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Mini Brochure
filmworks is designed with star quality – inspired by the past, celebrating the future Ealing’s Thrilling New Lifestyle Quarter Computer-generated images are indicative only. Page 01 picture this IN TUNE WITH EALING’S HISTORY, THE STAR OF FILMWORKS WILL BE THE EIGHT-SCREEN PICTUREHOUSE CINEMA, TOGETHER WITH PLANET ORGANIC’S FRESH AND NATURAL PRODUCE. Eat well, live better, thanks to Planet Organic before heading to the movies. Filmworks offers an adventurous mix of shops, restaurants and bars; all perfectly located around a central and open piazza. PagePage 02 18 Lifestyle images are indicative only. Page 04 Computer-generated image is indicative only. Hollywood stars Audrey Hepburn, Humphrey Bogart and William Holden were a few of the big dazzling names to step foot in Ealing Studios. history THE FORUM CINEMA OPENED IN 1934 WITH ‘LIFE, LOVE AND LAUGHTER’. A COMEDY FILMED METRES AWAY, AT THE WORLD- FAMOUS EALING STUDIOS. The old cinema façade in 1963. Designed by John Stanley Beard, the old cinema’s classical colonnades create a grand entrance to the Filmworks quarter. Remarkably, the cinema building was relatively new compared to Ealing Studios, built in 1902. The first of its kind, with classics like The Ladykillers and recent successes The Theory of Everything and Downton Abbey, it is synonymous with the British film industry. Passport to Pimlico A 1949 British comedy starring Stanley Holloway in which a South London Street declares its independence. The Ladykillers A classic Ealing comedy starring Alec Guinness who becomes part of a ragtag criminal gang that runs into trouble when their landlady discovers there’s more to their string quartet than meets the eye. -
Hole a Remediative Approach to the Filmmaking of the Coen Brothers
University of Dundee DOCTOR OF PHILOSOPHY Going Down the 'Wabbit' Hole A Remediative Approach to the Filmmaking of the Coen Brothers Barrie, Gregg Award date: 2020 Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Gregg Barrie PhD Film Studies Thesis University of Dundee February 2021 Word Count – 99,996 Words 1 Going Down the ‘Wabbit’ Hole: A Remediative Approach to the Filmmaking of the Coen Brothers Table of Contents Table of Figures ..................................................................................................................................... 2 Declaration ............................................................................................................................................ -
Maggie-Dp.Pdf
STUDIOCANAL et TAMASA présentent un film de Alexander Mackendrick ç Version restaurée UK - Durée 1h32 ç Sortie le 16 décembre 2015 ç Presse Frédérique Giezendanner [email protected] T. 06 10 37 16 00 Distribution TAMASA [email protected] T. 01 43 59 01 01 Visuels téléchargeables sur www.tamasadiffusion.com SYNOPSIS Le Capitaine de la « Maggie », Mac Taggart, ne possède pas suffisamment d’argent pour faire réparer son bateau qui tient la mer par miracle, malgré les réticences des autorités portuaires. Par suite d’un malentendu, Pusey, représentant un riche Américain, Marshall, lui confie le transport d’un matériel couteux destiné à la modernisation d’un château. Découvrant la supercherie, Marshall, atterré, essaye de récupérer son précieux chargement. Mais après bien des incidents, bien des événements inattendus avec ce curieux équipage, le chargement finira au fond de la mer. Mais Mac Taggart conserve l’argent que lui a remis Marshall pour faire réparer son vieux bateau. ALEXANDER MACKENDRICK Alexander Mackendrick est né à Boston, dans l’État du Massachusetts. À 6 ans, son père meurt emporté par la grippe « espagnole ». Sa mère, qui devait trouver du travail pour survivre, décide de devenir couturière. Elle céda la garde de son fils au grand-père qui vivait en Écosse. C’est ainsi qu’à l’âge de sept ans, Mackendrick revient sur la terre de ses aïeux. Il vit une enfance très solitaire et difficile. Après des études d’art, il part s’installer à Londres dans les années 30 pour travailler comme directeur artistique. Entre 1936 et 1938, Mackendrick est l’auteur du script de publicités cinématographiques. -
