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Home , Edward Steichen, Mary Calderone, The Family of Man

Bibliographie – https://www.uni-trier.de/index.php?id=14498 (T-)

Adam, Thomas and Will Kaufman, ed. Germany and the Americas: Culture, Politics, and History: a Multidisciplinary Encyclopedia. Vol 1. Santa Barbara, 2005 (ATG) Alexander, Stuart. " and Edward Steichen." Looking in: Robert Frank's The . Ed. Sarah Greenough. Göttingen, 2009 (ASR) Alinder, Mary Street. Group f.64: Edward Weston, , Imogen Cunningham, and the Community of Artists Who Revolutionized American . London, 2014 (AME) Aloi, Giovanni. Art and Animals. London, 2011 (AGA) Anon., "Harry Callahan." Press Release MoMA 1976 URL: https://www.moma.org/momaorg/shared/pdfs/docs/press_archives/5451/releases/MOMA_19 76_0111_94.pdf 3. 11. 2018 (AHC) --: "Mrs. Sandburg with Goats at Connemara." URL: https://www.nps.gov/museum/exhibits/carl/home/workHabits/CARL12732MrsSandburgGoat s.html 11. 6. 2019 (ASG) --: "Mary Steichen Calderone." Vassar Encyclopedia. URL: http://vcencyclopedia.vassar.edu/alumni/mary-steichen-calderone.html 11. 6. 2019 (AMS) Auer, Anna. "Voyager between the Art Worlds. Allan Porter in Interview with Anna Auer." European Society for the History of Photography (2012): 1-24. URL: http://www.eshph.org/wp- content/uploads/2015/12/allan_porter_in_interview_with_anna_auer.pdf 7. 10. 2017 (AAI) Azoulay, Ariella. "'': A Visual Universal Declaration of Human Rights." The Human Snapshot. Ed. Thomas Keenan and Tirdad Zolghadr. Berlin, 2013, 19-48 (AAF) --: "Photography Is Not Served: The Family of Man and The Human Condition." Documentary Across Disciplines. Ed. Erika Balsom and Hila Peleg. Cambridge, 2016, 110-141 (AAP) Barboza, Anthony, Herb Robinson, and Vincent Alabiso, ed. Timeless. Photographs by Kamoinge. Atglen, 2015 (BAK) Barthes, Roland. Mythen des Alltags. Frankfurt, 1964 (BRM) --: "The Photographic Message." Image/Music/Text. Transl. Stephen Heath. New York, 1977, 15-31 (BRP) Beaton, Cecil and Gail Buckland. The Magic Image. The Genius of Photography from 1839 to the Present Day. Boston, 1975 (BCM) Benjamin, Walter. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. Frankfurt, 1963 (BWK) Berlier, Monique. "'The Family of Man': Readings of an Exhibition." Picturing the Past: Media, History & Photography. Ed. Bonnie Brennen and Hanno Hardt. Urbana, 1999, 206-241 (BMF) Bezner, Lili. Photography and Politics in America: From the New Deal into the . Baltimore, 1999 (BLP) Bezzola, Tobia. "Lights Going All Over the Place," Edward Steichen: In High Fashion. The Condé Nast Years, 1923-1937. Ed. Todd Brandow and William A. Ewing. New York, 2007, 187-197 (BTL) Böger, Astrid. People's Lives, Public Images: The New Deal Documentary Aesthetic. Tübingen, 2001 (BAP) Capa, Cornelle. Concerned Photographer 2. New York, 1973 (CCP) Colby, Vineta, ed. World Authors, 1975-1980. New York, 1985 (CVW) Coleman, A.D. "Steichen und kein Ende. Das Vermächtnis einer Ikone." Edward Steichen: Ein Leben für die Fotografie. Ed. Brandow, Todd und William A. Ewing. Ostfildern 2007, 275- 289 (CAS) 2 Conrad, Daniel. "Das Steichen-Dilemma." Luxemburger Wort – Die Warte. 