THE HITTITE DICTIONARY of the ORIENTAL INSTITUTE of the UNIVERSITY of CHICAGO Oi.Uchicago.Edu/OI/DEPT/PUB/SRC/CHD/S/CHDS.Html
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Cuneiform Digital Library Preprints <
Cuneiform Digital Library Preprints <http://cdli.ucla.edu/?q=cuneiform-digital-library-preprints> Hosted by the Cuneiform Digital Library Initiative (<http://cdli.ucla.edu>) Editor: Bertrand Lafont (CNRS, Nanterre) Number 6 Title: „Nachdem das Königtum vom Himmel herabgekommen war…“. Untersuchungen zur Sumerischen Königliste. Author: Jörg Kaula Posted to web: 21 November 2016 „NACHDEM DAS KÖNIGTUM VOM HIMMEL HERABGEKOMMEN WAR…“ Untersuchungen zur Sumerischen Königsliste Von Jörg Kaula 3 Inhaltsverzeichnis 1 Die Tonprismen der Weld-Blundell-Collection im Ashmolean Museum in Oxford 5 2 Königslisten in der Keilschriftliteratur 6 3 Die Sumerische Königsliste 7 3.1 Die „antediluvian section“ 11 3.2 Die Ur – Isin-Königsliste 12 3.3 Der Kern der Sumerischen Königsliste 12 4 Die SKL in der Forschung 14 5 Die Bedeutung der Zahlen 17 6 Das Umfeld und der Sinn der SKL 22 7 Das Königtum 23 8 Die Genesis der SKL von Naram-Sîn bis zu den Königen von Isin 24 9 Die Rekonstruktion des Weld-Blundell-Prismas 26 10 Die Sumerische Königliste – Transliteration 28 11 Deutsche Übersetzung 44 12 Kommentar zur Rekonstruktionsfassung 54 13 Literaturverzeichnis 69 4 Abstract The duration of the First Dynasty of Kish, 24510 years as provided by the Sumerian King List (SKL), is generally held as a purely mythical account without any historical reliability. However, a careful examination of the SKL’s most complete version in the Weld-Blundell Prism (Ashmolean Museum, Oxford, inv. no.WB. 1923.444) not only allows us to reconstruct the text itself by completing lost parts by some other recently published versions of the SKL. Also we get some further insight into the metrological system used by the authors of the SKL. -
Studia Eblaitica
Studia Eblaitica Studies on the Archaeology, History, and Philology of Ancient Syria Edited by Paolo Matthiae 5 (2019) Harrassowitz Verlag · Wiesbaden Cover illustration: Ebla, Temple of the Rock (Area HH); © Missione Archeologica Italiana in Siria. If not otherwise stated, the copyright of all photos in the volume is with Missione Archeologica Italiana in Siria. Scientific Committee: Maamoun Abdulkerim (Syria), Michel Al-Maqdissi (Syria), Leila Badre (Lebanon), Manfred Bietak (Austria), Pascal Butterlin (France), Dominique Charpin (France), Nicolò Marchetti (Italy), Daniele Morandi Bonacossi (Italy), Adelheid Otto (Germany), Luca Peyronel (Italy), Graham Philip (UK), Frances Pinnock (Italy), Glenn Schwartz (USA), Piotr Steinkeller (USA), Harvey Weiss (USA). Editorial Board: Frances Pinnock (chief), Marta D’Andrea, Maria Gabriella Micale, Davide Nadali, Agnese Vacca Address: Sapienza Università di Roma Dipartimento di Scienze dell’Antichità Ex Vetrerie Sciarra, Studio 121 Via dei Volsci 122 00185 Roma, Italy e-mail: [email protected] Manuscripts are to be submitted by September 30th of each year to the Editorial Board as Word documents, with figures as single jpg or tif documents with a resolution of at least 800 dpi. Languages: English, French, German. Contributions will be submitted to referees. Please contact the Editorial Board for further information and guidelines. © Otto Harrassowitz GmbH & Co. KG, Wiesbaden 2019 This journal, including all of its parts, is protected by copyright. Any use beyond the limits of copyright law -
The Sumerian King List the Sumerian King List (SKL) Dates from Around 2100 BCE—Near the Time When Abram Was in Ur
