"! a - RT BLR[HHRWH SPE[Trl PRHES E

Total Page:16

File Type:pdf, Size:1020Kb

........ ... __, • .. C __, BRADD new, FIRST QUALITY ~• __, l6fflffl,, Seutd ad, Sttea 'Pwaa .. 0 __, "! a - RT BLR[HHRWH SPE[tRL PRHES E .... __, - \n)· f.lm u,«:r <•m re<·o~ni.Lc the high qualih of the rdcA*;C\ we ;uc.- o fft.•rini.: a, our __, .. .. co,er ' l""-'i,11 thi, month - they are subject- handled bv Ca,,tle Film, .md l •nitcd __, \ \'orld until ~l , l10rt lame a~o~ but no,, d i,rontinued from their lane). \\,'l' ure liquicl­ •D. atim: the hal.mce of their ,tocl. for them-all hr.ind a ew, 6rst qnolity prinh on their :t • ori~inol carhm,. '\jutur:tlty, Blackhawk ha\ l·ut the price down, do,,n.. do,,n. Youll I ..... , ave O\- er 50~ 011 ,111" of the~e. Get out your order blank right u" ::l). het·au, e on on~ "' __, or h,o title, in tlu~ ~roup our 5.upply i1:. rather , hort. \ ou'll ).:et "•h.11 ,m, , ,,nnt h"' .. ..• i ordering no,,! I: __, -... ~ TheHealth Farm ( I reel, 16mm. silent only) • C __, ~ .. A -"'4 • -"'4 Frame-Up ( I reel, 16mm. silent only) ·-...• __, ~•dd; ;.:~C.!t: 1~0;;~:~rb;~~!" :C:nd~a~d ~~lt=1,.!1 :;:;,J'1:7~tu\a~~~1:',.\t:c!~ ~: -C -"'4 ::, ~~ h.un. llc'II panic )'OU h ht- W1nid OriQoallr prittd at 19.751 ti.~ c.~1 n $3.98 -"'4 Trailer life ( I r eel, 16mm. silent only) I -"'4 .-\I I :alfA lour 11 \ \ ,Id Wt- t. and ht-an tht rad 10 '"Mn ·indi.rn ( hid on "iU"J).&th ' It• rt , I u1 z 1;'~':':~,r~l :~~ fut·( nu:d! T ' 1110,011 "'" uri(lnalh pnct••t ~~ ~~~ ":.;t~t £~~~~), ( $3 . 98 __, 1 1 11 I ~ ( I reel, 16mm. sil ent only) -"'4 The mouse af Tamarraw f __, C -"'4 " __, Gandy's Adventures r, reel, 16mm. silent o nlyJ al Gandy pro, N h1rn,.-lf a goulot' ~ hen ht l".i,t\ Ji, 111ul i, tnd,td intn 11 ,11"' 111 \ Ir I in.1 th( 1 1 ~~,~--:h~,~!>off• ' :~m,,:nii~'r,~/~!. f~~'~' \~~1~t,.";f· tf:~k~n~h~ '~: -~~;~~~~;,::;~ n,' $ 3 . 98 II -"'4 __, Eliza on 11:e ( I r eel, 16mm. silent only) 10<" hltMHlhoutuli. .m • in full c.·rv '"ith Sirnun 1.r,:n·c.· dri, mK 1hc111 on! 1.111a. c.·lu1d11 m~ ht:r t:hiM. -"'4 i,u.J h trick\ ah.at ,.huuldn't h,1111>4:n to tht: do~i.! ,Ju·· .1lino!tt u us:ht w h(·n .._1id1t) \1m.-.c. c.:omu l o i~: n'«~~-·:~l:-<.'~rt·t· ,,,0111'1 11uil if 11(' ('(mJd! Thit t,u1oon ,ubie< l wu on~ ~!»_;-; liut $3.98 -"'4 __, Harmony Highway f2 r eels, I 6mm. sound) Al Uonahut' .mcl hi, O rdu ,tr.1 are fu lu~d in th~ l'1Unr-.,al rclt' * Wllh t nlnl;m11 ,, $16.95 ..... fmm the sllC(' .tucl 111i:lit duh, Ori1;in.JI~ it ,ta, p1 cl o1- t 3.';.00 , on if j1hf .,. .,. __, AUDIO midnight melodies (2 reels, 16 mm. sound) v 1su11-L l l'ntH·nul l"idurt•, proclU\."