14. Juni 2018, 6-8 (CDS) Cookman, Claude Hubert. American Photojournalism: Motivations and Meanings. Evanston, 2009 (CCA) Crunden, Robert Morse. American Salons: Encounters with European , 1885-1917. Oxford, 1993 (CRA) Drohojowska-Philp, Hunter. Full Bloom: The Art and Life of Georgia O'Keeffe. New York, 2004 (DHF). Duberman, Martin. Paul Robeson: A Biography. New York, 2014 (DMP) Enzensberger, Hans Magnus. Enzensbergers Panoptikum. Frankfurt, 2012 (EHP) Fenton, James. Leonardo's Nephew: Essays on Art and Artists. , 2000 (FJL) Fineman, Mia. Faking It: Manipulated Photography before Photoshop. New York, 2012 (FMF) Finnegan, Cara A. Picturing Poverty: Print Culture and FSA Photographs. Washington, D.C., 2003 (FCP) Frothingham, Paul. "The Mysticism of Maeterlinck." Harvard Theological Review (1912): 251- 268 (FPM) Galassi, Peter. Roy DeCarava. A Retrospective. New York, 1996 (GPR) Gedrim, Ronald J. "Edward Steichen's 1936 Exhibition of Delphinium Blooms." History of Photography 17 (1993): 352–363 (GRD) Gessert, George. Green Light: Toward an Art of Evolution. Cambridge, 2012 (GGL) Giry, Stéphanie. "An Odd Bird." Legal Affairs Sept/Oct 2002. URL: http://www.legalaffairs.org 14. 5. 2018 (GSO) Grundberg, Andy. Brodovitch. New York, 1989 (GAB) Guittard, Jacqueline. "Impressions photographiques: les Mythologies de Roland Barthes." Littérature 143 (2006): 114-134 (GJI) Hambourg, Maria Morris. . Circa 1916. New York, 1998 (HMP) Hess, Heather. "The Lure of Vienna: Poiret and the Wiener Werkstätte." In: Poiret. Hg. Harold Koda und Andrew Bolton. New York, 2007, 39–40 (HHL) Hill, Paul, and Thomas Cooper, ed., Dialogue with Photography. New York, 1979 (HPD) Homberger, Eric. "J. P. Morgan's Nose: Photographer and Subject in American Portrait Photography." The Portrait in Photography. Ed. Graham Clarke. London, 1992, 115-131 (HEJ) Hurm, Gerd. "Die Rhetorik des Details: Barthes, Brecht und die epochale Fotoausstellung The Family of Man." Grenzen & Gestaltung. Hg. Nikolas Immer et al. Trier 2015, 323-331. URL: http://www.schwarz-auf-weiss.org/ 3. 5. 2019 (HGB) -: "Edward Steichen: The 'Lëtzebuerger Jong' who Brought Modernism to the New World". The Steichen Bequest. Edward Steichen’s Photographs in the Collection of the National Museum of History and Art . Hg. Malgorzata Nowara et al. London, 2019. Im Druck (HGL) -: "The Family of Man (1848/1955): Feminist Foremothers, Women’s Rights, and Human Rights". The State of Human Rights. Ed. Kerstin Schmidt et al. Heidelberg, 2019. Im Druck, MS 1-28 (HGW) Illies, Florian. 1913: Der Sommer des Jahrhunderts. Frankfurt, 2012 (IFS) James, Sarah. Common Ground: German Photographic Cultures Across the Iron Curtain. New Haven, 2013 (JSC) Johnston, Patricia. "Art and Commerce: The Challenge of Modernist Advertising Photography." Cultures of Commerce: Representation and American Business Culture, 1877-1960. Ed. Elspeth H. Brown et al. London, 2006, 91-113 (JPA) Karman, James, ed. The Collected Letters of Robinson Jeffers, with Selected Letters of Una Jeffers: Volume Two, 1931–1939. Stanford, 2011 (KJC) Krieps, Rosch. Humanheit: The Family