DOCSLIB.ORG

Rep. Bamey Ftank to Host Fundraiser for Slaughter Sent to Elisha House, 370 Chm Ave^ Rochester, N

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rep. Bamey Ftank to Host Fundraiser for Slaughter Sent to Elisha House, 370 Chm Ave^ Rochester, N JUL 0219Q6 '.hq PICNIC PINUPS Family Album III I iliv IsMII • Thousaixls socialized gaily at thc GAGV picnic on June 23. Page IS Ray Mosher award , -....3 Atany Lobby Day. 3 Incerview: Nanqr Rosin 6 OfMon: n/ote •96" 8 MaMrv the Scene. „J4 EntertakHnenc 17 Book review .. « 17 Cokimnists.... 19 Gay Groups » 24 Classifieds 29 Calendar 30 Gay Men's Chorus, Women's Pride Parade * Choms head for Tampa, Fla. LOCAL AND STATE Over 1,000 singers set for GALA FesHual Bisha House appeals for volunteers, funds By Susan Jordan pecced to generate 10 to 20 million Bisha House is a terminal care home The Rochester Gay Men*s Chorus dollars in business for the local com­ for patients suffering from AIDS, and members of Rochester municy. and it is in great need of volunteers. Women's Community Chorus will Kenneth Cole, executive director Priority \% given to AIDS patients take part in the world's largest gay of GALA Choruses, said. "GALA because only two terminal care and lesbian cf>oral festival this month. officials initially considered other homes locally accept AIDS padents. The GALA Festival wili be held locatsons when Tanripa voters in 1992 "The other homes discriminace July 6-13 in Tampa, Fla. As che latest repealed the city's amendment to its and do not accept AIDS patiencs," issue of "Keynotes," the RGMC human rights ordinance banning dis­ say Elisha House spokespersons. newsletter, remarks, "35 groggy crimination on the basis of sexual "Ironically, these other homes are members of RGMC will gacher ac orientation. They decided to remain very welt financed, and staffed with the airport. For a 6:25 (a.m.) flight. in Tampa, though, when the city put a pool of hundreds of volunteers. In To Rorida. For a week. In July." the law back on the books in Octo­ the fast five years we %er4eA 70 It takes real dedication to face ber 1993. after the courts deter­ patiencs in their journey coward Florida's summer humidity, but che mined that 462 signatures thatforced peace, and 50 of those patiencs had RGMC has been a prominent mem­ the vote were Invalid." AIDS. We are in desperate need of ber of GALA Choruses (Gay and Gays and lesbians who attend the volunteers and donations to con­ Lesbian Association of Choruses) Festival wUi be able to consuk "The tinue to s«pMMiia«BMmMdl|r;'' since its 1986 event in Minneapolis,- Rorida Boycott Handbook" which Elisha House serves a population ^i^-i when RGMC made history by hav­ lists local businesses v^ich respect that has litde in financial resources. ing all members leam to sign their equality and have policies banning The proiect is depletinglcs resources version of "Kumbaya" in ASL, an anti-gay discrimination, as a guide on much faster than it is abkrto secure incident recorded in GALA*s ofHcial where to besc spend their money. grant funds. *'We do not char^ history (and the only mention of a Thirty-six concerts will be held in patients for cheir stay, nor is there specific chorus in that history.) the Tampa Bay Performing Arts any reimbursement from insurances The Festival will indude a keynote Center, and related events will take or Social Services," the group says. address by author Maya Angelou, place at other sites, including the Elisha House has room fbr two with Harvey Fierstein as opening Busch Gardens theme park, which patients at any one time. Each pa­ ceremonies m.c; and appearances has been rented for the night of July tient has their own private bedroom by Holly Near, Romanovsky and 11 for a concert including gay com­ and there are sitting rooms and a Phillips, cabaret singer Ann Hamp­ ics Robin Tyler and John McGivem, kitchen avaiial>le to hmiYf and friends. ton Callaway, rock trio BETTY, and and the a cappelja group The Flirta­ The house is staffed 24 hours, seven over 110 choruses and small vocal tions. An all-women concert featur­ days a week. Currently the organi­ groups from gay communities all ing Ysaye Barnwell of Sweet Honey zation relies on an aide agency to fill over che country, as well as Europe in the Rock wili uke place onjuly 12. the evening hours due to a lack of and Australia. RGMC director Nick Williams said volunteers. Each shift is four hours. More than a dozen new choral that he is looking forward to a rare The day and weekend hours are the works will be premiered by approxi­ musical treat. "What excites me most needed hours. Elisha House mately 5.000 singers. Estimates of most is the level of