Annual Report

Home , Alicia Warrington, Craig Bartlett, Edris Eckhardt, Helly Nahmad (London), James Rosenquist, Laura McPhee

ANNUAL REPORT January 1, 2005–June 30, 2006 ANNUAL REPORT January 1, 2005–June 30, 2006 Cover: With a coordinated museum- wide effort, the entire collection was deinstalled during the spring of 2005. Above: Director-to-be Timothy Rub addresses the staff on the day of his appointment in January 2006.

2 4 Board of Trustees 5 Trustee Committees 6 Director 10 Chairman 12 President 14 Renovation and Expansion 20 Collections 54 Exhibitions 64 Performing Arts, Music, and Film 70 Community Support 108 Education and Public Programs 124 Staff 129 Financial Report 130 Treasurer

The Cleveland The Annual Report Museum of Art was produced by 11150 East Boulevard the External Affairs Cleveland, Ohio division of the 44106-1797 Cleveland Museum Copyright © 2006 of Art. The Cleveland Writing: Individual Museum of Art departments plus All rights reserved. Gregory M. Donley No part of this Editing: Barbara J. publication may be Bradley and Kathleen reproduced or Mills transmitted in any Design: Thomas H. form or by any Barnard means, electronic or mechanical, without Production: Charles the prior written Szabla permission of the Printing: Great Lakes Cleveland Museum Integrated of Art. The type is Bembo and TheSans adapted for this publication. For photography credits, see p. 128.

3 Board of Trustees

Officers Standing Trustees Trustees Emeriti Honorary Trustees James T. Bartlett, Virginia N. Barbato Peter B. Lewis Mrs. Noah L. Butkin President James T. Bartlett Michael Sherwin Mrs. Ellen Wade Michael J. Horvitz, James S. Berkman Richard T. Watson Chinn Chairman Charles P. Bolton Mrs. John Flower Ellen Stirn Mavec, Life Trustees Mrs. Robert I. Gale Jr. Vice President Sarah S. Cutler Elisabeth H. Robert D. Gries William R. Helen Forbes-Fields Alexander Ms. Agnes Gund Robertson, Vice Robert W. Gillespie Quentin Alexander President Mrs. John Hildt George Gund III Leigh Carter Katharine Lee Reid, Ward Kelley Michael J. Horvitz James H. Dempsey Jr. Consulting Director Charles S. Hyle Dr. Sherman E. Lee (until April 2006) Mrs. Edward A. Anne Hollis Ireland Kilroy Jr. Milton Maltz Timothy Rub, Eleanor Bonnie Director (as of April Adrienne Lash Jones Jon A. Lindseth McCoy 2006) Susan Kaesgen Mrs. Alfred M. John C. Morley Janet G. Ashe, Robert M. Kaye Rankin Mary Schiller Myers Secretary and Nancy F. Keithley Donna S. Reid Treasurer Jane Nord Jeffrey D. Kelly Edwin M. Roth Roberto A. Prcela, Frances P. Taft Mrs. R. Henry Assistant Secretary of R. Steven Kestner Norweb Jr. Paul J. Vignos, M.D. the Board Alex Machaskee James S. Reid Alton W. Whitehouse William P. Madar Barbara S. Robinson Ellen Stirn Mavec Dr. Norman Zaworski Viktor Schreckengost S. Sterling Laura Siegal McMillan III Evan Hopkins Turner Rev. Dr. Otis Moss Jr. Iris Wolstein Stephen E. Myers Alfred M. Rankin Jr. James A. Ratner William R. Robertson Elliott L. Schlang David M. Schneider Mark Schwartz Eugene Stevens

Ex Officio Linda McGinty, Womens Council Timothy Rub, Director (as of April 2006) Theodore Roszak (American, 1907–1981); White and Steel Polars, 1945; painted wood, steel, iron, and Plexiglas; 271.8 x 40.6 x 40.6 cm; Leonard C. Hanna Jr. Fund 2005.144.

4 Trustee Committees

Standing Alfred M. Rankin Jr. Advisory Bracy Lewis David Ricanati Ad Hoc Committees Committees Elliott L. Schlang Committees Franklin Martin W. Allen Shapard Campaign Cabinet Collections Eugene Stevens Accessions Advisory The Reverend James T. Bartlett, Marvin McMickle ex officio Ellen Stirn Mavec, Elliott L. Schlang, William R. Elliott L. Schlang, Chair Robertson Grace Lee Mims Chair Chair Fine Arts Garden James T. Bartlett Steven A. Minter Virginia N. Barbato Finance Elisabeth H. Ruth Eppig, Sarah S. Cutler Alexander Rev. Dr. Otis Moss Jr. Charles P. Bolton William P. Madar, Chairman Robert W. Gillespie Quentin Alexander Greg Reese George Gund III Chair Elisabeth H. Michael J. Horvitz Mrs. Noah L. Butkin Dr. Lawrence Alexander Robert M. Kaye Virginia N. Barbato William P. Madar Helen Forbes Fields Simpson Terri Hamilton Nancy F. Keithley Robert M. Kaye Alfred M. Rankin Jr. Dorothy T. Hildt Andrew Venable Brown Ellen Stirn Mavec Nancy F. Keithley Donna S. Reid Marguerite B. James T. Bartlett, Perrin Carpenter Stephen E. Myers R. Steven Kestner ex officio Humphrey Mrs. Ellen Wade Cleveland Museum Alfred M. Rankin Jr. Stephen E. Myers Chinn Robert H. Jackson Education of Art Building Eugene Stevens William R. Jennifer Coleman Oversight Robertson Mrs. Edward A. Adrienne Lash Jones, James T. Bartlett, Kilroy Jr. Fluker Committee ex officio James T. Bartlett, Chair Jon A. Lindseth Mrs. Allen Ford Michael J. Horvitz, ex officio Virginia N. Barbato, Chair Committee on Tamar Maltz Co-Chair Mrs. Morley Hitchcock James T. Bartlett Trustees Investment Mary Schiller Myers James S. Berkman Brian Holley Alfred M. Rankin Jr. William R. Alfred M. Rankin Jr., Mrs. Alfred M. Jeanette Grasselli Robertson, Chair Chair Rankin Brown John G. Michalko II James A. Ratner Sarah S. Cutler, Robert W. Gillespie Edwin M. Roth Leigh Carter Donald Morrison Donna S. Reid Co-Chair Michael J. Horvitz Mark Schwartz Sr. Maureen Doyle Natalie Saiklay Robert W. Gillespie Legislative Affairs Anne Hollis Ireland Frances P. Taft Carol S. Franklin Clara D. Sherwin Anne Hollis Ireland Jon A. Lindseth, S. Sterling Paul J. Vignos Jr., Debra Guren Mrs. Charles Weller Chair Ellen Stirn Mavec McMillan III M.D. Mrs. Bert Laurelle G. Dr. Norman W. Charles P. Bolton Richard T. Watson William R. Zaworski Iris Wolstein Holt William P. Madar James T. Bartlett, Robertson James T. Bartlett, Dr. Norman W. Susan W. MacDonald Ellen Stirn Mavec ex officio Elliott L. Schlang Zaworski ex officio S. Sterling Rev. Dr. Otis Moss Jr. Michael J. Horvitz, Richard T. Watson James T. Bartlett, McMillan III ex officio Information Donna S. Reid James T. Bartlett, ex officio Rev. Dr. Otis Moss Jr. Technology ex officio Elliott L. Schlang Compensation Frances P. Taft Anne Hollis Ireland, African American James T. Bartlett, Chair James T. Bartlett, Community Task Susan H. Turben ex officio Chair Force Paul J. Vignos Jr., Sylvie Bon William P. Madar Adrienne Lash Jones, M.D. Dr. Delos M. Michael J. Horvitz, Chair Sally H. Wertheim Cosgrove III ex officio Montrie Rucker James T. Bartlett, Jennie S. Hwang Adams ex officio Trevor Jones Executive June S. Antoine Joseph P. Keithley James T. Bartlett, Emma Benning Exhibitions & Chair Marketing Bruce V. Mavec Albert Bright Virginia N. Barbato Eugene Stevens, Richard T. Watson Margot James Sarah S. Cutler Chair James T. Bartlett, Copeland ex officio Michael J. Horvitz Sarah S. Cutler James Crosby Anne Hollis Ireland Charles S. Hyle Helen Forbes Fields Adrienne Lash Jones R. Steven Kestner Giesele Greene, M.D. William P. Madar Susan Potter Ms. Bert Laurelle G. Ellen Stirn Mavec Holt

5 From the Director

As even a cursory glance at this annual report will reveal, the past year at the Cleveland Museum of Art has been, in a word, transformational. While some might be skeptical about the merits of such a claim, in this case—and at this time in the history of this institution—it is, I believe, entirely justified. Consider the facts: more than 40,000 objects were moved during the course of five months as we closed our galleries and reluctantly put our world-renowned collection, in its entirety, in storage; fully half of our staff relocated to temporary quarters in an office building in downtown Cleveland; and, most significant, a renovation and expansion project started that will, when completed, leave virtually no part of the museum untouched. While 2005-06—the period covered by this annual report—has not been a time, as the saying goes, for the faint of heart, it has also brought out the best in our staff, our trustees, and our community. To our many Timothy Rub is members and friends we owe a debt of gratitude both for the patience they introduced to the staff of the have shown while the museum has been closed and for the enthusiasm Cleveland Museum they have expressed for our ambitious capital project. To our trustees and of Art. donors who have supported the first phase of this work, we are deeply grateful for their generous contributions to an initiative that they believe is vitally important not only to the future of this institution, but also to our city and our region. Finally, we are especially thankful for the efforts of our

Curator of Prints Jane Glaubinger greets the new director while Curator Emeritus Stan Czuma looks on.

6 Tours continued— with a few detours— as galleries closed for renovation.

staff throughout this entire process. Without their goodwill and determination, we could not have accomplished so much in such a short period. Although the dominant theme of the past year has been the closing of the museum to prepare for the beginning of our renovation and expansion, it should not go unremarked that an equally important focus of our work was how we could continue to serve the Cleveland community during a time when our customary means of doing so—galleries, classrooms, and the several wonderful performance spaces we have in Marcel Breuer’s great 1971 addition to the museum—were closed to the public. Again, much credit is due to our trustees, who encouraged us to find different ways of making the museum accessible, and to our staff, who demonstrated a great deal of creativity in bringing the museum to the public in many different venues in and around Cleveland. In the process we made many new friends for the museum, forged new institutional partnerships, and learned much more about the community—or, better yet, communities—that we serve. Most notable among these efforts was the development of exhibitions such as The Persistence of Geometry, a groundbreaking collaboration with our sister institution MOCA Cleveland, and long-term loans to other institutions such as the Allen Memorial Art Museum at Oberlin College. They also included highly acclaimed performances in a number of differ-

7 ent spaces throughout the city as the VIVA! & Gala Around Town series made a virtue of necessity and became nomadic, as it were, for the year. Finally, the Education department maintained the museum’s rich traditions of community engagement by presenting many of its core programs at schools and community centers. All this work—some of it new, some of it the continuation of programming we would have otherwise presented at our home in University Circle—was considered vitally important to the successful implementation of a broad strategy that called for the museum to remain active and accessible even during the brief period of time (a little less than a year, from December 2005 to October 2006) that our facility had to be closed to the public in order to complete much-needed improvements to infrastructure and the renovation of the Breuer building. What is more, it took place against the backdrop of a range of activities such as the development of exhibitions, the acquisition of new works of art, and research on the collection that are and will always remain at the heart of our enterprise. Once again, it is worth noting that we are at the beginning of a comprehensive effort to renovate our home in University Circle that will, when it is completed in 2011, have achieved many important goals. First and foremost, this project will provide a setting that is a worthy comple- Parade the Circle ment to our superb collection and much more space for its presentation made its annual appearance in June than was hitherto available for this purpose. It will also work much 2005 and again in 2006. Crowds and more effectively, providing adequate facilities for the care and storage of marchers alike took the collection, well-equipped working areas for our staff, and expanded the construction in stride. amenities for the public. Third, with new classrooms and distance- learning studios, a renovated auditorium, lecture hall, and recital hall, a spacious new home for Ingalls Library, and an innovative center for

In one of his first official trips as director, Timothy Rub traveled to Beijing for the opening of From Monet to Picasso: Masterworks from the Cleveland Museum of Art.

8 lifelong learning, it will enable us once again to place proper emphasis on the educational mission of this institution, Finally, the superb design that Rafael Viñoly has prepared for this project will enable the Cleveland Museum of Art to serve—as any museum of this stature should—as one of the principal destination points for visitors to our city and one of its finest civic spaces, a place that every member of our community can look to with pride and a sense of accomplishment. Having come to Cleveland last April to assume my duties as the sev- enth director of this institution, I was struck by the palpable sense of excitement that the start of our renovation and expansion had created. It has been seen—quite rightly, in my opinion—not only as a necessary step in the renewal of one of this country’s finest art museums but also as an affirmation of a strong belief in the future of this city and the region that it serves. It is a great time to be in Cleveland and at the Cleveland Museum of Art.

Studio classes Timothy Rub continued in the old Director and Chief Executive Officer classrooms until the summer of 2005.

With only peaceful intentions, installation crew member Hannah Ries hoists a 16th- century German halberd as the Armor Court is emptied of works of art. Mark McClintock holds a piece of foam to protect the top of the display case as Evelyn Hayes looks on.

9 From the Chairman

As the period of this report came to a close at the end of June, much had been accomplished in the museum’s renovation and expansion project. In the remodeled Breuer education wing, we could see bright and welcom- ing classrooms and facilities on the lower level. Upstairs, the library’s new home, with a clerestory roof casting soft light on a new reading room, was taking shape. Outside, glass panels now frame in a new vestibule to provide direct indoor access from the parking garage and brighten the entry into the north lobby. The words “welcome” affixed to the glass in a dozen different languages reinforce the point. The transparency not only invites visitors in, but allows people standing inside the museum to see out into the lovely Wade Oval park. Meanwhile, construction on the new east wing already suggests the shape of the addition and indicates to us all how glorious the new museum will be, with an expansive special exhibitions area on the lower level and airy new spaces for the permanent collection above. While the physical transformation of the museum is impressive, this project is really about art and people—and how our museum can be the best in the world at bringing them together. We firmly believe that the connection between art and people has extraordinary potential to enhance lives, and that is why we are so committed to carrying forward this ambitious project.

Seen from the roof of the 1916 (south) building, steel framing and the construction fence begin to suggest the form of the new east wing.

10 Riley Lewis, Jason Clark, Jaysen Lewis, Bryan Clark, and Nicholas Witchey push open the south doors during the October 2005 groundbreaking ceremony.

Our great museum adds measurable value to our region’s economic life—between $40 million and $50 million of economic impact in a typi- cal exhibition year, according to research done by the Cleveland Partner- ship for Arts and Culture. More importantly, however, the museum con- tributes in ways that are beyond measure, by enriching daily life and by inspiring individuals to appreciate other times and cultures and explore new horizons. Art can do things not possible by anything else. While the museum’s great collection has been off view in Cleveland, it has hardly been on holiday. Objects from our famed holdings have been touring the world as ambassadors for our museum and our city. Not only do the touring exhibitions allow new audiences around the world to see our extraordinary works of art, they have also helped us strengthen im-

Housed in the last portant partnerships with the other great institutions with whom we have galleries to close for shared our collections. These relationships will pave the way for fine exhi- renovation, the ancient Egyptian and bitions to come to Cleveland in the future. Roman collections saw even more school On behalf of the museum’s many communities—from local citizens, tours than usual in the to regional visitors, to the international art community—I thank all of our spring of 2005. supporters for helping the Cleveland Museum of Art carry out its crucial mission to collect, care for, and share great works of art with everyone. Michael J. Horvitz

11 From the President

Once again we celebrate a year of enormous progress at the Cleveland Museum of Art. As June ended we were well along in the construction phase involving the original 1916 (south) building, the Breuer education wing, the new parking garage, and now an east wing that is rising out of the ground along East Boulevard. Since then we have been able to reopen the museum on a limited basis to accommodate special events and present the exciting and profoundly moving exhibition Barcelona & Modernity. In the short span of months since our shutdown to accelerate the construction process, we are back in business on home ground. Even though we are still operating in limited space and amid construction, the reaction of our members and the general public has been electrifying. We really were missed. In addition to the construction project, the museum has continued to move forward with its capital campaign in exemplary fashion. We are very pleased with the support we have received from our inner circle of friends and are now working out the details of the next, more public phase of the campaign. Meanwhile, we are deeply indebted to our members and trustees for continuing their stellar contributions to the annual operating fund that make possible the wide array of programs and services we offer to the community year after year. Thanks to your generosity, we continue to operate

The museum’s efforts to give appropriate attention to contemporary art found resourceful solutions, such as the conversion of a storage area into Project 244. When the expansion and renovation is complete, traveling exhibitions and the permanent collection alike will be presented in attractive new spaces with helpful interpretive features.

12 David Abbott, director of the George Gund Foundation, discusses the model of Rafael Viñoly’s expanded Cleveland Museum of Art at a reception in the museum’s north lobby.

in the black during a period when we are asking a broad audience to support our capital campaign, a very important element in our success. One of the most significant changes during the past 18 months was completing the search for our new director, Timothy Rub. Timothy joined us last April as Katharine Lee Reid’s successor. As you know, Katharine led the museum through a period of tumultuous change, including identifying Rafael Vinõly as our architect, designing a new museum, planning and initiating the capital-raising phase of our project, and preparing the museum for a period of partial shutdown and construction. At the same time, she continued working closely with the curators to pro- duce several brilliant acquisitions and hire new curatorial talent, all the while maintaining balanced budgets. Timothy Rub joins us at an important if not critical moment. Already he has shown the strong leadership skills and community outreach so vital to keeping us on track as the building and capital campaign progress. We are fortunate to have him at the helm; his considerable management experience and art background are just what we need. So far I can speak for the board of trustees and the staff in saying he is a great pleasure to work with and an inspired leader. We are in an exciting time for the Cleveland Museum of Art, one of the most forward-looking and energized periods in our history. I thank all of you for your support and encouragement, and look forward to helping shape our future as it unfolds in the months and years to come. James T. Bartlett

13 renovation and expansion

The new lower-level special exhibition area takes shape during the early summer of 2006.

14 Literally hours after the Board of Trustees voted on March 7, 2005, to go ahead with the first phase of the expansion and renovation project, art handlers began removing works of art from the museum’s galleries. The decision to close our facility for a brief period and keep the entire collection in the building complex was both mission-driven and economic. While it might have been possible to store substantial portions of the collection at remote sites, the transportation of large numbers of works of art would have posed unpredictable risks to their safety; furthermore, very few storage facilities can meet the humidity, temperature, and security requirements to keep the collection safe. It became clear that the very best place to store the collection during construction was within our own walls, where climate control and security already met museum standards and the movement of art would be minimal and as safe as possible. Once that issue was settled, discussion turned to whether parts of the collection could be kept on view during the completion of the project. Renovation and construction around the 1971 Marcel Breuer building entrance would necessitate closing the north doors for approximately six months. During that time, intrepid visitors could have used the south entrance steps to the 1916 building, but this would have meant delaying the start of the renovation of that structure until the fall of 2006 and its completion until the fall of 2009. Additional complications arising from the movement of our collection and staff within the building would have resulted in an overall delay in the project completion date of about two years had the museum elected to try to keep some of the galleries open Rafael Viñoly at the during the project. Those extra years of labor and the rising cost of mate- October 2005 groundbreaking. rials would likely have added tens of millions of dollars to the total budget. Having already raised $116 million toward the $258 million project budget, the Board of Trustees elected to minimize the time required to complete the project and maximize the value of the investment they had decided to make in renovating and expanding our facility. Thus, with one eye on the well-being of the art and the other on the budget, the museum elected to move the entire collection into the 1958 building and proceed immediately with renovations of the Breuer and 1916 buildings so that those spaces could reopen to the public as soon as possible. Simultaneously, construction of the new east wing also began. As the work is completed, the collections will be reinstalled in the renovated

15 Curator of Decorative Art and Design Stephen Harrison (right) reviews installation plans with gallery design specialists Elroy Quenroe (left) and John Klink (center) of Quenroe Associates.

and new spaces. To accommodate displaced staff (totaling nearly half of the museum’s employees), the museum leased a floor of the Penton Media Building on East 9th Street in downtown Cleveland, where many administrative functions will be based until the end of the building project. After the board vote in March, the galleries were progressively closed and the 1958 building rooms converted to storage areas, with the last of the permanent collection galleries closing in June. That spring, construction began on a new central utility plant on the site of a former staff parking area. The new plant consolidates the utilities supplied to all existing buildings as well as the new construction. The 1916 building underwent a much-needed utility and wiring upgrade and asbestos abatement to bring it up to current code requirements and ensure that it can function effectively for decades to come. In mid summer, preparations began for the excavation of the new east wing. A groundbreaking ceremony on Octo- ber 1 officially launched the new construction. Portions of the galleries housing ancient and contemporary art in the 1958 and Breuer buildings were reconfigured to allow presentation of the first NEO Show during the summer and then the Arts & Crafts exhibition in the fall. In early January 2006 the museum closed to the public entirely so that renovations in and around the north entrance could proceed. Among those tasks was excavating just outside the entrance to lay utility pipes to connect the new east wing and 1916 building to the central utility plant. Meanwhile the heating, ventilation, and air-conditioning equipment in the Breuer building was removed (much of it via crane Director of Design and through the roof ) and replaced with an efficient new system. During the Architecture Jeffrey Strean explains the summer months renovations began on the skylights on the roof of the arrangement of the 1916 building. Asian collection using a large-scale foam model The Breuer building began to reopen in the summer of 2006, with at the offices of consulting architects renovated classrooms and offices and significant improvements to the lec- Collins Gordon Bostwick ture and recital halls. (Gartner Auditorium is a separate project to be com- in Cleveland.

16 pleted in 2008.) The change that will be most apparent to visitors is the provision of an angular glass enclosure under the entrance canopy that cre- ates a protected foyer for people coming in through the main entrance or, when the additions to our parking garage are completed, entering through a new tunnel that will connect the building and garage. The progress that has been made in the 16 months since the Board of Trustees voted to proceed is, by any measure, impressive, and it is now possible not simply to envision the new museum, but to see it taking shape before our eyes. When completed, the project will increase the museum’s total size to 588,000 square feet, including new galleries, innovative education and interpretation facilities, greatly improved visitor amenities, and a new set of gracious public spaces infused with air and light.

The degree of complex advance planning involved in the building project is evident in the carefully arranged stacks of reinforcing rod to be used in the construction of the new east wing.

17 Groundbreaking

By noon on Saturday, October 1, 2005, Each of the six religious leaders an eclectic crowd had gathered on the then took a few minutes to offer a south terrace for the official kickoff of blessing. “When we see a thing of the museum’s transformation project. beauty,” said Rabbi Eric Bram, “we are Board President James Bartlett and taught to bless it.” Imam Ramez Chairman Michael Horvitz were there, Islambouli counseled, “Let us embrace with other members of the Board of the promise held out to us in our work- Trustees, most of the senior staff, and ing, as well as in our dreaming.” Rever- Consulting Director Katharine Lee Reid. end Dr. Otis Moss noted the museum’s Project architect Rafael Viñoly visited role as “a place where all traditions with Cleveland Mayor Jane Campbell, and cultures find common ground and

Mayor Jane Campbell Councilwoman Sabra Pierce Scott, mutual respect. This is a cathedral of joins President James T. other government and community excellence and it is every generation’s Bartlett, Chairman representatives, and members of the job to help complete it.” Reverend Michael J. Horvitz, media. Gathered near the podium were David Novak’s blessing affirmed each Consulting Director Katharine Lee Reid, and the members of the Greater Cleveland person’s role in seeing and appreciat- local schoolchildren in Choral Chapter gospel choir and leaders ing beauty. In a soft tenor voice, the symbolic placing of of half a dozen religious communities. Venkatachalapati Samuvrala sang a stones. After remarks from James Bartlett Hindu blessing traditional for such and Katharine Lee Reid, architect Rafael occasions, and then Lobsang Tendar Viñoly expressed his gratitude at being performed a Buddhist “Removal able to work on the project. “The results of Obstacles” chant, his deep voice can be sublime. You’ve got one of the mesmerizing the audience. great art collections in the world . . . in The symbolic laying of stones fol- one of the most spectacular pieces of lowed, with each of the leaders placing Area religious leaders congregate before the landscape architecture in this country.” a small marble block in a sand-filled ceremony. platform. Then a group of local children ascended the south steps and opened the doors to the original building, its interior empty in preparation for restoration. The assembled crowds walked up the steps and entered the building. From that moment until 4:00 that afternoon, people were free to wander in and walk through to the north entrance—one last look at these beloved spaces until the restoration is complete. Visitors shared a variety of thoughts about the project. Nine-year-old Maggie Bour was looking forward to the day the galleries would reopen. “The part I’ll miss the most will be the Asian art. But I just like art in general. It’s fun to just go in there and let your imagination go wild.”

18 The Reverend Dr. Otis Moss Jr. talks with architect Robert Madison.

To architect Robert Madison, “What is happening is that two strong architectural statements—the classical original building and Breuer’s modern addition—are finally being brought together in a great resolution.” He smiled and paused. “It’s a symphony of glass and steel.”

The day included not only formal ceremony, but performances and hands-on art activities.

19 20 Collections

Intense effort went into moving the collection from the public galleries to storage and into all of the complexities related to organizing traveling exhibitions, yet these activities were only part of what the curatorial staff accomplished during 2005 and 2006. All the while, the museum’s curators continued their efforts to bring the finest works of art into the permanent collection. The Theodore Roszak sculpture illustrated on page 4, for example, a stunning modernist creation nearly nine feet tall, will stand as a veritable exclamation point when the modern galleries reopen.

21 Grave Stele (Relief), about 50 bc; Southern Asia Minor, Pamphylia, Hellenistic Greek; marble; 73.6 x 42.5 cm; Gift of James E. and Elizabeth J. Ferrell 2005.52.

Previous pages: The The Cleveland Museum of Art is widely admired for the scope and system for storing the collection introduced quality of its acquisitions. During the past 18 months, we have lived up to some interesting neighbors to one this reputation: works of art from around the globe and covering a broad another. Here, Claes span of time entered the collection. From Pamphylia in Southern Asia Oldenburg’s giant toothpaste tube rests Minor came a striking example of Hellenistic marble sculpture, Grave Stele among medieval (Relief) of about 50 BC. From our own hemisphere came three spectacular armaments. gold nose ornaments made by the Moche people of ancient Peru around AD 100–300, along with a half of a tunic, woven between AD 500 and 1000, that is among the finest tapestries ever created in the ancient Ameri- cas. From Europe and joining the medieval collection came two French manuscript leaves—one from a book of hours from about 1415 by a follower of the Limbourg brothers (Netherlandish), part of a group donated by Jeanne Miles Blackburn, and another from around 1467–70 illuminated by Simon Marmion and depicting scenes from the life of St. Denis. African Art acquired two important works from the 1800s during the 18-month period: an ivory figurine from the Lega people of the Demo-

22 cratic Republic of the Congo and a reliquary guardian figure created by the Kota people of Gabon. Simultaneously, Asian Art acquired a ritual wine vessel made in China around 1300 to 1100 BC, a complete Indian manuscript depicting the life of Christ (dated 1602), and contemporary works by Chinese artists Lí Huayi and Wucius Wong. A major American painting entitled Go Down Death from 1934 by the important African-American artist Aaron Douglas was a wonderful addition to the museum’s collection of works by Harlem Renaissance artists. European Painting and Sculpture, 1900–1945, added a symbolist landscape of 1900 called Evening Mood—Lidingö by the Swedish artist Nose Ornament with Serpents and Long- Eugène Jansson. necked Birds, ad 100– 300; Central Andes, The museum continued to be active in the area of contemporary art. Moche people; gold Longtime supporter Agnes Gund donated Jim Hodges’s beautiful In Blue, alloy and silver; 7.6 x 13.9 cm; Severance and 1996, Sean Scully’s Wall of Light Rose, 2003, and Cai Guo Qiang’s Pine Greta Millikin Purchase Forest and Wolf, 2005. Fund 2005.177. Strides in the area of photography were also made through the purchase of Richard Avedon’s iconic portrait Ronald Fisher, Beekeeper, Davis, California, May 9, 1981 and the gift of an entire portfolio of photographs by Barbara Bosworth from trustee Mark Schwartz and his wife, Bettina Katz.

Follower of the Limbourg Brothers (Netherlandish) (France, Paris[?]); Leaf from a Book of Hours: St. Matthew, about 1415; ink, tempera, and gold on vellum; 18.1 x 13 cm; The Jeanne Miles Blackburn Collection 2005.204.

23 Reliquary Guardian Figure, 1800s; Gabon, Kota people; wood and metalwork; h. 61 cm; Purchase from the J. H. Wade Fund 2005.2.

The drawings collection added a fine watercolor landscape from 1888 by the Hudson River school painter Jasper F. Cropsey. Major prints by Caspar David Friedrich (Footbridge with Cross before Trees at a River, about 1803), Emile Bernard (Breton Scenes, 1896), Max Beckmann (Group Portrait Eden Bar, 1923), and Pablo Picasso (Faun Revealing a Sleeping Woman, 1936, from the Vollard Suite) were among the additions to the collection. Of special note were 91 works by Gustave Baumann, a gift from his daughter, Ann Baumann. In the areas of Decorative Art and Textiles two exceptional examples of 18th-century European design were added: a gilded overmantel mirror from about 1745 attributed to the English designer Matthias Lock and a pair of French bed hangings made of wool and silk needlework from 1710–20. A group of Toshiko Takaezu ceramics joined the collection of contemporary decorative art. During the year the curatorial area saw the departure of one curator and the arrival of two others. Dr. Stanislaw J. Czuma retired as the George P. Bickford Curator of Indian and Southeast Asian Art after 33

24 Jesus Asleep During a Storm at Sea, plate 19 of Masinama (Life of Christ) Manuscript; dated 1602; India, Allahabad, Mughal period; ink, color, and gold on paper; 26.3 x 15.7 cm; John L. Severance Fund 2005.145.19.

Wine Vessel (Jia), 1300–1100 bc; China, Shang dynasty; bronze; h. 50.8 cm; John L. Severance Fund 2005.54. years of distinguished service. Mark Cole, formerly curator of American art at the Columbus Museum of Art, was appointed associate curator of American painting and sculpture. Stephen G. Harrison joined the staff as curator of decorative art and design. Before coming to Cleveland, Harrison served in curatorial positions at the High Museum of Art in Atlanta and the Dallas Museum of Art. The Conservation department greeted Sari Uricheck, who had previ- ously worked at the Metropolitan Museum of Art in New York, as associate conservator of objects, and Juliette Jacqmin, a graduate of the Institut National du Patrimoine in Paris, who joined the staff as a Kress Fellow in Objects Conservation. The department was extremely busy during the 18-month period, treating specific works of art as well as evaluating numerous others that are part of the world tours of various collections. One of the major accomplishments for Conservation was the completion of the survey of Chinese, Japanese, and Korean paintings. All information on the condition of these works of art was compiled and placed in a database in the collections management system. This information pro-

25 Aaron Douglas Severance Fund and (American, 1899–1979); Gift of Prof. and Mrs. Go Down Death, 1934; David C. Driskell oil on Masonite; 121.9 x 2005.181. 91.5 cm; John L.

26 vided a quick assessment of which paintings could be used in the proposed traveling exhibitions. Painting treatments that were completed by Marcia Steele included Joseph Paelinck’s Self Portrait, John Rogers Cox’s Gray and Gold, and Edgar Degas’s portrait of Stefania Primicile Carafa. The treat- ment of Mori Sosen’s Monkeys in a Cherry Tree and Monkeys on a Rock Ledge progressed very well with the mounting silks and colors being selected by Jennifer Perry, in consultation with curator Anita Chung. Major paper treatments completed by Moyna Stanton included Auguste Renoir’s Mother and Child pastel, Giuseppe Vasi’s The Campo Vaccino engraving, and 22 watercolors from The World of Things by Kamisaka Sekka. William Henry Fox Talbot (British, 1800– The museum’s image database also expanded, with nearly 9,000 addi- 1877); Winter Trees tional images from the collection added to the website. Among many Reflected in a Pond, 1841–42; salted paper other features, Collections Online allows visitors to create their own per- print from calotype negative; 16.4 x 19.1 cm; sonal collections, an opportunity not lost on Lowery Stokes Sims, who Purchase from the J. H. publicly credited this feature for helping her create and shape the exhibi- Wade Fund 2006.4. tion The Persistence of Geometry. Collections Online received national recognition twice in 2006. First, the National Endowment for the Humani- ties selected the CMA website for inclusion in EDSITEment (http:// www.edsitement.neh.gov/) as “one of the best online resources for education in the humanities”; it also won a 2006 Muse Award from the American Association of Museums. The number of individuals visiting the website climbed to over three million, nearly twice the number recorded the year before. The vast majority of those who viewed the CMA website did so to view images and information on the collection.

Toshiko Takaezu (American, b. 1922); about 1990s; Gift of the Artist. From left: Alchemy Gold Moon; stoneware; h. 69.9 cm, diam. 69.5 cm; 2005.190. Black Moon; stoneware; h. 52.1 cm, diam. 57.8 cm; 2005.191. Alchemy Gold; stoneware; h. 155.9 cm, diam. 68.3 cm; 2005.189. Yellow Moon; porcelain; h. 36.9 cm, diam. 26.4 cm; 2005.196. Tall White Form; stoneware; h. 75.9 cm, diam. 38.1 cm; 2005.192. Cobalt Blue Form; porcelain; h. 53.7 cm, diam. 26.4 cm; 2005.194. Tall Mauve Form; stoneware; h. 64.5 cm, diam. 29.9 cm; 2005.193. Pink/White Form; porcelain; h. 32.4 cm, diam. 19.1 cm; 2005.197. Purple Form; porcelain; h. 37.8 cm, diam. 21.6 cm; 2005.195.

27 Ingenuity Festival

On Labor Day weekend in 2005, the Stargazer (subtitled 5,000-Year-Old museum participated in the inaugural Woman), and they could interactively Ingenuity Festival, a multifaceted event explore Picasso’s Blue Period master- in downtown Cleveland fusing art and piece La Vie. Families donned special technology that involved hundreds of glasses to view the premiere of a 3D artists and performers and attracted video depicting a French writing desk more than 70,000 attendees. from the collection, which was The opening-night extravaganza, directed by noted local video artist and Traffic Jam, was created by Robin filmmaker Kasumi. Some elements VanLear, artistic director of the of the CMA pavilion displays were museum’s Community Arts depart- adapted from works in the concurrent ment and longtime artistic director of NEO Show at the museum and from Parade the Circle. Museum members long-standing collaborations between had the opportunity to attend a special the museum’s Information Technol- preview reception the evening of the ogy department, Case Western Re- opening ceremony. The museum tem- serve University, and the Cleveland porarily occupied a storefront at the Institute of Art. New tech meets old corner of Euclid Avenue and East 6th In 2006, the Community Arts de- tech: visitors don 1950s-style 3D glasses Street and assembled a multimedia partment contributed a Chalk Festival to experience a video spectacle that included interactive and preview to the Ingenuity festivities for interactive piece. interpretive technology, along with the that year, including kinetic music by model of the new museum. Visitors the Panic Steel Drum Ensemble and a could view a 3D animation of the collaborative street painting by museum’s medieval Table Fountain and Barbara Chira, Jesse Rhinehart, and a hologram of the ancient Anatolian Jan Stickney, as well as a family interactive street-painting workshop.

Director of New Media Initiatives Holly Witchey explains the museum’s interactive exploration of Pablo Picasso’s La Vie.

28 MOCA Collaborations

The CMA pavilion at Euclid and East 6th Street was a focus of activity throughout the inaugural Ingenuity Festival.

29 Acquisitions

Figurine, 1800s; Plank Mask, possibly early 1900s; Democratic Democratic Republic Republic of the Congo, Bembe people; wood of the Congo, Lega and pigment; h. 46 cm; Leonard C. Hanna Jr. people; ivory; h. 17.5 Fund 2006.116. cm; Purchase from the J. H. Wade Fund American Art 2005.3. Aaron Douglas (American, 1899–1979); Go Down Death, 1934; oil on Masonite; 121.9 x Plank Mask, possibly 91.5 cm; John L. Severance Fund and Gift of early 1900s; Demo- Prof. and Mrs. David C. Driskell 2005.181. cratic Republic of the Theodore Roszak (American, 1907–1981); Congo, Bembe people; White and Steel Polars, 1945; painted wood, wood and pigment; steel, iron, and Plexiglas; 271.8 x 40.6 x 40.6 h. 46 cm; Leonard C. cm overall; Leonard C. Hanna Jr. Fund 2005.144. Hanna Jr. Fund African Art 2006.116. Figurine, 1800s; Democratic Republic of the Ancient Art Congo, Lega people; ivory; h. 17.5 cm; Pur- Grave Stele (Relief), about 50 BC; Southern Asia chase from the J. H. Wade Fund 2005.3. Minor, Pamphylia, Hellenistic Greek; marble; Hat, early 1900s; Democratic Republic of the 73.6 x 42.5 cm; Gift of James E. and Elizabeth Congo, Lega people; cowrie shells, beads, J. Ferrell 2005.52. elephant tail, and cord; h. 55.9 cm; Norman Woman’s Belt Hanger (Zone), about 725–675 O. Stone and Ella A. Stone Memorial Fund BC; Greece, Geometric period; bronze; w. 2005.56. 32.5 cm; The Jane B. Tripp Charitable Lead Reliquary Guardian Figure, 1800s; Gabon, Kota Annuity Trust 2006.5. people; wood and metalwork; h. 61 cm; Pur- chase from the J. H. Wade Fund 2005.2.