of Man richtig verstehen. Dudelange 2005 (KRH) 3 Kroes, Rob. Photographic Memories: Private Pictures, Public Images, and American History. Hanover, 2007 (KRP) Linfield, Susie. The Cruel Radiance. Chicago, 2010 (LSC) Lubin, David M. Flags and Faces: The Visual Culture of America's First World War. Berkeley, 2015 (LDF). Lugon, Olivier. "Edward Steichen: ein Ausstellungsdesigner weist den Weg." Edward Steichen: Ein Leben für die Fotografie. Ed. Brandow, Todd und William A. Ewing. Ostfildern 2007, 267-273 (LOE) Maeterlinck, Maurice. Die Intelligenz der Blumen. Jena, 1907 (MMI) Marchessault, Janine. Ecstatic Worlds: Media, Utopias, Ecologies. Cambridge, MA, 2017 (MJE) Marien, Mary Warner. Photography: A Cultural History. London, 2006 (MMP) Marter, Joan M. The Grove Encyclopedia of American Art, Band 1. Oxford, 2011 (MJG) Mason, John Edwin. "A Photographer Who Captured the Complexity of Black Life in Lyrical Ways." Hyperallergic, 24. Juni 2016, URL: https://hyperallergic.com/307286/a- photographer-who-captured-the-complexity-of-black-life-in-lyrical-ways/ 4. 6. 2019 (MJP) McCauley, Anne. "Edward Steichen." and America. Washington, D.C. 2000, 55-69 (MCE) McEuen, Melissa A. Seeing America: Between the Wars. Lexington, 2000 (MMS) Meister. Sarah. "Thanks to The Family of Man Fund." 15. Dezember 2015, URL: https://www.moma.org/explore/inside_out/2015/12/15/thanks-to-the-family-of-man- fund/?l=/visit/infoplans/ 19. 2. 2019 (MST) Mihailic, Alicia. " and Sartorial : A Poetic Response to at the Turn of the Twentieth Century." Culture, Costume and Dress: The Proceedings of the 1st International Conference, Ed. Anne Boultwood and Sian Hindle. Willenhall, 2018, 65-68 (MAP) Millstein, Barbara Head, and Sarah M. Lowe. : An American Photographer. Seattle, 1992 (MBC) Natanson, Nicholas. The Black Image in the New Deal: The Politics of the FSA Photography. Knoxville, 1992 (NNB) Naumann, Francis M., ed. Marius de Zayas. How, When, and Why Modern Art Came to New York. Cambridge, 1998 (NFM) -: Conversion to Modernism: The Early Work of Man Ray. New Brunswick, 2003 (NFC) Nehring, Holger. Politics of Security: British and West German Protest Movements and the Early Cold War, 1945-1970. Oxford, 2013 (NHP) Norman, Dorothy. . An American Seer. New York, 1973 (NDA) Olonetzky, Nadine. Ein Amerikaner in Luzern. Allan Porter und Camera - eine Biografie. Luzern, 2007 (ONA) Parks, Gordon. A Hungry Heart: A Memoir. New York, 2005 (PGH) Parsons, Melinda Boyd. "Moonlight on Darkening Ways": Concepts of Nature and the Artist in Edward and Lilian Steichen's Socialism." American Art 11 (1997): 68-87 (PMM) Peoples Artists, Sing Out! Volume 10, 1960 (PAS) Phillips, Christopher. Steichen at War. New York: H.N. Abrams, 1981 (PCS) -: "The Judgment Seat of Photography." October 22 (1982): 27-63 (PCJ) Porter, Allan, ed. Camera 52 (Juni 1973): 43. (PAC) Pusey, Merlo J. Eugene Meyer. New York, 1974 (PME) Raeburn, John. A Staggering Revolution: A Cultural History of Thirties Photography. Chicago: University of Illinois Press, 2006 (RJS) Rasula, Jed. History of a Shiver: The Sublime Impudence of Modernism. New York, 2016 (RJH) 4 Roberts, John. The