DOCSLIB.ORG

East Sacramento News — Bringing You Communit Y News for 23 Years —

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
East Sacramento News — Bringing You Communit Y News for 23 Years — April 3, 2014 | www.valcomnews.com East Sacramento News — BRINGING YOU COMMUNIT Y neWS FOR 23 YEARS — East Sacramento cemetery marker recognizes woman with a connection to Jean Harlow See page 6 https://www.flickr.com/photos/slightlyterrific/5351397516/ Janey Way Memories ............................................2 School ............................................................. 3 Ask Joey: Early Sutter’s Know your neighbor ........................................ 4 Joey Garcia on love, Fort operations Calendar ..............................................................18 divorce, and peaceful living included bakery Lance Armstrong history feature .......................19 See page 4 See page 19 girls & boys from public or private Register schools are welcome! Now! Summer Classes & Camps CATHOLIC HIGH SCHOOL June 16 - July 25, 2014 www.stfrancishs.org/summer Students from SCUSD Math and Computer Science: East Sacramento News Janey Way Memories: competed with students Isamu Kawaguchi (Golf Ball WWW.VALCOMNEWS.COM from all over the Sac- Physics) — Second Place CHOOL EWS ramento region includ- Jacob Hierling and Xavi- E-mail stories & photos to: [email protected] Vol. XXIII • No. 7 S N ing San Joaquin, Solano, er Bauer-Martin (Bounc- East Sacramento News is published on the first and third Thurs- day of the month in the area bounded by Business 80 on the 2709 Riverside Blvd. Meeting new people Phoebe Hearst teacher’s Sutter, Yolo, Placer, El ing and Rebound Physics) west, the American River on the north and east and Highway Sacramento, at the Synopsis Sacramen- cess into hands-on proj- Dorado, Butte, Amador — Fifth Place 50 on the south. CA 95818 t: (916) 429-9901 asked me about San Francisco and Holly- ‘Geek Squad’ to help to Regional Science Fair at ects. and Yuba counties. Publisher ................................................................ George Macko f: (916) 429-9906 wood. She asked Jack about New York City. others with new tests Rosemont High School on The fair was spon- The following Sutter Biological Sciences: General Manager ................................................... Kathleen Egan By MARTY RELLES Liz introduced us to her two daughters, Mon- Saturday, March 22. sored by Intel, SMUD Middle School students Haley Tschudin (Ethyl- Editor ........................................................................ Monica Stark [email protected] Art Director.................................................................John Ochoa ica, a pretty Fraulein in her mid-20s and Petra, Phoebe Hearst Elementa- The Science Fair allows and the American Soci- placed in the top five cate- ene & Food Science) — Fifth Graphic Designer ........................................................Ryan Wunn After I completed my military training at Fort 13, who was still in school. She and Walter had ry School students are getting students to incorporate ety of Civil Engineers, gories and are eligible to ad- Place Sales Manager ...........................................................Patty Colmer Cover photo by: Advertising Executives: Lewis, Washington in September of 1969, the met just after the war. He had fought in the Ger- serious about the upcoming the Scientific Method and along with several oth- vance to the next stage of Linda Pohl, Melissa Andrews, Jen Henry Public Domain army assigned me to duty in West Germany. Soon, man army and spent time in a British Prisoner field test of the state’s Smart- Engineering Design Pro- er corporate sponsors. competition: See School News, page 12 Distribution/Subscriptions ................................... George Macko I was on a charter plane headed for Europe. of War (POW) Camp. After the war, the Brit- er Balanced assessments. Other photos: There, I received orders to report to the ish released the captive German soldiers and sent Students in grades 3-6 are Copyright 2014 by Valley Community Newspapers Inc. All rights reserved. Hope Harris Reproduction in whole or in part without written permission is prohibited. Courtesy 510th Ordinance Company in Gunzburg, them home. Walter was lucky, as Gunzburg came working through the prac- West Germany. Gunzburg lies in the state of out of the war relatively unscathed. The farmers tice tests in simulated test- Bavaria in the southern part of Germany, but there went about their business as they had be- like environments. What even there the weather was beginning to turn fore the war, indeed, as they had for a thousand makes this roll-out unique, cold in mid-October. Soon, the snow began to years. Walt and Liz met, got married, bought the is that teacher Peter Goul’s fall and we were pretty much confined to our tavern, and the rest was history. fifth grade class was trained The lives we touch inspire us base during the long, cold winter. We would spend many nights at the