Kraan Live mp3, flac, wma

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Genre: Jazz / Rock Album: Live Country: Germany Released: 1975 Style: Jazz-Rock, Prog Rock MP3 version RAR size: 1472 mb FLAC version RAR size: 1737 mb WMA version RAR size: 1146 mb Rating: 4.5 Votes: 142 Other Formats: AIFF APE WMA AU VOX ASF MMF

Tracklist

A1 Jerk Of Life 4:57 A2 Nam Nam 15:10 B1 Holiday Am Marterhorn Including Gipfelsturm 13:00 B2 Sarah's Ritt Durch Den Schwarzwald 6:00 C1 Andy Nogger 3:45 C2 Andy Nogger - Gutter King 6:44 C3 Hallo Ja Ja, I Don't Know 10:20 D1 Lonesome Liftboy 5:15 D2 Arabia 12:30

Companies, etc.

Copyright (c) – Spiegelei Phonographic Copyright (p) – Spiegelei Copyright (c) – Intercord Phonographic Copyright (p) – Intercord Recorded At – Quartier Latin, Berlin Mixed At – Conny's Studio Lacquer Cut At – SST Brüggemann GmbH Printed By – Druckhaus Maack KG Published By – Wintrup Musikverlag Published By – Edition Eurocord Credits

Alto Saxophone – Johannes Pappert Bass, Vocals – Composed By [Music], Arranged By – Kraan Design [Cover] – Peter Wolbrandt Drums, Percussion – Jan Fride* Engineer [Assistant] – Hans Lampe Engineer [Recording] – Conny Planck* Guitar, Vocals – Peter Wolbrandt Lacquer Cut By – SST Percussion – Tommy Goldschmidt Producer – Kraan Supervised By – Walter Holzbaur Technician [Stage-Sound] – Gunni Heidler

Notes

Recorded live in Berlin, Quartier Latin, October 1974. Mixed at Conny's Studio.

ⒸⓅ 1975 Spiegelei / Intercord Printed in Germany by Druckhaus Maack KG, Lüdenscheid

Barcode and Other Identifiers

Matrix / Runout (Label Side A): A-2231 A Matrix / Runout (Label Side B): A-2231 B Matrix / Runout (Label Side C): A-2232 A Matrix / Runout (Label Side D): A-2232 B Matrix / Runout (Side 1, stamped, Variant 1): A-2231 A - 2 Matrix / Runout (Side 1, handetched, Variant 1): 26-440-8 2/1-3 Matrix / Runout (Side 2, handetched, Variant 1): A-2231 B - 1 26-440-8 2/2 Matrix / Runout (Side 3, stamped, Variant 1): A-2232 A - 2 Matrix / Runout (Side 3, handetched, Variant 1): 26-440-8 2/3-2 Matrix / Runout (Side 4, handetched, Variant 1): A-2232 B - 1 26-440-8 2/4 Matrix / Runout (Stamped on all sides, Variant 1): Made in Germany Matrix / Runout (Handetched on sides 1,2,4, Variant 1): SST Matrix / Runout (Runout Side A, Variant 2): [Stamped] A-2231 A-2 [Etched] 26-440-8 2/1-3 [Stamped] Made in Germany [Etched] 20 SST Matrix / Runout (Runout Side B, Variant 2): [Etched] A-2231 B-1 26-440-8 2/2 [Stamped] Made in Germany [Etched] SST 20 Matrix / Runout (Runout Side C, Variant 2): [Stamped] A-2232 A-2 [Etched] 26-440-8 2/3-2 [Stamped] Made in Germany [Etched] 20 Matrix / Runout (Runout Side D, Variant 2): [Etched] A-2232 B-1 26-440-8 2/4 [Stamped] Made in Germany [Etched] SST 20 Rights Society: GEMA

Other versions

Category Artist Title (Format) Label Category Country Year GUD 2001/2 Kraan Live (2xLP, Album) Gull GUD 2001/2 UK 1975 GUD 2001/2 Kraan Live (2xLP, Album, TP) Gull GUD 2001/2 UK 1975 Live (CD, Album, RE, Intercord, EMI 7243 8 22671 2 6 Kraan 7243 8 22671 2 6 Europe 2000 RM, EMI) Electrola 155.601 Kraan Live (2xLP, Album, RP) Spiegelei 155.601 Germany 1978 INT 480.600 Kraan Live (Cass, Album) Spiegelei INT 480.600 Germany 1975

Comments about Live - Kraan

Bluddefender Review from my 's Arabian Nights feature in Audion #46 (2002)...Kraan reached the peak of their international success with the release of ANDY NOGGER (their third studio album) and LIVE (a double album recorded in Berlin's "Quartier Latin" by veteran engineer ) which preceded Kraan's first tour in Britain. Much of the material was in common on these releases, showing how different Kraan were as a live and studio band. ANDY NOGGER was totally refined, precise and punchy, whereas LIVE found them wigging-it-out, with lots of jams extending favourite tracks, notably a brilliant Kraan Arabia and some new numbers, but curiously nothing from WINTRUP. It has been said that Hattler's bass had become the lead instrument on many tracks, with his fiery runs, finger picking and dazzling chord progressions being an amazing sight to see. I know, as I saw them on the Old Grey Whistle Test, and the weird guy with the enormous bass was what most impressed me.

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