Here in Florida

Total Page:16

File Type:pdf, Size:1020Kb

Here in Florida © 1973 Films 2014 Ideas at Work © Doodle Productions Ltd © Walker Books Ltd UK@Kidscreen delegation organised by: www.gov.uk/ukti Contents Forewords 3-5 Jollywise 26 David Prodger 3 KidsCave Entertainment 27 Greg Childs and Sarah Baynes 4 Manchester’s Inward Investment Agency (MIDAS) 28 MCC Media 29 Midnight Oil Productions 30 UK Delegate Companies 6-41 Platypus Research 31 1973 Films 6 Plug-in Media 32 Accorder Music Publishing 7 Pluto Entertainments 33 Adobe Systems Europe 8 Serious Lunch 34 Adrenalynn Entertainment 9 Tattiemoon 35 Awesome 10 The Children’s Media Conference 36 Beyond Distribution 11 The Creative Garden 37 Blue-Zoo Productions 12 Tiger Aspect Productions 38 Bob & Co 13 Total Immersion 39 Cloth Cat Animation 14 Visible Ink Television 40 Darrall Macqueen 15 Walker Books/Walker Productions 41 Digimania 16 Eye/Present 17 Happy Films 18 Contacts 42 Hello Horizon 19 HoHo Entertainment 20 Hopster 21 Ideas at Work 22 Indee Productions 23 Jayes Collier llp 24 Jetpack Distribution 25 Top left: Ideas at Work Top right: ©1973 Films 2014 Bottom left: © Mole End Productions Ltd Bottom middle: Blue Zoo Bottom middle: © Doodle Productions Ltd Bottom right: © Walker Books Limited Foreword By David Prodger, Consul General, Miami, Foreign and Commonwealth Office I warmly welcome each of you and Kidscreen to the beautiful city of Miami. As UK film, television and music industries are celebrated across the globe, my team is delighted to be working with our colleagues from The Consulate in New York as well as with our friends at The Children’s Media Conference to play a part in supporting the children’s entertainment industry’s most important international event hosted here in Florida. What we will do together in the apart from already established tax I look forward to seeing everybody children’s media space during this relief on film, high-end television, here and wish each of you a successful, trend-setting conference will positively animation, video games and theatre enjoyable and educational time in contribute to the achievements of UK’s – it was recently announced that Miami. creative industries, which in 2013 was children’s live-action TV will benefit worth £76.9 billion per year to the UK from a tax credit of 25% on qualifying David Prodger is Consul General, economy – outperforming all other production spending from April 2015. Miami, Foreign and Commonwealth sectors of UK industry and supporting Office 1.7 million jobs. Lastly, I think that Miami offers a unique feel and beauty and I am And the UK Government continues confident that this setting will bring to embrace and take an active role in inspiration to everybody – from content Thanks to GreenbergTraurig for supporting our innovation economy by developers, producers, content buyers, sponsoring the UK@Kidscreen strategic planning for the continued broadcasters and innovation executives Reception growth of the gold-standard content – resulting in new personal and which the creative industry delivers on-going business relationships that across various platforms. Indeed – expands your portfolios and markets. 4 UK@Kidscreen 2015 ForewordTitle By Greg Childs, The Children’s Media Conference and Sarah Baynes, The Creative Garden Address As the Kidscreen Summit swaps snowstorms for hot and humid Miami, the international children’s media market is also hotting up. New venues to meet are one aspect, and new incentives to do business with UK producers, writers, service providers, distributors, media consultants and interactive media specialists are another. With over 40 companies in the UK@Kidscreen delegation, we can promise you a wealth of opportunities to benefit from UK creative expertise and business experience. Come and meet us in the UK ‘zone’ – you won’t be disappointed. Name www. Title Now in its fourth year, the UK@ The UK’s record in content Rights Exchange takes the innovative Kidscreen delegation brings British