Steven Universe the Trial Full Episode Part 1

Total Page:16

File Type:pdf, Size:1020Kb

Steven Universe the Trial Full Episode Part 1 Steven universe the trial full episode part 1 Continue The 2016 Republican national team will be featured in the 2018 Film Festival, the 2016 Republican National Championship. The series revolves around Steven Universe (voiced by Zach Callison), who protects his hometown of Beach City along with Garnet (voiced by Estelle), Amethyst (voiced by Michaela Dietz) and Pearl (voiced by Deedee Magno Hall), three magical alien guardians known as Crystal Gems. Episodes of Steven Universe and its sequel, Steven Universe Future, have been variously aired once a week, most recently on Friday night, or in blocks of several new episodes over the course of a week, which are marketed as Stevenbombs, or back-to-back as special offers with an umbrella title. [1] During the series, 160 episodes of Steven Universe were broadcast over five seasons, between 4th[2] A TV movie, Steven Universe: The Movie, was released on 7 May 2016. [4] [5] Series overview SeasonEpisodesUpstartedFired First sentPilotMay 21, 2013 (2013-11-04)16 April 2015 (2015-04-16)225, 2015 (2015-2015) January 8, 2015 (2015-03-13)8. 2016 (2016-01-08)325May 12 , 2016 (2016-05-12)August 10, 2016 (2016-08-10)425August 11, 2016 (2016-08-11)May 11, 2017 (2017- 05-11)532May 29, 2017 (2017-05-29)January 21, 2019 (2019-01-21)FilmSeptember 2, 2019 (2019-09-02)Future20December 7, 2019 (2019-12-07)March 27, 2020 (2020-03-27) Episodes The order and length of the first three seasons are incompatible between official sources; This list uses the intended order of the episodes as specified by Ian Jones-Quartey, who re-orders six episodes from the first two seasons in relation to the broadcast order. [6] Pilot (2013) TitleDirectly written off and storyboarded byOriginal release date The Time Thing[7]Phil Rynda (creative), Sue Mondt (art), and Genndy Tartakovsky (timing)Rebecca SugarMay 21, 2013 (2013-05-21)[nb 1] When they return from an intergalactic mission, Crystal Gems – Garnet, Amethyst and Pearl – have brought a mysterious magical hourglass. Steven Universe, the youngest member of Crystal Gems, gets his hands on the device and discovers that it has the ability to let him travel back in time to make snappy comebacks. But his actions soon lead to a deadly adversary, with everyone's life dependent on Steven being able to make a worthy comeback. Season 1 (2013-15) Episode premieres first happened weekly on Monday night. The episode premieres moved to Wednesday night beginning with the episode Steven the Sword Fighter. The episode premieres moved again to Thursday night beginning with the episode Coach Steven. Episodes Open Shirt Club, and Story for Steven were bumped into the air during the second season to facilitate the airing of the last arc of season one over five consecutive nights. [8] The episode Say Uncle was produced and aired as part of the second season, which was denoted by the different production code. But even if it's not canonical, it happens late in the first season, and is included here per Quartey's list. [6] No. inseasonTitleDirectly written off and storyboarded byOriginal air dateProd.codeU.S. viewers(million)11Gem GlowIan Jones-Quartey (supervision)Kevin Dart (art)Joe Johnston and Jeff LiuNovember 4, 2013 (2013-11-04)1020-0031.86[9] Steven is disappointed that his favorite ice cream sandwich brand, Cookie Cat, is being taken off the market. He soon cheered when he discovered that Gems managed to get hold of some of the last remaining Cookie Cats, which he comes to believe could be the key to activating his gem. 22Laser Light CannonIan Jones-Quartey (supervision)Kevin Dart (art)Kat Morris and Rebecca SugarNovember 4, 2013 (2013-11-04)1020-0011.86[9] When a menacing Red Eye is about to hit Beach City, the only thing that can destroy it is a Laser Light Cannon that once belonged to Steven's mother, Rose Quartz. Steven and his father, Greg, search through Greg's storage for the cannon. 