BcResources Genesis The Sumerian King List The Sumerian King List (SKL) dates from around 2100 BCE—near the time when Abram was in Ur. Most ANE scholars (following Jacobsen) attribute the original form of the SKL to Utu-hejel, king of Uruk, and his desire to legiti- mize his reign after his defeat of the Gutians. Later versions included a reference or Long Chronology), 1646 (Middle to the Great Flood and prefaced the Chronology), or 1582 (Low or Short list of postdiluvian kings with a rela- Chronology). The following chart uses tively short list of what appear to be the Middle Chronology. extremely long-reigning antediluvian Text. The SKL text for the following kings. One explanation: transcription chart was originally in a narrative form or translation errors resulting from and consisted of a composite of several confusion of the Sumerian base-60 versions (see Black, J.A., Cunningham, and the Akkadian base-10 systems G., Fluckiger-Hawker, E, Robson, E., of numbering. Dividing each ante- and Zólyomi, G., The Electronic Text diluvian figure by 60 returns reigns Corpus of Sumerian Literature (http:// in harmony with Biblical norms (the www-etcsl.orient.ox.ac.uk/), Oxford bracketed figures in the antediluvian 1998-). The text was modified by the portion of the chart). elimination of manuscript references Final versions of the SKL extended and by the addition of alternative the list to include kings up to the reign name spellings, clarifying notes, and of Damiq-ilicu, king of Isin (c. 1816- historical dates (typically in paren- 1794 BCE). thesis or brackets). The narrative was Dates. -
General Introduction Hesiod and His Poems
General Introduction Hesiod and His Poems The Theogony is one of the most important mythical texts to survive from antiquity, and I devote the first section of this translation to it. It tells of the creation of the present world order under the rule of almighty Zeus. The Works and Days, in the second section, describes a bitter dispute between Hesiod and his brother over the disposition of their father’s property, a theme that allows Hesiod to range widely over issues of right and wrong. The Shield of Herakles, whose centerpiece is a long description of a work of art, is not by Hesiod, at least most of it, but it was always attributed to him in antiquity. It is Hesiodic in style and has always formed part of the Hesiodic corpus. It makes up the third section of this book. The influence of Homer’s poems on Greek and later culture is inestima- ble, but Homer never tells us who he is; he stands behind his poems, invisi- ble, all-knowing. His probable contemporary Hesiod, by contrast, is the first self-conscious author in Western literature. Hesiod tells us something about himself in his poetry. His name seems to mean “he who takes pleasure in a journey” (for what it is worth) but in the Works and Days he may play with the meaning of “he who sends forth song.” As with all names—for example, Homer, meaning “hostage,” or Herodotus, meaning “a warrior’s gift”—the name of a poet may have nothing to do with his actual career. -
Tayinat's Building XVI: the Religious Dimensions and Significance of A
Tayinat’s Building XVI: The Religious Dimensions and Significance of a Tripartite Temple at Neo-Assyrian Kunulua by Douglas Neal Petrovich A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Near and Middle Eastern Civilizations University of Toronto © Copyright by Douglas Neal Petrovich, 2016 Building XVI at Tell Tayinat: The Religious Dimensions and Significance of a Tripartite Temple at Neo-Assyrian Kunulua Douglas N. Petrovich Doctor of Philosophy Department of Near and Middle Eastern Civilizations University of Toronto 2016 Abstract After the collapse of the Hittite Empire and most of the power structures in the Levant at the end of the Late Bronze Age, new kingdoms and powerful city-states arose to fill the vacuum over the course of the Iron Age. One new player that surfaced on the regional scene was the Kingdom of Palistin, which was centered at Kunulua, the ancient capital that has been identified positively with the site of Tell Tayinat in the Amuq Valley. The archaeological and epigraphical evidence that has surfaced in recent years has revealed that Palistin was a formidable kingdom, with numerous cities and territories having been enveloped within its orb. Kunulua and its kingdom eventually fell prey to the Neo-Assyrian Empire, which decimated the capital in 738 BC under Tiglath-pileser III. After Kunulua was rebuilt under Neo- Assyrian control, the city served as a provincial capital under Neo-Assyrian administration. Excavations of the 1930s uncovered a palatial district atop the tell, including a temple (Building II) that was adjacent to the main bit hilani palace of the king (Building I). -