30 Half of a Sleeved Tunic, Art of the Ancient Americas Textile Fragment with Frontal Deity Heads, Fe- ad 500–1000; Central Fragment of a Mantle with Oculate Being, 200 lines, and Interlace Pattern, 700–400 BC; Central Andes, Wari or BC–AD 1; Central Andes, Paracas people (pos- Andes, Paracas people (possibly Yauca Valley); Tiwanaku people; sibly Carhua); double-cloth; cotton; 74.9 x double-cloth with structural embroidery; single-interlocked 108 cm; Dudley P. Allen Fund 2005.19. camelid fiber; 83.2 x 21.6 cm; Dudley P. Allen tapestry; cotton and Fund 2005.14. AD camelid fiber; 88.5 x Half of a Sleeved Tunic, 500–1000; Central Andes, Wari or Tiwanaku people; single- Textile Fragment with Interlace Pattern, 700–400 102 cm; J. H. Wade BC; Central Andes, Paracas people (possibly Fund 2005.53. Detail interlocked tapestry; cotton and camelid fiber; 88.5 x 102 cm; J. H. Wade Fund 2005.53. Yauca Valley); brocaded plain weave; cotton at far right. and camelid fiber; 51.8 x 21.3 cm; Dudley P. Mastiff Bat Vessel, AD 50–200; Central Andes, Allen Fund 2005.15. Moche people; ceramic and slip; 18.4 x 17.7 x 15.6 cm; John L. Severance Fund 2005.6. Textile Fragment with Three Frontal Deities and Interlace Pattern, 700–400 BC; Central Andes, Nose Ornament with Human Head and Condors Paracas people (possibly Yauca Valley); Attacking Humans, AD 100–300; Central Andes, double-cloth with structural embroidery; Moche people; gold alloy; 9.5 x 16.5 x 1.6 cm; camelid fiber; 101.3 x 22.8 cm; Dudley P. Severance and Greta Millikin Purchase Fund Allen Fund 2005.13. 2005.175. Tunic with Double-headed Serpents, 700 BC–AD Nose Ornament with Serpents and Long-necked 1; Central Andes, Paracas people (possibly Birds, AD 100–300; Central Andes, Moche Carhua); gauze; cotton; 136.5 x 65.4 cm; people; gold alloy and silver; 7.6 x 13.9 cm; Dudley P. Allen Fund 2005.17. Severance and Greta Millikin Purchase Fund 2005.177. Tunic with Profile Animals and Checkerboards, 700 BC–AD 1; Central Andes, Paracas people; dye- Nose Ornament with Decapitators and Human patterned plain weave; cotton; 72.4 x 104.1 Heads, AD 100–300; Central Andes, Moche cm; Dudley P. Allen Fund 2005.16. people; gold alloy and silver; 8.8 x 14 cm; Woman’s Belt Hanger Severance and Greta Millikin Purchase Fund (Zone), about 725–675 Other Pre-Columbian textiles are listed under 2005.176. Textiles. BC; Greece, Geometric Panel from the End of a Sash, 700 BC–AD 1; period; bronze; w. 32.5 Central Andes, Paracas people (possibly cm; The Jane B. Tripp Carhua or Chucho); tapestry and plain weave; Charitable Lead cotton and camelid fiber; 26 x 16.3 cm; Annuity Trust 2006.5. Dudley P. Allen Fund 2005.18.

31 Wucius Wong (Wang Wuxie, Chinese, b. 1936); Valley of the Heart No. 9, 1998; ink and color on paper; 94 x 213.4 cm; Alma Kroeger Fund 2006.1. Asian Art Wine Vessel (Jia), 1300–1100 BC; China, Shang Ewer: Changsha Ware, 800s; China, Hunan dynasty; bronze; h. 50.8 cm; John L. Severance province, Changsha kilns, Tang dynasty; Fund 2005.54. stoneware with green glaze and brown spots; Lí Huayi (Chinese, b. 1948); Earth Landscape, h. 29.2 cm, w. 19.8 cm, rim diam. 10.3 cm; about 2004; ink and color on paper; 88.9 x Edward L. Whittemore Fund 2005.57. 180.3 cm; Norman O. Stone and Ella A. Hollow-legged Tripod (Li), late 2000–early 1000 Stone Memorial Fund 2006.115. BC; China, Inner Mongolia, lower stratum of Wucius Wong (Wang Wuxie, Chinese, b. the Xiajiadian culture, Neolithic period; dark 1936); Valley of the Heart No. 9, 1998; ink and gray earthenware; h. 22.9 cm, rim diam. 17 color on paper; 94 x 213.4 cm; Alma Kroeger cm; Gift of Mr. and Mrs. Thomas French Fund 2006.1. 2005.20.

Cai Guo Qiang (Chinese, b. 1957); Pine Forest and Wolf, 2005; exploded gunpowder, fuse, and burned paper backed on wood; 4 panels, 230.2 x 77.6 cm each, 230.2 x 310.4 cm overall; Gift of Agnes Gund 2006.134.a–d.

32 Sean Scully (American, b. 1945); Wall of Light Rose, 2003; oil on linen; 213.4 x 243.4 x 6.3 cm; Gift of Agnes Gund and Daniel Shapiro 2005.142.

Contemporary Art Decorative Art and Design Cai Guo Qiang (Chinese, b. 1957); Pine Forest Rudy Autio (American, b. 1926); Cherry Hill, and Wolf, 2005; exploded gunpowder, fuse, 1992; glazed stoneware; 53 x 54.6 x 37.5 cm; and burned paper backed on wood; 4 panels, Gift of Francine and Benson Pilloff 2005.188. 230.2 x 77.6 cm each, 230.2 x 310.4 cm over- William Carlson (American, b. 1950); all; Gift of Agnes Gund 2006.134.a–d. Prägnanz, about 1990; glass and granite; 94.6 x Jim Hodges (American, b. 1957); In Blue, 49.5 x 35.5 cm; Gift of Francine and Benson 1996; silk flowers and thread; 396 x 259 cm Pilloff 2005.186.a–c. overall; Gift of Agnes Gund in honor of Sydney Cash (American, b. 1941); Trifold, Katharine Lee Reid 2005.140. about 1990; mixed media; 37.2 x 26.8 x 18.5 Hildur Ásgeirsdóttir Jónsson (Icelandic, b. cm; Gift of Francine and Benson Pilloff 1963); Sand Storm, 2005; warp-faced plain 2005.184. weave; silk, painted with dye before weaving; José Chardiet (American, b. Cuba, 1956); 198 x 104 cm overall; Robert A. Mann Fund Yellow Monster Vase, 1991; blown glass; h. 43 2005.146. cm, diam. 34.5 cm; Gift of Francine and Benjamin Kinsley (American, b. 1982); Benson Pilloff 2005.183. Gesichtsmusik, 2004; video and sound; 2:20 Designed by Charles Eames (American, 1907– minutes; Gift of Robert M. Kaye 2005.141. 1978), manufactured by Herman Miller; Pair of Martin Kline (American, b. 1961); Cleveland Chairs (LCW), designed 1946; plywood; 73.3 Mural 2003, 2003; paintstick on canvas; 165.8 x 49.5 x 55.9 cm; Gift of Audra and George x 57.9 cm overall; Gift of Agnes Gund and Rose 2006.124–25. Daniel Shapiro 2005.62. Designed by Alexander Girard (American, Steve McCallum (American, b. 1951); City 1907–1993), manufactured by Herman Miller; Skip, 1984; acrylic on canvas; 213.3 x 213.3 Arm Chair and Ottoman, about 1967; uphol- cm overall; Gift of Mr. and Mrs. Michael Striar stery, aluminum legs and supports; chair: 66 x 2005.154. 101.6 x 68.5 cm; ottoman: 43.1 x 71.1 x 41.9 Sean Scully (American, b. 1945); Wall of Light cm; The Mary Spedding Milliken Memorial Rose, 2003; oil on linen; 213.4 x 243.4 x 6.3 Fund 2006.117.1–2. cm; Gift of Agnes Gund and Daniel Shapiro Attributed to Matthias Lock (English, about 2005.142. 1710–1765); Overmantel Mirror, about 1745; carved giltwood and glass; 78 x 186 cm; Pur- chase from the J. H. Wade Fund 2006.3.

33 Flora C. Mace (American, b. 1949) and Joey Drawings about 1920; gouache over graphite; 36.4 x 35.7 Kirkpatrick (American, b. 1952); Pear, 1997; John White Abbott (British, 1763–1851); Near cm; 2005.472. Provincetown Docks, 1917; blown glass; 68 x 36.9 cm; Gift of Francine New Bridge on the Dart Devon, 1800; water- gouache over graphite; 29.7 x 29.6 cm; and Benson Pilloff 2005.182. color; 17.9 x 26.9 cm; Gift of The Painting 2005.473. Sanctuario Chimayo, about 1920; William Morris (American, b. 1957); Standing and Drawing Society of the Cleveland Mu- gouache; 24.5 x 28.1 cm; 2005.474. Squash, Stone, 1989; mold-blown glass; 121.5 x 35.5 x seum of Art 2005.200. 1906–16; gouache over graphite; 25.2 x 30.4 cm; 2005.475. Trampas, about 1920; pastel 23 cm; Gift of Francine and Benson Pilloff Gustave Baumann (American, b. Germany, 2005.185. over graphite; 14.4 x 18.7 cm; 2005.476. Tree 1881–1971); 25 works; Gift of Ann Baumann. Stump, 1909–16; gouache; 22.2 x 23.4 cm; Stephen Powell (American, b. 1951); Radiant Aspens, about 1925; gouache; 29 x 36.5 cm; 2005.477. Two Trees, about 1924; gouache Seat Jones, 1991; mold-blown glass; 84.8 x 56 x 2005.454. Aspens, about 1925; gouache over over graphite; 36.5 x 33.5 cm; 2005.478. 19.2 cm; Gift of Francine and Benson Pilloff graphite; 36.3 x 29 cm; 2005.455. Brown 2005.187. County, 1909–16; gouache; 28.2 x 25.4 cm; Muirhead Bone (British, 1876–1953); 5 works; 1921; watercolor and graphite; Gift of Dr. and Toshiko Takaezu (American, b. 1922); about 2005.456. Building, 1917; watercolor over graphite; 35.5 x 44.3 cm; 2005.457. Church in Mrs. William L. Huffman. Entering Bergen; 11.2 1990s; 9 objects; Gift of the Artist. Alchemy x 25.2 cm; 2005.151. Entering Bergen; 9 x 25.2 Gold; stoneware; h. 155.9 cm, diam. 68.3 cm; New Mexico in Landscape, about 1925; gouache; 28.1 x 29.2 cm; 2005.458. Church with Three cm; 2005.152. Entering Bergen; 14.9 x 25.3 cm; 2005.189. Alchemy Gold Moon; stoneware; h. 2005.153. Noonday, Lake Roxen, Sweden; 25.4 69.9 cm, diam. 69.5 cm; 2005.190. Black Bells, about 1925; pastel over graphite; 25.7 x 33.3 cm; 2005.459. Cliff Dwellings, about 1924; x 35.6 cm; 2005.149. Storm Ending, Norwegian Moon; stoneware; h. 52.1 cm, diam. 57.8 cm; Fjord; 25.2 x 35.2 cm; 2005.150. 2005.191. Cobalt Blue Form; porcelain; h. 53.7 gouache over graphite; 31.9 x 29.8 cm; cm, diam. 26.4 cm; 2005.194. Pink/White 2006.460. Corn Dance, about 1924; gouache; David Cox (British, 1783–1859); On the Form; porcelain; h. 32.4 cm, diam. 19.1 cm; 28 x 24.2 cm; 2005.461. Flowers in Blue and Thames, about 1830; watercolor; 19.8 x 27.1 2005.197. Purple Form; porcelain; h. 37.8 cm, Black Striped Vase, about 1915; gouache over cm; Gift of The Painting and Drawing Society diam. 21.6 cm; 2005.195. Tall Mauve Form; graphite; 45.8 x 32.2 cm; 2005.463. Flowers on of the Cleveland Museum of Art 2005.201. stoneware; h. 64.5 cm, diam. 29.9 cm; Black Striped Background, about 1915; gouache Jasper F. Cropsey (American, 1823–1900); 2005.193. Tall White Form; stoneware; h. 75.9 over graphite; 41 x 29.5 cm; 2005.462. Grand Landscape (Hastings-on-Hudson), 1888; water- cm, diam. 38.1 cm; 2005.192. Yellow Moon; Canyon, about 1919; gouache; 33 x 28.4 cm; color over graphite; 39.5 x 57 cm; Partial Gift porcelain; h. 36.9 cm, diam. 26.4 cm; 2005.464. Hill with Trees, 1920; gouache; 28.2 of Harry and Nina Pollock and Mr. and Mrs. 2005.196. x 25.5 cm; 2005.465. Hollyhock Garden, Santa Richard W. Whitehill Art Purchase Endow- Fe, about 1920; gouache over graphite; 29.7 x ment Fund 2005.342. 36.2 cm; 2005.466. House and Garden, 1917; watercolor over graphite; 29.8 x 32.6 cm; Peter De Wint (British, 1784–1849); Neath 2005.467. Madison Square (recto), 1917, water- Abbey, about 1820; watercolor; 16 x 23.2 cm; color; Building (verso), graphite; 43.6 x 34.9 Gift of The Painting and Drawing Society of cm; 2005.468.a–b. Nashville, Brown County, the Cleveland Museum of Art 2005.198. Indiana, 1909–16; gouache; 27.9 x 25.5 cm; Jean Dubuffet (French, 1901–1985); Tree 2005.469. Old Santa Fe, about 1924; pastel and (Arbre), 1964; pen and black ink; 33.4 x 24.9 graphite; 17 x 18.8 cm; 2005.470. Pelican cm; Gift of Louise S. Richards 2005.276. Rookery #93, 1928; gouache over graphite; 37.2 x 31.3 cm; 2005.471. Pines Grand Cañon,

34 Attributed to Matthias David Cox (British, Lock (English, about 1783–1859); On the 1710–1765); Overmantel Thames, about 1830; Mirror, about 1745; watercolor; 19.8 x 27.1 carved giltwood and cm; Gift of The glass; 78 x 186 cm; Painting and Drawing Purchase from the J. H. Society of the Wade Fund 2006.3. Cleveland Museum of Art 2005.201.

Henri Harpignies (French, 1819–1916); Eugène Isabey (French, 1803–1886); Studies of Michel Angelo Rooker (British, 1746–1801); Sorente, Bains de la Reine Jeanne; black and Wood and Farm Implements; graphite; 21.5 x 14 Inside the East End of Nettley Abbey, 1794; white chalk; 21.7 x 28.5 cm; Gift of Louise S. cm; Gift of Louise S. Richards 2005.287. graphite and gray wash; 23.5 x 30.2 cm; Gift Richards 2005.284. Martin Kline (American, b. 1961); 3 works; of The Painting and Drawing Society of the Mabel A. Hewit (American, 1903–1987); 3 black paintstick; Gift of Agnes Gund and Cleveland Museum of Art 2005.199. works; Gift of Mr. and Mrs. William Jurey in David Shapiro. Cleveland Mural Drawing #1, George M. Ross (American, 1887–1994); memory of Mabel A. Hewit. Sketchbook #1; November 14, 2003, 2003; 104.3 x 66.2 cm; Industrial: Pouring Steel, 1946; watercolor; 55.4 graphite, crayon, and chalk; 25.5 x 20 cm; 2005.63. Cleveland Mural Drawing #2, Novem- x 38.3 cm; Gift of Judith Clark Fredrichs and 2005.343.a–jjjj. Sketchbook #2; graphite and ber 15, 2003, 2003; 104.4 x 66 cm; 2005.64. Ross Gordon Fredrichs 2005.67. watercolor; 26 x 20 cm; 2005.344.a–nnnn. Cleveland Mural Drawing #3, November 16–17, Paul B. Travis (American, 1891–1975); Stand- Sketchbook #3; graphite, charcoal, and pastel; 2003, 2003; 104 x 66 cm; 2005.65. ing Figure (recto), 1940; colored ink; Woman in 23 x 18 cm; 2005.345.a–z. Dr. Thomas Monro (British, 1759–1833); Landscape (verso); watercolor and gouache; Lee Hoffmann (American, 1923–2003); Fash- Landscape (recto); black chalk and gray wash; 45.3 x 30 cm; Gift of Pamela Elizabeth Ward ion Design for Women’s Clothing; black chalk; Studies of Heads (verso); black chalk; 15.6 x 23 in loving memory of her parents, William E. 49.6 x 34 cm; Bequest of Lee K. Hoffmann cm; Gift of Louise S. Richards 2005.300.a–b. and Evelyn Svec Ward 2005.120.a–b. 2005.66.

Jasper F. Cropsey (American, 1823– 1900); Landscape (Hastings-on-Hudson), 1888; watercolor over graphite; 39.5 x 57 cm; Partial Gift of Harry and Nina Pollock and Mr. and Mrs. Richard W. Whitehill Art Purchase Endowment Fund 2005.342.

35 Eugène Jansson (Swedish, 1862– 1915); Evening Mood—Lidingö (Aftonstämning— Lidingö), 1900; oil on canvas; 90.1 x 168.6 cm; Mr. and Mrs. William H. Marlatt Fund 2005.4.

European Painting and Sculpture, Large, Multi-armed Figure Facing Left; second half Twelve of His Followers and Calls Them Apostles; 1900–1945 of 1900s; Eastern India, Bihar State, Mithila or 2005.145.12. Plate 13, The Marriage at Cana; Eugène Jansson (Swedish, 1862–1915); Evening Madhubani school; ink and color on paper; 2005.145.13. Plate 14, Moses Prays for Deliver- Mood—Lidingö (Aftonstämning—Lidingö), 1900; 36.5 x 26.9 cm; Gift of Pamela Elizabeth Ward ance from a Plague of Serpents; 2005.145.14. Plate oil on canvas; 90.1 x 168.6 cm; Mr. and Mrs. in loving memory of her parents, William E. 15, Angels Minister to Jesus; 2005.145.15. Plate William H. Marlatt Fund 2005.4. and Evelyn Svec Ward 2005.85. 16, The Daughter of Jairus Being Brought Back to Large, Multi-armed Figure Facing Out; second half Life by Christ; 2005.145.16. Plate 17, Jesus En- Indian and Southeast Asian Art of 1900s; Eastern India, Bihar State, Mithila or tertained at the Pharisee’s House; 2005.145.17. Plate 18, Elijah Fed by Ravens; 2005.145.18. Dog, 1800s; India, Company school; 3 works; Madhubani school; ink and color on paper; Plate 19, Jesus Asleep During a Storm at Sea; ink and color on paper, with graphite inscrip- 36.5 x 28 cm; Gift of Pamela Elizabeth Ward 2005.145.19. Plate 20, In Jerusalem the Scribes tion below; Gift of Pamela Elizabeth Ward in in loving memory of her parents, William E. and Pharisees Bring an Adulterous Woman before loving memory of her parents, William E. and and Evelyn Svec Ward 2005.84. Christ for Justice; 2005.145.20. Plate 21, Jesus in Evelyn Svec Ward. 16.8 x 21.1 cm; 2005.73. Large Multi-armed Figure with Hearts in Margin; the Temple; 2005.145.21. Plate 22, The Entry 17.1 x 21.1 cm; 2005.74. 17 x 21.2 cm; second half of 1900s; Eastern India, Bihar State, into Jerusalem; 2005.145.22. Plate 23, The 2005.75. Mithila or Madhubani school; ink and color on Scourging of Jesus; 2005.145.23. Plate 24, Mary Caparisoned Elephant with a Mahout, dated 1761; paper; 36.2 x 27 cm; Gift of Pamela Elizabeth Being Taken to a Place Where Girls Are Being India, Rajasthan, Mewar school; ink and color Ward in loving memory of her parents, Prepared for Their Future; 2005.145.24. on paper; 20.6 x 21.4 cm; Gift of Dr. Norman William E. and Evelyn Svec Ward 2005.86. Portrait of a Man, late 1700s; India, Pahari Zaworski 2005.202. Masinama (Life of Christ) Manuscript, dated 1602; school; ink and color on paper; 7.3 x 5.5 cm; Devotional Painting (Female Figure), second half India, Allahabad, Mughal period; 24 full-size Gift of Pamela Elizabeth Ward in loving of 1900s; Eastern India, Bihar State, Mithila or illustrations with 160 folios of text; ink, color, memory of her parents, William E. and Evelyn Madhubani school; ink and color on paper; and gold on paper; approximately 26 x 15 cm Svec Ward 2005.69. 27.2 x 18 cm; Gift of Pamela Elizabeth Ward each; John L. Severance Fund. Plate 1, The Rider and Four-legged Bovine Creature in Mauve, in loving memory of her parents, William E. Flowering of Aaron’s Rod; 2005.145.1. Plate 2, Chartreuse, and Black Palette, second half of and Evelyn Svec Ward 2005.79. Annunciation; 2005.145.2. Plate 3, Journey to Bethlehem; 2005.145.3. Plate 4, The Inn at 1900s; Eastern India, Bihar State, Mithila or Head of a Young Man, 1800s; India, Company Bethlehem; 2005.145.4. Plate 5, The Magi Follow Madhubani school; ink and color on paper; school; ink with color and graphite (under- the Star; 2005.145.5. Plate 6, Magi Kneeling 36.3 x 26 cm; Gift of Pamela Elizabeth Ward drawing) on paper; 7 x 7 cm; Gift of Pamela before Christ; 2005.145.6. Plate 7, The Three in loving memory of her parents, William E. Elizabeth Ward in loving memory of her Wise Men Bow before Jesus; 2005.145.7. Plate 8, and Evelyn Svec Ward 2005.83. parents, William E. and Evelyn Svec Ward Presentation in the Temple; 2005.145.8. Plate 9, Rider and Four-legged Bovine Creature with Border 2005.72. John the Baptist Recognizes Christ by the Appear- of Colored Squares, second half of 1900s; Eastern Illustration to the Mahabharata, about 1800; In- ance of a Dove; 2005.145.9. Plate 10, Mary India, Bihar State, Mithila or Madhubani dia, Maharashtra, Paithan school; ink and color Magdelene at the Foot of Christ; 2005.145.10. school; ink and color on paper; 41.5 x 26.5 cm; on paper; 28.2 x 41.5 cm; Gift of Professor Plate 11, The Head of John the Baptist Presented to Gift of Pamela Elizabeth Ward in loving Walter and Nesta Spink in honor of Stanislaw Salome; 2005.145.11. Plate 12, Jesus in the Tun memory of her parents, William E. and Evelyn Czuma 2005.68. Mountains near Nazareth Where He Chooses Svec Ward 2005.81.

36 Rider and Four-legged Bovine Creature with Border Two Women Facing Each Other, second half of Medieval Art of Colored Squares, Purple, Orange, and Magenta 1900s; Eastern India, Bihar State, Mithila or Leaf from a Book of Hours: Ape Hunting Wild Palette with Inscription at Top and Bottom, second Madhubani school; ink and color on paper; Boars, about 1500–1510; France, Paris or half of 1900s; Eastern India, Bihar State, 25.3 x 27.1 cm; Gift of Pamela Elizabeth Ward Rouen; ink, tempera, and liquid gold on Mithila or Madhubani school; ink and color on in loving memory of her parents, William E. vellum; 18.1 x 12.9 cm; The Jeanne Miles paper; 51.8 x 34.3 cm; Gift of Pamela Elizabeth and Evelyn Svec Ward 2005.80. Blackburn Collection 2006.13.a–b. Ward in loving memory of her parents, Woman in Profile Facing Left, second half of William E. and Evelyn Svec Ward 2005.87. Leaf from a Book of Hours: Initial D, early 1400s; 1900s; Eastern India, Bihar State, Mithila or England; ink, tempera, and gold on vellum; Rider and Four-legged Creature with Floral Motif, Madhubani school; ink and color on paper; 15.2 x 11.4 cm; The Jeanne Miles Blackburn second half of 1900s; Eastern India, Bihar State, 26.7 x 18 cm; Gift of Pamela Elizabeth Ward Collection 2006.10. Mithila or Madhubani school; ink and color on in loving memory of her parents, William E. paper; 40.7 x 26 cm; Gift of Pamela Elizabeth and Evelyn Svec Ward 2005.78. Leaf from a Book of Hours: Initial D, about 1400; France, probably Soissons; ink, tempera, and Ward in loving memory of her parents, Woman with Two Children Playing Ball, second William E. and Evelyn Svec Ward 2005.82. gold on vellum; 15.5 x 11.5 cm; The Jeanne half of 1900s; Eastern India, Bihar State, Miles Blackburn Collection 2005.203. Sketch of a Woman with an Elephant and Other Mithila or Madhubani school; ink and color on Animals on Reverse, 1700s; India, Pahari; ink paper; 27 x 23.3 cm; Gift of Pamela Elizabeth Leaf from a Book of Hours: Initial V with Floral and color on paper; 12 x 11 cm; Gift of Pamela Ward in loving memory of her parents, Border, about 1460–1500; Austria(?) or Elizabeth Ward in loving memory of her William E. and Evelyn Svec Ward 2005.77. Bohemia(?); ink, tempera, and gold on vellum; parents, William E. and Evelyn Svec Ward 13.9 x 10.6 cm; The Jeanne Miles Blackburn Jamini Roy (Indian, 1882–1972); Krishna and Collection 2006.12. 2005.71. the Bull Nandi; gouache; 31.4 x 43.3 cm; Gift Two Women, second half of 1700s; India, Jodh- of Pamela Elizabeth Ward in loving memory of Leaf from a Book of Hours: The Raising of the pur; ink and color on paper; 8.5 x 9.4 cm; Gift her parents, William E. and Evelyn Svec Ward Cross, 1510–20; Germany, Nuremberg; tem- of Pamela Elizabeth Ward in loving memory of 2005.76. pera and liquid gold on vellum; 18.7 x 13.4 her parents, William E. and Evelyn Svec Ward cm; The Jeanne Miles Blackburn Collection Attributed to Nainsukh (Indian, 1710–1778); 2006.14. 2005.70. Two Elephants Fighting in a Courtyard before Muhammad Shah, about 1730–40; ink Leaf from a Book of Hours: St. Bartholomew, and color on paper; 62.5 x 42 cm; John L. about 1440–60; Flanders, Bruges(?); ink, tem- Severance Fund 2005.1.a–b. pera, and gold on vellum; 12.5 x 8.5 cm; The Jeanne Miles Blackburn Collection 2006.11.

Simon Marmion (French, active in Flanders, 1425–89); Excised Leaf with Scenes from the Life of Saint Denis from the Breviary of Charles the Bold and Margaret of York, about 1467–70; ink, tempera, and gold on vellum; 16 x 11.9 cm; John L. Severance Fund 2005.55.

37 Leaf from a Psalter: Initial D with King David in Circle of Maître François (Central France); Prayer before an Altar and Christ in a Cloud, Leaf from a Book of Hours: The Betrayal of Christ, about 1270–80; England, Oxford(?); ink, tem- about 1470–85; ink, tempera, and gold on pera, and gold on vellum; 17.9 x 13.5 cm; The vellum; 12.4 x 9.3 cm; The Jeanne Miles Jeanne Miles Blackburn Collection 2006.8. Blackburn Collection 2005.208. Leaf from a Psalter and Prayerbook: Initial E with Simon Marmion (French, active in Flanders, Ornamental Border Containing a Seated Satyr and 1425–89); Excised Leaf with Scenes from the Life a Bird Eating Grapes, about 1524; North Ger- of Saint Denis from the Breviary of Charles the many, Hildesheim(?); ink, tempera, and liquid Bold and Margaret of York, about 1467–70; ink, gold on vellum; 16.6 x 13.5 cm; The Jeanne tempera, and gold on vellum; 16 x 11.9 cm; Miles Blackburn Collection 2006.15.a–b. John L. Severance Fund 2005.55. Circle of Coëtivy Master (France, Paris); Leaf Workshop of Master of Guillebert de Mets from a Book of Hours: Angel Chasing a Devil, (Flemish); Leaf from a Book of Hours: Initial D about 1460; ink, tempera, and gold on vellum; with Foliated Border, 1410–45; ink, tempera, 19.7 x 14.3 cm; The Jeanne Miles Blackburn and gold on vellum; 12.7 x 8.4 cm; The Collection 2005.206.a–b. Jeanne Miles Blackburn Collection 2005.205. Circle or workshop of the Leber Group Seneca Master (Italian, active about 1307–25); (France, Paris); Leaf from a Latin Bible: Initial A Medallion from the Border of a Latin Bible: The and Initial A: Judith Beheading Holofernes, about Sixth Day of Creation, early 1300s; tempera on 1230–40; ink and tempera on vellum; 14.8 x vellum; diam. 7 cm; The Jeanne Miles 10.4 cm; The Jeanne Miles Blackburn Collec- Blackburn Collection 2006.9. tion 2005.207. Follower of the Limbourg Brothers (Nether- landish) (France, Paris[?]); Leaf from a Book of Hours: St. Matthew, about 1415; ink, tempera, and gold on vellum; 18.1 x 13 cm; The Jeanne Miles Blackburn Collection 2005.204.

Charles Marville (French, 1818–1879); Opéra (Rostral Column), about 1875; albumen print from wet collodion negative; 35.4 x 26.7 cm (mounted); Purchase from the Karl B. Goldfield Trust 2006.6.

38 Photography Black Oak, Connecticut, 2001; 24.9 x 59.6 cm; tional Champion Siberian Elm, Ohio, 2002; 24.7 Herbert Ascherman Jr. (American, b. 1947); 2005.378. National Champion Bur Oak, Ken- x 59.5 cm; 2006.31. National Champion 2001; 8 gelatin silver prints; Gift of the Artist. tucky, 1991; 20.1 x 40.4 cm; 2005.351. Na- Singleleaf Ash, Colorado, 2001; 24.7 x 59.3 cm; Anna Arnold, Painter; 23.3 x 23.2 cm; tional Champion Butternut, Oregon, 1993; 19.9 x 2005.349. National Champion Sitka Spruce, 2005.106. Douglas Max Utter, Painter, 23.2 x 24.7 cm; 2006.51. National Champion California Oregon, 1993; 24.7 x 59.3 cm; 2006.27. Na- 23.2 cm; 2005.102. Judith Saloman, Ceramicist; Buckeye, 2002; 20.1 x 24.7 cm; 2006.55. Na- tional Champion Slippery Elm, Ohio, 2000; 24.7 23.3 x 23.2 cm; 2005.108. Mark Soppeland, tional Champion Chinkapin Oak, Kentucky, x 59.5 cm; 2006.41. National Champion Slippery Sculptor; 23.3 x 23.2 cm; 2005.107. Phyllis 2002; 24.9 x 59.7 cm; 2005.379. National Elm with Jeffrey, Ohio, 2002; 24.6 x 59.5 cm; Seltzer, Painter; 23.3 x 23.2 cm; 2005.105. Champion Coast Redwood, California, 1994; 24.8 2005.347. National Champion Southern Redcedar, Phyllis Sloane, Painter; 23.3 x 23.2 cm; 2005.12. x 59.1 cm; 2005.367. National Champion Com- Florida, 1994; 24.8 x 59.7 cm; 2006.39. Na- Rev. Albert Wagner, Painter; 23.3 x 23.2 cm; mon Hackberry, Illinois, 2001; 24.8 x 39.3 cm; tional Champion Southern Red Oak, Georgia, 2005.103. Virgie Patton, Painter; 23.2 x 23.3 2006.42.a–b. National Champion Common Pear, 1999; 24.7 x 59.5 cm; 2006.30. National cm; 2005.104. Ohio, 2002; 24.7 x 58.8 cm; 2006.28. National Champion Strangler Fig, Florida, 1995; 25 x 59.5 Champion Common Pear, Washington, 1994; cm; 2006.43. National Champion Sugarberry, Herbert Ascherman Jr.; Fred Schmidt, Sculptor, 24.8 x 59.6 cm; 2006.36. National Champion South Carolina, 1994; 25 x 59.5 cm; 2006.26. 2001; gelatin silver print; 22.8 x 22.8 cm; Gift Darlington Oak, Georgia, 1999; 24.6 x 59.5 cm; National Champion Swamp White Oak, 2002; 25 of Jane Glaubinger 2005.21. 2005.348. National Champion Durand Oak, x 59.5 cm; 2006.56. National Champion Sy- Herbert Ascherman Jr.; 2001; 11 gelatin silver Georgia, 1999; 25 x 59.4 cm; 2006.54. National camore, Kentucky, 2002; 24.8 x 59.5 cm; prints; Gift of William S. Lipscomb in memory Champion Elliottia, Georgia, 2002; 24.9 x 59.4 2006.49. National Champion Sycamore with of his father, James S. Lipscomb. Chris Pekoc, cm; 2005.380. National Champion Emory Oak, Katie, Ohio, 1990; 24.6 x 40 cm; 2005.373. Photographer; 23.3 x 23.3 cm; 2005.25. David Arizona, 2001; 24.6 x 39.7 cm; 2005.374.a–b. National Champion Tuliptree Yellow-poplar, Vir- Davis, Sculptor; 23.3 x 23.3 cm; 2005.33. Don National Champion Fremont Cottonwood, Ari- ginia, 1992; 24.8 x 59.5 cm; 2006.44. National Harvey, Work on Paper; 23.3 x 23.3 cm; zona, 2001; 24.8 x 59.5 cm; 2006.38. National Champion Turkey Oak, Georgia, 1994; 20.1 x 2005.27. George Fitzpatrick, Work on Paper; Champion Giant Sequoia, California, 1994; 24.7 24.7 cm; 2005.369. National Champion Two- 23.3 x 23.3 cm; 2005.24. George Kozman, x 39.2 cm; 2005.350. National Champion wing Silverbell, Ohio, 2002; 25.1 x 59.2 cm; Painter; 23.3 x 23.3 cm; 2005.30. Janice Golden (White) Willow, Michigan, 1992; 24.6 x 2006.25. National Champion Valley Oak, Cali- Lessman-Moss, Fiber; 23.3 x 23.3 cm; 2005.28. 39.3 cm; 2006.53.a–b. National Champion fornia, 1994; 24.6 x 59.5 cm; 2005.371. Na- John Sargent, Painter; 23.3 x 23.3 cm; 2005.31. Green Ash, Michigan, 1992; 24.6 x 59.4 cm; tional Champion Velvet Mesquite, Arizona, 2001; Laurence Channing, Work on Paper; 23.2 x 23.2 2005.365. National Champion Gumbo-limbo, 24.8 x 59.6 cm; 2005.356. National Champion cm; 2005.23. Malcolm Brown, Painter; 23.3 x Florida, 1995; 24.7 x 59.6 cm; 2005.370. Na- Waterlocust, Pennsylvania, 2000; 24.4 x 59.5 23.3 cm; 2005.22. Penny Rakoff, Photographer; tional Champion Joshua-tree, California, 2002; cm; 2005.366. National Champion Weeping 23.3 x 23.3 cm; 2005.29. Robert Thurmer, 24.8 x 59.4 cm; 2005.363. National Champion Willow, Michigan, 1992; 24.7 x 39.6 cm; Sculptor; 23.3 x 23.3 cm; 2005.32; Viktor Longbeak Eucalyptus, Arizona, 2001; 24.8 x 59.4 2005.376. National Champion Western Larch, Schreckengost, Designer; 23.3 x 23.3 cm; cm; 2005.352. National Champion Mazzard Montana, 1996; 25.2 x 59.4 cm; 2006.58. Na- 2005.26. Cherry, Pennsylvania, 1994; 24.7 x 39.7 cm; tional Champion Western Paper Birch, Washing- Herbert Ascherman Jr.; 2001; 4 gelatin silver 2005.368.a–b. National Champion Monterey ton, 1993; 24.7 x 59.5 cm; 2006.50. National prints; John L. Severence Fund. H. Carroll Cypress, California, 2002; 24.6 x 40 cm; Champion Western Redcedar, Washington, 1993; Cassil, Work on Paper, 23.2 x 23.2 cm; 2005.8. 2006.34. National Champion Mountain Paper 24.8 x 59.6 cm; 2005.355. National Champion John Clague, Sculptor; 23.3 x 23.3 cm; 2005.9. Birch, Michigan, 1994; 20.1 x 24.7 cm; White Oak, Maryland, 1992; 24.5 x 59.5 cm; John Pearson, Painter; 23.3 x 23.3 cm; 2005.10. 2006.40. National Champion Northern Red Oak, 2005.372. Joseph McCullough, Painter; 23.3 x 23.3 cm; New York, 1990; 20.1 x 24.7 cm; 2005.358. Margaret Bourke-White (American, 1904– 2005.11. National Champion Northern Red Oak, New 1971); Heaped ore outside steel plant, brought by York, 1991; 20.1 x 24.7 cm; 2005.359. National Richard Avedon (American, 1923–2004); shipping along Great Lakes, 1930; gelatin silver Champion Ohio Buckeye, Ohio, 2004; 24.8 x Ronald Fischer, Beekeeper, Davis, California, May print; 23.6 x 31.3 cm; Andrew R. and Martha 59.2 cm; 2005.364. National Champion Osage- 9, 1981, 1981, printed 1985; gelatin silver Holden Jennings Fund 2005.341. orange, Virginia, 2002; 24.7 x 59.4 cm; print; 114.3 x 142.8 cm; Leonard C. Hanna Jr. 2005.375. National Champion Pacific Madrone, Philip Brutz (American, b. 1962); 2005; 4 Fund 2005.143. California, 1994; 20 x 49.4 cm; 2006.37.a. stereoscopic chromogenic transparencies; 5.1 x Henri Béchard (French, active 1869–1880s); National Champion Pacific Madrone, California, 5.1 cm; Gift of the Artist. Asbestos Abatement, 1870s; 2 albumen prints from wet collodion 1994; 20.1 x 24.7 cm; 2006.37.b. National 1916 Building; 2006.13.a. Ball of Rebar, Site negatives; Mr. and Mrs. Richard W. Whitehill Champion Paper Birch, Maine, 1991; 30.1 x 59.4 Preparation; 2006.129.a. Mechanical Room, 1916 Art Purchase Endowment Fund. Thebes, The cm; 2006.47. National Champion Pignut Freight Elevator; 2006.131.a. Number 2 Fan Colossi of Memnon; 36 x 26.9 cm; 2006.119. Hickory, Georgia, 2002; 25 x 59.4 cm; Room, 1916 Building; 2006.132.a. Thebes, Temple of the Ramesseum, Interior of the 2005.381. National Champion Pitch Pine, New Philip Brutz; 2005; 12 stereoscopic chromoge- Hypostyle Hall; 36 x 26.9 cm; 2006.118. Hampshire, 2003; 24.8 x 59.5 cm; 2006.32. nic transparencies; 5 x 5 cm; The Jane B. Barbara Bosworth (American, b. 1953); National Champion Plains Cottonwood, Colorado, Tripp Charitable Lead Annuity. Armor Court; printed 2004; 71 gelatin silver prints; Gift of 1991; 24.6 x 39.9 cm; 2005.377. National 2006.102.a. Deinstallation of Renaissance Fire- Mark Schwartz and Bettina Katz. Former Na- Champion Pussy Willow, Rhode Island, 1992; place; 2006.105.a. Interior Garden Court; tional Champion American Elm, Kansas, 2001; 24.7 x 59.5 cm; 2006.33. National Champion 2006.103.a. Looking at Art; 2006.111.a. Painting 20.1 x 49.5 cm; 2006.59. National Champion Red Mangrove, Florida, 1995; 24.9 x 59.5 cm; Frames and Ironwork; 2006.107.a. Plaster Model Aloe Yucca, Georgia, 2002; 24.5 x 20.1 cm; 2006.48. National Champion Royal Paulownia, of the 1916 Building Made in 1912; 2006.109.a. 2005.354. National Champion American Beech, Indiana, 1991; 20.1 x 24.7 cm; 2006.29. Na- Skylights, 1916 Building; 2006.101.a. Stella; Ohio, 1990; 20.1 x 24 cm; 2006.46. National tional Champion Saguaro, Arizona, 2001; 24.8 x 2006.106.a. Tapestries and Renaissance Fireplace; Champion American Elm, Kansas, 1990; 20.1 x 59.5 cm; 2005.357. National Champion Sand 2006.104.a. Temporary Art; 2006.100.a. Tempo- 49.6 cm; 2005.362. National Champion Ameri- Live Oak, Florida, 2002; 24.8 x 58.8 cm; rary Art Storage; 2006.108.a. Temporary Art can Smoketree, Indiana, 2001; 24.9 x 59.4 cm; 2005.353. National Champion Scarlet Oak, Ken- Storage; 2006.110.a. 2006.45. National Champion Blackjack Oak, tucky, 2002; 24.8 x 59.4 cm; 2006.57. National Linda Butler (American, b. 1947); 1994; 10 Georgia, 1999; 24.6 x 59.5 cm; 2005.361. Na- Champion Scarlet Oak, Michigan, 1992; 24.8 x gelatin silver prints; The George Gund Foun- tional Champion Black Locust, New York, 1991; 59.4 cm; 2006.52. National Champion Siberian dation Collection in honor of David Bergholz, 20.1 x 24.7 cm; 2006.35. National Champion Elm, Colorado, 25.1 x 59.5 cm; 2005.360. Na-

39 Curator of Photography Tom E. Hinson proudly welcomes Richard Avedon’s Ronald Fischer, Beekeeper, Davis, California, May 9, 1981 (Leonard C. Hanna Jr. Fund 2005.143) from the photographer’s landmark series of large-scale portraits, In the American West.

