LEBANESE Independent

Total Page:16

File Type:pdf, Size:1020Kb

LEBANESE Independent November 9 - 16, 2014 - 6:00 pm | Bechara El Rahi Theater Notre Dame University-Louaize, Main Campus In Partnership with In Collaboration with With the Support of Platinum Sponsors Gold Sponsors Silver Sponsors Media Partners TABLE OF CONTENT WELCOME NOte 5 HONORING DURAID LAHHAm 6 LEBANESE STUDENTS SHOrtS 8 LEBANESE INDEPENDENT SHOrtS 34 INTERNATIONAL SHOrtS 39 SPECIAL SHOWCASe 52 INTERNATIONAL GUESTS 59 JURY MEMBERS 73 NDU CINE-CLUB UPCOMING MOVIES 86 FILM FESTIVALS AT NDUIFF 88 NDUIFF’S MANAGEMENT 90 NDUIFF’S TEAm 92 SCREENING PROGRAm 94 5 WELCOME TO THE 8TH NDUISFF At the dawn of this 21st century, I see fear in the eyes of all those who believe in “Beauty” and in its power to save the world. I see youth growing old in despair, afraid to dream, even afraid to pray, to love, to commit to another, to partake in joyful events, to live the simple, daily pleasures of life. Are they afraid that «Ugliness» may steal our lives from us? Today, I invite you all to believe in beauty again, to remember all the beautiful moments in our lives; the beauty of birth, the reincarnation of nature, the beauty of a loved one’s laugh, a kiss, the warmth of a hug, the beauty of the first raindrops in fall, of a blossoming flower, of the morning breeze on our faces, the beauty of washing away a tear and then sharing a smile. I invite you all to bring beauty back into our lives. NDU International Film Festival “The Power of Youth” believes in “Beauty”, preaches “Beauty” and works to spread “Beauty” all around us. Your Ideas, your vision, and your perseverance, all marked in your films participating today in the 8th NDU International Film Festival, are a part of this beautiful dream… 8th NDU International Film Festival “The Power of Youth”, reflects “The Power of Your Beauty” BEAUTY WILL SAVE Sam Lahoud Founder, Director NDU International Film Festival THE WORLD - FYODOR DOSTOYEVSKY Duraid Lahham was born and raised in Damascus in 1934. He grew up in relative poverty, and studied chemistry at Damascus University, which qualified him for a well-paying job as an instructor at the Chemistry Department. Lahham was always enchanted by the theatre, participating in several plays during high school and college, while playing the clarinet in the high school band. While teaching at university, he started to give dance lessons and befriended the artistic community in Syria. When Syrian Television was inaugurated in 1960, its director Sabah Qabbani hired Lahham to star in a mini-series called Sahret Dimashq (Damascus Evening) with the already established stage actor Nihad Qali. The two men created a duo called «Duraid & Nihad» and achieved dramatic success in the Arab World from 1960 until Qali retired from acting due to illness in 1976. From then on, Lahham acted, directed, and wrote the screenplay for all of his works, and continues to do so until the present. His theatre was always greatly and visibly influenced by the musicals of the Lebanese artist Asi al-Rahbani and his wife, the diva Fayruz. Political events influenced him greatly as well, transforming his career from that of a comedian, into a political satirist. He was shocked by the collective Arab defeat of 1967, and greatly disturbed by separate peace of Egypt with Israel in 1978. In the early 1960s, Lahham abandoned university teaching to devote his time fully to acting, although this was viewed, by the conservative society in Damascus, as un-wise, since teaching was a respectable and stable job, while actors were not highly respected, under-paid, and had an uncertain future. He later claimed that devoting his life to art was one of the wisest decisions he ever made, since he achieved more success as an actor than any other profession, including university instruction, would have provided. In 1976, President Hafez al-Asad decorated Lahham with the Medal of the Syrian Republic, Excellence Class. He was also given medals of recognition for his work by Tunisian President Habib Bourguiba, who gave him the same medal in 1979, and TRIBUTE Libyan leader Mu’ammar al-Qaddafi in 1991. Nine years later, Lebanese President Emile Lahhoud awarded Lahham the Order of Merit of the Lebanese Republic in a ceremony held at the