the Capitol 2009-June 2010 Report Our Mission Statement: Friends of the Capitol is a tax-exempt 501(c)(3) corporation that is devoted to maintaining and improving the beauty and grandeur of the Oklahoma State Capitol building and showcasing the magnificent gifts of art housed inside. This mission is accomplished through a partnership with private citizens wishing to leave their footprint in our state's rich history. Education and Development In 2009 and 2010 Friends of the Capitol (FOC) participated in several educational and developmental projects informing fellow Oklahomans of the beauty of the capitol and how they can participate in the continuing renovations of Oklahoma State Capitol building. In March of 2010, FOC representatives made a trip to Elk City and met with several organizations within the community and illustrated all the new renovations funded by Friends of the Capitol supporters. Additionally in 2009 FOC participated in the State Superintendent’s encyclo-media conference and in February 2010 FOC participated in the Oklahoma City Public Schools’ Professional Development Day. We had the opportunity to meet with teachers from several different communities in Oklahoma, and we were pleased to inform them about all the new restorations and how their school’s name can be engraved on a 15”x30”paver, and placed below the Capitol’s south steps in the Centennial Memorial Plaza to be admired by many generations of Oklahomans. Gratefully Acknowledging the Friends of the Capitol Board of Directors Board Members Ex-Officio Paul B. Meyer, Col. John Richard Chairman USA (Ret.) MA+ Architecture Oklahoma Department Oklahoma City of Central Services Pat Foster, Vice Chairman Suzanne Tate Jim Thorpe Association Inc. -
Sacred Rain Arrow: Honoring the Native American Heritage of the States While Balancing the Citizens' Constitutional Rights Amelia Coates
American Indian Law Review Volume 38 | Number 2 1-1-2014 Sacred Rain Arrow: Honoring the Native American Heritage of the States While Balancing the Citizens' Constitutional Rights Amelia Coates Follow this and additional works at: http://digitalcommons.law.ou.edu/ailr Part of the Constitutional Law Commons, and the Indian and Aboriginal Law Commons Recommended Citation Amelia Coates, Sacred Rain Arrow: Honoring the Native American Heritage of the States While Balancing the Citizens' Constitutional Rights, 38 Am. Indian L. Rev. 501 (2014), http://digitalcommons.law.ou.edu/ailr/vol38/iss2/4 This Comment is brought to you for free and open access by University of Oklahoma College of Law Digital Commons. It has been accepted for inclusion in American Indian Law Review by an authorized administrator of University of Oklahoma College of Law Digital Commons. For more information, please contact [email protected]. COMMENT SACRED RAIN ARROW: HONORING THE NATIVE AMERICAN HERITAGE OF THE STATES WHILE BALANCING THE CITIZENS’ CONSTITUTIONAL RIGHTS Amelia Coates* Abstract Many states’ histories and traditions are steeped heavily in Native American culture, which explains why tribal imagery and symbolism are prevalent in official state paraphernalia such as license plates, flags, and state seals. Problems arise for states using Native American artwork when a citizen takes offense to the religious implications of Native American depictions, and objects to having it displayed on any number of items. This Comment will examine the likely outcome of cases involving Establishment Clause and compelled speech claims arising from Native American images and propose a solution for balancing the constitutional rights of the citizens while still honoring the states’ rich Native American heritage. -
(405) 527-0640 (580) 476-3033 (580) 759-3331