The Cleveland Museum of Art. The Broadway European Sculpture in Storage; 38.2 x 45.9 cm; 1990; 35.3 x 35.2 cm; 2005.89.9. 1990; 38.5 x School of Music; 34.2 x 26.7 cm; 2005.211. The 2006.88. Garden Court Capitals with 1916 37.7 cm; 2005.89.10. 1992; 38 x 38 cm; Cleveland Museum of Art; 26 x 34.2 cm; Newspaper; 26.2 x 32.6 cm; 2006.83. Greek 2005.89.11. 1992; 38.3 x 38.1 cm; 2005.89.12. 2005.209. The Cleveland Play House; 34.2 x Bronze Draped; 39.8 x 38.2 cm; 2006.78. Greek 1992; 31.7 x 48 cm; 2005.89.13. 1990; 32.1 x 25.5 cm; 2005.218. The Crawford Auto-Aviation Bronze in the Interior Garden Court; 33.8 x 25.6 48 cm; 2005.89.14. 1990; 32.1 x 48 cm; Museum; 33.6 x 26.2 cm; 2005.217. The Sculp- cm; 2006.77. Greek Bronze in Storage; 34.3 x 2005.89.15. 1990; 46.2 x 30.9 cm; 2005.89.16. ture Center; 34.6 x 26.4 cm; 2005.212. The 23.9 cm; 2006.79. Griffins in Storage; 26.2 x 1990; 32.4 x 47.6 cm; 2005.89.17. 1990; 31.7 State Theatre; 34.4 x 27 cm; 2005.215. Severance 32.7 cm; 2006.81. Japanese Guardians and Asian x 47.2 cm; 2005.89.18. 2002; 38.8 x 49.3 cm; Hall; 26.6 x 34 cm; 2005.213. Severance Hall; Sculpture in Storage; 41.9 x 38.2 cm; 2006.87. 2005.89.19. 2002; 49 x 38.6 cm; 2005.89.20. 34.3 x 26.8 cm; 2005.214. Trinity Cathedral; Looking at Art; 33.8 x 25.9 cm; 2006.94. Guarapuava Series, 1990; 2 prints. Tropieros II, 34.5 x 26.9 cm; 2005.216. The Western Reserve Mayan Stele; 26.2 x 32.7 cm; 2006.82. Medieval Paraná, Brazil; 33.9 x 34.6 cm; 2005.89.3. Historical Society; 32.7 x 24 cm; 2005.210. Capital and Head of Buddha in Storage; 44.6 x ‘Tropieros Group,’ Guarapuava, Paraná, Brazil; Linda Butler; 2005, printed 2006; 26 chro- 38.2 cm; 2006.96. Moving a Sarcophagus; 26.2 x 34 x 34.8 cm; 2005.89.6. Kaxinawa Series: mogenic process color prints; The Jane B. 32.7 cm; 2006.75. Painting and Furniture Stor- Brazil (Border with Peru), 1999; 3 prints. 47.9 x Tripp Charitable Lead Annuity and Gift of the age; 25.6 x 33.8 cm; 2006.86. Removing Saddle; 32.2 cm; 2005.90.7. 32.3 x 48.4 cm; Artist. 20th Century Paintings and Sculpture in 32.9 x 26.4 cm; 2006.98. Rolling Up a Tapestry; 2005.90.9. 32.3 x 48.7 cm; 2005.90.10. Temporary Storage; 26.7 x 33.3 cm; 2006.85. 18.2 x 48.8 cm; 2006.84. Segal Sculpture in Yanomami Series: Siapes Mountain Range, Upper Armor Court with Boxes; 48.4 x 57.2 cm; Storage; 23.3 x 33.8 cm; 2006.95. Orinco River, Venezuela; 8 prints. 1996; 48.2 x 2006.99. Armor Court with Rider and Horse; Linda Connor (American, b. 1944); Boy Bath- 32 cm; 2005.90.1. 1996; 32.2 48.4 cm; 34.3 x 26.2 cm; 2006.97. Deinstalled Noguchi; ing, Angkor Thom, Cambodia, 2001; gelatin 2005.90.5. 1996; 32.2 x 48.4 cm; 2005.90.6. 47.6 x 38.2 cm; 2006.93. Deinstalling Stella; silver print; 20.1 x 24.6 cm; Gift of Friends of 1996; 31.7 x 47.5 cm; 2005.90.8. 1997; 32.3 x 26.2 x 31.9 cm; 2006.90. Detail of French Photography; 2006.67. 48.2 cm; 2005.90.2. 1997; 32.1 x 47.9 cm; Marble Sculpture; 32.7 x 26.2 cm; 2006.89. 2005.90.3. 1997; 19.1 x 48.5 cm; 2005.90.4. Valdir Cruz (Brazilian, b. 1954); gelatin silver 1997; 48.1 x 32.2 cm; 2005.90.11. Detail of a Medieval Griffin; 26.2 x 30 cm; prints, selenium toned; Gift of Mr. and Mrs. 2006.80. Detail, Noguchi Sculpture; 48.8 x 38.7 Michael Striar. Guarapuava Series: Guarapuava, William DeLappa (American, 1943–2006); The cm; 2006.92. Detail of Stella; 26.2 x 32.5 cm; Paraná, Brazil; 18 prints. 1991; 34.6 x 34.1 cm; Portraits of Violet and Al, about 1973; 28 gelatin 2006.91. Distant View Towards the Egyptian 2005.89.1. 1991; 35 x 34.7 cm; 2005.89.2. silver prints; Gift of the Artist. 1; 35.3 x 27.2 Galleries; 60.9 x 58.5 cm; 2006.74. Egyptian 1990; 35 x 34.6 cm; 2005.89.4. 1990; 35 x cm; 2005.93.1. 2; 35.3 x 27.2 cm; 2005.93.2. Sarcophagus in Storage; 26.2 x 33.7 cm; 2006.76. 34.6 cm; 2005.89.5. 1990; 35.3 x 35.2 cm; 3; 35.3 x 27.2 cm; 2005.93.3. 4; 27.3 x 34.9 2005.89.7. 1990; 35.3 x 35.2 cm; 2005.89.8.

40 cm; 2005.93.4. 5; 27.2 x 35.3 cm; 2005.93.5. Sal Lopes (American, b. 1943); Horse Spirits Sebastiao Salgado (Brazilian, b. 1944); Church- 6; 27.3 x 35.1 cm; 2005.93.6. 7; 35 x 27.2 cm; #067 California, 1998, 1998; platinum print; gate Station, Bombay, India, 1995, printed 2005; 2005.93.7. 8; 27.3 x 35.3 cm; 2005.93.8. 9; 30.5 x 40.9 cm; Gift of Bob and Jane Herbst gelatin silver print; 29.5 x 43.9 cm; Gift of the 27.5 x 35.2 cm; 2005.93.9. 10; 27.3 x 35.2 2005.40. Julius L. Greenfield Memorial Photography cm; 2005.93.10. 11; 27.4 x 35.2 cm; Scott MacGregor (American, b. 1953); Young Fund 2005.51. 2005.93.11. 12; 27.4 x 35.2 cm; 2005.93.12. Irish Girl in a Passing Window, 1978; chro- Carle Edwin Semon (American, 1877–1950); 13; 27.4 x 35.4 cm; 2005.93.13. 14; 27.3 x mogenic process color print; 22.6 x 34.3 cm; Portrait of a Japanese Woman, first half of the 35.3 cm; 2005.93.14. 15; 27.2 x 34.9 cm; Gift of Louise S. Richards 2005.295. 1900s; platinum print; 17.8 x 12.7 cm; John L. 2005.93.15. 16; 35.3 x 27.3 cm; 2005.93.16. Severance Fund 2005.7. 17; 27.4 x 35.2 cm; 2005.93.17. 18; 27.4 x Charles Marville (French, 1818–1879); Opéra 35.3 cm; 2005.93.18. 19; 34.3 x 27.2 cm; (Rostral Column), about 1875; albumen print Joni Sternbach (American, b. 1953); Ocean 2005.93.19. 20; 27.2 x 34.9 cm; 2005.93.20. from wet collodion negative; 35.4 x 26.7 cm Details (99.01.11) #3, about 1999; platinum/ 21; 27.4 x 35.3 cm; 2005.93.21. 22; 27.4 x (mounted); Purchase from the Karl B. palladium print; 11.9 x 16.9 cm; Gift of the 35.3 cm; 2005.93.22. 23; 27.3 x 34.9 cm; Goldfield Trust 2006.6. Artist 2005.88. 2005.93.23. 24; 27.4 x 35.2 cm; 2005.93.24. Philippe Mazaud (American, b. 1957); Solar Jock Sturges (American, b. 1947); 18 gelatin 25; 27.5 x 35.5 cm; 2005.93.25. 26; 27.4 x Road, 2002, printed 2005; gelatin silver print; silver prints; Gift of John M. Kimpel. Arianne, 36.4 cm; 2005.93.26. 27; 35.3 x 27.4 cm; 63.2 x 86.5 cm; Gift of Friends of Photogra- Montalivet, France, 1990; 47.3 x 37.4 cm; 2005.93.27. 28; 27.3 x 34.9 cm; 2005.93.28. phy 2006.66. 2005.219. Arianne, Montalivet, France, 1991; Pierre Jean Delbarre (French, b. 1826, active Laura McPhee (American, b. 1958); Saree 47.4 x 37 cm; 2006.21. Brooke, Northern Cali- 1860s); Auguste Vacquerie, about 1860; Shop, Newmarket, Kolkta, India, 1998, printed fornia, 1985; 48.3 x 37.8 cm; 2006.18. Cecile, albumenized salt print from a wet collodion 2005; chromogenic process color print; 75.8 x Montalivet, France, 1993; 48.2 x 38 cm; negative; 37.4 x 27.7 cm; A. W. Ellenberger 95.7 cm; Gift of Friends of Photography 2006.20. Cecile, Montalivet, France, 1993; 47.3 x Sr. Memorial Endowment Fund 2005.59. 2006.64. 37.4 cm; 2006.23. Flore, Montcreson, France, 1991; 37.3 x 47.6 cm; 2005.220. Iris, Burhan Dogançay (Turkish, b. 1929); 1986; 3 Susan Meiselas (American, b. 1948); First Day Montalivet, France, 1991; 37.4 x 47.3 cm; prints; Anonymous Gift. Bridge of Dreams #99, of Popular Insurrection, Nicaragua, 1978, printed 2005.222. Lotte, Montalivet, France, 1997; 46.5 printed 1999; platinum print; 24.5 x 16.2 cm; 2005; chromogenic process color print; 39.4 x x 36.5 cm; 2005.224. Maia, Arles, France, 1990; 2006.126. Bridge of Dreams #101, printed 59.1 cm; Gift of the Julius L. Greenfield Pho- 47.5 x 37.4 cm; 2006.17. Melanie, Vanessa, and 1999; platinum print; 24.5 x 16.2 cm; tography Acquisition Fund in honor of his Tracey, Montalivet, France, 1994; 47.1 x 37 cm; 2006.127. Twin Towers, printed 2006; gelatin grandson Harry Singer’s 50th birthday 2005.223. Mike and Chicken, Northern Califor- silver print; 68.5 x 102.8 cm; 2006.128. 2005.139. nia, 1993; 37.2 x 47.5 cm; 2006.16. Minna, Kevin Jerome Everson (American, b. 1965) Andrea Modica (American, b. 1960); Fountain, Northern California, 1981; 47.4 x 37.1 cm; and Michael Loderstedt (American, b. 1958); Colorado, 2000, printed 2004; platinum/palla- 2006.19. Minna, Northern California, 1980; 48.5 Viaduct, 1992; gelatin silver print; 119.2 x dium print; 19 x 23.9 cm; Gift of Friends of x 37.2 cm; 2005.221. Minna, Northern Califor- 162.7 cm; Gift of Joan Tomkins and William Photography 2005.50. nia, 2000; 47.7 x 37.3 cm; 2005.227. Nadia Busta 2005.94. Andrew Moore (American, b. 1957); Green and Brigitte, Montalivet, France, 1998; 36.7 x Roger Fenton (British, 1819–1869); Drawing Trucks, White Nights, Solovki, 2002; chromoge- 46.7 cm; 2005.225. Sara, Montalivet, France, by Raphael Sanzio in the British Museum, 1856; nic process color print; 76.2 x 101.6 cm; Gift 1998; 37 x 47.4 cm; 2005.226. Sarah, Northern salted paper print from a wet collodion nega- of Friends of Photography 2006.68. California, 1994; 48 x 36.7 cm; 2006.22. Scoil Mhuire #39, County Galway, Ireland, 1996; tive; 22.6 x 31.1 cm; The Sarah Stern Michael Pierre Petit (French, 1832–1909); Gustave 47.4 x 37.4 cm; 2006.24. Fund 2005.60. Doré, 1860; albumen print from wet collodion Lee Friedlander (American, b. 1934); negative; 25 x 19 cm; James Parmelee Fund William Henry Fox Talbot (British, 1800– Cleveland, OH, 2002, 2002, printed 2003; 2005.58. 1877); Winter Trees Reflected in a Pond, 1841– 42; salted paper print from calotype negative; gelatin silver print; 37.9 x 37.4 cm; Gift of Nancy Rexroth (American, b. 1946); 1970; 2 16.4 x 19.1 cm; Purchase from the J. H. Wade Friends of Photography and Jeffrey Fraenkel gelatin silver prints; Gift of Friends of Photog- Fund 2006.4. and Frish Brandt 2005.49. raphy. My Mother, Pennsville, OH; 10.3 x 10.5 Simon Johan (Norweigan, b. 1973); Untitled cm; 2005.41. A Woman’s Bed, Logan, OH; Spencer Tunick (American, b. 1967); Ohio 4 #102, 2001, printed 2004; chromogenic pro- 10.8 x 11.3 cm; 2005.42. (Museum of Contemporary Art Cleveland), 2004; chromogenic process color print; 76.2 x 95.3 cess color print; 112.7 x 112 cm; Gift of Brad Richman (American, b. 1971); Chicago, cm; Gift of Mark Schwartz and Bettina Katz Friends of Photography 2005.38. Illinois, June 8, 1997, 1997, printed 2000; gela- 2005.346. Mark Klett (American, b. 1952) and Byron tin silver print; 45.6 x 57.9 cm; Gift of Linda Wolfe (American, b. 1967); Sentinel Dome Butler, William Lipscomb, and Robert Mosher Joseph Vitone (American, b. 1954); printed Connecting Three Views by Carleton Watkins, 2005.39. 2005; 2 gelatin silver prints; Gift of the Artist. Marjorie Angel with daughter, Rebecca Barile, on 2003, printed 2005; 53.4 x 166.2 cm; Gift of Thomas Roma (American, b. 1950); 5 gelatin Rebecca’s porch with flag, Akron, Ohio, 2003; William S. Lipscomb in memory of his father, silver prints; Gift of Friends of Photography. 44.1 x 55.5 cm; 2005.92. Salvatore Vitone and James S. Lipscomb 2006.63. Found in Brooklyn, Brooklyn, NY, 1986, printed Grace Falitico, brother and sister, Stow, Ohio, later; 24.4 x 32.6 cm; 2005.44. Found in Brook- William Laven (American, b. 1957); AV8 1999; 44 x 55.5 cm; 2005.91. Harrier, 2005; inkjet print, Roland carbon lyn, Brooklyn, NY, 1981, printed later; 21.9 x pigment print with Hahnemuhle paper; 81.2 x 32.3 cm; 2005.45. Found in Brooklyn, Brooklyn, James Welling (American, b. 1951); 2004; 7 52.3 cm; Gift of Friends of Photography NY, 1986, printed later; 24.2 x 32.6 cm; chromogenic process color prints; Gift of the 2006.65. 2005.46. Higher Ground, Brooklyn, NY, 1993, Artist. #1, 25.3 x 20.8 cm; 2005.96. #10, 25.2 printed later; 24.4 x 32.3 cm; 2005.47. Higher x 20.1 cm; 2005.101. #17, 25 x 19.9 cm; Michael Loderstedt (American, b. 1958); View 2005.99. #18, 25.3 x 20.2 cm; 2005.100. #19, of Waccamaw Neck, SC, Site of First European Ground, Brooklyn, NY, 1993, printed later; 24.2 x 32 cm; 2005.48. 25.3 x 20.2 cm; 2005.98. #28, 25.3 x 20.1 Colonial Attempt in America (1526), 2004; chro- cm; 2005.95. #31, 25.3 x 20.1 cm; 2005.97. mogenic process color print; 101.6 x 126.7 Thomas Roma; Higher Ground, Brooklyn, NY, cm; Gift of the Robert A. Mann Fund 1993, printed later; gelatin silver print; 24.2 x 2005.147. 32 cm; Gift of Judith K. and S. Sterling McMillan Photography Purchase Fund 2005.43.

41 Max Beckmann (German, 1884–1950); Group Portrait Eden Bar, 1923; woodcut; 49.5 x 49.5 cm; Purchase from the J. H. Wade Fund 2006.112.

Prints etching; 15.2 x 13.6 cm; McLean and Drake Anonymous (French); Roman Charity, 1542; 69; 2005.258.3. Woman Being Fed with Spoon, etching; 14.3 x 32.2 cm; Herbert p. 130, no. 1969; etching printed in brown; 20 x 14.9 cm; 24; Gift of Louise S. Richards 2005.261. McLean and Drake 78a; 2005.258.13. Anonymous (German); Solar System Surrounded Norman Ackroyd (British, b. 1938); Perimeter by Animals, 16th century; etching; 27 x 36.2 Rainbow, 1970; color aquatint; 45.4 x 45.2 cm; cm; Gift of Louise S. Richards 2005.260. Gift of Louise S. Richards 2005.259. Sigmund Abeles (American, b. 1934); Toward Stanley Anderson (British, 1884–1966); 5 the End, published 1969; 14 prints; Gift of prints; Gift of Carole W. and Charles B. Louise S. Richards. Afternoon Memories, 1966; Rosenblatt. The Fallen Star, 1929; engraving; etching; 20 x 14.9 cm; McLean and Drake 70; 18.2 x 21.6 cm; Hardie 129; 2005.382. 2005.258.4. Aged Rabbi, 1966; etching; 20 x Hedgelaying, after 1932; engraving; 10.1 x 7.7 15 cm; McLean and Drake 72; 2005.258.6. cm; 2005.383. A Mayfair Backwater: Crabb’s Colophon, 1969; 2005.258.14. Dedication Page: Opponent, 1930; drypoint; 19.6 x 23.8 cm; Hands Folded, 1966; drypoint; 4 x 6.5 cm; Hardie 132; 2005.384. Morning on the Seine, McLean and Drake 68; 2005.258.2. Earl, 1966; 1930; engraving; 17.7 x 24.3 cm; Hardie 133; etching; 19.8 x 15 cm; McLean and Drake 74; 2005.385. Pan in Fulham, 1932; engraving; 2005.258.8. Frontispiece: Old Woman Eating 18.7 x 19.2 cm; Hardie 143; 2005.386. with Bowl and Spoon, 1966; etching; 5.4 x 10 Appiani (Italian); Satyr, second half of 1900s; cm; McLean and Drake 67; 2005.258.1. Loving softground etching; 13.8 x 8.3 cm; Gift of Older Couple, 1966; etching with chine collé; Louise S. Richards 2005.262. 20 x 14.9 cm; McLean and Drake 71; Umetaro Azechi ( Japanese, 1902–1999); Bird 2005.258.5. Muybridge Sitting, 1969; etching; and Mountaineer, 1957; color woodcut; 55.4 x 14.9 x 22.4 cm; McLean and Drake 76; 36.2 cm; Gift of friends of the Department of 2005.258.10. My Father as Patient, 1966; etch- Prints and Drawings in memory of William E. ing; 14.8 x 20.3 cm; McLean and Drake 78; Ward 2005.174. 2005.258.12. Reaching Out, 1966; etching and engraving; 19.8 x 14.8 cm; McLean and Drake Albert Winslow Barker (American, 1874– 73; 2005.258.7. Sleeping Woman at Diagonal, 1947); 2 lithographs; Gift of Louise S. 1968; etching; 20.2 x 12.5 cm; McLean and Richards. Mount Alverno Bridge; 17.5 x 12.1 Drake 75; 2005.258.9. Snoring Bald Man, 1966; cm; 2005.264. Tenant House; 11 x 15.2 cm; etching; 20.3 x 14.7 cm; McLean and Drake 2005.263. 77; 2005.258.11. Stuart’s Grandmother, 1968;

42 Federico Barocci (Italian, about 1535–1612); 2005.448. Three Pines, 1925, printed 1956; Félix Bracquemond (French, 1833–1914); 25 The Annunciation, about 1585; etching and 27.8 x 24.6 cm; 2005.449. Tulips, 1930; 33.1 x prints; Gift of John Bonebrake. Alfonse Legros, engraving; 43.8 x 31 cm; Pillsbury and 32.5 cm; 2005.450. Waiting to be Counted, 1861, printed 1875; 17.1 x 11.9 cm; Béraldi Richards 75; Purchase from the J. H. Wade 1954, printed 1957; 32.5 x 41.6 cm; 2005.451. 73, state II/II; 2005.242. Baudelaire (after Emil Fund 2005.178. Winter Corral, 1950, printed 1961; 38.4 x 32.7 de Roy), 1869; etching and drypoint; 10.8 x Gustave Baumann (American, b. Germany, cm; 2005.452. Woodland Meadows, 1917; 24.5 8.6 cm; Béraldi 11, state III/IV; 2005.248. 1881–1971); 65 color woodcuts; Gift of Ann x 28.7 cm; 2005.453. Portfolio of 12 wood- Charles Méryon, 1884; heliogravure after etch- Baumann. Apple Blossoms, 1917; 24.4 x 28.8 cuts. In the Hills O Brown, 1910, printed 1914. ing of 1853; 20.5 x 14.5 cm; Bouillon 77, state cm; 2005.400. April, 1930; 33.2 x 32.9 cm; At the Forge, The Blacksmith Shop, or The Forge, IV/IV; 2005.256. Don Quichote (Don Quichotte) 2005.401. Arroya Chamisa, 1927, printed 1956; 23 x 33.6 cm; 2005.424.1. The Court House (after Goya), 1860; etching in brown ink; 23.7 24 x 28.5 cm; 2005.402. Aspen Red River, Yard, 23 x 33.5 cm; 2005.424.2. The Door x 15.7; Béraldi 286, state II/II; 2005.250. 1925; 28.5 x 28 cm; 2005.403. Aspen Summer, Yards or A Backyard, 23.1 x 33.4 cm; Erasmus (after Holbein), 1863; etching; 31.5 x 1920, printed 1946; 24.1 x 28.8 cm; 2005.404. 2005.424.3. In the Hills O Brown or In the Hills 25.6 cm; Béraldi 39, state VIII/X; 2005.232. Aspen Thicket, 1943; 27.6 x 24.6 cm; 2005.405. of Indiana, 23.1 x 33.6 cm; 2005.424.4. Mathis The French Cock (Le Coq de France), 1893; etch- Atalaya Peak or Talaya Peak, 1925, printed Alley, 23.2 x 33.6 cm; 2005.424.5. The Print ing; 33.3 x 23 cm; Delteil (L’Artiste) 11, state 1947; 24.1 x 28.4 cm; 2005.406. Autumnal Shop, Brown County Democrat, County Print I/II; 2005.244. Frontispiece for “New Works of Glory, 1921, printed 1936; 33.3 x 32.9 cm; Shop or Printing That Democrat, 22.8 x 33.4 cm; Champfleury, The Friends of Nature: Portrait de 2005.407. Big Day or Country Circus, 1909; 2005.424.6. The Rug Weaver, 22.9 x 33.5 cm; Champfleury” (Frontispice pour “Oeuvres nouvelles 17.5 x 23.5 cm; 2005.408. Big Timber Upper 2005.424.7. The Swimmin Hole, The Suspension de Champfleury, Les Amis de la Nature: Portrait Pecos, 1924; 23.5 x 28.2 cm; 2005.409. Cedar Bridge, The Swimming Hole, The Swingin’ Bridge, de Champfleury”) (after Gustave Courbet), Grand Cañon, 1919; 33.1 x 33.2 cm; 2005.410. or The Swimmin Pool, 23.1 x 33.8 cm; 1859; etching; 15.1 x 9.3; Bouillon 374, state Chicago Northwest or The Old Willow, 1908; 17 2005.424.8. Talking It Over or Clinching the IV/IV; 2005.247. The Hare (Lièvre) (after A. de x 18.3 cm; 2005.411. Church Ranchos de Taos, Argument, 23 x 33.3 cm; 2005.424.9. Town Balleroy), 1865; softground etching and dry- 1919; 24.2 x 28.9 cm; 2005.412. Corn Dance Gossips, An Evening Chat, or Village Gossips, point; 18 x 25.5 cm; Béraldi 277; 2005.249. Santa Clara, 1924, printed after 1932; 15.2 x 23.2 x 33.4 cm; 2005.424.10. The Town of The Seine at Bas-Meudon with the Seguin and 19.3 cm; 2005.413. Desert Creatures, Desert Nashville, 23.2 x 33.6 cm; 2005.424.11. The Mottiaux Islands (La Seine au Bas-Meudon, avec Rock Garden, Lava and White Sands, Black Wagon Builder, The Wagon Shop or The Wagon l’Ile Seguin et l’Ile des Mottiaux), 1868; etching; Lava/White Sands, White Sand and Lava, or Maker, 23 x 33.5 cm; 2005.424.12. 16 x 23 cm; Béraldi 187, state IV/IV; Malpai and White Sands, 1951, printed 1967; Max Beckmann (German, 1884–1950); Group 2005.255. The Large Rabbit (Jeannot Lapin), 25.2 x 38.3 cm; 2005.414. Eagle Ceremony at Portrait Eden Bar (Gruppenbildnis Edenbar), 1923; 1891, printed 1894; etching and drypoint; 24.2 Tesque Pueblo, 1932; 16.5 x 16.4 cm; 2005.415. woodcut; 49.5 x 49.5 cm; Hofmaier 277, state x 34.3 cm; Delteil (L’Artiste) 9; 2005.235. The El Santo (The Saint), 1919; 24.7 x 28.7 cm; II b/II b; Purchase from the J. H. Wade Fund Maidservant (La Servante) (after H. Leys), 1868; 2005.416. Fifth Avenue, 1917; 33.8 x 28.2 cm; 2006.112. etching; 25.8 x 15.5 cm; Béraldi 280, state 2005.417. Fisherman Hut or Fishing Hut on the IV.I/IV.I.IIb; 2005.253. Moles (Les Taupes), Stefano della Bella (Italian, 1610–1664); 1854, printed 1866; etching; 27.2 x 20 cm; North Shore, 1907; 18.1 x 18.2 cm; 2005.418. Woman Seated on a Stool, about 1620s–30s, Fox Lake Farmyard, 1907; 17.5 x 22.7 cm; Bouillon 134, state VI/VII; 2005.233. The Old etching, 15.4 x 13 cm, DeVesme/Massar 206, Cock (Le Vieux Coq), 1882; etching in brown 2005.419. Harvest Time Taos, 1945; 24.4 x 28.4 Gift of Louise S. Richards 2005.265. cm; 2005.420. Hidden Meaning, 1962; 30.6 x ink; 34.9 x 27 cm; Béraldi 222, state IV/V; 32.7 cm; 2005.421. Hillside Woods, 1924; 27.1 Emile Bernard (French, 1868–1941); 1896; 6 2005.245. The Pheasants (Les Faisans), 1899; x 24.6 cm; 2005.422. Idle Fleet (small), 1918, lithographs printed on 3 sheets of paper; Pur- etching; 32.5 x 24.4 cm; 2005.243. Portrait of printed 1926; 24.2 x 27.9 cm; 2005.423. chase from the J. H. Wade Fund. Breton Scenes: Meyer Heine, 1860s; etching; 22 x 24.5 cm; Malapai, 1927; 24 x 28.6 cm; 2005.425. Mend- Title page (Les Bretonneries Page de titre); 31.4 x Béraldi 80, state III/III; 2005.239. The Raven ing the Seine, 1917; 24.6 x 28.5 cm; 2005.426. 24.7 cm; Morane 9; 2005.180.1.a; Breton (Le corbeau), 1854; etching; 23.5 x 18.5 cm; Nobody Is Home, 1948; 27.4 x 24.8 cm; Scenes: The Return from the Pilgrimage (Les Bouillon 115, state V/VI; 2005.234. The Sea 2005.427. October Night, 1919; 24.2 x 28.7 cm; Bretonneries: Le retour du pardon); 31.7 x 24.8 (La Mer), 1905; etching; 39.5 x 27.3 cm; 2005.428. Old Santa Fe, 1924, printed 1930; cm; Morane 10; 2005.180.1.b. Breton Women 2005.241. The Storks (Les Cigognes), 1865; 15.3 x 19.5 cm; 2005.429. Pines Grand Canyon Making Haystacks (Bretonnes faisant les foins); etching; 24.5 x 18.7 cm; Béraldi 179, state II/ or Pines Grand Cañon, 1920; 32.9 x 32.9 cm; 25.7 x 32.8 cm; Morane 12; 2005.180.3.a; II; 2005.252. The Table (La Table) (after H. 2005.430. Point Lobos (small), 1936; 20.6 x 20.9 Wedding in Bretagne (La noce en Bretagne); 24 x Leys), 1868; etching; 26 x 18.5 cm; Béraldi cm; 2005.431. Rain, 1938; 20.7 x 20.8 cm; 30 cm; Morane 15; 2005.180.3.b. Cafe Concert 280, state IV.IIb/IV.IIb; 2005.254. Teals 2005.432. Redwood, 1934; 33 x 32.8 cm; Singer (La chanteuse du café-concert), 1888; 28.8 x (Sarcelles), 1853, printed 1864; etching; 27.2 x 2005.433. Rio Pecos, 1920, printed 1937; 27.5 23.1 cm; Morane 5, state II/II; 2005.180.2.a; 33 cm; Bouillon 111, state IV/V; 2005.237. x 24.9 cm; 2005.434. Rose Farm, 1919; 24.1 x Breton Women Gathering in the Harvest (Bretonnes The Terrace of the Villa Brancas, 1876; etching 28.8 cm; 2005.435. Salt Creek, 1919, printed faisant la moisson); 24.3 x 29.9 cm; Morane 16; and engraving; 25.4 x 35.4; Béraldi 215, state 1927; 24.3 x 28.8 cm; 2005.436. San 2005.180.2.b. VIII/VIII; 2005.240. The Top of the Swing-door Geronimo, 1924, printed after 1932; 18.2 x 15.2 Christi Birchfield (American, b. 1983); Un- (Le Haut d’un Battant de Porte), 1852, printed cm; 2005.437. Sandia Mountains, 1921; 24.6 x titled, 2004; etching with graphite, ink, colored 1865; etching; 30.3 x 39.7 cm; Bouillon 110, 28.2 cm; 2005.438. Sequoia Forest, 1960; 32.8 x pencil, and collage; 57.15 x 76.2 cm; Robert state VIII/X; 2005.238. The Unknown 33 cm; 2005.439. The Shoemaker, The Cobbler, A. Mann Fund 2005.148. (L’Inconnu), 1862; etching and drypoint; 18.9 x 32.4; Béraldi 174, state III/III; 2005.236. The or Illustrator at Work, 1908, printed 1909; 18 x Abraham Blooteling (Dutch, 1640–1690); Vulture (Le Gypaete), 1904; etching; 36.4 x 23 cm; 2005.440. Singverin, 1909; 19.6 x 35 Various Lions (Variae Leonum Icones) (after 26.5; Fonds français 493, state II/II; 2005.246. cm; 2005.441. South Water Street or Grain Rubens); 4 etchings; Hollstein 103–6, state Winter or Wolf in the Snow (Hiver or Le Loup Elevators, 1908; 22.3 x 14.7 cm; 2005.442. III/III; Gift of Louise S. Richards. 14 x 18 cm; dans la neige) (Der wolf im Schnee), 1862, printed Spring Freshet, 1915; 27.8 x 24.6 cm; 2005.443. 2005.266.1. 13.9 x 18.2 cm; 2005.266.2. 13.3 1907; etching; 20.6 x 31.9 cm; Béraldi 180, Spring New Mexico, 1924, printed 1936; 24 x x 17.7 cm; 2005.266.3. 14 x 17.8 cm; state V/V; 2005.251. 28.7 cm; 2005.444. Spring Seranade, 1927; 24.2 2005.266.4. x 28.8 cm; 2005.445. Sycamore, 1915; 27.3 x 24.7 cm; 2005.446. Tares, 1952; 15.3 x 32 cm; 2005.447. Teatro Torito, 1931; 20.3 x 17.8 cm;

43 Caspar David Friedrich (German, 1774–1840); Footbridge with Cross before Tree at a River, about 1803; etching; 9.2 x 15.2 cm; Gift of the Print Club of Cleveland 2006.133.