33 Cheeseburger BackpackIan Jones-Quartey (supervision)Kevin Dart (art)Ian Jones-Quartey and Rebecca SugarNovember 11, 2013 (2013-11-11)1020-0021.68[10] Crystal Gems take Steven on his first mission: to place a Moon Goddess statue on top of the ruined Lunar Sea Spire. Steven tries to prove that he can be useful using his new novelty Cheeseburger Backpack. 44 Together BreakfastIan Jones-Quartey (supervision)Kevin Dart (art)Ian Jones-Quartey, Rebecca Sugar and Paul VillecoNovember 11, 2013 (2013-11-11)1020-0041.68[10] Steven's attempt to get Gems to share his special breakfast sends him on a journey through their old Crystal Temple; but when breakfast absorbs a dangerous object, it comes to life and must be defeated. 55FryboIan Jones-Quartey (superintendent)Kevin Dart (art)Raven M. Molisee and Paul VillecoNovember 18, 2013 (2013-11-18)1020-0081.29[11] Steven brings a mascot costume to life with a magical pearl shard to help his friend Peedee, but it backfires when the mascot goes rogue. 66Cat FingersIan Jones-Quartey (supervision)Kevin Dart (art)Kat Morris, Hilary Florido, Ian Jones-Quartey and Rebecca SugarNovember 25, 2013 (2013-11-25)1020-0051.71[12] Trying to master his shapeing abilities, Steven turns his fingers to cats, who come out of control. 77 Bubble BuddiesIan Jones-Quartey (supervision)Kevin Dart (art)Kat Morris and Aleth RomanillosDesEmber 2, 2013 (2013-12-02)1020-0061.61[13] Steven forms a magical bubble around himself and a girl named Connie to save her from a rock, but he has no idea how to make it go away. 88 Serious StevenIan Jones-Quartey (oversight)Kevin Dart (art)Joe Johnston and Jeff LiuJanuary 13, 2014 (2014-01-13)1020-0071.35[14] While navigating through an old Gem maze, Steven tries to prove to Gems that he can take the mission seriously. 99 Tiger MillionaireIan Jones-Quartey (supervision) Kevin Dart (art) Raven M. Molisee and Paul VillecoJanuary 20, 2014 (2014-01-20) 1020-0111.57[15] Steven joins an underground wrestling league with Amethyst, who is tired of Garnet and Pearl bringing her down. 1010Steven's LionIan Jones-Quartey (supervision)Kevin Dart and Elle Michalka (art)Lamar Abrams and Aleth RomanillosJanuary 27, 2014 (2014-01-27)1020-0121.51[16] Steven befriends a magical lion he finds in the desert during a mission. 1111Arcade ManiaIan Jones-Quartey (supervision)Kevin Dart (art)Lamar Abrams, Aleth Romanillos and Luke WeberFebruary 17, 2014 (2014-02-17)1020-0091.17[17] Steven takes Gems to Funland Arcade, where Garnet is enchanted by a rhythm game. 1212Giant WomanIan Jones-Quartey (supervision)Kevin Dart (art)Joe Johnston and Jeff LiuFebruary 24, 2014 (2014-02-24)1020-0101.89[18] Steven urges Amethyst and Pearl to merge into a four-armed giant woman named Opal, but Ametyst and Pearl continue to argue. 1313 So many birthdays Ian Jones-Quartey (supervision)Elle Michalka (art)Raven M. Molisee and Paul VillecoMarch 3, 2014 (2014-03-03)1020-0141.17[19] After learning that gems are thousands of years old, Steven throws a party to make up for all the birthdays they have missed, and he begins to worry about what it means to grow up himself. 1414Lars and the Cool KidsIan Jones-Quartey (superintendent)Elle Michalka (art)Lamar Abrams and Matt BralyMarch 10, 2014 (2014-03-10)1020-0151.50[20] Steven and Lars hang out with the cool kids - Jenny Pizza, Buck Dewey and Sour Cream - but their teenage shears get them into magical trouble. 1515Onion TradeIan Jones-Quartey (supervision)Elle Michalka (art)Lamar AbramsMarch 17, 2014 (2014-03-17)1020-0181.79[21] A toy trade between Steven and Onion escalates into epic proportions. 