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1 Association of Hawaiian Civic Clubs 1 2 Resolution No. 17

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1 ASSOCIATION OF HAWAIIAN CIVIC CLUBS 2 3 RESOLUTION NO. 17 - A 4 5 REMEMBERING HAWAI‘I’S MASTERFUL FALSETTO SINGER, RECORDING 6 ARTIST AND HAWAIIAN MUSIC EXPONENT EDWIN MAHI‘AI COPP BEAMER 7 8 WHEREAS, Edwin Mahi‘ai Copp Beamer was born in Honolulu, Hawai‘i to Milton 9 Ho‘olulu Desha Beamer, Sr. and Mildred Ka‘aloehukaiopua‘ena Copp Beamer on December 5, 10 1928; and 11 12 WHEREAS, Mahi‘ai Beamer, most often referred to as “Mahi Beamer,” is recognized as 13 an outstanding pillar of our Hawaiian Community, and is noted as an accomplished singer, 14 chanter, dancer, piano player, recording artist, composer, and choreographer, as well as being 15 one of Hawai‘i’s premier falsetto singers; and 16 17 WHEREAS, Mahi‘ai Beamer graduated from the Kamehameha Schools for Boys in 18 1946, and attended the University of California, Santa Barbara, the Juilliard School of Music and 19 the University of Hawai‘i at Mānoa; and 20 21 WHEREAS, Mahi‘ai Beamer served in United States Army, from 1951 to 1953, and was 22 a member of the Musicians’ Association of Hawai‘i AFM Local 677; and 23 24 WHEREAS, Mahi‘ai Beamer has been in the field of Hawaiian entertainment for over 70 25 years, and began composing when he was just in the seventh grade. His earliest compositions 26 were “The Message,” as a tribute to his mother, and for his dad, a Father’s Day song entitled 27 “The Pledge;” and 28 29 WHEREAS, a tour of hula and song took Mahi‘ai Beamer, along with his cousins Keola 30 and Winona, into Mexico and throughout the U. S. Mainland, with their final performance at 31 Little Carnegie in New York City; and 32 33 WHEREAS, in 1949, Mahi‘ai Beamer was hired to sing in the Hawaiian Room of the 34 Hotel Lexington, New York, with Lani MacIntire’s orchestra, entertained the world with 35 Hawaiian music from Japan to Egypt; and for 13 years, headlined, along with his sister Helen 36 Sunbeam Beamer, in Las Vegas as a part of Nālani Kele’s Polynesian Revue; and 37 38 WHEREAS, in 1957, Mahi‘ai Beamer released a double-sided 78 RPM recording of his 39 grandmother’s compositions “Kawohikūkapulani” and “Nā Kuahiwi ‘Elima on the Decca label 40 and, in 1959, recorded two albums on the Capitol label, “The Remarkable Voice of Hawaii's 41 Mahi Beamer in Authentic Hawaiian Songs,” and “More Authentic Island Songs by Mahi, 42 Hawaiʻi's Most Remarkable Voice,” both of which were re-released on CD format in 2004/2005; 43 and 44 WHEREAS, all of Mahi‘ai Beamer’s recordings are considered treasured elusive gems of 45 Hawaiian music; and 46 1 1 WHEREAS, in Hawai‘i, Mahi‘ai Beamer was the top vocal attraction at the Queen’s Surf 2 from 1954 to 1959, performing three shows nightly; also performing at the Princess Ka‘iulani 3 Hotel, the Kuilima Hotel at its opening in May of 1972, at Princeville on Kauai, the Honolulu 4 Club, the Second Floor in Kailua, the Westin Kaua‘i, Kō‘ele Lodge, Lāna‘i, Kemo‘o Farms, Bay 5 View Golf Course for ten years, Andrew’s for nearly 11 years, and the Prince Kūhiō Hotel for 6 five years; and 7 8 WHEREAS, as the grandson and pupil of Hawaiian composer Helen Desha Beamer, 9 Mahi‘ai, together with his cousins Marmionett Ka‘aihue and Gaye Beamer compiled Songs of 10 Helen Desha Beamer, published by the Abigail K. Kawānanakoa Foundation in 1991; and 11 12 WHEREAS, Mahi‘ai Beamer participated in a musical tribute to his grandmother with 13 the Honolulu Symphony in “Music of the Heartland” in 1992; and 14 15 WHEREAS, one of Mahi‘ai Beamer’s finest achievements is the translation of his 16 grandmother’s compositions, from the Hawaiian language to English, thus sharing with the 17 world an insight into the incomparable beauty of Hawaiian poetic expression; and 