\.'d thi" nrn,ical rc, ,u ft",tlunr.u,c r.tdi,o. tax.c·. And 1ua.)1l t luh I nlt-rtu1111 n m1AJiD< 0,., ••..• __, with ti" on.h<"slr• o( \ f,lth \ b.lm·d,. 4-- top·runst procludron, it on, , '-'AS ,uld for 13~ OCI $ 16 9 5 81.uJ..hil"'I,. h.3111 for )0\1 £nr • -"'4 catalog 19b Smoke Rings (2 reels, I 6mm. sound) -"'4 '"CU UITUI IN 1'MU .. C.lt·n (of'a-, :mcl tho ( ,,.a l.oma Orda·~lrat d 11 mram really good wu.•uc \ \ ltl1 It ,omu w w rsJ t.llTAJ.oo AU 11WCT1V1 f'f1t.. 1tamc•n to round nut the proJlrilID T hi1, l nhrr~I musical revu(' UK'cl tn li-.t I $16 .95 UfrrfTIL MAY 10, 1952 -"'4 $.3.j 00 hut from Rlac-lrha\\ II. )'OU ,::ct II for COLOR FILMS Al LOW PRIC[ MMNUNE U S. A. lOADED FOR WAR llfEUNE Of THE NATI! 1, SDU 76Cl 16 $DU 7'U 1' SDU 7 KA tier(' '" a 2·ttd ~odiu lirome Glm in Himm Th, tf1nllin • Uurv of the Amrril·an r 11lrn;11l.1 A 2 ·rul 18mm. ,ound filn1 in lull ,ounJ that lr.1c1,_., the irn pad or railro• d pt,rfon111n1t lltC" ~ate-ft war ,oh m h1tl(ir" Kodachn)fflt' 1howini; th" m•RNfict'o r-on,truc:tion o\C'r the la1t century a, thf' in a ~ rttl. lfltnrn . ~ound 61m in full wlor fomum<.T of our railroatb durinl( \\ orl vnmt' mearu of 111('1 ,:t·ntnl dtHl01nnf'nt of l11r l tow 11. 111<" r mpbuit in thll llJm i, mnrr our L·ounln· - l1ow 11 ,r n1i lroadt today hau lmd.iduornt" 6Jm 1bow-s MIC"Uliill mo\t n\l'Dl or fre.id1t ttuan of pas • nrt dir«t aflrtl on "II our 1ivH. ,hown w u tht· "11rt1mc job o f tM rt11lruadt nnd a ruult J.Offi4:" u e • ,;rut m.11m t.pedacul11r ,hot, <1( stn-am hov. lht"V rnntnhutrd to AJlif"d ,utun­ trnd. h t!M- film u lmrn and £rr1d1t1 al "l"·ed. acroSl pr&1rTI 'ho"n .:1re nuny of th«' ~ciaJ lu l 1 tJ.r r•rl contra.1t lo <>ilhtt M~l:\t.J,t l \ -\ . < n~u hmli,:e,. ae;:ahl'lt hacli.cmund1 nf sn,,w ro.3tb ha,I d uring \\'orld \-\-'ar ll - tlir mo, I H~J,, ROLi.Vi(•. TM ,lorr r. f<M llflpt'"cl peul) Railrouci lam can ir--anlv 1,t,.nh inc nf tmnps and tMir equipnM"nt r.aw 111•· nott" a111>tllff hie diffettnrr thr rra fr thr trnin) t1f tl1f'1r f.nontC' railroad. '\ou'II II riah hml.s ,:1m, and major parh for 1h1p, of Iii<' ma,r,.t,c 1traun locomo11,~ "hi< tt""e "lrl'Jtnlinen 111ul fn·ichh of the \foonn. anti pbucs nml how man v nf l lit"1t norm:tl still durinc. the war tlic num~ Rod. hlan<l. \ 11h,;i1ulrt', , ew l btt"n. \ant.1 J 1h~ ,,u•n: 6l1r1I bv women and n titC'd nn• "1Utt'(I o{ m otiv, po•f'r for £rridit a F.