1616Steven sword fighter Ian Jones-Quartey (supervision)Elle Michalka (art)Joe Johnston and Jeff LiuApril 9, 2014 (2014-04-09)1020-0131.10[22] Pearl's attempt to teach Steven the art of sword fight using a holographic version of herself goes wrong when she is injured and must retreat to her pearl to heal. 1717Lion 2: The MovieIan Jones-Quartey (supervision)Elle Michalka (art)Joe Johnston and Jeff LiuApril 23, 2014 (2014-04-23)1020-0171.57[23] Steven and Connie try to ride Lion to the cinema, but Lion instead takes them to a mysterious armor Gemy. 1818Beach PartyIan Jones-Quartey (supervision)Elle Michalka (art)Lamar AbramsApril 30, 2014 (2014-04-30)1020-0201.44[24] Damages the Fish Stew Pizza sign, gems are banned from the restaurant, so Steven throws a cookout on the beach to repair the relationship between the Pizza family and gems. 1919Rose's RoomIan Jones-Quartey (supervision)Elle Michalka (art)Joe Johnston and Jeff LiuMay 14, 2014 (2014-05-14)1020-0191.55[25] Stevens's desire for a certain alone time unlocks a room in the temple that answers his wishes. 2020Coach StevenIan Jones-Quartey (superintendent)Elle Michalka (art)Raven M. Molisee and Paul VillecoAugust 21, 2014 (2014-08-21)1020-0161.85[26] Against Pearl's advice, Steven is determined to become stronger after seeing Garnet and Amethyst hedging into the mighty (and destructive) Sugilite. 2121Joking VictimIan Jones-Quartey (supervision)Elle Michalka (art)Raven M. Molisee and Paul VillecoAugust 28, 2014 (2014-08-28)1020-0241.63[27] When Lars fakes an injury to take a sick day from work, Steven Sadie helps out on big donut, and they pull a prank on Lars to get back at him. 2222Steven and the StevensIan Jones-Quartey (supervision)Elle Michalka (art)Joe Johnston and Jeff LiuSeptember 4, 2014 (2014-09-04)1020-0212.14[28] Steven needs a musical partner for an upcoming show, so he uses a time travel device to recruit himself as the perfect bandmate.
Recommended publications
  • Universidade Estadual Da Paraíba Campus Iii Centro De Humanidades Departamento De História Curso De História
    UNIVERSIDADE ESTADUAL DA PARAÍBA CAMPUS III CENTRO DE HUMANIDADES DEPARTAMENTO DE HISTÓRIA CURSO DE HISTÓRIA ÔNISSON BATISTA BESERRA A REPRESENTATIVIDADE SEXUAL NO CARTOON “STEVEN UNIVERSE” GUARABIRA 2019 ÔNISSON BATISTA BESERRA A REPRESENTATIVIDADE SEXUAL NO CARTOON “STEVEN UNIVERSE” Trabalho de Conclusão de Curso (Artigo) apresentado à Coordenação do Curso de História da Universidade Estadual da Paraíba, como requisito parcial à obtenção do título de Licenciado em História. Área de concentração: Gênero. Orientador: Prof.ª Dr.ª Susel Oliveira de Rosa. GUARABIRA 2019 É expressamente proibido a comercialização deste documento, tanto na forma impressa como eletrônica. Sua reprodução total ou parcial é permitida exclusivamente para fins acadêmicos e científicos, desde que na reprodução figure a identificação do autor, título, instituição e ano do trabalho. B554r Beserra, Onisson Batista. A representatividade sexual no cartoon "Steven Universe" [manuscrito] / Onisson Batista Beserra. - 2019. 26 p. : il. colorido. Digitado. Trabalho de Conclusão de Curso (Graduação em História) - Universidade Estadual da Paraíba, Centro de Humanidades , 2019. "Orientação : Prof. Dr. Susel Oliveira de Rosa , Departamento de História - CEDUC." 1. Steven Universe. 2. Representatividade. 3. Sexualidade. I. Título 21. ed. CDD 305.21 Elaborada por Andreza N. F. Serafim - CRB - 15/661 BSC3/UEPB À minha mãe e meu pai, pela dedicação, companheirismo, amizade, amor e zelo, DEDICO. I learned compassion from being discriminated against. Everything bad that's ever happened to me has taught me compassion. Ellen DeGeneres Eu aprendi o que era compaixão por ser discriminada. Tudo de ruim que já me aconteceu ensinou- me sobre compaixão. (tradução nossa) LISTA DE ILUSTRAÇÕES Figura 1 – Sapphire beija Ruby..........................................................................
