Read Book the First Part of King Henry IV Ebook, Epub

Total Page:16

File Type:pdf, Size:1020Kb

Read Book the First Part of King Henry IV Ebook, Epub THE FIRST PART OF KING HENRY IV PDF, EPUB, EBOOK William Shakespeare,Herbert Weil,Judith Weil,Katharine A. Craik | 251 pages | 01 Dec 2007 | CAMBRIDGE UNIVERSITY PRESS | 9780521687430 | English | Cambridge, United Kingdom The First Part of King Henry IV PDF Book On the way to this climax, we are treated to Falstaff, who has "misused the King's press damnably", [5] not only by taking money from able- bodied men who wished to evade service but by keeping the wages of the poor souls he brought instead who were killed in battle "food for powder, food for powder". The King offers to pardon and free Hotspur if he will withdraw his opposition to the throne. As they are all drinking back at the tavern, however, a messenger arrives for Harry. However not all the rebels have been defeated Soon after being given grace by Hal, Falstaff states that he wants to amend his life and begin "to live cleanly as a nobleman should do". And is not a buff jerkin a most sweet robe of durance? Is there not my father, my uncle and myself? William Shakespeare. All rights reserved. Act V Falstaff fears for his death in battle and wonders about the wisdom in pursuing honour in exchange only for injury or death. Three knights upon our party slain to-day, A noble earl and many a creature else Had been alive this hour, If like a Christian thou hadst truly borne Betwixt our armies true intelligence. They take it already upon their salvation, that though I be but the prince of Wales, yet I am king of courtesy; and tell me flatly I am no proud Jack, like Falstaff, but a Corinthian, a lad of mettle, a good boy, by the Lord, so they call me, and when I am king of England, I shall command all the good lads in Eastcheap. They fight. Henry IV, Part 1 Shakespeare. What a pagan rascal is this! The play was Shakespeare's most popular printed text: new editions appeared in , , , , , , , and Henry needs a decisive victory here. What a frosty-spirited rogue is this! Harry and Poins, meanwhile, successfully carry out their plan to dupe Falstaff and have a great deal of fun at his expense. When Carey died on 22 July , the post of Lord Chamberlain was given to William Brooke, Lord Cobham, who definitely was not a friend to the players, and who withdrew what official protection they had enjoyed. Therefore, good cousin, let not Harry know, In any case, the offer of the king. Next there is the group of rebels, energetically embodied in Henry Percy "Hotspur" and including his father, the Earl of Northumberland and led by his uncle Thomas Percy, Earl of Worcester. And wouldst thou turn our offers contrary? He even kills Hotspur. It was only in the twentieth century that readers and performers began to see the central interest as the coming-of-age story of Hal, who is now seen as the starring role. Although Harry initially refuses to participate, Poins explains to him in private that he is actually playing a practical joke on Falstaff. Here comes your cousin. An old lord of the council rated me the other day in the street about you, sir, but I marked him not; and yet he talked very wisely, but I regarded him not; and yet he talked wisely, and in the street too. The trumpets sound. This makes him an object of scorn to the nobles and calls into question his royal worthiness. Meanwhile, Hal shows off his kingly mercy in praise of valour; having taken the valiant Douglas prisoner, Hal orders his enemy released without ransom. Worcester, Hotspur's ally, keeps the knowledge of the King's offer of freedom from Hotspur, and the battle of Shrewsbury ensues. The trumpet sounds. He even takes part in the robbery of travellers! I must give over this life, and I will give it over: by the Lord, and I do not, I am a villain: I'll be damned for never a king's son in Christendom. If only the King could swap sons with the Percies, he's fighting; Hotspur, the son of Henry Percy, Earl of Northumberland is by all accounts a brave, couageous soldier. The First Part of King Henry IV Writer If thou have power to raise him, bring him hither, And I'll be sworn I have power to shame him hence. William Shakespeare 's Henriad. Powerful rebel forces remain in Britain, however, so King Henry must send his sons and his forces to the far reaches of his kingdom to deal with them. I have forgot the map. It is also indicated in details in the early texts of Shakespeare's plays. The name change and