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Constellation & Correspondences
LIBRARY CONSTELLATION & CORRESPONDENCES AND NETWORKING BETWEEN ARTISTS ARCHIVES 1970 –1980 KATHY ACKER (RIPOFF RED & THE BLACK TARANTULA) MAC ADAMS ART & LANGUAGE DANA ATCHLEY (THE EXHIBITION COLORADO SPACEMAN) ANNA BANANA ROBERT BARRY JOHN JACK BAYLIN ALLAN BEALY PETER BENCHLEY KATHRYN BIGELOW BILL BISSETT MEL BOCHNER PAUL-ÉMILE BORDUAS GEORGE BOWERING AA BRONSON STU BROOMER DAVID BUCHAN HANK BULL IAN BURN WILLIAM BURROUGHS JAMES LEE BYARS SARAH CHARLESWORTH VICTOR COLEMAN (VIC D'OR) MARGARET COLEMAN MICHAEL CORRIS BRUNO CORMIER JUDITH COPITHORNE COUM KATE CRAIG (LADY BRUTE) MICHAEL CRANE ROBERT CUMMING GREG CURNOE LOWELL DARLING SHARON DAVIS GRAHAM DUBÉ JEAN-MARIE DELAVALLE JAN DIBBETS IRENE DOGMATIC JOHN DOWD LORIS ESSARY ANDRÉ FARKAS GERALD FERGUSON ROBERT FILLIOU HERVÉ FISCHER MAXINE GADD WILLIAM (BILL) GAGLIONE PEGGY GALE CLAUDE GAUVREAU GENERAL IDEA DAN GRAHAM PRESTON HELLER DOUGLAS HUEBLER JOHN HEWARD DICK NO. HIGGINS MILJENKO HORVAT IMAGE BANK CAROLE ITTER RICHARDS JARDEN RAY JOHNSON MARCEL JUST PATRICK KELLY GARRY NEILL KENNEDY ROY KIYOOKA RICHARD KOSTELANETZ JOSEPH KOSUTH GARY LEE-NOVA (ART RAT) NIGEL LENDON LES LEVINE GLENN LEWIS (FLAKEY ROSE HIPS) SOL LEWITT LUCY LIPPARD STEVE 36 LOCKARD CHIP LORD MARSHALORE TIM MANCUSI DAVID MCFADDEN MARSHALL MCLUHAN ALBERT MCNAMARA A.C. MCWHORTLES ANDREW MENARD ERIC METCALFE (DR. BRUTE) MICHAEL MORRIS (MARCEL DOT & MARCEL IDEA) NANCY MOSON SCARLET MUDWYLER IAN MURRAY STUART MURRAY MAURIZIO NANNUCCI OPAL L. NATIONS ROSS NEHER AL NEIL N.E. THING CO. ALEX NEUMANN NEW YORK CORRES SPONGE DANCE SCHOOL OF VANCOUVER HONEY NOVICK (MISS HONEY) FOOTSY NUTZLE (FUTZIE) ROBIN PAGE MIMI PAIGE POEM COMPANY MEL RAMSDEN MARCIA RESNICK RESIDENTS JEAN-PAUL RIOPELLE EDWARD ROBBINS CLIVE ROBERTSON ELLISON ROBERTSON MARTHA ROSLER EVELYN ROTH DAVID RUSHTON JIMMY DE SANA WILLOUGHBY SHARP TOM SHERMAN ROBERT 460 SAINTE-CATHERINE WEST, ROOM 508, SMITHSON ROBERT STEFANOTTY FRANÇOISE SULLIVAN MAYO THOMSON FERN TIGER TESS TINKLE JASNA MONTREAL, QUEBEC H3B 1A7 TIJARDOVIC SERGE TOUSIGNANT VINCENT TRASOV (VINCENT TARASOFF & MR. -
COLLEGE BOOK ART ASSOCIATION INDIANA UNIVERSITY BLOOMINGTON January 13-16, 2011
COLLEGE BOOK ART ASSOCIATION INDIANA UNIVERSITY BLOOMINGTON JANUARY 13-16, 2011 www.collegebookart.org TABLE OF CONTENTS 3 WELCOME 4 OFFICERS AND BOARD OF DIRECTORS 6 SPONSORS AND DONORS 7 FUTURE OF THE CBAA 8 SPECIAL EVENTS 9 WORKSHOPS 11 TOURS 12 MEETING FINDER, LISTED ALPHABETICALLY 18 MEETING FINDER, LISTED BY DATE AND TIME 22 PROGRAM SCHEDULE 38 CBAA COMMITTEE MEETINGS 39 GENERAL INFORMATION AND MAPS COLLEGE BOOK ART ASSOCIATION MISSION Founded in 2008, The College Book Art Association supports and promotes academic book arts education by fostering the development of its practice, teaching, scholarship and criticism. The College Book Art Association is a non-profit organization fundamentally committed to the teaching of book arts at the college and university level, while supporting such education at all levels, concerned with both the practice and the analysis of the medium. It welcomes as members everyone involved in such teaching and all others who have similar goals and interests. The association aims to engage in a continuing reappraisal of the nature and meaning of the teaching of book arts. The association shall from time to time engage in other charitable activities as determined by the Board of Directors to be appropriate. Membership in the association shall be extended to all persons interested in book arts education or in the furtherance of these arts. For purposes of this constitution, the geographical area covered by the organization shall include, but is not limited to all residents of North America. PRESIDENT’S WELCOME CONFERENCE CHAIR WELCOME John Risseeuw, President 2008-2011 Tony White, Conference Chair Welcome to the College Book Art Association’s 2nd biannual conference. -
