DOCSLIB.ORG

Presskit Cinemachile EFM Baja.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Presskit Cinemachile EFM Baja.Pdf 2 CHILE COUNTRY IN FOCUS 2020 CHILE COUNTRY IN FOCUS 2020 3 In 1992, when Chile That first Bear was just beginning the represents the way the transition from dictatorship Berlinale has supported to democracy, a young filmmaker Chilean film throughout the years: highlighting arrived to the Berlinale to screen his talented voices that opera prima without any government haven’t yet had their support, nor a marketing or press strategy, chance to be heard on a only the eagerness to share his vision with global scale, supporting the world. Without any paraphernalia films and projects attached, this film resounded with that take aesthetic audiences and captivated the Jury, and thematic risks, and going on to win the first Silver ultimately launching and nourishing filmmakers careers. Bear in our country's history This force once again made evident for outstanding single many years later in 2017, when A achievement. The film FANTASTIC WOMAN by Sebastian Lelio was La Frontera, and won a Silver Bear for Best Screenplay, and the man behind it, went on to win an Oscar for Best Foreign Ricardo Larraín, Language Film. Chile’s first Oscar for a feature whom we miss length movie, a huge accomplishment, made deeply. possible only by the Berlinales support. In between 1992 and 2020, the cinematic love affair between Chile and the Berlinale have had many other protagonists and connections. Please let us share some of these moments of pure affection: 4 CHILE COUNTRY IN FOCUS 2020 CHILE COUNTRY IN FOCUS 2020 5 1992 2013 2015 2016 GANADORA DEL OSO DE PLATA AL MEJOR GUION EN EL FESTIVAL DE BERLIN 2017 IMPACTANTE, DIVERTIDA, DESGARRADORAMENTE PODEROSAMENTE GRANDIOSA HIPNOTICA UNA PIEZA LUMINOSA SURREALISTA... EMOCIONANTE HUMANA THE GUARDIAN Y MISTERIOSA Y FUNDAMENTAL UNA OBRA SUPERLATIVA SCREENDAILY INDIEWIRE THE PLAYLIST VARIETY LA FRONTERA GLORIA the club RARA THE HOLLYWOOD REPORTER a fantastic woman Directed by Directed by Directed by Directed by Directed by Ricardo Larraín Sebastián Lelio Pablo Larraín Pepa San Martín ESTRENO 6 DE ABRIL Sebastián Lelio Silver Bear for an outstanding Silver Bear for Best Actress Silver Bear for Grand Prix of the Generation UNA MUJER FANTASTICA Silver Bear for Best single achievement to Paulina García Grand Jury Prize Kplus International Jury UNA PELICULA DE SEBASTIAN LELIO Screenplay. Teddy Award for PARTICIPANT MEDIA presenta una producción de FABULA, en coproducción con KOMPLIZEN FILM, MUCHAS GRACIAS, SETEMBRO CINE, “UNA MUJER FANTASTICA” DANIELA VEGA, FRANCISCO REYES Best Feature Film Música MATTHEW HERBERT Diseño de Vestuario MURIEL PARRA Dirección de arte ESTEFANIA LARRAIN Dirección de producción EDUARDO CASTRO Montaje SOLEDAD SALFATE Dirección de fotografía BENJAMIN ECHAZARRETA, ACC Diseño de Sonido TINA LASCHKE Producción ejecutiva JEFF SKOLL, JONATHAN KING, ROCIO JADUE, MARIANE HARTARD, BEN VON DOBENECK Guión SEBASTIAN LELIO, GONZALO MAZA Coproducida por JANINE JACKOWSKI, JONAS DORNBACH, MAREN ADE, FERNANDA DEL NIDO Producida por JUAN DE DIOS LARRAIN, PABLO LARRAIN Dirigida por SEBASTIAN LELIO. 1997 2015 2015 2015 2016 2016 2019 GENEALOGIES The Pearl nasty baby San plants You’ll Never lemebel OF A CRIME Button cristóbal Be Alone Directed by Directed by Directed by Directed by Directed by Directed by Directed by Raúl Ruiz Patricio Guzmán Sebastián Silva Omar Zúñiga Roberto Doveris Alex Anwandter Joanna Reposi Silver Bear for an Silver Bear for Best Teddy Award for Teddy Award for Grand Prix of the Teddy Award for Teddy Award for outstanding artistic Script Best Feature Film Best Short Film Generation 14plus Special Jury Award Best Documentary/ contribution International Jury Essay Film 6 CHILE COUNTRY IN FOCUS 2020 CHILE COUNTRY IN FOCUS 2020 7 CINEMACHILE honors We congratulate our talented filmmaker Dominga is one of the most exciting filmmakers working in Latin America. Her first feature Thursday till Sunday (2012) was developed at the Cannes Cinéfondation Residence, and won the Tiger Award in Rotterdam. She premiered her medium- length film Mar (2015) at the Berlinale Forum. With Too Late To Die Young (2018) she became the first woman to receive the Leopard for Best Direction at Locarno. Sotomayor is sure to continue making history with her production company CINESTACIóN and CCC, Centro de Cine y Creación, a new arthouse cinema and centre in Santiago. Ruiz shot “Tango” in 1976, but was unable to complete the film after going into exile due to Pinochet’s brutal raúl ruiz (1941 - 2011) & military coup. Now, more than 50 years later, this beautiful piece is finally being shown to the world for the first time. Sarmiento has given the world this valeria sarmiento gift by editing and transforming the footage into a finished film. Jury of the first edition of the Encounters Tango of the Widower and Its Distorting Mirror dominga sotomayor Competition. Selected as Opening Film of the Berlinale Forum 8 CHILE COUNTRY IN FOCUS 2020 CHILE COUNTRY IN FOCUS 2020 9 10 CHILE COUNTRY IN FOCUS 2020 CHILE COUNTRY IN FOCUS 2020 11 coproduction official happiness market selection Pepa San Martin’s distinguished vision and ability to engage audiences around the world have positioned her as one of Chile’s most captivating directors. In 2011, she teamed up with López for RARA, winning the Grand Prix of the Generation Kplus, amongst numerous other awards worldwide. Now she is back, and together with López, they are bringing HAPPINESS to the Berlinale Coproduction Market. If this wasn’t enough to get us excited, the confirmed cast includes two top actresses from Latin America, Paulina García and Mercedes Morán! pepa san martín macarena lópez 12 CHILE COUNTRY IN FOCUS 2020 CHILE COUNTRY IN FOCUS 2020 13 official selection visitor's program Filled with promise, the 5 emerging producers that are participating in the Visitor's Program are fresh, energized, and ready to innovate. We are so excited to hear their ideas and projects, and we hope you are too! fiction Happiness la felicidad CHILE - ARGENTINA CAST Paly García & Mercedes Morán DRAMA COMEDY | 90' PRODUCER Macarena López [email protected], [email protected] Ana discovers she doesn’t PRODUCTION COMPANY Manufactura de have much time left. Her Películas directed by Pepa San Martín body is leaving her, muscle by COPRODUCTION COMPANY Aleph Media produced by macarena lópez muscle. Yet at 65, she still has SALES AGENT Latido Films a great dream to fulfil: to swim STATE In development across the icy Beagle Channel LOOKING FOR Coproduction between Chile and Argentina. 14 CHILE COUNTRY IN FOCUS 2020 CHILE COUNTRY IN FOCUS 2020 15 visitor's program visitor's program Rodrigo Díaz Paulina Passi 1 Rodrigo produced the short film Austral Fever by 3 Paulina is a filmmaker with expertise in executive and Thomas Woodroffe, which premiered in Official general production in films and TV. Her work includes Competition of the 2019 Venice Film Festival, and the executive production of the documentary La was shown around the world in festivals like TIFF, San clausura del desierto (2010), filmed in the deserts of Sebastian, and NYFF. In 2018, he participated as a jury northern Chile. She worked on the field production in the Nest Film Students competition of San Sebastian. of the TV doc Memorias del rock chileno, broadcasted He is currently developing Woodroffe's feature length nationally by Canal 13. film and is an executive producer in BRISA. Brisa Yareta Patricio Ochoa Fernanda Mancilla Patricio has an interesting approach to the industry, Fernanda resides in the desert city of Arica, in northern 2 with a background in law and acting. Since 2009, he 4 Chile. She works as a producer and production has been working in various associations to connect coordinator in Mimbre Producciones, the production the Chilean industry with the international market house behind Nona. If they soak me, i’ll burn them, He is founding partner of La Merced Productions selected in the