    [Show full text]
  • Steven Universe’: Un Héroe Dialógico Como Engranaje Del Cambio ‘Steven Universe’: a Dialogical Hero As a Catalyst for Change
    indexlcomunicación | nº 9 (3) 2019 | Páginas 207-235 E-ISSN: 2174-1859 | ISSN: 2444-3239 | Depósito Legal: M-19965-2015 Recibido el 31_08_2019 | Aceptado el 27_10_2019 | Publicado el 16_11_2019 ‘STEVEN UNIVERSE’: UN HÉROE DIALÓGICO COMO ENGRANAJE DEL CAMBIO ‘STEVEN UNIVERSE’: A DIALOGICAL HERO AS A CATALYST FOR CHANGE https://doi.org/10.33732/ixc/09/03Steven −−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−− Delicia Aguado-Peláez [email protected] http://orcid.org/0000-0001-9349-4668 Aradia Cooperativa y Euskal Herriko Unibertsitatea −−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−−− Para citar este trabajo: Aguado-Peláez, D. (2019). ‘Steven Universe’: un héroe dialógico como engranaje del cambio. index.comunicación, 9(3), 207-235. https://doi.org/10.33732/ixc/09/03Steven indexlcomunicación| número monográfico 9(3), 2019 Intersecciones televisivas Resumen: El objetivo de la presente investigación es reflexionar sobre la representación de los sistemas de dominación y resistencias presentes en la serie de animación infantil/juvenil imaginada por Rebeca Sugar: Steven Universe (Cartoon Network, 2013-2019). Para ello, se analizan las cinco temporadas (160 episodios) utilizando como herramientas metodológicas el análisis de contenido cualitativo y la interseccionalidad, especialmente la «matriz de dominación» diseñada por Patricia Hill Collins. En este sentido, hay que destacar que esta producción utiliza las licencias de la ciencia ficción fantástica para narrar, en clave infantil, la interacción de sistemas de dominación como el capitalismo, el colonialismo, el racismo o el sexismo. Pero también habla de las estrategias que desarrollan los personajes para superarla, especialmente, a través del diálogo y la empatía y de la introducción de temáticas tan diversas como la búsqueda de identidad, los derechos LGBTI+ o la crisis de los refugiados, entre otras.
    [Show full text]
  • The Fatalis Project: a Creative Response To
    THE FATALIS PROJECT: A CREATIVE RESPONSE TO LGBTQIA+ REPRESENTATION IN ANIMATION by LILLY BONASERA A THESIS Presented to the Department of Cinema Studies and the Robert D. Clark Honors College in partial fulfillment of the requirements for the degree of Bachelor of Arts November 2019 An Abstract of the Thesis of Lilly Bonasera for the degree of Bachelor of Arts in the Department of Cinema Studies to be taken October 2019 Title: The Fatalis Project: A Creative Response to LGBTQIA+ Representation in Animation Approved: _______________________________________ Tyrras Warren “The Fatalis Project: A Creative Response to LGBTQIA+ Representation in Animation” aims to analyze two animated shows’ LGBTQIA+ representation utilizing a variety of film history and queer theories, including abjection, intersectionality, and recognition of problematic tropes and stereotypes. The two shows in question are Steven Universe and Voltron: Legendary Defender. While representation in animation has seen some increase over the last few years, it is still exceedingly rare, and often solely focuses on a white perspective when tackling issues such as diversity and colonialism. As a solution, I propose my own pitch for an animated show with positive images of LGBTQIA+ characters using character designs, scripts, and storyboards. This show aims to tackle the problems of LGBTQIA+ representation using an intersectional framework while explicitly discussing characters’ salient identities. ii Acknowledgements I would like to thank my thesis advisors, Professor Ty Warren, Professor Peter Alilunas, and Professor Casey Shoop, for their patience and help in creating and editing this thesis project. I chose all of them because I enjoyed their classes and teaching style, and am so glad that they were able to be on my committee.