Feasting in Homeric Epic 303
HESPERIA 73 (2004) FEASTING IN Pages 301-337 HOMERIC EPIC ABSTRACT Feasting plays a centralrole in the Homeric epics.The elements of Homeric feasting-values, practices, vocabulary,and equipment-offer interesting comparisonsto the archaeologicalrecord. These comparisonsallow us to de- tect the possible contribution of different chronologicalperiods to what ap- pearsto be a cumulative,composite picture of around700 B.c.Homeric drink- ing practicesare of particularinterest in relation to the history of drinkingin the Aegean. By analyzing social and ideological attitudes to drinking in the epics in light of the archaeologicalrecord, we gain insight into both the pre- history of the epics and the prehistoryof drinkingitself. THE HOMERIC FEAST There is an impressive amount of what may generally be understood as feasting in the Homeric epics.' Feasting appears as arguably the single most frequent activity in the Odysseyand, apart from fighting, also in the Iliad. It is clearly not only an activity of Homeric heroes, but also one that helps demonstrate that they are indeed heroes. Thus, it seems, they are shown doing it at every opportunity,to the extent that much sense of real- ism is sometimes lost-just as a small child will invariablypicture a king wearing a crown, no matter how unsuitable the circumstances. In Iliad 9, for instance, Odysseus participates in two full-scale feasts in quick suc- cession in the course of a single night: first in Agamemnon's shelter (II. 1. thanks to John Bennet, My 9.89-92), and almost immediately afterward in the shelter of Achilles Peter Haarer,and Andrew Sherrattfor Later in the same on their return from their coming to my rescueon variouspoints (9.199-222). -
Amarna Period Down to the Opening of Sety I's Reign
oi.uchicago.edu STUDIES IN ANCIENT ORIENTAL CIVILIZATION * NO.42 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO Thomas A. Holland * Editor with the assistance of Thomas G. Urban oi.uchicago.edu oi.uchicago.edu Internet publication of this work was made possible with the generous support of Misty and Lewis Gruber THE ROAD TO KADESH A HISTORICAL INTERPRETATION OF THE BATTLE RELIEFS OF KING SETY I AT KARNAK SECOND EDITION REVISED WILLIAM J. MURNANE THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO STUDIES IN ANCIENT ORIENTAL CIVILIZATION . NO.42 CHICAGO * ILLINOIS oi.uchicago.edu Library of Congress Catalog Card Number: 90-63725 ISBN: 0-918986-67-2 ISSN: 0081-7554 The Oriental Institute, Chicago © 1985, 1990 by The University of Chicago. All rights reserved. Published 1990. Printed in the United States of America. oi.uchicago.edu TABLE OF CONTENTS List of M aps ................................ ................................. ................................. vi Preface to the Second Edition ................................................................................................. vii Preface to the First Edition ................................................................................................. ix List of Bibliographic Abbreviations ..................................... ....................... xi Chapter 1. Egypt's Relations with Hatti From the Amarna Period Down to the Opening of Sety I's Reign ...................................................................... ......................... 1 The Clash of Empires -
Baal, Son of Dagan: in Search of Baal's Double Paternity Author(S): Noga Ayali-Darshan Source: Journal of the American Oriental Society, Vol