Lowen- to serve as mentors and By April though, the sun came out and melt- brau Steube during our tours of duty in Germa- trouble-shooters to all of ed the snow. Then, my new friend Jack and I de- ny, drinking good German beer and eating Liz’s the other classes. Like many girls her age, Precious loves animals of all cided to get out and explore the countryside. We fantastic food. We soon met other friendly peo- Can’t figure out how to kinds. At 8 years old, after playing with a feral cat, started in the town of Gunzburg. It is a pictur- ple. George, the middle aged tippler who drove use the headphones? Goul’s she became ill with what doctors first suspected might esque, old village dating back to Roman times. a fast car and wore traditional Bavarian cloth- “Geek Squad” is on it! Not be the flu. We wandered through the cobblestone ing: a green blazer with a crest emblazoned on sure how to increase the streets checking out the old cathedral, the the- the pocket and a felt hat unique to that region. font size of the story? Fear Soon unable to swallow or stand, Precious was ater, the stores, and the restaurants. Eventual- We also met Horst, an office manager at Gunz- not, the Geeksters have you flown to UC Davis Children’s Hospital where she was ly, we stumbled upon a neat little tavern called burg City Hall. Horst and his wife Rosvitha had covered!! diagnosed with severe brain inflammation caused by the Lowenbrau Steube. There, we wandered us over the Christmas Eve dinner that year. We Students are feeling much up to the bar and ordered a beer. The 40- watched the 1970 world cup of soccer there and more confident and excited rabies – a combination that’s almost always fatal. something looking bartender poured us each spent many holiday’s there including Fasching about the new test format. A team of UC Davis critical care and infectious a one-pint glass of good, German beer. (German Mardi Gras) and New Year’s Eve. They are testing out their We began talking with the man. His name Liz treated us like the sons she never had. She pre- new typing skills many have disease specialists placed her in a drug-induced coma. was Walter. He co-owned the tavern/restau- pared special meals for us that weren’t on the menu. worked on this year, and With the help of antiviral medication and her own rant with his wife Liz. He poured the drinks That chance encounter resulted in lasting friend- they are enjoying the inter- tenacious spirit, Precious fiercely wrestled the disease and Liz cooked. Soon, Liz came out from the ship with Walter and Liz. Sadly, I never saw them active nature of the practice and became the third person in the U.S. to survive kitchen and introduced herself. She spoke again after leaving Germany in 1971. They are tests. Who knew taking the rabies without a vaccine. Today, this vibrant good English, asking us our names and where probably long since departed from this world. But, test would be so fun? young girl dreams of becoming a veterinarian. we came from. Jack was from New Jersey, and I will never forget the experiences I had in their little I from California. She had lots questions. She tavern: another unforgettable Janey Way memory. Sutter Middle students To learn more about Precious’ story take top honors at Sac and the ”one team” approach to care at this region’s one nationally ranked Regional Science Fair comprehensive hospital for children, Sutter Middle School visit children.ucdavis.edu students took top honors One team. One choice. One UC Davis. THE REGION’S COMPREHENSIVE HOSPITAL FOR CHILDREN 2 East Sacramento News • April 3, 2014 • www.valcomnews.com Valley Community Newspapers, Inc. Valley Community Newspapers, Inc. www.valcomnews.com • April 3, 2014 • East Sacramento News 3 the Catholic faith, especially as she statue she picked up in Bali and which prompted her to visit ex- Inner peace, outward advice: Ask Joey: saw first-hand how outwardly gen- books on various religions. tended family, and by her 30s, she Continued from page 4 erous the priests were and how she When she was 9 years old, she finally did for the first time since SNR’s Ask Joey columnist discusses love, life, Joey said generally they’re based on was intrigued by the mystery of the started taking a yoga class, and with a toddler, an experience that kept a topic that has been on her mind. nuns there. that practice, she learned about her coming back. During those va- “It’s just a flow process,” she said. “I had it all. I had the priests rep- mindfulness and being at peace with cations, her desire to help others human connectedness, and her new book Fielding questions from Facebook rimanding me, priests celebrating oneself – a trait that facilitates her manifested when after 10 years, messages, to handwritten letters, me, priests babysitting me. We’re thought process when responding to she formed Rise Up Belize!, which By MONICA STARK [email protected] scriptions for healing. Divided into emails, and random encounters by Catholic very much so. I was more questions from readers.