MAESTROS DEL CINE CLÁSICO (X): ALEXANDER MACKENDRICK (En El 105 Aniversario De Su Nacimiento)
Cineclub Universitario / Aula de Cine P r o g r a m a c i ó n d e febrero 2 0 1 7 MAESTROS DEL CINE CLÁSICO (X): ALEXANDER MACKENDRICK (en el 105 aniversario de su nacimiento) Fotografía: Proyector “Marín” de 35mm (ca.1970). Cineclub Universitario Foto:Jacar [indiscreetlens.blogspot.com] (2015). El CINECLUB UNIVERSITARIO se crea en 1949 con el nombre de “Cineclub de Granada”. Será en 1953 cuando pase a llamarse con su actual denominación. Así pues en este curso 2016-2017, cumplimos 63 (67) años. FEBRERO 2017 MAESTROS DEL CINE CLÁSICO (X): ALEXANDER MACKENDRICK (en el 105 aniversario de su nacimiento) FEBRUARY 2017 MASTERS OF CLASSIC CINEMA (X): ALEXANDER MACKENDRICK (105 years since his birth) Viernes 3 / Friday 3th • 21 h. WHISKY A GOGÓ (1949) (WHISKY GALORE!) v.o.s.e. / OV film with Spanish subtitles Martes 7 / Tuesday 7th • 21 h. EL HOMBRE VESTIDO DE BLANCO (1951) (THE MAN IN THE WHITE SUIT) v.o.s.e. / OV film with Spanish subtitles Viernes 10 / Friday 10th • 21 h. MANDY (1952) v.o.s.e. / OV film with Spanish subtitles Martes 14 / Tuesday 14th • 21 h. EL QUINTETO DE LA MUERTE (1955) (THE LADYKILLERS) v.o.s.e. / OV film with Spanish subtitles Viernes 17 / Friday 17th • 21 h. CHANTAJE EN BROADWAY / EL DULCE SABOR DEL ÉXITO (1957) (SWEET SMELL OF SUCCESS) v.o.s.e. / OV film with Spanish subtitles Martes 21 / Tuesday 21th • 21 h. SAMMY, HUIDA HACIA EL SUR (1963) (SAMMY GOING SOUTH) v.o.s.e. / OV film with Spanish subtitles Todas las proyecciones en la Sala Máxima de la ANTIGUA FACULTAD DE MEDICINA (Av. -
University of Huddersfield Repository
University of Huddersfield Repository Billam, Alistair It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Original Citation Billam, Alistair (2018) It Always Rains on Sunday: Early Social Realism in Post-War British Cinema. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34583/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Submission in fulfilment of Masters by Research University of Huddersfield 2016 It Always Rains on Sunday: Early Social Realism in Post-War British Cinema Alistair Billam Contents Introduction ............................................................................................................................................ 3 Chapter 1: Ealing and post-war British cinema. ................................................................................... 12 Chapter 2: The community and social realism in It Always Rains on Sunday ...................................... 25 Chapter 3: Robert Hamer and It Always Rains on Sunday – the wider context. -
Filmworks Brochure
filmworks is designed with star quality – inspired by the past, celebrating the future Ealing’s Thrilling New Lifestyle Quarter Computer-generated images are indicative only. Page 01 picture this IN TUNE WITH EALING’S HISTORY, THE STAR OF FILMWORKS WILL BE THE EIGHT-SCREEN PICTUREHOUSE CINEMA, TOGETHER WITH PLANET ORGANIC’S FRESH AND NATURAL PRODUCE, AND VAPIANO’S DELIGHTFUL ITALIAN MENU. Eat well, live better, thanks to Planet Organic. Dine and enjoy the freshly prepared food at Vapiano before heading to the movies. Filmworks offers an adventurous mix of shops, restaurants and bars; all perfectly located around a central and open piazza. Page 02 Lifestyle images are indicative only. Page 04 Computer-generated image is indicative only. Hollywood stars Audrey Hepburn, Humphrey Bogart and William Holden were a few of the big dazzling names to step foot in Ealing Studios. history THE FORUM CINEMA OPENED IN 1934 WITH ‘LIFE, LOVE AND LAUGHTER’. A COMEDY FILMED METRES AWAY, AT THE WORLD- FAMOUS EALING STUDIOS. The old cinema façade in 1963. Designed