-. :\1 w l orL. ( t.ntr11I PrnM)hania Bur ploH·n " Ito rdurocJ to worl. Ku1 m add1 ~ pa•\C'ng<"r trafb-.,or1ahon l hn" lm ~ton. '-outJIC'Tll l'ilctlic: f rir \l1'SOur1 hon lo all 11 "«' W'C somr of tfK' fflOfl marl<>d cnntrut with today "hrn f*anfit ,orth \\ ntrrn. and manY anothu rIT«tnc shot f Sllt"•m loc-omoh\>'n. wmc- pm,irl'r H dow- to raJrinc ovrr mo~ pn r&l.\" l ou II ahn ~C' many a ,:oat al ,..,,i tl"mc, lhttr m a row, boo-Jtin1:: tonn.;a r n\tt • m l and manv ntlu:·r adh ihe, of thr runs 'io for those of vou "ho havc.­ unc of th Sant,1 J·c- 1 sle<"p p:1 wi m 1h«­ r11nroiuh in rna111ta1mna: the f u Hum: und hc11IJ1rh· soft Jpnt m '-Our hurts f, cc1r111,IC'~ !i-C'n &«" t l1Al tl1r~ rf'IHlt"r I ,rn \\ t'lt 11111 Mm ,lore not n"'ul1111 i,u h •rull-v sh-1un locnmoti\;<', h<"n-'1 your «l,-11rW't" 0 "itli 1·11li,·r ,,r lf1Mr n £ \ 011 w f111 i,rrn t fir,,t of all rnilro.ul \t \l'\I TS-E l ,.S. \ . I 111 0,0111(" nf the bii boy, o f tJ,e \i mil I· r, f•n, '"II fi nd thi, 1111 informntiH·. ah orhini:; J l '\I 01 IIH !'iATIO" flllf \\1111 nrc. J'.1cific '-orfolk~ and \\ f'lft'm, Hin G r nlt·rlainini: and "<'rY lt<"nut<iful film lo li:ne I H.\1 ,, HOI I t'\(:, prinh. of "laid1 "t' ,nullil'Jn Pac:i.&c aD<l Prnu\\ lva1ua in m )"Ollr collection i J'nnh of tlus urw D.rt" l1:n1: bttn nff rn11, up until N"ttn.11 \\'Jul , 1111 II ,re- lots or others too l'rinll ot ...-• lurd at 1'150 on \\ till" our stoc.L.: of 6M- our "°hxL nf HNI u.wd prinh n-main n a11 films att "alurd at 1 150 00 hC'W \\hl u.•«""d pnnt ! rrmaun av-.fltblr. $249 5 ~!1, u m p 1rchL~ orw $19 95 ltod I ts.. you u,n buy a f our pntt l'l only • ,:nod uwd print for onJy , COMBINATION SPECIAL: Prints of MAINLINE U.S.A. and LIFE LINE OF THE NATION 1 regularly totaling $49.90 - when purchased t09ether at one time, only $44. OU C-4r A '-'frrt M[ fAIIIM I I • ll-,..11,.• I• Ill t IDU 11, ,, . ,. MA,.PI N TO "l'OU U ,.. D ...r., ...,._1•1 .,., II • I•• ,.,._ rltlldru -~ M tti• llullltfl If• I I • • IJ• ... ,_. tlW Ualttt l"M. IIA!.,_. •Ullq lh>I a,,. -~•II I• ,1u1 ••• al... l I I If M Ml••• All fNNh1a,,d1 Slta1111n ,.............. ,.. ............, .........,.,. ... • .n .......h ...... ,,.. ,.1naa4 .., ...... ,, ......, .. , ~ • ,.,... ., • t1 .. lit, -• • at Ut •• •.., .......h.,,..,.., _ _.,,.,.,.... ,,.,ah f,i aou 17C2 ••• TtltAll'lt aOLllNli ...11. II lhdutln- o ...., T.a. 1'llt •.-n.t-1 ,,.,., .. ...,. ,..,... °"' --· '-,.-' "" ·"" •• .. ni'"-' .-td• ........... -"""' ..., fYf" et ____ IOU HClt... -· ll lll t r11:a ti1 T UUFAlil .