Ready-Made Adventures. Take the guesswork out of your getaway. AdventureRoad.com features more than 50 Oklahoma road trips for every interest, every personality and every budget. All the planning’s done — all you have to do is hit the road. AdventureRoad.com #MyAdventureRoad Adventure Road @AdventureRoadOK @AdventureRoad UNI_16-AR-068_CNCTVisitorsGuide2017_Print.indd 1 8/19/16 4:38 PM Ready-Made Adventures. Take the guesswork out of your getaway. AdventureRoad.com features more than 50 Oklahoma road trips for every interest, every personality and every budget. All the planning’s done — all you have to do is hit the road. 3 1 2O 23 31 4₄ Earth 1Air Golf Fire Water Listings Northeast Southwest Courses Northwest Southeast Businesses CHICKASAW COUNTRY CHICKASAW COUNTRY Distances from major regional cities to the GUIDE 2017 GUIDE 2017 Chickasaw Nation Welcome Center in Davis, OK Miles Time Albuquerque, NM 577 8hrs 45min Amarillo, TX 297 4hrs 44min Austin, TX 316 4hrs 52min Branson, MO 394 5hrs 42min Colorado Springs, CO 663 10hrs 7min CHICKASAWCOUNTRY.COM CHICKASAWCOUNTRY.COM Dallas, TX 134 2hrs 15min HAVE YOU SEEN OUR COVERS? We've designed four unique covers - one for each quadrant of Fort Smith, AR 213 3hrs 23min Chickasaw Country - Northeast (Earth), Southwest (Air), Northwest (Fire) and Southeast (Water). Houston, TX 374 5hrs 30min Each cover speaks to the element that's representative of that quadrant. Joplin, MO 287 4hrs 12min Return to your roots in Earth. Let your spirit fly in Air. Turn up the heat in Fire. Make a splash in Water. Kansas City, MO 422 5hrs 57min Each quadrant of Chickasaw Country offers some of the best attractions, festivals, shops, restaurants Little Rock, AR 369 5hrs 31min and lodging in Oklahoma. -
1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J. -
The 1St Marine Division and Its Regiments
thHHarine division and its regiments HISTORY AND MUSEUMS DIVISION HEADQUARTERS, U.S. MARINE CORPS WASHINGTON, D.C. A Huey helicopter rapidly dispatches combat-ready members of Co C, 1st Bn, 1st Mar, in the tall-grass National Forest area southwest of Quang Tri in Viet- nam in October 1967. The 1st Marine Division and Its Regiments D.TSCTGB MARINE CORPS RESEARCH CENTER ATTN COLLECTION MANAGEMENT (C40RCL) MCCDC 2040 BROADWAY ST QUANTICOVA 22134-5107 HISTORY AND MUSEUMS DIVISION HEADQUARTERS, U.S. MARINE CORPS WASHINGTON, D.C. November 1981 Table of Contents The 1st Marine Division 1 The Leaders of the Division on Guadalcanal 6 1st Division Commanding Generals 7 1st Marine Division Lineage 9 1st Marine Division Honors 11 The 1st Division Patch 12 The 1st Marines 13 Commanding Officers, 1st Marines 15 1st Marines Lineage 18 1st Marines Honors 20 The 5th Marines 21 Commanding Officers, 5th Marines 23 5th Marines Lineage 26 5th Marines Honors 28 The 7th Marines 29 Commanding Officers, 7th Marines 31 7th Marines Lineage 33 7th Marines Honors 35 The 1 1th Marines 37 Commanding Officers, 11th Marines 39 1 1th Marines Lineage 41 1 1th Marines Honors 43 iii The 1st Marine Division The iST Marine Division is the direct descendant of the Marine Corps history and its eventual composition includ- Advance Base Brigade which was activated at Philadelphia ed the 1st, 5th, and 7th Marines, all infantry regiments, on 23 December 1913. During its early years the brigade and the 11th Marines artillery regiment. Following the was deployed to troubled areas in the Caribbean. -
Ally, the Okla- Homa Story, (University of Oklahoma Press 1978), and Oklahoma: a History of Five Centuries (University of Oklahoma Press 1989)