Félix Bracquemond; Aspens on the Bank of the Allaert Claesz (Netherlandish, active 1520–55); Charles François Daubigny (French, 1817– Seine (Trembles au Bord de la Seine); etching and Fight among Eleven Warriors (after Pollaiuolo); 1878); The Winter Garden (Le Jardin d’Hiver), drypoint; 10.2 x 15.2 cm; Béraldi 218, state II/ engraving; 4.6 x 15.8 cm; Hollstein 153; John 1842–43; etching; 19.1 x 27.5 cm; Melot 46, III; Gift of Louise S. Richards 2005.267. L. Severance Fund 2005.61. state III/IV; Gift of Louise S. Richards 2005.271. Arthur Briscoe (British, 1873–1943); The Roland Clark (American, 1874–1957); 4 Anchor, 1930; etching; 17.7 x 16.2 cm; Hurst prints; Gift of Carole W. and Charles B. Jennifer Dickson (Canadian, b. 1936); Tarot for 268; in James Laver, A Complete Catalogue of Rosenblatt. Inbound, about 1937; etching and the Hanged Man, 1972; photo etching printed the Etchings and Drypoints of Arthur Briscoe drypoint; 16.2 x 11.4 cm; Ordeman p. 111; in in brown; 60.4 x 40 cm; Gift of Louise S. (1930); Gift of Carole W. and Charles B. Roland Clark, Gunner’s Dawn (1937); Richards 2005.272. Rosenblatt 2005.172. 2005.392. The Morning Flight, about 1938; Richard Diebenkorn (American, 1922–1993); drypoint; 28.7 x 22.1 cm; Ordeman p. 108; Jacques Callot (French, 1592–1635); The Seated Woman with Hands Crossed, 1965; litho- 2005.393. Open Water, 1928; drypoint; 37.7 x graph printed in red; 64.2 x 48.8 cm; Gift of Temptation of St. Anthony (second version) (La 30.3 cm; Ordeman p. 87; 2005.391. Tentation de St. Antoine), 1635; etching; 31 x Susan A. and Charles M. Young 2005.339. 45.8 cm; Lieure 1416, state II/V; Purchase Warrington Colescott (American, b. 1921); Jim Dine (American, b. 1935); Four Kinds of from the J. H. Wade Fund 2005.179. Picasso at Mougins: The etchings, 2002; color Pubic Hair, 1971; 4 etchings; Gift of Judith and etching, aquatint, and softground etching; 45.1 Elizabeth Catlett (American, b. 1915); Man, James A. Saks. 28.9 x 21.5 cm; Williams Col- x 60.6 cm; Gift of Carole W. and Charles B. lege 39; 2005.130.1. 29.1 x 21.4 cm; Williams 1975, printed 2003; 44.8 x 30 cm; The Print Rosenblatt 2005.394. Club of Cleveland Publication Number 83, College 40; 2005.130.2. 29.3 x 21.7 cm; Will- 2005. Gift of the Print Club of Cleveland. Adriaen Collaert (Flemish, about 1560–1618); iams College 41; 2005.130.3. 29.1 x 21.6 cm; Woodcut and color linocut; 2005.36. Proof; Otilia Bavara (after Maarten de Vos); engrav- Williams College 42; 2005.130.4. 2005.34. BAT; 2005.35. ing; 17.7 x 21.9 cm; Gift of Louise S. Richards Marylyn Dintenfass (American, b. 1943); Good 2005.268. Edgar Chahine (French, b. Italy, 1874–1947); and Plenty Solo 2, 2003; color monotype; 60.2 4 prints; Gift of Carole W. and Charles B. Hans Collaert II (Flemish, 1566–1628); Holy x 60.7 cm; Gift of John Driscoll 2005.399. Rosenblatt. The Sardine Fishermen (Les Jerome (Sanctimonialis Hierosolymitana) (after Piero Dorazio (Italian, b. 1927); 2 works; Gift Sardinieres), 1931; etching; 21.7 x 31.8 cm; Maarten de Vos); engraving; 17.7 x 22.5 cm; of Louise S. Richards. Two (Deux), 1965; dry- Tabanelli 419, state III/III; 2005.390. Venice, Gift of Louise S. Richards 2005.269. point; 26.4 x 15.6 cm; 2005.275. Untitled, Baratteri Bridge (Venise Ponte dei Baratteri), 1923; Alan Crane (American, 1901–1969); Farm by 1962; etching and aquatint; 8.2 x 11.1 cm; etching and drypoint; 32 x 21.9 cm; Tabanelli the Sea; lithograph; 24.8 x 34.9 cm; Gift of 2005.274. 375, state III/III; 2005.387. Venice, Fondamenta Louise S. Richards 2005.270. Yizhak Elyashiv (Israeli, b. 1964); Gift of the dei Greci (Venise Fondamenta dei Greci), 1923; Cornelis van Dalen II (Dutch, 1638–about Artist. Preparatory #1, 2003; engraved, em- etching and drypoint; 17.4 x 22 cm; Tabanelli 1664); A Man with a Ham, Just Cut (after bossed, and stamped steel plate, printed in 376; 2005.388. Venice, St. Mark Basilica (Venise Cornelis Bloemaert); engraving; 14.5 x 11.9 blue; 29.7 x 29.4 cm; 2005.109. Preparatory La Basilica di San Marco), 1923; etching and cm; Gift of Louise S. Richards 2005.273. #2, 2003; engraved, embossed, and stamped drypoint; 31.9 x 21.9 cm; Tabanelli 378, state steel plate, and 5 paper plates; 29.6 x 29.4 cm; II/II; 2005.389. Georges Darcy (French, 20th century); Gold and Colors (Or et Couleurs): Plates VI, IX, XI, 2005.110. Preparatory #3, 2003; 2 engraved, XII, XVI, XVII, XIX, about 1925; color embossed, and stamped steel plates, printed in pochoir; 35.5 x 25.4 cm each; Education Art blue; 59.3 x 29.4 cm; 2005.111. Preparatory Collection 2005.311–17. #4, 2003; 2 engraved, embossed, and stamped

44 steel plates, and 4 paper plates; 59.3 x 29.4 cm; Arnoud van Halen (called Aquila) (Dutch, 2005.112. Preparatory #5, 2003; 2 engraved, 1673–1732); Self-Portrait; mezzotint; 25.2 x embossed, and stamped steel plates, and 18 17.4 cm; Gift of Louise S. Richards 2005.282. paper plates; 59.3 x 29.4 cm; 2005.113. Prepa- Katsunori Hamanishi ( Japanese, b. 1949); ratory #6, 2004; 2 engraved, embossed, and Combination-Curve No. 1; mezzotint; 59.6 x stamped steel plates, and 19 paper plates; 59.3 44.4 cm; Gift of Louise S. Richards 2005.283. x 29.4 cm; 2005.114. Childe Hassam (American, 1859–1935); Yizhak Elyashiv. Untitled (Section from a Scuttle-Hole Pond, 1927; etching; 7.3 x 12.6 “Handful of Grains Map”). The Print Club of cm; Cortissoz 315; Gift of Louise S. Richards Cleveland Special Publication for 2005. Gift 2005.285. of the Print Club of Cleveland. 2 engraved, embossed, and stamped steel plates, and 17 Kawase Hasui ( Japanese, 1883–1957); Azuma printed paper plates. 2005; upper platemark: Gorge (Azuma kyø), 1943; color woodcut; 33.3 29.6 x 29.5 cm; lower platemark: 29.7 x 29.4 x 24.1 cm; Brown 470; Gift of Lt. Col. cm; 2005.117. BAT, 2005; upper platemark: Franklin D. Morrison and Norma T. Morrison 29.6 x 29.5 cm; lower platemark: 29.7 x 29.5 2005.479. cm; 2005.118. Preparatory #7, 2003; upper Joris Hoefnagel (Flemish, 1542–1601); Arche- platemark: 29.6 x 29.5 cm; lower platemark: types and Studies (Archetypa Studiaque) (after 29.7 x 29.5 cm; 2005.119. Jacob Hoefnagel), 1592; 2 engravings; Vignau- Stephen Fisher (American, b. 1954); Menagerie, Wilberg edition I/VI; Anne Elizabeth Wilson 2005; aquatint; 35.2 x 38 cm; Gift of Sandra Memorial Fund. Death is the line that marks the and Gary Kaufman in honor of the Fine Print end of all (Part II, plate 5) (Mors ultima linea Fair 2006.71. rerum); 15.6 x 20.8 cm; 2006.121. What can emerge in keeping with such a cavernous promise? Albert Flamen (Flemish, about 1620–after (Part IV, plate 2) (Quid dignum tanto feret hic 1669); Fresh Water Fish, Part II: Epelanus, promissor hiatu?); 15.7 x 21.1 cm; 2006.122. L’Esplan; etching; Illustrated Bartsch 179; 10.4 x 17.7 cm, Gift of Louise S. Richards Wenceslaus Hollar (Bohemian, 1607–1677); 2005.277. Muscarum Scarabeorum, vermiumque Variae Figure & Formae: A Moth, Three Butterflies, and Two Richard Florsheim (American, 1916–1979); Beetles, 1646; etching; 8.1 x 11.9 cm; Night Storm, 1969; lithograph; 35.4 x 25 cm; Pennington 2168, state I/III; Alma and Robert Cole 211; Bequest of Isadore Warshawsky D. Milne Fund 2006.120. 2005.347. Winslow Homer (American, 1836–1910); Caspar David Friedrich (German, 1774–1840); Waiting for a Bite, 1874; wood engraving; 23.1 Footbridge with Cross before Tree at a River (Steg x 35 cm; Beam 215; Gift of Louise S. Richards mit Brückenkreuz vor Baumgruppe am Fluss), 2005.286. about 1803; etching; 9.2 x 15.2 cm; Börsch- Supan/Jähning 107; Gift of the Print Club of Yun-Fei Ji (Chinese, b. 1963); Public Grain, Cleveland 2006.133. 2004; color etching and aquatint on chine collé; 71 x 62 cm; Gift of Judith and James A. Yoshisuke Funasaka ( Japanese, b. 1939); My Saks 2005.257. Space and My Dimension: No. 515, 1977; color woodcut and lithograph; 52.7 x 71.2 cm; Gift Johann Ulrich Krauss (German, 1655–1719); of Louise S. Richards 2005.278. L’Art Ancien Zurich: View in the Church of the Franciscans, Barfüsser-Kirche (after Johann Robert Gaywood (British, 1650–about 1711); Andreas Graf ), 1681; etching; Hollstein 266, Cecilia, Lady Killigrew; etching; Pennington state II/III; 48.5 x 32.3 cm; Gift of Louise S. 1449; 25 x 19.5 cm; Gift of Louise S. Richards Richards 2005.289. 2005.279. Shigeki Kuroda ( Japanese, b. 1953); 2 etch- Henry J. Glintenkamp (American, 1887– ings, aquatint, and roulette; Gift of Louise S. 1946); Radio City Construction, 1932; wood Richards. K and B; 7.1 x 19.7 cm; 2005.290. engraving; 17.7 x 12.7 cm; Gift of the Cleve- K 81; 18.1 x 9.9 cm; 2005.291. land Museum of Art Ingalls Library 2005.115. Shigeki Kuroda. Untitled, 1981; etching; 10.5 x Francisco de Goya (Spanish, 1746–1828); The 29.5 cm; Gift of Pamela Elizabeth Ward in Little Prisoner; etching; 10.6 x 8.4 cm; Harris loving memory of her parents, William E. and 26, state III/IV; Gift of Louise S. Richards Evelyn Svec Ward 2005.128. 2005.280. Henri-Eugène Le Sidaner (French, 1862– Henri Guérard (French, 1846–1897); Dinner 1939); The House in Moonlight (La Maison au Invitation (Dîner Dentu), about 1882; etching clair de lune), 1909; 3 lithographs; Gift of Louise and aquatint; 13.1 x 16.9 cm; Béraldi 3; Gift of S. Richards. 22.8 x 15.8 cm; 2005.292. 22.9 x Louise S. Richards 2005.281. 15.8 cm; 2005.293. 22.6 x 16.1 cm; 2005.294. David Haberman (American, b. 1938); NOVA Haku Maki ( Japanese, b. 1924); Poem 12–42; Portfolio: Vanishing Species, 1973; relief intaglio; embossed woodcut; 28 x 44.6 cm; Gift of 48 x 57 cm; Gift of Louise S. Richards Pamela Elizabeth Ward in loving memory of 2005.301.1. her parents, William E. and Evelyn Svec Ward 2005.122. Albert Marquet (French, 1872–1947); Paris 1937, 1937; etching; 33.8 x 28.4 cm; Gift of Louise S. Richards 2005.296.

45 Naoko Matsubara (Canadian, b. Japan, 1937); Boston Public Library, 1969; woodcut; 31 x 44 cm; Gift of Louise S. Richards 2005.297. Winston Eugene McGee (American, b. 1924); NOVA Portfolio: Untitled, 1973; lithograph; 40.8 x 57 cm; Gift of Louise S. Richards 2005.301.2. Friedrich Meckseper (German, b. 1936); Still Life, Plate 2, Pear (Nature morte, Blatt 2, Birne), 1974; color etching, aquatint, drypoint, and roulette; 34 x 43.7 cm; Cramer 155; Gift of Carole W. and Charles B. Rosenblatt 2005.395. Claude Mellan (French, 1598–1688); Henriette- Marie of England, Duchess of Orleans (Henriette- Marie d’Angleterre, duchesse d’Orléans); 2 engravings; Gift of Louise S. Richards. 18.8 x 13.5 cm; Fonds français 184, state I; 2005.298. 14.2 x 10.5 cm; Fonds français 184, state III; 2005.299. Leon Gordon Miller (American, 1917–1985); NOVA Portfolio: Eclipse, 1973; screenprint; 30.4 x 30.5 cm; Gift of Louise S. Richards 2005.301.3. Joan Mitchell (American, 1926–1992); Trees I, 1992; color lithograph (diptych); 144.9 x 104.6 cm and 144.7 x 104.8 cm; Alma and Robert D. Milne Fund and Gift of Mary Ryan Gal- lery, Inc. 2005.138. Clarence Morgan (American, b. 1950); Suite #2, 2005; 3 color lithographs, etching, and screenprint with chine collé; Gift of Deborah G. and Kenneth S. Cohen. Faithful Manipula- tion; 25.4 x 25.4 cm; 2006.70.1. The Science of Symmetry; 25.1 x 25.2 cm; 2006.70.2. Inter- rupted Universe; 25.4 x 25.5 cm; 2006.70.3. Robert Allen Nelson (American, b. 1925); NOVA Portfolio: Pirate Mouse Thinking, 1973; lithograph, screenprint, collage, and graphite; 50.5 x 33.1 cm; Gift of Louise S. Richards 2005.301.4. William Nicholson (British, 1872–1949); 4 Federico Barocci (Italian, color lithographs; Gift of John Bonebrake. “An about 1535–1612); The Almanac of Twelve Sports”: Cover, published Annunciation, about 1897, postdated 1898; 32 x 25.8 cm; Campbell 1585; etching and 33; 2005.228. “An Alphabet”: Cover, published engraving; 43.8 x 31 cm; 1897, postdated 1899; 31.3 x 25.8 cm; Purchase from the J. H. Campbell 25; 2005.229. “The Square Book of Wade Fund 2005.178. Animals”: Cover, published 1899, postdated 1900; 28.3 x 28.5 cm; Campbell 73; 2005.230. “London Types”: Cover, published 1898; 33.8 x 29 cm; Campbell 53; 2005.231. Maud Oakes (American, 1903–1990); Where the Two Came to Their Father: A Navaho War Ceremonial (after Jeff King), 1942–43; 7 screenprints; Gift of the Cleveland Museum of Art Ingalls Library. Plate 1, Mountain around Which Moving Was Done; 16.5 x 38; 2005.310.1. Plate 2, Sand Dune Monster, 21.3 x 46.4 cm; 2005.310.2. Plate 5, Sun’s House, 18.7 x 53.3 cm; 2005.310.5. Plate 8, Guessing Tests; 39.2 x 55.9 cm; 2005.310.8. Plate 12, Holy Ones Standing on Top of Holy Mountains, 30.4 x 48 cm; 2005.310.12. Plate 13, Twelve Holy People; 28.3 x 56.6 cm; 2005.310.13. Plate 18, Big Wind Painting; 39.2 x 49.3 cm; 2005.310.18.

46 Maud Oakes. Where the Two Came to Their James Rosenquist (American, b. 1933); ½ Steven Sorman (American, b. 1948); 60 works; Father: A Navaho War Ceremonial (after Jeff Sunglass, Landing Net, Triangle, 1974; liftground Gift of the artist in memory of Pegram King), 1942–43; 11 screenprints; Gift of Dr. etching, drypoint, sandblasted mezzotint, and Harrison. as well i, 2001; lithograph and chine and Mrs. Thomas Munro. Plate 3, Rock that photo transfer; 45.5 x 89.7 cm; Glenn 80; Gift collé colored by hand with paint; state I/III; Claps Together; 26.4 x 55.9 cm; 2005.310.3. of Diane and Arthur Stupay 2005.398. 49.2 x 40.1 cm; 2005.161. as well ii, 2001; Plate 4, Across Water; 33.3 x 53.1 cm; Theodore Roszak (American, 1907–1981); lithograph and chine collé colored by hand 2005.310.4. Plate 6, Lightning Armor Houser; 41 Staten Island, 1934; color lithograph; 37 x 42.8 with paint; state II/III; 50.2 x 39 cm; x 54.3 cm; 2005.310.6. Plate 7, Concerning-the- cm; Mr. and Mrs. Richard W. Whitehill Art 2005.162. as well iii, 2001; lithograph and Skies Painting; 41.2 x 53 cm; 2005.310.7. Plate Purchase Endowment Fund 2006.7. chine collé colored by hand with watercolor; 9, Hot Spring; 33.8 x 54.2 cm; 2005.310.9. trial proof of state III/III; 49.6 x 39 cm; Plate 10, Talking God Painting; 23.2 x 55.9 cm; Judith Rothschild (American, 1921–1993); 2005.163. Bohemian Flats, 1993: 2 color wood- 2005.310.10. Plate 11, Navajo Mountain; 25.5 x Composition, 1946; color screenprint; 18.8 x 24 cuts and engraving on chine collé; 76.2 x 56 23.1 cm; 2005.310.11. Plate 14, Earth and Sky; cm; Alma and Robert D. Milne Fund 2006.73. cm; 2005.156; 76.1 x 56.3 cm; 2005.157. the 35.4 x 56.6 cm; 2005.310.14. Plate 15, Big Georges Rouault (French, 1871–1958); Re- familiar planets, 2000: 2 photocopies, etching, Bear Painting; 33.4 x 42 cm; 2005.310.15. Plate incarnations of Père Ubu: The Liberated Black Man and chine collé; 30.3 x 13.9 cm; 2005.158. 16, Big Snake Painting; 36.5 x 44.7 cm; (Réincarnations du Père Ubu: Le Noir Libéré), 24.8 x 12.5 cm; 2005.159. going back to look in 2005.310.16. Plate 17, Big Thunder Painting; 1928; heliogravure, etching, and aquatint; 21.1 the mirror, 1982; lithograph, monotype, and 41.5 x 50.5 cm; 2005.310.17. x 29.7 cm; Chapon 15b/15b; Gift of Louise S. collage; 59.7 x 92.7 cm; 2005.165. half light Pablo Picasso (Spanish, 1881–1973); Vollard Richards 2005.303. series, is was will be, 1991; 3 works. Color Suite: Faun Revealing a Sleeping Woman (Suite Alison Saar (American, b. 1956); Kiss on a mezzzotint and drypoint; state II/III; 100.2 x Vollard: Faune dévoilant une Dormeuse), 1936; Rope, 2001; color woodcut; Dr. Gerard and 81.2 cm; 2005.167. Mezzotint; trial proof of etching and aquatint; 31.7 x 41.9 cm; Baer Phyllis Seltzer Fund 2006.69. state II/III; 100.1 x 81.1 cm; 2005.168. Mezzotint; state III/III; 100.1 x 81.1 cm; 609, state VI, B, a/VI, B, d; Leonard C. Francis Sansom (British, active 1780s–1815) 2005.169. Lessons from the Russian, 1999: book Hanna Jr. Fund 2006.113. (after Sydenham Edwards); The Botanical Maga- with cover, title page, and 21 mezzotints and zine or Flower Garden Displayed; 7 engravings Paulus Pontius (Flemish, 1603–1658); color engraving; 29 x 20.3 cm; 2005.170.1–23. with hand coloring; 20.1 x 11.6 cm; Gift of Theodorus VanLonius (after Anthony van one another, 2003; etching, aquatint, and bronz- The Cleveland Museum of Art Ingalls Library. Dyck); engraving; 24.8 x 17.6 cm; Wurzbach ing; platemark a: 45.6 x 29.9 cm, platemark b: Plate 883, Euphorbia Petiolaris. Long-stalked 94; Gift of Louise S. Richards 2005.302. 15.1 x 11.3 cm; 2005.166. the singing bridge, Spurge, 1805; 2005.332. Plate 892, Althaea Jean-François Raffaelli (French, 1850–1924); 1980; color lithograph, linocut, woodcut, Flexuosa. Seringapatam A Hollyhock, 1805; The Knifesharpener (Le Rémouleur), 1907; dry- etching, aquatint, and screenprint; 58.3 x 45.5 2005.333. Plate 929, Symphyum Asperrim. point; 22 x 46.9 cm; Delteil 76, state I/III; Gift cm; 2005.164. These Stations (Next Page), 1990: Prickley Comfrey, 1806; 2005.334. Plate 931, of Elizabeth Carroll Shearer in memory of 15 color lithographs and chine collé. Title Page; Phytolacca Decandra. Virginian Poke, 1806; Robert Lundie Shearer 2005.340. 76.7 x 56.2 cm; 2005.155.1. I; 77.3 x 56.6 cm; 2005.335. Plate 933, Protea Mucronifolia. Dagger- 2005.155.2. II; 76.8 x 56.8 cm; 2005.155.3. Eegyvudluk Ragee (Canadian, 1920–1983); leaved Protea, 1806; 2005.336. Plate 944, III; 76.5 x 56.8 cm; 2005.155.4. IV; 76.6 x Sea Spirit, 1965; stonecut; 31.1 x 42.6 cm; Gift Dillwynia Glaberrima. Smooth-leaved Dillwynnia, 56.2 cm; 2005.155.5. V; 76.6 x 56.2 cm; of Louise S. Richards 2005.288. 1806; 2005.337. Plate 966, Erica Elegans. El- 2005.155.6. VI; 76.4 x 56.5 cm; 2005.155.7. Johann Christian Reinhart (German, 1761– egant Heath, 1806; 20.1 x 12.3 cm; 2005.338. VII; 76.4 x 56.8 cm; 2005.155.8. VIII; 76.6 x 1847); Heroic Landscapes (Heroische Landschaft); 6 Richard Schneider (American, b. 1937); 57 cm; 2005.155.9. IX; 76.5 x 56.5 cm; etchings; Carole W. and Charles B. Rosenblatt NOVA Portfolio: Mustaka, 1973; screenprint; 2005.155.10. X; 76.8 x 56.6 cm; 2005.155.11. Endowment Fund. Cattle Crossing the River 35.5 x 36.6 cm; Gift of Louise S. Richards XI; 76.2 x 56.6 cm; 2005.155.12. XII; 76.5 x (Die durch den Fluss ziehende Viehherde), 1795; 2005.301.5. 57 cm; 2005.155.13. XIII; 76.8 x 56.3 cm; 42.9 x 53.8 cm; Feuchtmayr A 76, state IV/IV; 2005.155.14. XIV; 76.5 x 56.6 cm; 2006.72.1. The Shepherd’s Dance on the Bridge Eugène Alain Séguy (French, 1890–1985); 2005.155.15. Colophon; lithograph; 77 x 56.1 (Der Hirtentanz auf der Brücke), 1792; 28 x 35.8 Samarkand: 20 Compositions in the Oriental Taste cm; 2005.155.16. usual sense, 1999; 5 etchings, cm; Feuchtmayr A 77, state V/V; 2006.72.2. (Samarkande: 20 compositions dans le goût orien- chine collé, and watercolor. i; 30.5 x 21.9 cm; Landscape with the Temptation of Christ (Die tal): Plates 2, 7–13, 16–20, about 1914; color 2005.157.1. ii; 29.8 x 21.9 cm; 2005.157.2. iii; Landschaft mit der Versuchung Christi), 1799; pochoir; 35.2 x 26.1; Education Art Collection 29.9 x 21.8 cm; 2005.157.3. iv; 30.2 x 21.9 28.1 x 36.1 cm; Feuchtmayr A 78, state III/III; 2005.319–31. cm; 2005.157.4. v; 30.6 x 21.8 cm; 2006.72.3. Landscape with Town and River (Die Phyllis Seltzer (American, b. 1928); NOVA 2005.157.5. what this is, 1980; 5 color etchings Landschaft mit Stadt und Brücke), 1799; 27.9 x Portfolio: Environment for a Topless Dancer; ozalid and aquatint. come in; 22.3 x 17.3 cm; 36 cm; Feuchtmayr A 79, state IV/IV; on sepia mylar; 56.1 x 48.5 cm; Gift of Louise 2005.160.1. sit down; 22.3 x 17.2 cm; 2006.72.4. The Satyr and the Nymph (Der Satyr S. Richards 2005.301.7. 2005.160.2. eat; 22.4 x 17.2 cm; 2005.160.3. und die Nymphe), 1799; 21.3 x 29.5 cm; Christoffel van Sichem II (Dutch, 1577–1658); rest; 22.5 x 17.2 cm; 2005.160.4. tell me; 22.3 x Feuchtmayr A 80, state III/III; 2006.72.5. Portrait of Thomas Münzer, 1609; engraving; 17.2 cm; 2005.160.5. Satyr Playing the Flute (Der flötende Satyr), 1795; 17.3 x 12.6 cm; Wurzbach 22; Gift of Louise 20.7 x 28.8 cm; Feuchtmayr A 81, state III/III; S. Richards 2005.304. Steven Sorman. for wont; 30 x 41.5 cm; The 2006.72.6. Print Club of Cleveland Publication No. 84, Phyllis Sloane (American, b. 1921); NOVA 2006. Gift of the Print Club of Cleveland. Louis Rosenberg (American, 1890–1983); Portfolio: Nude, 1973; screenprint; 24.8 x 35.8 Etching and collage (woodcut on hand-painted Ontario Street Grading and Temporary Ramps cm; Gift of Louise S. Richards 2005.301.8. Japanese paper), 2004; 2006.61. BAT, 2002–4; April 1929, 1929; etching; 19.3 x 29 cm; Gift Mitsuaki Sora ( Japanese, b. 1933); 3 works; 2006.60. Trial proof, 2003; 2006.62. of Carole W. and Charles B. Rosenblatt Gift of Pamela Elizabeth Ward in loving 2005.116. Marko Spalatin (American, b. Croatia, 1945); memory of her parents, William E. and Evelyn Lumen Series: Slots, 1970; color screenprint; Svec Ward. Untitled, 1971; woodcut; 46 x 31.5 46.2 x 38 cm; Wilfer p. 34; Gift of Louise S. cm; 2005.123. Untitled, 1970; color woodcut; Richards 2005.305. 16.1 x 22.8 cm; 2005.125. Untitled, 1970; color woodcut; 16 x 22.5 cm; 2005.126.

47 Gary Spinosa (American, b. 1925); NOVA Portfolio: Dawn; etching and aquatint; 27 x 22.5 cm; Gift of Louise S. Richards 2005.301.6. Benton Spruance (American, 1904–1967); The People Work, 1937; 4 lithographs; Severance and Greta Millikin Purchase Fund. Morning; 34.8 x 48 cm; Fine and Looney 141; 2006.114.1. Noon; 35.2 x 48 cm; Fine and Looney 142; 2006.114.2. Evening; 34.6 x 48.2 cm; Fine and Looney 143; 2006.114.3. Night; 34.6 x 48.1 cm; Fine and Looney 144; 2006.114.4. Herman van Swanevelt (Dutch, about 1600– 1655); Landscape with Satyrs; etching; 11.4 x 16.5 cm; Hollstein 29; Gift of Louise S. Richards 2005.306. Martin F. W. J. Szutter (American, b. 1938); NOVA Portfolio: American Grandeur; photo screenprint; 50.5 x 40.3 cm; Gift of Louise S. Richards 2005.301.9. Rufino Tamayo (Mexican, 1899–1991); Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward. Clock without Time (Reloj sin Tiempo), 1977; color relief print; 56 x 74.2 cm; Pereda Needlework Bed 237; 2005.124. Two Faces (Dos Caras), 1973; Hanging in the Bizarre color lithograph; 56 x 76.3 cm; Pereda 155; Style, 1710–20 (one of 2005.127. Watermelons (Sandías), 1972; color two hangings); lithograph; 90 x 64.2 cm; Pereda 133; France; tent and cross 2005.129. stitch embroidery on Ryokei Tanaka ( Japanese, b. 1933); Big Tree, canvas; silk and wool; 1981; etching and aquatint; 26.7 x 34.6 cm; 279.5 x 82.5 cm; Gift of Louise S. Richards 2005.307. Leonard C. Hanna Jr. Auguste H. Thomas (French, 20th century); Fund 2006.2.2. Forms and Colors (Formes et couleurs): Plate 2, 1921; color pochoir; 38.9 x 26.1 cm; Educa- tion Art Collection 2005.318. Lill Tschudi (Swiss, b. 1911); Ski-Joring, 1937, printed 1992, published 1995; linocut; 31.8 x 31.7 cm; Coppel LT 54; Gift of Carole W. and Charles B. Rosenblatt 2005.396. Antoni Waterloo (Dutch, 1609–1690); A Gateway; etching; 15.6 x 20.5 cm; Hollstein 100, state II/II; Gift of Louise S. Richards 2005.308. John Woodrow Wilson (American, b. 1922); Father and Child, 1970; color lithograph; 50.2 x 36.5 cm; Gift of Louise S. Richards 2005.309. Gen Yamaguchi ( Japanese, 1903–1976); Wok, 1957; color woodcut; 48.2 x 38.7 cm; Gift of friends of the Department of Prints and Draw- ings in memory of William E. Ward 2005.173. Gen Yamanaka ( Japanese, b. 1954); White Night, 1990; color woodcut; 47 x 33.1 cm; Gift of Pamela Elizabeth Ward in loving memory of her parents, William E. and Evelyn Svec Ward 2005.121.

48 Textiles Education Art Collection Set of Five Garments, 1200–1460s; Central Two Women Playing Instruments; Japan; color Andes, Chimú people; plain and gauze woodcut; 25.4 x 30.5 cm; Gift of Lt. Col. weaves, weft brocading; cotton; Norman O. Franklin D. Morrison and Norma T. Morrison Stone and Ella A. Stone Memorial Fund. Band 2005.1002. with Tassels; 306 x 5.5 cm; 2005.5.5. Loincloth; Women Interior and Exterior; Japan; color wood- 244 x 90 cm; 2005.5.2. Mantle or Hanging; 142 cut; 25.4 x 30.5 cm; Gift of Lt. Col. Franklin x 270 cm; 2005.5.1. Padded Hat; 124.5 x 31.7 D. Morrison and Norma T. Morrison cm; 2005.5.4. Turban; 139.7 x 139.7 cm; 2005.1001. 2005.5.3. Women with Interior Screen; Japan; color wood- Fichu, about 1875–80; France or Belgium; cut; 25.4 x 30.5 cm; Gift of Lt. Col. Franklin composite lace, machine-made netting (re- D. Morrison and Norma T. Morrison seau), Brussels bobbin lace, and French needle 2005.1003. point lace; linen; 193 x 53.3 cm; Gift of Anne E. Wardwell 2005.133. In the style of Ando Hiroshige ( Japanese, 1797–1858); Sudden Rain, 19th century; color Lace Fan, about 1860; Belgium; Brussels bob- woodcut; 25.4 x 30.5 cm; Gift of Lt. Col. bin lace; linen; frame: mother-of-pearl and Franklin D. Morrison and Norma T. Morrison ivory; 30.5 x 50.8 x 3.2 cm; Gift of Anne E. 2005.1000. Wardwell 2005.132. Pair of Needlework Bed Hangings in the Bizarre Style, 1710–20; France; tent and cross stitch embroidery on canvas; silk and wool; 279.5 x 82.5 cm each; Leonard C. Hanna Jr. Fund 2006.2.1–2. Venetian Lace Table Setting, 1930s; Italy, Venice, probably the Burano Lace School; needle lace; linen; Gift of Mr. and Mrs. Richard Crile Garretson. 12 Doilies; 16.5 x 15.9 cm; 2005.37.4.1–12. 12 Monogrammed Napkins; 33 x 69.8 cm; 2005.37.3.1–12. 12 Placemats; 38.1 x 51.8 cm; 2005.37.1.1–12. Runner; 68.9 x 239.3 cm; 2005.37.2. Woman’s Bridal Dress, late 1800s; China, Qing dynasty; 3 objects; embroidery; silk and gilt-metal thread; Gift of Elizabeth Wade Sedgwick. Dragon Jacket; 104.2 x 153 cm; 2005.135.1. Pleated Skirt; 94.6 x 86.4 cm; 2005.135.2. Tabard; 11.8 x 73.7 cm; 2005.135.3. James Bassler (American, b. 1933); Old Glory, 1992; tapestry weave with eccentric wefts; linen, waxed; 180.4 x 317.5 cm; Gift of The Textile Art Alliance 2005.131. Padded Hat, 1200– Jon Eric Riis (American, b. 1945); Hearts of 1460s; Central Andes, Gold, Male and Female #3, 2002; tapestry Chimú people; plain weave; silk and gold metallic thread; display and gauze weaves, dimensions: 80 cm shoulder to hem, 177.1 cm weft brocading; sleeve end to sleeve end; woven dimensions: cotton; 124.5 x 31.7 cm; 160.6 x 177.1 cm; Gift of the Textile Art Alli- Norman O. Stone and ance and Purchase from the Karl B. Goldfield Ella A. Stone Memorial Trust 2006.123.1–2. Fund 2005.5.4. Evelyn Svec Ward (American, 1921–1989); 2 objects; Gift of Pamela Elizabeth Ward. Ishidoro, 1977; needle-manipulated fiber; bur- lap, cotton thread, and wood base; 35.5 x 20.4 x 20.4 cm; 2005.136. Shard, 1981; looping and knitting, shaped and stiffened; sisal, henequen, ixtle, cotton, and linen thread; 152.4 x 147.3 x 26.7 cm; 2005.137. Evelyn Svec Ward; Oaxaca Series, 1983; collage and couching; ixtle and cotton thread, clay beads (from Oaxaca), and cotton canvas; 25.4 x 20.32 cm; Gift of Janet Yost 2005.134.

Other Pre-Columbian textiles are listed under Art of the Ancient Americas.

49 The Jonah Marbles, Early Christian sculptures, ancient Italian roof ornaments, Egyptian coffin covers, and Monet’s Water Lilies all headed to new quarters in temporary storage areas.

50 Deinstallation

The museum expansion project has occasioned many unprecedented moments, but the most striking may have occurred during the complete and rapid deinstallation of the collection. For the first time in the museum’s history, every work of art in every gallery was removed from its wall, pedestal, or case so that the renovation and construction could proceed. Work on this monumental task began literally minutes after the board of trustees voted to approve the project on March 7, 2005. Within days, selected galleries had already been closed to provide staging areas so that works of art could be prepared for long-term storage. First to close were the westernmost galleries containing European and American art from the 18th century through the present day. Then, from the middle of March through early June, a few galleries closed about every two weeks, until all that remained open were the galleries of ancient art and those spaces reserved for The NEO Show,

which ran from July into early Septem- ber. In the autumn, the only galleries open were those dedicated to the Arts & Crafts exhibition. The museum printed temporary maps showing dates for gallery closures so that visitors could plan to see favorite works before they went into storage. The installation crew, supple- mented by helpers from other parts of the staff, carried out this monumental and complex task on a very brisk schedule. The Conservation department and Registrar’s Office monitored and managed the entire process. Special storage units were built en- suring the safety of the works of art as well as their accessibility so they could be moved for conservation work, lent for traveling exhibitions, and—beginning in 2007—reinstalled in renovated and new galleries right here.