Recommended publications
  • Of Thetheatre Halloween Spooktacular! Dr
    VOICE Journal of the Alex Film Society Vol. 11, No. 5 October 22, 2005, 2 pm & 8 pm 10/05 of theTHEATRE Halloween Spooktacular! Dr. Shocker&Friends art Ballyhoo and part bold Pface lie, the SPOOK SHOW evolved from the death of Vaudeville and Hollywood’s need to promote their enormous slate James Whale’s of B pictures. Bride of In the 1930’s, with performance dates growing scarce, a number of magicians turned to movie Frankenstein houses for bookings. The theatre owners decided to program the magic shows with their horror movies and the SPOOK SHOW was born. Who Will Be The Bride of Frankenstein? Who Will Dare? ames Whale’s secrecy regarding class socialists. She attended Mr. Jthe casting of the Monster’s Kettle’s school in London, where she mate in Universal Studio’s follow was the only female student and up to 1931’s hugely successful won a scholarship to study dance Frankenstein set the studio’s with Isadora Duncan in France. publicity machine in motion. With the outbreak of World War I, Speculation raged over who would Lanchester was sent back to London play the newest monster with where, at the age of 11 she began Brigitte Helm, who played Maria her own “Classical Dancing Club”. in Fritz Lang’s Metropolis (1927), In 1918, she founded “The Children’s and Phyllis Brooks, a statuesque Theatre” which later morphed into illustrator’s model from New York, “The Cave of Harmony”, a late night considered the front runners. venue where Lanchester performed In spite of Universal’s publicity, one-act plays and musical revues Dr.
    [Show full text]
  • Nationalism, the History of Animation Movies, and World War II Propaganda in the United States of America
    University of Akureyri Faculty of Humanities and Social Science Modern Studies 2011 Intersections of Modernity: Nationalism, The History of Animation Movies, and World War II propaganda in the United States of America Kristján Birnir Ívansson Final BA Thesis in the Faculty of Humanities and Social Sciences University of Akureyri Faculty of Humanities and Social Science Modern studies 2011 Intersections of Modernity: Nationalism, The History of Animation Movies, and World War II propaganda in the United States of America Kristján Birnir Ívansson A final BA Thesis for 180 ECTS unit in the Faculty of Humanities and Social Sciences Instructor: Dr. Giorgio Baruchello Statements I hereby declare that I am the only author of this project and that is the result of own research Ég lýsi hér með yfir að ég einn er höfundur þessa verkefnis og að það er ágóði eigin rannsókna ______________________________ Kristján Birnir Ívansson It is hereby confirmed that this thesis fulfil, according to my judgement, requirements for a BA -degree in the Faculty of Hummanities and Social Science Það staðfestist hér með að lokaverkefni þetta fullnægir að mínum dómi kröfum til BA prófs í Hug- og félagsvísindadeild. __________________________ Giorgio Baruchello Abstract Today, animations are generally considered to be a rather innocuous form of entertainment for children. However, this has not always been the case. For example, during World War II, animations were also produced as instruments for political propaganda as well as educational material for adult audiences. In this thesis, the history of the production of animations in the United States of America will be reviewed, especially as the years of World War II are concerned.