18 19 WHEREAS, Mahi‘ai Beamer received a State of Hawai‘i certificate recognizing him as a 20 “Steward of the musical talent of the Beamer ‘ohana and the leader in the dissemination and 21 perpetuation of the cultural legacy of Helen Desha Beamer; and 22 23 WHEREAS, Mahi‘ai Beamer’s deep appreciation for the traditions and values of his 24 Hawaiian heritage are reflected in his music and his performances; and 25 26 WHEREAS, Mahi‘ai Beamer’s musical integrity is demonstrated by the special emphasis 27 he placed on the importance of remaining true to a composer’s work, whether it be the music of 28 his grandmother or that of another composer; and 29 30 WHEREAS, Mahi‘ai Beamer was awarded the Lifetime Achievement Award from the 31 Hawai‘i Academy of Recording Arts in 1991, and in 1993, the David Malo Award by the 32 Honolulu Rotary Club, and in 2000, the Kahili Award for performing arts; and 33 34 WHEREAS, in 2004, “Hawai‘i’s Mahi Beamer” was selected as one of the 50 greatest 35 Hawai‘i record albums, he was inducted into the Hawaiian Music Hall of Fame in 2006, 36 designated a Living Treasure of Hawai‘i by the Honpa Hongwanji in 2008, and received the 37 Kalani Ali‘i Award presented by the ‘Aha Hīpu‘u in 2010; and 38 39 WHEREAS, in 2015, he received the I Ulu I Ke Kumu award presented by the University 40 of Hawai‘i, Mānoa, Hawai‘inuiākea School of Hawaiian Knowledge, for extraordinary 41 commitment and excellence in native Hawaiian education; and 42 43 WHEREAS, Mahai‘ai Beamer was initiated into Hale O Nā Ali‘i O Hawai‘i, Hālau ‘O 44 Wahīika‘ahu‘ula, Helu ‘Ekahi on October 6, 1996, making him a member in good standing for 45 nearly 21 years; and 46 2 1 WHEREAS, Mahi‘ai Beamer served his ‘Ahahui, Hale O Nā Ali‘i O Hawai‘i as its 2 musical and choral director from 1998 to 2005, and was the leader of the ‘Ahahui’s Lei Mamo 3 Serenaders; and 4 5 WHEREAS, Mahi‘ai Beamer was granted Honorary Membership into the Kuini Pi‘olani 6 Hawaiian Civic Club; and 7 8 WHEREAS, Mahi‘ai Beamer gave of himself unconditionally to the people of Hawai‘i; 9 and 10 11 WHEREAS, God in His infinite wisdom has seen fit to call unto Himself our beloved 12 member, leaving a great void. 13 14 NOW, THEREFORE, BE IT RESOLVED, by the Association of Hawaiian Civic Clubs 15 at its 58th Annual Convention in Seattle, Washington, in the malama of ʻIkuwā and the rising of 16 Māhealani, this 4th day of November 2017, remembering Hawai‘i’s masterful falsetto singer, 17 recording artist and Hawaiian music exponent Edwin Mahi‘ai Copp Beamer; and 18 19 BE IT FURTHER RESOLVED, that a certified copy of this resolution be transmitted to 20 the Princess Abigail Kinoiki Kekaulike Kawānanakoa, Helen Sunbeam Beamer, Nālani Kele, 21 Marmionett Ka‘aihue, Gaye K. Kapo‘oloku Beamer, the Kamehameha School Archives, as well 22 as the Governor of the State of Hawai‘i, President of the State Senate, Speaker of the State 23 House of Representatives, Chair of the State Senate Committee on Hawaiian Affairs, Chair of 24 the State House Committee on Ocean, Marine Resources & Hawaiian Affairs, Chair of the Board 25 of Trustees of the Office of Hawaiian Affairs, and all County Mayors. 26 27 28 INTRODUCED BY: Kuini Pi‘olani Hawaiian Civic Club 29 REFERRED TO: Kōmike Pilina Kaiāulu (Community Relations Committee) 30 ACTION: _____________________________ 3 1 ASSOCIATION OF HAWAIIAN CIVIC CLUBS 2 3 RESOLUTION NO. 2017 - B 4 5 HONORING THE MEMORY OF 6 MOANA KALIKOOKALANI MCPHERESON EISELE 7 8 WHEREAS, Moana Kalikookalani McPhereson was born on February 20, 1942 in 9 Honolulu, to “Bud” Kalikookalani Harbottle McPhereson and John Adrian McPhereson; and 10 11 WHEREAS, Moana’s siblings are James Kalaniopu‘u McPhereson, Pamela Napuahau 12 McPhereson Awai, and Adrienne Hinano McPhereson Felmet; and 13 14 WHEREAS, Moana grew up in the ahapua‘a of Kālia in Waikīkī, where Hilton