the Epilogue disclaimer were required, it is generally thought, because of political pressure: the historical Oldcastle was not only a Protestant martyr, but a nobleman with powerful living descendants in Elizabethan England. An iambic pentameter verse line in Henry IV, Part 1 is irregular when using the name "Falstaff", but regular with "Oldcastle". Like Julius Caesar, the two sides exchange words before battle, the King hoping to avoid a bloody fight, offers a pardon to the rebels. They take it already upon their salvation, that though I be but the prince of Wales, yet I am king of courtesy; and tell me flatly I am no proud Jack, like Falstaff, but a Corinthian, a lad of mettle, a good boy, by the Lord, so they call me, and when I am king of England, I shall command all the good lads in Eastcheap. Are the indentures drawn? Within that space you may have drawn together Your tenants, friends and neighbouring gentlemen. O that it could be proved That some night-tripping fairy had exchanged In cradle-clothes our children where they lay, And call'd mine Percy, his Plantagenet! The play ends at Shrewsbury, after the battle. In the "coming-of-age" interpretation, Hal's acquaintance with Falstaff and the tavern lowlife humanises him and provides him with a more complete view of life. Ostler [Within] Anon, anon. My nephew's trespass may be well forgot; it hath the excuse of youth and heat of blood, And an adopted name of privilege, A hair-brain'd Hotspur, govern'd by a spleen: All his offences live upon my head And on his father's; we did train him on, And, his corruption being ta'en from us, We, as the spring of all, shall pay for all. Unless hours were cups of sack and minutes capons and clocks the tongues of bawds and dials the signs of leaping-houses and the blessed sun himself a fair hot wench in flame-coloured taffeta, I see no reason why thou shouldst be so superfluous to demand the time of the day. The rebels are completely beaten in the battle that follows, Hal even gaining honor on the battlefield by killing Hotspur, a man many thought would be the stronger of the two in battle. The Dering MS. Next there is the group of rebels, energetically embodied in Henry Percy "Hotspur" and including his father, the Earl of Northumberland and led by his uncle Thomas Percy, Earl of Worcester. How 'scapes he agues, in the devil's name? The First Part of King Henry IV Reviews Hal's chief friend and foil in living the low life is Sir John Falstaff. It was only in the twentieth century that readers and performers began to see the central interest as the coming-of-age story of Hal, who is now seen as the starring role. Take a Study Break. They call drinking deep, dyeing scarlet; and when you breathe in your watering, they cry 'hem! The name was changed to "Falstaff", based on Sir John Fastolf , an historical person with a reputation for cowardice at the Battle of Patay , and whom Shakespeare had previously represented in Henry VI, Part 1. Election Day is November 3rd! Harry decides that it is time to reform, and he vows that he will abandon his wild ways and vanquish Hotspur in battle in order to reclaim his good name. I must give over this life, and I will give it over: by the Lord, and I do not, I am a villain: I'll be damned for never a king's son in Christendom. Views Read Edit View history. Henry IV, Part 1 is a history play by William Shakespeare , believed to have been written no later than Hotspur is ordered to hand over the prisoners but refuses. Hotspur, learning this and the fact that Hal will fight beside the King ever courageously tries to find silver linings in an ever darkening cloud This makes him an object of scorn to the nobles and calls into question his royal worthiness. The play ends at Shrewsbury, after the battle. Unless hours were cups of sack and minutes capons and clocks the tongues of bawds and dials the signs of leaping-houses and the blessed sun himself a fair hot wench in flame-coloured taffeta, I see no reason why thou shouldst be so superfluous to demand the time of the day. Falstaff is also an extraordinarily witty person who lives with great gusto. What think you, coz, Of this young Percy's pride? Score a pint of bastard in the Half-Moon,' or so. I do not need your help: And God forbid a shallow scratch should drive The Prince of Wales from such a field as this, Where stain'd nobility lies trodden on, and rebels' arms triumph in massacres! The northern troops have been unable to reach Hotspur and Worcester, one of Hotspur's fellow rebels.