Load more

Recommended publications
  • 9781474451062 - Chapter 1.Pdf
    Produced by Irving Thalberg 66311_Salzberg.indd311_Salzberg.indd i 221/04/201/04/20 66:34:34 PPMM 66311_Salzberg.indd311_Salzberg.indd iiii 221/04/201/04/20 66:34:34 PPMM Produced by Irving Thalberg Theory of Studio-Era Filmmaking Ana Salzberg 66311_Salzberg.indd311_Salzberg.indd iiiiii 221/04/201/04/20 66:34:34 PPMM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © Ana Salzberg, 2020 Edinburgh University Press Ltd The Tun – Holyrood Road 12(2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Monotype Ehrhardt by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain A CIP record for this book is available from the British Library ISBN 978 1 4744 5104 8 (hardback) ISBN 978 1 4744 5106 2 (webready PDF) ISBN 978 1 4744 5107 9 (epub) The right of Ana Salzberg to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66311_Salzberg.indd311_Salzberg.indd iivv 221/04/201/04/20 66:34:34 PPMM Contents Acknowledgments vi 1 Opening Credits 1 2 Oblique Casting and Early MGM 25 3 One Great Scene: Thalberg’s Silent Spectacles 48 4 Entertainment Value and Sound Cinema
    [Show full text]
  • The Faded Stardom of Norma Shearer Lies Lanckman in July
    CORE © The Editor(s) (if applicable) and The Author(s) 2016. This is a post-peer-review, pre-copyeditMetadata, version of citation a chapter and published similar papers in at core.ac.uk Provided by University of Hertfordshire Research Archive Lasting Screen Stars: Images that Fade and Personas that Endure. The final authenticated version is available online at: http://dx.doi.org/10.1057/978-1-137-40733-7_6 ‘What Price Widowhood?’: The Faded Stardom of Norma Shearer Lies Lanckman In July 1934, Photoplay magazine featured an article entitled ‘The Real First Lady of Film’, introducing the piece as follows: The First Lady of the Screen – there can be only one – who is she? Her name is not Greta Garbo, or Katharine Hepburn, not Joan Crawford, Ruth Chatterton, Janet Gaynor or Ann Harding. It’s Norma Shearer (p. 28). Originally from Montréal, Canada, Norma Shearer signed her first MGM contract at age twenty. By twenty-five, she had married its most promising producer, Irving Thalberg, and by thirty-five, she had been widowed through the latter’s untimely death, ultimately retiring from the screen forever at forty. During the intervening twenty years, Shearer won one Academy Award and was nominated for five more, built up a dedicated, international fan base with an active fan club, was consistently featured in fan magazines, and starred in popular and critically acclaimed films throughout the silent, pre-Code and post-Code eras. Shearer was, at the height of her fame, an institution; unfortunately, her career is rarely as well-remembered as those of her contemporaries – including many of the stars named above.