American University of Beirut (AUB), granted through the Syrian Culture &HONOR Club at AUB. In 1997, in recognition of his two children’s productions, the movie Kafroun in 1990 and the play Al-Usfura al-Sa’ida (The Happy Bird) in 1992, he became the UNICEF representative in Syria for children’s affairs. He performed several television TO THE series aimed at increasing awareness of the problems of children. Then in 1999, he became UNICEF Ambassador for Childhood in the Middle East and North Africa. In 2004, he left his job at UNICEF after paying a visit to South Lebanon, to the districts liberated from Israeli occupation in 2000. At the Lebanese-Israeli border, he gave a press conference, criticizing George W. Bush LEGEND and Ariel Sharon, comparing both men to Hitler. The statement was published in Lebanon and re-published in Israel, causing Tel Aviv to protest to the UNICEF that its goodwill ambassador was using un-diplomatic language. The UNICEF asked him whether the statement was correct, and when he confirmed that it was, they sent him a letter, thanking him for his services since 1997. He considered this an indirect message, relieving him of his duties at UNICEF. Currently, Duraid Lahham still lives in Damascus, and is devoted to his family, spending a lot of his time with his children and grandchildren. His first wife May al-Husayni bore him two children, Tha›er and Abeer, while his second and current wife Hala al-Bitar bore him his youngest daughter Dina. SHORTS SELECTION LEBANESE STUDENTS 9 IESAV AUT WITH THY DIRECTOR ON THE DIRECTOR KARIM ALEXANDRA SPIRIT RAHBANI STREET KHOURY N N O O FICTI FICTI 17 min. 10 min. Cast: JOSEF CHEMALY | ABD EL HADY ASSAF | KAMIL Cast: MArtINE BOU YOUNES | JOSEPH DAOU YOUSSEF | MICHEL ADABACHI Production: 2013 Production: 2014 Father Geryes, a priest leading a peaceful life within his When she was in the heart of Beirut down town, monastery in Lebanon finds himself involved in a tragic searching for a life sign to shoot her project entitled life in accident. Will he have enough courage and integrity to the city, Lama will meet Jad, a strange guy who will show face the consequences of his actions? Will he be able to her the real streets life and teach her a lot of things that tell his fellow priests about the incident? she ignored. But a weird thing will occur, leading Lama to change her entire story. 10 INTERNATIONAL FILM FESTIVAL AKU UPA DIRECTOR THE LOST DIRECTOR VAK ELIE RABIH AL MEMA LETTER BITAR N N O O FICTI FICTI 10 min. 12 min. Cast: OUMAYYA LAHHOUD |BAYAN ABOU CHAKRA | Cast: MICHEL BTEICH | SAYDEH AKIKI ILYES HAYEK | LOUTFALLAH BOU KHAZEN Production: 2014 Production: 2014 VAK an Eight years old child, a very imaginative child. A After the loss of his younger brother in the Lebanese war, daydreamer - has his unique view and perception of the Tony lived his life taking good care of his family with deep outside world as unique and different with its own colors, sadness in his heart because of this loss. shapes, and emptiness. The film is somehow a journey A lost letter from his younger brother finally arrives to between the abstractness of the characteristics that Tony’s hands after his mother’s death. builds up the story, the realm and the roughness of his mystery. 11 LGU LU1 YA SHAMES DIRECTOR DIRECTOR CHRISTELLE NAFAS FARAH ABOU YA SHAMOUSEH NICOLAS KHARROUB N N O O FICTI FICTI 12 min. 15 min. Cast: VALENTINA AOUN | ABDALLAH ZEINEDDINE | Cast: REBECCA BITAR YEHIA JABER | AMAL DIAB Production: 2014 Production: 2014 Judy is a little girl who lives with her grandmother. Nahlan is trying her best to break free from the walls that After she lost her first tooth, she thought that she the society built around her. After moving to the city, she started envying people and infecting them with her look follows her own dreams to become a successful model. especially after all the situations she went through. Her Through her journey, she meets so many people that grandmother is trying to convince her that she’s not in change her life. After her big accomplishment, she goes trouble. back to confront her parents. 