Recommended publications
  • A Dull Soldier and a Keen Guest: Stumbling Through the Falstaffiad One Drink at a Time
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2017 A Dull Soldier and a Keen Guest: Stumbling Through The Falstaffiad One Drink at a Time Emma Givens Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Dramatic Literature, Criticism and Theory Commons, and the Theatre History Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/4826 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Emma Givens 2017 All rights reserved A Dull Soldier and a Keen Guest: Stumbling Through The Falstaffiad One Drink at a Time A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Emma Pedersen Givens Director: Noreen C. Barnes, Ph.D. Director of Graduate Studies Department of Theatre Virginia Commonwealth University Richmond, Virginia March, 2017 ii Acknowledgement Theatre is a collaborative art, and so, apparently, is thesis writing. First and foremost, I would like to thank my grandmother, Carol Pedersen, or as I like to call her, the world’s greatest research assistant. Without her vast knowledge of everything Shakespeare, I would have floundered much longer. Thank you to my mother and grad-school classmate, Boomie Pedersen, for her unending support, my friend, Casey Polczynski, for being a great cheerleader, my roommate, Amanda Long for not saying anything about all the books littered about our house and my partner in theatre for listening to me talk nonstop about Shakespeare over fishboards.
    [Show full text]
  • War of Roses: a House Divided
    Stanford Model United Nations Conference 2014 War of Roses: A House Divided Chairs: Teo Lamiot, Gabrielle Rhoades Assistant Chair: Alyssa Liew Crisis Director: Sofia Filippa Table of Contents Letters from the Chairs………………………………………………………………… 2 Letter from the Crisis Director………………………………………………………… 4 Introduction to the Committee…………………………………………………………. 5 History and Context……………………………………………………………………. 5 Characters……………………………………………………………………………….. 7 Topics on General Conference Agenda…………………………………..……………. 9 Family Tree ………………………………………………………………..……………. 12 Special Committee Rules……………………………………………………………….. 13 Bibliography……………………………………………………………………………. 14 Letters from the Chairs Dear Delegates, My name is Gabrielle Rhoades, and it is my distinct pleasure to welcome you to the Stanford Model United Nations Conference (SMUNC) 2014 as members of the The Wars of the Roses: A House Divided Joint Crisis Committee! As your Wars of the Roses chairs, Teo Lamiot and I have been working hard with our crisis director, Sofia Filippa, and SMUNC Secretariat members to make this conference the best yet. If you have attended SMUNC before, I promise that this year will be even more full of surprise and intrigue than your last conference; if you are a newcomer, let me warn you of how intensely fun and challenging this conference will assuredly be. Regardless of how you arrive, you will all leave better delegates and hopefully with a reinvigorated love for Model UN. My own love for Model United Nations began when I co-chaired a committee for SMUNC (The Arab Spring), which was one of my very first experiences as a member of the Society for International Affairs at Stanford (the umbrella organization for the MUN team), and I thoroughly enjoyed it. Later that year, I joined the intercollegiate Model United Nations team.
    [Show full text]
  • King and Country: Shakespeare’S Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company
    2016 BAM Winter/Spring #KingandCountry Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board BAM, the Royal Shakespeare Company, and Adam E. Max, Vice Chairman of the Board The Ohio State University present Katy Clark, President Joseph V. Melillo, Executive Producer King and Country: Shakespeare’s Great Cycle of Kings Richard II • Henry IV Part I Henry IV Part II • Henry V Royal Shakespeare Company BAM Harvey Theater Mar 24—May 1 Season Sponsor: Directed by Gregory Doran Set design by Stephen Brimson Lewis Global Tour Premier Partner Lighting design by Tim Mitchell Music by Paul Englishby Leadership support for King and Country Sound design by Martin Slavin provided by the Jerome