Tiger Competition of IFFR 2019. She is & Goodgate Chile, and director of Foundation + executive producer of the film in development Puerto Audiovisual Industry Chile. Amongs his works are Viejo by Dubi Cano (SANFIC Lab 2018, Bolivia Lab 2019). Clandestine Stories (2018), and the upcoming Bad Habits, She has vast experience working in production services, and The Meeting. most recently with Croatia, USA & The Netherlands. Goodgate Chile Mimbre Producciones 16 CHILE COUNTRY IN FOCUS 2020 CHILE COUNTRY IN FOCUS 2020 17 visitor's program María Karla Falcón producers hub The ten producers that will be presented in the Producers Hub compose 5 Karla is a film and TV director with a postgraduate degree in production of the New York Film Academy. a mosaic of diversity, talent and creativity. All with different approaches She began her career as an assistant producer in and styles, these top producers are re-defining the future of Chilean the dramatic area of the national channel TVN, cinema. Both a blend between emerging and consecrated creators, they and is currently executive producer of La Merced are on the forefront of their field, prevailing over the global stage. Producciones and Goodgate Chile. She is developing her opera prima, the fiction feature The Transport Woman, with Mimbre Producciones. Friday the 21st | 6pm La Merced Producciones country sessions Representatives of the Ministry of Culture & Constanza Arena of CinemaChile will speak about how to co-produce and access financing in Chile to participants of the Co-Production Market. CHILE PRESENTATION Sunday 23 Feb 18 CHILE COUNTRY IN FOCUS 202015:45-16:45 CHILE COUNTRY IN FOCUS 2020 19 producers hub producers hub Carlos Núñez Francisco Hervé 1 Carlos is CEO of Storyboard Media, one of the 3 Francisco is a top documentary producer, whose most active production companies in Chile. He has filmography includes The Power of Speech (2009), produced Santiago Italia by Nanni Moretti (Torino Daughter (2011), Beaverland (2014) and The Lost City 2018); Adriana`s Pact by Lissette Orozco (Berlinale (2016), premiering at festivals like IDFA, Visions 2017); The Mud Woman by Sergio Castro (Berlinale du Reel, Sheffield, among others.
Load more

Recommended publications
  • Curating Precarity. Swedish Queer Film Festivals As Micro-Activism
    Acta Universitatis Upsaliensis Uppsala Studies in Media and Communication 16 Curating Precarity Swedish Queer Film Festivals as Micro-Activism SIDDHARTH CHADHA Dissertation presented at Uppsala University to be publicly examined in Lecture Hall 2, Ekonomikum, Kyrkogårdsgatan 10, Uppsala, Thursday, 15 April 2021 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Dr. Marijke de Valck (Department of Media and Culture, Utrecht University). Abstract Chadha, S. 2021. Curating Precarity. Swedish Queer Film Festivals as Micro-Activism. Uppsala Studies in Media and Communication 16. 189 pp. Uppsala: Acta Universitatis Upsaliensis. ISBN 978-91-513-1145-6. This research is based on ethnographic fieldwork conducted at Malmö Queer Film Festival and Cinema Queer Film Festival in Stockholm, between 2017-2019. It explores the relevance of queer film festivals in the lives of LGBTQIA+ persons living in Sweden, and reveals that these festivals are not simply cultural events where films about gender and sexuality are screened, but places through which the political lives of LGBTQIA+ persons become intelligible. The queer film festivals perform highly contextualized and diverse sets of practices to shape the LGBTQIA+ discourse in their particular settings. This thesis focuses on salient features of this engagement: how the queer film festivals define and articulate “queer”, their engagement with space to curate “queerness”, the role of failure and contingency in shaping the queer film festivals as sites of democratic contestations, the performance of inclusivity in the queer film festival organization, and the significance of these events in the lives of the people who work or volunteer at these festivals.