development, production, distribution view that it’s time agents, publishers, talent and skills in kids’ content and exploitation is second to none. producers and broadcasters had their under one roof at Kidscreen, and there In the delegation this year we have own dedicated forum for building couldn’t be a better time to build companies who can offer a wide range the new sorts of partnerships which partnerships with UK companies. The of television, animation and digital bring literary works together with Animation Tax Relief has seen an media specialisms, and some who media makers and distributors. unprecedented surge in animation can offer advice on accessing the tax Over 500 meetings took place at the activity in the UK over the last two breaks through partnership with the inaugural Rights Exchange in London years. The Games Tax Relief, which UK. There couldn’t be a better time to in November 2014, and the Exchange came into effect last year, offers ‘meet the Brits’. returns, hosted by the London Book further incentives for interactive media Fair on 16 April 2015, with a distinctly production. And by April 2015 the Beyond Kidscreen, the UK-based international flavour. Publishers Children’s Television Tax Incentive will Children’s Media Conference stages from across the globe, literary agents mean that every aspect of producing market opportunities of its own in the representing key kids’ authors, for kids is generously supported by the CMC Rights Exchange and the CMC producers in search of new properties, UK Government. International Exchange. The CMC broadcasters building co-production UK@Kidscreen 2015 5 Greg Childs Sarah Baynes deals and developers with concepts first look opportunities at new and Greg Childs is Editorial Director of which work across platforms will be exciting projects. The Children’s Media Conference there to build partnerships. As the organisers of the UK Delegation Sarah Baynes is the Creative Director At the CMC Conference (1-3 July to the Kidscreen Summit, the CMC of The Creative Garden 2015) in Sheffield, we’re expecting welcomes you to these events in over 1,000 delegates to discuss the the UK to continue the business creative, business, strategic and policy of developing relationships with issues facing the kids’ media sector new partners – all in the context of worldwide. outstanding fiscal support. The CMC International Exchange Contact Greg Childs in the UK zone to (1 July 2015) in Sheffield will offer learn more about the support the CMC commissioners, buyers, funders and can offer to international attendees. producers from a range of territories [email protected] the chance to meet the widest range of UK talent – including those not present at the international markets – with 6 UK@Kidscreen 2015 1973 Films 5 High Green Email: [email protected] Great Shelford Tel: +44 (0)20 8541 4382 Cambridge CB22 5EG Miami Contact: United Kingdom +44 (0)7411 061452 Tim Goodchild http://www.1973films.co.uk Producer 1973 Films Limited is a UK-based production company founded by multiple Emmy and BAFTA honoured producer Tim Goodchild. We are currently developing a number of children’s projects including our CBeebies pre-buy ‘Hettie Makebelieve’ a 52 x 7’ stop motion animated series for 3 to 5-year-olds about imagination. © 1973 Films 2014 UK@Kidscreen 2015 7 Accorder Music Publishing The Chapel Email: [email protected] Park View Road Tel: +44 (0)20 3432 5510 Berkhamsted Hertfordshire Miami Contact: HP4 3EY +44 (0)7885 317746 United Kingdom Simon Forrest http://www.accordermusic.com Managing Director Accorder Music Publishing has become Music published include ‘Tree Fu Tom’, the number one choice for children’s ‘In the Night Garden’, ‘Bookaboo’, TV producers and composers. This has ‘Supastrikas’, ‘Grandpa in My Pocket’, been achieved because the company ‘1001 Nights’, ‘Abney & Teal’, ‘Woolly provides a truly bespoke service for & Tig’, ‘64 Zoo Lane’, ‘Driftwood each client – helping them maximise Bay’, ‘Teletubbies’, ‘Toby’s Travelling royalty income while ensuring the very Circus’, ‘Wanda and the Alien’, ‘Tilly highest quality composed music in and Friends’, ‘Lah-Lah’s Adventures’, their productions. For many producers ‘The Abadas’ ‘Wildernuts’, ‘Toot the Accorder has become their ‘virtual Tiny Tugboat’ and many, many more music department’ helping with a wonderful properties from around the host of administrative, legal and world. creative tasks alongside the important collection of global royalties. Accorder also works with some of the finest children’s composers helping to pair them up with wonderful producers. 