    [Show full text]
  • January Clearance Sale! Quantity on Hand Price Each ~ - -~· -··=~------,------Ostrich Troubles
    " ,. ' ' ~ ' .• -~....:.r . ,; -~.. J • January 11951 JANUARY CLEARANCE SALE! QUANTITY ON HAND PRICE EACH ~ - -~· -··=~----------------,-------------------- OSTRICH TROUBLES. Brand new, 1-reel, 16mm. sound film in original cartons. ss.,s 16 Cr:st:e-Kiko the Ka .. garoo Cartoon. Original ptice, $17.50. WOLVES OF THE RANGE with Bob Living5ton s29 95 8 Good used 6-reel, 16mm. sound feature pici·ure, assembled on 2-1600' reels. e -~ ,..a:.;.;::::ii.:._.c __________________ ,________________ ,_,_ _ _,__ BORDER BUCKAROOS with Dave O'Brie11 and Jim Newill s29 95 7 Good used 6-reel, 16mm. sound feature picf·ure, assembled on 2-1600' reels. e AMERICAN LEGION CONVENTION, 1947. Rrcind new, 1-reel, 16mm. silent. SJ 98 32 Castle's film of the fun anc frivolity of 1h11 1947 convention in New York. Origi•al price, $8.75. • ------------~---~----~-·----·-----------~--- tOG ISLAND with Lionel Atwill, Jerome Cowan, George Zucco s39 95 5 Good used 7-reel, 16mm. sound faaf·ure pic~ure, assembled on 2-1600' reels. e SONGS OF LOVE. Brand new, 1-reel, 16mm. sound fiim in original cartons. S6 95 Castle Music Album with Gene G,-ounds, Syl-,ia Froos, Dove Schooler and his Swinghearts. • 47 Original price, $17.50. THE DRIFTER with Buster Crabbe and Al S·t. John s29 95 4 Good used 6-reel, 16mm. sound featura {'i :ture, assembled on 2-1600' reels. e FISH IS FOOD. Brand new, 1-reel, 16mm. s:u.,nd film in original cartons. S6 95 There's nothing fishy about the bargain quolit ) of this lilm on the Fulton Fish Market in New York.
    [Show full text]
  • Hal Roach's Famous Kids
    1ft • ~ • GI C .." ., .. • :t • l\ 'Ii • Ii D, 0 • ~ I ·- - t C: .... • ~ -·• ·•- ... • "'Ill • GI •0 • i ... A 0 • C: z • ::! 0 Ill • ... 1ft • ·- > • ·.,,-> C • ·- A • Ill I • I • ...I • ...• • HAL ROA[H'S FAfflOUS RIDS .a,GI • • in a series of twe lve 16mm. sound • E • TWO REEL COMEDIES • I bese Famous Kids Cotneilies al'l· the ! rerlen which "\'R JO "r-lJ loown as Our Cang• '..GI ( omc:,UH "lt('D orig.mall) rdcuecl to the lhrulrrJ IH, ~( C:. M \ll of tht famou, Our C.ang D, • daar&cfrn o( lhe pt"nod lll W bi<:h th!J. poup o( 111bj<,cb \Vil t•rodu('('cf IJll)t'Uf in these 2 rtdcn: • .. ~panky Md arland I ,uswa Jean I>.vliuc ..\Ualfa St)nm• a,,.. all tl~rc l hNC 2-rtt!crs uc :t not only oollrctor's 1ll'U1 today - thryn- JU.St a., dUJf.1ttol') l'nh:rt nmrni &J c,,erl 1ft • :\nJ, l)pical uf lllacldmwks ability tu hring )1111 Bl(. l,;ar1;,1u1is. is our acquisHion o{ 1omc• 1ft • hundn•ds 0£ print.. ol thrst twdvt• litl,•s. '011:1e 1tl1 rq;ul,uh J" I $42.50. Hl11d.lu1"J..\ ttllintc .. price i.J not ooh· a harp.in - II II f.ir below rrgulJt whi,lt le 01 counc pnots are hr:md new a • and llrst qwully in 0\tty "If GI GI • l'IUCIN UP Who, o p,eny young girt con do to FLY MY Klff Grandma doH anything the kid1 can the l1cbl $he COIi molie tMffl 90 IO ,., •• fO th M do from bo11 ng to fly ng 1111 k te WIM1t o heattlHt • the , thoe, comb IN , ha r o, .,...,.