    [Show full text]
  • What's Inside
    January - April 2020 What’s Inside: Frozen Bun Run 5 FREE LUNAFEST® 10 Ghost Wife Vanished in Delta 14 Photo – Linda Solomon Sheep Dog Trial 17 RICHARDS Real Estate 25 South 3rd Street Rio Vista, CA 94571 (707) 374-6491 Serving the greater Delta area since 2001 For the latest news affecting real estate read Sam Richards’ weekly “Real Estate Q and A” Column in the Rio Vista Beacon or visit our website www.richards-realestate.com 2 Discover Rio Vista is a tri-annual magazine published by the RioVision Promotions and Communications team that provides information about events, activities and places of interest in and around Rio Vista. This magazine is a volunteer effort. We always need distributors who are willing to drop our magazines off to merchants in the Delta area. To volunteer, call RioVision at (707) 360-5244. January - April 2020 Edition Editor: Susan Whitesell Writers & Contributors Reviewers Photographers & Artists [email protected] Beth Ann Gallagher Emily Cummings Jose Carlos Fajardo Asst. Editor: Jan Vick Tony Kukulich Dennis Forfa Kelsey Nicols [email protected] Mary Ellen Lamothe Marilyn Nelson Doris Noriega Doris Noriega Cyndy Schroeder Phil Pezzaglia Advertising: Laurie Oleksiewicz Tom Surh Linda Solomon Carolyn Azbell Stacia Olson Jan Vick Jan Vick [email protected] Phil Pezzaglia Robie Williams Iva Walton Laurie Oleksiewicz Iva Walton Susan Whitesell [email protected] Susan Whitesell Robie Williams See the Discover Rio Vista website at: http://discoverriovista.com. For additional information about RioVision see: http://riovistavision.com and www.facebook.com/riovistavision. RioVision is a non-profit 501(c)(3) group.
    [Show full text]
  • Our County, Our Story; Portage County, Wisconsin
    Our County Our Story PORTAGE COUNTY WISCONSIN BY Malcolm Rosholt Charles M. White Memorial Public LibrarJ PORTAGE COUNTY BOARD OF SUPERVISORS STEVENS POINT, \VISCONSIN 1959 Copyright, 1959, by the PORTAGE COUNTY BOARD OF SUPERVISORS PRINTED IN THE UNITED STATES OF AMERICA AT WORZALLA PUBLISHING COMPANY STEVENS POINT, WISCONSIN FOREWORD With the approach of the first frost in Portage County the leaves begin to fall from the white birch and the poplar trees. Shortly the basswood turns yellow and the elm tree takes on a reddish hue. The real glory of autumn begins in October when the maples, as if blushing in modesty, turn to gold and crimson, and the entire forest around is aflame with color set off against deeper shades of evergreens and newly-planted Christmas trees. To me this is the most beautiful season of the year. But it is not of her beauty only that I write, but of her colorful past, for Portage County is already rich in history and legend. And I share, in part, at least, the conviction of Margaret Fuller who wrote more than a century ago that "not one seed from the past" should be lost. Some may wonder why I include the names listed in the first tax rolls. It is part of my purpose to anchor these names in our history because, if for no other reas­ on, they were here first and there can never be another first. The spellings of names and places follow the spellings in the documents as far as legibility permits. Some no doubt are incorrect in the original entry, but the major­ ity were probably correct and since have changed, which makes the original entry a matter of historic significance.