51 Loans to Other Albuquerque Museum, New Mexico Davenport Museum of Art, Iowa (organizer); El Alma de España (The Soul of Spain) Figge Art Museum, Davenport; Tacoma Art Institutions Museum, Washington Albuquerque Museum; Salvador Dalí The Great American Thing: Modern Art and Museum, Saint Petersburg, Florida National Identity, 1915–1935 Picasso to Plensa: A Century of Art from Spain Exhibitions International, New York Allen Memorial Art Museum, Oberlin (organizer); Seattle Art Museum; Toledo College, Ohio Museum of Art; Dallas Museum of Art; Two paintings rotations Carnegie Museum of Art Louis Comfort Tiffany: Artist for the Ages Allen Memorial Art Museum; The Museum of Fine Arts, Houston The Fine Arts Museums of San Francisco, The Splendor of Ruins in French Landscape California Palace of the Legion of Honor; Painting, 1640–1800 North Carolina Museum of Art, Raleigh; The Cleveland Museum of Art Beijing World Art Museum; Mori Arts Monet in Normandy Center, Tokyo; Hangaram Art Center, Seoul; Seoul Olympic Museum of Art; Vancouver Flint Institute of Arts, Michigan Art Gallery, Canada; Frist Center for the To Be or Not to Be: 400 Years of Vanitas Painting Visual Arts, Nashville; Kimbell Art Museum, Fort Worth Fondation Beyeler, Riehen, Switzerland; From Monet to Picasso: Modern Masters from the Kunstsammlung Nordhein-Westfalen, Cleveland Museum of Art Düsseldorf, Germany Henri Matisse: Interiors with Women The Butler Institute of American Art, Trumbull County Branch, Howland, Ohio Frances Lehman Loeb Art Center, Vassar Pierre Soulages: American Selections College, Poughkeepsie, New York; John and Mable Ringling Museum of Art, Sarasota, Carnegie Museum of Art, Pittsburgh Florida; The Speed Art Museum, Louisville Fierce Friends: Artists & Animals, 1750–1920 Time and Transformation in Seventeenth-century Dutch Art Cleveland Artists Foundation (organizer); Beck Center for the Arts, Lakewood, Ohio Governor’s Residence Foundation, Bexley, Edris Eckhardt: Visionary and Innovator in Ohio American Studio Ceramics and Glass Long-term loan Joseph Motto (1892–1965): A Jazz Age Journey Hanna House, University Hospitals, Cleveland from Cleveland to Florence Long-term loan

Cleveland Metroparks Zoo Helly Nahmad Gallery, New York Animals in Art: Clay Creatures by Viktor Fernand Léger Retrospective Schreckengost Imperial War Museum, London; National The Cleveland Museum of Art (organizer) in Gallery of Ireland, Dublin cooperation with the Réunion des Musées William Orpen: Politics, Sex and Death Nationaux, Paris; Musée du Louvre, Paris; The Art Institute of Chicago; The Metropolitan J. Paul Getty Museum of Art, Los Angeles; Museum of Art, New York; Montreal The Museum of Fine Arts, Houston Museum of Fine Arts Courbet and the Modern Landscape Girodet: Romantic Rebel Kyoto National Museum The Columbus Museum of Art, Ohio Soga Shohaku (1730–81) Bringing Modernism Home: Ohio Decorative Arts, 1890–1960 The Metropolitan Museum of Art Defining Yongle: Imperial Art in Early Fifteenth- Renoir’s Women Century China Dallas Museum of Art; Renwick Gallery of the Fra Angelico National Museum of American Art, Smithsonian Institution, Washington; Nevada Max Ernst: A Retrospective Museum of Art, Reno; The Wolfsonian– Peter Paul Rubens (1577–1640): The Drawings Florida International University, Miami; The Dixon Gallery and Gardens, Memphis The Metropolitan Museum of Art; Prague Modernism in American Silver: 20th-Century Castle Picture Gallery, Czech Republic Design Prague: The Crown of Bohemia

Michael C. Carlos Museum, Emory University, Atlanta Long-term loan

52 MOCA Cleveland National Gallery of Art; The Museum of Royal Academy of Arts, London; Los Angeles Drawn, Exposed, and Impressed: Recent Works on Modern Art County Museum of Art Paper from the Cleveland Museum of Art Dada Master of Landscape: Jacob van Ruisdael’s Paintings, Drawings and Etchings The Persistence of Geometry: Form, Content, and National Gallery of Art; Musée Granet, Aix- Culture in the Collection of the Cleveland Museum en-Provence Smart Museum of Art, University of Chicago; of Art Cézanne in Provence Grey Art Gallery, New York University Art Transitions: Linda Butler and Philip Brutz Collection Photographs National Gallery of Canada, Ottawa Paper Museums: The Reproductive Print in Europe, Leonardo, Michelangelo, and the Renaissance in 1500–1800 Montreal Museum of Fine Arts, Quebec; Florence Centre de la Vielle de Charité, Marseilles, Staatsgalerie Stuttgart, Germany France National Gallery, London; Museum of Fine The Discovery of Landscape: Netherlandish Right Under the Sun: Painting in Provence from Arts, Boston; The Metropolitan Museum of Landscape Painting of the 16th and 17th Centuries Classicism to Modernism (1750–1920) Art Americans in Paris Städelsches Kunstinstitut und Städtische Musée d’Art et d’Histoire, Geneva; Musée Galerie, Frankfurt am Main, Germany Rath, Geneva National Museum of Western Art, Tokyo Egypt–Greece–Rome Richard Wagner: Visions d’artistes. D’Auguste Georges de la Tour Renoir à Anselm Kiefer Sterling and Francine Clark Art Institute, National Museum of Western Art; Musée Williamstown, Massachusetts; J. Paul Getty Museo Nacional Centro de Arte Reina Sofia, d’Orsay Museum of Art Madrid Rodin/Carrière: Interferences Jacques-Louis David: Empire to Exile Juan Gris (1887–1927) North Carolina Museum of Art Tate Modern, London; Galeries du Grand The Palace of the Planet King: Philip IV and The Potter’s Eye: Art and Tradition in North Palais; National Gallery of Art the Buen Retiro Carolina Pottery Jungles in Paris: The Paintings of Henri Rousseau Picasso: Tradición y Vanguardia Oklahoma City Museum of Art Western Reserve Historical Society, Cleveland Museo Nazionale di San Matteo, Pisa Artist as Narrator: Nineteenth-century Narrative Millionaires’ Row: The Legacy of Euclid Avenue Cimabue a Pisa Art in England and France Yale University Art Gallery, New Haven; Tempests and Romantic Visionaries: Images of Museo Thyssen-Bornemisza, Madrid; Palazzo Hammer Museum, University of California, Storms in European and American Art, 1750– Los Angeles dei Diamanti, Ferrara, Italy 1950 Corot. Nature, Emotion, Souvenir The Société Anonyme: Modernism for America Patrimonio Nacional, Madrid (organizer); Museum Het Valkhof, Nijmegen, The Palacio Real de Madrid; Meadows Museum, Netherlands Southern Methodist University, Dallas Limbourg Brothers, Nijmegen Masters at the French Juan van der Hamen y Léon and the Court of Court (1400–1416) Madrid

Museum of Fine Arts of St. Petersburg, Florida The Phillips Collection, Washington; Modern Claude Monet and Modernist London Art Museum of Fort Worth; Cincinnati Art Museum; The Metropolitan Museum of Art The Museum of Modern Art; Los Angeles Sean Scully: Wall of Light County Museum of Art; Musée d’Orsay, Paris Cézanne and Pissarro: Making Modernism Princeton University Art Museum, New Jersey National Gallery of Art, Washington Recarving China’s Past: The Art, Archaeology and Bellini, Giorgione, Titian, and the Renaissance of Architecture of the “Wu Family Shrines” Venetian Painting Réunion des Musées Nationaux (organizer); National Gallery of Art; The Art Institute of Musée Adrien Dubouché, Limoges, France Chicago Félix Bracquemond (1833–1914) et les Arts Toulouse-Lautrec and Montmartre Décoratifs Du Japonisme à l’Art Nouveau

National Gallery of Art; The Art Institute of Réunion des Musées Nationaux (organizer); Chicago; The Fine Arts Museums of San Galeries du Grand Palais, Paris; Neue Francisco, M. H de Young Museum Nationalgalerie, Berlin Charles Sheeler: Mediums and Messages Genie et folie en Occident: Une histoire de la mélancolie National Gallery of Art; Los Angeles County Museum of Art; International Center of Museum of Art, Rhode Island School of Photography, New York Design, Providence André Kertész Edgar Degas: Six Friends at Dieppe

Rijksmuseum, Amsterdam (organizer); Van Gogh Museum, Amsterdam Rembrandt–Caravaggio

53 54 Exhibitions

Artist Wyna Liu of In the 18 months from the first of January 2005 to the last day of June Oberlin and a friend examine Pupa, a 2006, the museum went from presenting a traditional array of shows in sculpture by Kate Budd of the University familiar galleries at 11150 East Boulevard to a truly worldwide program of Akron, on view in that took exhibitions from the collection across town and across the globe. The NEO Show. The first major loan exhibition during the period was Masterworks from The Phillips Collection, February 20 to May 29, 2005, bringing 59 celebrated European paintings from the 19th and early 20th centuries that were collected by Duncan Phillips, founder and creator of the museum that bears his name in Washington, D.C. In the installation here five works by Van Gogh, Degas, Braque, and Odilon Redon hung adjacent to similar compositions by the same artists from the collection of the Cleve- land Museum of Art, providing a unique opportunity to compare these remarkable pictures. The show had the distinction of being the last one to be presented in the Breuer special exhibition gallery, which will become the Lifelong Learning Center in the renovated education wing. From October 16, 2005 to January 8, 2006, The Arts & Crafts Movement in Europe and America, 1880–1920: Design for the Modern World was presented in a temporary special exhibition space created in galleries 201–10, 239, and 241–42. At the turn of the last century, many artists and artisans in Great Britain, Europe, and the United States sought to create a new, more expressive language of design based on handcraftsmanship, an honest use of materials, and human scale. With more than 300 works of art, this exhibition celebrated the enormous influence the Arts and Crafts movement had on design in the modern world. For a study gallery of the Arts & Crafts show, the New Media department developed “The Attic,” an interactive

Visitors enjoy Masterworks from The Phillips Collection in the spring of 2005.

55 that brought insight and fun to the exploration of Victorian-era art. A version of “The Attic” is available on the museum’s website. Between those two loan exhibitions The NEO Show was presented July 10 to September 4 in a sequence of galleries formerly dedicated to contemporary art. As the term “NEO” suggests, this show was something new and different, as well as centered on artists from northeast Ohio. A juried exhibition of works, The NEO Show demonstrated that art of this region holds its own nationally and internationally in terms of quality and possesses its own distinctive spirit.

Quiet contemplation, and not: The Arts & Crafts exhibition (right) invited a peaceful stroll while The NEO Show (below) was anything but tranquil, especially Benjamin Kinsley’s prize-winning video Gesichtsmusik.

As the museum’s renovation and expansion project got under way, a number of small spaces within the building complex saw their final em- ployment as special exhibition galleries. From Leipzig: Works from the Ovitz Family Collection, January 30–May 1, 2005, was Associate Curator of Con- temporary Art Jeffrey Grove’s last exhibition before leaving to join the modern and contemporary art department at Atlanta’s High Museum of Art, and it was the last of the innovative Project 244 series of exhibitions. From Leipzig presented the work of a group of artists—primarily painters—who studied at the Leipzig Academy in the 1990s. Michaël Borremans: Hallucination and Reality filled the Project 244 space as well as the adjacent galleries from May 22 to September 4. It was the Belgian artist’s first solo museum exhibition in the United States. Meanwhile, Drawn with Light: Pioneering French Photography from the Cleveland Museum of Art (comple- menting the Phillips Collection exhibition) was on view from February 26 to June 16 in galleries 103–105, the final show in the corridor gallery de- voted to photography. The renovated and expanded museum will offer improved dedicated spaces for the presentation of rotating exhibitions of contemporary art and photography. In January, the museum building closed entirely for six months and the exhibition program refocused on outside venues. As part of an ongo-

56 ing series of collaborations, the museum and MOCA Cleveland (which exhibits art but does not collect) launched a joint exhibition program em- ploying MOCA’s upper mezzanine gallery for a series of shows highlight- ing prints, drawings, and photographs from the CMA. The winter exhibition, Drawn, Exposed, and Impressed: Recent Works on Paper from the Cleve- land Museum of Art ( January 20–May 7), was followed by Transitions: Linda Butler and Philip Brutz Photographs ( June 9–August 20) in the summer of 2006. Then, in MOCA’s main galleries, The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art ran from June 9 to August 20. Guest curator Dr. Lowery Stokes Sims used Director Timothy Rub and Curator of the permanent collection to examine how geometric structures and ab- Photography Tom E. stract visual vocabularies have communicated meaning throughout the Hinson flank Lowery Stokes Sims of the visual history of humankind. In the modern era, these forms served as ve- Studio Museum in Harlem, guest curator hicles for revolutionary distillations of form and narrative and as the foun- for The Persistence of dations for conceptual and social models of new societal values. Geometry at MOCA Director Timothy Rub, Cleveland. The museum also collaborated with nontraditional partners to present President James Bartlett, officials from its collections in new light, with small presentations at Oberlin College’s Chinese museums, Allen Memorial Art Museum and at the Cleveland Metroparks Zoo. and other dignitaries participate in a Halfway around the world, Cleveland made a global step with the first ceremonial cutting of ribbons to inaugurate in a group of traveling exhibitions drawn from the collection whose pre- From Monet to Picasso sentation was made possible by the closure of galleries for the renovation at the World Art Museum in Beijing. and expansion project. Opening to great fanfare in China, From Monet to

57 The director speaks on television in the galleries of the Beijing World Art Museum. In a pre-interview briefing, the reporter assured the director that it would play to a small audience—only 50 million.

Picasso: Masterworks from the Cleveland Museum of Art ran at the Beijing World Art Museum from May 26 to August 27, 2006, gathering 60 of the museum’s most acclaimed European paintings and sculptures from the late 19th and early 20th centuries. And Paris, New York, Chicago, and Montreal enjoyed Romantic Rebel: Anne-Louis Girodet, which was organized by the Cleveland Museum of Art in cooperation with French museums and the Metropolitan Museum of Art in New York, but could not be shown in Cleveland because of the construction schedule. This exhibition on this little-known French painter, a student of David, was the first major monographic international exhibition of Girodet’s work.

At a crowded press conference, World Art Museum Registrar Min Sun and CMA Paintings Conservator Marcia Steele examine Vincent van Gogh’s The Large Plane Trees as it is uncrated.

58 World Tour

Long before the renovation and expansion project began, the curatorial and exhibitions staff had been explor- ing ideas for using the project as an opportunity to share the collection with the wider world. “At first we were planning to keep half our galleries open during construction,” recalls Charles Venable, deputy director for collections and programs, “but with the board’s decision to close down completely in March 2005, suddenly the entire collection was available.” As soon as the art world learned that the galleries would be closed for a while, colleagues from other muse- Masterworks from the Cleveland Mu- Familiar face in a new ums began to call. “While we could seum of Art set off for Beijing, Tokyo, place: Renoir’s portrait of Romaine Lacaux as have opted to lend many works singly Seoul, Vancouver, Nashville, and Fort installed in the World or in small groups to many museums Worth, with a scheduled stop in Cleve- Art Museum galleries around the world,” says Venable, “we land in 2007. Sacred Gifts and Worldly (above) and on Treasures: Medieval Masterworks from promotional banners in decided it made more sense to de- the streets of Beijing velop several exhibitions drawn from the Cleveland Museum of Art is sched- (below). the permanent collection and circulate uled to travel to the National Museum them. We organized tours that would of Bavaria in Munich and the J. Paul expose the collection to new audi- Getty Museum in Los Angeles. Plans ences in Asian, European, and Ameri- for traveling exhibitions of highlights can cities, while bringing several of from the Japanese collection and these shows back to Cleveland so our Chinese paintings are also near members could share in the excite- completion. In addition, numerous ment too.” loans of small groups of objects were To Director of Exhibitions Heidi organized, with works visiting Oberlin Strean, trying to coordinate loan exhi- College, the Cleveland Metroparks bitions around the evolving construc- Zoo, MOCA Cleveland, the Maltz tion schedule was particularly chal- Museum of Jewish Heritage, and the lenging. “It was clear that the collec- Frick Collection in New York City. tion could yield numerous successful To Venable, the initiative is about exhibitions,” she says. “The problem more than sharing CMA works of art. was we had to organize tours during “We wanted to exhibit the very best the time periods available before the the collection has to offer, but on top works had to be back in Cleveland for of that we also wanted to talk about installation in new galleries.” Those Cleveland as a city with amenities logistical challenges were largely over- such as a great orchestra and a great come, and before long a number of art museum, to create a positive im- local and international exhibitions age. I think in the world right now were planned. Close to home, The there’s not really a negative image of Persistence of Geometry brought works Cleveland—it’s more that people just from the collection to MOCA Cleve- don’t know much about the city at all. land, which also featured shows from Touring our great art as ambassadors the CMA photography collection. for the city is a wonderful way to raise Meanwhile, From Monet to Picasso: the city’s profile.”

59 Loan Exhibitions Masterworks from The Phillips The NEO Show Collection July 10–September 4, 2005 February 20–May 29, 2005 As the name NEO suggests, this show was Masterworks from The Phillips Collection featured new and different. A version of the museum’s 77 celebrated European paintings from the May Show, it consisted of works by artists from 19th and early 20th centuries. Duncan Phillips northeast Ohio. Residents of ten counties— (1886–1966) spent more than 50 years assem- Ashland, Ashtabula, Cuyahoga, Erie, Geauga, bling his collection of European and American Huron, Lake, Lorain, Mahoning, Medina, art, said to be among the best in private hands. Portage, Stark, Trumbull, and Wayne—were The centerpiece of the exhibition was Auguste eligible. Media included painting, sculpture, Renoir’s Luncheon of the Boating Party, a mas- design, video, installation, film, drawing, pho- terpiece that rarely travels outside Washington. tography, printmaking, performance, decora- The show also included works by Georges tive arts, and crafts. The jurors were Jane Braque, Paul Cézanne, Gustave Courbet, Farver, director of the List Visual Arts Center Honoré Daumier, Edgar Degas, Vincent van at MIT in Cambridge; Louis Grachos, director Gogh, Wassily Kandinsky, Paul Klee, Henri of the Albright-Knox Art Gallery in Buffalo; Matisse, Claude Monet, and Pablo Picasso, and Jeffrey Grove, CMA curator of contempo- among others. Earlier works by El Greco, rary art. During the run of the show, artists Chardin, Delacroix, and Ingres added to this gave public lectures about their works and the examination of the evolution of modern art. jurors took part in a symposium that focused Works by van Gogh, Degas, Braque, and on defining regionalism. Curated by Jeffrey Odilon Redon hung adjacent to similar com- Grove. positions by the same artists from the Cleve- This exhibition was free to everyone thanks to land Museum of Art’s collection, providing a Hahn Loeser + Parks LLP and other generous unique opportunity for comparison. Curated donors. Artists’ prizes and the exhibition cata- by Tom E. Hinson. logue were made available through a generous This exhibition was organized by The Phillips grant from Dominion. Additional support was Collection, Washington, D.C. Funding was provided by the George Gund Foundation. provided in part by the generous support of The exhibition was made possible through the Cuyahoga County Board of Commission- collaboration with the Intermuseum Conserva- ers. Promotional support was provided by The tion Association. Promotional support pro- Plain Dealer, Cleveland Hopkins International vided by The Plain Dealer, 90.3 WCPN, and Airport, 107.3 The Wave, and 89.7 WKSU. RTA. The Cleveland Museum of Art receives operating support from the Ohio Arts Council.

The Phillips Collection (right) from exhibition brought Washington. A tag on about a reunion the back of the Phillips between two versions painting indicates of a famous work by that it had visited van Gogh: Cleveland’s Cleveland before, in Large Plane Trees (left) 1948, just before the and The Road Menders Phillips acquired it.

60 The Arts & Crafts Movement in Europe Project 244 and America, 1880–1920: Design for the Modern World From Leipzig: Works from the Ovitz October 16, 2005–January 8, 2006 Family Collection At the turn of the previous century, many January 30–May 1, 2005 artists and artisans in Great Britain, Europe, and This exhibition focused on the work of a the United States sought to create a new, group of younger artists—primarily painters— more expressive language of design based on who studied at the Leipzig Academy in the handcraftsmanship, an honest use of materials, 1990s and are rapidly gaining international and human scale. Their work developed in attention. Recalling the rise of the Neo-Geo sharp contrast to the mechanized production of and New-Image movements in the 1980s or the Industrial Revolution and came to be the international explosion of young British known as the Arts and Crafts movement. With artists in the 1990s, the New Leipzig school more than 300 works of art, this exhibition has made a profound impression on contem- celebrated the enormous influence the Arts and porary practice. The highly idiosyncratic and Crafts movement had on design in the modern forceful images of Tim Eitel, Martin Kobe, world. Organized by the Los Angeles County Tilo Baumgärtel, Rosa Loy, Neo Rauch, Museum of Art. Curated by Stephen Harrison. Matthias Weischer, Christoph Ruckhäberle, This exhibition was organized by the Los and David Schnell are compelling. They orga- Angeles County Museum of Art and made nized their first group exhibition outside the possible by Max Palevsky. This project was academy in December 2000, and each quickly supported in part by an award from the found gallery representation. In 2002 they National Endowment for the Arts, which be- founded Galerie Liga in Berlin, a space they lieves that a great nation deserves great art. The operate as a collective and where they show Cleveland showing was made possible through their work and that of other younger artists. the support of Chase. Promotional support was Curated by Jeffrey Grove. provided by The Plain Dealer and 89.7 WKSU. Michaël Borremans: Hallucination and Romantic Rebel: Anne-Louis Girodet Reality Not on view in Cleveland May 22–September 4, 2005 This exhibition was the first major mono- Organized by the Kunstmuseum Basel, graphic international exhibition of the work of Museum für Gegenwartskunst in collaboration Anne-Louis Girodet-Trioson (1767–1824), one with the Cleveland Museum of Art and the of the earliest proponents of the Romantic Stedelijk Museum voor Actuele Kunst, Ghent, movement. He explored new subject matter, this exhibition was the first solo museum show including accounts of the New World and in the United States for Belgian artist Michaël contemporary interpretations of Celtic legends. Borremans. The 65 works on view, created His most famous works, such as the Sleep of since 1995, included small drawings and paint- Endymion, 1791, the Burial of Atala, 1808, and ings on cardboard. Often annotated at their the Riot of Cairo, 1810, strike a balance be- edges with technical notations, wry musings, tween the calmer neoclassicism of his master, and construction details, many of Borremans’s Jacques-Louis David (1748–1825), and a more drawings are “proposals” for public monu- active, progressive style. The exhibition drew ments that transform architectural platforms, from a variety of European and American col- emotion and sentiment, and complex postwar lections, including the Musée du Louvre. The political ideologies into clever ruminations on tour for Romantic Rebel includes the Louvre, the human condition. Borremans’s work— Paris, September 19, 2005–January 2, 2006; both satiric and sincere—comments humor- The Art Institute of Chicago, February 11– ously on middle-class restraint and the position April 30, 2006; The Metropolitan Museum of of the artist in contemporary society. Curated Art, New York, May 22–August 27, 2006; by Jeffrey Grove. Musée des Beaux-Arts de Montréal, October Promotional support provided by Angle 12, 2006–January 21, 2007. Curated by Sylvain Magazine. Bellenger. The exhibition was organized by The Cleveland Museum of Art in cooperation with the Réunion des Musées Nationaux, Paris, the Musée du Louvre, Paris, and the Metropolitan Museum of Art, New York. The exhibition was made possible through the generous support of the Isaacson Draper Foundation and The Florence Gould Foundation. Major funding was provided by the Getty Research Institute and the Getty Grant Program.

61 Drawn with Light: Pioneering French Museum in Harlem, this exhibition examined PERMANENT Photography from the Cleveland how geometric structures and abstract visual Museum of Art vocabularies have communicated meaning COLLECTION February 26–June 16, 2005 throughout the visual history of humankind. In To complement the exhibition Masterworks the modern era, these forms served as vehicles EXHIBITIONS from The Phillips Collection, this exhibition pre- for revolutionary distillations of form and nar- sented selections from the museum’s holdings rative and as the foundations for conceptual in the area of early French photography: 32 and social models of new societal values. How works by such pictorially inventive and techni- the paintings, sculptures, drawings, prints, cally accomplished 19th- and early 20th-cen- photographs, ceramics, textiles, utensils, and tury photographers as Édouard Baldus, Gustave furniture from historic and contemporary cul- Le Gray, Henri Le Secq, Nadar, Charles tures were installed reflected the importance of Marville, Louis Robert, and Eugène Atget. diversity and multiculturalism as prominent They turned their cameras to record reality— theoretical modes over the last three decades. common and everyday, natural and con- By “repatterning” the usual methods of orga- structed. The photographs featured many of nizing ideas about art, the exhibition allowed the same subjects examined by the Phillips the viewer to recognize the centrality of cul- Collection painters, such as portraiture, land- tures considered peripheral, and how cultures scape, views of architecture, still life, and influence and transform one another. Curated genre. Curated by Tom E. Hinson. by Tom E. Hinson. This exhibition was organized by the Cleve- land Museum of Art in collaboration with CMA@ MOCA MOCA Cleveland and was made possible through generous grants from the Kulas Foun- Main galleries, MOCA Cleveland, 8501 dation and the John P. Murphy Foundation. Carnegie Avenue Additional support was provided by The The Persistence of Geometry: Form, Contessa Gallery. The Cleveland Museum of Content, and Culture in the Collection of Art and MOCA Cleveland receive support the Cleveland Museum of Art from the Ohio Arts Council. Promotional Installation view of June 9–August 20, 2006 support was provided by 90.3 WCPN. The Persistence of Geometry at MOCA Drawn from the collection by guest curator Cleveland. Lowery Stokes Sims, president of the Studio

62 CMA@ MOCA Mezzanine Series CMA Traveling Exhibitions Mezzanine Gallery, MOCA Cleveland, 8501 From Monet to Picasso: Masterworks Carnegie Avenue from the Cleveland Museum of Art Beijing World Art Museum, May 26–August Drawn, Exposed, and Impressed: 27, 2006; Mori Arts Center, Tokyo, Septem- Recent Works on Paper from the ber 9–November 26, 2006; Hangaram Art Cleveland Museum of Art Center, Seoul, December 22, 2006–March 28, January 20–May 7, 2006 2007; Seoul Olympic Museum of Art, April 7– Produced during the past decade, the draw- May 20, 2007; Vancouver Art Gallery, ings, photographs, and prints in Drawn, Ex- Canada, June 9–September 16, 2007; Frist posed, and Impressed offered a brief survey of the Center, Nashville, February 21–June 1, 2008; Guest curator outstanding contemporary works on paper that Kimbell Art Museum, Fort Worth, June 22– Lowery Stokes Sims have significantly enhanced the collection. October 5, 2008. Arranged in four thematic groups, the 17 introduces her This exhibition brings together a group of the exhibition, The works by 14 artists show varied individual museum’s most acclaimed European works of Persistence of approaches under the broad classifications of art from the late 19th and early 20th centuries: realism and abstraction. Each artist, whether Geometry, at MOCA paintings, sculpture, and works on paper by Cleveland. well known or just emerging, brings a fresh Claude Monet, Edgar Degas, Pierre Auguste vision and creative vitality to these traditional Renoir, Paul Cézanne, Vincent van Gogh, categorizations. Curated by Jane Glaubinger, Paul Gauguin, Henri Matisse, and Pablo Tom E. Hinson, and Heather Lemonedes. Picasso. In addition, stellar works by lesser- known artists such as Albert Besnard and Transitions: Linda Butler and Philip Giovanni Segantini complement works by Brutz Photographs their more well-known contemporaries. To- June 9–August 20, 2006 gether the works illuminate the breadth of Transitions: Linda Butler and Philip Brutz Photo- creativity in one of the most extraordinary graphs recorded the relocation of nearly two- epochs in the history of art. Curated by thirds of the museum’s collection. Because of William H. Robinson in association with the museum’s construction and renovation Heather Lemonedes. project, 40,000 objects had to be moved from the galleries and existing art-storage areas to temporary locations. Butler and Brutz spent countless hours recording this symphony of removing and resettling. Color prints by Butler and color stereoscopic transparencies by Brutz provided rare behind-the-scenes glimpses of an enormous, complex operation. Curated by Tom E. Hinson.

CMA@ The Zoo Animals in Art: Clay Creatures by Viktor Schreckengost Cleveland Metroparks Zoo/Cleveland Zoological Society, Zoo Exhibit Hall April 29–August 13, 2006 The exhibition included seven objects by Viktor Schreckengost depicting animals from the museum’s collection, plus eight of the zoo’s ceramic bird tiles. Curated by Stephen Harrison.

CMA@ Oberlin: Rotations From Monet to Picasso Oberlin College, Allen Memorial Art Museum generated newsworthy moments during its run Jacques-Louis David’s “Cupid and in Beijing. Psyche” January 31–April 2, 2006

18th-century British Portraits and Landscapes April 4–June 4, 2006

63 64 Performing Arts, Music, and Film

Established in early 2005, the department of Performing Arts, Music, and Film faced an immediate challenge as Gartner Auditorium became unavailable when renovation of the Breuer building began that summer. Turning this challenge into an opportunity, the museum developed the VIVA! & Gala Around Town concert series, visiting landmark performance spaces throughout the city, including a number of historic houses of worship. More than 27,000 people attended 18 concerts and events— representing 12 different countries—at 14 venues around town. Most of these performances were either Ohio or Cleveland debuts. The season opened with an extraordinary six-week residency by three Tibetan monks from the Namgyal Monastery who constructed a Kalachakra sand mandala in the stunning rotunda of Cleveland City Hall, putting art at the center of civic life. Other highlights included Le Mystère des Voix Bulgares at the Shrine Church of St. Stanislaus in Slavic Village, the Kronos Quartet’s visually stunning multimedia epic Sun Rings at the Masonic Auditorium, two programs of music composed by Osvaldo Golijov at the gorgeous Temple-Tifereth Israel and Severance Hall, and adaptations of plays by Russian dramatists Nikolai Gogol and Anton Chekhov at Play- house Square Center. The first professionally produced theater presentation in the museum’s history, Swan Song + Confessions was directed by Director of Performing Arts, Music, and Film Massoud Saidpour and featured Cleveland theater luminaries Dorothy and Reuben Silver.

Le Mystère des Voix Bulgares performed to a packed house at their March 2006 concert at the Shrine Church of St. Stanislaus in Slavic Village.

Reuben Silver as “Vasili” in Anton Chekhov’s Swan Song at Kennedy’s, Playhouse Square Center.

65 Nothing but sand: the Kalachakra sand mandala (six feet in diameter) completed by the three venerable lamas from the Namgyal Monastery at Cleveland City Hall during their six-week residency.

The first months of 2005 witnessed the conclusion of the 25th anniversary of the Gala Music Series, the 7th annual VIVA! Festival of Performing Arts, and Music of the Belle Époque (three performances presented in conjunction with the exhibition Masterworks from The Phillips Collection), with highlights including the electrifying collaboration between violinist Nadja Salerno-Sonnenberg and guitar virtuosos Sérgio and Odair Assad as well as the enchanting performance by Çudamani: Dancers & Musicians of Bali. Production continued on the series of recordings by Curator Emeritus Karel Paukert performing on the McMyler Memorial Organ. Aubade: Organ Music of Ohio Composers was released in November 2005 on the Azica label, and production on Music from Prague was completed during 2006 for release in September. A CD of works by J. S. Bach is scheduled for 2007. These recordings are especially significant as they capture a tonal record of the instrument as it sounded before the renovation of Gartner Auditorium began. The museum also made arrangements to house its collection of keyboard instruments at carefully selected institutions and resi- dences, assuring proper attention to the instruments during the construction period. Between January 2005 and June 2006, the Panorama Film Series presented 102 different feature films (or feature-length programs of short films) in 130 separate screenings. Fifty of the films were exclusive

66 Sand Mandala

When Gartner Auditorium closed for renovation, the museum decided to continue its Gala classical and VIVA! world music concert offerings, taking the opportunity to explore alternative venues that included some of the city’s musically and architecturally magnifi- cent houses of worship as well as one particularly important civic building. The VIVA! & Gala Around Town series opened at Cleveland City Hall with Circle of Compassion: The Sand Mandala Painting of Tibet, a six-week residency (August 27 to October 8, 2005) by three Tibetan monks from the Namgyal Mon- astery, the personal monastery of the Dalai Lama of Tibet. The monks constructed a Kalachakra—the most artis- tically significant and sacred sand mandala in Tibetan Buddhism—in city hall’s stately rotunda. The presence of symbolic Tibetan art within the city’s political and civic nerve-center created some extraordinary moments of audience interaction and fulfilled one of the museum’s central missions: to bring great art to everyone. After the monks had painstakingly laid millions of grains of colored sand to create the intricate design, in a ritual closing ceremony they swept it all away, scattering it into the waters of Lake Erie to bless both the environment and the community.

67 Cleveland premieres. This program was housed at the museum until September 2005, when it took up temporary residency at Case Western Reserve University’s Strosacker Auditorium (where screenings were co- sponsored by the CWRU Film Society). Special guests during this 18-month period included Cleveland Heights filmmaker Laura Paglin appearing with three of her films: Nightowls of Coventry, Shadow of the Swan, and No Umbrella: Election Day in the City. Other guests included Dave Filipi of the Wexner Center in Columbus, who presented two programs of rare baseball short films, and Venerable Tenzin Thutop, one of the Buddhist monks from the Namgyal Monastery, who answered questions after a September screening of Werner Herzog’s documentary Wheel of Time. Five musicians provided live piano or organ accompaniment to silent films in 2005: Dennis James (Asphalt and The Iron Horse), Philip Carli (The Magician and The Crowd), David Drazin (Tol’able David and Tramp, Tramp, Tramp), Sebastian Birch (Variety and The Wedding March), and Joseph Rubin (Broken Blossoms). Three Vietnam veterans spoke after the documentary Winter Soldier in February 2006. The film program also made unprecedented off-site appearances. In March 2006, the museum sponsored six films at the 30th Cleveland Inter- national Film Festival at Tower City Cinemas. Another screening took place at the Memphis Drive-In in May 2006, when “CMA@ The Drive- In” offered the 1968 Peter Bogdanovich film Targets (the climax of which takes place at a drive-in theater). Between January and May 2005, Associ- ate Director for Film John Ewing gave five illustrated talks in a monthly series, “Masters of Modern Cinema,” spotlighting Abbas Kiarostami, Michael Haneke, Aki Kaurismäki, Hou Hsiao-hsien, and Jean-Pierre and Luc Dardenne. Ewing was also a regular guest on WCPN’s “Around Noon” radio show during the 18-month period of this report.

Women of Çudamani performed sacred Balinese Rejang dances in Gartner Auditorium before it closed for renovation.

68 Performing Arts, Gala Music Series Panorama Film Series An Angel’s Voice: The Legend of Farinelli Series of note (2005). Outré: four extreme, Music, and Film performed by Rebel with Derek Lee Ragin, envelope-exploding modern entertainments; countertenor; Concertante: Transfigured Renoir Fils (and Films): seven films by Jean Night; Defying Gravity: Nadja Salerno- Renoir, son of Impressionist painter Pierre Sonnenberg, violin, with Sérgio and Odair August Renoir; The Rest Is Silents: 18 pro- Assad, guitar; One Voice, Three Contexts: grams of great silent films, the last movies Christòpheren Nomura, baritone, with the shown in Gartner Auditorium before it closed Cavani String Quartet, Modus Ensemble (Tim for renovation; The Thrill Comedies of Harold Weiss, director), and pianist David Alpher; and Lloyd: seven restored features and three shorts Romantic Fervor: The Peabody Trio with by the silent screen’s beloved comic daredevil. Walter Van Dyk, narrator. Individual films of note (2005). Asphalt, a restored 1929 German silent masterpiece, co- VIVA! & Gala Around Town sponsored by the Max Kade Center for Ger- Circle of Compassion: The Sand Mandala man Studies at Case; Electric Edwardians: The Painting of Tibet; Chanticleer: An Orchestra Films of Mitchell & Kenyon, a program of short of Voices; Gianmaria Testa; Osvaldo Golijov: British “actuality” films made between 1900 Musical Alchemy with St. Lawrence String and 1913; The House in the Woods, Maurice Quartet; Todd Palmer, clarinet, Cavani String Pialat’s seven-part, six-hour 1971 French tele- Quartet, and Tracy Rowell, bass; Astrid vision miniseries, presented in conjunction Hadad: Provocative Acts; Marc-André with the Cleveland Institute of Art Hamelin, piano; Martin Haselböck, organ; Cinematheque; The Manhattan Short Film Festi- Korean Dance: Tradition and Creation; val, the world’s largest short-film festival, in Kronos Quartet in Terry Riley’s Sun Rings; which viewers in Cleveland joined with view- Roby Lakatos Ensemble; Le Mystère des Voix ers all over America to vote for the winner; Bulgares; Masterpieces of Russian Drama: Memoirs of a Geisha, a special advance screening Swan Song + Confessions; Anne Akiko Meyers, courtesy of Sony Pictures; Star Spangled to violin, and Rieko Aizawa, piano; Paco Peña Death, Ken Jacobs’s seven-hour, four-part, Flamenco Dance Company; Karel Paukert: decades-in-the-making avant-garde epic, ac- Noëls; Trio Joubran: The Art of Improvisa- claimed by J. Hoberman in the Village Voice as tion; Dawn Upshaw and Friends in Osvaldo “the ultimate underground movie”; Water- Golijov’s Ayre; and Vermeer String Quartet. marks, a portrait of seven champion Jewish women swimmers, now in their 80s; and VIVA! Festival of Performing Arts Zelary, an Oscar-nominated Czech historical Mary Black; Çudamani: The Dancers and drama. Musicians of Bali; Guinga: Music from Brazil; Individual films of note (2006). The Call of Mayte Martín and Bélen Maya: Flamenco de Cthulhu and Trapped by the Mormons, a double Cámara; and Masters of Persian Music: M. R. feature of 21st-century silent horror films; Shajarian, Hossein Alizadeh, Kayhan Kalhor, Henri Cartier-Bresson: The Impassioned Eye and The Kronos Quartet and Homayoun Shajarian. William Eggleston in the Real World, a photogra- performed Sun Rings, phy double feature; A State of Mind, a rare Terry Riley’s Music of the Belle Époque behind-the-scenes look at North Korea’s Mass sumptuous evening- “Music in Fashion: Paris 1920,” lecture/recital Games, the largest human spectacle on earth; length multimedia by Dr. Mary Davis; The Music of Debussy and Street Fight, an Oscar-nominated documentary meditation on space Ravel with Ensemble Bilitis and Janus Trio; feature; and Who Gets to Call It Art?, a portrait exploration, at the Karel Paukert, organ. of influential curator Henry Geldzahler. Masonic Auditorium. Master Classes and Lectures Christòpheren Nomura, master class at Cleve- land Music School Settlement; St. Lawrence String Quartet, master class at the Cleveland Institute of Music; Paul Cox, “Crossing Boundaries: Cross-Cultural Currents in the Concert Hall”; Paul Cox and Dr. Mary Davis, “The Influence of Antiquity in the Works of Debussy”; Paul Cox and Dr. Mary Davis, “Poetry in Motion: Poulenc’s Le Bal Masqué”; Dana Gooley, “Transfigured Night”; Harold Meltzer interviewed by Paul Cox; Steven Plank, “The Legend of Farinelli.”

69 Community Support

As the museum began its historic transformation, patrons generously showed their support for the institution, its programs, and its vision for the future with gifts and commitments to the Campaign for the Cleveland Museum of Art as well as to the annual operating fund. The Board of Trustees voted to move forward with the $258 million renovation and expansion project in March 2005, having raised $116.5 million. As of June 30, 2006, the museum has received more than $137 million in campaign commitments from 164 individuals, corporations, foundations, and government agencies. Among these commitments are 27 pledges for $1 million or more, including 9 in excess of $5 million. Annual support from these constituencies also continues at a strong pace as donors from the Cleveland community and beyond have contrib- Christo and Jeanne- uted more than $6.1 million in operating support over the 18-month Claude not only spoke to a large crowd at period covered by this report. Trustees, under the outstanding leadership Severance Hall, but visited Valley Forge of President James T. Bartlett, gave a total of $1,006,681 of this amount. High School in Parma Overall, individual annual fund contributions were $2,368,224. to talk with students as part of the Museum Members at all giving levels continued their long-standing tradition of Ambassadors program. loyal support during the initial stage of the museum’s renovation and expansion project. The number of member households currently stands at more than 16,000. The number of patrons who have made deferred gifts to the museum continues to grow, with 13 individuals expressing their intent

Jim Bartlett talks with Frannie Gale at the Maltz Museum of Jewish Heritage.

