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STUDIOCANAL AND 2929 PRODUCTIONS PRESENT IN ASSOCIATION WITH ANTON CAPITAL ENTERTAINMENT, S.C.A A NICK WECHSLER AND CHOCKSTONE PICTURES PRODUCTION A SUSANNE BIER FILM BRADLEY COOPER JENNIFER LAWRENCE RHYS IFANS TOBY JONES DAVID DENCIK SEAN HARRIS ANA ULARU DIRECTOR SUSANNE BIER PRODUCERS NICK WECHSLER SUSANNE BIER STEVE SCHWARTZ PAULA MAE SCHWARTZ TODD WAGNER RON HALPERN BEN COSGROVE EXECUTIVE PRODUCER PETER McALEESE MARK CUBAN OLIVIER COURSON WRITER CHRISTOPHER KYLE based on the book by RON RASH DIRECTOR OF PHOTOGRAPHY MORTON SOBORG ADDITIONAL PHOTOGRAPHY MICHAEL SNYMAN SUPERVISING EDITOR MAT NEWMAN PERNILLE BECH CHRISTENSEN PRODUCTION DESIGNER RICHARD BRIDGLAND COSTUME DESIGNER SIGNE SEJLUND MAKE-UP AND HAIR DESIGNER GRAHAM JOHNSTON SOUND RECORDIST TOMAS BELOHRADSKY CASTING DIRECTOR JINA JAY MUSIC JOHAN SODERQVIST MUSIC SUPERVISOR SUSAN JACOBS Short Synopsis North Carolina mountains at the end of the 1920s - George and Serena Pemberton, love-struck newly-weds, begin to build a timber empire. Serena soon proves herself to be equal to any man: overseeing loggers, hunting rattle-snakes, even saving a man’s life in the wilderness. With power and influence now in their hands, the Pembertons refuse to let anyone stand in the way of their inflated love and ambitions. However, once Serena discovers George’s hidden past and faces an unchangeable fate of her own, the Pemberton’s passionate marriage begins to unravel leading toward a dramatic reckoning. Production Story “It is a love story that is balancing on the edge of where you want love to exist and yet you’re fearfully aware of its danger, and I think that’s fascinating.” Susanne Bier – Director Starring Bradley Cooper, Jennifer Lawrence, Rhys Ifans, Toby Jones, David Dencik, Sean Harris and Ana Ularu, SERENA is directed by Susanne Bier, written by Christopher Kyle based on the book by Ron Rash, and produced by Nick Wechsler, Susanne Bier, Steve Schwartz, Paula Mae Schwartz, Todd Wagner, Ron Halpern and Ben Cosgrove. SERENA was filmed over eight weeks on location in and around Prague, the Czech Republic during the spring of 2012. The Genesis of the Project Producer Nick Wechsler’s interest in the story of SERENA was piqued when he received the manuscript of the original book about a year before its publication: “I fell in love with it on my first read. I optioned it immediately and at that time I had a first look deal with 2929, one of the financiers of the movie, and they agreed to come in and develop the project with me.” To get the project underway, Wechsler needed to find a writer capable of adapting Ron Rash’s book for the screen. He explains: “We looked at a variety of writers and Chris Kyle had a wonderful take – he really seemed to understand the material and we liked his vision for adapting it. We hired him, and we had a very good development experience with him in getting a great script for the movie.” When Producer Ben Cosgrove started work at 2929, he reviewed a number of the projects that were in development at the time: “I read the screenplay of SERENA and it was absolutely brilliant. I was completely riveted and very moved by the story and I thought this is the one, this is the very special project that you have to figure out how to put together.” Writer Christopher Kyle was intrigued and drawn to the story from the moment he read Rash’s book. He explains: “My agent sent me the book a few months before it was published and I loved it. I called him before I had even finished reading it. It has such wonderful echoes of great tragedy like ‘Medea’ and ‘Macbeth’ in it, but also this wonderful language of the mountain people, so it was one of those books that as soon as I read it; I knew that I wanted to do it.” With a first draft of the screenplay in hand, the producers set out to find a director who could bring a unique insight to the intense narrative turns of the film. Already an admirer of director Susanne Bier’s work, Nick Wechsler was very interested in what Bier could bring to the project: “One of the reasons I thought that Susanne would be a good match for this film is that she’s exhibited an incredible flair for bringing out power in relationships between people – she’s very accurate in observing intimacy, vivid emotion and passion.” Bier was intrigued by the subject matter and explains: “I read the script first and was initially attracted to the world of logging with these huge big trees, and then to the woman being in this man’s world which I thought was fascinating and I could also identify with it. If you look around a set there are 10% women and 90% men and in a way I thought Serena had the