L. Greene Foundation. Movement by Michael Ashcroft Fights by Terry King Major support for Henry V provided by Mark Pigott KBE. Major support provided by Alan Jones & Ashley Garrett; Frederick Iseman; Katheryn C. Patterson & Thomas L. Kempner Jr.; and Jewish Communal Fund. Additional support provided by Mercedes T. Bass; and Robert & Teresa Lindsay. #KingandCountry Royal Shakespeare Company King and Country: Shakespeare’s Great Cycle of Kings BAM Harvey Theater RICHARD II—Mar 24, Apr 1, 5, 8, 12, 14, 19, 26 & 29 at 7:30pm; Apr 17 at 3pm HENRY IV PART I—Mar 26, Apr 6, 15 & 20 at 7:30pm; Apr 2, 9, 23, 27 & 30 at 2pm HENRY IV PART II—Mar 28, Apr 2, 7, 9, 21, 23, 27 & 30 at 7:30pm; Apr 16 at 2pm HENRY V—Mar 31, Apr 13, 16, 22 & 28 at 7:30pm; Apr 3, 10, 24 & May 1 at 3pm ADDITIONAL CREATIVE TEAM Company Voice
    [Show full text]
  • Geoffrey Wheeler
    Ricardian Bulletin Magazine of the Richard III Society ISSN 0308 4337 March 2012 Ricardian Bulletin March 2012 Contents 2 From the Chairman 3 Society News and Notices 9 Focus on the Visits Committee 14 For Richard and Anne: twin plaques (part 2), by Geoffrey Wheeler 16 Were you at Fotheringhay last December? 18 News and Reviews 25 Media Retrospective 27 The Man Himself: Richard‟s Religious Donations, by Lynda Pidgeon 31 A new adventure of Alianore Audley, by Brian Wainwright 35 Paper from the 2011 Study Weekend: John de la Pole, earl of Lincoln, by David Baldwin 38 The Maulden Boar Badge, by Rose Skuse 40 Katherine Courtenay: Plantagenet princess, Tudor countess (part 2), by Judith Ridley 43 Miracle at Denny Abbey, by Lesley Boatwright 46 Caveat emptor: some recent auction anomalies, by Geoffrey Wheeler 48 The problem of the gaps (from The Art of Biography, by Paul Murray Kendall) 49 The pitfalls of time travelling, by Toni Mount 51 Correspondence 55 The Barton Library 57 Future Society Events 59 Branches and Groups 63 New Members and Recently Deceased Members 64 Calendar Contributions Contributions are welcomed from all members. All contributions should be sent to Lesley Boatwright. Bulletin Press Dates 15 January for March issue; 15 April for June issue; 15 July for September issue; 15 October for December issue. Articles should be sent well in advance. Bulletin & Ricardian Back Numbers Back issues of The Ricardian and the Bulletin are available from Judith Ridley. If you are interested in obtaining any back numbers, please contact Mrs Ridley to establish whether she holds the issue(s) in which you are interested.
    [Show full text]
  • Nicholas Hilliard (1547–1619) Henry Percy, 9Th Earl of Northumberland, C
    Nicholas Hilliard (1547–1619), Portrait of Henry Percy, Ninth Earl of Northumberland, c. 1594-5 Fig. 1. Nicholas Hilliard (1547–1619) Portrait of Henry Percy, Ninth Earl of Northumberland, c. 1594-1595, miniature on parchment, 25.7 x 17.3 cm (slightly small than A4), Rijksmuseum, Amsterdam. 1. Introduction, Patronage, Dates, Description, Related Works 2. Melancholia, Panofsky, Dürer, Four Humours 3. Impresa, Archimedes, Galileo, „Tanti‟ 4. Secret Knowledge, School of Night, Square 5. Conclusion This article can be downloaded from http://www.shafe.co.uk/art/Northumberland.pdf 1 of 8 pages 1. Introduction Patronage This is arguably the most cryptic Tudor cabinet miniature. It is likely that is was commissioned by Henry Percy the Ninth Earl of Northumberland (1564-1632), a well known Elizabethan intellectual and cultural figure. He was known as the ‗Wizard Earl‘ because of his scientific and alchemical experiments and his large library. In 1594 Henry Percy married Dorothy Devereux sister of Robert Devereux, Second Earl of Essex. His southern estates were Petworth and Syon House, the latter he acquired through his marriage to Dorothy Devereux. He was a non-Catholic but argued for Catholic toleration and tried to negotiate with James VI of Scotland to reduce Catholic persecution when he became king of England. This did not happen and Henry‘s second cousin and agent Thomas Percy became one of the five conspirators in the Gunpowder Plot of 1605. As a result Henry Percy suspected of complicity and spent the next 17 years in the Tower of London and was financially ruined by a fine of £30,000.