Baal, Son of Dagan: In Search of Baal's Double Paternity Author(s): Noga Ayali-Darshan Source: Journal of the American Oriental Society, Vol. 133, No. 4 (October-December 2013), pp. 651-657 Published by: American Oriental Society Stable URL: http://www.jstor.org/stable/10.7817/jameroriesoci.133.4.0651 Accessed: 28-02-2017 21:36 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms American Oriental Society is collaborating with JSTOR to digitize, preserve and extend access to Journal of the American Oriental Society This content downloaded from 132.174.255.49 on Tue, 28 Feb 2017 21:36:59 UTC All use subject to http://about.jstor.org/terms Baal, Son of Dagan: In Search of Baal’s Double Paternity NOGA AYALI-DARSHAN THE HEBREW UNIVERSITY The Ugaritic expression “Baal, son of Dagan” has been the subject of several studies which attempt to resolve the contradiction between the depiction of Baal as El’s son on the one hand and the expression “Baal, son of Dagan” (bʿl bn dgn) on the other. Despite the paucity of literary evidence, the majority of scholars have identified Dagan with either El or Baal, consequently attributing a single “real” father to Baal. -
Nudity and Music in Anatolian Mythological Seduction Scenes and Iconographic Imagery
Ora Brison Nudity and Music in Anatolian Mythological Seduction Scenes and Iconographic Imagery This essay focuses on the role of Anatolian music in erotic and sexual contexts — especially of its function in mythological seduction scenes. In these scenes, music is employed as a means of enhancing erotic seduction. A number of cultic, sexual iconographic representations associated with musical instruments and performers of music will also be discussed. Historical Background Most of the data on the music culture of the Anatolian civilizations comes from the Old Hittite and Hittite Imperial periods, dating from 1750 to 1200 bce, though some data comes from the Neo-Hittite period, namely 1200 to 800 bce.1 The textual sources relate mainly to religious state festivals, ceremonies and rituals. It is likely that Hittite music culture reflected the musical traditions of the native Anatolian cultures — the Hattians2 — as well as the influences of other migrating ethnic groups, such as the Hurrians3 or the Luwians,4 who settled in Anatolia. Hittite music culture also shows the musical influence of and fusion with the neighboring major civilizations: Mesopotamia, Egypt and the Aegean (Schuol 2004: 260). Our knowledge of Anatolian music, musical instruments, musicians, singers and performers is based on extensive archaeological evidence, textual and visual, as well as on recovered pieces of musical artifacts. Much of the data has been collected from the corpus of religious texts and cultic iconographic representations. Nevertheless, we can assume that music, song and dance played a significant role not only in reli- gious practices, but also in many aspects of daily life (de Martino 1995: 2661). -
Ukrainian Literature
UKRAINIAN LITERATURE A Journal of Translations Volume 3 2011 Ukrainian Literature A Journal of Translations Editor Maxim Tarnawsky Manuscript Editor Uliana Pasicznyk Editorial Board Taras Koznarsky, Askold Melnyczuk, Michael M. Naydan, Marko Pavlyshyn www.UkrainianLiterature.org Ukrainian Literature is published by the Shevchenko Scientific Society, Inc., 63 Fourth Avenue, New York, NY 10003, U.S.A. (tel.) 212–254–5130; (fax) 212–254–5239. Ukrainian Literature publishes translations into English of works of Ukrainian literature. The journal appears triennially both on the internet (www.UkrainianLiterature.org) and in a print edition. A mirror of the internet edition appears at www.shevchenko.org/Ukr_Lit. Ukrainian Literature welcomes submissions from translators. Translators who wish to submit translations for consideration should contact the editor by e-mail at [email protected]. Correspondence relating to subscriptions and the distribution of the printed journal should be addressed to the publisher (Shevchenko Scientific Society, Inc., 63 Fourth Avenue, New York, NY 10003, U.S.A.; tel.: 212–254–5130; fax: 212–254–5239). In matters relating to the content of the journal, its editorial policies, or to the internet version, please contact the editor by e- mail at [email protected]. ISSN 1552-5880 (online edition) ISSN 1552-5872 (print edition) Publication of this volume was made possible by a grant from the Ivan and Elizabeth Chlopecky Fund of the Shevchenko Scientific Society (USA). Copyright © Shevchenko Scientific Society, -