    [Show full text]
  • Laberge on Fleming, 'Paul Bern: the Life and Famous Death of the MGM Director and Husband of Harlow'
    H-TGS Laberge on Fleming, 'Paul Bern: The Life and Famous Death of the MGM Director and Husband of Harlow' Review published on Wednesday, December 8, 2010 E.J Fleming. Paul Bern: The Life and Famous Death of the MGM Director and Husband of Harlow. Jefferson: Mcfarland, 2008. 396 pp. $45.00 (paper), ISBN 978-0-7864-3963-8. Reviewed by Yves Laberge (Université Laval, Département de sociologie)Published on H-TGS (December, 2010) Commissioned by Alexander Freund The Man Who Was Jean Harlow's Husband This overlooked book is not a scholarly essay, but rather a very detailed biography of famous media mogul and film producer Paul Bern (1889-1932), the “Number Two” at Metro Goldwyn Mayer Studios. Born in northern Germany not far from Hamburg, Bern succeeded in Hollywood like many other Germans did during the silent era. As E. J. Fleming puts it, Bern was a beloved figure in the studios for all his life, but his reputation changed completely the day he died; he fell into disgrace and became infamous (p. 1). In his book, Fleming revisits Bern’s life, career, successes, and death. To most people in the ephemeral world of celebrities, he remains, as the title indicates, a film producer and the second husband of the famous actress Jean Harlow (1911-37). Bern’s original name was Paul Levy; his family emigrated to New York City in 1898. Bern did not need much time to secure a position at the center of the Hollywood community. In the mid 1920s, his friends were the most influential directors in the business (Charlie Chaplin and Ernst Lubitsch), and his powerful position at MGM allowed him to date the prettiest actresses of the day, from Lya De Putti and Mary Duncan to Jeannette Loff and Joan Crawford.
    [Show full text]
  • The Man Who Was Jean Harlow's Husband
    E.J Fleming. Paul Bern: The Life and Famous Death of the MGM Director and Husband of Harlow. Jefferson: Mcfarland, 2008. 396 pp. $45.00, paper, ISBN 978-0-7864-3963-8. Reviewed by Yves Laberge Published on H-TGS (December, 2010) Commissioned by Alexander Freund (The University of Winnipeg) This overlooked book is not a scholarly essay, lowed him to date the prettiest actresses of the but rather a very detailed biography of famous day, from Lya De Putti and Mary Duncan to Jean‐ media mogul and flm producer Paul Bern nette Loff and Joan Crawford. But that was before (1889-1932), the “Number Two” at Metro Goldwyn Bern met and married the 21-year-old actress Mayer Studios. Born in northern Germany not far Jean Harlow, who in many ways can be seen as from Hamburg, Bern succeeded in Hollywood like Marilyn Monroe’s ancestor. She was the biggest many other Germans did during the silent era. As star in Hollywood in the early 1930s, appearing in E. J. Fleming puts it, Bern was a beloved fgure in many hit movies like Frank Capra’s Platinum the studios for all his life, but his reputation Blonde (1931), George Cukor’s Dinner At Eight changed completely the day he died; he fell into (1933), Victor Fleming’s Bombshell (1933), and disgrace and became infamous (p. 1). In his book, others. She was about to shoot what would be‐ Fleming revisits Bern’s life, career, successes, and come one of the last “pre-code movies”: Red Dust death. To most people in the ephemeral world of (1932), directed by Victor Fleming.
    [Show full text]
  • Introduction
    Notes Introduction 1 . Kristina Jaspers, ‘Zur Entstehungsgeschichte und Funktion des Storyboards’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 15. We are indebted to Julia Knaus for all translations from the original German of this book. 2 . Jean-Claude Carrière, The Secret Language of Film , trans. Jeremy Leggatt (London: Faber, 1995), p. 150. 3 . Nathalie Morris, ‘Unpublished Scripts in BFI Special Collections: A Few Highlights’, Journal of Screenwriting 1.1 (2010), pp. 197–198. 4 . Fionnuala Halligan, Movie Storyboards: The Art of Visualizing Screenplays (San Francisco: Chronicle, 2013), p. 9. 5 . Alan David Vertrees, Selznick’s Vision: Gone with the Wind and Hollywood Filmmaking (Austin: University of Texas Press, 1997), pp. 67, 117. 6 . See Steven Price, A History of the Screenplay (Basingstoke: Palgrave, 2013). 7 . Katharina Henkel and Rainer Rother, ‘Vorwort’, in Katharina Henkel, Kristina Jaspers, and Peter Mänz (eds), Zwischen Film und Kunst: Storyboards von Hitchcock bis Spielberg (Bielefeld: Kerber, 2012), p. 8. 8 . Vincent LoBrutto, The Filmmaker’s Guide to Production Design (New York: Allworth, 2002), p. 62. 9 . Halligan, p. 8. 10 . John Hart, The Art of the Storyboard: Storyboarding for Film, TV, and Animation (Boston: Focal Press, 1999), p. 5. 11 . Steven Maras, Screenwriting: History, Theory and Practice (London: Wallflower, 2009), p. 120. 12 . Maras, p. 123. 13 . Kathryn Millard, ‘The Screenplay as Prototype’, in Jill Nelmes (ed.), Analysing the Screenplay (London: Routledge, 2011), p. 156. Millard develops related arguments in ‘After the Typewriter: The Screenplay in a Digital Era’, Journal of Screenwriting 1.1 (2010), pp.