    [Show full text]
  • 1587 Edition of Holinshed's Chronicles of England, Scotland, and Ireland in Th
    1587 edition of Holinshed’s Chronicles of England, Scotland, and Ireland http://www.english.ox.ac.uk/holinshed/index.php In the king’s absence, whilst he was forth of the realm in Scotland against his enemies, Welshmen took occasion to rebel under the conduct of their captain Owen Glendower, doing what mischief they could devise, unto their English neighbors. The king advertised of such rebellious exploits, enterprised by the said Owen, and his unruly accomplices, determined to chastise them, as disturbers of his peace, and so with an army entered into Wales; but the Welshmen with their captain withdrew into the mountains of Snowdon, so to escape the revenge, which the king meant towards them. The king therefore did much hurt in the countries with fire and sword, slaying diverse that with weapon in hand came forth to resist him, and so with a great bootie of beasts and cattle he returnd. Owen Glendower and his Welshmen did much hurt to the king’s subjects. One night as the king was going to bed, he was in danger to have been destroyed; for some naughty traitorous persons had conveyed into his bed a certain iron made with smiths craft, like a caltrop, with three long pricks, sharp and small, standing upright, in such sort, that when he had laid him down, & that the weight of his body should come upon the bed, he should have been thrust in with those pricks, and peradventure slain: but as God would, the king not thinking of any such thing, chanced yet to féele and perceive the instrument before he laid him down, and so escaped the danger.
    [Show full text]
  • Iowa State Journal of Research 56.1
    IOWA STATE JOURNAL OF RESEARCH I MAY, 1982 4'3 -439 Vol. 56, No. 4 IOWA STATE JOURNAL OF RESEARCH TABLE OF CONTENTS Volume 56 (August, 1981-May, 1982) No. 1, August, 1981 ASPECTS IN RENAISSANCE SCHOLARSHIP PAPERS PRESENTED AT "SHAKESPEARE AND HIS CONTEMPORARIES" SYMPOSIUM, 1981 From the Editors. 1 GALYON, L. R. Introduction...................... ...... 5 BEVINGTON, D. M. "Why Should Calamity Be Full of Words?" The Efficacy of Cursing in Richard III . 9 ANDERSON, D. K., Jr. The King's Two Rouses and Providential Revenge in Hamlet . 23 ONUSKA, J. T., Jr. Bringing Shakespeare's Characters Down to Earth: The Significance of Kneeling . 31 MULLIN, M. Catalogue-Index to Productions of the Shakespeare Memorial/Royal Shakespeare Theatre, 1879-1978 . 43 SCHAEFER, A. J. The Shape of the Supernatitral: Fuseli on Shakespeare. 49 POAGUE, L. "Reading" the Prince: Shakespeare, Welles, and Some Aspects of Chimes at Midnight . 57 KNIGHT, W. N. Equity in Shakespeare and His Contemporaries. 67 STATON, S. F. Female Transvestism in Renaissance Comedy: "A Natural Perspective, That Is and Is Not" . 79 IDE, R. S. Elizabethan Revenge Tragedy and the Providential Play-Within-a-Play. 91 STEIN, C.H. Justice and Revenge in The Spanish Tragedy... 97 * * * * * * * * * * No. 2, November, 1981 From the Editors.. ... 105 TABLE OF CONTENTS PUHL, J. Forearm liquid crystal thermograms during sustained and rhythmic handgrip contractions . 107 COUNTRYMAN, D. W. and D. P. KELLEY. Management of existing hardwood stands can be profitable for private woodland owners....... .... 119 MERTINS, C. T. and D. ISLEY. Charles E. Bessey: Botanist, educator, and protagonist . 131 HELSEL, D. B.