12 INTERNATIONAL FILM FESTIVAL NDU IESAV DIRECTOR EArtHWORM DIRECTOR GALLE ANTHONY NADIM HENEINE SEASON HEJEILI N NTARY O E FICTI CUM O D 10 min. 16 min. Cast: CHRISTELLE CHEBLI Cast: HIAM ABOU CHEDID Production: 2014 Production: 2014 A father living abroad sends e-mails to his 12-year-old Having discovered my family archives, I try to understand daughter telling her stories about the many adventures the story behind it. A history unfolds, one of wars, fear & he had in the various cities of Sri Lanka. After 10 years, hiding; but also, one of children, family gatherings & rare she decides to relive his journey and visit all the places he occasions of happiness. My mother tells me the story, wrote her about. Her voyage ends in Galle where she last answering my questions, yet something seems to linger read from her father. behind. Untold memories & an unrevealed truth hide behind her testimony. 13 ALBA USEK DIRECTOR DIRECTOR MASSOUD TANIA MANUSCRIPT MANSOUR ISKANDAR AOUN N O N O FICTI ANIMATI 4 min. 16 min.
Recommended publications
  • Syrian Theater in Lebanon Level
    The The In Lebanon Issue nº 10, December 2015 Issue nº 10, December 2015 In Lebanon 14 Joint news supplement Joint news supplement 15 Theater soon come when she marries the prince or remains a barren, Hama or Aleppo. No influences. No touching partnerships. emigrated. A part returned to Syria. And there are those who old maid. Nothing to do with mixing, in merging «one» into The wound would not result in ties and links to theater but live in the delimitation zone between Beirut and Damascus. the «other.» No Lebanese sensitivities in Syrian plays. On the in Syria. Figures offering assistance are not lacking. Limited Like the director Omar Abusaada. The latter brought his play contrary. The Lebanese plays the role of catalyst in processes assistance. Offering halls for play rehearsals, for free or in «Antigone» to Lebanon after it was shown in Damascus and of timing the vision, not improving it, except on the technical return for a nominal fee. Theaters won’t succeed with Syrian then he returned with his play to Damascus. The play was Syrian Theater in Lebanon level. An amputated level in Syria. theater shows with director signatures. Theater is a garden performed in Al Madina Theater in Beirut presenting the There are institutions and bodies that fund the shows that have not a house. The play gets old a day or two after it is shown. Syrian tragedy as a fathomless abyss. Rafat Alzaqout presented a direct link to the war in Syria. «Etijahat» (Directions), Afaq, Because it takes place in a hole not in a life.
    [Show full text]
  • Disorientalism-1.Pdf
    „French police make woman remove clothing on Nice beach following burkini ban.“ These words transcribe an image that flowed over the media this past summer, crystallizing the tensions that underpin questions of identity, religion, and representation at a time where the only thing worse than globalized terror propaganda is the possibility of Donald Trump becoming the next president of the United States (and vice versa). In this context, the image of a veiled woman surrounded by armed cops and stared at by bikini- and speedo-clad onlookers became a symbol of the deep and wide-open wound of identity quid pro quo in a post- 9/11 world. Alternately romanticizing it and fomenting fear towards it, the mainstream representational system of the West preserves an idea of the Middle East as a „serious“ subject matter, burdened with religious and poilitical subtext. DIS This is probably why so many artists from the region have obsessively pursued struggle narratives and a rhetoric of the past, creating works that reinforced what Moroccan scholar Mohamed Rachdi coined as a „tacit commission“ from the ORIENTAL West, arbitrarily linking authenticity with trauma tic backstory and dramatic storytelling. Through three extensive interviews, a round table, two think pieces and a visual insert by art collective GCC, this section is dedicated to a new generation of artists who are bringing nuance to this fossilized system of ISM thought, mining the intersections of technology, culture and identity politics. Through the work of these creators—who, in confronting media stigmatization and tokenism, challenge the question of representation and the expectations placed upon their production, and refuse to act as „native informants“ or spokespersons for a whole region—alternative narratives and a new visual language emerge.
