A Level Drama Induction Phase 2

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A Level Drama Induction Phase 2 ‘The Barbershop Chronicles’ National Theatre Thank you… Thanks to those of you who submitted such amazing work during ‘Phase 1’ of your induction. It was so lovely to see such a range of reactions to the ‘Live Theatre’ review and hear your ‘initial’ thoughts on the A level course. I’ve lined up your second set of tasks, all of which I hope will prove useful during the course. Best wishes, Mr Kirkman Drama Curriculum Leader ‘Tristan and Yseult’ (The Love spotters)- Kneehigh Theatre Company PHASE 2 - What work is being set? TASK Description Resources Duration 1. Component 3: ‘That Face’ is one of the A level Set Texts you will study in See ‘That Face’ guidance 1 Hours Section B Year 12 and 13. We would like you to research the on the next slide ‘That Face’ By Polly playwright and text, in preparation for the course Stenham *As suggested in your PHASE 1 work- It would be hugely beneficial for you to have read this text before starting the course in September 2. Component 3: ‘The Tempest’ will be your second set text for the course. See ‘The Tempest’ guidance 1 hour Section C We would like you to research the play, writer and some on the next slide ’The Tempest’ by William of its production history Shakespeare *As suggested in your PHASE 1 work- It would be hugely beneficial for you to have read this text before starting the course in September 3. Live Theatre ‘One Man ,Two Guvnors’ – Watch this award winning play Follow link on the next slide and 2 -3hours by Richard Bean , Directed By Nicholas Hytner and use ‘access’ user name and password to find the film in The starring James Corden National Theatre ‘Drama Online’ site. PHASE 2- Guidelines 1. Task 1 –Component 3: Section B - ‘That Face’ By Polly Stenham Please create a fact-file, detailed set of notes or Power point on the following: • Polly Stenham - her background, style and other plays • 'That Face': production history, plot summary , characters and themes. • The Royal Court Theatre and the young British playwrights that created the 'in yer face' style of the 1990s/2000s. Task 2: Component 3:Section C ’The Tempest’ by William Shakespeare Research one of the following Critically acclaimed productions of ‘The Tempest’. Royal Shakespeare Company (2006)- Directed by Rupert Goold Lindsay Duncan and Matt Smith in The Globe Theatre (2013) – Directed by Jeremy Herrin ‘That Face’ Royal Shakespeare Company (2016)- Directed by Gregory Doran You can use Theatre company websites, Newspapers reviews and any other online sources to make notes on the following questions * Please see the next slide for some useful links ‘The Tempest’ Useful links https://www.theguardian.com/stage/2006/aug/10/theatre.rsc https://www.rsc.org.uk/the-tempest/past-productions/rupert- goold-2006-production https://www.designweek.co.uk/issues/19-25-december- 2016/how-rsc-brought-theatre-life-through-digital-production-the- tempest/ https://www.rsc.org.uk/the-tempest/gregory-doran-2016- production https://www.theguardian.com/stage/2013/may/03/the-tempest- globe-review Mariah Gale and Patrick Stewart in ‘The Tempest’ (2006) PHASE 2- Live Theatre Task 3– Live Theatre Link 'One Man, Two Guvnors’- Click on the link, which will take you to the National Theatre ‘Drama Online’ catalogue. *Note: Login using the ‘access’ option on the login screen. Please login using the following information: Username: 6Uh&3Kj- James Corden and Suzie Toase in ‘One Password: 8Eg'4Ea& Man, two Guvnors’ PHASE 2- How do I submit my work ? Please submit all other work via e-mail by the Phase 2 deadline – Wednesday 15th July. Good luck, Mr Kirkman - [email protected] ‘Mallory Towers’ (Wise Children).

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June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation.
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A Study of the Royal Court Young Peoples’ Theatre and Its Development Into the Young Writers’ Programme
Building the Engine Room: A Study of the Royal Court Young Peoples’ Theatre and its Development into the Young Writers’ Programme N O Holden Doctor of Philosophy 2018 Building the Engine Room: A Study of the Royal Court’s Young Peoples’ Theatre and its Development into the Young Writers’ Programme Nicholas Oliver Holden, MA, AKC A thesis submitted in partial fulfilment of the requirements of the University of Lincoln for the degree of Doctor of Philosophy School of Fine and Performing Arts College of Arts March 2018 2 DECLARATION I declare that this thesis is my own work and has not been submitted in substantially the same form for a higher degree elsewhere. 3 Acknowledgements First and foremost, I would like to thank my supervisors: Dr Jacqueline Bolton and Dr James Hudson, who have been there with advice even before this PhD began. I am forever grateful for your support, feedback, knowledge and guidance not just as my PhD supervisors, but as colleagues and, now, friends. Heartfelt thanks to my Director of Studies, Professor Mark O’Thomas, who has been a constant source of support and encouragement from my years as an undergraduate student to now as an early career academic. To Professor Dominic Symonds, who took on the role of my Director of Studies in the final year; thank you for being so generous with your thoughts and extensive knowledge, and for helping to bring new perspectives to my work. My gratitude also to the University of Lincoln and the School of Fine and Performing Arts for their generous studentship, without which this PhD would not have been possible.
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Set Text Guide: That Face
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TUSK TUSK by Polly Stenham
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May – Sep 18 How to Book the Plays
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The National Video Archive of Performance
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The Neon Demon
GAUMONT, WILD BUNCH AND NICOLAS WINDING REFN Present A Space Rocket Production In association with Vendian Entertainment LLC and Bold Films LLC THE NEON DEMON A FILM BY NICOLAS WINDING REFN Official Selection: TBD PRESS NOTES (DRAFT – 3/21/16) XXX mins | Rated TBD | Opens XX/XX/XX (NY/LA) Distributor Contact: Press Contact NY/Nat’l: Press Contact LA/Nat’l: Name Name Name Name Company Company Company Address 1 Address 1 (xxx) xxx-xxxx phone Address 2 Address 2 email (xxx) xxx-xxxx phone (xxx) xxx-xxxx phone email email SYNOPSIS When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will use any means necessary to get what she has in The Neon Demon, the new horror thriller from Nicolas Winding Refn. The Neon Demon stars Elle Fanning (Maleficent, Super 8), Jena Malone (Inherent Vice, The Hunger Games series), Bella Heathcote (Pride and Prejudice and Zombies, Dark Shadows), Abbey Lee (Gods of Egypt, Max Max: Fury Road), Karl Glusman (Love, Stonewall), Keanu Reeves (John Wick, The Matrix series), Christina Hendricks (“Mad Men,” Drive), Desmond Harrington (“Dexter,” The Dark Knight Rises), Alessandro Nivola (A Most Violent Year, American Hustle), and Charles Baker (“Breaking Bad,” Wild). The Neon Demon is directed by Nicolas Winding Refn (Bronson, Valhalla Rising, Drive, Only God Forgives) and co-written by Nicolas Winding Refn, Mary Laws and Polly Stenham, based on a story by Nicolas Winding Refn. It is produced by Lene Børglum (Dogville, Only God Forgives), Sidonie Dumas, and Vincent Maraval.
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