    [Show full text]
  • King Henry IV, Part One Reader 1
    King Henry IV, Part One Reader 1 1.1. 1.2.: Prince Henry of Wales (Hal) 1.3. 2.1. 2.2.: Prince Henry of Wales (Hal) 2.3. 2.4.: Prince Henry of Wales (Hal) 3.1. 3.2.: Prince Henry of Wales (Hal) 3.3.: Prince Henry of Wales (Hal) 4.1. 4.2.: Prince Henry of Wales (Hal) 4.3. 4.4. 5.1.: Prince Henry of Wales (Hal) 5.2. 5.3.: Prince Henry of Wales (Hal) 5.4.: Prince Henry of Wales (Hal) 5.5.: Prince Henry of Wales (Hal) King Henry IV, Part One Reader 1 of 11 © shakespeareteacher.com King Henry IV, Part One Reader 2 1.1. 1.2.: Sir John Falstaff 1.3. 2.1. 2.2.: Sir John Falstaff 2.3. 2.4.: Sir John Falstaff 3.1. 3.2. 3.3.: Sir John Falstaff 4.1. 4.2.: Sir John Falstaff 4.3. 4.4. 5.1.: Sir John Falstaff 5.2. 5.3.: Sir John Falstaff 5.4.: Sir John Falstaff 5.5. King Henry IV, Part One Reader 2 of 11 © shakespeareteacher.com King Henry IV, Part One Reader 3 1.1. 1.2.: Poins 1.3. 2.1. 2.2.: Poins 2.3. 2.4.: Poins 3.1.: Edmund Mortimer (Earl of March) 3.2. 3.3. 4.1.: Archibald (Earl of Douglas) 4.2. 4.3.: Archibald (Earl of Douglas) 4.4. 5.1. 5.2.: Archibald (Earl of Douglas) 5.3.: Archibald (Earl of Douglas) 5.4.: Archibald (Earl of Douglas) 5.5. King Henry IV, Part One Reader 3 of 11 © shakespeareteacher.com King Henry IV, Part One Reader 4 1.1.
    [Show full text]
  • 1 William Worcester, the Boke of Noblesse, Ed. JG Nichols
    1 Reforming England’s ‘harde covetouse hert’: 1 William Worcester and the diagnosis of defeat. Catherine Halsey By 1450 the English had been defeated in battle at Formigny and had lost their lands in northern France, with the exception of Calais. In 1453 the Hundred Years War was effectively over. Inevitably, contemporaries attempted to diagnose the factors that had let to defeat. William Worcester offered a diagnosis in the Boke of Noblesse. Although the purpose of the Boke was to encourage and promote a new campaign in France, Worcester also sought to explain and assess the English defeat and to offer models of reform for the future conduct of the war. He conventionally attributed defeat to the nation’s ‘synne and wrecchidnes’ and, within this framework, he identified the particular faults of the nation which had led to divine disapproval. These faults were lack of prudence and governance ‘and havyng no consideracion to the comon wele, but rathir to magnifie and enriche oure silfe by singuler covetise’.2 He discussed the practical manifestations of lack of prudence with reference to the 1 William Worcester, The Boke of Noblesse, ed. J. G. Nichols (London, 1860), p. 84. 2 Worcester, Boke, p. 51. 2 truce of Tours of 1444 and the cession of Maine in 1448.1 Worcester identified ‘singuler covetise’ as responsible for the misconduct of captains who withheld wages from their men and thus caused them to mistreat the non-combatant. On one level, Worcester sought to encourage a new campaign in France. He did this by emphasising issues of lineal and national pride and by presenting the French war as the forum for chivalrous and noble deeds.
    [Show full text]
  • I1 ENGLISH RURAL LIFE in the FIFTEENTH CENTURY ISTORY Sometimes Has Scattered Poppy Without Merit
    I1 ENGLISH RURAL LIFE IN THE FIFTEENTH CENTURY ISTORY sometimes has scattered poppy without merit. H We know little of many who were once great in the earth, and still less of the life of the people in their times. The life of the past must be visualized by piecing together detached and scattered fragments from many sources. The result is a composite picture, not a portrait. It is only now and then that the student of history is able to penetrate be- hind the veil of obscurity and get glimpses of intimate per- sonal life and learn to know the men and women of the past with some degree of acquaintance. A rare opportunity to know English provincial life in the fifteenth century is afforded in that wonderful collection known as “The Paston Letters.” This familiar correspond- ence of a Norfolk family, whose position was that of small gentry, covers three generations in some of the most stirring years of English history. It was the age when England’s empire in France was wrested from her by Joan of Arc; the age when the white rose of York and the red rose of Lan- caster were dyed a common color on the battlefields of Barnet, Towton, Wakefield Heath, and Bosworth Field. It was the century of W’arwick the kingmaker, and Henry Tudor ; of Sir Thomas More’s birth and of Caxton’s “Game of Chess.” The intense human interest of these letters has command- ed the admiration of readers ever since John Fenn edited 116 Rural Life in XV Century England 117 them, or those then known, in 1787.