    [Show full text]
  • An Analysis of the Mass Media System in Syria
    18 SYRIA Arvind Singhal and Vijay Krishna INTRODUCTION Although Syria only gained its independence from France in 1946, it is one of the oldest inhabited lands in the world. Its history and geography are closely intertwined with those of Lebanon, Jordan, Iraq, and Palestine. These modern nation-states, created as a result of the defeat of the Turkish Ottoman Empire in World War I, were previously part of what was commonly referred to as "Greater Syria." The Syrian Arab Republic covers an area of about 71,500 square miles and is slightly larger than the state of Oklahoma in the United States. The country lies south of Turkey and west of Iraq. Syria's southern frontier is bordered by Jordan, and to its west are the Mediterranean Sea, Lebanon, and Israel. From the perspective of military and trade, Syria occupies a highly strategic geo­ graphic location. The three continents of Asia, Africa, and Europe converge here; in addition, Syria serves as a crossroad between the Caspian Sea, the Indian Ocean, the Black Sea, and the River Nile. Consequently, Syria is a melting pot of diverse cultures, religions, and beliefs. Damascus is Syria's capital city. In 1992, Syria's population was about 13 million and growing rapidly at a rate of 3.8 percent per year. Thanks to improved health facilities, the average life expectancy in Syria has climbed to about 65 years. If the present growth continues, the Syrian population will double by the year 2010. In 1992, some 50 percent of the Syrian people were under the age of 15.
    [Show full text]
  • Aksam Alyousef
    “Harvesting Thorns”: Comedy as Political Theatre in Syria and Lebanon by Aksam Alyousef A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Drama University of Alberta © Aksam Alyousef, 2020 ii ABSTRACT At the end of the 1960s and the beginning of the 70s, political comedy grew exponentially in Syria and Lebanon. This phenomenon was represented mainly in the Tishreen Troupe ,(مسرح الشوك performances of three troupes: Thorns Theatre (Al-Shuk Theatre مسرح and Ziyad Al-Rahbani Theatre (Masrah Ziyad Al-Rahbani ,(فرقة تشرين Ferqet Tishreen) These works met with great success throughout the Arab world due to the audacity .(زياد الرحباني of the themes explored and their reliance on the familiar traditions of Arab popular theatre. Success was also due to the spirit of the first Arab experimental theatre established by pioneers like Maroun Al-Naqqash (1817-1855) and Abu Khalil Al-Qabbani (1835-1902), who in the second half of the nineteenth century mixed comedy, music, songs and dance as a way to introduce theatre performance to a culture unaccustomed to it. However, this theatre started to lose its luster in the early 1990s, due to a combination of political and cultural factors that will be examined in this essay. iii This thesis depends on historical research methodology to reveal the political, social and cultural conditions that led to the emergence and development (and subsequent retreat) of political theatre in the Arab world. My aim is to, first, enrich the Arab library with research material about this theatre which lacks significant critical attention; and second to add new material to the Western Library, which is largely lacking in research about modern and contemporary Arab theatre and culture.