    [Show full text]
  • How Forests and Forest Management Messaging Was Disseminated in Governmental Promotional Material in Ontario, 1800–1959
    Lakehead University Knowledge Commons,http://knowledgecommons.lakeheadu.ca Electronic Theses and Dissertations Electronic Theses and Dissertations from 2009 2020 How forests and forest management messaging was disseminated in governmental promotional material in Ontario, 1800–1959 Lino, Amanda A. http://knowledgecommons.lakeheadu.ca/handle/2453/4671 Downloaded from Lakehead University, KnowledgeCommons HOW FORESTS AND FOREST MANAGEMENT MESSAGING WAS DISSEMINATED IN GOVERNMENTAL PROMOTIONAL MATERIAL IN ONTARIO, 1800–1959 by Amanda A. Lino A dissertation submitted in partial fulfilment of the requirements of the degree of Doctor of Philosophy in Forest Sciences Lakehead University Thunder Bay, Ontario, Canada 15 June 2020 Copyright © Amanda Ann Lino, 2020 LIBRARY RIGHTS STATEMENT In presenting this dissertation in partial fulfillment of the requirements for the PhD degree at Lakehead University in Thunder Bay, Ontario, Canada, I agree that the University will make it freely available for inspection. This dissertation is made available by my authority solely for the purpose of private study and research. In addition to this statement, Lakehead University, Faculty of Graduate Studies has forms bearing my signature: Licence to the University, and Non-Exclusive Licence to Reproduce Theses. Signature: Date: 29 April 2020 A CAUTION TO THE READER This PhD dissertation has been through a semi-formal process of review and comment by at least two faculty members. It is made available for loan by the Faculty of Natural Resources Management for the purpose of advancing practice and scholarship. The reader should be aware that opinions and conclusions expressed in this document are those of the student and do not necessarily reflect the opinions of the dissertation supervisor, the faculty or Lakehead University.
    [Show full text]
  • A M E R I C a N C H R O N I C L E S the 1940-1944
    AMERICAN CHRONICLES THE 1940-1944 By KURT F. MITCHELL with ROY THOMAS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chronicles ................. 4 Note on Comic Book Sales and Circulation Data ......................................... 5 Introduction & Acknowledgements ............. 6 Chapter One: 1940 Rise of the Supermen ......................................... 8 Chapter Two: 1941 Countdown to Cataclysm ...............................62 Chapter Three: 1942 Comic Books Go To War................................ 122 Chapter Four: 1943 Relax: Read the Comics ................................ 176 Chapter Five: 1944 The Paper Chase ............................................. 230 Works Cited ...................................................... 285 Index ................................................................. 286 Rise of the Supermen America on January 1, 1940, was a nation on edge. Still suffering the aftershocks of the Great Depression despite Franklin D. Roosevelt’s progressive New Deal nos- trums—unemployment stood at 17% for 1939—Americans eyed the expanding wars in Europe and Asia nervously. Some tried to dismiss Adolf Hitler and Benito Mussolini as comic opera buffoons, decrying the hostilities as a “phony war” because not much had happened since the blitzkrieg dismemberment of Poland the previous September. These naysayers did not see it for what it was: the calm before the storm. Before the first year of the new decade was out, Nazi Germany seized Norway, Denmark, Belgium, the Nether- lands, and ultimately France, while attempting to bomb the United Kingdom into subjection. The British held out defiantly, and Hitler reluctantly abandoned his plans to invade England. That small victory brought no cheer to the conquered nations, where Der Führer’s relentless oppres- sion of Jews and other scapegoated minorities was in full force. Il Duce, too, continued his aggression, as Fascist Italy invaded Egypt and Greece.
    [Show full text]
  • October 18, 2019 Animation & Disneyana Auction 116
    Animation & Disneyana Auction OCTOBER 18, 2019 Animation & Disneyana Auction 116 FRIDAY, OCTOBER 18, 2019 AT 11:00 AM PDT LIVE • MAIL • PHONE • FAX • INTERNET Place your bid over the Internet! PROFILES IN HISTORY will be providing Internet-based bidding to qualified bidders in real-time on the day of the auction. For more information visit us @ www.profilesinhistory.com AUCTION LOCATION (PREVIEWS BY APPOINTMENT ONLY) PROFILES IN HISTORY, 26662 AGOURA ROAD, CALABASAS, CA 91302 caLL: 310-859-7701 FAX: 310-859-3842 “CONDITIONS OF SALE” credit to Buyer’s credit or debit card account will be issued under any sole expense not later than seven (7) calendar days from the invoice circumstances. The last sentence constitutes Profiles’ “official policy” date. If all or any property has not been so removed within that time, AGREEMENT BETWEEN PROFILES IN HISTORY AND regarding returns, refunds, and exchanges where credit or debit cards in addition to any other remedies available to Profiles all of which are BIDDER. BY EITHER REGISTERING TO BID OR PLACING A are used. For payment other than by cash, delivery will not be made reserved, a handling charge of one percent (1%) of the Purchase Price BID, THE BIDDER ACCEPTS THESE CONDITIONS OF SALE unless and until full payment has been actually received by Profiles, per month will be assessed and payable to Profiles by Buyer, with AND ENTERS INTO A LEGALLY, BINDING, ENFORCEABLE i.e., check has fully cleared or credit or debit card funds fully obtained. a minimum of five percent (5%) assessed and payable to Profiles by AGREEMENT WITH PROFILES IN HISTORY.