by John Stanley Beard, the old cinema’s classical colonnades create a grand entrance to the Filmworks quarter. Remarkably, the cinema building was relatively new compared to Ealing Studios, built in 1902. The frst of its kind, with classics like The Ladykillers and recent successes The Theory of Everything and Downton Abbey, it is synonymous with the British flm industry. Passport to Pimlico A 1949 British comedy starring Stanley Holloway in which a South London Street declares its independence. The Ladykillers A classic Ealing comedy starring Alec Guinness who becomes part of a ragtag criminal gang that runs into trouble when their landlady discovers there’s more to their string quartet than meets the eye. -
COM FT 316 Syllabus SP13
Boston University Study Abroad London British Film and TV Since 1960 COM FT 316 (Core Course) Spring 2013 Instructor Information A. Name Dr Christine Fanthome and Dr Nick Haeffner Course Description This course aims to provide students with an overview of media in Britain within a social context. Special emphasis is placed on the relationship between media, citizenship and democracy in the context of post-War British society. Consideration will also be given to the relationship between British and US media culture. Methodology Each teaching session will involve a lecture, illustrative material and a class discussion based on the set reading. Students should absorb as much film and television as they can out of class in order to participate fully in seminar discussions. **Please note: no laptops to be used in class. Course Objectives By the end of the course students will able to: • Understand the cultural context of British film and TV since the 1960s. • Show awareness of the international economic underpinnings of these industries • Consider the role of politics in media production, distribution and consumption • Show awareness of historical controversies surrounding British film and TV’s relationship to the US • Conduct their own research in the field Textbooks/Supplies You can read selected chapters online at https://lms.bu.edu (you must be logged in using your Kerberos username/password to view materials). Assessment Essay 50% graded (by Dr Christine Fanthome) Exam 50% graded (by Dr Nick Haeffner) Report: This should consist of a 2,000-word essay on a topic covered in class (details to follow from Dr Fanthome). -
Set in Scotland a Film Fan's Odyssey
Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor. -
Syd Pearson | BFI Syd Pearson
23/11/2020 Syd Pearson | BFI Syd Pearson Save 0 Filmography Show less 1971 Creatures the World Forgot Special Effects 1969 Desert Journey Special Effects 1969 Autokill Special Effects 1966 The Heroes of Telemark [Special Effects] 1965 The Secret of Blood Island Special Effects 1965 The Brigand of Kandahar Special Effects 1964 The Long Ships Special Effects 1964 The Gorgon Special Effects 1962 In Search of the Castaways Special Effects 1960 The Brides of Dracula Special Effects 1959 Too Many Crooks [Special Processes] 1959 North West Frontier Special Effects 1959 The Hound of the Baskervilles Special Effects 1959 Ferry to Hong Kong Special Effects 1958 Dracula Special Effects 1957 The Steel Bayonet Special Effects 1957 Campbell's Kingdom Special Effects 1956 The Ladykillers Special Effects 1956 House of Secrets Special Processes (uncredited) 1956 Reach for the Sky Models (uncredited) 1955 Out of the Clouds Special Effects 1955 The Ship That Died of Shame Special Effects 1955 The Night My Number Came Up Special Effects 1955 Touch and Go Special Effects 1954 The Love Lottery Special Effects 1954 The 'Maggie' Special Effects https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 1/2 23/11/2020 Syd Pearson | BFI 1953 The Cruel Sea Special Effects 1953 The Titfield Thunderbolt Special Effects 1952 His Excellency Special Effects 1952 Mandy [Special Effects] 1952 I Believe in You Special Effects (uncredited) 1952 The Gentle Gunman Special