70 Susan Stevens Jaros, director of development and external affairs, and Charles Venable, deputy director for collections and programs, flank Raymond D. Nasher, founder of the Nasher Sculpture Center and Garden in Dallas and Duke University’s Nasher Museum (the latter designed by Rafael Viñoly).

to provide for the museum through will commitments and another 12 donors supporting the museum through gift annuities. The Legacy Soci- ety, individuals who have made planned gifts to the museum, now ex- ceeds 515 members. Corporate support was also strong. Early leadership commitments to the capital campaign outpaced all expectations, with only 10 northeast Ohio companies giving almost $7 million. At the same time, more than 140 companies have donated a total of $835,900 to corporate membership and exhibition and program sponsorships. Contributing to these and other corporate fund-raising efforts was the newly formed Business Leadership Council, chaired by trustees Jeffrey D. Kelly and Charles S. Hyle. The council explores how the museum can more effectively engage greater Cleveland’s corporate community and fosters such commitment. Among the notable corporate gifts was one from Baker Hostetler to help celebrate the return of traveling exhibitions to the museum in the fall of 2006. The firm is the presenting sponsor of Barcelona & Modernity: Picasso, Gaudí, Miró, Dalí. Its sponsorship recognizes the importance of the exhibition and joyfully commemorates the shared anniversary of the firm and the museum’s 90th year of operation. National City Bank gave $100,000, in addition to its campaign commitment, to the museum’s collaborative initiative with the Cleveland Municipal School District to launch the Cleve- land School of Architecture and Design this fall in the renovated John Hay High School building. These funds allow the museum’s Education department to play a leadership role in developing the school’s innovative and interdisciplinary arts-based curriculum designed with the museum’s encyclopedic permanent collection at its center. Foundations and government grant-making agencies also were a critical source of support. The museum’s innovative efforts to engage and in-

71 spire its audience were strengthened and sustained through unrestricted annual fund gifts of more than $450,000 from 26 foundations. At the same time, grant makers from Cleveland and throughout the United States and Europe provided exhibition and program-related support. Among these commitments was that of the Institut Ramon Llull in Barcelona in support of the Barcelona & Modernity exhibition catalogue and public programming associated with the exhibition. The institute seeks to promote the Catalan language and culture around the world. Closer to home, the Board of Cuyahoga County Commissioners again selected the museum as an Arts and Culture as Economic (ACE) Development grant recipient, awarding $45,000 toward the comprehensive marketing and communications efforts to usher in Barcelona & Modernity. Guests at the Arts & Crafts Circles party The museum received a $135,000 grant from American Masterpieces: (left to right): Eugene Visual Arts Touring, an initiative of the National Endowment for the and Janet Blackstone, Bob and Nicki Arts. Four still-to-be-determined venues will host an exhibition drawn Gudbranson, and from our collection of American photographs to chronicle nearly 100 Barbara Robinson. years of the nation’s history. This important traveling exhibition will be provided to presenting institutions at no cost. Generous gifts from the Collacott Foundation and the Murch Foundation supported the dynamic VIVA! & Gala Around Town performing arts and music series, and grants from the John P. Murphy Foundation and the Kulas Foundation supported The Persistence of Geometry: Form, Content, and Culture in the Collection of the Cleveland Museum of Art, an exhibition presented at MOCA Cleveland. As always, volunteers played a critical role in the life of the museum. In all, 651 volunteers donated 63,773 hours not only at the museum, but all over greater Cleveland and at the museum’s temporary downtown offices. A major group within that volunteer corps is the Womens Council of the Cleveland Museum of Art, whose members logged in more than

Katharine Lee Reid (center) chats with her brother, Tom Lee, and Jane Horvitz at a reception for the retiring director.

72 20,000 hours. In their biggest single event of the 18-month period, the Womens Council sponsored a lecture by Christo and Jeanne-Claude who discussed their plans for Over the River, a draping of the Arkansas River in Colorado. About 1,200 people attended the event, of which 300 or more were students admitted at a special student rate. The following day, the artists met with students at Valley Forge High School. Many of these students were Museum Ambassadors, participants in a program of the museum’s Audience Development department that convenes students from nine high schools in the greater Cleveland area to meet once a month to learn about art, museum careers, and philanthropic activities. They spread their new knowledge into their communities, schools, and families. All the ambassadors have been spreading the word about the museum’s exciting expansion project. The program is partially funded by the Womens Council, which also provides facilitators. Sally Cutler and Ellen Mavec at Katharine Collaborations with community partner organizations included sup- Reid’s retirement port of Sankofa Fine Art’s Plus Expo; hands-on art activities during the party. Berea Arts Festival in September 2005; and the Urban League’s Do the Right Thing parent tribute and day of celebration for participating students. The museum also created opportunities in the Hispanic/Latino community with the implementation in 2005 of Cafe Bellas Artes, with monthly sessions of music, poetry, and fellowship averaging 125 participants. The project grew in 2005 with the establishment of partnerships with Cleveland State University and Lakeland Community College. The Special Events department oversaw the popular Summer Eve- nings and Cool Fridays, and initiated a new kind of happy hour with “CMA@ The House of Blues,” a series of talks by curators at the downtown Cleveland concert venue and eatery. The department also put on many events linked to special exhibitions, including the Impressionist Table, Monet’s Garden, and the Impressionist Hat Tea, all tied to the Phillips Collection exhibition, as well as a surprise farewell party for Katharine Lee Reid in summer 2005. Vibrant Fast Forward parties were produced at the museum in February 2005 and then at the Cleveland In- stitute of Art in November. An all-day event organized with the Educa- tion department celebrated the groundbreaking in October, and special parties were held for members at the Kronos Quartet concert in February 2006 and the Cleveland International Film Festival in March. A new series of international tours visited China and Russia as well as sites in Western Europe. In all, the department organized approximately 250 events, on the museum grounds and around town, from small private luncheons to public receptions for 1,500 people or more. The Marketing department forged new partnerships and enhanced existing ones. The preferred hotel program, instituted in 2004, now includes six hotels that provide packages, sell exhibition tickets, offer discount opportunities, and promote the museum. A 2005 program introduced

73 “Storytelling at Borders,” bringing Audience Development staff to several Borders stores to conduct storytelling, complete with Art Crew characters and photo opportunities. A partnership with the Cleveland Hopkins Inter- national Airport allows the museum to display, free of charge, posters of works of art in the C concourse. Moving from planes to trains, the museum also instituted a new partnership with Cleveland’s Regional Transit Authority called the “Red Line Tour,” wherein the RTA (also free of charge) installed framed reproductions of 43 great works of art from the collection in seven Red Line rapid stations. To promote the VIVA! & Gala Around Town series, the Marketing department arranged a partnership with Cuyahoga Community College to run free advertising on the college’s internal broadcast system, and the Performing Arts department chose certain At the director’s shows to target to the college crowd and offered deep discounts on tickets. retirement reception, Florence KZ Pollack The Media Relations office publicized the wide range of exhibitions joins Martin Webb and events at the museum and around the world, helping to keep the pub- and Charles Venable. lic abreast of the museum’s continued activity in presenting art and programs even as the renovation and expansion project created new challenges and opportunities. Meanwhile, the Ticket Center relocated, with minimal disruption, to the temporary Shaker Square location. The Print Communications office imagined that the quantity of printed matter might be somewhat reduced as the galleries closed, but the converse proved to be true as the museum sought to ensure that its constituents remained informed and understood the variety of off-site programs and events that were being offered during the “dark” period of the six-month Breuer building closure. Anticipating the shift in programming content as the building project began, the Members Magazine was redesigned as of January 2005 for greater editorial flexibility (and renamed Cleveland Art). During the 18-month period, the department completed more than 700 projects, from business cards, print advertisements, invitations, and photo shoots, to collaborating with the Publications department on the catalogue for The Persistence of Geometry. In the virtual realm, the External Affairs office helped the New Media department shape the website features CMA Builds for the Future and A Masterpiece in the Making, which brought visitors right into the museum’s renovation and expansion project via photos of the museum in the past, present, and future, a live webcam focused on the construction site, answers to frequently asked questions, a feature all about Rafael Viñoly, and the opportunity to provide feedback on the project. As many off-site programs got under way during the summer of 2005, the museum launched the “CMA@” graphic program to consistently identify concerts, films, classes, exhibitions, and other museum-sponsored events that took place at sites around the city.

74 Top to bottom: Circles CMA@ members gather at the Maltz Museum; students make art at A resourceful adaptation of the the Shaker Square museum’s logo helped to signify the studio; the Cleveland dozens of Cleveland Museum of Art Institute of Art hosts a programs that took place around the Fast Forward party. greater Cleveland area while the renovation and expansion project made “home base” temporarily unavailable. The rich variety of programs and events that resulted bore out the adage that necessity is the mother of invention. The VIVA! and Gala performance series ventured out into some of the city’s most beautiful (visually and acousti- Auditorium, and other wonderful cally) houses of worship and concert halls, museum art classes and the store buildings, while the museum’s grow- took up temporary residence in a ing Hispanic audience came along as Cafe Bellas Artes moved to Lakeland Shaker Square retail space, works from the museum collection visited nearby Community College and other sites institutions, and special events took around the city. The popular series of Fast Forward parties continued at the place in a variety of locations and served diverse audiences. museum even as construction pro- ceeded, and then ventured offsite for vibrant events at the Cleveland Insti- tute of Art and the Cleveland Interna- tional Film Festival, attracting new, predominantly younger audiences with techno dance music and late- night hours. In these ways and more, the closing of the building provided an opportunity to bring the museum’s audience to new locales or introduce the museum itself to new people. The “CMA@” symbol announced museum- sponsored events all over the city. Some of the events took groups of museum supporters to new venues, such as the Maltz Museum of Jewish Heritage, site of a Circles reception. Children and adults accustomed to taking studio art classes at the museum traveled instead to the southwest quadrant of Shaker Square, where art classes were offered in a storefront that was temporarily available because of ongoing redevelop- ment in the historic shopping district. Museum-sponsored concerts were presented in Trinity Cathedral, the Shrine Church of St. Stanislaus, Temple-Tifereth Israel, the Masonic

75 Capital Giving

The following The Helen C. Cole Mr. and Mrs. Michael The William A. and Mr. and Mrs. David individuals, corpora- Charitable Trust J. Horvitz Margaret N. Mitchell M. Schneider tions, and foundations Collacott Foundation Denis F. Hoynes, Jr. Family Dr. and Mrs. Stuart have made generous The John C. and Sally B. Sears donations to ongoing Mr. and Mrs. Robert Patience and George S. Costa M. Humphrey II S. Morley Family The Sears-Swetland capital projects from Foundation January 1, 2005 Alexander M. and John Huntington Art Family Foundation through June 30, 2006. Sarah S. Cutler and Polytechnic Trust Dr. and Mrs. Roland Mrs. Harry Setnik W. Moskowitz Mr. and Mrs. David Jochum-Moll Shaker Lakes Garden A. Daberko Foundation Brian and Cynthia Club Anonymous (3) Murphy Emily A. Adams Mr. and Mrs. Peter The Kangesser Shifrin Family W. Danford Foundation John P. Murphy Foundation AIA Cleveland Foundation Pete and Margaret Mr. and Mrs. Carl R. Siberski Elizabeth L. Dobbins Sidmond J. Kaplan Murlan and Margaret Armington Murphy Sr. Laura and Alvin A. Mr. and Mrs. John D. Robert M. Kaye Siegal Baker & Hostetler Drinko Ray and Katie Founders Trust Mr. and Mrs. Joseph Murphy The Kelvin and Jeffrey R. Dross P. Keithley Eleanor Smith Baker Hostetler LLP The Musart Society Eaton Corporation Steven and Denise Foundation Mr. and Mrs. Randall Kestner Mr. and Mrs. Stephen Mr. and Mrs. Eugene J. Barbato Emerson Electric E. Myers Company Key Foundation Stevens Mr. and Mrs. James NACCO Industries, Mr. and Mrs. Howard T. Bartlett Mr. and Mrs. Robert Thea Klestadt Inc. S. Friedman F. Stirn James and McKey Mr. and Mrs. Stephen Lucia S. Nash GAR Foundation J. Knerly Jr. The Irving Sunshine Berkman National City Bank Family Garden Club of Arthur Kozlow Mr. and Mrs. Glenn Hilda E. Nieman Susan and John M. Blair Jr. Cleveland The Kresge Steven E. Nissen, Turben Foundation Richard J. Blum and Mr. and Mrs. Robert Foundation P. Gillespie M.D., and Linda R. U.S. Department of Harriet L. Warm The Kulas Foundation Butler Transportation Mr. and Mrs. Robert Mrs. Lawrence Lorenzo S. Lalli, M.D. State of Ohio Nicholas J. Velloney+ Blumenthal D. Gries Mr. and Mrs. The Payne Fund Mr. and Mrs. Richard Mr. and Mrs. Charles Mr. and Mrs. John E. Fredrick S. Lamb Guinness Pfizer Inc. T. Watson P. Bolton Mrs. Jack W. Lampl Jr. Agnes Gund and The Plain Dealer Mr. and Mrs. Alton Helen and Albert The George R. and W. Whitehouse Jr. Borowitz Daniel Shapiro Mr. and Mrs. Leon Constance P. Lincoln Mr. and Mrs. Charles Eva L. and Joseph M. Ann and Graham Family Foundation M. Plevin Gund D. Whitmer Bruening Foundation Alex and Carol Mr. and Mrs. Alfred The George Gund M. Rankin Jr. Dr. Norman W. Muriel S. Butkin Machaskee Zaworski Foundation Mrs. Alfred M. Peter A. and Rita M. The Maltz Family Mr. and Mrs. William Carfagna George Gund III and Foundation Rankin Iara Lee L. Ziegler Leigh and Mary The Mandel Donna and James Carter Gordon and Llura Foundation Reid Gund Foundation Charter One Elizabeth Ring Katharine and Foundation Elaine Grasselli Mather and William Bryan Reid Hadden Katherine and Lee Gwinn Mather Fund Sarah P. and William Chilcote Foundation Hahn Loeser + Parks S. Livingston Mather R. Robertson LLP Ellen Wade Chin Charitable Trust Charles B. and Carole Ann S. Higgins W. Rosenblatt Dr. Alfred J. Sarah Holden Cianflocco and Mary Dr. Gerhard McLaren Edwin M. Roth Anne Garvey Hoffmann+ and Mrs. Mr. and Mrs. S. Mr. and Mrs. Robert Lee Hoffmann+ Cleveland Foundation Sterling McMillan III C. Ruhl Arlene and Arthur S. The Mellen Sage Cleveland George W. Holden Jr. Codrington Foundation Foundation Charitable Constance Holden- Dolly and Steve Mr. and Mrs. Elliott Foundation Somers Minter L. Schlang

+ deceased

76 Donors of Works of Art

Anonymous Gift Dr. and Mrs. William Herbert Ascherman Jr. L. Huffman The Jeanne Miles Mr. and Mrs. William Blackburn Collection Jurey in memory of Mabel A. Hewit Ann Baumann Sandra and Gary John Bonebrake Kaufman in honor of Philip Brutz the Fine Print Fair Linda Butler Robert M. Kaye Linda Butler, William John M. Kimpel Lipscomb, and William S. Lipscomb Robert Mosher in memory of his Deborah G. and father, James S. Kenneth S. Cohen Lipscomb William DeLappa Judith K. and S. John Driscoll Sterling McMillan III Prof. and Mrs. David The Sarah Stern C. Driskell Michael Fund Yizhak Elyashiv Lt. Col. Franklin D. Morrison and Norma James E. and T. Morrison Elizabeth J. Ferrell Paulette and Kurt Judith Clark Fredrichs Olden and Michael and Ross Gordon and Rita Striar in Fredrichs memory of Dana Mr. and Mrs. Thomas The Painting and French Drawing Society of Friends of The Cleveland Photography Museum of Art Friends of Francine and Benson Photography and Pilloff Jeffrey Fraenkel and Harry and Nina Frish Brandt Pollock Friends of the The Print Club of Department of Prints Cleveland and Drawings in memory of William Louise S. Richards E. Ward Audra and George Professor Walter and Anne E. Wardwell Gustave Baumann Mr. and Mrs. Richard Rose Nesta Spink in honor Bequest of Isadore (American, b. Crile Garretson Carole W. and of Stanislaw Czuma Germany, 1881–1971); Charles B. Rosenblatt Warshawsky Jane Glaubinger Joni Sternbach Brown County, 1909– Judith and James A. Martin K. Webb and 16; gouache; 28.2 x Agnes Gund Mr. and Mrs. Michael Saks Charles L. Venable 25.4 cm; Gift of Ann Agnes Gund and Striar James Welling Daniel Shapiro Mark Schwartz and Baumann 2005.456. Bettina Katz Diane and Arthur Janet Yost Agnes Gund in Stupay Elizabeth Wade Susan A. and Charles honor of Katharine Toshiko Takaezu Lee Reid Sedgwick M. Young Elizabeth Carroll The Textile Art Dr. Norman The George Gund Alliance Foundation Shearer in memory of Zaworski Collection in honor her husband Robert Joan Tomkins and of David Bergholz, Lundie Shearer William Busta The Cleveland Steven Sorman in Joseph Vitone Museum of Art memory of Pegram Pamela Elizabeth Bob and Jane Herbst Harrison Ward in loving Bequest of Lee K. memory of her Hoffmann parents, William E. and Evelyn Svec Ward

77 Individual giving

Annual operating gifts Circles Leadership Operating Support $10,000 to $24,999 Mr. and Mrs. Harold Mrs. Morris Everett Sr. provide essential, unre- Committee Mr. and Mrs. B. S. Minoff Hubert L. Fairchild+ stricted support that Leon M. Plevin, Chair $25,000 or more Charles Ames Mr. and Mrs. William enables the museum to Mr. and Mrs.+ Allen James T. Bartlett, Mr. and Mrs. Randall James and McKey A. Mitchell H. Ford direct dollars where the J. Barbato need is greatest. We Founders Society Chair Berkman Mr. and Mrs. John C. Mr. and Mrs. Robert Naomi Singer, Mr. and Mrs. James Richard J. Blum and Morley S. Friedman are particularly grateful T. Bartlett to our Donor Circles President’s Circle Chair Harriet L. Warm Mary Schiller Myers Mrs. Robert I. Gale members, Corporate Lee Warshawsky, Mr. and Mrs. Leigh Mr. and Mrs. Charles Lucia S. Nash Jr. Carter members, Annual Fund Director’s Circle Chair P. Bolton Mr. and Mrs. Albert Joseph T. Gorman donors, and Patron and Richard E. Beeman Alexander M. and Mrs. Noah L. Butkin B. Ratner Contributing level Sarah S. Cutler Mr. and Mrs. Richard members. Thank you McKey Berkman Mr. and Mrs. William Andrew K. Rayburn C. Gridley Mr. and Mrs. Robert R. Calfee and Heather H. Guess for such an enduring Suzanne Blaser W. Gillespie Mr. and Mrs. Robert demonstration of sup- William R. Calfee Mrs. Austin B. Chinn Barbara S. Robinson N. Gudbranson port during the 18- Janice Hammond and Deborah W. Cowan Edward Hemmelgarn Mrs. M. Roger Clapp Dr. and Mrs. Ronald Elaine Grasselli month period from J. Ross Hadden January 2005 to June Ruth Dancyger Mr. and Mrs. Michael Mr. and Mrs. Gerald 2006. J. Horvitz A. Conway Edwin M. Roth Mr. and Mrs. Henry Margaret and Pete R. Hatch III Dobbins Robert M. Kaye and Dr. and Mrs. Michael Mr. and Mrs. Elliott Diane Upright D. Eppig L. Schlang Mr. and Mrs. James J. Barbara Galvin Heusinger Mr. and Mrs. Joseph Dr. and Mrs. John Dr. and Mrs. Gerard Nicki and Robert N. Flower Seltzer Elizabeth A. Holan Gudbranson P. Keithley Charles D. and Laura and Alvin A. Mr. and Mrs. Arthur Anne Higerd Iara Lee and George Gund III Charlotte A. Fowler Siegal S. Holden Jr. Charlene Hyle Peter B. Lewis Mr. and Mrs. Robert Mr. and Mrs. Edward Charles S. Hyle and Donald M. Jack D. Gries C. Smith Charlene Hyle Mr. and Mrs. Alex Adrienne L. Jones Machaskee Mr. and Mrs. David Mr. and Mrs. Steven Mr. and Mrs. Donald H. Gunning Spilman M. Jack Jr. Candace M. Jones Amanda and William Nancy F. Keithley P. Madar Dr. and Mrs. Shattuck Mr. and Mrs. John F. Mr. and Mrs. Walter Wellman Hartwell Jr. Turben E. Kalberer Giuliana Koch Mr. and Mrs. Milton Mr.+ and Mrs. John Mr. and Mrs. David Helen Kangesser Jon A. Lindseth Maltz Hildt Haber Warshawsky Mr. and Mrs. Douglas Randall D. Luke Barbara and Morton Mandel Mrs. Harry Richard Mr. and Mrs. Richard A. Kern Katherine Moroscak Horvitz T. Watson Mr. and Mrs. Bruce Mr. and Mrs. Dennis Michael J. Peterman V. Mavec Lillian L. Hudimac Mr. and Mrs. Charles W. LaBarre Florence KZ Pollack D. Weller Mr. and Mrs. Stephen Marguerite B. Mr. and Mrs. Arthur Fran and Frank Humphrey J. Lafave Jr. E. Myers $5,000 to $9,999 Porter Jr. Anne Hollis Ireland Mrs. Jack W. Lampl Mr. and Mrs. Alfred Anonymous (2) Barbara S. Robinson M. Rankin Jr. James D. Ireland III Jr. Mr. and Mrs. Elliott L. Schlang Toby Devan Lewis Mrs. Alfred M. Mr. and Mrs. Robert Quentin Alexander David L. Selman Rankin H. Jackson Mr. and Mrs. Edward Mr. and Mrs. Daniel A. Lozick W. Allen Shapard Donna and James Barbara Jacobs+ F. Austin Reid Betty C. Madden Kate Stenson Mr. and Mrs. Dieter Mr. and Mrs. Paul S. Edith G. and William Sarah P. and William Kaesgen Brentlinger Dr. Nancy-Clay R. Robertson Marsteller W. Taft Mr. and Mrs. Edward Mr. and Mrs. Morton Helen Tomlinson Mr. and Mrs. David A. Kilroy Jr. Cohen Mr. and Mrs. Joseph M. Schneider B. Milgram Jr. Joyce B. Weidenkopf Mr. and Mrs. Stuart Mr. and Mrs. William Mr. and Mrs. Michael F. Kline Mr. and Mrs. Eric T. Hannah S. Weil E. Conway Sherwin Mr. and Mrs. Jon A. Nord Trudy Wiesenberger Mr. and Mrs. Robert Mr. and Mrs. Eugene Lindseth R. Cull Mrs. R. Henry John Zayac Stevens Norweb Jr. Elizabeth McBride Lois J. Davis Paula Zeisler Mr. and Mrs. William Mr. and Mrs. William Albert J. DeGulis C. McCoy Jr. J. O’Neill Jr. Dr. and Mrs. Richard Henry Ott-Hansen Mr. and Mrs. S. C. Distad Sterling McMillan III Mr. and Mrs. Leon Pete and Margaret M. Plevin Mr. and Mrs. Stanley Dobbins + deceased A. Meisel Mr. and Mrs. Larry I. Pollock

78 John White Abbott (British, 1763–1851); Near New Bridge on the Dart Devon, 1800; watercolor; 17.9 x 26.9 cm; Gift of The Painting and Drawing Society of the Cleveland Museum of Art 2005.200.

Dr. and Mrs. Louis $2,500 to $4,999 Drs. Morris and Mr. and Mrs. Thomas Agnes M. Armstrong Loretta and Jerome Rakita Mr. and Mrs. Paul R. Adrienne Jones A. Quintrell Roma and George Borstein Katharine and Bryan Abbey Mr. and Mrs. John E. Mr. and Mrs. Paul J. Aronoff Mr. and Mrs. Richard Reid Mr. and Mrs. A. Katzenmeyer Schlather Janet G. and Gregory E. Boyatzis Mrs. Leighton Chace Anderson Mr. and Mrs. John D. Kim Sherwin J. Ashe James J. Branagan Rosenthal+ Elizabeth L. Koch Mr. and Mrs. Edwin Graham G. Ashmead Mr. and Mrs. John G. Mr. and Mrs. James Armington Mr. and Mrs. Peter A. Z. Singer M.D. Breen A. Saks Mrs. Patrick H. Kuhn Mr. and Mrs. David Joseph Babin Kenneth L. Brown Mr. and Mrs. Viktor Beall+ Mr. and Mrs. Marvin W. Sloan Thomas J. Baechle Mr. and Mrs. Henry Schreckengost L. Lader Marcelle Bergman Mr. and Mrs. John E. Mr. and Mrs. Henry G. Brownell II Leonard S. Schwartz William P. Blair III Mr. and Mrs. John N. Smeltz T. Barratt Cynthia and Robert and Charlotte R. Lauer Brit and Kate Stenson Bruml Kramer Mr. and Mrs. Edward Dennis Barrie and B. Brandon Mr. and Mrs. Kurt Mr. and Mrs. William Kathleen H. Coakley Dr. and Mrs. Harvey Mark Schwartz and Liljedahl W. Taft Buchanan Dr. Bettina Katz Mr. and Mrs. Glenn Mr. and Mrs. C. R. Brown Mr.+ and Mrs. Nelson S. Talbott Bruce Beattie John F. Burke Jr. and Mr. and Mrs. Boake Robert A. Little Francis J. Callahan Mr. and Mrs. Neil Mr. and Mrs. Richard Nancy A. Fuerst A. Sells Mr. and Mrs. Randall Drs. William A. Thompson E. Beeman Linda R. Butler and Mr. and Mrs. David D. Luke Steven E. Nissen, L. Selman Chilcote Jr. and Charles L. Venable Dr. Nejad Behzadi Barbara S. Kaplan Susan W. MacDonald and Martin K. Webb M.D. John L. Selman Mr. and Mrs. Jules Dr. and Mrs. John Lester Theodore+ Mr. and Mrs. William Belkin William E. and Richard A. Statesir and Edith D. Miller Patricia A. Butler Collis K. Wamelink Dr. Ronald and and Georganne Mr. and Mrs. David Margaret Lang Vartorella Mr. and Mrs. William Dr. Steven Ward and Mrs. Diane Bell H. Coquillette T. Morgenthaler Dr. Barbara Brown Callinan Mr. and Mrs. Robert B. Benyo Deborah W. Cowan Mr. and Mrs. Thomas Nancy N. West Mr. and Mrs. Harry Howard Fenno Stirn W. Morris Ted and Catherine Carlson Mrs. George N. Shelby White Biskind Mr. and Mrs. Donald Donald W. Morrison Ruth Anna Carlson W. Strang Jr. Daniels Francis L. Blaschka Creighton B. Murch $1,000 to $2,499 and Albert Leonetti Mr. and Mrs. Joseph Mr. and Mrs. Robert Mr. and Mrs. James P. Duvin and Janice A. Smith Stanley and Hope Mr. and Mrs. Frank D. Sullivan D. Blaser H. Carpenter Scott Fine Susan B. Murphy Adelstein Dr. Paul J. Vignos Jr. Leon W. Blazey Jr. Mr. and Mrs. Frank Judith Gerson Mr. and Mrs. Robert Mr. and Mrs. Richard Mr. and Mrs. Loyal D. Neary B. Ainsworth Jr. Mrs. Lawrence B. Carr W. Wilson Mrs. Charles Hickox Blumenthal Mrs. James Nelson Mr. and Mrs. Mr. and Mrs. Kevin Iris Wolstein Ralph and Sarah Theodore M. Alfred Dr. and Mrs. Jeffrey M. Carr Horwitz Mr. and Mrs. William L. Blumer Mrs. Paul M. Osborne Jr. Mr. and Mrs. Maria and Laura Cashy Wurzburger+ Dr. and Mrs. William Norman W. Allison Mr. and Mrs. James Mr. and Mrs. George L. Huffman Dr. and Mrs. Harry C. Boland Dr. Norman W. W. Pollock Ruth M. Anderson B. Chapman Jr. Zaworski Mr. and Mrs. B. Scott Helen and Albert Kimberly and George Isquick Mr. and Mrs. Richard Dr. and Mrs. Albert Borowitz Mr. and Mrs. P. Price C. Antoine B. Chapman III Kenneth Zeisler

79 Corning Chisholm Mr. and Mrs. Mr. and Mrs. Jeffrey Mr. and Mrs. Homer Frederick Floyd J. Higerd D. W. Chisholm Mrs. George Foley Edith F. Hirsch Mr. and Mrs. Robert Mr. and Mrs. Earl R. Mr. and Mrs. Richard W. Clark Franklin R. Hollington Mr. and Mrs. Frederick Mr. and Mrs. John R. Dorothy Humel W. Clarke IV Fraylick Hovorka Mr. and Mrs. Victor David Fresco and Mr. and Mrs. J. Cohn Katherine Offutt Norman Hyams Richard A. and Diane Robert Friedman and Mr. and Mrs. Robert L. Collier Elizabeth R. A. Immerman Mr. and Mrs. Robert MacGowan Mr. and Mrs. E. Dale D. Conrad Mr. and Mrs. Ted H. Inkley Mr. and Mrs. Evan Frost Dr. and Mrs. Scott R. R. Corns Mr. and Mrs. Peter L. Inkley Mr. and Mrs. Alfred Galvin Mr. and Mrs. Fred G. Corrado Stephen H. Gariepy Isenstadt Mr. and Mrs. Edward and Nancy Sin Mr. and Mrs. Stanley G. Cowan Mr. and Mrs. Robert T. Jaros Mr. and Mrs. Thomas J. Garon Mr. and Mrs. Edwin W. Cristal Leah S. Gary T. Jeffery Jr. Patricia F. Cusick Alison W. Gee Candace M. Jones Mrs. S. L. Dancyger Mr. and Mrs. David Mr. and Mrs. Dr. and Mrs. Robert Geyer Theodore T. Jones B. Daroff Matthew Gobec and Trevor and Jennie Shirley B. Dawson Doris Clinton-Gobec Jones Mr. and Mrs. John D. Dr. and Mrs. Victor William R. Joseph Drinko M. Goldberg and Sarah J. Sager Marian Drost Sally A. Good Dr. and Mrs. Donald W. Junglas Mr. and Mrs. George Mr. and Mrs. Andrew J. Dunn L. Green Henri Pell Junod Jr. Jean Dubuffet (French, Tamara Durn and Mr. and Mrs. James Mr. and Mrs. Thomas 1901–1985); Tree, 1964; Rick Doody B. Griswold Fisher Kahn pen and black ink; 33.4 Dr. and Mrs. Henry Mrs. Jerome Grover Mr. and Mrs. Richard x 24.9 cm; Gift of Kaplan Louise S. Richards Eisenberg Mr. and Mrs. Peter 2005.276. Mr. and Mrs. Douglas Guren Patricia Keating and V. Epp Mr. and Dr. James R. David Shick Dr. and Mrs. R. Hackney Mr. and Mrs. John Bennett Eppes Mr. and Mrs. Richard Kelly Mr. and Mrs. Donald H. Hahn Hilary and Robert Esarove Mr. and Mrs. Robert Kendis Mrs. William H. E. Harris Susan and James Evans Mr. and Mrs. Robert Kendis Mr. and Mrs. Warren L. Hartford Mr. and Mrs. Bruce W. Farr Jr. Mr. and Mrs. Donald Kendrick Dr. and Mrs. Aaron F. Hastings Mr. and Mrs. R. E. Feldman Mr. and Mrs. Steven Kestner Mr. and Mrs. Lewis Jonathan C. Hatch Mr. and Mrs. Robert Femec Mr. and Mrs. J. Kichler Helen Forbes-Fields Kenneth F. Hegyes Ann F. Kiggen and Darrell A. Fields Mr. and Mrs. Oliver Kenneth H. Kirtz Lauren Fine C. Henkel Jr. Dr. and Mrs. William Mrs. Seth M. Fitchet Mr. and Mrs. John F. S. Kiser Herrick Mr. and Mrs. John Mr. and Mrs. Stephen Fletcher Margaret Stone J. Knerly Jr. Hesslein

80 Mr. and Mrs. Stewart Mr. and Mrs. Mr. and Mrs. T. F. Cathy Randall Mr. and Mrs. Ashok Mr. and Mrs. Charles Kohl Alexander McAfee Neubecker Bruce T. Rankin Shendure Steigerwald Mr. and Mrs. Alan M. Mr. and Mrs.+ Julien Mr. and Mrs. Francis Mr. and Mrs. Richard Dennis Sherwin Mr. and Mrs. Leonard Krause L. McCall Wynne Neville G. Robertson Mr. and Mrs. Michael Stein-Sapir Dr. John T. Lai Mrs. Frederick S. Daurine Noll Jay F. Rockman and J. Sherwin Dr. Timothy Dr. and Mrs. Michael McConnell Jr. Mr. and Mrs. Brad Dr. Katherine Mr. and Mrs. Joseph Stephens E. Lamm Mr. and Mrs. Norrick Rockman Shrier Mr. and Mrs. Mr. and Mrs. Samuel Anthony R. Michel Mr. and Mrs. William Charles B. and Carole Gary and Evelyn Lawrence E. Stewart H. Lamport Dr. and Mrs. Beno H. North Jr. W. Rosenblatt Siegel Mr. and Mrs. Harry Mr. and Mrs. Robert Michel Mrs. Donald C. Mr. and Mrs. Robert Mr. and Mrs. H. Stone Larson Mr. and Mrs. John Opatrny J. Roth Lawrence N. Siegler Mrs. Sam Gaines Dr. and Mrs. Stephen M. Mino Mr. and Mrs. Harvey Judge Betty Willis Mr. and Mrs. David Stubbins F. Lau Steve and Dolly Minter Oppmann Ruben and Professor L. Simon Mr. and Mrs. Arthur Dr. and Mrs. Mr. and Mrs. A. Mr. and Mrs. Jon H. Alan Miles Ruben Dr. Marie A. Simon M. Stupay Sherman E. Lee Malachi Mixon III Outcalt Mr. and Mrs. Vaughn and John Michael Mr. and Mrs. John E. Mr. and Mrs. Morton Leslie and Jennifer Bob and Trisha Pavey P. Rubin Zayac Sulak Q. Levin Moeller Mr. and Mrs. Richard Florence Brewster Phyllis Sloane Mr. and Mrs. Daniel Mrs. Sidney Lobe Mr. and Mrs. Dan T. B. Payne Rutter Gretchen D. Smith C. Sussen Mr. and Mrs. Bruce Moore III Mr. and Mrs. Michael Marjorie Bell Sachs Richey and Sandra Mary E. Suzor Loessin Mr. and Mrs. Richard J. Peterman Clarine Saks Smith Mr. and Mrs. Seth C. Mr. and Mrs. Michael Keith Morgan Mrs. Charles E. Petot Barbara J. Samolis Mr. and Mrs. Jeffrey Taft D. Lundin Mr. and Mrs. Richard Jean Z. Piety Mr. and Mrs. H. Smythe Mr. and Mrs. W. J. Moroscak Hayden Thompson William MacDonald Jr. Florence KZ Pollack Raymond T. Sawyer Katherine Solender Alan Markowitz, Mr. and Mrs. William Linda M. Schlageter and Dr. William E. Helen N. Tomlinson J. Morse Mr. and Mrs. Frank Katzin M.D., and Cathy H. Porter Jr. John and Sally Mr. and Mrs. Leonard Pollard Dr. and Mrs. Roland Schulze Patrick T. Soltis K. Tower W. Moskowitz Steve and Susan Dr. and Mrs. Sanford Potter Adrian L. Scott Mrs. Donald H. Mrs. George S. Traub E. Marovitz Mr. and Mrs. Patrick Spitz+ Mrs. Richard Barclay S. Mullin Mr. and Mrs. John Mrs. David Seidenfeld Florence G. Marsh Prim Dr. and Mrs. Tullis Helen M. Murway Mr. and Mrs. Oliver Gottfried K. Spring Mrs. Walter A. Stanley M. Proctor E. Seikel Brenda and Evan Marting Mr. and Mrs. John G. R. Thomas and Meg Turner Nestor Cynthia E. Rallis Dinah Seiver and Harris Stanton Charlotte M. Thomas E. Foster Mr. and Mrs. Robert Masterson F. Vail Jr.

Benton Spruance (American, 1904–1967); Night, 1937; lithograph; 34.6 x 48.1 cm; Severance and Greta Millikin Purchase Fund 2006.114.4.