    [Show full text]
  • Opinión Sobre Estado Del Cine Chileno
    El cine en Chile en el 2017 Elaborado por la Cámara de Exhibidores Multisalas de Chile A.G. (CAEM) Contacto: Alejandro Caloguerea Gerente CAEM [email protected] Mayo 2018 1 Elaborado por la Cámara de Exhibidores Multisalas de Chile A.G. (CAEM) INDICE Páginas 1. Introducción 3 2. Las cifras del sector de la exhibición 4 3. Las cifras del cine chileno 15 4. Tendencias del sector de la exhibición cinematográfica 25 Anexo Nº 1: Las cadenas de complejos multisalas 33 Anexo Nº 2: Ranking de cines 35 Anexo Nº 3: Proporción de los estrenos chilenos con más de 100.000 espectadores 36 2 Elaborado por la Cámara de Exhibidores Multisalas de Chile A.G. (CAEM) 1. Introducción Presentamos el 10º Informe Anual que realiza la Cámara de Exhibidores Multisalas de Chile A.G. (CAEM) sobre el mercado de la exhibición cinematográfica chilena. En esta ocasión publicamos los resultados del año 2017. En esta edición hemos continuando con el intento de ir visibilizando cuales son las tendencias que se han ido dando en los últimos años en lo relacionado con las audiencias del cine y sobre los factores que amenazan a este sector industrial. Creemos que no basta con tener una fotografía sobre los resultados de un año si no los analizamos en comparación con los últimos períodos. En la mayor parte de los temas tratados se intenta hacer esa comparación. Las cifras a partir de las cuales se hicieron los análisis de este informe corresponden a la plataforma IBOE1 (International Box Office Essentials) publicada por la empresa internacional ComScore (Ex-Rentrak Corp.), a quien agradecemos su valiosa colaboración.
    [Show full text]
  • Delegates Guide
    Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator
    [Show full text]
  • Mediaconcentratie in Vlaanderen
    MMediaconcentratieediaconcentratie iinn VVlaanderenlaanderen rapport 2009 VLAAMSE REGULATOR VOOR DE MEDIA Koning Albert II-laan 20,bus 21 1000 Brussel COLOFON Samenstelling, redactie en eindredactie: Stijn Bruyneel, Ingrid Kools en Francis Soulliaert Verantwoordelijke uitgever: Joris Sels, gedelegeerd bestuurder Koning Albert II-laan 20, bus 21 1000 Brussel Tel.: 02/553 45 04 Fax: 02/553 45 06 e-mail:[email protected] website: www.vlaamseregulatormedia.be Lay-out en druk: Digitale drukkerij Facilitair Management Vlaamse Overheid Depotnummer: D/2009/3241/429 Mediaconcentratie in Vlaanderen INHOUDSTAFEL Samenvatting ......................................................................................................................... 10 1 DE VLAAMSE MEDIASECTOR ............................................................................................... 13 1.1 RADIO ......................................................................................................................... 17 1.1.1 Contentleveranciers ........................................................................................................................ 17 1.1.2 Radio-omroeporganisaties ............................................................................................................. 18 1.1.2.1 Landelijke publieke radio-omroeporganisaties ........................................................ 18 1.1.2.2 Regionale publieke radio-omroeporganisaties ......................................................... 19 1.1.2.3 Wereldomroep ..............................................................................................................