same fate – and I found that interesting.” She delights in “telling a story which I believe is meaningful or entertaining for a contemporary audience.” Ben Cosgrove was also thrilled that Bier was attracted to the film: “I think Susanne completely transformed this project when she came on board. Her particular genius is in her understanding of human nature and what motivates people and how characters behave and interact – flawed characters, who may make decisions that we might not agree with, or might be morally complex. She has done an amazing job of taking these individuals and really bringing them to life and making you feel like these people are not making choices that I would necessarily make myself, but I understand why they’re making them. I’m very moved by their experiences.” Cosgrove continues: “The actors have signed on to this project as much for the opportunity to work with Susanne as for the material itself. She has a well earned reputation as somebody who is extraordinary with actors and is able to help them reach the most profound levels of their character and their decision making.” Adds actor Bradley Cooper who plays George Pemberton: “Susanne has a level of believability and a truth meter that you can see throughout all her movies…it was very interesting.” Jennifer Lawrence, who plays Serena, also echoes an appreciation of Bier’s directorial truth. Lawrence explains: “My favourite thing about Susanne is the way that everything that she does is so real and it’s from this outsider’s perspective so that you don’t feel biased one way or another, which is a very interesting way to do a movie about somebody who is clearly a killer and is wrong. But for the longest time in the movie, the way that Serena goes about everything is that you could easily see both sides of it. There’s no manipulation in her movies. She tells a story and shows you these characters and shows you these situations but never once tells you how to feel.” Rhys Ifans plays Galloway and was impressed by the manner that Bier presents the narrative of the film: “The story in itself is epic, so it doesn’t need wide brushed visual language to sustain it, so what Susanne’s done, I think, is made it more domestic and real and plausible. It’s not elevated to some kind of opera; it’s a very real world with very real people.” Toby Jones who plays Sheriff McDowell is also interested in Bier’s story-telling, explaining: “She’s able to sustain several stories simultaneously. She’s very interested in the ripples of moral decisions and how these decisions and responsibilities affect several people and communities.” The Characters and Cast “I always feel with acting that there’s a certain character that’s described on the page and then the actor needs to embrace a certain number of those elements, but what is even more important is that the actor needs to bring something very unexpected to the character.” Susanne Bier Bradley Cooper’s Pemberton Writer Christopher Kyle was immediately struck by George Pemberton’s fortitude. He explains: “When I read the book, Pemberton reminded me a little of Teddy Roosevelt, because he was born to privilege but that didn’t really interest him very much; to have a life of wearing a suit and going to work in an office. So he went out to the wilderness and learned how to chop down trees and build rail lines and hunt and fish and all of that – that exciting physical character who’s going against his background was really interesting to me.” Adds Bier: “I think that the character of Pemberton with another actor would have been much less masculine and forceful. I think Bradley is bringing a physical force of nature to the character. He’s a very strong-willed, really intelligent macho man and she is a super strong-willed, beautiful, macho woman and I think that creates a very explosive energy.” For Bradley Cooper: “What’s interesting about George Pemberton is that he lacks any feminine quality. He’s a man who is in search of that other half, that anima, and he finds it in Serena. So when you see him, he’s a very driven, self contained man who has his own moral ethos as to what is right and wrong and it revolves around what suits him and then he meets her and you realize that he’s been looking for this other half. He’s fascinating to play.” Before shooting SERENA, Bradley Cooper and Jennifer Lawrence had already worked together on David O. Russell’s ‘Silver Linings Playbook’ and Lawrence was grateful for this previous collaboration: “We already knew each other very well, so it was extremely easy to just jump into it and to be with somebody that you’re comfortable with.

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