    [Show full text]
  • Steven Universe Latino Temporada 6
    Steven universe latino temporada 6 Continue YOUTUBE Will it be true that this will be a new and improved intro of our beloved universe Stephen progama? In my opinion, this intro I love, the best I've seen in the entire series, fascinated me: Hearts: In Steven Universe Espa'ol? Join the community. Get Amino's Steven Universe English? Join the community. Get App After Saving the Universe, Stephen is still in it, tying every free end. But when you run out of other people's problems to solve, you will finally have to face your own. Beware of the past and lost in the present, Stephen begins to show new and uncontrollable powers that crystal stones have never seen him before. What does it all mean and what does Stephen want for his future? Episodes in Latin SpanishFirst season consists of 52 episodes. It premiered on November 4, 2013. In Latin America, this season premiered on April 7, 2014. In Latin America, an episode of Brighten Gems was to be released first, but instead the Laser Gun was released, changing the order of the series. The season ended on March 12, 2015 in the United States with an episode of Prison Escape and in Los Angeles ended on June 15, 2015 with the same episode. In Spain, this season premiered on May 31, 2014, with an episode of Mohil Hamburgues and ended on October 3, 2015 with an episode of La Fuga. EpisodesProgram personal visit to our Help CenterMore Information Content Show Title letter title in Los Angeles Title in ES Title in the U.S.
    [Show full text]
  • Non-Normative Family on Children's Television
    Non-normative Family on Children’s Television Queering Kinship, Temporality and Reproduction in Steven Universe ​ Paulína Kožuchová Supervisor's name: Tara Mehrabi Gender Studies, LiU Master’s Programme Gender Studies – Intersectionality and Change Master’s thesis 30 ECTS credits ISNR: LIU-THEME G / GSIC2-A-18/002-SE Abstract The purpose of this Master’s thesis is to examine queer aspects of the animated television show Steven Universe (2013-present), created by Rebecca Sugar and produced by Cartoon ​ Network. Situating Steven Universe in the context of Cartoon Network and children’s ​ animation in general, and drawing on queer theory, as well as feminist cultural studies and kinship studies, the thesis aims to contribute to understanding of non-normative family representation in children’s entertainment. Through a close reading of the material, the thesis explores how Steven Universe queers the notion of family. It focuses on the show’s depiction ​ of kinship, temporality and reproduction, and examines how each of these aspects subverts reproduces different modes of normativity. In Steven Universe, the family of the main ​ ​ character, Steven, is depicted as socially unintelligible, and as a mixture of biological and chosen kinship, highlighting the importance of both. It places great emphasis on being accepted by one’s family and community, and I discuss how this message can be both empowering and undermining. Steven’s family mostly inhabits queer time and does not give in to chrononormative structures. However, I also explore and critically evaluate parts of the series in which queer temporality is provisionally replaced by chrononormativity and striving for maturity.