    [Show full text]
  • Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
    Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
    [Show full text]
  • Black Representation in American Short Films, 1928-1954
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2002 Black representation in American short films, 1928-1954 Christopher P. Lehman University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Lehman, Christopher P., "Black representation in American short films, 1928-1954 " (2002). Doctoral Dissertations 1896 - February 2014. 914. https://scholarworks.umass.edu/dissertations_1/914 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. m UMASS. DATE DUE UNIVERSITY LIBRARY UNIVERSITY OF MASSACHUSETTS AMHERST BLACK REPRESENTATION IN AMERICAN ANIMATED SHORT FILMS, 1928-1954 A Dissertation Presented by CHRISTOPHER P. LEHMAN Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2002 W. E. B. DuBois Department of Afro-American Studies © Copyright by Christopher P. Lehman 2002 All Rights Reserved BLACK REPRESENTATION IN AMERICAN ANIMATED SHORT FILMS, 1928-1954 A Dissertation Presented by CHRISTOPHER P. LEHMAN Approved as to style and content by: Ernest Allen, Chair Johnl|L Bracey, Jr., Member Robert P. Wolff, Member Lynda Morgan, Member Esther Terry, Department Head Afro-American Studies W. E. B. DuBois Department of ACKNOWLEDGMENTS Several archivists have enabled me to find sources for my research. I thank Tom Featherstone of Wayne State University's Walter Reuther Library for providing a copy of the film Brotherhood ofMan for me.
    [Show full text]
  • Famed Feathered Favorite Featured at Modern Museum
    The Museum of Modern Art FOR IMMEDIATE RELEASE H west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart FAMED FEATHERED FAVORITE FEATURED AT MODERN MUSEUM Woody Woodpecker, famed feathered favorite, and his creator Walter Lantz, who has been associated with Universal Pictures for nearly fifty years, will be honored in a special three-day program which will be part of The Museum of Modern Art's eight-month retrospective Universal Pictures: 65 Years. Lantz will present two programs of his animated short films, including "Knock, Knock," the first cartoon in which Woody appeared, and "The Legend of Rockabye Point" with Chilly Willy which won an Academy Award. Also included is the animated Technicolor introduction to "King of Jazz " (1930, starring Paul Whiteman and Bing Crosby) and several other cartoons. The programs will be presented on Sunday, June 19 at noon and 2:30 p.m., with additional showings on Monday, June 20 and Tuesday, June 21 at noon. Walter Lantz and Mrs. Lantz will be the guests of honor at the Sunday showings and will address the au­ dience. Walter Lantz began his animation career in New York in 1916. While work­ ing in a studio which animated Hearst comic strips for movie theatres, he was a collaborator with Gregory LaCava, who later became a well-known Hollywood comedy director. In 1921 Lantz moved to the studio of John Randolph Bray, where he worked on the character Colonel Heeza Liar, and within two years was named studio manager. He moved to Hollywood in 1926, and for a short time was a gag man for Mack Sennett before moving on to Universal.