Effects 1952 Secret People Special Effects 1951 Pool of London Special Effects 1951 The Man in the White Suit Special Effects 1951 The Lavender Hill Mob Special Effects 1950 Cage of Gold Special Effects 1950 Dance Hall Special Effects 1950 The Magnet Special Effects 1949 Kind Hearts and Coronets Special Effects 1949 Train of Events Special Effects 1949 Whisky Galore! Special Effects 1948 Scott of the Antarctic Special Effects 1947 The October Man [Stage Effects] [Model Miniatures] 1947 Black Narcissus [Synthetic Pictorial Effects] https://www2.bfi.org.uk/films-tv-people/4ce2baabc6ce7 2/2. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
Index to Volume 29 January to December 2019 Compiled by Patricia Coward
THE INTERNATIONAL FILM MAGAZINE Index to Volume 29 January to December 2019 Compiled by Patricia Coward How to use this Index The first number after a title refers to the issue month, and the second and subsequent numbers are the page references. Eg: 8:9, 32 (August, page 9 and page 32). THIS IS A SUPPLEMENT TO SIGHT & SOUND SUBJECT INDEX Film review titles are also Akbari, Mania 6:18 Anchors Away 12:44, 46 Korean Film Archive, Seoul 3:8 archives of television material Spielberg’s campaign for four- included and are indicated by Akerman, Chantal 11:47, 92(b) Ancient Law, The 1/2:44, 45; 6:32 Stanley Kubrick 12:32 collected by 11:19 week theatrical release 5:5 (r) after the reference; Akhavan, Desiree 3:95; 6:15 Andersen, Thom 4:81 Library and Archives Richard Billingham 4:44 BAFTA 4:11, to Sue (b) after reference indicates Akin, Fatih 4:19 Anderson, Gillian 12:17 Canada, Ottawa 4:80 Jef Cornelis’s Bruce-Smith 3:5 a book review; Akin, Levan 7:29 Anderson, Laurie 4:13 Library of Congress, Washington documentaries 8:12-3 Awful Truth, The (1937) 9:42, 46 Akingbade, Ayo 8:31 Anderson, Lindsay 9:6 1/2:14; 4:80; 6:81 Josephine Deckers’s Madeline’s Axiom 7:11 A Akinnuoye-Agbaje, Adewale 8:42 Anderson, Paul Thomas Museum of Modern Art (MoMA), Madeline 6:8-9, 66(r) Ayeh, Jaygann 8:22 Abbas, Hiam 1/2:47; 12:35 Akinola, Segun 10:44 1/2:24, 38; 4:25; 11:31, 34 New York 1/2:45; 6:81 Flaherty Seminar 2019, Ayer, David 10:31 Abbasi, Ali Akrami, Jamsheed 11:83 Anderson, Wes 1/2:24, 36; 5:7; 11:6 National Library of Scotland Hamilton 10:14-5 Ayoade, Richard -
Sammy Going South
Sammy Going South ( US = “A Boy Ten Feet Tall” ) UK : 1963 : dir. Alexander Mackendrick : British Lion / Seven Arts : 128 min prod: Hal Mason : scr: Denis Cannan : dir.ph.: Erwin Hillier Fergus McClelland ………….………………………………………………………………………… Edward G Robinson; Constance Cummings; Harry H Corbett; Paul Stassino; Zia Moyheddin; Zena Walker; Orlando Martins; John Turner; Jack Gwillim; Patricia Donahue; Jared Allen; Guy Deghy; Frederick Schiller; Swaleh; Tajiri; Faith Brown Ref: Pages Sources Stills Words Ω Copy on VHS Last Viewed 3253b 6½ 13 7 2,777 Yes May 2001 The doctor gives Sammy a few pointers on his way… Source: The Moving Picture Boy Leonard Maltin’s Movie and Video Guide Halliwell’s Film Guide review: review: “A 10-year old boy is orphaned in Port Said and “Colourful, charming film about orphaned boy hitch-hikes to his aunt in Durban. travelling through Africa alone to reach his Disappointing family-fodder epic in which the Aunt, who lives in Durban. Cut to 88 minutes mini-adventures follow each other too for American release, footage was restored for predictably.” the TV print. *** ” Speelfilm Encyclopedie review - identical to above Edward G Robinson, reeling under the name of “Cocky Wainwright”, lends a human dimension to an otherwise bland travelogue. Source: Films & Filming May 63 Movies on TV and Videocassette 1988-89 review: The Time Out Film Guide review: “Nice family entertainment, thanks to the “While widely regarded as an example of exotic locale and a good human interest story of Mackendrick’s decline after the masterpiece a young lad trying to cross Africa alone to reach that was "SWEET SMELL OF SUCCESS", this his aunt.