Oklahoma History 750 The following information was excerpted from the work of Arrell Morgan Gibson, specifically, The Okla- homa Story, (University of Oklahoma Press 1978), and Oklahoma: A History of Five Centuries (University of Oklahoma Press 1989). Oklahoma: A History of the Sooner State (University of Oklahoma Press 1964) by Edwin C. McReynolds was also used, along with Muriel Wright’s A Guide to the Indian Tribes of Oklahoma (University of Oklahoma Press 1951), and Don G. Wyckoff’s Oklahoma Archeology: A 1981 Perspective (Uni- versity of Oklahoma, Archeological Survey 1981). • Additional information was provided by Jenk Jones Jr., Tulsa • David Hampton, Tulsa • Office of Archives and Records, Oklahoma Department of Librar- ies • Oklahoma Historical Society. Guide to Oklahoma Museums by David C. Hunt (University of Oklahoma Press, 1981) was used as a reference. 751 A Brief History of Oklahoma The Prehistoric Age Substantial evidence exists to demonstrate the first people were in Oklahoma approximately 11,000 years ago and more than 550 generations of Native Americans have lived here. More than 10,000 prehistoric sites are recorded for the state, and they are estimated to represent about 10 percent of the actual number, according to archaeologist Don G. Wyckoff. Some of these sites pertain to the lives of Oklahoma’s original settlers—the Wichita and Caddo, and perhaps such relative latecomers as the Kiowa Apache, Osage, Kiowa, and Comanche. All of these sites comprise an invaluable resource for learning about Oklahoma’s remarkable and diverse The Clovis people lived Native American heritage. in Oklahoma at the Given the distribution and ages of studies sites, Okla- homa was widely inhabited during prehistory. -
Arbuckle-Simpson Festival April 27-28 This Pendleton Blanket Celebrates Chickasaw Culture
Vol. XLVII No. 4 COfficialhickasaw publication of the Chickasaw Nation Twww.chickasawtimes.netimes April 2012 Green Expo to feature information, services, products key to environment business vendors and consum- ers. The two-day event hosts numerous “green” vendors at the Pontotoc Agriplex. Everyone is invited to attend this unique and entertaining event. The Agri-Plex will be open for visitors from 9 a.m. to 5 p.m. Friday and Saturday for the Green Expo. Admission is free. Additionally, keynote speak- ers will make presentations at the tribe’s McSwain Theatre Fri- day, April 20 at 7:00 p.m. (see ADA, Okla. - The Chickasaw The Green Expo, presented sidebar article). A 5:30 p.m. re- Nation is title sponsor for the by the Ada Area Chamber of ception will precede the speak- 2nd Annual Oklahoma Green Commerce, features environ- ers. Expo in Ada April 20 and 21. mentally friendly practices of SEE OKLAHOMA GREEN EXPO, PAGE 2 Arbuckle-Simpson Festival April 27-28 This Pendleton blanket celebrates Chickasaw culture. The blanket, entitled “Spring,” is part of Pendleton Woolen Mills’ “Legendary” series. TISHOMINGO, Okla. – Come The Festival showcases the to the heart of the Chickasaw beauty and diversity of the Nation April 27-28 and enjoy area’s flora and fauna, as well ‘Spring’ Pendleton cues the natural beauty and history as it’s unique geological forma- of the land during the Sixth tions. Along with Festival fa- ancient Chickasaw culture Annual Arbuckle-Simpson Fes- vorites “The Ancient Geological Symbols of rebirth, fresh abstract art painting and stuff tival in Tishomingo. -
American Square Dance Vol. 37, No. 8