Hawaiian 15 Village now stands, and attended Thomas Jefferson Elementary School; and 16 17 WHEREAS, the McPhereson family moved to Paula Drive when Moana started at 18 Punahou School in the seventh grade; and 19 20 WHEREAS, Moana was very active during her Sophomore through Senior years at 21 Punahou School involved with “Aquade,” Hawaiian Lore Club, and the Punahou Girls Assembly 22 Association; and 23 24 WHEREAS, Moana continued to be involved as Vice-President, Assembly 25 Representative, and Holokū Ball Committee member all while she was a Sophomore at Punahou; 26 and 27 28 WHEREAS, Moana would be involved in many activities working on the Punahou 29 Carnival, Vice-President, Sports Manager, Valentine Dance Committee, and Treasurer, all 30 during her Junior and Senior years; and 31 32 WHEREAS, Moana Graduated from Punahou School with the class of 1960, and 33 continued to keep in touch with her classmates and friends at Punahou, and enjoyed her class 34 reunions and being with all of them; and 35 36 WHEREAS, Moana met Antoinette “Toni” (Gomes) Lee and became close friends while 37 riding the bus going to and from school although both were enrolled in different schools at that 38 time (Moana at Punahou and Antoinette at Kamehameha); and 39 40 WHEREAS, Moana and Toni met again after their school years when they eventually 41 both worked for the U. S. Department of the Navy (Moana in Personnel and Antoinette in 42 Intelligence); and 43 44 WHEREAS, Moana and Toni hooked up again in 1963, when the Pearl Harbor Hawaiian 45 Civic Club was started; and 46 1 1 WHEREAS, Moana joined the Pearl Harbor Hawaiian Civic Club, and with her Punahou 2 background, leadership skills and interested in Hawaiian things, she held committee 3 chairmanships, and other leadership positions; and 4 5 WHEREAS, Moana became a member of the club’s Board of Director and wrote the very 6 first grant for Pearl Harbor Hawaiian Civic Club to receive money to pay for a Hawaiian Cultural 7 Specialist to teach our members the art of making
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  • An Here's What Transpired After Our Visit

    An Here's What Transpired After Our Visit

    Underwritten by U.S. Bureau of Ameri- Hawai'i. B. San Francisco, Sept. 1, 1918. can Ethnology, it provided first "defini- Educ. Stanford University (1940). Visited tive" examination of the ritual and types Hawai'i 1932 with parents, impressed by of dances performed in ancient Hawai'i. Bray troupe, revisited 1937, enrolled 'Hawaii, Some of his translations and point of summer classes University of view eventually were challenged, but 1938. Studied hula under Marguerite there is no other work that offers so much Duane, San Francisco, 1940s, dancing as or is so highly respected by modern kumu amateur in South Seas Club. Moved to bula.Firstpublished, 1909 in limited edi- Hawai'i 1947, continuing study with Bill tion, became rare and generally unavaila- Lincoln studio (several teachers), Alice ble, until 1955 when reprinted in inex- Keawekane, Koochie Kuhns (dancing in pensive paperback, Charles E. Tuttle her group a short while). Worked Rec- Co-pa.ry. Last great work, Pele and ords of Hawaii (\flaikrki record shop), Hf iaka : A Mytb from Hawai'1, published teaching first classes in the store to 1915, Honolulu Star-Bulletin Ltd., told school-aged girls; also Betty Lei Hula Hawai'i's most popular, and best, legend, Studio. Opened own Hula Nani Studio, offering Hawaiian texts and translations 1949, same year took group into NATHANIEL B. EMERSON of more than 300 songs, chants, prayers, Kapi'olani Park hula festival, then into Unfortunatel5 this too entered the Niumalu Hotel. Known for discipline 6c Historian, writer, translator, greatest etc. rare book category, until 1978 when it perfection of "Hawaiian" image-long collector of hula legend and chants.