8 UK@Kidscreen 2015 Adobe Systems Europe Ltd. The Old Manse Email: [email protected] 11 Victoria Road Tel: +44 (0)7813 670396 Camelford Other: http://uk.linkedin.com/pub/michael-o-neill/0/401/796/ Cornwall PL32 9XA Miami Contact: United Kingdom +44 (0)7813 670396 http://www.adobe.com/solutions/broadcasting/plan-and-produce.html Michael O’Neill http://www.adobe.com/solutions/broadcasting/partners.html EMEA Senior Business Manager http://www.adobe.com/products/adobeanywhere.html Film, Broadcast, Animation & Gaming I am Michael O’Neill and part of Adobe’s Adobe’s non linear editor Premiere Worldwide Strategic Development Pro (the market leader) is the hub for team whose mission is to support Broadcasters Worldwide, and Adobe’s Broadcasters, Creative Studios, Anywhere Editing Platform is the Production Companies and Film and next stage of Collaborative Television Animation Schools to implement Production. Please contact me for pipelines with Adobe’s Premiere Pro, more information and to get in touch After Effects, Photoshop, Speedgrade, with your regional Adobe Strategic Audition and Adobe Story Scriptwriting Development Technical Consultant at scheduling Creative Cloud toolsets from [email protected] a technical perspective. I will help you build efficient broadcast I support producers, directors, and animation workflows with Adobe’s commissioners as well as production Creative Cloud with such toolsets as teams in the best practices for show Photoshop, Premiere Pro, After Effects, development through to Editorial Speedgrade and a myriad of other and Digital Post Production in open creative tools that are now available at workflow environments.
Recommended publications
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • Critical Acclaim for ‘Girl Model’ by David Redmon and A
    Critical Acclaim For ‘Girl Model’ By David Redmon and A. Sabin “Documentarians David Redmon and Ashley Sabin have pieced together an eye-opening account of a form of human trafficking . [that] gets under the skin-deep promises of glamour and wealth that lure a seemingly endless stream of very young hopefuls.” —Sheri Linden, The Los Angeles Times “Dipping into a very specific corner of the modeling industry — the search for fresh Russian faces to feed the seemingly insatiable Japanese appetite for prepubescent-looking clotheshorses — [this] film presents an international transaction sustained by the twin forces of illusion and delusion.” —Jeannette Catsoulis, The New York Times “Girl Model presents an emotionally charged look at the realities of life as a young model, and the hardships that put girls to work at such a young age . .[and] leads you to consider the issues.” —Jennifer Merin, About.com Documentaries “An alarming documentary about the trafficking of Russian child models to the Japanese fashion market . when a postscript tells us what Nadya will do next, we're filled with dread.” —Ella Taylor, NPR “Far more interesting than the breathless documentaries that usually accompany Fashion Week, this eye-opening expose may actually change the way you watch the coverage. .There are no supermodels or Cinderellas in this sadly compelling story, just predators and the impoverished dreamers who want to trust them. Don’t expect to look at a catwalk in quite the same fashion again.” —Elizabeth Weitzman, New York Daily News Stranger PersoIn pulling the curtain back only slightly, the directors dare you to try forgetting what you've seen.