    [Show full text]
  • Saleh Sara 2018 Research Paper.Pdf
    Watching the Talk: Talk on Television and Talk About Television—The Case Study of Ahmar Bel Khat El Areed Sara Saleh Submitted to the University of Ottawa in partial fulfillment of the requirements for the Master of Arts degree in Communication Department of Communication Faculty of Arts University of Ottawa © Sara Saleh, Ottawa, Canada, 2018. Abstract When studying Arab television, many including some of the better-informed researchers in the Arab world have tended to think mostly of Al Jazeera and news coverage. The academic scholarship thus lacks a more inclusive approach as it excludes a pivotal discussion on entertainment talk shows. This study provides an alternative, unconventional perspective focusing on audience discussion programs. Through content analysis and critical discourse analysis, Ahmar bil-Khat al Areed (Red in Bold Lines), a civic-oriented Lebanese talk show, is critically examined (on the discourse, format and content levels) to fill the knowledge gap left by the existing literature. The present paper proceeds from descriptive studies of this subgenre— drawing on relevant research in communication, media studies, language, sociology and political science—to argue that Ahmar bil-Khat al Areed is an exemplar of issue-oriented talk shows that can contribute to the activation of public spaces through the participation of ordinary individuals in debates on salient personal and social issues during times of conflict. Keywords: Arab television; issue-orientated talk shows; public sphere; conflicts; content analysis; critical discourse analysis. Acknowledgments I would first like to express my profound gratitude to my supervisors, Professor Kyle Conway and Professor Emily Regan Wills. Without their guidance, invaluable insight, and patience—this project would not have come to light.
    [Show full text]
  • Syrian Artists: Between Freedom and Oppression Most Notable Violations Against Artists in Syria
    Syrian Artists: Between Freedom and Oppression 1 Syrian Artists: Between Freedom and Oppression Most Notable Violations against Artists in Syria الشبكــــة السوريــة لحقـوق اإلنســان June 2015 Syrian Network for Human Rights 28 Syrian Artists: Between Freedom and Oppression 2 Contents First: Executive Summary ........................................... 3 Second: Introduction ................................................... 4 Third: Government forces ........................................... 7 Fourth: Armed opposition ........................................... 37 Fifth: Extremist groups ............................................... 39 Sixth: Unidentified Groups ......................................... 42 Seventh: Evidences and Attachments ......................... 44 Acknowledgment ........................................................ 50 الشبكــــة السوريــة لحقـوق اإلنســان June 2015 Syrian Network for Human Rights 28 Syrian Artists: Between Freedom and Oppression 3 First: Executive Summary Violations against artists are as follows: - First: Extrajudicial killing: SNHR documented the killing of 22 artists: - Government forces: killed 14 artists including four artists who were tortured to death - Armed opposition: killed four artists - Extremist groups: Daesh killed one artist -Unidentified armed groups: killed three artists - Second: Arrest and kidnapping: we recording 57 arrest-and-kidnapping cas- es: - Government forces: 50 cases including nine artists who are still un- der arrest or forcibly-disappeared. - Armed opposition:
    [Show full text]
  • Introduction 1 Martyrdom
    Notes Introduction 1. Article 285 of the Syrian Penal Code criminalizes speech that “weakens national sentiment.” Human Rights Watch documented 104 convictions of this charge in Syria’s State Security Court based on proceedings between January 2007 and June 2008. 2. In 1921 Carl Schmitt (2013: 14) asserted that “Whoever rules over the state of exception therefore rules over the state, because he decides when this state should emerge and what means are necessary.” 3. In describing the government as a “regime” I am adopting an understanding of Syrian rule that emphasizes the state’s use of the party to establish control over the state apparatus, army, and all mass organizations combined with the use of the public sector to create a state-dependent bourgeoisie. These clients both depend on and influence the government. A concise analysis of the regime Hafiz al-Assad built can be found in Leverett (2005: 23–27). 4. While it falls outside of the scope of the book, playwrights had even begun to analyze the effects of neoliberal economic policy and spread of crony capitalism (The Last Supper, Ikhlasi 2004), tensions within the regime due to generational change (Two Variables in the Equation, Ikhlasi 2004), domestic violence (The Breeze, al-Thahabi 2008), prostitution (Tactics, Amayri unpub- lished, performed 2008), and premarital sex (Layla and the Wolf, al-Thabahi unpublished, performed 2008). 5. Interestingly, Qabbani emigrated to Cairo where he created a successful theatre after the destruction of his theatre in Damascus. 6. Popular support for the Palestinians put pressure on the newly installed Bashar al-Assad to soften long-standing Syrian criticism of the PLO, but the leader steadfastly refused to support the uprising.