musicianship I'm has craining available for interested the potential audience run to 30.000 going to hear. All the choruses are volunteers. people. "It's huge." said Jim Clark of amateur, but some of them are "Our mission is co provide com­ the Tampa-Hillsborough Conven­ among the most-recorded choirs in fort care to make the patient's last tion and Visitors' Center. "It's one the U.S. this decade. days as joyful and comfortable as of the biggest meetings v^'ve ever possible. We offier unconditional love had in Tampa." The event is ex­ OKM-US continuttd on p. 3 and compassion for ALL patients in our house," the group says. Please call Lynne McNauhy at 464-8852 to inquire further. Donations mvy be Rep. Bamey Ftank to host fundraiser for Slaughter sent to Elisha House, 370 Chm Ave^ Rochester, N. Y. 14611. By Susan Jordan House Judiciary Committee. House of Representadves. 2410, or Cheryl CamJifo at 28S- Conp^oynnan Bamey Frank wMI host Cof^resswoman Slaughter is cur­ Mark Siv^iec and Cheryl CanrdMo* 7247. a communicy fundraiser for local rently finishing her fifth term, and co-chairs of the event said. "With Rep. Frank told the £mpiy Ooset Bikers ride for Congresswoman Louise Slaughter has a neariy perfect voting record rel^us polidcal extremists advanc­ about why he supports Louise on Juty 19 at 7:30 p.m., at a private on issues of concem to the leriitan, ing their hate-filled, discriminatory Sbu^ghter **Because I never have to home in Com Httl. (For k>cation. gay and bisexual communhy. accord­ agenda through Congress, it is im­ ask her. I have a lot of colleagues By Aron Blocher caU 232-2410 or 268-7267.) ing to the Human Riights Campaign, portant to re-elect advocates for who I lobby aiNxit whether gqf men Comeyec die''FonyBtpress Tour Rep. Frank, of Massachusetts, be­ a Washington. D.C-besed gay rights Wmeu like Representadves Slaugh­ and lesbians deserve die same rifhts "96" as lc pesees through our neck of came the nation's first openly fay oryniadon. According tt> a recent ter and Franic We invite aH mem­ as everyone else. Wldi Loulae, I the woods on July 20. Ifyou liaven*c ntember of Conrms when he came report in Congressionaf Quorneriy bers ofthe community to pardd- xmteBr have to ask. She's lundamen- yet heard what the cour Is aH about. oucin l9t7.Heisal«uln8advocattt magsTine, she may be in Hne to pete bt her campe)^ by {obilng us taly a decent immeii beinc WIIO does aHow me to Introduce you. for equaliqr and Democrack voictt assume dte chair of die. pwerfai for H^ food and dhnk on July 19.*" thhMi heciMaertiey*i"e die rirfic riibM bl condnued elforo to raise money in tfw HOUM of Reprwniariwei, Tkkats arer$SO and can be pur- eo do. wMeti is fsod for (il and a for theSusanG. IComen BreaaaCan- ans is a laiiHinc memoer of tvie dvMd br caMnf dte Louise Shui^* aap.% ConetfoidonSulKiomminMof Ae beck die maforfqr of bl die ver nv"eMCDOTi KAmvtttmntm ac «jx» onpbS forum far or^eofcig dtepmes be^t^eii indMdu- LETTERS TO THE EDITOR: Frank continued Irom p. I »*i-.». als. We reserve the r1|hc to edit for sfece and It's a very simple text, but a very passionate llw opMom of columnists, edtoorlil writers good example for our colleagues." and other Qontrlbuclns ^'>'*'lc«<^ *^ <h«ir own darity. We wM print afwnymous letters Ifthe text. It's about making love, where you wake Frank said that he regards Slaughter as a and do not necenvily refect the coSeccive name and phone number are provided ts the up in the morning and there's the person you friend. "Louise and her husband Bob and my attitude of the Gbx Aliwiee of tha GanwMM £dicor: conAdemiaScy wiR be respected. Sub- spent the night with, and their eyes open and VaHex or the Enw Qoeet We wE print mintonsareduebythe I Sth of the months partner Herb and I have socialized on occa­ you re-create the glory of the night before. It letters at the editor's dbcretlon and on > The CmpCjr Cieeet 179 Atlantic Ave. sion. There's a fairly small number of maie space ivtHeble basls.We w« not print pcr- Rochester ISIT I4C07> 125S ends with an orgasm written into musicai spouses (of Congressmembers), and Herb a t t e r •oral attKks on IrtdMdials, nor w« we be a format. It's beautiful — simple musically but viewpoint and Bob have become friends and have that stunning, a glorious piece of music. It's very in common.*' sin^ble, understandable, accessible. That's Frank said thac the "Defense of Maniage" the one we're doing. Rochester Women's Act (DOMA) is moving so quickly through Newsfronts Community Chonjs are doing another by • LOCAL AND STATE NEWS From Our Readers Congress because the Republicans are push­ Ysaye Barnwell of Sweet Honey in the Rock, ing it as an election year ploy.