Descriptive Psychopathology: the Signs and Symptoms of Behavioral
Descriptive Psychopathology Descriptive Psychopathology The Signs and Symptoms of Behavioral Disorders Michael Alan Taylor, MD Nutan Atre Vaidya, MD CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo Cambridge University Press The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521713917 © M. Taylor and N. Vaidya 2009 This publication is in copyright. Subject to statutory exception and to the provision of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published in print format 2008 ISBN-13 978-0-511-45779-1 eBook (NetLibrary) ISBN-13 978-0-521-71391-7 paperback Cambridge University Press has no responsibility for the persistence or accuracy of urls for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such websites is, or will remain, accurate or appropriate. Every effort has been made in preparing this publication to provide accurate and up-to-date information which is in accord with accepted standards and practice at the time of publication. Although case histories are drawn from actual cases, every effort has been made to disguise the identities of the individuals involved. Nevertheless, the authors, editors and publishers can make no warranties that the information contained herein is totally free from error, not least because clinical standards are constantly changing through research and regulation. The authors, editors and publishers therefore disclaim all liability of direct or consequential damages resulting from the use of material contained in this publication. -
Open Letter Expresses Its Gratitude to the Ontario Arts Council OPEN LETTER Tenth Series, No
Open Letter expresses its gratitude to the Ontario Arts Council OPEN LETTER Tenth Series, No. 4, Fall 1998 which last year awarded $5,500 bpNichol + 10 in support of its publications Open Letter acknowledges the support of the Canada Council for the Arts which last year invested $7,100 in our organization Open Letter remercie de son soutien le Conseil des Arts du Canada qui lui a accordé $7,100 l’an denier Contents bpNichol + 10 FRANK DAVEY 5 Coach House Letters DAVID ROSENBERG 14 st. Ink BILLY LITTLE 23 Nicholongings: because they is LORI EMERSON 27 False Portrait of bpNichol as Charles Lamb STEVE MCCAFFERY 34 A correction to David Rosenberg’s article “Crossing the Border: A Coach Argument for a Secular Martyrology House Memoir” (Open Letter Series 9, No. 9): David Rosenberg writes, DARREN WERSHLER-HENRY 37 “Abstract Expressionism was the movement I alluded to in ‘Crossing the The bpNichol Archive at Simon Fraser University Border: A Coach House Memoir.’ That it became ‘Im’ in print is a GENE BRIDWELL 48 Freudian slip: I was perhaps overly impressed with my point.” Sounding out the Difference: Orality and Repetition in bpNichol SCOTT POUND 50 flutterings for bpNichol STEVEN SMITH 59 Nickel Linoleum CHRISTIAN BÖK 62 Extreme Positions ROBERT HOGG 75 An Interview with Steve McCaffery on the TRG PETER JAEGER 77 for bpNichol: these re-memberings DOUGLAS BARBOUR 97 Artifacts of Ecological Mind: bp, Gertrude, Alice DAVID ROSENBERG 109 bpNichol is alive and well and living in Bowmanville, ON STEPHEN CAIN 115 “Turn this Page”: Journaling bpNichol’s The Martyrology and the Returns ROY MIKI 116 Contributors 134 6 Open Letter 10:4 Wittgenstein. -
The Poetry of Thom Gunn
The Poetry of Thom Gunn This pdf file is intended for review purposes only. ALSO BY STEFANIA MICHELUCCI AND FROM MCFARLAND Space and Place in the Works of D.H. Lawrence (2002) This pdf file is intended for review purposes only. The Poetry of Thom Gunn A Critical Study STEFANIA MICHELUCCI Translated by Jill Franks Foreword by Clive Wilmer McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London This pdf file is intended for review purposes only. The book was originally published as La maschera, il corpo e l’an- ima: Saggio sulla poesia di Tho m Gunn by Edizioni Unicopli, Milano, 2006. It is here translated from the Italian by Jill Franks. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Michelucci, Stefania. [Maschera, il corpo e l'anima. English] The poetry of Thom Gunn : a critical study / Stefania Michelucci ; translated by Jill Franks ; foreword by Clive Wilmer. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-3687-3 softcover : 50# alkaline paper 1. Gunn, Thom —Criticism and interpretation. I. Title. PR6013.U65Z7513 2009 821'.914—dc22 2008028812 British Library cataloguing data are available ©2009 Stefania Michelucci. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover photograph ©2008 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com This pdf file is intended for review purposes only. -
Poem on the Page: a Collection of Broadsides
Granary Books and Jeff Maser, Bookseller are pleased to announce Poem on the Page: A Collection of Broadsides Robert Creeley. For Benny and Sabina. 15 1/8 x 15 1/8 inches. Photograph by Ann Charters. Portents 18. Portents, 1970. BROADSIDES PROLIFERATED during the small press and mimeograph era as a logical offshoot of poets assuming control of their means of publication. When technology evolved from typewriter, stencil, and mimeo machine to moveable type and sophisticated printing, broadsides provided a site for innovation with design and materials that might not be appropriate for an entire pamphlet or book; thus, they occupy a very specific place within literary and print culture. Poem on the Page: A Collection of Broadsides includes approximately 500 broadsides from a diverse range of poets, printers, designers, and publishers. It is a unique document of a particular aspect of the small press movement as well as a valuable resource for research into the intersection of poetry and printing. See below for a list of some of the poets, writers, printers, typographers, and publishers included in the collection. Selected Highlights from the Collection Lewis MacAdams. A Birthday Greeting. 11 x 17 Antonin Artaud. Indian Culture. 16 x 24 inches. inches. This is no. 90, from an unstated edition, Translated from the French by Clayton Eshleman signed. N.p., n.d. and Bernard Bador with art work by Nancy Spero. This is no. 65 from an edition of 150 numbered and signed by Eshleman and Spero. OtherWind Press, n.d. Lyn Hejinian. The Guard. 9 1/4 x 18 inches. -
I Make Contact: Contributive Bookselling and the Small Press In
i Make Contact: Contributive Bookselling and the Small Press in Canada Following the Second World War Cameron Alistair Owen Anstee A thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the Doctorate in Philosophy degree in English Literature Department of English Faculty of Arts University of Ottawa © Cameron Alistair Owen Anstee, Ottawa, Canada, 2017 ii Abstract This dissertation examines booksellers in multiple roles as cultural agents in the small press field. It proposes various ways of understanding the work of booksellers as actively shaping the production, distribution, reception, and preservation of small press works, arguing that bookselling is a small press act unaccounted for in existing scholarship. It is structured around the idea of “contributive” bookselling from Nicky Drumbolis, wherein the bookseller “adds dimension to the cultural exchange […] participates as user, maker, transistor” (“this fiveyear list”). The questions at the heart of this dissertation are: How does the small press, in its material strategies of production and distribution, reshape the terms of reception for readers? How does the bookseller contribute to these processes? What does independent bookselling look like when it is committed to the cultural and aesthetic goals of the small press? And what is absent from literary and cultural records when the bookseller is not accounted for? This dissertation covers a period from 1952 to the present day. I begin by positing Raymond Souster’s “Contact” labour as an influential model for small press publishing in which the writer must adopt multiple roles in the communications circuit in order to construct and educate a community of readers. -