Art of Interruption: Realism, Photography, and the Everyday. Manchester, 1998 (RJA) Roberts, Pamela. Alfred Stieglitz. . The Complete Photographs 1903–1917. Köln, 2009 (RPA) Runge, Evelyn. John Steinbeck, und die Große Depression: Sozialkritik in Literatur und Fotografie. München, 2006 (REJ) Sandburg, Helga. A Great and Glorious Romance: The Story of and Lilian Steichen. New York, 1978 (SHG) Sandburg, Margaret, ed. The Poet and the Dream Girl: The Love Letters of Lilian Steichen and Carl Sandburg. Urbana, 1987 (SMP) Saretzky, Gary D. U.S. Camera: A Thomas J. Maloney Chronology. Text for article published with illustrations in The Photo Review, 26:4/27:1, 2004. 12 Oct. 2016. URL: http://gary.saretzky.com/photohistory/Maloney_essay.pdf. 3. 3. 2018 (SGU) Scaduto, Anthony. Bob Dylan. London, 1996 (SAB) Sekula, Allan. Photography Against the Grain: Essays and Photo Works, 1973-1983. Halifax, Nova Scotia 1984 (SAP) Shloss, Carol. In Visible Light: Photography and the American Writer, 1840-1940. New York, 1987 (SCV) Shumard, Ann. "The Forgotten Fame of Florence Mills." URL: http://face2face.si.edu/my_weblog/2008/07/the-forgotten-fame-of-florence-mills.html 3. 6. 2017 (SAF) Silverberg, Carol. It just Occurred to Me. Wilton, 1981 (SCI). Solomon-Godeau, Abigail. "The Family of Man. Refurbishing Humanism for a Postmodern Age." The Family of Man 1955-2001: Humanism and . 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New York, 2004. 493-509 (TDV) Timberman, Elizabeth. "Editorial" Photo Notes (April 1942): 1 (TEP) This is Edward Steichen. Film. WCBS-TV 1965 (TES) Tuggle, Catherine. "Edward Steichen: War, History and Humanity." History of Photography 17, 4 (Winter 1993): 364-368 (TCW) Turner, Fred. The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties. Chicago: University of Chicago Press, 2013 (TFD) Updike, John. "The Steichens' Book of First Things." Steichen and Edward Steichen. The First Picture Book (1930), New York, 1991, 57-66 (UJS) Vaget, Hans Rudolf. , der Amerikaner: Leben und Werk im amerikanischen Exil, 1938-1952. Frankfurt, 2011 (VHT) 5 Völz, Johannes. Transcendental Resistance: The New Americanists and Emerson's Challenge. Lebanon, N.H., 2010 (VJT) Weissman, Terri. The Realisms of Berenice Abbott: Documentary Photography and Political Action. Berkeley, 2011 (WTR) Wilkes, Andrew. "A Conversation With Karl Lagerfeld (1991)." URL: https://aperture.org/blog/conversation-karl-lagerfeld/. 3. 6. 2019 (WAC) Willett, John, ed. Bertolt Brecht Journals, 1934-55. Diaries, Letters and Essays. London, 2016 (WJB) Wineapple, Brenda. Sister Brother: Gertrude and Leo Stein. Lincoln, 2008 (WBS) Yanella, Philip. The Other Carl Sandburg. Jackson, 1996 (YPO) Yevtushenko, Yevgeny. Invisible Threads. London, 1981 (YYI) Zamir, Shamoon. "The Family of Man in Munich: Visitors' Reactions." The Family of Man Revisited. Ed. Hurm, Reitz, Zamir, 77-94 (ZSF) --: "Structures of Rhyme, Forms of Participation: The Family of Man as Exhibition." The Family of Man Revisited. Ed. Hurm, Reitz, Zamir, 133-158 (ZSS) Zorzi, Rosella Mamoli. Before Peggy Guggenheim: American Women Art Collectors. Venice, 2001 (ZRP)