Load more

Recommended publications
  • A World Like Ours: Gay Men in Japanese Novels and Films
    A WORLD LIKE OURS: GAY MEN IN JAPANESE NOVELS AND FILMS, 1989-2007 by Nicholas James Hall A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2013 © Nicholas James Hall, 2013 Abstract This dissertation examines representations of gay men in contemporary Japanese novels and films produced from around the beginning of the 1990s so-called gay boom era to the present day. Although these were produced in Japanese and for the Japanese market, and reflect contemporary Japan’s social, cultural and political milieu, I argue that they not only articulate the concerns and desires of gay men and (other queer people) in Japan, but also that they reflect a transnational global gay culture and identity. The study focuses on the work of current Japanese writers and directors while taking into account a broad, historical view of male-male eroticism in Japan from the Edo era to the present. It addresses such issues as whether there can be said to be a Japanese gay identity; the circulation of gay culture across international borders in the modern period; and issues of representation of gay men in mainstream popular culture products. As has been pointed out by various scholars, many mainstream Japanese representations of LGBT people are troubling, whether because they represent “tourism”—they are made for straight audiences whose pleasure comes from being titillated by watching the exotic Others portrayed in them—or because they are made by and for a female audience and have little connection with the lives and experiences of real gay men, or because they circulate outside Japan and are taken as realistic representations by non-Japanese audiences.
    [Show full text]
  • In Concert at with Congregation Sha'ar Zahav
    Street Theatre • Z. Budapest • Swingshift • Boy Meets Boy • C O M I N G U P ! FREE March, 1982 Largest Lesbian/Gay Circulation in the Bay Area The Mayor of Castro Street International Feminism Lesbian and Gay in Argentina Harvey Milk Lives! by Cris, an Argentine woman A review by Larry Lee International Women's Week officia lly classes. So these organizations arose runs from March 7 to U , bu t here In the Bay together with other revolutionary currents, The Mayor o f Castro Street: The Life & Times o f Harvey Milk, by Area It w ill start early and end late. A com­ not only In Argentina but throughout Latin Randy Shilts. St. M artin’s Press, 1982. $14.95. plete directory of events can be found on America. Later, many of these movements page 3. were destroyed by the military dictator­ In the three and a half years since the murder of Harvey Milk, To celebrate the week we've com m is­ ships that came to power. the columns have carried several items forecasting the way the sioned a number of special articles, In­ media would package his story, the inevitable fate o f our latter- cluding this one, which Inaugurates what During those years, In the 1970's, it was day heroes and martyrs. Joel Grey, o f all people, was Interested we hope w ill become an ongoing series on fashionable, especially In Buenos Aires, to in playing Harvey on TV, and there was talk o f a theatrical film the feminist, gay and lesbian movements go to gay clubs and bars.
    [Show full text]
  • Everything You Need to Know
    EVERYTHING YOU A publication NEED TO KNOW A publication PREMIER EVENTS 15 – 18 MArCh 2012 The ArTs CenTre, sTATe TheATre FIVe shOWs OnLY ! National Ballet of China with the National Ballet of China Symphony Orchestra ★★★★ TICKeTs ‘China's equivalent of Romeo and Juliet... $89 – $159 stands out as a captivating original ’ Group and concession The GuArdIAn tickets also available ‘A ravishing spectacle few will forget’ WALL sTreeT JOurnAL theartscentre.com.au*, 1300 182 183* or the Arts Centre Box Office *Transaction fee applies The Ministry of Culture, People’s Republic of China MIDSUMMA FESTIVAL 15 JANUARY - 5 FEBRUARY 2012 FOR MORE INFORMATION VISIT : WWW.MIDSUMMA.ORG.AU | starobserver.COM.AU PREMIER EVENTS PUBLISHER SSO Media Scott Abrahams PO BOX 537 Prahran, VIC SALES & MARKETING AUSTRALIA 3181 Mike Evans E: [email protected] FEATURE The views expressed are Welcome one and all CO-ORDINATOR not necessarily those of the Andie Noonan It’s Midsumma! Time to come together to celebrate queer culture in Melbourne. publisher. No responsibility is accepted by the publisher for Wherever you are on the LGBTI spectrum the team at Midsumma wants you to feel this is PRODUCTION DESIGN the accuracy of information your festival. Troy Murphy contained in any part of the Tomas Nemecek There’s a rich and diverse program this year and we are proud to deliver it to you. text or advertisements in this publication. Advertisers are To the excellent staff, board, volunteers, sponsors and government support – a huge thanks. WEBSITE www.starobserver.com.au responsible for advertising Book tickets, see shows, enjoy the parties and celebrate the diversity of our community.