Selected Criticism, Jeffery Jullich
Selected Criticism Jeffrey Jullich Publishing the Unpublishable 017 ©2007 /ubu editions Series Editor: Kenneth Goldsmith /ubu editions www.ubu.com 2 TABLE OF CONTENTS Aaron Shurin: The Paradise of Forms 5 Standard Schaefer: Nova 9 Leslie Scalapino: New Time 12 Cole Swensen: Try 15 Susan Howe / Susan Bee: Bed Hangings I 17 Graham Foust: As in Every Deafness 24 Rae Armantrout: Up to Speed 25 Michael Scharf: Verité 26 Drew Gardner: Sugar Pill 29 SELECTED BUFFALO POETICS LISTSERV POSTS Class and poetry 39 Lyn Hejinian's 'deen' 41 D=E=E=N 42 A Barnard report: Hannah Weiner 45 Spaced-out 47 Questions on a HOW TO value 49 Submission crucible 52 $3.50 Summer vacation in Scandinavia 54 Alternative 56 Farm implements and rutabagas in a landscape 58 Polyverse by Lee Ann Brown 60 Cut-ups and homosexualization of the New York School (I) 63 Cut-ups and homosexualization of the New York School (II) 65 Simon Perchik 67 Marilyn Monroe - the Emma Lazarus of her day 69 classical meter in contemporary "free verse" poetry Meter Anthology Cola 70 New Formalist Language Poetry 72 Language Prosody - ex. 2: Dochmiacs 74 Language Prosody - ex. 3: hypodochmiacs in Susan Howe's Pierce Arrow 76 Language Prosody - ex. 4: adonics 78 Language Prosody - ex. 5: H.D., Helen in Egypt 85 Timothy McVeigh's face 89 Hannah Weiner's hallucinations and schizophrenia in poetry Hannah's visions 93 Hannah's visions - Barrett Watten's 'Autobiography Simplex' 95 Hannah's visions 99 eulogy for Tove Janesson (Finnish author of the Mummintroll books) 103 3 creative writing pedagogy 104 -
Racial and Gender Shifting in Gregory Scofield's Under Rough My Veins
Racial and Gender Shifting in Gregory Scoeld’s under rough My Veins (1999) Eszter Szenczi In my paper, I explore the literary strategy of decolonizing racial and gender binaries alike through the memoir of one of Canada’s best-known Metis Two- Spirit authors, Gregory Sco!eld, whose work interrupted the previously ruling national collective myth that excluded the voices of those Aboriginal people who have become categorised as second class citizens since Colonization. He has produced a number of books of poetry and plays that have drawn on Cree story- telling traditions. His memoir under rough My Veins (1999) is resonant for those who have struggled to trace their roots or wrestled with their identity. By recalling his childhood di"culties as a Metis individual with an alternative gender, he has challenged the Canadian literary presentation of Metis and Two-Spirited people and has created a book of healing for both himself and also for other Metis people struggling with prejudice. In order to provide a historical, cultural, and theoretical background, I will start my analysis of Sco!eld’s memoir by giving a brief recapitulation of the problematics of racial and gender identities, overlapping identities and life-writing as a means of healing. #e history of Canada is largely the history of the colonization of the Indigenous people. Out of the Colonization process grew the Metis, a special segment of the Aboriginal population having European and Indigenous ancestry. #e earliest mixed marriages can be traced back to the !rst years of contact but the metis born out of these relationships did not yet have a political sense of distinctiveness (Macdougall 424). -
Literary Language Revitalization: Nêhiyawêwin, Indigenous Poetics, and Indigenous Languages in Canada