    [Show full text]
  • PRESSETEXT Verena Katrien
    PRESSETEXT Verena Katrien - Austria’s next Top Model Kandidatin & Instagram Influencerin mit 90.000 Followern macht italienischen Kurzurlaub in Wien mit „La Dolce Vienna“ www.ladolcevienna.at / fb.com/ladolcevienna / #ladolcevienna / [email protected] VERENA, FLORIAN, LAURA & CHRISTINA Hot Rod Tour Inhaber Florian Matthies war während der Corona Zeit, in der er seine Betriebe - wie viele Andere auch- schließen musste nicht untätig. Statt Stagnation kam es es bei ihm zu einer neuen Geschäftsidee, die speziell das Thema „Urlaub in Österreich“ aufgreifen soll. „La Dolce Vienna“ ist vor allem für heimische Kunden gedacht, die italienischen Flair in den Wiener Weinbergen genießen wollen. Die kleinen Tuk Tuk ähnlichen Fahrzeuge - genannt „Ape“ - bringen ab sofort nicht nur Weinliebhaber, sondern auch Familien, Freundes- oder Firmengruppen mit Action in die Natur. Direkt am Weingut von Familie Christ - dessen Wein schon ab der Abfahrt bereit gestellt wird - lässt auch Verena Katrien - Austria’s next Topmodel Teilnehmerin, Model und Instagram Influencerin mit mittlerweile über 90.000 Followern (#verena_katrien)- ihren Abend bei Wein und guten Schmankerln ausklingen. „Meine Freundinnen und ich hatten echt super viel Spaß heute. Ich kann mir gut vorstellen, dass das Picknick aber auch sehr romantisch sein kann, bei so einer tollen Kulisse. Touren gibt es schon ab € 89,- für zwei Personen zu buchen. Das exklusive Weinpicknick mit Abholung, Wein, Brotzeit & Blick über die Skyline von Wien gibt es um €149,-für 2 oder 3 Personen und eignet sich natürlich perfekt als Geschenk, wenn der Urlaub in Italien vielleicht ausfallen musste. Die Touren kann man ab sofort unter Einhaltung der Corona Schutzmassnahmen buchen und dauern ca.
    [Show full text]
  • Germany's Next Topmodel
    Diplomarbeit „Du musst dich mehr verbiegen!“ Postmodern-neoliberale Inhalte der Fernsehsendung Germany’s Next Topmodel und die Identitätsentwicklung von Jugendlichen Verfasser Saša $QWLü angestrebter akademischer Grad Magister der Philosophie (Mag. phil.) Wien, August 2012 Studienkennzahl lt. Studienblatt: A 297 Studienrichtung lt. Studienblatt: Diplomstudium Pädagogik Betreuerin: Mag. Dr. Christine W. Wijnen „Gibt es Grenzen, wieweit Menschen verbogen werden dür- fen?“ Richard Sennett (1998, S. 66) „Zeig uns dein Feuer! Bewegen, bewegen. Extremer, extre- mer, extremer. Du musst dich mehr verbiegen!“ Heidi Klum zu einer Kandidatin von Germany’s Next Topmodel (zitiert nach Süddeutsche Zeitung, 6. Juni 20081) 1 [www.sueddeutsche.de/leben/germanys-next-topmodel-los-tu-es-den-kopf-nach-hinten-1.215123, Zugriff: 27.6.2012] Inhaltsverzeichnis Danksagung ............................................................................................................7 1. Einleitung ...........................................................................................................9 2. Forschungsfrage und Aufbau der Arbeit ............................................................11 3. Pädagogische Relevanz ......................................................................................13 4. Forschungsstand .................................................................................................18 5. Begriffsfindung ...................................................................................................22 5.1. Gegenstandsbereich
    [Show full text]
  • America's Next Top Model Cycle 22 Eligibility
    AMERICA'S NEXT TOP MODEL CYCLE 22 ELIGIBILITY REQUIREMENTS Please note: the following eligibility requirements and terms must be met in order to proceed with the application process for AMERICA'S NEXT TOP MODEL (the “Series”). 1. Participants who have previously applied (or who applied for the first cycle) are welcome to submit new applications for the current cycle. 2. There may be nationwide open casting calls which, if they occur, are tentatively scheduled during December 2014 and into early January 2015. The Casting Team for America’s Next Top Model will be present to do interviews at various locations (locations subject to further additions and deletions and other changes). We are still accepting USB Flash Drive submissions sent to our mailing address and you can contact us directly at our Michelle Mock Casting Facebook page (https://www.facebook.com/MichelleMockCasting), to get more audition information. If the producers of the Series (the “Producers”) elect to have a semi-final round, and you are selected for an interview in the Semi-Finals, you must be willing to travel at your own expense to a location (to be determined) in your region of the country. The Producers reserve the right to add, cancel and/or substitute other cities as interview locations for the Semi-Finals. If you are selected by the Producers for an interview during the final selection process, you must be willing to travel to Los Angeles for approximately one week sometime approximately between March 10th - March 27th, 2015 (as scheduled by the Producers) as part of the final selection process.