    [Show full text]
  • Prodigals in Love: Narrating Gay Identity and Collectivity on the Early Internet in China
    Prodigals in Love: Narrating Gay Identity and Collectivity on the Early Internet in China by Gang Pan A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of East Asian Studies University of Toronto © Copyright by Gang Pan 2015 Prodigals in Love: Narrating Gay Identity and Collectivity on the Early Internet in China Gang Pan Doctor of Philosophy Department of East Asian Studies University of Toronto 2015 Abstract This dissertation concerns itself with the eruption of a large number of gay narratives on the Chinese internet in its first decade. There are two central arguments. First, the composing and sharing of narratives online played the role of a social movement that led to the formation of gay identity and collectivity in a society where open challenges to the authorities were minimal. Four factors, 1) the primacy of the internet, 2) the vernacular as an avenue of creativity and interpretation, 3) the transitional experience of the generation of the internet, and 4) the evolution of gay narratives, catalyzed by the internet, enhanced, amplified, and interacted with each other in a highly complicated and accelerated dynamic, engendered a virtual gay social movement. Second, many online gay narratives fall into what I term “prodigal romance,” which depicts gay love as parent-obligated sons in love with each other, weaving in violent conflicts between desire and duty in its indigenous context. The prodigal part of this model invokes the archetype of the Chinese prodigal, who can only return home having excelled and with the triumph of his journey.
    [Show full text]
  • Barbara Grier--Naiad Press Collection
    BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library.
    [Show full text]
  • Carmilla and Affect in Contemporary Lesbian Fandom
    Lesbian Feelings and Fandoms: Carmilla and Affect in Contemporary Lesbian Fandom by Sneha Shilip Kumar A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies Carleton University Ottawa, Ontario © 2020, Sneha Shilip Kumar Abstract My thesis explores the contemporary lesbian web series as being similar to fanfiction and its fandom as an affective community built on a set of inclusions and exclusions. My case study is Carmilla (Canada, Spencer Maybee 2014-2016), a YouTube web series shot in vlog format, and its lesbian fandom. I argue that Carmilla challenges the genres of the gothic and lesbian vampire in ways similar to fanfiction. Building on the work of fan studies scholars Katrin Döveling and Louisa Stein, I propose that affective bonds are created between Carmilla fans through various kinds of online activities and these flows of affect are influenced by the race and location of fans. My experiences at the first CarmillaCon in Toronto suggest that the online and offline Carmilla fandom both create and reflect each other. i Acknowledgements I am grateful to the Carmilla fandom for many reasons: giving me community when I thought I had none; allowing me to feel acceptance when I felt uncomfortable in my own skin; getting me through long nights filled with many assignments; and finally, providing me with the resources to successfully write my thesis. There are so many people I have to thank for giving me the strength and guidance to finish this project. First and foremost, I am indebted to my supervisor, Dr.