    [Show full text]
  • Uartes Ediciones
    1 UArtes Ediciones FUERA DE CAMPO REVISTA DE CINE Volumen 2, Número 3 Septiembre, 2018 ISSN 2477-9202 FUERA DE CAMPO REVISTA DE CINE Volumen 2, Número 3 Septiembre, 2018 ISSN 2477-9202 UNIVERSIDAD DE LAS ARTES Rector, Ramiro Noriega Consejero de Investigación y Relaciones Internacionales, Raúl Vallejo Vicerrectora Académica, María Paulina Soto D.R. © Universidad de las Artes UARTES EDICIONES Director, Mario Fernando Montenegro Concepción Gráfica, Maria Mercedes Salgado Diagramación, José Ignacio Quintana Jiménez Corrección de texto, Marelis Loreto Amoretti UArtes Ediciones FUERA DE CAMPO. REVISTA DE CINE Universidad de las Artes Volumen 2, Número 3. Septiembre, 2018 ISSN 2477-9202 CONSEJO EDITORIAL Arturo Serrano (Director) Universidad Nacional de Educación (Ecuador) Juan Martín Cueva (Editor Asociado) Universidad de las Artes (Ecuador) Jorge Flores Velasco Universidad de las Artes (Ecuador) Pablo Gamba Universidad Central de Venezuela (Venezuela) Oliver Gaycken University of Maryland (EEUU) Yarí Pérez Marín University of Durham (Reino Unido) CONSEJO ASESOR Margot Benacerraf Directora de cine (Venezuela) Colin MacCabe University of Pittsburgh (EEUU) Gerry McCulloch Goldsmiths. University of London (Reino Unido) Joseph Moure Universidad Paris 1 Panthéon-Sorbonne (Francia) Marc Nicholas (†) École Nationale Supérieure des métiers de l’image et du son (La Fémis) (Francia) Paul Schroeder Amherst College (EEUU) Alquimia Peña Fundación del Nuevo Cine Latinoamericano (Cuba) Marta Díaz Universidad de las Artes (Ecuador) Fuera de Campo es una revista cuatrimestral arbitrada de cine editada por la Universidad de las Artes a orillas del manso Río Guayas en la ciudad de Guayaquil, Ecuador. Todos los textos incluidos en la sección Artículos han sido sometidos al arbitraje ciego de dos expertos ajenos a la Universidad de las Artes.
    [Show full text]
  • World Cinema Amsterd Am 2
    WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival.
    [Show full text]
  • Annex 4: Report from the States of the European Free Trade Association Participating in the European Economic Area
    ANNEX 4: REPORT FROM THE STATES OF THE EUROPEAN FREE TRADE ASSOCIATION PARTICIPATING IN THE EUROPEAN ECONOMIC AREA 1. Application by the EFTA States participating in the EEA 1.1 Iceland European works The seven covered channels broadcast an average of 39.6% European works in 2007 and 42.2% in 2008. This represents a 2.6 percentage point increase over the reference period. For 2007 and 2008, of the total of seven covered channels, three channels achieved the majority proportion specified in Article 4 of the Directive (Omega Television, RUV and Syn - Vision TV), while four channels didn't meet this target (Sirkus, Skjár 1, Stöð 2 and Stöð 2 Bio). The compliance rate, in terms of numbers of channels, was 42.9%. European works made by independent producers The average proportion of European works by independent producers on all reported channels was 10.7% in 2007 and 12.6% in 2008, representing a 1.9 percentage points increase over the reference period. In 2007, of the total of seven identified channels, two channels exceeded the minimum proportion under Article 5 of the Directive, while three channels remained below the target. One channel was exempted (Syn - Vision TV) and no data was communicated for another one (Omega Television). The compliance rate, in terms of number of channels, was 33.3%. For 2008, of the total of seven covered channels, three exceeded the minimum proportion specified in Article 5 of the Directive, while two channels were below the target (Skjár 1 and Stöð 2 Bio). No data were communicated for two channels.
    [Show full text]
  • La Telenovela Chilena, En Los Últimos 20 Años, Se Ha Transformado En
    La telenovela chilena, en los últimos 20 años, se ha transformado en uno de los puntos fuertes de la programación de los canales más importantes en nuestro país (TVN y TV- UC). Alta sintonía, fundamental para la confección de una malla programática competitiva, es lo que proporcionan las respectivas áreas dramáticas a sus canales. Es indudable el y ha sido objeto de estudios, el impacto que tienen en el teleespectador. Sin embargo, ¿cómo conoce y se da cuenta de ese impacto el público? Ahí está el papel de la prensa, tanto la escrita, como la radial y la de los mismos canales involucrados, que ocupan los noticiarios para promocionar sus producciones. La prensa escrita es importante este proceso. Gracias a ella, muchos televidentes se enteran de que su canal favorito o el de la competencia está preparando una teleserie. También se enteran sobre las fechas y horas de emisión de los capítulos, la duración de éstos y sobre los entretelones de su grabación. También sobre los cambios en el elenco y otros asuntos de interés. Ambos “mundos”- las teleseries y las salas de redacción de los diarios- están ligados. Más de lo que aparentan. Y lo importante es determinar en qué medida y de qué manera. Tomando como ejemplo dos teleseries exitosas, nos proponemos hacer ese trabajo. “La Madrastra” de 1981 y “Romané” del 2000 son las escogidas. Ambas 1 son las más vistas de sus respectivas etapas, definidas por los sistemas de medición de audiencia: el cuadernillo (para la primera) y del “People Meter” (la segunda). Nuestra investigación intenta determinar las características de la cobertura de dos ejemplos de la prensa escrita – “El Mercurio” y “La Tercera” - a estas dos telenovelas, y determinar sus semejanzas y diferencias, tomando como punto de partida que el fenómeno de la telenovela es noticia para la prensa.