    [Show full text]
  • 1 1 Gem Glow 2 Laser Light Cannon 3 Cheeseburger Backpack 4
    Core Plot Series Episode Intro Jasper/ClusterHomeworldSteven Connie Garnet AmethystPearl Lapis Peridot BismuthGreg/RoseLars Sadie Lion CentipeedleMask IslandRubies 1 1 Gem Glow 2 Laser Light Cannon 3 Cheeseburger Backpack 4 Together Breakfast 5 Frybo 6 Cat Fingers 7 Bubble Buddies 8 Serious Steven 9 Tiger Millionaire 10 Stevenʼs Lion 11 Arcade Mania 12 Giant Woman 13 So Many Birthdays 14 Lars and of the Cool Kids 15 Onion Trade 16 Steven the Sword Fighter 17 Lion 2: The Movie 18 Beach Party 19 Roseʼs Room 20 Coach Steven 21 Joking Hazard 22 Steven and the Stevens 23 Monster Buddies 24 An Indirect Kiss 25 Mirror Gem 26 Ocean Gem 27 House Guest 28 Space Race 29 Secret Team 30 Island Adventure 31 Keep Beach City Weird 32 Fusion Cuisine 33 Garnetʼs Universe 34 Watermelon Steven 35 Lion 3: Straight to Video 36 Warp Tour 37 Alone Together 38 The Test 39 Future Vision 40 On the Run 41 Horror Club 42 Winter Forecast 43 Maximum Capacity 44 Marble Madness 45 Roseʼs Scabbard 46 Open Book 47 Shirt Club 48 Story for Steven 49 The Message 50 Political Power 51 The Return 52 Jail Break 2 1 Full Disclosure 2 Joy Ride 3 Say Uncle 4 Love Letters 5 Reformed 6 Sworn to the Sword 7 Rising Tides, Crashing Skies 8 Keeping It Together 9 We Need to Talk 10 Chille Tid 11 Cry for Help 12 Keystone Motel 13 Onion Friend 14 Historical Friction 15 Friend Ship 16 Nightmare Hospital 17 Sadieʼs Song 18 Catch and Release 19 When It Rains 20 Back to the Barn 21 Too Far 22 The Answer 23 Stevenʼs Birthday 24 It Couldʼve Been Great 25 Message Received 26 Log Date 7 15 2 3 1 Super Watermelon Island 2 Gem Drill 3 Same Old World 4 Barn Mates 5 Hit the Diamond 6 Steven Floats 7 Drop Beat Dad 8 Mr.
    [Show full text]
  • 2019 Cryptozoic Steven Universe Trading Cards Checklist
    TRADING CARDS BASE CARDS 01 Steven’s Gem 25 Betraying The Diamonds 49 On Trial 02 Cheeseburger Backpack 26 Earthly Observations 50 Off Colors 03 Bubble Buddies 27 Fusion Showdown 51 Rebirth 04 Lion Around 28 “We’ve All Got 52 Imminent Danger Each Other” 05 A Prisoner No More 53 Lars Of The Stars 29 Barn Mates 06 Beach City With No Beach 54 A Strange Dream 30 Batter Up 07 Ocean Gem 55 Rose Quartz Rebellion 31 Jumping For Joy 08 Island Adventure 56 Sadie Killer And The 32 Mr. Greg Suspects 09 A Big, Big Secret 33 Differences Aside 57 Hideout On The Moon 10 Melon Madness 34 Jasper Returns 58 Sworn To Secrecy 11 Earth Hub Maintenance Check 35 An Old Friend 59 Preserving Life 12 You Are An Experience 36 Bubbling Bismuth 60 A Crystal Gem Reunion 13 On The Run 37 Kindergarten Combat 61 I Now Pronounce You Garnet 14 “I Never Asked To 38 A Convincing Disguise Be Made” 62 Wedding Crashers 39 Interstellar Steven 15 Making Contact 63 Diamond In The Rough 40 Sardonyx Tonight 16 Memories Of Her 64 Seeking White Diamond 41 Pumpkin 17 Gem Warship 65 Diamondly Duties 42 Taken Away 18 Garnet Vs. Jasper 66 Lend A Helping Hand 43 The Zoo 19 Bad For Each Other 67 Fusion Of Five 44 “What’s The Use Of 20 Mr. Universe Feeling Blue?” 68 Starlight 21 Sworn To The Sword 45 The Crystal Temps 69 Beautifully Flawed 22 In Love With A Human 46 Disappearances 70 New And Old Friends 23 Love Is The Answer 47 Searching For My Dad 71 Back To Normal 24 Colony Blueprints 48 I Am My Mom 72 Peace And Love TM & © 2019 Cartoon Network.