    [Show full text]
  • Owain's Revolt?
    Volume 2: Issue 1 Owain’s Revolt? Glyn Dŵr’s role in the outbreak of the rebellion. Published online: 15 May 2015 Gideon Brough Published by Cardiff University: ISSN 2055-4893 http://www.cardiff.ac.uk/share/research/ejournal/ !! ! ! STUDIES!IN!HISTORY!ARCHAEOLOGY!RELIGION!AND!CONSERVATION! ASTUDIAETHAU!HANES!ARCHAEOLEG!CREFYDD!A!CHADWRAETH! ! Copyright!©!2015!by!the!SChool!of!History!ArChaeology!and!Religion,!Cardiff! University,!Wales,!UK! ! ISSN!2055M4893!(online)! ! !All!rights!reserved.!No!part!of!this!volUme!may!be!reprodUCed!or!transmitted!in! any!form,!or!by!any!means,!eleCtroniC!or!meChaniCal,!inClUding!photoCopy,!or! stored!Within!a!retrieval!system,!WithoUt!prior!permission!of!the!pUblisher.! ! ! !Editor(in(Chief!! ! Michael!S.!Fulton! ! Editorial!Board! ! AbdUlMAzim!Ahmed!–!Religion!!! Gideon!Brough!M!History!!! Joanna!Bryant!–!Religion!!! Hannah!BUckingham!M!ArChaeology!!! Heather!Crowley!–!History!and!ArChaeology!! NiCola!Emmerson!–!Conservation!!! Anna!Field!–!History!!! Catherine!HorlerMUnderwood!M!History!!! Beth!Jenkins!–!History!!! Christie!Majoros!–!History!!! Ioan!MCAvoy!–!AnCient!History! Eric!Nordgren!–!Conservation!!! Katrina!O’BrienM!Religion!and!Theology!!! Konstantinos!Trimmis!–!ArChaeology!!! Ulriika!Vihervalli–!History!and!Religion!!! ! ! Volume’s!IllUstration!and!logo!Copyright:!K.!P.!Trimmis!and!Cardiff!University! ! This!is!an!open!aCCess!journal!WhiCh!means!that!all!Content!is!freely!available!Without! charge!to!the!User!or!his/her!institUtion.!Users!are!alloWed!to!read,!doWnload,!copy,! distribUte,!print,!searCh,!or!link!to!the!fUll!texts!of!the!artiCles!in!this!joUrnal!WithoUt! asking!prior!permission!from!the!pUblisher!or!the!author.!This!is!in!acCordanCe!With!the! BOAI!definition!of!open!aCCess.! Owain’s Revolt? Glyn Dŵr’s role in the outbreak of the rebellion.
    [Show full text]
  • The Move in the Second Tetralogy from Heraldic Achievements And
    The Second Tetralogy’s Move from Achievements to Badges Ceri Sullivan, Cardiff University In passionate response to the king’s insistence that the crown should get any prisoners of war, Hotspur famously reaches for the moon: By heaven, methinks it were an easy leap To pluck bright honour from the pale-faced moon, Or dive into the bottom of the deep... And pluck up drowned honour by the locks, So he that doth redeem her thence might wear, Without corrival, all her dignities. But out upon this half-faced fellowship! (1 Henry IV 1.3.200-207)1 Most comment follows Northumberland and Worcester in thinking Hotspur is spouting ‘a world of figures/… But not the form of what he should attend’ (1.3.208-9). It gets called empty huffing, suitable for an apprentice’s audition piece, as in the Induction to The Knight of the Burning Pestle (c. 1607). The lines do not seem to require much more: ‘bright honour’ is a conventional collocation in the sixteenth century (here, shining like the disc of the moon) and ‘drowned honour’ is a hairy personification, perhaps a bit muddy from lying around on the bottom. In either state, the honour (a concrete dignity) should be captured and worn by one man alone. The only historical gloss editors offer is a suggestion that ‘half-faced’ may refer to the paired profiles of Philip and Mary on the Marian shilling. Leslie Hotson noted a reference to the Percy badge: the crescent moon.2 However, he did not point out that the Percy silver crescent moon usually encloses a fetterlock (a double manacle, which locks two fists together).
    [Show full text]