Single AMERICAN Annual Issue $9.00 $1.00 SQUARE DANCE L AUGUST 1982 NOW THE DANCE OF AMERICA: DANCING- "THE BOSS" by Wog Power enough for 100 squares— twice the power of our previous models, yet small and lightweight for quick, convenient portability. Exceptional Reliability— proven in years of square dance use. A $1,000. Value— but priced at just $635.! • gr S Why the P-400 Is the Finest Professional Sound System Available This 17-pound system, housed in a 14"x14"x5" sewn vinyl carrying is easy to transport and set up, yet will deliver an effortless 120 R.M.S. watts of clear, clean power. Conservative design which lets the equipment "loaf"results In high reliability and long life. Yet this small powerhouse has more useful features than we have ever offered before: VU meter for convenient visual sound level indication Two separate power amplifiers Two separately adjustable microphone channels Optional remote music control 5-gram stylus pressure for extended record life (Others use up to 10!) Internal strobe BUILT-IN music-only monitor power amplifier Tape input and output Convenient control panel Exclusive Clinton Features Only Clinton has a floating pickup/turntable suspension, so that an accidental bump as you reach for a control knob will not cause needle skip. Only Clinton equipment can be operated on an inverter, on high line voltage, or under conditions of output overload without damage. Only Clinton offers a dual speed control— normal and extended range (0-80 r.p.m.) and automatic speed change from 33 to 45 rpm. -
1 Column Unindented
DJ PRO OKLAHOMA.COM TITLE ARTIST SONG # Just Give Me A Reason Pink ASK-1307A-08 Work From Home Fifth Harmony ft.Ty Dolla $ign PT Super Hits 28-06 #thatpower Will.i.am & Justin Bieber ASK-1306A-09 (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes MH-1016 (Kissed You) Good Night Gloriana ASK-1207-01 1 Thing Amerie & Eve CB30053-02 1, 2, 3, 4 (I Love You) Plain White T's CB30094-04 1,000 Faces Randy Montana CB60459-07 1+1 Beyonce Fall 2011-2012-01 10 Seconds Down Sugar Ray CBE9-23-02 100 Proof Kellie Pickler Fall 2011-2012-01 100 Years Five For Fighting CBE6-29-15 100% Chance Of Rain Gary Morris Media Pro 6000-01 11 Cassadee Pope ASK-1403B 1-2-3 Gloria Estefan CBE7-23-03 Len Barry CBE9-11-09 15 Minutes Rodney Atkins CB5134-03-03 18 And Life Skid Row CBE6-26-05 18 Days Saving Abel CB30088-07 1-800-273-8255 Logic Ft. Alessia Cara PT Super Hits 31-10 19 Somethin' Mark Wills Media Pro 6000-01 19 You + Me Dan & Shay ASK-1402B 1901 Phoenix PHM1002-05 1973 James Blunt CB30067-04 1979 Smashing Pumpkins CBE3-24-10 1982 Randy Travis Media Pro 6000-01 1985 Bowling For Soup CB30048-02 1994 Jason Aldean ASK-1303B-07 2 Become 1 Spice Girls Media Pro 6000-01 2 In The Morning New Kids On The Block CB30097-07 2 Reasons Trey Songz ftg. T.I. Media Pro 6000-01 2 Stars Camp Rock DISCMPRCK-07 22 Taylor Swift ASK-1212A-01 23 Mike Will Made It Feat. -
History and Civics of Oklahoma
Class- t~6^^ Book. '// /<^ (kpightl^' COPYRIGHT DEPOSIT. ( \U y d HISTORY AND CIVICS OF OKLAHOMA BY L: J: ABBOTT, LL.B, M.A. PROFESSOR OF AMERICAN HISTORY, CENTRAL STATE NORMAL SCHOOL EDMOND, OKLAHOMA GINN AND COMPANY BOSTON • NEW YORK • CHICAGO • LONDON Copyright, 1910 By L. J. ABBOTT ALL RIGHTS RESERVED GINN AND COMPANY • PRO- PRIETORS • BOSTON • U.S.A. eCU265302 5\ t HISTORY OF OKLAHOMA PREFACE While Oklahoma is the youngest of the states, yet it had a considerable population almost a generation earlier than any of the states west of those that border the Mississippi, Texas alone excepted. Here we find much the best example of a prolonged effort of the aborigines of the United States to de- velop their own civilization in their own way. The history of this effort should be of interest to every student of American institutions. How much of this civilization was due to white influence and how much can be credited to Indian initiative must be left to the judgment of the reader. One of the chief benefits of historical study is the testing of authorities. No field offers a better opportunity for this than Oklahoma history. Almost all data relating to the Indian na- tions is so interwoven with myth and fiction that it is difficult, indeed, to separate authoritative facts from endless legends and weird tales of Indian life. So while this little book is pre- sented in concise, and we trust simple, form, yet we have zealously sought to use in its preparation no source that will not bear most careful scrutiny. -