    [Show full text]
  • Monográfico: Nuevas Amazonas Nº 7 - 2019
    Monográfico: Nuevas Amazonas Nº 7 - 2019 ISSN: 1989-6972 D.O.I.: http://dx.doi.org/10.12795/AdMIRA.2019.07.03 Poshumanismo y creación de identidades y sexualidades queer y racializadas: un análisis de ‘Steven Universe’ Posthumanism and the creation of racialised, queer identities and sexualities: An analysis of ‘Steven Universe’ Marta Roqueta Fernández Investigadora independiente School of Oriental and African Studies E-mail: [email protected] ORCID Pp.: 48- 84 Fecha de recepción del artículo: 22/02/2019 Fecha de aceptación definitiva: 13/05/2019 RESUMEN El artículo analiza cómo la serie de animación Steven Universe refuerza y desafía concepciones actuales sobre racialización, género y cuerpo capacitado. Usando teorías feministas, poshumanistas, queer, sobre diversidad funcional y raza, estos conceptos son considerados tecnologías cuyos componentes pueden ser estudiados, deconstruidos y reconstruidos por el objeto técnico que es el dibujo animado, una herramienta cuyo significado es coestablecido por el público. Utilizando este marco conceptual para analizar la narrativa de la serie y para crear encuestas orientadas a entender cómo las nociones del público sobre género y raza pueden influir en la narrativa de la serie, el artículo concluye que Steven Universe crea un relato queer que pretende desmantelar nociones contemporáneas sobre género, raza y diversidad funcional. Sin embargo, al utilizar los componentes que forman estas tecnologías, la serie puede reproducir representaciones estereotípicas si no tiene en cuenta los imaginarios adscritos a ellos. Palabras clave: animación, ciencia-ficción, poshumanismo, racialización, género, sexualidad, diversidad funcional, Steven Universe. ABSTRACT This article analyses how the cartoon show Steven Universe both underpins and defies normative understandings of race, gender and able-bodiedness.
    [Show full text]
  • Queer Interventions As Praxis in Children's Cartoons
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2018 “The Childish, the Transformative, and the Queer”: Queer Interventions as Praxis in Children’s Cartoons Heather Wright The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2665 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] “The Childish, the Transformative, and the Queer”: Queer Interventions as Praxis in Children’s Cartoons by HEATHER WRIGHT A master’s thesis submitted to the Graduate Faculty in Liberal Studies in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2018 © 2018 HEATHER WRIGHT All Rights Reserved ii “The Childish, the Transformative, and the Queer”: Queer Interventions as Praxis in Children’s Cartoons by Heather Wright This manuscript has been read and accepted for the Graduate Faculty in Liberal Studies in satisfaction of the thesis requirement for the degree of Master of Arts. Date Jean Halley Thesis Advisor Date Elizabeth Macaulay-Lewis Executive Officer THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT “The Childish, the Transformative, and the Queer”: Queer Interventions as Praxis in Children’s Cartoons by Heather Wright Advisor: Jean Halley In Understanding Comics: The Invisible Art, Scott McCloud considers “the simplified reality of the cartoon,” establishing a definition and theory for the medium (30).
    [Show full text]
  • C.O.E. Continuing Education
    C.O.E. CONTINUING EDUCATION All Rights Reserved. Materials may not be copied, edited, reproduced, distributed, imitated in any way without written permission from C.O. E. C.O.E. Continuing Education. The course provided was prepared by C.O.E. Continuing Education Curriculum Coordinator. It is not meant to provide medical, legal or professional services advice. If necessary, it is recommended that you consult a medical, legal or professional services expert licensed in your state. Page 1 of 176 Click Here To Take Test Now (Complete the Reading Material first then click on the Take Test Now Button to start the test. Test is at the bottom of this page) HAIR COLORING CONCEPTS AND SALON MANAGEMENT SECTION 1: 12 HOUR HAIR COLORING CONCEPTS AND SALON MANAGEMENT Course Outline: Section 1: Introduction History of Color Basic Chemistry Section 2: Hair Toner Hair Color Removal Process Punk Hair C.O.E. How-To Photo CONTINUING Galleries and Tips EDUCATION Blonde Hair Styles All Rights Reserved. Materials may not be copied, edited, reproduced, distributed, imitated in any way without written permission from C.O. E. Continuing Education. The course provided was prepared by C.O.E. Continuing Education Curriculum Coordinator. It is not meant to provide medical, legal or professional services advice. If necessary, it is recommended that you consult a medical, legal or professional services expert licensed in your state. 1 C.O.E. CONTINUING EDUCATION All Rights Reserved. Materials may not be copied, edited, reproduced, distributed, imitated in any way without written permission from C.O. E. C.O.E.
