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Index

 Gallery,  Balanchine, George,  nd Street YMHA,  Ball, Hugo,  Balzac, Honorede,´  Aiken, Conrad,  Banville, John,  Aix-en-Provence, , ,  Barnes, Djuna,  Akhmatova, Anna,  Barthes, Roland,  Alain, . See Chartier, Emile-Auguste´ Bartlett, Jennifer,  Alcestis,  Bates, Milton J., , , , ,  Alcestis Press,  Baudelaire, Charles, , , , , , , Altieri, Charles, ,   American Art Galleries,  Beal, Samuel,  American Bonding Company,  Beardsley, Aubrey, ,  Antliff, Allan,  Beckett, Samuel,  Anvil,  Beijing Foreign Studies University,  aphorisms,  Bejot,´ Eugene,`  Apollo,  Bell, Clive,  Arendt, Hannah,  Benjamin, George,  Arensberg, Louise,  Benjamin, Walter, ,  Arensberg, Walter Conrad, , –, , , , Bennet, Isaac,  , , , , , , , , , , Bennet, Mariah Stevens,  ,  Berger, Charles,  Aristotle,  Bergson, Henri, , , , , , , , Armory Show [International Exhibition of  Modern Art, ], , , , , , Berliner Festspiele,  –,  Bernhardt, Sarah,  Arnold, Matthew, , , ,  Bevis, William, , – Ashbery, John, , ,  Beyers, Chris,  Astor Library (New York), ,  Bhabha, Homi K.,  Athenaeum, The,  Bible, The, , ,  Atlanta Journal,  Bierstadt, Albert,  Atlantic Monthly, The,  Bigelow, William Sturgis,  atomic bomb,  Binyon, Laurence, , ,  Auden, W. H., , ,  Bishop, Elizabeth,  Austin, A. Everett (“Chick”), ,  Bishop, John Peale,  Avenel, Paul,  Blackmur,R.P.,,  Avery, Milton,  Blake, William, ,  Ayer,A.J., Blanchot, Maurice, ,  Blanco, Richard, , ,  Bach, Johann Sebastian,  Blast,  Bachelard, Gaston, , ,  Bloom, Harold, , , , , , , , , Bacigalupo, Massimo,   Balakian, Anna, – Bodenheim, Maxwell, 



 Index

Bodhidharma,  Chapman, George,  Boileaux, Nicolas,  Chartier, Emile-Auguste´ (Alain),  Boissier, Gaston,  Chicago Tribune,  Bollingen Prize, ,  China, –, ,  bookmaking,  Christ Cathedral (Reading),  Boswell, James,  Church of the Good Shepherd (Hartford),  Bourget, Paul,  Church, Barbara, , , , , , , , , Bowles, Paul, ,   Braddock, Jeremy,  Church, Henry, , , , , , , , , Brahms, Johannes,  ,  Brandom, Robert,  Churchwell, Sarah,  Braque, Georges, ,  Cibber, Colley,  Brevoort Hotel (New York),  Claire Marie Press,  Bridges, Robert,  Cleghorn, Angus,  Brinnin, John Malcolm,  Cole, Thomas, , ,  British Columbia,  Coleridge, Samuel Taylor, , , –, , , Brogan, Jacqueline Vaught, , , ,  , , ,  Bronx Botanical Gardens, ,  Colleoni, Bartolommeo, , ,  Brooke, Rupert,  Colt, Samuel, ,  Brooklyn (New York),  Communism, , , , , –, ,  Brooks, Cleanth, ,  Connecticut Courant, The,  Broom, ,  Connecticut River,  Brown v. Board of Education,  Contact,  Browning, Elizabeth Barrett,  Contempo, ,  Browning, Robert,  Cook, Eleanor, , , , , ,  Bryan, William Jennings, ,  Coover, Robert,  Bryant, William Cullen, , ,  Copland, Aaron,  Buddhism, , . See also Chan Buddhism; Coral Gables (Florida),  Mahayana Buddhism; Zen Buddhism Corbiere,` Tristan, ,  Burlington House (London),  Corman, Cid,  Burns, Robert,  Corn, Naaman,  Burnshaw, Stanley, , ,  Corot, Jean Baptiste Camille, ,  Busoni, Ferruccio,  Costello, Bonnie, , , , ,  Buttel, Robert,  Covert, John,  Bynner, Witter, , , , ,  Cowley, Malcolm, ,  Coyle, Beverly,  Cahiers d’art, ,  Crane, Hart, ,  Caillois, Roger,  Crane, Stephen,  Calder, Alexander,  Creeley, Robert, ,  Calvitto, David,  Critchley, Simon, ,  Campo, Rafael, ,  Croce, Benedetto,  Camus, Albert,  Crockett, John,  Cannes (France),  Crotti, Jean, ,  Canoe Club (Hartford),  Crotti, Yvonne,  Carman, Bliss,  Crotty, Kevin M.,  Carruth, Hayden,  Cuba,  Casa Marina Hotel (Key West), ,  cubism, , ,  Cassirer, Ernst, , ,  Cullen, Countee,  Catullus, ,  Cummings, E. E., , ,  Cavailles,` Jules,  Cummington Press,  Cavell, Stanley, , , ,  Century Club (New York),  Dada. See New York Dada Ceylon, ,  Dal´ı, Salvador, , ,  Cezanne,´ Paul, , , ,  Dante [Dante Alighieri],  Chan Buddhism, , , – Daoism, , , 

Index 

Daughters of the American Revolution (DAR),  Ethiopia,  Daumier, Honore,´  Eustis and Foster,  Davidson, John,  Evans, Donald, , –,  Day Lewis, Cecil,  existentialism,  de Certeau, Michel,  De Forest, Lockwood,  Faure,´ Gabriel,  De Stijl,  fauvism, ,  Debord, Guy,  Fenollosa, Ernest, ,  Debussy, Claude, ,  Feo, JoseRodr´ ´ıguez, , , , , , ,  Delamater, George Wallace,  Ficke, Arthur Davison, ,  Delaware,  Figaro, Le,  Deleuze, Giles,  Filreis, Alan, , , , , ,  Demuth, Charles, ,  First Presbyterian Church (Reading), ,  Depression (the Great), , , , ,  Fisher, Barbara,  Derrida, Jacques,  Fitzgerald, Edward,  Des Imagistes,  Fitzgerald, Robert,  Deutsch, Babette,  Flagler, Henry M., ,  Dewey, John, , , ,  Flarf poetry,  Dial, The, , , , ,  Flaubert, Gustave, ,  Dickinson, Emily, , , , ,  Fletcher, John Gould, ,  Diebenkorn, Richard,  Florida, –,  Doggett, Frank, ,  Florida East Coast Hotel Company,  Doolittle, Hilda (H. D.), , , , ,  Focillon, Henri, ,  Dots and Dashes,  Fogg Museum, , ,  Duchamp, Marcel, , , , , , , , , Ford, Charles Henri, ,  , , ,  Four Saints in Three Acts,  DuPlessis, Rachel Blau, , , , , , Fragonard, Jean-Honore,´   Francke, Kuno,  Durand, Asher B., ,  Freer, Charles Lang,  Durer, Albrecht,  French Symbolists, , –, , , ,  DuRose, Lisa,  French, Daniel Chester,  Dutch Reformed Church,  Freud, Sigmund, , , , ,  Dynamo,  Frost, Robert, , , , , , , , , ,  Eastern Underwriter, The, , ,  Frye, Northrop,  Eaton & Lewis,  Fuller, Alfred C.,  Eberhart, Richard, , ,  Edwards, Jonathan,  Gage, Sybil, ,  Eeckhout, Bart, , , , ,  Gallimard,  Eliot, Charles William, ,  Gascoyne, David,  Eliot, T. S., , , , –, –, , , Gauguin, Paul,  , , –, , , , , , Gehrig, Lou,  , , , , , –, , , Gelpi, Albert,  ,  General Theological Seminary (New York),  Elizabeth Park (Hartford), , , , , ,  Gide, Andre,´  Emerson, Ralph Waldo, , , , , , , Gilbert, Sandra, – , , , , , ,  Gins, Madeline,  Enck, John,  Giorgione,  Enzensberger, Hans Magnus,  Glaser, Brian, ,  epigrams. See aphorisms Glebe, The,  Episcopal Church. See Christ Cathedral Gleizes, Albert, ,  (Reading) Golden Cockerel Press,  Equitable Life Assurance Company,  Goodman, Russell B.,  Equitable Surety Company,  Goodridge, Celeste,  Ernst, Max,  Gordon, Nada, 

 Index

Grace Lutheran church (Reading),  Hines, Thomas,  Graf, Karin,  Hiroshige,  Graham, Jorie,  Hiroshima,  Graham, Martha,  Historical Review of Berks County,  Gramophone Shop,  Hockney, David, ,  Grey, Thomas C., – Hogarth Press,  Grey, Zane,  Hollander, John, , ,  Grigson, Geoffrey,  Homer,  Gromaire, Marcel,  hooks, bell,  Grunbein,¨ Durs,  Hoover Dam,  Gubar, Susan, ,  Hoover, Herbert,  Guo Xi,  Hopkins, Gerard Manley,  Horace,  H. D. See Doolittle, Hilda (H. D.) Horizon,  haiku, ,  Hound and Horn, , ,  Hall, Donald,  Howe, Susan, –, –, , ,  Halliday, Mark, , –, ,  Howells, William Dean,  Hammer,  Hudson Review,  Han, Gul¨ Bilge,  Hughes, Langston, , ,  Hanchak, Peter, ,  Hurston, Zora Neale,  Hanser, Carl,  Husserl, Edmund, , – Harper’s Magazine,  Harrington, Joseph,  Ibsen, Henrik,  Harrison, Ruth,  Imagism, , ,  Hartford Accident and Indemnity Company, , Impressionism,  , , –, , , , , – Independents Exhibition (New York),  Hartford Courant,  Institute of  (Harvard), ,  Hartford Live Stock Insurance Company,  Ireland,  Hartford Theological Seminary,  Ives, Charles, ,  Hartford Times,  Ivyland (Penn.),  Hartigan, Grace,  Hartt School of Music (Hartford),  Jackson, Andrew,  Harvard Advocate, , , ,  Jackson, Major,  Harvard Club,  Jacques, Geoffrey, , ,  Harvard Monthly, ,  James, Henry, ,  Harvard University, , , , , , , , , James, William, , , , , , , , , –, , , , , , , , ,  , ,  Jameson, Fredric,  Hass, Robert,  Japan, , , , , , , ,  Hausman, Carl R.,  Jarrell, Randall, , –,  Hawthorne, Nathaniel,  Jay, Martin,  Hayasaki, Kokichi,¯  Jeffers, Robinson,  Hayes, Terrance, , –, ,  Jenkins, Lee M.,  Hazlitt, William,  Joad, C. E. M.,  Headland, Isaac Taylor, ,  John Reed Club,  Hegel, Georg Wilhelm Friedrich, , ,  Johns Hopkins University Press,  Heidegger, Martin, , , –,  Johns, Jasper,  Hejinian, Lyn, , ,  Johnson, Samuel, ,  Hellwach, am Rande des Schlafs,  Jones, Frank, ,  Hemingway, Ernest, ,  Jowett, Benjamin,  Henley, William Ernest,  Joyce, James, ,  Heringman, Bernard, , ,  Jung, Carl, ,  Herrick, Robert,  Hershey (Penn.),  Kaag, John J.,  Highmore, Ben, ,  Kafka, Franz, , 

Index 

Kandinsky, Vasily,  Liadov, Anatoly,  Kant, Immanuel, , ,  Linde, Ulf,  Katz, Bill,  Lippmann, Walter,  Keats, John, , , , , –, , , ,  Little Review, The, , , ,  Kelly Writers House,  Little, John,  Kennedy, John Fitzgerald,  Litz, A. Walton, , , ,  Kenner, Hugh,  Livingood, Edwin Stanton,  Kermode, Frank, ,  Locke, Alain,  Key West (Florida), , , , ,  London Mercury, The,  Kim Kyongwon,  Long Key Fishing Club, ,  Kirstein, Lincoln,  Longenbach, James, , ,  Kitting, Sarah Frances,  Longfellow, Henry Wadsworth,  Klee, Paul, ,  Lorrain, Claude, , ,  Knopf, Alfred, , , ,  Louandre, Charles,  Kohlmeier,¨ Michael,  Low, Jackson Mac,  Korea, ,  Lowell, Amy,  Kos, Helga,  Lowell, James Russell,  Kotin, Joshua, ,  Lowell, Robert,  Kramer, Lawrence,  Loy, Mina, , ,  Kravec, Maureen T., ,  Lucretius,  Kreymborg, Alfred, , , , , , , , Lunt, Edward,  , , ,  Lutheran tradition, . See also Grace Lutheran Krieger, Murray,  church (Reading) Kristeva, Julia,  Kroll, Leon,  MacFarland, Jane Cathrine, – MacGreevy, Thomas, , , ,  La Farge, Bancel,  Mackinnon, Lachlan,  La Fontaine, Jean,  MacLeish, Archibald, ,  La Rochefoucauld, Franc¸ois de,  MacLeod, Glen, , , ,  La Rose, Pierre,  Mahayana Buddhism,  Lacan, Jacques, ,  Maison Boissier (Paris),  Laforgue, Jules, , ,  Mallarme,´ Stephane,´ , , , ,  Lake, Paul,  Mandelstam, Osip,  Lamb, Charles,  Mansﬁeld, Richard,  Lane, Lupino,  Marsh, Reginald,  Langloi, Eustace-Hyacinthe,  Martz, Louis, ,  Language poetry, , ,  Marx, Karl. See Communism Latimer, Ronald Lane, , , , , , , Masel, Carolyn, ,  , ,  Massey, Joseph,  Le Brun, Christopher, ,  Matisse, Henri, , , , ,  Le Corbusier,  Matsuki, Bunkio,  Lee, Peter H.,  Matterson, Stephen,  Lefebvre, Henri, ,  Maulnier, Thierry,  Leggett, B. J., , ,  Mauron, Charles,  Leibniz, Gottfried Wilhelm, ,  Ma-Xia school,  Leippert, James. See Latimer, Ronald Lane maxims. See aphorisms Lemercier, Eugene` Emmanuel,  May, Philip, ,  Lensing, George, ,  McCabe, Susan,  Lentricchia, Frank, , , , ,  McCaffrey, Steve,  Leopardi, Giacomo,  McGreevy, Thomas. See MacGreevy, Thomas Levinas, Emmanuel,  McKim, Mead and White,  Lewis, Cecil Day. See Day Lewis, Cecil Measure, ,  Lewis, Pericles,  Mellon, Andrew,  Leyris, Pierre,  Melville, Herman,  Liadoff. See Liadov, Anatoly Merleau-Ponty, Maurice, 

 Index

Merrill, James,  New Verse movement,  Mesures, , ,  New York Dada, ,  Metchnikoff, Elie,  New York Law School, ,  Metropolitan Museum of Art (New York) , New York Times, , , , , ,  ,  New York Times Book Review,  Meunier, Charles,  New York Tribune, ,  Meynell, Alice,  New Yorker, The, , ,  Millay, Edna St. Vincent,  Newcomb, John Timberman,  Miller, J. Hillis,  Newer Super-Realism (exhibition),  Mills, Clark,  Nichol, bp,  Milton, John, , ,  Nicholls, Peter, ,  Miner, Earl,  Nielsen, Aldon, ,  Modern School, , ,  Nietzsche, Friedrich, , , , , , Moll, Elsie. See Stevens, Elsie Viola Kachel –,  Mondrian, Piet, ,  Nisard, Charles,  Monroe, Harriet, , , , , , , , , Nobel Prize,  , , , , , , , ,  Noh drama (Japanese),  Monteverdi, Claudio,  Norman, Charles,  Mont-Saint-Michel,  Norton, Allen, , , , , ,  Moore, Charles Herbert, ,  Norton, Charles Eliot, , ,  Moore, George,  Norton, Louise, , ,  Moore, Marianne, , , , , , , , , Nyquist, Mary,  , , , –, , , –, , , , , , , ,  O.K. Club (Harvard),  Moore, Nicholas,  O’Connor, William Van,  Morgan, Frederick,  Objectivism,  Morse, Samuel French, , ,  Okakura Kakuzo,¯ , , ,  Motherwell, Robert,  Oldenburg, Claes,  Mount Holyoke College, ,  Oley (Penn.), , , ,  Mount Penn (Reading),  Oliver, Elizabeth,  Mozart, Wolfgang Amadeus,  Olson, Liesl, ,  Munson, Gorham,  Orientalism, . See also China, Japan, Korea Museum of Fine Arts, Boston, , ,  Origin,  Museum of Modern Art (New York) , , Others, , , , , , , , , , ,  ,  Musset, Alfred de,  Owen, Wilfred,  Mussolini, Benito, ,  Myers, William H., Rev.,  Pach, Walter, ,  Pack, Robert,  Nagasaki,  “Painters of Still Life, The” (exhibition),  Naipaul, V. S.,  Parke-Bernet Galleries, ,  Nation, The, , ,  Parsons, Theophilus,  National Association for the Advancement of Partisan Review,  Colored People (NAACP),  Partisan, The,  National Book Award, , , ,  Pascal, Blaise, , , ,  Neal, Claude,  Patchen, Kenneth,  Neighborhood Playhouse (New York), ,  Pater, Walter, ,  Nerval, Gerard´ de,  Paulhan, Jean, , , ,  New American Poetry,  Pearce, Roy Harvey,  New Criticism, , , , – Peckham, W. G., , ,  New Deal, , ,  Perloff, Marjorie, ,  New Masses, , ,  Persichetti, Vincent,  New Republic, The,  Petrarch, Francesco,  New Statesman and Nation,  phenomenology, , – New Verse,  Philadelphia Museum of Art, , 

Index 

Philbin, Beekman and Menken,  Rasula, Jed, – Phillips, Siobhan, ,  Ravel, Maurice,  Picabia, Francis, , ,  Ray, Man,  Picasso, Pablo, , , , –, ,  Reading (Penn.), –,  Pierce, Charles Sanders,  Reading Boys’ High School,  Pissarro, Camille, ,  Reading Eagle,  Plato, ,  Reading Times,  Players Club (New York),  readymades,  Players’ Producing Company (Chicago),  Red and Black,  Pliny the Younger,  Rehder, Robert,  Poe, Edgar Allan,  Reyher, Ferdinand, ,  Poetry, , , , , , , , , , , Rich, Adrienne, , ,  –, , , , , ,  Richards, I. A.,  Poetry International Festival (Rotterdam),  Richardson, Joan, , , , ,  Poggioli, Renato,  Riddel, Joseph, ,  Poirier, Richard,  Rieke, Alison,  Ponce de Leon, Juan,  Rigg, Anna,  Pop Art,  Rilke, Rainer Maria,  Pope, Alexander,  Rimbaud, Arthur, , , ,  Pope, Arthur,  Rodin, Auguste,  Popular Front,  Roe v. Wade,  Porter, Fairﬁeld,  Roethke, Theodore,  Posey, Addison,  Rogue, , , , , ,  Posner, Richard,  Rohrer, Matthew,  poststructuralism,  Romanticism, , , –, , , –, , Pound, Ezra, , , , , –, , , , , ,  –, , , , , , , , Roosevelt, Theodore,  , , , , , , ,  Rorem, Ned,  Poussin, Nicolas, ,  Rorty, Richard,  Powell, Judge Arthur, , , , ,  Rosenfeld, Paul,  Powers, James, ,  Rosu, Anca,  Powers, Margaret, ,  Rouault, Georges,  Pragmatism, – Royal Academy of Arts (London),  Pratt Institute,  Royce, Josiah,  Pre-Raphaelites,  Rubinow, Isaac, ,  Princeton University,  Rukeyser, Muriel,  Project MUSE,  Rushdie, Salman,  Propertius,  Ruskin, John,  Proust, Marcel, , ,  Ruth, Babe,  proverbs. See aphorisms Provincetown Players (New York),  Sackville-West, Vita,  Provincetown Playhouse, ,  Said, Edward,  Pulitzer Prize, ,  St. Bartholomew’s Church (New York),  Putnam, Hilary,  St. John’s Evangelical Lutheran Church (Reading), ,  Qian, Zhaoming, , , – Saint Nicholas Society,  Queneau, Raymond,  St. Patrick’s Cathedral (New York), ,  Quinn, Sister Bernetta, ,  St. Paul’s Church (Amityville, Penn.),  Quixote, Don,  St. Paul’s German Lutheran Church (Brooklyn),  Rabelais, Franc¸ois,  Saint-Jean-le-Thomas,  Radcliffe College,  Saint-Saens, Camille,  Ragg, Edward,  Sampson, Theodore,  Rambler,  Sanborn, Pitts, , , , , ,  Ransom, John Crowe, ,  Sandburg, Carl, , , , 

 Index

Santayana, George, , , , , , , , Stevens, Garrett Barcalow, Sr., , , , , ,  –, , , ,  Stevens, Holly Bright, , , , , , , , Sartorius, Joachim, ,  , , , ,  Sartre, Jean-Paul, ,  Stevens, James Van Sant,  Sassoon, Siegfried,  Stevens, John, ,  Schaum, Melita, ,  Stevens, John, Jr., ,  Schlegel, Karl Wilhelm Friedrich,  Stevens, Margaretha Catharine Zeller, , , , Schmitt, Carl,   Schnabel, Artur,  Stevens, Mary Katharine, ,  Schoen, Herbert,  Stevens, Wallace,  Schopenhauer, Arthur, ,  conversion to Catholicism (alleged),  Schubert, Franz,  Dutch background, , ,  Schulze, Robin, ,  genealogical research, –, ,  Schwartz, Delmore, ,  legal profession,  Schwerner, Armand,  love of musical plays,  Scriabine, Alexander,  Opus Posthumous (),  Scribner’s Magazine,  Opus Posthumous (),  Seasongood, Murray,  Pennsylvania Dutch (German) background, , Sellar, William Young,  ,  Senior, Olive, , –, ,  poems and plays Serio, John N., ,  “Academic Discourse at Havana,”  Sewanee Review, The,  “Add This to Rhetoric,”  Shakespeare, William, , ,  “American Sublime, The,”  Sharpe, Tony,  “Anatomy of Monotony,” ,  Shearer, Christopher,  “Anecdote of the Jar,” , ,  Sheeler, Charles,  “Angel Surrounded by Paysans,” ,  Shelley, Percy Bysshe, , , , ,  “Anglais Mort aFlorence,”`  Shenton, Donald,  “Anything Is Beautiful If You Say It Is,” Sherry, Laura,  , ,  Sidney, Sir Philip,  “Architecture,”  Signet Society,  “Arrival at the Waldorf,”  Simons, Hi, , ,  “Asides on the Oboe,”  Skeel,DavidA.,Jr.,– “Attempt to Discover Life,”  Smith, Ali,  “Auroras of Autumn, The,” , , , , Smith, Tracy K.,   Soby, James Thrall,  Auroras of Autumn, The, , , ,  Social Security,  “Autumn Refrain,” , ,  Society of Independent Artists,  “Bagatelles the Madrigals, The,”  Sorbonne (University of Paris),  “Banal Sojourn,”  Sotheby’s,  “Bantams in Pine Woods,”  Spenser, Edmund,  “Bed of Old John Zeller, The,”  Sperry, Stuart,  “Beginning, The,” , ,  Spicer, Jack, ,  “Bird with the Coppery, Keen Claws, Stedman, Edmund Clarence,  The,”  Stein, Gertrude, , , , , ,  “Book of Verses,”  Stella, Joseph,  “Bouquet of Belle Scavoir,”  Stendhal [Marie-Henri Beyle],  “Bouquet of Roses in Sunlight,”  Stevens, Anna May, ,  Bowl, Cat and Broomstick, , , , , Stevens, Benjamin,  ,  Stevens, Elizabeth, ,  Carlos Among the Candles,  Stevens, Elizabeth Barcalow,  “Carnet de Voyage,” , , , , ,  Stevens, Elsie Viola Kachel, , , , , , , , “Certain Phenomena of Sound,”  , , , , –, , , , , “Chocorua to Its Neighbor,” ,  , , ,  “Clear Day and No Memories, A,” , , Stevens, Garrett Barcalow, Jr., , , ,  , 

Index 

Collected Poems, , , , , , , “Gubbinal,”  , , ,  Harmonium, , , , , , , , , “Colors,” ,  , , , , , , , , , “Comedian as the Letter C, The,” , , , , , , , , , , , , , ,  , , , , , , , , , “Completely New Set of Objects, A,” , , , , , , ,   “Hermitage at the Center, The,”  “Contrary Theses (II),”  “Hibiscus on the Sleeping Shores,”  “Cortege` for Rosenbloom,”  “High-Toned Old Christian Woman, A,” “Country Words,”  , , , , ,  “Course of a Particular, The,” , ,  “Home Again,”  “Creations of Sound, The,”  “Homunculus et La Belle Etoile,”  “Credences of Summer,” , , , , , “House Was Quiet and the World Was , , ,  Calm, The,” , , ,  “Crude Foyer,”  “Hymn from a Watermelon Pavilion,”  “Cuban Doctor, The,”  “Idea of Order at Key West, The,” , , “Curtains in the House of the , , , , ,  Metaphysician, The,”  Ideas of Order, , , , , , , “Cy Est Pourtraicte, Madame Ste Ursule, et , , , , , , , ,  Les Unze Mille Vierges,” , , ,  “In a Bad Time,”  “Dance of the Macabre Mice,”  “Indian River,” ,  “Description Without Place,” ,  “Infanta Marina,”  “Dish of Peaches in Russia, A,”  “Irish Cliffs of Moher, The,”  “Disillusionment of Ten O’Clock,” , , “Jouga,”  , ,  “Landscape with Boat,” ,  “Domination of Black,” ,  “Latest Freed Man, The,”  “Dry Loaf,” , ,  “Less and Less Human, O Savage Spirit,” “Earthy Anecdote,” , , , ,   “Emperor of Ice-Cream, The,” ,  “Lettres d’un Soldat,” ,  “Esthetique´ du Mal,” , , –,  “Life Is Motion,”  “Evening Without Angels,” ,  “Like Decorations in a Nigger Cemetery,” “Examination of the Hero in a Time of , , , , ,  War,” ,  “Little June Book, The,” , ,  “Exposition of the Contents of a Cab,”  “Load of Sugar-Cane, The,” ,  “Extracts from Addresses to the Academy “Local Objects,”  of Fine Ideas,”  “Loneliness in Jersey City,”  “Extraordinary References,” ,  “Long and Sluggish Lines,”  “Fabliau of Florida,” , ,  “Man Carrying Thing,”  “Fading of the Sun, A,”  “Man on the Dump, The,” , –, , “Farewell to Florida,” , , , , , –, ,   “Man with the Blue Guitar, The,” , , “Final Soliloquy of the Interior Paramour,” , , , , , , , , , , ,  , , , , , , , , “Fish-Scale Sunrise, A,” ,  –, ,  “Floral Decorations for Bananas,” ,  Man with the Blue Guitar, The, ,  “Forces,theWill&theWeather,” “Meditation Celestial & Terrestrial,”  “Frogs Eat Butterﬂies. Snakes Eat Frogs. “Men Made Out of Words,”  Hogs Eat Snakes. Men Eat Hogs,” , “Men That Are Falling, The,”  , ,  “Metaphors of a Magniﬁco,”  “From a Junk,”  “Monocle de Mon Oncle, Le,” , , , “From the Journal of Crispin,”  , , ,  “Ghosts as Cocoons,” ,  “Motive for Metaphor, The,” ,  “God Is Good. It Is a Beautiful Night,”  “Mozart, ,” , , , , ,  “Good Man, Bad Woman,” ,  “No Possum, No Sop, No Taters,”  “Greenest Continent, The,”  “Nomad Exquisite,” , , 

 Index

Stevens, Wallace (cont.) “Pure Good of Theory, The,” ,  “Not Ideas About the Thing But the Thing “Questions Are Remarks,” ,  Itself,” , , , ,  “Quiet Normal Life, A,” ,  “Notes Toward a Supreme Fiction,” , , “Rabbit as King of the Ghosts, A,” ,  , , , , , , , , “Re-statement of Romance,” ,  –, –, , , , , , “Reality Is an Activity of the Most August , , , , , ,  Imagination,” ,  Notes Toward a Supreme Fiction, ,  “Recitation after Dinner,”  “Nuances of a Theme by Williams,”  “Red Loves Kit,” ,  “Nuns Painting Water-Lilies,”  “Repetitions of a Young Captain,”  “O, Florida, Venereal Soil,” , ,  “River of Rivers in Connecticut, The,” , “Oak Leaves Are Hands,” ,   “Of Bright & Blue Birds & the Gala Sun,” “Rock, The,”   Rock, The, , ,  “Of Hartford in a Purple Light,” , , “Sad Strains of a Gay Waltz,” , ,   “Of Heaven Considered as a Tomb,”  “Sailing After Lunch,” , ,  “Of Ideal Time and Choice,”  “St. Armorer’s Church from the Outside,” “Of Mere Being,” , , , , , ,   “Saint John and the Back-Ache,” ,  “Of Modern Poetry,” , –, , , “Sea Surface Full of Clouds,” , , ,   “Of the Surface of Things,”  Selected Poems (), ,  “Old Man Asleep, An,”  “Silver Ploughboy, The,”  “Old Woman and the Statue, The,”  “Six Signiﬁcant Landscapes,” , , , , “Ordinary Evening in New Haven, An,” , ,  , , , , , , , , , “Snow and Stars,”   “Snow Man, The,” , , , , , “Ordinary Women, The,” ,  –, , , , , ,  “Our Stars Come from Ireland,”  “Some Friends from Pascagoula,”  “Owl’s Clover,” , , , , , , “Someone Puts a Pineapple Together,”  ,  “Stars at Tallapoosa,”  Owl’s Clover, ,  “Study of Two Pears,” , ,  “Paisant Chronicle,”  “Sunday Morning,” , , , , , , “Paltry Nude Starts on a Spring Voyage, , , , , , , , , , The,” ,  , , , , ,  Parts of a World, , , , , , , “Tea,” ,  – “Tea at the Palaz of Hoon,” ,  “Pecksnifﬁana,”  “Theory”,  “Peter Quince at the Clavier,” , , , “Things of August,”  , , , ,  “Thinking of a Relation Between the “Phases,” , , , ,  Images of Metaphors,”  “Plain Sense of Things, The,” , , , “Thirteen Ways of Looking at a Blackbird,”  , , , , , , , , , , “Planet on the Table, The,”  , , ,  “Plowing on Sunday,”  “Thought Revolved, A,”  “Poem That Took the Place of a Mountain, Three Travelers Watch a Sunrise, , , , The,” ,  , , , –,  “Poems of Our Climate, The,” , ,  “To an Old Philosopher in Rome,” , “Prelude to Objects,”  ,  “Primitive Like an Orb, A,”  “To the One of Fictive Music,”  “Primordia,”  “To the Roaring Wind,”  “Prologues to What Is Possible,”  Transport to Summer, , , , –, “Puella Parvula,”  ,  “Public Square, The,”  “Two Tales of Liadoff,” 

Index 

“Ultimate Poem Is Abstract, The,”  Stoner, Mary,  “Vacancy in the Park,” ,  Storrs, Richard S.,  “Variations on a Summer Day,” , , Strand, Mark,   Stravinsky, Igor,  “Vita Mea,”  Strodach, Henry Baptiste, ,  “What They Call Red Cherry Pie,” ,  Strodach, Mary Louise Zeller,  “Widow, The,”  Strodach, Paul,  “Wind Shifts, The,”  Studio, The,  “Woman in Sunshine, The,” ,  Sully-Prudhomme, ReneFranc´ ¸ois Armand,  “Woman Looking at a Vase of Flowers,”  Surette, Leon, – “Woman Who Blamed Life on a Spaniard, surety bonds, – The,” ,  Surrealism, , , , , , ,  “World as Meditation, The,”  Sweden,  “World Without Peculiarity,” ,  Swift, Jonathan,  “Worms at Heaven’s Gate, The,” ,  Symbolism, . See also French Symbolists “Yellow Afternoon,” ,  Symons, Julian,  prose Synge, John Millington,  “About One of Marianne Moore’s Poems,”  Tal-Coat, Pierre,  Adagia, , , , , , , , , Tarbes (France),  , , ,  Tate, Allen, , ,  “Cattle Kings of Florida,”  Taylor, Jeremy,  “Collect of Philosophy, A,” ,  Tchaikovsky, Pyotr Ilyich,  “Connecticut Composed,”  Tennyson, Alfred, Lord,  “Effects of Analogy,” , , ,  Terry, Eliphalet,  “Figure of the Youth as Virile Poet, The,” Thayer, Scoﬁeld,  , , –, , , ,  Theatre of the Absurd,  “Four Characters,”  Thomson, Virgil,  From Pieces of Paper,  Threepenny Review,  “Greatest Need of the Age, The,”  Toomer, Jean,  “Homage to T.S. Eliot,”  Toulet, Paul-Jean,  “Imagination as Value,” , , , , transatlantic review,   Transcendentalism,  “Insurance and Social Change,” – Trend, , , , , ,  “Irrational Element in Poetry, The,” ,  Trinity College (Hartford),  “Materia Poetica,” ,  Truman, Harry,  Necessary Angel, The, , –, , , Tulpehocken (Penn.),   Turner, Catherine,  “Noble Rider and the Sound of Words, Tutte le poesie,  The,” , , , –, , , , Twentieth Century Verse,   “Part of His Education,”  University of Antwerp,  “Poet That Matters, A,” ,  University of Connecticut,  “Relations Between Poetry and Painting, University of London,  The,” , , ,  University of Oxford,  Schemata,  Untermeyer, Louis,  Sur Plusieurs Beaux Sujects, , ,  Utard, Juliette, ,  “Surety and Fidelity Claims,”  “Thessalians, The,”  Valery,´ Paul, , , , , ,  “Three Academic Pieces,” ,  Van Doren, Mark,  “Two or Three Ideas,” ,  Van Gogh, Vincent, ,  “Whole Man, The: Perspectives, Van Vechten, Carl, , , , , , ,  Horizons,”  Vancouver Poetry Conference,  Stieglitz, Alfred,  Varese,` Edgard, ,  Stockholm University (Sweden),  Vendler, Helen, , , , , , 

 Index

Verlaine, Paul, , , , ,  Wilde, Oscar, ,  Verrocchio, Andrea del, ,  Williams, William Carlos, , , , , , Vickery, Ann,  , , , , , , , , , Vidal, Anatole,  , , , , , , , , , Vidal, Paule, ,  , , , , , ,  View,  Wilson, Edmund,  Ville d’Avray,  Wilson, T. J.,  Villon, Franc¸ois,  Winnecott, Donald Woods,  Viollet-le-Duc, Eugene,`  Wisconsin Players, , ,  Voice of America,  Wittgenstein, Ludwig,  von Freytag-Loringhoven, Baroness Elsa, , Wooden Horses. See Marsh, Reginald  Woolf, Leonard,  Woolf, Virginia,  Wadsworth Atheneum, , , –,  Wordsworth, William, , , –, , , Wahl, Jean,  –, , ,  Waldorf Astoria Hotel,  World’s Fair (New York, ),  Walker, Zachariah,  Wallace Stevens across the Atlantic,  Yeats, William Butler, , , , , ,  Wallace Stevens Journal, The, – Walton, Eda Lou,  Zabel, Morton Dauwen,  Wang, Anshi,  Zeami Motokiyo,  Ward, Lyman,  Zeller, Catherine,  Warhol, Andy,  Zeller, John, Jr.,  Warren, Robert Penn, ,  Zeller, John, Sr., , – Watson, Mary Sidney,  Zeller, Margaretha Catharine (Kate). See Watteau, Jean-Antoine,  Stevens, Margaretha Catharine Zeller Weil, Simone,  Zeller, Mary Louise. See Strodach, Mary Louise Weinman, Adolph Alexander, ,  Zeller Whitehead, Alfred North,  Zen Buddhism,  Whitman, Walt, , , , , ,  Zervos, Christian,  Whorf, Benjamin,  Zigrosser, Carl,  Wilbur, Richard, , ,  Zukofsky, Louis, , 