    [Show full text]
  • Memoria 2017
    2017 1 1 CHILEACTORES Índice.......................................................................................................................3 Introducción de Esperanza Silva.................................................................4 Nuestra Gestión por Rodrigo Águila.........................................................6 Consejo Directivo..............................................................................................10 Equipo de trabajo.............................................................................................12 Misión / Visión....................................................................................................13 Nuestras cifras...................................................................................................14 Hitos 2017............................................................................................................15 Premios Caleuche, “Gente que se Transforma” 2018............................20 Informe de Recaudación y Distribución a Socios............................26 ÍNDICE Estados Financieros.......................................................................................39 Informe Comisión Revisora de Cuentas...............................................57 2 FUNDACIÓN GESTIONARTE Directorio..............................................................................................................59 Nuestros Proyectos........................................................................................60 Chileactores en Prensa.................................................................................65
    [Show full text]
  • Teleseries Y Series
    CHILEACTORES 1 2 CHILEACTORES 3 CORPORACIÓN CHILEACTORES FUNDACIÓN GESTIONARTE Portada 1 Portada 68 Palabras de la Presidenta 6 ¿Quiénes somos? 70 Informe gestión Director General 8 Nuestras actividades 72 Consejeros de Chileactores 12 Área asistencial 78 La casa y el equipo de trabajo 14 Área de gestión de proyectos en desarrollo 80 Misión y visión 16 Capacitación 81 Nuestras cifras 18 Nuestros números 84 Los hitos del año 20 Estados financieros 86 Reparto 2015 26 Premio a la Excelencia 28 Premios Caleuche: Gente que se Transforma 32 Informe de recaudación y distribución a socios 36 Informe evolución socios 38 Estados financieros 50 CHILEACTORES 6 POR EL AMOR QUE NOS TENEMOS ESPERANZA SILVA | PRESIDENTA DE CHILE ACTORES Queridas Socias y Socios: Los invito a celebrar. Hace 21 años que empezamos a trabajar como entidad de gestión colectiva. Entramos de lleno al cuarto septenio de vida, a ese momento fundamental en la vida de cualquier organismo en el que se alcanza la mayoría de edad. Llegar al espacio adulto representa acercarse al nacimiento del verdadero Yo y experimentar cabalmente la transformación necesaria para facilitar el encuentro con uno mismo. A partir de este momento, se manifiesta el ser verdadero construido sobre cimientos firmes. Así vivimos y despedimos el año 2015, festejando más que nunca los múltiples logros que alcanzamos durante este tiempo de crecimiento. Chileactores es ya un cuerpo desarrollado, fuerte y sano que se nutre del esfuerzo, la perseverancia y sobre todo del cariño incondicional de todos aquellos que nos reunimos en torno a nuestra corporación y que hemos hecho de ella un espacio de resguardo de los derechos de todos los artistas audiovisuales.