    [Show full text]
  • Monitor 360, and Other Partners Across the US Government
    UNCLASSIFIED // FOUO Open Source Center COUNTRY REPORT: Syria June 2012 This document does not represent US Government policy or views UNCLASSIFIED // FOUO UNCLASSIFIED // FOUO Master Narratives Country Report / Syria 3 Contents Executive Summary ...................................................................................................................... 5 Master Narratives ..........................................................................................................................13 “Conspiracies All Around” ..............................................................................................................14 “The Zionist Scourge” ...................................................................................................................... 17 “Greater Syria” .................................................................................................................................20 “Stabilizing Ba’ath” ......................................................................................................................... 23 “Promise of a New Syria” ............................................................................................................... 26 “Alawite Infidels” .............................................................................................................................30 “Alawite Survival” ............................................................................................................................ 33 “Kurdish Plight” ..............................................................................................................................
    [Show full text]
  • Download This PDF File
    Syrian Studies Association Bulletin The Bulletin is the bi-annual publication of the Syrian Studies Association, an international association created to promote research and scholarly understanding of Syria. Andrea L. Stanton serves as Editor, with Beverly Tsacoyianis as Book Review Editor. Taxis at Baramkeh Garage in the rain, February 2006. Credit: Andrea L Stanton Volume 17, Number 2 (Fall 2012): Syria: Past, Present, Future Syrian Studies Association Bulletin Volume 17, Number 2 (Fall 2012): Syria: Past, Present, Future 1 Table of Contents Letter from the President Joshua Landis (p. 2) Syrian Studies Association News SSA-Sponsored Events and Syria-Related Papers at MESA 2012 Zayde Antrim (p. 3) Feature Articles Buq'at Dau' (Spotlight) Part 9 (2012): Tanfis (Airing), a Democratic Facade, Delayed Retribution, and Artistic Craftiness Rebecca Joubin (p. 7) Modernization, Communal Space and Inter-confessional Conflicts in 19th Century Damascus Anais Massot (p. 12) To Protest or not to Protest? The Christian Predicament in the Syrian Uprising Salma Mousa (p. 16) “Syria Love”: Watching Syrian Propaganda in Iraq Edith Szanto (p. 19) “Our Real Educated People:” Neoliberalism and Syria’s New Elites Mandy Terc (p. 22) Field Notes The Remnants of the Assad Regime Radwan Ziadeh (p. 25) Book Reviews Review of Kürt Tarihi (The Kurdish History) magazine Ahmet Serdar Akturk (p. 26) Samar Yazbek. A Woman in the Crossfire, Diaries of the Syrian Revolution. Translated by Max Weiss Alexa Firat (p. 28) Negotiating Influence: The Economy, Security Apparatus, and the Assad Regime Karam Dana (p. 30) Letter from the President Prize Committee Chair, all of which will be announced at MESA.