    [Show full text]
  • Sex, Politics, and Comedy
    SEX, POLITICS, AND COMEDY GERMAN JEWISH CULTURES Editorial Board: Matthew Handelman, Michigan State University Iris Idelson-Shein, Goethe Universitat Frankfurt am Main Samuel Spinner, Johns Hopkins University Joshua Teplitsky, Stony Brook University Kerry Wallach, Gettysburg College Sponsored by the Leo Baeck Institute London SEX, POLITICS, AND COMEDY The Transnational Cinema of Ernst Lubitsch Rick McCormick Indiana University Press This book is a publication of Indiana University Press Office of Scholarly Publishing Herman B Wells Library 350 1320 East 10th Street Bloomington, Indiana 47405 USA iupress.indiana.edu Supported by the Axel Springer Stiftung This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of Minnesota. Learn more at the TOME website, which can be found at the following web address: openmonographs.org. © 2020 by Richard W. McCormick All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992.
    [Show full text]
  • Hgels and America's Pastime Isn't Going out to the Ballpark, It's Watching the Game on Televi- Apocalypse: the Cinema Sound Advice Sion
    Play Ball! hgels and America's pastime isn't going out to the ballpark, it's watching the game on televi- Apocalypse: The Cinema Sound Advice sion . In addition to the pleasures of the of Derek Jarman A seminar in cooperation with the sport, baseball broadcasts offer the New Democracy in visual pleasure. and iuxuriat- York University School of Con- medium at its best, capturing the excite- Celebrating tinuing Education. ing in an excess of theatricality and ment of live TV, and showcasing the most Communication: Popular Held NYU's Washington Square painterly effect, Derek Jarman has taken at advanced aud(ovisual techniques. The art Campus Video and Film in his place as one of the most exciting con- of televised baseball will be explored in a Saturday, March 7, 10 a.m.-5 panel discussion with some of the leading Latin America temporary British filmmakers. While his -SEBASTIANE, JUBILEE, Fee: $80 figures in network sports. An evening of feature films To : Make THE TEMPEST THE ANGELIC CONVER- register checks payable to the video screenings offer rare behind-the- Freelance journalist Karen Ranucci spent American Museum the Moving . SATION now CARAVAGGIO-have of Image The Lubitsch Vouch scenes glimpses of majorleague teams. In a year travelling through Latin America. and Enclose address, day received international acclaim, his con. name, telephone contrast. the feature films derive their The result is this timely and revealing col- and occupation and mail AMMI, film and tinued experimentation with super-8 and to 34-12 -Iri the mid-1920s director Ernst Lubitsch drama and comedy from life off the field.