    [Show full text]
  • CHAPTER ONE Overview of the Study
    CHAPTER ONE Overview of the Study :7548*=4+=9-*= 9:)>= This research project comprises a discursive exploration of the 2007 Tasmanian Curriculum: English Literacy K-10 Syllabus, hereafter referred to as the Tasmanian English Syllabus (TES). Although English as an oral language was my fifth language, it was my first literate one, and by the end of my primary school years, English had become my dominant language. Without my English language skills, I would not have had access to many privileges in society such as higher education and satisfying employment. My parents’ struggles to navigate Australian society with inadequate English language skills offered me an early lesson in what it might mean to be disempowered by a lack of valued literacy skills. From this background, I have endeavoured to foster high levels of English literacy in my teaching career. Until analysing the TES I had no idea that Aristotelian paradigms would figure so prominently in this thesis. I had viewed the ‘back to basics’ literacy rhetoric common in the media and conservative political speeches as reminiscent of a discourse more so associated with the ‘1950s white picket fence, the hills hoist in the backyard and the Holden in the garage’ constructions of Australian identity (Luke, 2001, p. 8). What I found, however, was that the ‘basics’ went back much further, to a time of imagined Western glory that was far more pervasive than generally acknowledged and is now also far more widespread in its influences than commonly realised. As Richard Rubenstein, 1 author of Aristotle’s Children stated in a radio interview (Philosophy Talk, 2005), both the ‘Blues’ (Republicans) and the ‘Reds’ (Democrats) in the U.S.
    [Show full text]
  • Warum Seh' Ich Nicht So Aus? – Fernsehen Im Kontext Von Essstörungen
    „Jede, die nicht mindestens so aussieht, „In meinem Kopf war / ist fest ist hässlich und dick.“ verankert: Wenn ich dünn bin, (Cassandra, 18 Jahre und dann ist alles einfacher. Das ganze seit 4 Jahren an Leben. Ich bin nicht wegen Germany’s Magersucht erkrankt) Next Topmodel magersüchtig geworden, dennoch hat es eine Rolle gespielt. Und heute schaue ich es bewusst NICHT WARUM mehr an! Denn es würde die Magersucht wieder so richtig pushen.“ (Lia, 18 Jahre alt und seit 3 Jahren „So wie die an Magersucht erkrankt) möchte ich gerne aussehen. Dafür muss ich SEH’ NICHT nur noch abnehmen. Und ICH dann kann man oft nicht mehr aufhören und rutscht in die Magersucht.“ FERNSEHEN IM KONTEXT VON ESSSTÖRUNGEN ESSSTÖRUNGEN VON FERNSEHEN IM KONTEXT (Denise, 14 Jahre und seit 2 Jahren an Magersucht – SO ? erkrankt) AUS „Warum seh‘ ich nicht so aus?“, fragt sich so manche junge Frau, wenn sie die Frauen in TV-Serien, die Bewerberin- FERNSEHEN IM KONTEXT nen beim Bachelor oder Deutschland sucht den Superstar sieht – und vor allem wenn sie sich mit den Kandidatinnen von Germany’s Next Topmodel vergleicht. Für die meisten Zuschauerinnen ist es „nur“ frustrierend und beeinflusst ihr Selbstvertrauen, dass sie der vorgegebenen Norm nicht genügen. Für andere kann dieser Gedanke und der Wille VON ESSSTÖRUNGEN sich zu ändern in schwere, langwierige Krankheiten führen: Essstörungen, wie Magersucht und Bulimie. Es sind natürlich nicht ausschließlich Fernsehsendungen oder Medienbilder, die zu diesen schweren psychosoma- tischen Störungen führen. Die Ursachen sind immer komplexer und viele Variablen und Problemlagen sind für die Entstehung von Essstörungen verantwortlich. Dennoch spielen Fernsehsendungen oftmals eine wichtige Rolle.