These Hills, This Trail: Cherokee Outdoor Historical Drama and The
THESE HILLS, THIS TRAIL: CHEROKEE OUTDOOR HISTORICAL DRAMA AND THE POWER OF CHANGE/CHANGE OF POWER by CHARLES ADRON FARRIS III (Under the Direction of Marla Carlson and Jace Weaver) ABSTRACT This dissertation compares the historical development of the Cherokee Historical Association’s (CHA) Unto These Hills (1950) in Cherokee, North Carolina, and the Cherokee Heritage Center’s (CHC) The Trail of Tears (1968) in Tahlequah, Oklahoma. Unto These Hills and The Trail of Tears were originally commissioned to commemorate the survivability of the Eastern Band of Cherokee Indians (EBCI) and the Cherokee Nation (CN) in light of nineteenth- century Euramerican acts of deracination and transculturation. Kermit Hunter, a white southern American playwright, wrote both dramas to attract tourists to the locations of two of America’s greatest events. Hunter’s scripts are littered, however, with misleading historical narratives that tend to indulge Euramerican jingoistic sympathies rather than commemorate the Cherokees’ survivability. It wasn’t until 2006/1995 that the CHA in North Carolina and the CHC in Oklahoma proactively shelved Hunter’s dramas, replacing them with historically “accurate” and culturally sensitive versions. Since the initial shelving of Hunter’s scripts, Unto These Hills and The Trail of Tears have undergone substantial changes, almost on a yearly basis. Artists have worked to correct the romanticized notions of Cherokee-Euramerican history in the dramas, replacing problematic information with more accurate and culturally specific material. Such modification has been and continues to be a tricky endeavor: the process of improvement has triggered mixed reviews from touristic audiences and from within Cherokee communities themselves. -
Geographic Implications of the Fiddling Tradition in Oklahoma
GEOGRAPHIC IMPLICATIONS OF THE FIDDLING TRADITION IN OKLAHOMA By JAMES HUBERT RENNER 1/ Bachelor of Science University of Oregon Eugene, Oregon 1974 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE May, 1979 ~ /979 7( '-/14q QQp. 2_ c ~W51vfA~ fo+~-- ~)', 0 UNIVERSITY (' LIBRARY GEOGRAPHIC IMPLICATIONS OF THE FIDDLING TRADITION IN OKLAHOMA Thesis Approved: 1,029474- ii PREFACE This thesis is a combination of two longstanding in terests--geography and fiddling. The background and origin of this unique study was fostered by Dr. Everett Smith, my undergraduate advisor at the University of Oregon, who first encouraged me to pursue a course of study which would com bine the two. Following my graduation of Oregon, I journeyed to Penn State University to attend the first meeting of the emergent Society for a North American Cultural Survey (SNAGS) and to meet Dr. George Carney, who had pioneered geographic re search in traditional American music. I later joined the graduate program at Oklahoma State University to work under Carney. While conducting my graduate studies, I received a Youthgrant from the National Endowment for_ the Humanities to establish an Archive of Oklahoma Fiddlers. This project was begun in the summer of 1976 and completed in the fall of 1977. During this same period of time, I was chosen to serve as "Resident Folk Artist" for the Oklahoma Arts and Humanities Council. Both of these experiences provided in valuable experience and information concerning music and culture in Oklahoma which became the foundation of this re search.