    [Show full text]
  • M a G a Z I N
    APRIL VOLUME 19 2019 MAGAZINE ® ISSUE 2 Where everyone goes for scripts and writers™ From Public Relations to Made-up Desperations: Q&A with Acts of Desperation Screenwriter Nathan Illsley PAGE 16 Know Your Craft, Check Your Ego: Q&A with Acts of Desperation Director Richard Friedman PAGE 30 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 FIND YOUR Feature Scripts – SCRIPTS FAST Grouped by Genre ON INKTIP! 5 From Public Relations to Made-up Desperations: Q&A with Acts of Desperation Screenwriter Nathan Illsley INKTIP OFFERS: 16 • Listings of Scripts and Writers Updated Daily • Mandates Catered to Your Needs • Newsletters of the Latest Scripts and Writers Know Your Craft, Check Your Ego: Q&A with • Personalized Customer Service Acts of Desperation Director • Comprehensive Film Commissions Directory Richard Friedman 30 Scripts Represented by Agents/Managers 43 Teleplays You will find what you need on InkTip Sign up at InkTip.com! 44 Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers than InkTip – nobody.
    [Show full text]
  • Finding Aid for the Jim Tully Papers, 1883-1952 [Bulk Dates 1920-1947]
    http://oac.cdlib.org/findaid/ark:/13030/kt987022gp No online items Finding Aid for the Jim Tully papers, 1883-1952 [bulk dates 1920-1947] Brieflisted by Simon Elliott, 1990; processed by Lilace Hatayama, Alisa Monheim and Bernadette Roca, 2005-2010; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2004 The Regents of the University of California. All rights reserved. Finding Aid for the Jim Tully 250 1 papers, 1883-1952 [bulk dates 1920-1947] Descriptive Summary Title: Jim Tully papers Date (inclusive): 1883-1952 [bulk dates 1920-1947] Collection number: 250 Creator: Tully, Jim Extent: 143 boxes (71.5 linear ft.)11 oversize boxes Abstract: The collection documents the life and career of Irish American novelist and writer Jim Tully. The papers contain manuscripts of novels, short stories, articles, plays and celebrity profiles written by Tully, as well as research material for his varied interests, including pugilism, prison reform and capital punishment, hoboing, labor strikes and many other topics. There is extensive correspondence with Hollywood celebrities, directors, studio executives, literary figures, and family and friends, including one of Tully's mentors, H.L. Mencken. The papers also include photographs and personal material about family history, marriages and travel. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection.
    [Show full text]
  • Mark Vieira, Irving Thalberg: Boy Wonder to Producer Prince Study
    Mark Vieira, Irving Thalberg: Boy Wonder to Producer Prince Study List Minimum Reading Assignment: chapters I = 1, 2, 5, 6, 7; II = 10, 13, 15, 16; III = 18, 19, 20, 22, Epilogue. (Just over half the book) 1. The Boy Wonder General Manager Universal Studios under Carl Laemmle. He stands up to the formidable Erich von Stroheim! – establishes the tradition of the omnipotent producer. 2. A Funny Little Man Thalberg moves to Metro films; for now he is the darling of LB Mayer. Louis B. Mayer’s idea of a good film. Thalberg’s routine: script goes through several story conferences with producer before approval. 3. Three Shaky Little Stars He hires Norma Shearer; her “wandering eye”; her closeness to Irving. Merger creates MGM – Metro, Goldwyn, and Mayer. 4. A Studio Style Thalberg: tendency to give his writers and directors their way if they insist; he is no dictator; also “every great film must have one great scene”. Irving dates several stars. “He who Gets Slapped” MGM’s first big hit. 5. Wicked Stepchildren Stroheim’s ‘Greed’ – “militaristic will”, artist’s ego, and runaway costs; Irving concludes must keep tight rein on directors. The making of the original ‘Ben-Hur’ -- $4 million! But a smash hit. 6. A Business of Personalities Irving is overworked – he personally supervises (too) many films; he has a heart attack. He is paid a lot of money. 1 7. Top of the Heap MGM makes huge profit in 1926. 61-62: The Thalberg procedure for making a film – from selecting the script; the treatment; the script; the script conferences; selection of star; selection of appropriate director; oversight by a producer; Thalberg’s own direct participation, etc.
    [Show full text]