    [Show full text]
  • Jim Henson's Fantastic World
    Jim Henson’s Fantastic World A Teacher’s Guide James A. Michener Art Museum Education Department Produced in conjunction with Jim Henson’s Fantastic World, an exhibition organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service. The exhibition was made possible by The Biography Channel with additional support from The Jane Henson Foundation and Cheryl Henson. Jim Henson’s Fantastic World Teacher’s Guide James A. Michener Art Museum Education Department, 2009 1 Table of Contents Introduction to Teachers ............................................................................................... 3 Jim Henson: A Biography ............................................................................................... 4 Text Panels from Exhibition ........................................................................................... 7 Key Characters and Project Descriptions ........................................................................ 15 Pre Visit Activities:.......................................................................................................... 32 Elementary Middle High School Museum Activities: ........................................................................................................ 37 Elementary Middle/High School Post Visit Activities: ....................................................................................................... 68 Elementary Middle/High School Jim Henson: A Chronology ............................................................................................
    [Show full text]
  • Wanna Be on Top?
    Jones 1 Alyssa Jones Instructor’s Name ENGL 1013 Date Wanna Be on Top? Since its 2003 debut, the television series America’s Next Top Model has faced harsh criticism by those who feel that the program should be discontinued. Some people perceive a majority of the unapologetically beautiful contestants to be superficial due to the obvious acknowledgement of their good looks by society. At first glance, the perpetual fault-finders of the world believe that the show focuses mainly on external beauty and the ease of being photographed for a living. On the contrary, each episode is proof of the misconception that wrongly plagues professional modeling. Commonly abbreviated as ANTM or simply Top Model, the twelve-part reality television series has aired a whopping twenty-four seasons as of 2018 and has produced over forty widely successful international spin-offs. In theory, the show is a fierce competition for aspiring models that intend to have a professional career in the ever-evolving art of modeling. The show begins with thousands of unique people who virtually audition and are eventually limited to a select fifteen to twenty contestants, who then relocate to an extravagant home that serves as the model house for the duration of the competition, where they participate in various challenges, such as abnormal photo and commercial shoots, with one individual being eliminated at the end of each episode, based on lack of modeling skills, attitude, personality, etc. Despite what critics believe, the television series America’s Next Top Model should be renewed for its twenty-fifth season because of its large fan-base who depend on the show for entertainment purposes, because of its ability to empower people of all ages, and because host Jones 2 Tyra Banks deserves to remain in the spotlight.
    [Show full text]
  • Known Nursery Rhymes Residencies Fruit Eaten Remembered World
    13 Nov. 1995 – Leah Betts in coma after taking ecstasy 26 Sep. 2007 – Myanmar government, using extreme force, cracks down on protests Blockbusters Bestall, A. – Rupert Annual 1982 Pratchett, T. – Soul Music Celery Hilden, Linda The Tortoise and the Eagle Beverly Hills Cop Goodfellas Speed Peanut Brittle Dial M for Murder Russ Abbott Arena Coast To Coast Gary Numan Live Rammstein Vast Ready to Rumble (Dreamcast) Known Nursery Rhymes 22 Nov. 1995 – Rosemary West sentenced to life imprisonment 06 Oct. 2007 – Musharraf breezes to easy re-election in Pakistan Buckaroo Bestall, A. – Rupert Annual 1984 Pratchett, T. - Sorcery Chard Hill, Debbie The Jackdaw and the Fox Beverly Hills Cop 2 The Goonies Speed 2 Pear Drops Dinnerladies The Ruth Rendell Mysteries Aretha Franklin Cochine Gene McDaniels The Living End Ramones Vegastones Resident Evil (Various) All Around the Mulberry Bush 14 Dec. 1995 – Bosnia peace accord 05 Nov. 2007 – Thousands of lawyers take to the streets to protest the state of emergency rule in Pakistan. Chess Bestall, A. – Rupert Annual 1985 Pratchett, T. – The Streets of Ankh-Morpork Chickpea Hiscock, Anna-Marie The Boy and the Wolf Bicentennial Man The Good, The Bad and the Ugly Spider Man Picnic Doctor Who The Saint Armand Van Helden Cockney Rebel Gene Pitney Lizzy Mercier Descloux Randy Crawford The Velvet Underground Robocop (Commodore 64) As I Was Going to St. Ives 02 Jan. 1996 – US Peacekeepers enter Bosnia 09 Nov. 2007 – Police barricade the city of Rawalpindi where opposition leader Benazir Bhutto plans a protest Chinese Checkers Bestall, A. – Rupert Annual 1988 Pratchett, T.