    [Show full text]
  • Steven Universe' Mads Bradley Ursinus College, [email protected] Adviser: Louise Woodstock
    Ursinus College Digital Commons @ Ursinus College Media and Communication Studies Honors Papers Student Research 4-22-2018 Living in the Liminal: Representation of Transgender and Nonbinary Identity in 'Steven Universe' Mads Bradley Ursinus College, [email protected] Adviser: Louise Woodstock Follow this and additional works at: https://digitalcommons.ursinus.edu/media_com_hon Part of the Communication Commons, Film and Media Studies Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Television Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Bradley, Mads, "Living in the Liminal: Representation of Transgender and Nonbinary Identity in 'Steven Universe'" (2018). Media and Communication Studies Honors Papers. 8. https://digitalcommons.ursinus.edu/media_com_hon/8 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Media and Communication Studies Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. 1 LIVING IN THE LIMINAL: REPRESENTATION OF TRANSGENDER AND NONBINARY IDENTITY IN STEVEN UNIVERSE Mads Bradley 04.15.18 Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Honors in Media Communication Studies Department. 2 ABSTRACT An analysis of the children’s animated series Steven Universe, this research takes a semiotic approach to explore anti-essentialist messages of gender identity. Atypical within the mainstream media, the cartoon expresses dynamic messages about gender by representing nonbinary characters and gender fluid themes. By contextualizing western history of cartoon production, queer representation, and audience reception, this analysis provides insight into the importance of inclusive depictions of transgender identity in children’s media.
    [Show full text]
  • A Ableism, 201 Abrams, Lamar, 32 Absence, 58–62 Adolescence of Utena (Film), 96 Adult Swim, 31 Adventure Time (TV Show), V, 1
    Index A Alterity Politics (Nealon), 146 ableism, 201 American empire, 64 Abrams, Lamar, 32 Amethyst, 2, 146, 201, 206, 220, absence, 58–62 234, 235 Adolescence of Utena (film), 96 at ball, 5 Adult Swim, 31 beauty ideals of Homeworld Adventure Time (TV show), v, 1, 10, internalized by, 208, 211 13n, 32, 34, 49 black stereotypes of, 73–74, 78–81, affective credibility, 189 83 Afrofuturism, 103 as botched reproduction, 56, 97, Against Purity (Shotwell), 179–180 202–205, 208, 211 agender identity, 27 conspiracy theory debunked by, agray06, 38 117–119 Ahmed, Sara, 21 dancing by, 73–74 Akin, 164–167 and destruction of Communication Akio, 94–95 Hub, 83–84 Alexandrite, 64 Garnet’s fusion with, 63, 78–81 alienation, 21 Greg’s bonding with, 105 alien encounter narrations, 153 guilt of, 187 alien–human symbiosis, 160 Kindergarten of, 186, 203–205, aliens, 7 222 humans treated by, 160–165 made from mineral, 49 “Alone at Sea” (episode), 232 oppression of, 71 “Alone Together” (episode), 155, 222 Pearl defended by, 158–160 © The Editor(s) (if applicable) and The Author(s), under exclusive 239 license to Springer Nature Switzerland AG 2020 J. R. Ziegler and L. Richards (eds.), Representation in Steven Universe, https://doi.org/10.1007/978-3-030-31881-9 240 INDEX Pearl’s fusion with, 53, 70, 72–73 global impact of, 102 Pearl’s self-identification as superior Sait¯o on impoverishment of visual to, 72–73, 82 information in, 59 power of transformation of, 99 see also Revolutionary Girl Utena rejection of Homeworld standards (TV show); Sailor Moon (TV for Quartz
    [Show full text]