    [Show full text]
  • Fuga Tony Manero Post Mortem No El Club Neruda Jackie
    9 GENNAIO 14 MARZO 2018 LuganoCinema93 Circolo del cinema Cineclub del Circolo del cinema Bellinzona Mendrisiotto Locarno CINEMA IRIDE CINEMA FORUM 1+2 MULTISALA TEATRO PALACINEMA MIGNON & CIAK Mendrisio martedì 20.30 martedì 20.30 mercoledì 20.45 venerdì 20.30 sabato 18.00 lunedì 18.30 FUGA 30 GENNAIO MA 9 GENNAIO 10 GENNAIO VE 12 GENNAIO 2006 TONY MANERO 16 GENNAIO SA13 GENNAIO 17 GENNAIO LU15 GENNAIO 2008 POST MORTEM 23 GENNAIO MA16 GENNAIO 24 GENNAIO VE19 GENNAIO 2010 NO 9 GENNAIO SA 20 GENNAIO 7 FEBBRAIO VE 26 GENNAIO (No – I giorni dell’arcobaleno) IN COLLABORAZIONE CON 2012 LOCARNO FESTIVAL INTRODUZIONE DI CARLO CHATRIAN EL CLUB 6 FEBBRAIO MA 23 GENNAIO 21 FEBBRAIO LU 29 GENNAIO 2015 NERUDA 20 FEBBRAIO SA 27 GENNAIO 7MARZO LU 5 FEBBRAIO 2016 JACKIE 27 FEBBRAIO SA 3 FEBBRAIO 14 MARZO LU 19 FEBBRAIO 2016 Lugano, Bellinzona, Mendrisio: fr. 10.-/8.-/6.- (Bellinzona: studenti gratis) Locarno: fr. 12.-/10.-/8.- www.luganocinema93 | www.cicibi.ch | www.cinemendrisiotto.org | www.cclocarno.ch UNO DEI TANTI COMPITI DEI CINECLUB È DARE CONTO DELLE EMERGENZE. QUELLE DELL’ATTUALITÀ CONTEM- CASI DEL GENERE È BENE COGLIERE LA PALLA AL BALZO E NON ESITARE NEL SOTTOPORRE UN AUTORE DI TALE PORANEA, CERTO, COME SPESSO FACCIAMO NELLE RASSEGNE TEMATICHE. MA IN SENSO PIÙ ETIMOLOGICO AN- PORTATA AL GIUDIZIO DI UN PUBBLICO CINEFILO E APPASSIONATO, ANCHE PERCHÉ – NONOSTANTE LA LORO CHE QUELLE CHE RIGUARDANO IL SORGERE E L’AFFERMARSI DI NUOVE FIGURE DI RIFERIMENTO, IN PARTICOLARE INDUBBIA QUALITÀ – ALCUNI DEI FILM PIÙ OSANNATI DI LARRAÍN NELLE SALE SVIZZERE NON CI SONO MAI DI REGISTI IN GRADO DI TRACCIARE UN SOLCO PRECISO CON LA LORO OPERA, MAGARI GIÀ DOPO POCHI FILM.
    [Show full text]
  • Disobedience
    Presents DISOBEDIENCE A film by Sebastián Lelio 114 mins, UK, 2017 Language: English, Hebrew and Yiddish Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Twitter: @starpr2 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia DIRECTED BY Sebastián Lelio STARRING Rachel Weisz, Rachel McAdams, Alessandro Nivola PRODUCED BY Frida Torresblanco, Ed Guiney and Rachel Weisz EXECUTIVE PRODUCED BY Rose Garnett, Daniel Battsek, Ben Browning, Glen Basner, Andrew Lowe, Eric Laufer, Giovanna Randall, SCREENPLAY BY Sebastián Lelio and Rebecca Lenkiewicz BASED ON THE NOVEL BY Naomi Alderman DIRECTOR OF PHOTOGRAPHY Danny Cohen BSC LINE PRODUCER Rachel Dargavel EDITOR Nathan Nugent MUSIC BY Matthew Herbert PRODUCTION DESIGNER Sarah Finlay COSTUME DESIGNER Odile Dicks-Mireaux CASTING DIRECTOR Nina Gold HAIR & MAKE UP DESIGNER Marese Langan 2 SHORT SYNOPSIS A woman returns to her Orthodox Jewish community after the death of her rabbi father and stirs up controversy when she shows an interest in an old childhood friend. LONG SYNOPSIS In a Jewish Orthodox Synagogue in Hendon, the frail RAV KRUSHKA (Anton Lesser) collapses whilst giving a sermon. As funeral rites commence in London, the Rabbi’s exiled daughter RONIT KHRUSKA (Rachel Weisz) is living her life as a photographer in Manhattan. During a photo shoot she is told by the Brooklyn Synagogue of her father’s death; wounded by the news and in a vulnerable state, she gets drunk in a local bar and sleeps with an undetermined man.
    [Show full text]