    [Show full text]
  • Primus Post Edition 1
    THE PRIMUS 1ST EDITION POST! SEPTEMBER 2015 THE BIG PICTURE! THE BIG DAY OUT AT ST.ANNES MORE EVENTS AND PICTURES INSIDE…..! Welcome to our newly designed magazine, although the format has changed, Primus hasn't and as you will read and see in the following pages we've been busy busy busy with Trips out, Discos, Shopping, Fayres and Zumba to name but a few of the activities . Also, there has been a change within the management structure with Melissa as the Primus Manager, Jane as Team Manager and Pat as Deputy Manager. We hope you enjoy our new look magazine and we look forward to any comments and feedback! Primus Management Team! Mission Statement We are working towards ensuring equality of opportunity for disabled people and the recognition that what improves the life for disabled people would improve life for Everyone. 2 MELISSA FOULDS PAT REVELEY JANE BARTLETT MANAGER DEPUTY MANAGER TEAM MANAGER KAREN -LOUISE MACKENZIE LIZ CHALLONER ANN ELLIS CARMEL BENSON SONIA LEWIN-GAYNOR ADELE MOORE COOK SARAH PURKIS PETER JAMES WOODHEAD MATTHEW SCOTT KATHRYN McCONVILLE JULIE REDSHAW RUKSANA HUSSAIN TONY DYTLOW LUKE WEBB TARA HUSSAIN 3 PHILIP KEN TARA Each magazine will feature some of our fabulous VOLUNTEERS - here are six familiar faces who are dedicated to helping the members and Primus Team throughout each week of the year—a HUGE hands up to all of you wonderful people! DEBBIE CHERYL KIERAN 4 Keep fit Friday, with our regular morning workouts in the main room with the ‘Fabulous’ Paula. Zumba starts at 10.30am for an hour and almost everybody joins in this invigorating class.
    [Show full text]
  • The Cambridge Film Festival
    5-15 JULY 2007 www.cambridgefilmfestival.org.uk FUNDED BY: SPONSORED BY: MEDIA PARTNERS: WELCOME TO THE CAMBRIDGE FILM FESTIVAL CONTENTS NEWS 6 Well, another fine mess! Or, alternatively, another eclectic One really positive sign is the quality Heffer’s Award L Festival online L collection of world cinema, celebrating and highlighting new of our Festival submissions this Young Person’s Jury Festival Daily independent cinema and filmmakers working in a rapidly year. We have received over 800 THE PEOPLE’S FAVOURITE FILM AWARD 7 changing climate... films to view – shorts, features and SPECIAL EVENTS 8-13 documentaries. So many, in fact, The Festival once again brings together a huge range of OPENING AND CLOSING NIGHT FILMS 14 that we’ve decided to have a second films and related events: a programme of new German NEW FEATURES 16-39 event in late September to present a further collection from filmmakers’ work, curated by long time Festival filmmaker new filmmakers. We’re incredibly pleased that so many TIMETABLE 41-43 colleague, Monika Treut; five new titles from the London filmmakers are attending the Festival, so please give them NEW GERMAN CINEMA 44-45 Lesbian and Gay Festival; an enlarged, expanded your support – updated information will be in daily emails, Microcinema section covering artists’ films and events and DOCUMENTARIES 46-49 the Festival Daily, and the podcasts. a symposium at both the Junction and the Picturehouse. As CINECOLOGY 50-53 last year, we are also presenting a number of programmes Finally, it has been a challenge. Putting this Festival on MICROCINEMA 54-57 under FUTURE LANDSCAPE, free of charge and daily requires huge commitment from a team of people and REVIVALS 58-59 between Monday 9 and Friday 13 at 1.00 and 5.00pm.
    [Show full text]