    [Show full text]
  • Exorbitance and Queer Futurities in the Well of Loneliness, Lesbian Pulp Fiction, and Radical Feminist Manifestos
    FEET DOWN, NEW PLANET: EXORBITANCE AND QUEER FUTURITIES IN THE WELL OF LONELINESS, LESBIAN PULP FICTION, AND RADICAL FEMINIST MANIFESTOS A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in English By Sally Baker, B.A. Washington, DC March 19, 2018 Copyright 2018 by Sally Baker All Rights Reserved ii FEET DOWN, NEW PLANET: EXORBITANCE AND QUEER FUTURITIES IN THE WELL OF LONELINESS, LESBIAN PULP FICTION, AND RADICAL FEMINIST MANIFESTOS Sally Baker, B.A. Thesis Advisor: Jennifer Natalya Fink, Ph.D. ABSTRACT “Feet Down, New Planet” explores exorbitance and queer futurities in The Well of Loneliness, lesbian pulp fiction, and radical feminist manifestos. It extends queer theory to the texts as a way to expand them beyond the limits of their original sociocultural publication contexts. This thesis examines models of reproduction, queer embodiment, and world-building in The Well of Loneliness, lesbian pulp fiction, and radical feminist manifestos in order to examine how the authors write worlds beyond the limits of liberal feminist propriety, and imagine radical queer futures through oozing poetic sensibilities. “Feet Down, New Planet” contributes to queer theories of excess by mapping a cartographic and affective history of queer literary excess, and curates the exorbitant world-building frameworks Radclyffe Hall, Valerie Taylor, Jill Johnston, and Valerie Solanas imagine. iii TABLE OF CONTENTS Introduction: Feet Down…………………………………………………………………...... 1 Chapter I: Flesh Temporalities: Womb as Queer Counterpublic in The Well of Loneliness… 4 Introduction: The Well of Loneliness………………………………………………….. 4 Situating the Womb………………………………………………………………….
    [Show full text]
  • Learning from Other Movements: Gay Liberation and Recovery Advocacy
    Hill, T. & White, W. (2015). Learning from other movements: Gay liberation and recovery advocacy. Posted at www.williamwhitepapers.com Learning from other Movements: Gay Liberation and Recovery Advocacy Tom Hill and William White1 Introduction For participants of the current recovery advocacy movement, there is much to learn from previous social movements. Lessons of considerable import can be gleaned from the movements that intersected in the 1960s, including the civil rights movement, the black power movement, the new left and anti-war movements, the women’s movement, and the gay liberation movement. While all of these are worthy of study, the gay liberation movement holds certain parallels, strategies, and lessons that may be of particular interest. This is due in large part to the societal myths and misunderstandings of both people who have experienced addiction and those with diverse sexual orientations and gender identities. The stigma attached to these groups has often rendered them expendable and, as a result, has forced them into hiding their experiences and identities. Members of the gay community, most prominently Bayard Rustin, played critical roles in the civil rights movement and later drew upon the lessons of the civil rights movement in the same way that members of the recovery advocacy movement are now drawing upon their experience within earlier social movements. Because the societal stigma and discrimination targeting these two groups have been so severe, they share similarities in the early stages of building a movement of social justice and change. The gay liberation movement – now inclusive of lesbian, gay, bisexual, and transgender (LGBT) lives and identities – currently has 45 years of organizing and movement-building experience compared to the new recovery advocacy movement that emerged in the late 1990s and was formally organized at the 2001 recovery summit in St.
    [Show full text]
  • View the Thematic Outline
    Thematic Outline This outline provides a general overview of the conceptual structure of the Lesbanese (2008; Alissar Gazal) Global Encyclopedia of Lesbian, Gay, Bisexual, Transgender, and Mädchen in Uniform (1931; Leontine Sagan) Queer (LGBTQ) History. The outline is organized under twenty-one Masculinity in Iranian Cinema major categories, which are further split into eleven subcategories. The Pasolini’s Cinematic Adaptation of A Thousand and One entries are listed alphabetically within each category or subcategory. For Nights ease of reference, the same entry may be listed under multiple categories. Queer Themes in Italian Neorealist Cinema Theater, Queer ARCHIVES Transgender Identity in Iranian Cinema Tuqus al-Isharat wa-al-Tahawwulat (1994; Sa‘dallah Archives in Africa Wannous) Archives in Asia Archives in Australia and New Zealand Archives in Europe ARTS AND POPULAR CULTURE: LITERARY WORKS AND MOVEMENTS Archives in Latin America Archives in North America Aestheticism and Decadence, Nineteenth-Century Hemispheric Institute Digital Video Library Al-Akharun (2006; Seba al-Herz) Lesbian Herstory Archives Anā Hiya Anti (2000; Elham Mansour) Antes que Anochezca (1992; Reinaldo Arenas) ARTS AND POPULAR CULTURE: FILM, TELEVISION, AND ‘ ā THEATER Awdat al-Almani il Rushdih (2006; Rashid al-Daif) Bareed Mista3jil: True Stories (2009) Asrar ‘Ailiyyah (2013; Hany Fawzy) Bayrut ’75 (1975; Ghāda al-Sammān) Brokeback Mountain El Beso de la Mujer Araña (1976; Manuel Puig) The Bubble (2006; Eytan Fox) Bom-Crioulo (1895; Adolfo Ferreira Caminha)