    [Show full text]
  • Global Immunization News 28 May 2010
    Global Immunization News 28 May 2010 World Health Organization Global Immunization News Inside this issue: Technical Information 66th World Health 2 Assembly endorsed LIVE-WEBCAST resolutions on a vari- ety of immunization GLOBAL NEW AND UNDER-UTILIZED VACCINES IMPLEMENTATION MEETING Family and Community 2 23-25 JUNE 2010 Health: contributing to the MDGs For the upcoming Global NUVI meeting on 23-25 June in Montreux, Switzerland, a live webcast will be running during the plenary sessions 30 years of smallpox 3 eradication com- and selected workshops of the meeting, enabling visitors to the site to memorated watch presentations as they are being given. WHO Leads Revision 3 of International Tech- To view the agenda and register for the webcast please visit the nical Specifications of following website: http://www.who.int/nuvi/global_meetings/en/ Yellow Fever Vaccines index.html New Publications 4 Once registered you will receive an email confirming your registration with information you need to join the Webinar. AfriFlu - international 4 conference on influ- enza in Africa OVER 100 COUNTRIES PARTICIPATED IN Selected officials 5 IMMUNIZATION WEEK contemplate a na- 28/05/2010 from Hayatee Hasan WHO/HQ: tional immunization Best opportunity yet 5 In 2010, for the first time, 112 countries in the WHO for a polio-free world: regions of the Americas, Eastern Mediterranean and WHA Europe hosted simultaneous immunization weeks which Update: WHO recom- 6 began on 24 April. This unprecedented collaborative mendation for recall effort between the three regions provided further and destruction of all momentum towards a worldwide immunization week. lots of Shan5 vaccine Various regional launches were held to kick off the week and a range of activities were carried out including workshops, training sessions, social mobilization, Recommendations on 6 use of rotavirus vac- round-table discussions, exhibitions and media events addressing a wide range of vaccine-related issues.
    [Show full text]
  • In Lebanon» Project and Funded by Germany
    The Implemented by: Special Edition This supplement is produced by the UNDP «Peace Building in Lebanon» project and funded by Germany. The Arabic version is distributed with An-Nahar newspaper while the English version is distributed with The Daily Star and the French version with in Lebanon L’Orient-Le Jour. The supplement contains articles by writers, journalists, media professionals, researchers and artists residing in Lebanon. They cover issues related to civil peace in addition to the repercussions News Supplement of the Syrian crisis on Lebanon and the relations between Lebanese and Syrians, employing objective approaches that are free of hatred Issue nº 20, December 2018 and misconceptions. Illustration by Tony Maalouf Tony by Illustration © «When life is low, a friendly smile can transform sorrows into hope for a better future» - future» better a for hope into sorrows transform can smile friendly a low, is life «When I Am Returning to My Country 08 - 09 03 Syrian Serial Drama: There’s 04 In the Eye of the Beholder: The Reception and Perception of a Constructed Other Hope in Sadness That Challenges War and the Syrian stories in Lebanon’s reality 05 «Pennies» of Capitalism 06 Stereotypes in a Society of Multiple Belongings 07 The Theory of Evolution 10 Similarities between Child Trafficking and the Risks of Adoption 12 At Their Stopover, Syrian Women Decide to Prevent Pregnancies Ghadan naltaqi 13 Can Sports Help the Lebanese Get Unified? A scene from the series series the from scene A 14 Use Guns in Their Right Place © The in Lebanon Issue nº 20, December 2018 2 news supplement In the Grip of Immobilism The Lebanese State deserves a medal for the not-so-glorious distinction of never years after the end of the war, power rationing is still in place on a large scale and failing to miss the boat.
    [Show full text]
  • Clash of the Barbarians: the Representation of Political Violence in Contemporary English and Arabic Language Plays About Iraq
    CLASH OF THE BARBARIANS: THE REPRESENTATION OF POLITICAL VIOLENCE IN CONTEMPORARY ENGLISH AND ARABIC LANGUAGE PLAYS ABOUT IRAQ AMIR A. AL-AZRAKI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIESIN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM FN THEATRE YORK UNIVERSITY, TORONTO, CANADA AUGUST 2011 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-80526-8 Our file Notre reference ISBN: 978-0-494-80526-8 NOTICE: AVIS: The author has granted a non­ L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non­ support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantias de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]