81 Mr. and Mrs. Peter Lynn Boukalik Mr. and Mrs. Lowell Mr. and Mrs. Bertram Dr. and Mrs. Franklin Jack Stinedurf and van Dijk Mrs. Morris A. K. Good H. Lefkowich H. Plotkin Lori Locke Tinkham Veale II Bradley II Dr. Kathleen S. Dr. Edith Lerner Elinor G. Polster Lanie Strassburger Mrs. Daniel Verne Maureen A. Brennan Grieser Dr. and Mrs. Stephen Linda A. Pontikos Jeffrey and Heidi Mrs. Myron Viny Elaine E. Brookes Dr. and Mrs. B. Levine Mr. and Mrs. Alan G. Strean Laurence K. Groves Mr. and Mrs. Paul J. Dr. and Mrs. Everett Doris Linge Poorman Sandra S. Sullivan Volpe C. Burgess Mr. and Mrs. John E. Dr. and Mrs. Jack David W. Porter Dr. Kenneth F. Guinness Dr. and Mrs. Richard J. C. and Helen Lissauer Robert W. Price Swanson Donald Gutierrez A. Walsh Rankin Butler Mr. and Mrs. Neil F. Marie Quintana and Mr. and Mrs. Henry Doris H. and Russell Mr. and Mrs. William Mr. and Mrs. David Luria Robert Sikora T. Tanaka P. Handke Jr. J. Warren C. Butler Dr. Alvin and Lorrie Dr. and Mrs. Mehdi Mr. and Mrs. Robert Mr. and Mrs. David Mary Ellen Cabbage Mrs. John D. Hansen Magid Razavi S. Targett D. Watson Mrs. Thomas F. Lois and Jerry M. Alice D. Malone Beth and David Mr. and Mrs. William B. Watterson Campbell Hawn Mr. and Mrs. Richard Ricanati Kenneth E. Taylor Mr. and Mrs. David George N. Chandler II Dawn Haynes A. Manuel Diane Rigney Christopher O. Tracy W. Weidenkopf Kelly Chapman Elizabeth A. Hecht Kay S. Marshall Alice N. Robbins Mr. and Mrs. Sandip Vasavada Mr. and Mrs. Michael Verlie P. Ciriello Dr. and Mrs. John H. Nicole Visconsi Georgianna T. R. Weil Hemann Mawby Mr. and Mrs. John H. Eileen Clancy Roberts Anne W. Weinberg Mr. and Mrs. Gerald Mr. and Mrs. John G. Vinton Darrell A. Clay Mr. and Mrs. George Mr. and Mrs. Jerome L. Herschman McDonald M. Rose Honorable and Mrs. A. Weinberger Richard R. Colbert Mr. and Mrs. John J. Linda L. Wagy William F. B. Vodrey and Dr. Ellen D. Rie Mrs. Martin Mr. and Mrs. Alton Hetzer McGinty Rosskamm Mrs. James L. W. Whitehouse Jr. Mr. and Mrs. Owen Robert T. Hexter Claire and Sandy Wamsley Jr. M. Colligan Mr. and Mrs. Robert Mrs. McKinley Mrs. Roland S. Hill McMillan S. Rutledge Mr. and Mrs. James Whittlesey Mr. and Mrs. Robert Jean Palmer Messex W. G. Watson S. Colquhoun Mr. and Mrs. Robert Mr. and Mrs. Ray E. Mr. and Mrs. Steven M. Hosler Jr. Mr. and Mrs. Angelo Saccany Dr. and Mrs. Leslie T. Joy L. Comey Webster Jr. R. Wiesenberger Mr. and Mrs. S. Milicia Scott Sazima and Ambassador Milton Mrs. Alfred R. Wilhelm Huber Mr. and Mrs. Charles Kathy Kelly Steve B. Wheeler Cooper A. Wolf+ Mr. and Mrs. Norbert J. Mintz Mr. and Mrs. Victor Constance S. White, Frances R. Zverina Dr. and Mrs. Robert R. Jaworowski Lloyd D. Moore J. Scaravilli M.D. C. Corn Carl M. Jenks Thomas and Mr. and Mrs. Charles Mr. and Mrs. $500 to $999 Mr. and Mrs. Chester Katharine Morley J. Schenkelberg Christopher Wick F. Crone Robert B. Jensen Nancy A. Adams Dr. Joan R. James R. Schutte Mrs. James A. Mr. and Mrs. William Mr. and Mrs. William Winton Mr. and Mrs. David M. Jones Mortimer Dr. Susan W. F. Adler R. Crowley Lois Wolf Mary D. Joyce Lara and Sean Mullen Schwartz Mr. and Mrs. Thomas Mr. and Mrs. Robert Robert M. Wolff and F. Dakin Mr. and Mrs. Lowell Richard J. Murway Mr. and Mrs. Thomas W. Adler W. Seabright Dr. Paula Silverman Mr. and Mrs. Peter L. Kampfe Dr. Linn W. Newman Drs. Sawsan T. and Dr. and Mrs. William Molly H. Young Ali Alhaddad W. Danford Mr. and Mrs. Gary Mr. and Mrs. Stuart Kaufman Neye H. Shafer Genevieve Zarnick Mr. and Mrs. P. Mr. and Mrs. Kent J. Darragh Mr. and Mrs. Eric J. Terry Novak Mr. and Mrs. Larry Mr. and Mrs. Scott Thomas Austin M. Shane Zeilinger Dr. Ranajit K. Datta Klieber Mr. and Mrs. Daniel Arthur W. Bayer Jr. Mr. and Mrs. David Mr. and Mrs. Richard Bruce B. Dayton Mrs. Clark W. B. Ornt Mr. and Mrs. Eli C. Knierman B. Shifrin A. Zellner Becker Mr. and Mrs. David Dr. and Mrs. Chanho Deborah L. Koerwitz Park Carsten Sierck and Mr. and Mrs. William Dr. and Mrs. Robert L. Deming Allen Shapard L. Ziegler Dr. Ronald H. Mr. and Mrs. James W. Bercaw Dr. and Mrs. Paul E. Scott M. Simon DiCorleto Krasney R. Pender Mr. and Mrs. Don A. Stacy Singerman Berlincourt Marilyn N. Doerr Rose Mary Kubik Mr. and Mrs. Michael Special Projects, A. Pendry David K. Smith Mr. and Mrs. Patricia A. Dolak Mr. and Mrs. Thomas Programming, and Lawrence A. J. LaFond Dr. and Mrs. Charles Mr. and Mrs. Mark Exhibition Support Edward Donnelly and A. Peter Smrekar Blaustein Mary Kay DeGrandis Mr. and Mrs. Michael Malcolm E. Kenney G. Lann Graham A. Peters Dr. and Mrs. Michael Rabbi and Mrs. Kim Gamellia Richard A. Block Mr. and Mrs. Henry Judith A. Petraitis D. Springer Mr. and Mrs. Richard G. Laub Omer F. Spurlock Mr. and Mrs. Paul H. T. Garrett Peter Pfouts+ Bodden Mr. and Mrs. Ray Dr. and Mrs. Frank J. Marjorie K. Garson Leach Staub

82 Planned Giving

Planned Giving Emily A. Drake Andrew I. Press Legacy Society Laurence and Nancy Jeanette Grasselli Council Heather Roulston Charles L. Ratner The Cleveland Museum Bartell Brown and Glenn R. Brown Stephen H. Gariepy, Ettinger Richard C. Renkert of Art thanks the many James T. and Hanna Chair Georgia A. Froelich members of the Legacy H. Bartlett Charitable Ronald and Isabelle Frank M. Rizzo Society, including Trust Brown+ Richard E. Beeman, Robert R. Galloway Vice Chair Sara K. Robechek those who wish to Norma E. Battes Pauline and Clark James A. Goldsmith James D. Roseman remain anonymous, for Evans Bruner+ Richard B. their generosity, kind- Mrs. Matthew A. Ainsworth Jr. Sally L. Gries Patrick J. Saccogna Baxter+ Dr. and Mrs. Harvey Ronald G. Gymer ness, and support. Thomas S. Allen Bradley J. Schlang Legacy Society mem- Mr. and Mrs. Behm Buchanan Gordon A. Anhold Ellen E. Halfon Paul J. Schlather bers have included the Carolyn H. Bemis Rita Whearty Buchanan James S. Aussem David P. Handke Jr. Walter S. Schwartz museum in their estate Nancy Harris plans or created en- Fred and Linda Oliver C. Henkel Jr. Gary S. Shamis Beresford P. Thomas Austin dowment funds. These Buchler Molly Balunek Kenneth G. John F. Shelley planned gifts help Dorothy A. and Don Hochman A. Berlincourt Alexander W. Laurence A. Bartell Roger L. Shumaker ensure the museum’s Budden Gregory T. Holtz future for generations Mildred K. Bickel+ Gary B. Bilchik Mark A. Skvoretz Sally M. Buesch William J. Hyde to come. Valentine Bikerman+ Terry L. Bork John E. Smeltz Honnie and Stanley Brian J. Jereb Dr. Harold and Lillian Herbert L. Braverman Richard T. Spotz Jr. Busch Mark A. Kikta Anonymous Bilsky David J. Brown Mark F. Swary Pauline Bushman Stephen J. Knerly Jr. Martha Aarons Catherine F. Paris Milan and Jeanne+ J. Donald Cairns Robert A. Valente Mrs. Shuree Abrams Biskind James R. Komos Busta Peter H. Calfee Missia H. Vaselaney Carolyn Adelstein Flora Blumenthal Roy A. Krall Barbara A. Chambers, Angela G. Carlin Catherine G. Veres Mr. and Mrs. Alfred Neil B. Kurit Norman W. and Ed.D. Peter J. Chudyk Gloria A. Walas Helen T. Allison C. Body+ Donald W. Laubacher Ellen Wade Chinn Ronald B. Cohen Richard T. Watson Hazel M. Anchor John C. Bonebrake Robert K. Lease Ray W. Clarke David E. Cook Jeffry L. Weiler Herbert Ascherman Helen and Albert Herbert B. Levine Borowitz Betsy Nebel Cohen Hedy T. Demsey Marcia J. Wexberg Jr. Karen M. and Wayne D. Minich Marjorie Weil Ruth Gedeon Boza Rebecca H. Dent Drew E. Wright Kenneth L. Conley M. Elizabeth Aurbach+ Gracey Bradley Carina S. Diamond Alan E. Yanowitz Martine V. Conway Monihan Frances and Andrew Gary A. Zwick Louise Bradley and Gerald A. Gary L. Dinner Patrick S. Mullin D. Babinsky Mrs. Wilbert S. Conway Joseph V. Pease Jr. Doris Govan Brewer+ Mr. and Mrs. Ballengee+ Helen E. Brown+ Kenneth Cooley George B. Coombe+

Seneca Master (Italian, active about 1307–25); Medallion from the Border of a Latin Bible: The Sixth Day of Creation, early 1300s; tempera on vellum; diam. 7 cm; The Jeanne Miles Blackburn Collection 2006.9.

+ deceased

83 Mrs. John (Louise) Barbara and Peter Dr. Gertrude Mary F. King+ Eleanor Bonnie Cooper Galvin Seymour Hornung+ Kenneth Kirtz McCoy Robert and Reed Mrs. Carl H. Mr. and Mrs. Michael Mr. and Mrs. G. Marguerite H. Costa Ganzenmueller J. Horvitz Robert Klein+ McGrath Vincent R. Crew Phyllis Asquith Gary Patience Cameron Jay Robert Klein Judith and Ted Hoskins McMillan William S. Cumming James E. Gibbs, M.D. Thea Klestadt+ Ran K. Datta James W. Gifford+ Elizabeth A. Hosmer William W. and Gina and Richard Pamela M. McMillan Barbara Ann Davis F. David Gill Virginia Hubbell+ Klym Laura A. Hugus+ Elizabeth Briggs Bernice M. and Rocco Gioia Margery A. Kowalski Merry+ David E.+ Davis Gladys B. Goetz+ Mr. and Mrs. George Mrs. Arthur Kozlow+ M. Humphrey II Robert and Laura Carol J. Davis Leonard C. Gradeck Helen A.+ and Messing Carola B. Hunt E. Barbara Davis Ruth Thompson Fredrick S. Lamb Ivan Mezi Grace Ellen Huntley+ Margie K. Davis+ Grandin Dr. Joan P. Lambros Edith and Ted+ Helen+ and Al Elaine Harris Green Mary E. Huth+ Carolyn C. Lampl Miller DeGulis Mr. and Mrs. Richard Jarmila Hyncik+ Mrs. Samuel H. Mark J. Miller Mrs. John B. C. Gridley Dr. and Mrs. Scott R. Lamport Lynn Underwood Dempsey+ Anne Groves Inkley Mildred Lerch+ Minnich Edna H. Doller+ Mary T. Gruber+ Edward F. and Mary Roger J. Lerch Alice Mitchell F. Intihar+ Mark Dreger in Mr.+ and Mrs. David Maxine Goodman Mr. and Mrs. William memory of Kelly L. Grund B. Scott Isquick Levin+ A. Mitchell Dreger Agnes Gund and Donald M. Jack Jr. Ellen Levine+ Mary B. Moon+ Elizabeth Drinko Daniel Shapiro Karen L. Jackson Jon and Virginia Beryl and Irv Moore Mr. and Mrs. Robert Graham Gund Sharon Faith Jacobs Lindseth Duvin Geraldine M. Moose Joseph E. Guttman+ Robert J. Jergens Tommy and Gill Bessie Corso Bernard and Sheila LiPuma Eckstein Mr. and Mrs. James Tom L. Johnson+ Morgan+ C. Hageman+ Dr.+ and Mrs. Sidney Caroline Emeny+ Adrienne L. Jones, Dr. Joan R. Edward Halbe M.D., and L. Morris Lobe Mortimer Elaine S. Engeln Marvin G. Halber+ Jones, M.D. Martin A. LoSchiavo Gordon K. Mott+ Edith Virginia Virginia Halvorson+ Mr. and Mrs. E. Mary Luetkemeyer J. P. Mower+ Enkler+ Bradley Jones and Alfred Cahen Dr. and Mrs. Michael James J. Hamilton Margaret and Virginia Jones+ Nancy+ and Byron Werner+ Mueller D. Eppig David A. Hardie and Lutman Howard John Link+ Louis D. Kacalieff, Susan B. Murphy Heather Ettinger M.D.+ Carolyn White Eleanor Everett Jane Hanson Harris+ MacNaughton+ Anthony C. Nassif, Etole and Julian M.D. Patricia J. Factor Thomas and Joan Kahan Alice D. Malone Hartshorne Egbert+ and Hilda+ Arline C. Failor+ Andrew Kahane Jack N. Mandel D. J. Hassler Nieman Hubert L. Fairchild+ Audrey Regan Robert A. Mann Masumi Hayashi+ Mr. and Mrs. George Jane Iglauer Fallon+ Kardos+ Mr. and Mrs. Samuel Oliva III Mr. and Mrs. Wade Aileen and Julian Mann Frances Fangboner+ Farley Helms George Oliva Jr. Kassen Karen Lee Marano Elizabeth Ludwig Dorothy P. Herron+ Marilyn B. Opatrny Fennell Mr. and Mrs. Joseph Kate M. Markert Rice Hershey F. Keithley+ Mrs. James M. S. Jay Ferrari Wilbur J. Markstrom Osborne+ Dorothy Tremaine Patricia Kelley Mr. and Mrs. C. J. Hildt Dr. and Mrs. Sanford Aurel F. Ostendorf+ Fiordalis John Kelly E. Marovitz Mary C. Hill+ Frederick Marilyn L. Fisher Bruce and Eleanor Mr. and Mrs. Woodworth Pattison Tom Hinson and Kendrick Anthony M. Maxeen and John Diana Tittle Robert De Steacy Flower Malcolm E. Kenney Martincic Paxton+ Dr. Gerhard Patricia Kenney Isabel Marting+ Virginia Foley Hoffmann and Mrs. James Edward Peck+ Richard Lee Francis Lee Hoffmann+ Lillian M. Kern+ Mr. and Mrs. Bruce Mrs. Rudolph J. V. Mavec Edward L. Franke+ Mr. and Mrs. Arthur Nancy H. Kiefer Pepke+ Kathryn Arns May+ Mrs. Ralph I. Fried+ S. Holden Jr. Mr. and Mrs. Edward Mrs. A. Dean Perry+ A. Kilroy Jr. Malcolm L. McBride+ Leonard F. and Dr. and Mrs. Ralph Catherine L. Fuller+ F. Hollander+ Mary W. and William K. McClung

84 Mr. and Mrs. Peter James Scheid Adele Z. and Daniel+ Susan and Andrew Mr. and Mrs. Barbara Bosworth Pfouts+ Elliott L. and Gail C. Silver Talton Frederick Weizman (American, b. 1953); Emily M. Phillips Schlang Dr. and Mrs. John A. Frank E. Taplin Jr.+ Dr. Joyce West National Champion Sims Darlington Oak, Florence KZ Pollack A. Benedict Charles H. Teare Marcia J. Wexberg Georgia, 1999, printed Jean C. Price+ Schneider, M.D.+ Naomi G. Singer Fred+ and Betty and Kenneth D. 2004; gelatin silver Singer Lois S.+ and Stanley Dina Schoonmaker Alden and Ellen D. Toguchi print; 24.6 x 59.5 cm; M. Proctor Bryan K. Schwegler Smith Mrs. William C. Marilyn J. White Gift of Mark Schwartz Dr. and Mrs. Frank Elizabeth Wade Kathleen E. Smith+ Treuhaft+ Mr. and Mrs. Alton and Bettina Katz Rack+ Sedgwick Katherine Solender Mr.+ and Mrs. W. Whitehouse Jr. 2005.348. M. Neal Rains Ralph and Roslyn and Dr. William E. Richard B. Tullis Hugh and Sherry Katzin Whiting Mrs. Alfred M. Seed Dorothy Ann Turick Rankin Dr. Gerard and Rochelle A. Solomon Brenda and Evan Douglas Wick Donna and James Phyllis Seltzer Dr. and Mrs. Turner Burt T. Williams Reid Mrs. William H. Gottfried K. Spring Mr. and Mrs. Robert Mrs. Lewis C. Robert S. and Sylvia Shackleton Lia N. Staaf A. Urban Williams K. Reitman Larry and Margaret Barbara J. Stanford Mary Louise Vail+ Mr. Meredith David Rollins+ Shaffer Lois C. and Thomas Alice O. Vana+ Williams James J. Roop Dr. and Mrs. Daniel J. G. Stauffer Marshall A. Veigel Mr. and Mrs. Roy L. Shapiro Williams Audra L. and George Dr. Willard D. Steck Elliot Veinerman Elizabeth Carroll Mary Jo Wise+ M. Rose Saundra K. Stemen Nicholas J. Velloney+ Shearer Lenora R. Wolf+ Jackie and Norton Ester R. Stern+ Catherine G. Veres Rose Dr. Walter Sheppe Nancy L. Wolpe Dr. Myron B. and Dr. and Mrs.+ Paul J. Carole W. and Kathleen Burke Helene Stern Donald F. Woodcock Sherwin+ Vignos Jr. Charles B. Rosenblatt Eleanor E. Stone+ Mrs. Paul Michael and Carol William E. Ward+ Dr. and Mrs. Ronald Lois and Stanley M. Wurzburger+ J. Ross Sherwin Elizabeth H. and Stone David H. Helen Zmek+ Aurelie A. Sabol Patricia and Asa+ Shiverick Zenta Sulcs+ Warshawsky Dr. William F. Marjorie Bell Sachs Zornow+ Mr. and Mrs. Joseph The Irving Sunshine Isidore Warshawsky+ Mr. and Mrs. James Shrier Family Mr. and Mrs. John C. Frances R. Zverina A. Saks Miriam, Stanley, and Karen K. Sutherland Wasmer Jr. James Dalton Kenneth Shuler Frances P. and Seth Mrs. Daniel T. Saunders Rosalind and Sidney Taft Weidenthal Dr. Franklin+ and H. Silber+ Josephine+ and Helen Charnes Nelson Talbott Schaefer

85 Named Endowment Endowment Funds L. E. Holden Endowment Funds $100,000 to Dr. and Mrs. Scott R. Funds for Art Art Purchase Louis D. Kacalieff, Specific Purpose $249,999 Inkley in memory of Purchase, Specific M.D. Mr. and Mrs. Katharine Newcomer Purpose, and $10,000,000 and $1,000,000 and Matthew Andrews Albertha T. Jennings Operations more Alma and Robert more Milne Ronald and Isabelle Musical Arts The following list sa- Leonard C. Hanna Jr. Robert P. Bergman, James A. Parmelee G. Brown Ellen Bonnie Mandel lutes the individuals, Bequest Curatorial Chair for Children’s Education families, and organiza- Charles B. and Carole Medieval Art John and Helen Collis Mr. and Mrs. William Family Fund tions whose named H. Marlatt Fund W. Rosenblatt** Robert P. Bergman Dr. Gerhard and Mrs. Robert A. Mann endowment funds for Severance A. and Jane B. Tripp Memorial Fund art purchase, specific Lee K. Hoffmann** Herman R. Marshall Greta Millikin Anne Elizabeth Ernest L. and Louise Memorial purpose, and opera- Wilson Fund M. Gartner Fund L. E. Holden tions provide an as- Malcolm Martin $1,000,000 to Andrew W. Mellon Gertrude S. Hornung sured source of income $6,999,999 Up to $99,999 Ethel Cable McCabe for the museum and Foundation Zane Bland Odenkirk serve as a lasting Dorothea Wright John Cook Memorial Andrew W. Mellon and Magdalena Thomas Munro legacy to their gener- Hamilton Fund Foundation Fund for Maillard Odenkirk Memorial Fund osity and foresight. Andrew R. and A. W. Ellenberger Sr. Publications and Charlotte F. J. S. Louise Pattison Based on market value Martha Holden Ruthe and Heinz Research Vanderveer Preservation and as of June 30, 2006. Jennings Eppler Reinberger Womens Council Conservation of Asian ** new fund or activity Alma Kroeger Julius L. Greenfield** Foundation Flower Fund** Paintings in 2005–6 John and Frances Mr. and Mrs. Edd A. $400,000 to Maria J. and William Sherwin Fine Arts Up to $99,999 Ruggles Memorial $999,999 Aubrey Hall** Garden Anonymous** Fund Delia E. Holden Lawrence Hitchcock The Paul J. and Edith Lydia May Ames Adolph Benedict and Tom L. Johnson Lillian M. Kern Ingalls Vignos Jr. Valentine Bikerman Ila Roberts Schneider Memorial Fund G. M. and J. R. Curator of European Scholarship Fund** Memorial Music Kelly** Painting Fund Edwin R. and Harriet Robert Blank Art Pelton Perkins Mr. and Mrs. Roger J. Charles Frederick $500,000 to Scholarship Fund Mr. and Mrs. Richard Lerch in memory of Schweinfurth $999,999 Arthur, Asenath, and W. Whitehill Carl J. Lerch and Scholarship Winifred J. Lerch** George P. Bickford, Walter H. Blodgett Memorial Fund H. E. Weeks $250,000 to Mary Spedding Curatorial Chair for Memorial for Art and Kelly Dreger $399,999 Milliken Memorial Indian and Southeast Architecture Asian Art Louise M. Dunn Edward L. Whittemore Judith and James A. Mary H. White Saks in memory of Rufus M. Ullman** Fund Dorothy H. Zak $100,000 to Lynn and Dr. Joseph Nicholas J. Velloney** Netta Faris $249,999 Tomarkin** Delia H. White Fine Arts Garden Charlotte Ekker and Dr. Gerard and Anton and Rose The Gallery Group** Mastiff Bat Vessel, ad Charlotte Vanderveer Phyllis Seltzer Zverina Music Fund Gilpin Scholarship 50–200; Central Hershey Family Fund Elizabeth Carroll Fund of Karamu Andes, Moche people; Shearer $250,000 to ceramic and slip; 18.4 Louis Severance House Higgins $499,999 x 17.7 x 15.6 cm; John L. Nicholas J. Velloney Mr. and Mrs. James Severance Fund Mr. and Mrs. William Mildred K. Bickel C. Hageman in 2005.6. E. Ward The Noah L. Butkin memory of Mrs. Elta Fund Albaugh Schleiff Ellen Wade Chinn Charlotte L. Halas Harold T. Clark Flora E. Hard Educational Memorial Fund Extension Fund Guerdon Stearns Marie K. and Hubert Holden L. Fairchild Fund** Dorothy Humel The FUNd Hovorka Musical Arts Marianne Millikin Fund Hadden Fund Frank and Margaret Malcolm E. Kenney Hyncik Memorial Special Exhibitions** Fund F. J. O’Neill Rose E. Zverina**

86 Endowment Funds Alison Loren and $100,000 to Up to $99,999 Caroline Operating Leslie Burt Fund in $249,999 Arthur, Asenath, and MacNaughton memory of Albert Quentin and Walter H. Blodgett Mr. and Mrs. $10,000,000 and and Doris Glaser Elisabeth Alexander Memorial Fund Severance A. Millikin more Margaret Julia and James Mr. and Mrs. Wilbert David and Dorothy Leonard C. Hanna Jr. Huntington Smith Dempsey S. Brewer Morris Memorial Bequest McCarthy Frances W. and Noah and Muriel Mr. and Mrs. George Membership F. J. O’Neill David S. Ingalls Butkin Oliva Jr. Endowment Anna L. Vanderwerf Mr. and Mrs. Julius Cahan Rudolph J. Pepke Memorial Fund $1,000,000 to Edward A. Kilroy Jr. Mrs. Harold T. Clark Memorial $5,999,999 Mr. and Mrs. Ada E. Koehler Memorial Mr. and Mrs. Alfred Richard W. Dorothea Wright Memorial M. Rankin Whitehill Mary Elder Crawford Hamilton Mr. and Mrs. Mr. and Mrs. Louis Silvia and Justin Nancy W. Danford Leonard C. Hanna Jr. William H. Marlatt Rorimer Memorial** Zverina Fund in Fund Bernard and Sheila Benjamin S. Hubbell memory of Lillie and Eckstein Glenn C. Sheidler Family Fund Adolph Wunderlich Estate of Malcolm L. Francis M. and McBride Adele C. and Howard Andrew R. and P. Eells Jr. Margaret Halle Martha Holden $250,000 to Ruth K. Sherwin $499,999 McDonough Eleanor and Morris Jennings Everett James N. and George P. Bickford Laurence H. Norton Kathleen B. Sherwin William G. Mather Elsa C. and Warren Mr. and Mrs. James S. Julia Cobb and Helen G. and C. Fargo Jane B. Tripp Reid Jr. Benedict Crowell A. Dean Perry George Garretson Memorial Fund Robert I. Gale Jr. and Katherine Holden William B. Sanders Frances W. Gale Wade Memorial Elizabeth G. Drinko Thayer Margaret E. and Newman T. and Virginia Worcester Reed and Richard B. and Frank E. Taplin Jr. M. Halvorson** Cornelia Blakemore $500,000 to Chaille H. Tullis Paul J. and Edith Warner Memorial $999,999 Mr. and Mrs. Arthur G. Garretson Wade Ingalls Vignos S. Holden Jr. Paul D. and Odette Charles R. and Emma Lewis C. and Lydia Alton and Helen V. Wurzburger M. Berne Memorial Ralph and Mildred Williams Whitehouse Fund Hollander Lewis B. and Helen Roberta Holden Bole Mr. and Mrs. Michael C. Williams J. Horvitz Josephine P. and Dorothy B. Everett James D. and Cornelia W. Ireland Charles W. Harkness James Endowment** Louise H. and David S. Ingalls Martin A. LoSchiavo**

Nose Ornament with Human Head and Condors Attacking Humans, ad 100–300; Central Andes, Moche people; gold alloy; 9.5 x 16.5 x 1.6 cm; Severance and Greta Millikin Purchase Fund 2005.175.

87 Individual and $25,000 to $49,999 $10,000 to $24,999 Marilyn B. Opatrny Mr. and Mrs. Morris Daniel W. Dority Contributing Anonymous #5 Anonymous #3 Aurel F. Ostendorf A. Bradley Memorial Endowments for Marie N. Agee Anonymous #9 S. V. Palda Memorial Emma G. Brassington Mr. and Mrs. Robert General Operations Memorial P. Duvin The following list Arthur, Asenath, and Raymond Q. and Franklin and Helen Walter Blodgett Elizabeth Riely Elizabeth Rockefeller Arthur L. and William Joseph salutes the individuals, Virginia Brockway Eastman Memorial families, and organiza- Memorial Armington Memorial tions whose named Myrta Jones Cannon Barbara J. and Daniel and Adele Z. Arthur D. and Ella C. Edison membership endow- Matthew A. Baxter Silver Marion W. Brooks Maud Stager Eells and Howard Melville Memorial ment funds for opera- Hanna III Memorial Virginia R. Chester D. Tripp Howard Parmelee tions provide an as- Billinghurst Memorial The Oliver and Mr. and Mrs. Lawrence Hitchcock Atheline M. and John Harriet G. Brooks sured source of income Memorial Eleanor and Sevier S. Wilbur Frederick L. Emeny for the museum and Memorial David H. Jacobs Bonnie Womens Council of Sam W. and Florence serve as a lasting Glenn and Jenny Taylor Emerson legacy to their generos- Franny Tewksbury Frances Kelleher The Cleveland Brown Bradner Museum of Art Dr. and Mrs. Michael ity and foresight. Based and Ralph T. King Helen C. Brown on cumulative giving as Memorial Linda Bole Brooks Susan Barber D. Eppig of June 30, 2006. Memorial Woodhill Memorial Ezra and Rose Alwin C. and G. Robert and Mary Brudno Memorial **New fund or activity Elizabeth Klein Louise Brown Dr. and Mrs. E. K. Charlotte F. Ernst in 2005–6 Zaworski Memorial Polly S. and Clark E. Memorial Jack and Carolyn Katherine Ward Bruner Lampl Burrell Neil and Marian Evans Up to $9,999 Laura Merryweather Patricia C. LeMaster The Champney Fund Mr. and Mrs. Harold Anonymous #1 Burgess Memorial Fallon Memorial Harold T. Clark Anonymous #2 Mr. and Mrs. Adolph J. and Esther Aline McDowell Cleveland-Cliffs Courtney Burton Memorial Anonymous #8 S. Farber Memorial Foundation Alice Carothers Mr. and Mrs. Eugene Anonymous #10 Paul Louis and Edith Phyllis G. and Jacob Memorial Lehman Feiss R. Miles Frances Adams and D. Cox Jr. Memorial Katherine Hodell Memorial Mary E. Adams Ralph J. Mueller Mrs. John B. Dempsey** Chilcote Memorial Memorial Memorial James Edward Ferris Estelle M. and Alton Alvah Stone and Memorial Walter S. and Mabel Carl L. and Florence C. Dustin Memorial Adele Corning B. Selden Croston Adams C. J. and Elizabeth Pamela Humphrey Chisolm Memorial Fiordalis Alfred S. and Estelle John and Frances W. Firman Kenneth L. and Sherwin G. Andrews Royal and Pamela H. Mr. and Mrs. J. Karen M. Conley Firman Jr. Mr. and Mrs. Nelson Stella Minor Arntisdale Harrington Glidden Charles E. Cooper Flesheim Foundation S. Talbott Fund in Eva M. Baker Edgar A. Hahn Delos and Anita memory of Mr. and Memorial Mr. and Mrs. Walter Mrs. Edwin Kirk Robert L. and Lois Cosgrove L. Flory S. Prentiss Baldwin Large M. Hays Tina V. Cowgill Memorial Mary Eileen Fogarty Frank E. and Edith S. Mr. and Mrs. George Mrs. Harry J. Mr. and Mrs. A. Kate L. Fontius Taplin Memorial M. Humphrey II Crawford Beverly Barksdale Memorial Mr. and Mrs. Thomas George M. and Harris Creech Esther K. and Elmer Dr. and Mrs. Finley V. H. Vail Pamela S. Humphrey G. Beamer Foundation Mary Elizabeth M. K. Foster Dr. William F. Albert S. Ingalls Crawford Croxton Mr. and Mrs. Arnold I. T. Frary Memorial Zornow David S. Ingalls Jr. Bellowe Nathan L. Dauby Karen Freeman Memorial Ruthalia Keim W. Dominick Benes Miriam and Harry M. Richard and Gina Memorial Bernice and David E. Friedman Davis Klym George P. and Clara Edward M. Fritz Harley C. and G. Bickford Elaine Davis Memorial Memorial Elizabeth K. Lee George T. Bishop W. Yost Fulton Helen S. Leisy Memorial Helen and Albert DeGulis Frederick William Memorial Roberta Holden Bole Gehring Memorial Robert Arthur Mann Memorial Elizabeth Brainard Thomson Denison Hulda B. Gehring Samuel and Grace Alfred M. and Palmyre Memorial Myron E. and Rose Mann** C. Bonhard Memorial Edwin A. Dodd B. Glass Judith K. and S. Helen and Albert Mary G. and Frances Sterling McMillan III Borowitz Mr. and Mrs. John R. Donnell K. Glidden Memorial Donna and Ruben Alva Bradley Memorial Mettler

88 George C. Gordon Eugene S. and Dr. and Mrs. Scott R. Dr. and Mrs. Sidney Dr. and Mrs. Harvey Mark Klett (American, Mr. and Mrs. Herbert Blanche R. Halle Inkley Lobe J. Mendelsohn b. 1952) and Byron G. Goulder Memorial Memorial Ireland Foundation William A. Lowry Frederick Metcalf Wolfe (American, b. Helen C. Halle Memorial 1967); Sentinel Dome Mr. and Mrs. Gary Paul F. and Lucretia Mr. and Mrs. George Connecting Three Graffman Salmon P. Halle B. Ireland C. Lucas Memorial H. Oothout Milliken Views by Carleton C. A. Grasselli Memorial Mr. and Mrs. Henry Mr. and Mrs. John S. Memorial Watkins, 2003, printed Memorial Harold A. and L. Jackson Lucas Hugh K. Milliken 2005; 53.4 x 166.2 cm; Edward Grasselli Claribel B. Hallstein Ann J. and E. Bradley Marilyn Lurie Memorial Gift of William S. Memorial Florence A. Hamilton Jones Memorial Thomas S. and Marie Lipscomb in memory Mr. and Mrs. Jerome Colburn Haskell Issac and Jennie B. Charlmer F. Lutz E. Milliken Memorial of his father, James S. Gratry Memorial Joseph Memorial Memorial Julia Severance Lipscomb 2006.63. John Adam Green Mr. and Mrs. Robert Louis D. Kacalieff, Hilda B. Lyman Millikin Martina D. Grenwis Heller M.D. Memorial Anna Willett Miter Birdie B. Herzog I. Theodore Kahn Isabel Marting and Harry Fancher Mr. and Mrs. Richard Memorial C. Gridley Memorial Mrs. I. Theodore Kahn Grace Harman Fanny Hanna Moore Mr. and Mrs. Frank Laurence A. and Samuel S. and Mather Memorial K. Griesinger Margarete S. Higgins Dorothy D. Kates Katherine L. Mather Mrs. J. E. Morley Frank J. and Anastasia Eleanor Hilliard Marie and John Kern Memorial Mrs. Cox Morrill M. Grossman Memorial Memorial William G. and Gordon K. Mott Memorial** Mrs. J. Howard Charles G. King III Elizabeth R. Mather Mr. and Mrs. Werner Mrs. Ray J. Groves Holan Memorial Mike Matsko D. Mueller Mr. and Mrs. David Elinor Irwin Holden Mr. and Mrs. W. Memorial Jeanie C. Murray Memorial L. Grund Griffin King Jr. Ruth A. Matson Mary and Louis S. Agnes Gund Allen C. and Louise Louise Delaney Kathryn Arns May Myers Foundation Q. Holmes Memorial Kiphuth Memorial Clara Mayer Robert C. Norton George Gund III, Helen Chisholm Jessie Effler Kneisel Memorial Hord Harry D. and Blanche Agnes Gund, Gordon Ella Konigslow William B. McAllister E. Norvell Gund, Graham de C. Mr. and Mrs. Bird W. Memorial Gund, Geoffrey de C. Housum Memorial Elroy J. Kulas John O’Connor Gund, and Louise L. Memorial Malcolm L. and Lucia Crispin and Kate Mrs. Gene C. McCurdy McBride Gund Hutchinson Dr. and Mrs. Victor Oglebay Memorial Mr. and Mrs. James C. C. Laughlin Ellen E. and Lewis A. Mr. and Mrs. George Albert S. Ingalls Jr. McCreary Memorial Hageman** Memorial Caral Gimbel Oliva III Georgia S. Haggerty Lebworth Mr. and Mrs. S. William M. O’Neill Jane Taft Ingalls Sterling McMillan Bertha Halber Mr. and Mrs. Elmer Marion A. and Richard Inglis Lindseth Moselle Taylor Meals Memorial Amelia G. Parsons Memorial

89 When the Phillips Collection closed for renovation, stars of its collection toured the nation in the exhibition Masterworks from The Phillips Collection (right), which was in Cleveland just as our own collection was being removed in preparation for the renovation and expansion project.