    [Show full text]
  • LGBTQ America: a Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
    Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. THEMES The chapters in this section take themes as their starting points. They explore different aspects of LGBTQ history and heritage, tying them to specific places across the country. They include examinations of LGBTQ community, civil rights, the law, health, art and artists, commerce, the military, sports and leisure, and sex, love, and relationships. LGBTQ 16BUSINESS AND COMMERCE David K. Johnson As the field of gay and lesbian studies first began to take shape in the 1980s, writer and activist Dennis Altman called attention to the central role that commercial enterprises played in the development of LGBTQ communities. “One of the ironies
    [Show full text]
  • Live Cinema En Exposities on Screen
    Jaarverslag 2018 VOORWOORD Not so lazy Sunday 2 INLEIDING Het hele jaar 2018 heeft bij Natlab in het teken van Transformatie gestaan. Als voormalig laboratorium, een plaats waar continue veranderingen plaatsvonden en uitvindingen werden gedaan, dat zich vervolgens ontpopte als filmtheater, past dit thema natuurlijk perfect. Daarnaast moeten we als filmtheater onze plaats in een snel veranderende samenleving en filmindustrie blijven heruitvinden. Het thema Transformatie toonde zich in de tentoonstellingen, theatervoorstellingen en films die we programmeerden, maar ook in de organisatie van Natlab zelf. Op 7 januari vond het eerste programma te praten over zijn transitie van vrouw naar plaats: Not so lazy Sunday. In de Podiumzaal man. was er bijzonder programma met Syrische muziek, dans en hapjes en drankjes. Op 1 Natuurlijk kwam het thema Transformatie maart organiseerden we een discussie over door het jaar heen ook terug in verschillende #metoo en genderrollen in de filmwereld. films die we vertoonden: Oscar-winnaar The Ook het Taartroversfestival vond deze Shape of Water, de bijzondere Lady Bird, maand plaats: kinderen konden zich in onze Phantom Thread, kaskraker A Star is Born, podiumzaal vermaken met de prachtigste Belgische verrassing Girl, of Cold War, om er installaties rond boekverfilmingen. maar een paar te noemen. Tijdens dancefestival Arthouse werd de Op directieniveau vond dit jaar ook een Podiumzaal voor een avond getransformeerd belangrijke verandering plaats. Na ruim tot een dansclub, waarin beeld en geluid in zes jaar hebben we afscheid genomen van elkaar overliepen in de vorm van 3D sounds Pauline Terreehorst als directeur van Natlab en visuals. Het VR-festival in april toonde ons door Plaza Futura.
    [Show full text]
  • AB/NORMAL LOOKING Voyeurism and Surveillance in Lesbian Pulp
    AB/NORMAL LOOKING Voyeurism and surveillance in lesbian pulp novels and US Cold War culture Yvonne Keller LOOK AT HER ... and she cannot be distinguished from her more normal sisters ... I have seen them, and I am one of them; yet 1 have never been able to pick a lesbian out of the crowd ... For she is any woman. (Ann Aldrich [1955] 1962, front inside teaser page, capitalization as original) [Popular culture is] the space of homogenization where stereotyping and the formulaic mercilessly process the material and experiences it draws into its web ... It is rooted in popular experience and available for expropriation at one and the same time ... [A]ll popular cultures ... lare] bound to be contradictory ... site[s] (pp. 469-70) of strategic contestation. (Stuart Hall 1996, ) "LOOK AT HER"—the injunction at the beginning of Aldrich's lesbian pulp We Walk Alone typifies the public lesbian image in US fifties popular culture. The command and ensuing text prioritize the visual, regulate the boundaries ofthe "normal," and set the reader up for immediate, apparent failure—despite the insistence on looking the lesbian "cannot be distinguished"; she paradoxically cannot be seen. This article analyzes the links between sight and ab/normality—i.e. sight and cultural power—in lesbian pulps. The sensationalistic mass-market paperbacks called lesbian pulps are not, as might be suspected from our present-day vantage point, close-to-pornographic cultural expatriates in the ur- heterosexual. Father Knows Best, suburban world of the fifties. Rather I will argue these pulps were bestsellers precisely because they embodied reassuringly prevalent and normative strategies of sight.
    [Show full text]