    [Show full text]
  • School of Distance Education Mahatma Gandhi University, Kottayam
    School Of Distance Education Mahatma Gandhi University, Kottayam FIRST YEAR B.A ANIMATION AND GRAPHIC DESIGN (C.B.C.S.S SYLLABUS-Off Campus Stream) OBJECTIVE TYPE QUESTIONS AND ANSWERS HISTORY OF ANIMATION (From First year Syllabus) HISTORY OF ANINATION 1. The Term “iconic memory “related to: a) Comic books b) Persistence of Vision c) Computer d) VFX 2. The ancient cave dwelling artists were so good that the painting called the “The Crossed Bison”, which represents: a) Perspective. b) Layout c) Installation e) Cartoon 3. The Phi phenomenon phenomenon was related to a) Electronic intelligence b) Audio recording c) Magnetic effects d) Persistence of Vision 4. Mr.………….used Thaumatrope to show the Phi phenomenon to the Royal College of Physicians in 1824. a) Fitton of London, b) Peter Roget c) John Ayrton Paris. d) W.K.L Dickson 5. Name the device which also known as 'turning marvel' or 'wonder turner'. a) Mutograph b) Taumatrope c) Microphotographs c) Phenakistoscope 6. The disc was spun, the drawings were viewed through small slits cut into the disc which provided the visual interruptions needed for the eye to meld the images together thus creating the impression of motion. Name the device? a) Mutograph b) Taumatrope c) Microphotographs d) Phenakistoscope 7. The greek word for Phenakistiscope, a) “turning marvel' b) 'apparition-box-viewer' c) ''deceptive viewer’ d) 'wonder turner'. 8. The word 'animation' is derived from the Latin word for soul or spirit a) Anima b) Animo c) Anim d) Animate 9. The Latin word anima,means a) To give life to' b) Soul or spirit.
    [Show full text]
  • PRICES REALIZED DETAIL - Animation December 2013 Auction 60, Auction Date: 12/2/2013
    26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation December 2013 Auction 60, Auction Date: 12/2/2013 LOT ITEM PRICE 2 ORIGINAL PRODUCTION DRAWING FEATURING “POPEYE” FROM SOCK-A-BYE, BABY. $475 5 ORIGINAL PRODUCTION STORYBOARD DRAWING FROM MR. BUG GOES TO TOWN. $200 11 ORIGINAL UB IWERKS PRODUCTION MODEL DRAWING FROM FIDDLESTICKS. $475 12 (2) ORIGINAL UB IWERKS PRODUCTION CELS FROM 1930S SHORTS. $300 13 ORIGINAL UB IWERKS “FLIP THE FROG” PRODUCTION DRAWING FROM FLYING FISTS. $400 16 ORIGINAL MODEL SHEET FEATURING “WIDOW PERKINS” FROM PARROTVILLE POST-OFFICE. $100 18 ORIGINAL PRODUCTION CEL AND PRODUCTION BACKGROUND FROM THE FOX AND THE CROW. $225 21 TERRYTOONS ORIGINAL HECKLE AND JECKLE PRODUCTION CELS ON PRODUCTION $400 BACKGROUND. 22 EXTREMELY RARE WALTER LANTZ MASTER “DINKY DOODLE” PUBLICITY PHOTO WITH ORIGINAL $2,000 ART. 23 ORIGINAL PRODUCTION CEL OF LEOPOLD STOKOWSKI FROM WALTER LANTZ’S HOLLYWOOD $300 BOWL. 24 ORIGINAL PRODUCTION CEL OF MARTHA RAYE FROM WALTER LANTZ’S HOLLYWOOD BOWL. $300 25 ORIGINAL PRODUCTION CEL OF JOE PENNER FROM WALTER LANTZ’S HOLLYWOOD BOWL. $300 27 ORIGINAL PRODUCTION CEL AND MATCHING VERTICAL PAN PRODUCTION BACKGROUND FROM $800 MOUSIE COME HOME. 28 ORIGINAL PRODUCTION BACKGROUND AND ORIGINAL STORY PAINTING FROM MOUSIE COME $600 HOME. 29 ORIGINAL PRODUCTION BACKGROUND AND DRAWING OF “ANDY PANDA” FROM ANDY PANDA’S $500 VICTORY GARDEN. 30 ORIGINAL END TITLE CEL AND BACKGROUND FROM WOODY WOODPECKER. $400 Page 1 of 24 26901 Agoura Road, Suite 150, Calabasas Hills, CA 91301 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Animation December 2013 Auction 60, Auction Date: 12/2/2013 LOT ITEM PRICE 32 ORIGINAL PRODUCTION CEL OF “WOODY WOODPECKER” ON PRODUCTION BACKGROUND.
    [Show full text]