Hurrian Language
Ilse Wegner Introduction to the Hurrian Language Forward: Among the numerous languages of ancient near east, Hurrian is an important one, but in contrast to Akkadian or Hittite there are few investigations of this language, and summary works documenting present knowledge are non-existent. The present “Introduction” shall then be interested in providing access to the grammar as reflected in present research. Many grammatical phenomena that are introduced here may however in the future be modified or even completely reevaluated by others, especially since the study of the Hurrian language is strongly contested. A scientific grammar in the strict sense is not included in this introduction. The previous aids to the learning of Hurrian are however all out-of-date (?) and derive from three grammars and one glossary as well as from numerous scattered published articles. Works that introduce grammar to the student by means of largely coherent text fragments do not exist. These details shall here be taken into account. As reading pieces artificially formed sample sentences are not used. The sample texts originate primarily from the Mittani letters and a few examples of the Bo!azköy texts. Following after a strictly grammatical portion comes a series of transcriptions, with a translation and a commentary provided as lessons. Lessons 1-10 are text passages from the Mittani letters, Lesions 11-13 originate from the Hurrian-Hittite bilinguals of Bo!azköy, and lesson 14 treats the Ti"atal-Inscription. The text passages that are taken from the Mittani letters are not arranged by content criteria, but instead suitable text fragments are chosen so that the grammatical material progresses from introductory to difficult. -
BELLETEN Cilt: LXXXIII NİSAN 2019 Sayı: 296
TÜRK TARİ H KURUMU BELLETEN Cilt: LXXXIII NİSAN 2019 Sayı: 296 DİNİ İÇERİKLİ YENİ HİTİT TABLET PARÇALARI* RUKİYE AKDOĞAN** Tanıtılacak olan tabletler, İstanbul Türk ve İslam Eserleri Müzesine bağlı ko- leksiyoner olan Sayın Muhtar Kent’in koleksiyonundaki çivi yazılı 3 Hitit tabletini kapsamaktadır. 1 Tabletlerin geliş yeri envanter defterinde kayıtlı değildir, ancak Hititlerin başkenti Çorum-Boğazköy’den (Hititler dönemindeki adı ile Hattuša) elde edilmiş olduğu anlaşılmaktadır. 1. 265-(308) Envanter Nolu Tablet Parçası Tanımı: Açık kahve renkli, tabletin sol üst kısmına ait bir parçadır. Önyü- zünde son kısımları kırık çivi yazılı satırlar ile 1 paragraf çizgisi bulunmaktadır. Tabletin üst kenarı ile sol kenarının bir kısmı korunmuştur. Arkayüzün bir kısmı * Söz konusu çalışma, Ukrayna/Lviv’de gerçekleştirilen 6. Uluslararası Bilim, Kültür ve Spor Kongresi’nde (25-27.04.2018) sunulan bildirinin genişletilmiş halidir ve Çukurova Üniversitesi Bilimsel Araştırma Projeleri Koordinasyon Birimi (Proje No 10243) tarafından desteklenmiştir. ** Doç. Dr., Çukurova Üniversitesi, Fen Edebiyat Fakültesi, Arkeoloji Bölümü, Adana/TÜRKİYE, [email protected] 1 Tabletlerin yayınlanmasına izin veren Koleksiyoner Sn. Muhtar Kent'e ve Türk ve İslam Eserleri Müze Müdürü Sn. Seracettin Şahin'e çok teşekkür ederim. Aynı zamanda, Türk ve İslam Eserleri Müzesinde tabletleri çalışırken her türlü yardımlarından dolayı, Sn. Seracettin Şahin'e ve çalışma arkadaşlarına çok teşekkür ederim. Ayrıca 265-(308) ve 266-(309) nolu tabletlerin sorunlu olan bazı yerlerinde, değerli katkılarından dolayı Sn. Prof.Dr.phil.Dr.h.c. Gernot Wilhelm'e teşekkür ederim. 2 RUKİYE AKDOĞAN korunmuş olup yazısızdır. Arkayüz günümüzde hafi f tıraşlanmış ve orta kısmında matkap ile delinerek yapılmış daire şeklinde küçük bir delik bulunmaktadır. Üst ve sol kenarlar kısmen korunmuştur.