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 12-8-2017 10:30 AM Literary Language Revitalization: nêhiyawêwin, Indigenous Poetics, and Indigenous Languages in Canada Emily L. Kring The University of Western Ontario Supervisor Wakeham, Pauline The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Emily L. Kring 2017 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, North America, Ethnic and Cultural Minority Commons, Poetry Commons, and the Reading and Language Commons Recommended Citation Kring, Emily L., "Literary Language Revitalization: nêhiyawêwin, Indigenous Poetics, and Indigenous Languages in Canada" (2017). Electronic Thesis and Dissertation Repository. 5170. https://ir.lib.uwo.ca/etd/5170 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation reads the spaces of connection, overlap, and distinction between nêhiyaw (Cree) poetics and the concepts of revitalization, repatriation, and resurgence that have risen to prominence in Indigenous studies. Engaging revitalization, resurgence, and repatriation alongside the creative work of nêhiyaw and Métis writers (Louise Bernice Halfe, -
Paintings by Susan Bee and Miriam Laufer, AIR Gallery, NY, 2006
SUSAN BEE E-mail: [email protected] Website: http://epc.buffalo.edu/authors/bee/ SELECTED EXHIBITIONS Solo Shows Seeing Double: Paintings by Susan Bee and Miriam Laufer, A.I.R. Gallery, NY, 2006 (catalogue with essay by Johanna Drucker) Sign Under Test: Paintings and Artist’s Books, Pacific Switchboard Art Space, Portland, Oregon, 2004 Miss Dynamite: New Paintings, A.I.R. Gallery, New York, 2003 Miss Dynamite and Other Tales, Olin Art Gallery, Kenyon College, Gambier, Ohio, 2002 Ice Cream Sunday: Paintings and Works on Paper, Ben Shahn Galleries at William Paterson University of New Jersey, 2001 (catalogue with essay by David Shapiro) New Work, Rare Books and Manuscript Library, School of International Affairs, Columbia University, New York, 2000 Beware the Lady: New Paintings and Works on Paper, A.I.R. Gallery, New York, 2000 (catalogue with essay by John Yau) Touchdown, Recent Paintings, Cornershop Gallery, Buffalo, 1999 Post-Americana: New Paintings, A.I.R. Gallery, New York, 1998 Recent Paintings and a New Artist's Book, Granary Books Gallery, New York, 1997 New Paintings, Virginia Lust Gallery, New York, 1992 Altered Photo Images, Jack Morris Gallery, New York, 1979 Solo Show, Office of the Graduate School, Columbia University, New York, 1972 Selected Group Shows One True Thing, A.I.R. Gallery, NY; Putney School, VT, 2007 Pink Kid Gloves, Chashama Gallery, NY, 2006 Complicit! Contemporary American Art and Mass Culture, University of Virginia Art Museum, Charlottesville, VA, 2006 Conceptual Comics, Banff Centre for the Arts, Alberta, Canada, 2006 Generations, A.I.R. Gallery, NY, 1997, 2002, 2004, 2006 Too Much Bliss: Twenty Years of Granary Books, Smith College Museum, MA, 2005-06 I.D.:id; Wish You Were Here IV, A.I.R. -
Poetry Beyond Illocution Frank Davey
Document generated on 09/27/2021 2:34 a.m. Studies in Canadian Literature / Études en littérature canadienne Poetry beyond Illocution Frank Davey Volume 41, Number 1, 2016 Article abstract Visual and conceptual poetry became significant practices in Canada in the late URI: https://id.erudit.org/iderudit/scl41_1art08 1950s and 1960s as part of a dissatisfaction with what Antony Easthope in 1986 would call a moribund “bourgeois poetic discourse,” “the poetry of the ‘single See table of contents voice.’” The latter, however, would continue to survive in school anthologies and arts council policies as a protected form, while the new non-discursive poetries found most of their audiences in art galleries, libraries, music clubs, Publisher(s) on the internet, and as often through international presentation as Canadian. The result has been a rich accumulation of visual and conceptual poetry, with The University of New Brunswick its own major figures, that is little understood or studied nationally and often better known and appreciated outside of Canada than within. ISSN 0380-6995 (print) 1718-7850 (digital) Explore this journal Cite this article Davey, F. (2016). Poetry beyond Illocution. Studies in Canadian Literature / Études en littérature canadienne, 41(1), 162–181. © 2016. All rights reserved. This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal.