Toni Morrison and Louise Erdrich

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Toni Morrison and Louise Erdrich ENG 300 A – Major Writers: fall 2013 Toni Morrison and Louise Erdrich . a dead language is not only one no longer spoken or written; it is unyielding language content to admire its own paralysis. Like statist language, censored and censoring. Ruthless in its policing duties, it has no desire or purpose other than maintaining the free range of its own narcotic narcissism, its own exclusivity and dominance. However moribund, it is not without effect, for it actively thwarts the intellect, stalls conscience, suppresses human potential. Unreceptive to interrogation, it cannot form or tolerate new ideas, shape other thoughts, tell another story, fill baffling silences. Official language smitheryed to sanction ignorance and preserve privilege is a suit of armor, polished to shocking glitter, a husk from which the knight departed long ago. Yet there it is: dumb, predatory, sentimental. Exciting reverence in schoolchildren, providing shelter for despots, summoning false memories of stability, harmony among the public. Toni Morrison, Nobel Lecture 1993 Do the rocks here know us, do the trees, do the waters of the lakes? Not unless they are addressed by the names they themselves told us to call them in our dreams. Every feature of the land around us spoke its name to an ancestor. ... And unless the earth is called by the names it gave us humans, won't it cease to love us? And isn't it true that if the earth stops loving us, everyone, not just the Anishinaabeg, will cease to exist? That is why we must speak our language, nindinawemagonidok, and call everything we see by the name of its spirit." Louise Erdrich, Last Report on the Miracles of Little No Horse Instructor: Dr. Deirdre Keenan Office Hours: MW 1:30-2:30, T 10:00-11:00 MacAllister 302 and by appointment. Ext. 7254 (262-524-7254) [email protected] Class: MWF 10:40-11:50AM – Main 116 Required Texts (in order of study): Morrison, Toni. The Bluest Eye, Jazz, and Sula Erdrich, Louise. Tracks, Last Report on the Miracles at Little No Horse, and Four Souls Select Critical Articles Course Objectives • This course is designed to provide concentrated reading in select major writers—Toni Morrison and Louise Erdrich, • to survey critical responses to those writers, • to develop familiarity with select critical theories and approaches to critical writing, • and to develop a professional-level, conference-style paper through a process that includes proposal, draft, and revision. Learning outcomes for GE2/CCD • Understand world cultures. • Critically evaluate [select] global issues from multiple perspectives. • Understand the methodologies germane to the fine arts, humanities, social sciences, or natural sciences as well as their larger social context. • Analyze and integrate material in a field outside the students’ major area of study. • Develop and defend a position that demonstrates logical reasoning in writing. • Demonstrate information fluency by gathering, analyzing, and synthesizing information using emerging technologies and traditional media. Grade Distribution Class Participation 10% Reading Responses 15% Two Critical Article Outlines 20% (10% each and without formal presentation) Midterm Exam 10% (concentrates on Morrison and allows) Paper (including draft and abstract) 25% (reduces weight of paper) Final Exam (limited cumulative) 20% (limits the cumulative nature of the final) Course Policies These policies are designed to help clarify academic and professional expectations in this course. They are implemented in fairness to all students. Classroom Professionalism and Personal Technology: For Class Discussion. The reading load is rigorous and commensurate with an upper level literature course. The reading schedule is designed to allow us to absorb the assigned novels before turning to critical sources. The reading schedule presumes that students will make time every day to complete reading assignments on time. Participation: Because this course is discussion based, its success depends on everyone’s prepared and thoughtful participation; if you are unprepared, please refrain from participating in the day's discussion unless invited to do so. Attendance: More than three absences will negatively affect your grade. Over nine absences automatically constitute course failure. Because the calendar is subject to change, if you are absent it is imperative that you find out what is due on the day you return (in other words, prior absence is not an excuse for lack of prepared attendance). Reading Rewards: Because these are intended to give credit for daily preparation and learned lecture material, reading rewards cannot be made-up. No exceptions. Additional assigned articles must be downloaded from My Courses or available through the Carroll Library, read carefully, and brought to class. Paper: One professional conference style paper (10-14 pp.), typed in conventional MLA format (1” margins, 12 pt. font) and with secondary sources properly documented. The project includes the submission of drafts prepared for peer revision workshops. Students will be encouraged to submit papers to professional conferences. Grade penalties will apply to late submissions, including draft workshops (3 point penalty per late submission). Conferences: As soon as you have decided on a paper topic based on one of the course texts, make an appointment to meet with me to discuss topic. In addition, you are welcome at any time to meet with me for continued conversation or help. I am happy to provide help at any stage of the process—topic selection, research, outlining, revision. Plagiarism is the unacknowledged use of another’s ideas, words, or format and constitutes the theft of intellectual property. Paraphrasing or changing a few words still requires citation. Plagiarism violations will be treated seriously according to the policy of Carroll University (see Student Handbook), ranging from a failed assignment or course failure depending on the severity of the incident, and including a report to the Student/Faculty Ethics Committee, as mandated by the policy. Carroll University Policies Disabilities statement: Students with documented disabilities who may need accommodations, or any student considering obtaining documentation, should make an appointment with Ms. Martha Bledsoe, Director of Services for Students with Disabilities, Marty Bledsoe, no later than the first week of class. [email protected] Syllabus Subject to Change The instructor and the University reserve the right to modify amend, or change the syllabus (course requirements, grading policy, etc.) as the curriculum and/or program require(s). ENG 300A Major Writers Calendar (subject to change): 10:40-11:50AM NOTE: both authors often begin their novels before chapter one with critical epigraphs or narrative passages, so be sure to start your reading at the beginning. F 9/6 Introduction and discussion of “the canon.” M 9/9 Morrison, Bluest Eye, read beginning through “Winter.” W 9/11 Morrison, Bluest Eye, read “Spring” (97-161: ends at a text break; stop before “So it was on a Sunday afternoon, in the thin light of spring. .”). F 9/13 Morrison, Bluest Eye, read to end. M 9/16 Read “Teaching Differences Among Women from a Historical Perspective: Rethinking Race and Gender as Social Categories,” (2000) Tessie Liu. Posted on My Courses. W 9/18 Morrison, Bluest Eye, open discussion. Read “Homeplace,” bell hooks. F 9/20 Morrison, Jazz, beginning through p.73 (to text break). M 9/23 Morrison, Jazz, 73-135. W 9/25 Morrison, Jazz, 137-end. F 9/27 Morrison, Jazz, questions and open discussion. M 9/30 Critical Reading and Outline: read “A Politics of the Heart,” in Toni Morrison and Motherhood (Albany: SUNY Press, 2004) 1-16. W 10/2 Morrison and Jazz open discussion. F 10/4 Morrison, Sula, beginning through 66. M 10/7 Morrison, Sula, 67-137. W 10/9 Morrison, Sula, 138-end. F 10/11 Morrison, Sula, questions and open discussion. M 10/14 Critical Reading and Outline: Critical Reading and Outline: “An Elegy on Black Masculinity: The Beautiful Boys in Sula,” in Can’t I Love What I Criticize? Susan Neal Mayberry (Athens: University of Georgia Press, 2007) 51-70. Posted on My Courses W 10/16 Toni Morrison Overview and midterm review; introduction to Louise Erdrich. F 10/18 Fall break M 10/21 Fall break W 10/23 Midterm F 10/25 Tracks, chapters One through Four. M 10/28 Erdrich, Tracks, chapters Five through chapter Six. W 10/30 Erdrich, Tracks, chapters Seven to end. F 11/1 Erdrich, Last Report, beginning through chapter 4. M 11/4 Erdrich, Last Report, chapter 5 through chapter 8. W 11/6 Erdrich, Last Report, chapter 9 through chapter 11. F 11/8 Erdrich, Last Report, chapter 12 through chapter 16. M 11/11 Erdrich, Last Report, chapter 17 to end. W 11/13 Critical Reading and Outline. “Unrestricted Territory. .” posted on My Courses. F 11/15 Erdrich, Last Report, questions and discussion. M 11/18 Erdrich, Four Souls, beginning through chapter six. W 11/20 Erdrich, Four Souls, chapter seven through chapter eleven. F 11/22 Erdrich, Four Souls, chapter fourteen to end. M 11/25 Critical Reading and Outline: “Even our bones nourish change”: Trauma, Recovery, and Hybridity in Tracks and Four Souls, Douglas Andrew Barnim; Posted on My Courses. W 11/27 Paper Discussion F 11/29 Thanksgiving break M 12/2 Personal Writing Day. NOTE: Papers must be posted on My Courses by 2:00 p.m. on Tuesday (12/3); readers must download assigned paper and annotate response for class on Wednesday and Friday. W 12/4 Paper Workshop; readers arrive with annotated response for revision workshop. F 12/6 Paper Workshop; readers arrive with annotated response for revision workshop. NOTE: Revised papers must be posted on My Courses by 2:00 p.m. on Sunday, after which readers may download paper for annotating response. M 12/9 Revised Paper Workshop; readers arrive with annotated response for revision workshop W 12/11 Last day of classes; Final Exam Review.
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