G.G.G. Peckham The Sears-Swetland Mr. and Mrs. Charles Roland W. White Trust Fund Income Operating Memorial Foundation Farrand Taplin Memorial for Art Purchase, Harry F. and Edna J. Mrs. Heaton Elizabeth and Ellery Stan Thomas Walter C. White Specific Purpose, Burmester and Operations Pennington Sedgwick Brenda and Evan Memorial Caroline E. Coit The following list Drake T. Perry Mary H. Severance Turner Mr. and Mrs. Hugh Helen C. Cole Memorial R. Whiting acknowledges the Mr. and Mrs. M. H. Joseph and Edwin individuals and fami- Henry G. Dalton Pierce Samuel Paisley Shane Upson Memorial Mr. and Mrs. Douglas lies whose trusts General Endowment Mary B. S. Pollock Memorial Mary Southworth Wick provided income Guerdon S. Holden Mr. and Mrs. Henry Perin Shirley Upson R. C. Williams to the museum in F. Pope Memorial Samuel H. and Captain and Mrs. 2005–6. John Huntington Art and Polytechnic Trust Eda Sherwin Prescott Vladimir G. and Bessie Shaw Urdang Thomas Wilson Mary Kingsbury Memorial Memorial Art Purchase Hinman B. Hurlbut John B. Putnam Simkhovitch Memorial Dudley P. Allen Memorial Dorothy T. Van Boris Witzer Memorial Horace Kelley Art Allard and Margaret Loozen Memorial Elbert C. and Karl B. Goldfield Foundation Frank J. and Rita M. E. Smith Rack Visible Language Henrietta S. Wixom Severance and Greta William Curtis James A. and Elizabeth George Garretson Memorial Millikin Morton, Maud Lucille Ralls B. D. Smith Memorial Morton, and Memorial Wade Memorial J. D. Wright John L. Severance Nathalie C. Spence Kathleen Morton Robert S. and Sylvia Whitney and Clara Gordon York Norman O. Stone Memorial Florence S. Warner and Ella A. Stone Elisabeth Severance K. Reitman Wilbur H. and Prentiss Marion H. Spiller Memorial Robert L. Zink Memorial James McElroy Katherine Holden Richardson Memorial Louis Stearn Mr. and Mrs. John C. William H. and J. H. Wade Wasmer Jr. Thayer Fund #3 Lillian Rosenbaum Avery L. Sterner Bertha S. Zink Memorial Sada D. Watters Memorial Specific Purpose John Mason Walter Memorial and Jeanne M. Walter Nathalie B. Steuer Memorial Leonard C. Hanna Jr. Dr. and Mrs. Ronald General Operating Memorial J. Ross Memorial Mrs. Daniel T. Hermon A. Kelley Weidenthal Endowment Art Library William E. Ward Walter Ross Judith Helen and Contributors Martha A. Stewart Mr. and Mrs. Robert P. J. McMyler Walter D. Sayle Memorial L. Weston Estate of David J. Musical Endowment Rollins Mrs. William Cramp Mr. and Mrs. John Roy M. Wheeler Scheetz Jr. M. Stickney Memorial Yale—Class of 1951 Else Schmelzer Morris and Maxeen Kathleen F. Whidden Building Heinz Schneider Stone Memorial Endowment Ellen Schultz Selina J. Sullivan Martha W. White Contributors Charles P. and Ella R. Memorial Miriam Norton GAR Foundation Scovill Memorial Seth and Frances Taft White

90 Corporate support

Business Operating Support Rockwell Chubb Group of Margaret W. Wong Special Projects, Leadership Council Automation Insurance Companies & Associates, Co., Programs, and Charles S. Hyle, Corporate Sustainer RPM International, City Architecture, LPA Exhibitions Co-Chair, Key Bank ($25,000 or more) Inc. Inc. McCarthy, Lebit, $100,000 or more Jeffrey D. Kelly, Bank of America The Sherwin- Cleveland-Cliffs, Inc. Crystal & Liffman Co., LPA Baker Hostetler Co-Chair, National IntelliNet Williams Company Cohen & Company City Corp. Corporation Millcraft Group National City Bank Squire, Sanders & Collins Gordon NACCO Industries, Dempsey LLP Morgan Litho, Inc. Corporate Council Bostwick Architects $25,000 to $99,999 Inc. Wellington Mutual of America Continental Airlines, Chase Paul Clark, National Management Corporate Founder Inc. Nordson Corporation City Corp. Company LLP Dominion James M. Dickey, ($15,000 to DaimlerChrysler North Coast Energy, Foundation $24,999) Corporation Fund Inc. Accenture LLP Corporate Hahn Loeser + Parks Celso R. Gilberti, Baker Hostetler Contributor ($3,000 Degussa Construction Noveon, Inc. LLP Gilberti Studio Hahn Loeser + Parks to $4,999) Chemicals, Inc. Ohio CAT $10,000 to $24,999 International LLP Central Business Dix & Eaton, Inc. Ohio Savings Bank Beth H. Hallisy, Group Dollar Bank Charter One Bank Corporate Parker Hannifin Marcus Thomas Deloitte & Touche Benefactor Edgepark Surgical Corporation Jo-Ann Stores, Inc. William Hamann, ($10,000 to Ernst & Young LLP Inc. Richard Fleischman $2,000 to $9,999 Charter One $14,999) Institutional Capital Findley Davies Inc. Architects, Inc. Financial Ford Motor Giant Eagle, Inc. Corporation FirstEnergy Robert P. Madison Oliver C. Henkel, Company Performance Lincoln Electric International, Inc. Thompson Hine Ford Motor Great Lakes Brewing Enterprises, Inc. Company LLP Company SE Blueprint Company Macy’s Gilberti Studio Sebesta Blomberg Conway G. Ivy, Corporate Patron Henkel Consumer MAR-BAL, International, LLC Associates The Sherwin- ($5,000 to $9,999) Adhesives Incorporated Gorman-Lavelle SIFCO Industries, Williams Company Accenture LLP Margaret W. Wong Marous Development Corporation Inc. Robert H. Jackson, American Greetings & Associates, Co., LLC Great Lakes STERIS Corporation Kohrman Jackson & Corporation LPA Krantz Marsh USA, Inc. Integrated Strang Corporation Brush Engineered Target Stores Nordstrom Herbruck, Alder & Roy E. Klein, Bank Materials, Inc. Vorys, Sater, One, N.A. Northern Haserot Company Seymour and Pease Under $2,000 Charter One Bank John C. Morley, Co. Hitachi Medical Weston Hurd Fallon Gallery Group, Inc. Chase Evergreen Ventures Panzica Construction Systems America Inc. Paisley & Howley Mutual of America Christie’s Patrick S. Mullin, Company IBM Corporation LLP Passage Events Deloitte & Touche Cintas Corp. Plain Dealer International Corporate Donor LLP Dominion Publishing Co. Management Group (under $1,000) Brad Norrick, Marsh Foundation Richey Industries, The J. M. Smucker Commercial Alloys USA, Inc. Fifth Third Bank Inc. Company Sales LTD. David Osborne, GE Consumer Thompson Hine LLP Jo-Ann Stores, Inc. McCormack The Davey Tree Products Johnson Controls, Advisors Corporate Associate Expert Company Jones Day Inc. Elliott L. Schlang, ($1,000 to $2,999) Euclid Office Supply, Keithley Instruments, Kinetico Incorporated LJR Great Lakes Alliance Capital Inc. Inc. Lithograph Management Kohrman Jackson & Gould Electronics, KPMG LLP Krantz P.L.L. Richey Smith, Applied Industrial Inc. Richey Industries, Lamson & Sessions Technologies, Inc. Landau Public The Hartford Relations Inc. McMaster-Carr Argo-Tech The Hoffman Group Rich Stovsky, Supply Company Corporation Linsalata Capital Partners Ohio Envelope Pricewaterhouse MTD Products Inc. ArvinMeritor Manufacturing Co. Coopers Lubrizol Corporation Myers Industries, Inc. Blue Point Capital Reliable Runners John Switzer, Northern Trust Bank Partners Luce, Smith & Scott, KPMG LLP Inc. Prince & Izant Bonfoey Company Kevin Weiss Luxottica Retail Company Bonne Bell Marcus Thomas Reich & Tang Asset CBIZ, Inc. Management LP The Chilcote Company

91 Matching Gift Companies

Aetna Foundation, Inc. FirstEnergy National Starch Altria Group, Inc. Foundation and Chemical Foundation Inc. American Express FM Global Foundation Foundation General Mills Nordson Corporation Aon Foundation Foundation Goodrich Foundation The Pfizer BD Matching Gift Foundation Program W. W. Grainger Inc. Pitney Bowes Inc. The Black & Decker H. J. Heinz Company Corporation Foundation PPG Industries Foundation BP Foundation, Inc. Harris Bank Foundation The Progressive Caterpillar Insurance Foundation IBM Corporation Foundation Chevron Matching The J. P. Morgan Rockwell Gift Program Chase Foundation International Computer Associates Johnson & Johnson Corporation Trust International, Inc. Family of Companies SBC Foundation Corning Incorporated Key Foundation SBC Ohio Foundation The Lamson & SBC Services, Inc. At the Circles party for Degussa Construction Sessions Foundation The NEO Show guest Chemicals Americas The Stanley Works Cecily Kamps converses LexisNexis Cares Dominion Foundation Thrivent Financial with artists Brendan The Lubrizol for Lutherans Fitzgerald and Andrew Eaton Corporation Foundation McEachern. UBS Foundation Emerson Electric MassMutual Financial USA Company Group WellPoint Energizer Charitable The May Department Foundation Trust Stores Company Foundation West Community Eric and Jane Nord Partnership Program Foundation Mellon Financial World Reach, Inc. ExxonMobil Corporation Fund Foundation Merrill Lynch & Co. First Data Western Foundation, Inc. Union Foundation NACCO Industries, Inc.

Linda Butler and Phillip Brutz documented the museum’s deinstallation process; their photographs were on view in the mezzanine gallery at MOCA Cleve- land. Here, visitors peer through viewers to see Brutz’s stereoscopic images.

92 Foundation and Government support

Operating Support $2,500 to $4,999 Special Projects, George M. and Pamela Programming, and $150,000 or more S. Humphrey Fund Exhibition Support Ohio Arts Council The Thomas Hoyt and $150,000 or more The Kelvin and Katharine Brooks Jones Eleanor Smith Family Foundation Institute of Museum and Library Services Foundation John P. Murphy Foundation U.S. Department of $25,000 to Education $149,000 The Perkins Charitable Foundation Helen Wade Greene $25,000 to Charitable Trust Lois C. and Thomas $149,000 G. Stauffer Foundation Sage Cleveland Cuyahoga County Foundation Board of $1,000 to $2,499 Commissioners $10,000 to $24,999 The Harry K. Fox Jimmy Dimora and Emma R. Fox Timothy F. Hagan George W. Codrington Charitable Foundation Peter Lawson Jones Charitable Foundation The Victor C. The Kulas S. Livingston Mather Laughlin, M.D., Foundation Charitable Trust Memorial Trust John P. Murphy The Payne Fund The Charles J. and Foundation SCH Foundation Patricia Perry Nock National George Garretson Fund Endowment for the The Arts & Crafts Wade Charitable David and Inez Myers Arts exhibition proved Trust #2 Foundation popular mainly because S. K. Wellman $10,000 to the objects on view Foundation $24,999 served useful purposes Andrews Foundation in everyday life. $5,000 to $9,999 The George Gund Corinne L. Dodero Foundation Trust for the Arts and The Peter Krueger- Sciences Christie’s The EWR Foundation Foundation The Katherine Kenyon Stocker Foundation Lippitt Foundation The Murch $5,000 to $9,999 Foundation Collacott Foundation Sedgwick Fund The Human Fund Sherwick Fund Laub Foundation WCLV Foundation The Murch Foundation

$1,000 to $4,999 Nathan L. and Regina Herman Charitable Fund Ohio Humanities Council

93 Tribute

Gifts in Honor of Anne Berk, for her Jack and Judy Kaufman, Bryan Reid, birthday Barbara Smeltz, . . . received from tour of The Phillips 50th wedding Susan and Dieter Merry Christmas Collection anniversary Kaesgen Andrew, Hannah, Sylvia K. Adler, Renee Chelm Lee and Theresa Julie, and Jay Smeltz 90th birthday Markowitz David and Beth Bernard D. Duber Mark Cole, Union Ricanati, Happy Jack Turben, Club presentation Julie Keefer, 65th Holidays 70th birthday Hanna and Jim Bartlett, Moses Cleveland birthday Employees of Dr. Ronald and in appreciation of the Chapter of the Rosalyn and Henry American Greetings Mrs. Diane Bell collection and expansion Daughters of the Frank plans American Charles B. and Carole Lee and David Ann S. Higgins Revolution Mr. and Mrs. Joseph P. W. Rosenblatt, Warshawsky, 40th Keithley, 30th wedding commemorating wedding anniversary Anne Berk, milestone Mrs. David Crocker anniversary granddaughter’s Bat Iris and Tom Harvie birthday Daphne Crocker Lester Theodore+ Mitzvah Amy Berk and Edith D. Miller Ms. Kate Richner The Weil Family, in Andrew and Judy Barbara and Paul appreciation of friendship Blazar and Family Feinberg, special James Koplow, birthday Timothy Rub, Mr. Cary Schmelzer anniversary Ruth Rose 21st Century Club Betsy and Sylvia Jules and Judy Garel presentation Ruth White Blazar Ellen and Bruce Mavec, 21st Century Club Judith and James A. Larry and Carol Nina and James 20th wedding Saks Blazar Gibans, 50th wedding anniversary Gail Schlang Dr. Marie Dellas anniversary Dr. Ronald and Ted and Idarose Ms. Emilie M. Mrs. Diane Bell Luntz Lynn and Erv Barnett William R. Joseph Edelman Naomi Singer, birthday and Sarah J. Sager Dr. Bernie and Carol and Ron Godes, Julia, Ryan, Greg, Linda Friedman 50th wedding Kathy Moroscak, Phil, and Ann Singer anniversary Karenruth and friendship Mr. and Mrs. Phillip Carolyn and Melvin Sandy Kravitz Emily H. Brasfield Singer Grossman Anclaire Oscar Esther Hunt Dr. Steven E. Nissen Kathy Mead Skerritt PPSI, Incorporated John and Carol Betsy and Ken Hegyes, Lukanc thank you Dr. Alvin and Lorrie Gerry Slack Magid Sarah Todd

A neon sculpture by Jeff Chiplis welcomed visitors to the NEO Show.

94 Gifts in Memory of Edward Ellingham Marvin and Helen Fox Lester T. Miller Hans Schramek Drs. Beno Michel . . . from Thomas W. Lois Pearson Sally Conley Mr. Scott Kahn and Nina Petroff Armstrong Roberts Jim and Elaine Michael Miller Elias L. Abraham Adalaide Smilanick William J. Dauterman Annette A. Jones Evelyn Galetovich Mrs. Milton Berman Mildred Morrison Beckwith Jr. Robert and Ann Dolores and Larry Paul B. Berman The Ratner School Dorothy Arons Julia and Patrick Badar Friedman Ellen Brown and Mrs. Deborah Jan and Ron Bernhardt Marta and Don Jack Mary A. Edell Jonathan Brown Ratner Salzberg Silverman and Charles Cardona and Sheila, Gary, and Helen Korach Family Melinda Gordon Mrs. Wendy Thomas J. Scanlon Jandi Faulhammer from Dreyfus Nancy Koven Diamond Joan Shafran Valentine Bikerman Institutional Horizon Mrs. Jack W. Kahn Kleinman, Joseph Shafran Mr. and Mrs. John Orthopedic, Lampl Jr. C. Angus Stephen M. Clark LPA Mr. and Mrs. Incorporated Bruce Lilliston Mr. and Mrs. John Elizabeth Crow Michael and Drue Michael A. Shemo Marion R. Lightner Murman F. Baumann Jean and Paul Fissel Mr. and Mrs. Arline P. Siegelman Ed and Georgia Stanley Meisel Deborah and David Michael and Viola Marcia Grout Pivcevich Daniel T. A. Bickerman William L. and Shifrin Weidenthal, M.D. Mr. Thomas R. Norman A. and Joan H. Ziegler Jane T. Blodgett Jacobson Sally A. Visich William A. VanDuzer Mr. and Mrs. Mr. and Mrs. J. L. Julia F. Mosier Ms. Marilou Earle Norman and Ann Jameson Rebecca Uliss Goldsmith Marian and Glenn Craig Richard and Beverly M. Blair Jr. Elizabeth Zweig Robert J. Kelly Cunningham Mr. and Mrs. Irwin Mark S. and Karen Leo and Margo Elizabeth O. Palmer J. Apple S. Freudenberger Mrs. Evelyn Knight Jr. Newman Annette A. Jones Errol Brick Hillcrest Art Guild Randy Kord Mrs. Ethel Paley Lisa S. Sanfilippo John H. Bundy Jasper and Fern Karoline M. Krailo Honnie and Stanley Ingersoll Robert Arthur Graham Robert Petrick National City Pat Deno Busch Jim and Anne Corporation Dr. Alan M. Corn Kirkland and Family Mrs. Kathleen National City Richard Haber Rick Phillips Butler Jennifer Y. B. Jan and Ron Private Client Robert and Ann Kent Clapp and the Martin Silverman and Group Finance Friedman Medical Mutual Family Ms. Mary V. Odom Department of Ohio Executive Wai-kam Ho Mrs. Dina Mary Grace Pattison Nancy Ball Roudebush Staff Schoonmaker Mr. and Mrs. H. Mrs. Roseanna Carroll Cassill Sarah Williams Mr. and Mrs. Jack and Doris Petruzzelli Robert P. Duvin Sidney Salkin Simich Therese Kelly Mrs. Alvin B. Fisher Mary Ann and Sylvia K. Adler Michael Protzik Margaret and Edwin Rina and Samuel Mary Bittenbender Employees of the Miller Frankel Mr. and Mrs. Dan and Amy American William H. Reynolds Julian “Bud” Klein Association for the The Gross Family Hoffmann S. N. Phelps & Mrs. B. M. Advancement of Stephen Hoffman Company Holdstein Myrn K. Philbrick Science Mr. and Mrs. Fred Marvin and Suzanne Fred and Thea Klestadt Judy Dorfman Bass Isenstadt Harold Terry Clark, Stawicki and Stanley Bass Gary G. and Mary Sanders Clark, Linda Leach Paul Thomas, Ted The Clandon Deborah Wechsler and Marie Odenkirk Judith and James A. Clark Tozer, and Todd Neighborhood Kelm Householder of Saks William Sanders Kathy and Jack Jewel Koletsky Clark National City Gottlieb Mortgage Company Paula Krulak William DeLappa Margot and Art Bruce W. Lang and Theodore W. and F. Hoicowitz Oliver H. Perry Sandra Tozer the shareholders of Elementary School Don Robinson and Hausser + Taylor Luann Vargo Sara Stein LLC Stanley Eigner Richard A. and Laurel and Irl Rubin David J. and Cindy Ted and Idarose H. Sue Zackroff L. LaRue Luntz Ms. Diane A. Millie Fingerhut Stahler M & J Shafran Jan and Ron The Sunshine Fund Foundation Silverman and Alex Machaskee Family

95 Gifts to Ingalls Library

Individuals Marsha Morrow Institutions and Gesellschaft de SALALM, Inc. Ann B. Abid Stacie Murry Organizations Keramikfreunde E.V. The Salvation Army Louis V. Adrean Terry Parmelee Acme Fine Art and Haystack Mountain S. Franses Ltd. Design School of Crafts Margot Baldwin Bruce W. Pepich Showtime Quilters Allan Stone Gallery Heribert Tenschert Marianne Berardi Constantine Petridis Guide & Directory Ameringer Yohe Hirschl & Adler Spanierman Gallery Steve Berger John Popplestone Fine Art Modern John Black Cynthia Rallis Spelman College Amitabha Buddhist Historical Society of Museum of Fine Art Hillary Bober Clara Rankin Library Clinton, Michigan Stephen Daiter Jack Perry Brown Jane Rehl The Andy Warhol Hollis Taggart Gallery Robert Delford Katherine Rheinhardt Foundation for the Galleries Visual Arts Susan Schulman, Brown Charles B. Rosenblatt IFLA Printseller Arte al Dia Rita Buchanan Mr. and Mrs. Charles Illinois Historical Art International Thurgood Marshall Gary Bukovnik B. Rosenblatt Project Scholarship Fund The Art League of Caryl Burtner Rachel Rosenzweig International U.S. General Services Cincinnati Research Center for Bella Carmely Barbara Roux Administration Anthony McCall Japanese Studies Laurence Channing Kate Runde Ubu Gallery Associates, Inc. Irvin & Gormley, Inc. Robert Chase Chika Sasaki Ban Garow The Womens Japan Society Council of the Alan Chong Aude Semat Contemporary Art (London, England) Gallery Cleveland Museum Melissa Cicetti Mary Simons Kang Collection of Art Mark Cole Nana Tamamoto Barbara Gladstone Gallery Katharina Rich William Reese Paul Cox Bert Teunissen Perlow Gallery Company Centro Di Stan Czuma Louise A. Tiemann The Khalili Zwirner & Wirth Christie’s Hong Kong Collections Christine E. Esther Tiszavari Ltd. Edmonson Georgina Toth Korean Consulate Cleveland Public General Shezza Edris Charles L. Venable Library Lloyd Ellis Marie Walsh Sharpe David and Lee Consulate General Art Foundation Jordi Falgàs Warshawsky of Switzerland Matthew Marks Deanna Bremer Fisher Ruth Weisberg Courtauld Institute Gallery of Art Stephen Fliegel G. M. Wilson McLarty’s Choice Nina Gibans Bettina Witteveen D. K. Agencies (P) Ltd. Michael Hoppen Cristy Gilbert Gallery LTD Deutscher Jane Glaubinger Kunstverlag Middle Eastern Graham Grund Culture Center in Fine Arts Program Japan Marjorie Guthrie Fundacion Blasco de Mollerussa Mostra John Hagood Alagon d’Art Contemporani Richard Hallock Fundació Orfeó Museo de Arte Iberico Stephen Harrison Català Palau de la “El Cigarralejo” Música Henry Hawley National Collage Furniture History Sheila Hicks Society Society Tom Hinson Nordic Institute for Galerie Camoin Contemporary Art Gloria Homolak Demachy Panmun Book Martin Huberman Galerie Eric Coatalem Company Phillip Iannarelli Galerie Iris Wazzau Partridge Fine Arts Robert M. Kaye Galerie Jean François plc William Kennedy Baroni Redfern Gallery Ellen Landau Galerie Maurice Regione Abruzzo Garnier Sherman E. Lee Rockrose Publishing Louise Mackie Galerie Schwind Lori Martin Louella Mayer

96 Benefactors

The Cleveland Museum Virginia Hubbell Foundation Elizabeth M. Skala Mr. and Mrs. Arthur Alexandre P. of Art recognizes the David S. Ingalls and Benefactor Squire Sanders & S. Holden Rosenberg cumulative giving of Family ($500,000 to Dempsey Mr. and Mrs. James Carole and Charles individuals, corpora- $999,999) Institute of Museum United Technologies D. Ireland III Rosenblatt tions, and organiza- Anonymous (2) tions. We extend our and Library Services Corporation The John P. Murphy Edwin Roth deepest appreciation Louise H. and David Hanna H. and James Nicholas J. Velloney+ Foundation Mark Schwartz and T. Bartlett to these generous S. Ingalls Foundation Dr. and Mrs. Paul J. The J. Paul Getty Bettina Katz donors. Andrew R. and BP America Vignos Jr. Trust The Sears-Swetland Martha Holden Hon. Joseph P. Mrs. J. H. Wade Susan and Dieter Family Foundation Jennings Carroll and Mrs. Kaesgen Mr. and Mrs. James Patron Benefactor Carroll Womens Council of The Kelvin and the Cleveland Malcolm E. Kenney N. Sherwin ($1,000,000 or Eleanor Smith Ellen Wade Chinn more) Museum of Art The Kresge John and Frances M. Foundation Alexander M. and Foundation Sherwin Anonymous Dr. Norman W. Lila Wallace–Reader’s Sarah S. Cutler Zaworski Muriel Kozlow Mr. and Mrs. Alvin The Andrew W. Digest Fund The GAR A. Siegal Mellon Foundation Helen A. and Mr. and Mrs. Milton Foundation Fredrick S. Lamb Nancy Baxter Mr. and Mrs. George Maltz Nelson Goodman Benefactor Fellow Skallerup P. Bickford Dr. and Mrs. Mr. and Mrs. William George Gund III and ($250,000 to Sherman E. Lee Kathleen E. Smith Helen E. Brown H. Marlatt $499,999) Iara Lee Peter B. Lewis Mr. and Mrs. Mr. and Mrs. Noah The Mildred Hahn Loeser & Parks Anonymous (4) Eugene Stevens L. Butkin Andrews Fund Mr. and Mrs. Jon A. LLP Mr. and Mrs. Lindseth Katherine Holden The Cleveland Mr. and Mrs. Peter and Peggy Quentin Alexander Thayer Foundation Severance A. Millikin Mr. and Mrs. Thomas Horvitz Raymond Q. and LiPuma Mrs. Chester D. Thomas L. Fawick National City Mr. and Mrs. William Elizabeth R. Tripp Armington Mrs. Lee W. Mr. and Mrs. National Endowment Powell Jones Lockwood Pamela Pratt Lawrence A. for the Arts Mr. and Mrs. Joseph Louis Dudley Auchincloss and Fleischman Beaumont Rosemarie and State of Ohio P. Keithley Leighton R. Longhi Garner Tullis The F. J. O’Neill Ohio Arts Council Lillian M. Kern Mike and Annie U.S. Department of Charitable Belkin The Louis D. Georgia O’Keeffe KeyBank Beaumont Commerce Corporation Emma R. Berne Mr. and Mrs. A. Alma Kroeger Foundation Evelyn S. and Mr. and Mrs. Ernest Jeanne Miles William E. Ward L. Gartner Dean Perry Amanda and William Robert A. Mann Blackburn William E. Ward The George Gund Elisabeth Severance P. Madar MBNA America Prentiss Emily E. and Dudley Systems Katherine C. White Foundation Mr. and Mrs. Thomas S. Blossom Jr. Mr. and Mrs. Mr. and Mrs. Alfred A. Mann Elizabeth Briggs Mr. and Mrs. Lewis M. Rankin Leigh and Mary Merry C. Williams Alexander Ginn William G. Mather Carter Mr. and Mrs. James S. Metropolitan Savings Helen Wade Greene Mr. and Mrs. Bruce Martha and Thomas Reid Jr. V. Mavec Bank Mr. and Mrs. James Carter Endowment C. Gruener The Reinberger National Endowment Thomas P. Miller Foundation Mr. and Mrs. Warren Benefactor Agnes Gund for the Humanities H. Corning India E. Minshall ($100,00 to John L. Severance Dorothea Wright Mr. and Mrs. Eric T. CVJ Corporation Mr. and Mrs. Stephen $249,999) Hamilton Carol and Michael Nord Myers Anonymous (2) Sherwin Mr. and Mrs. John D. Mrs. Leonard C. Mr. and Mrs. R. Drinko NACCO Industries, Dudley P. Allen Mr. and Mrs. Kelvin Henry Norweb Inc. Hanna Robert H. Ellsworth American Greetings Smith Francis F. Prentiss Lucia S. Nash Leonard C. Hanna Jr. Josephine P. and Corporation Lockwood The Print Club of Ohio SchoolNet Mr. Stanley Hess Thompson Dorothy Burnham AT&T Foundation Cleveland Everett Commission Dr. Gerhard Mr. and Mrs. Richard Baker & Hostetler Hoffmann and Mrs. PTS Foundation Marie and Hubert Mr. and Mrs. Frank LLP Whitehill H. Porter Lee Hoffmann Grace Rainey Rogers Fairchild Bank One, N.A. Mr. and Mrs. Paul D. Leonna Prasse Mrs. Liberty E. Wurzburger SBC Morton Glaser Mr. and Mrs. Holden Communications Inc. Gladys B. Goetz Mildred Andrews Randall J. Barbato Justin and Silvia Putnam Lois U. Horvitz Zverina Mr. and Mrs. David Mr. and Mrs. Graham Ann Bassett M. Schneider Peter Putnam Mr. and Mrs. Michael Gund Vernon W. Baxter J. Horvitz Mr. and Mrs. Ellery Sarah P. and William Maud K. Bell The HRH Family Sedgwick Jr. R. Robertson Mildred K. Bickel Foundations The Sherwick Fund + deceased David Rollins

97 Elizabeth B. Blossom Mr. and Mrs. James Henry Luce Margaret H. S. Mr. and Mrs. Paul H. Mr. and Mrs. Richard Mrs. Benjamin P. E. Ferrell Foundation, Inc. McCarthy Sampliner T. Watson Bole Bruce Ferrini The Hershey Family Eleanor Bonnie The Samuel H. Kress Mr. and Mrs. Alton Mr. and Mrs. Charles FirstEnergy Dorothy Hildt McCoy Foundation W. Whitehouse Jr. P. Bolton The Florence Gould Mr. and Mrs. Mrs. Norman F. The Samuel Mr. and Mrs. Lewis The Britton Fund Foundation Lawrence Hitchcock McDonough Rosenthal B. Williams Foundation Ronald and Isabelle Maxeen and John Michael Hoffman Judith K. and S. Mary Jo Wise Brown Flower Sterling McMillan III Mr. and Mrs. Gilbert Janette Wright Mr. and Mrs. James P. Schafer Mr. and Mrs. Willard Hollis French Horner Mrs. P. J. McMyler Brown Moselle Taylor Meals Mr. and Mrs. Elliott Robert and Ann Dr. Gertrude L. Schlang Ella Brummer Friedman Hornung The Mellen Benefactor Foundation Mr. and Mrs. Ralph ($50,000 to The Chubb Charles and George M. and S. Schmitt $99,999) Corporation Marguerite C. Pamela S. Humphrey Mr. and Mrs. Edward Ethelyne Seligman Anonymous (3) Mrs. Harold T. Clark Galanie Fund H. Merrin Mr. and Mrs. Robert Mr. and Mrs. George Samuel Merrin Boake and Marian 1525 Foundation The Cleveland Clinic Sells Foundation I. Gale Jr. M. Humphrey II William Mathewson Charles Abel George Garretson Mrs. Albert S. Ingalls Milliken Dr. Gerard and Shuree Abrams Cleveland Society for Phyllis Seltzer Contemporary Art Wade Charitable International Business David and Lindsay Accenture LLP Trust #2 Mrs. John L. Helen C. Cole Machines Corp. Morgenthaler Robert H. Adams The George W. Severance Collacott Foundation Mr. and Mrs. James Sally S. and John C. Mrs. Frances Almirall Codrington D. Ireland Morley Mr. and Mrs. Francis Mildred Constantine Charitable M. Sherwin Amica Insurance Charles Isaacs and Barrie Morrison Foundation Mrs. and Mrs. Mr. and Mrs. Carol Nigro John and Frances W. Benedict Crowell The Giant Eagle Gordon K. Mott Sherwin Matthew Andrews Barbara Jacobs Henry G. Dalton Foundation The Murch Rabbi Daniel and Anton and Rose Virginia Jones Foundation The David and Inez Mr. and Mrs. Robert Adele Silver Zverina Fund Myers Foundation W. Gillespie Mr. and Mrs. William Louis S. and Mary The S. K. Wellman Mr. and Mrs. Arnold Jurey Schiller Myers Dorothy Dehner William J. Gordon Foundation S. Askin Mr. and Mrs. Robert Louis D. Kacalieff, Nordson Corporation The S. Livingston Lester P. and Marjorie Mr. and Mrs. James M.D. H. Dempsey Jr. T. Gow Mrs. R. Henry Mather Charitable W. Aurbach The Kangesser Norweb Jr. Trust Mrs. John B. Dempsey Edward B. Greene Mrs. S. Prentiss Foundation Mr. and Mrs. George Phyllis Sloane Baldwin Edna H. Doller Ann and Richard Gridley Robert M. Kaye Oliva Jr. Mr. and Mrs. Howard Bank Leu AG Dominion East Ohio Mr. and Mrs. Robert George S. Kendrick Lillian and Derek F. Stirn Theodore S. and Zoann and Warren D. Gries Mr. and Mrs. Edward Ostergard Louise Hawley Stone Marcella M. Bard Dusenbury Mr. and Mrs. John E. A. Kilroy Jr. Park-Ohio Holdings Norman W. and Ella Dr. Ronald and Louise Rorimer Guinness Ralph Thrall King James Parmelee A. Stone Diane Bell Dushkin Musa Gustan Fred W. Koehler Robert deSteacy Susan and John Milena M. Eaton Corporation Benesovsky Carl E. Haas Mr. and Mrs. Jack W. Paxton Turben Foundation Edith Virginia Enkler Mr. and Mrs. James S. The Hadden Lampl Jr. Payne Fund, Inc. Mitsuru Tajima Elizabeth Firestone Berkman Foundation Harley C. Lee James Edward Peck Mr. and Mrs. Frank Graham Foundation BF Goodrich Mr. and Mrs. John Mr. and Mrs. Herbert Mrs. Rudolph J. E. Taplin Jr. Elizabeth Ring Company/Tremco Hadden Sr. F. Leisy Pepke Mrs. Henry Mather and William Foundation Mrs. Salmon P. Halle Mildred Lerch Mary Witt Perkins Trenkamp Jr. Gwinn Mather Fund Richard J. Blum and Mr. and Mrs. Richard E. Rhodes and Leona Mr. and Mrs. Lucile and Robert H. Mr. and Mrs. Alfred Harriet L. Warm Newman T. Gries Charity Fund M. Rankin Jr. B. Tullis B. Carpenter Ruth Blumka Foundation Halvorson Mr. and Mrs. John D. Mr. and Mrs. Max Charlotte Vander Mrs. Chester C. Janice Hammond and MacDonald Ratner Veer Ernst & Young LLP Bolton Edward Hemmelgarn Caroline The Raymond John G. Garretson Wade Mr. and Mrs. Kathryn G. Bondy Raymond F. Evans Mrs. Charles W. Macnaughton Wean Foundation Mr. and Mrs. Jeptha Harkness H. Wade III John C. Bonebrake Eleanor and Morris Morton and Barbara Larry and Barbara S. Everett Mr. and Mrs. Edward Mandel Robinson Worcester R. Warner Mr. and Mrs. Paul S. S. Harkness Brentlinger Jane Iglauer Fallon Stephan Mazoh Mr. and Mrs. Mrs. Worcester R. Henry Hawley Mrs. Malcolm Albrecht Saalfield Warner Mr. and Mrs. Wilbert The Family of Mrs. S. Brewer Robert H. Bishop Rudolf J. Heinemann McBride Mr. and Mrs. James Mr. and Mrs. David A. Saks Haber Warshawsky

98 Mrs. Carol Brewster Natasha Eilenberg Dr. and Mrs. Ralph The Laub Foundation Hobson L. Pittman Lillian and Henry Dr. and Mrs. Jerald S. A. W. Ellenberger Sr. F. Hollander Mrs. Raymond E. Mr. and Mrs. Leon Steinberg Brodkey Heinz Eppler Mr. and Mrs. John H. Lawrence M. Plevin Mr. and Mrs. Oscar Hord H. Steiner Jeanette Grasselli Joseph M. Erdelac Mary B. Lee John and Mary Brown and Glenn R. Dr. and Mrs. Roger Linden Trust Preston Frank Stella Brown Mr. and Mrs. Y. K. Hsu Giuseppe Eskanazi Mr. and Mrs. Herbert Mr. and Mrs. James Ester R. Stern Louise Ingalls Brown Mr. and Mrs. Ratner Dr. and Mrs. Warren M. Litton Mr. and Mrs. Donald Brush Engineered Benjamin S. Hubbell Louise S. Richards W. Strang C. Fargo Jr. LTV Steel Company Materials, Inc. Mr. and Mrs. Thomas Mr. and Mrs. Seth C. The Family of Lillian L. Hudimac Mr. and Mrs. Edith Burrous Elizabeth Ege Theodore M. Luntz R. Riley Taft Margaret Uhl Freudenheim Marguerite B. RJF International Mr. and Mrs. Nelson Humphrey Brian and Florence Burrows Mr. and Mrs. Arthur Mahony John D. Rockefeller S. Talbott Helen Humphreys Julius Cahen L. Feldman Mr. and Mrs. Paul Jr. Textile Arts Club Mrs. Henry White Ferro Corporation Huntington National Mallon Mr. and Mrs. John D. Mr. and Mrs. Eugene Bank Cannon Pamela Humphrey Jack and Lilyan Rockefeller III Victor Thaw Central National Firman Jarmila Hyncik Mandel Mr. and Mrs. James J. The Timken Bank Allen H. Ford David S. Ingalls Jr. Joseph and Florence Rorimer Company Charter One Bank Mrs. James Albert Dr. and Mrs. Scott R. Mandel Milton C. Rose Mr. and Mrs. Paul Mr. and Mrs. M. Ford Inkley Samuel Mather Mr. and Mrs. Charles Tishman Roger Clapp The Ford Foundation Kate Ireland Mrs. William G. S. Roseman Toshiba International Foundation Mr. and Mrs. Harold Ford Motor Mr. and Mrs. R. Mather Rosenberg and Terry Clark Company Livingston Ireland Virginia Hosford Stiebel Inc. Mr. and Mrs. William C. Treuhaft Cleveland-Cliffs, Inc. Forest City Jack B. List Mathis Mr. and Mrs. J. King Mr. and Mrs. Ralph Enterprises, Inc. Testamentary Trust Kathryn Arns May Rosendale TRW Foundation M. Coe Mrs. Robert J. Mr. and Mrs. Elizabeth McBride Dr. and Mrs. Ronald Brenda and Evan Raymond T. Jackson J. Ross Turner Mr. and Mrs. Ralph Frackelton McDonald F. Colin Marian Sheidler The Japan Investments Gloria Ross Mr. and Mrs. Thomas Foundation V. H. Vail Stella M. Collins Gilbert Aline McDowell RPM, Inc. Mrs. John Lyon The Gilbert W. and Mr. and Mrs. Homer Arthur Sachs Mrs. Jacob W. H. Johnson Dr. and Mrs. Ruben Vanderwerf Collyer Louise Ireland F. Mettler Mr. and Mrs. Maurice Daniel S. Connelly Humphrey Jones Day Saltzman Mitzie Verne Foundation Dr. Leo Mildenberg Mr. and Mrs. Gerald Dr. and Mrs. Donald Martha Bell Sanders Gertrude L. Vrana Lucille F. Goldsmith W. Junglas Mr. and Mrs. Eugene A. Conway R. Miles William B. Sanders Mildred E. Walker George B. Coombe (Lady) Marie Louise Mr. and Mrs. Paul Helen B. Warner Gollan Kaminsky Mr. and Mrs. Joseph Dr. and Mrs. Robert Mrs. James W. B. Milgram Jr. Schermer The Weatherhead Joseph T. Gorman Harry D. Kendrick Corrigan Mr. and Mrs. Robert Mr. and Mrs. Viktor Foundation Alan Covell and K. Mr. and Mrs. Richard Mr. and Mrs. Douglas D. Milne Schreckengost Mr. and Mrs. Charles I. Goss A. Kern Pak-Covell Mr. and Mrs. Harold Florence B. Selden D. Weller Mr. and Mrs. Wilbur Josephine Grasselli Mrs. Ralph Thrall S. Minoff Mr. and Mrs. Fred King Isosuke Setsu A. Cowett Mr. and Mrs. Gordon Mrs. Paul Moore White Jr. Gund Irene Kissell Takako and Iwao Mr. and Mrs. Robert Nellie W. Morris Setsu Mrs. Windsor T. R. Cull Thomas M. Hague R. P. Kitaj White Dr. and Mrs. Thomas Sherwin-Williams David E. and Bernice Edgar A. Hahn Mr. and Mrs. G. Munro Company Mr. and Mrs. Hugh Sapirstein Davis Robert Klein R. Whiting Maria Hall Klaus F. Naumann Asa and Patricia Helen+ and Albert J. Mrs. Howard M. Mr. and Mrs. J. J. Shiverick Edward L. DeGulis Klejman Mr. and Mrs. James Whittemore Hanna A. Nelson Morris Siegel Frances F. Dickenson Kotecki Monuments, Doris and Ed Wiener Mr. and Mrs. David Z. Norton Mrs. Aye Simon Dr. and Mrs. Richard Osborne Hauge Inc. Ralph L. Wilson C. Distad KPMG LLP Laurence H. Norton Mr. and Mrs. Edward Mr. and Mrs. Victor C. Smith John Wise William Dove Hauge William Krause The Norton-White- Gale Trust Mr. and Mrs. Steven Helen B. Zink Dr. and Mrs. Paul G. Ruth C. Heede Mr. and Mrs. Dennis Earle W. Oglebay Spilman Helen Zmek Ecker Sheila Hicks W. LaBarre Mr. and Mrs. Mr. and Mrs. Herbert Tessim Zorach Mr. and Mrs. Howard Hiroshi Hirota Rogerio Lam A. Spring Jr. P. Eells Jr. Frederick S. C. Perry Frances S. Zverina Liberty E. Holden Mr. and Mrs. Oscar J. Mr. and Mrs. Donald Lange Dr. and Mrs. Harlan R. Peterjohn W. Strang

99 The Attic

The Arts & Crafts exhibition in the fall the year it was made. A principal goal of 2005 inspired the New Media de- was to put visitors in contact with partment to develop an innovative some of the background information multimedia presentation, “The Attic.” about the works of art a museum “We wanted to create something that accumulates. The “book” includes a would be family-friendly,” recalls Di- wealth of material: facts, images, rector of New Media Holly Witchey, drawings, and maps from curatorial “not so much a linear, scholarly treat- files presented in a scrapbook manner; ment of Victorian-era interior furnish- Victorian slide shows that provide ings, but something that would en- slightly irreverent introductions to courage people to explore. Many of major topics; and a quiz feature that the works in the exhibition were allows visitors to test their knowledge. things people had lived with and used The intent is to give the visitor an attic Developed as an in their daily lives, which gave us the stuffed with fabulous objects and pro- interactive component idea of an attic as a great place to vide tools to learn about those objects of the Arts & Crafts exhibition, “The Attic” rummage around in and discover in a meaningful way. People will continued with a wonderful and interesting things—a stumble across new things all the life of its own as a nonfrightening attic.” The resulting time, but also find familiar things, website. To see it, set feature appeared in a special room of thus reinforcing the idea that it’s okay your browser to www.museumattic.org. the exhibition and is now available not to know everything. The fun is in online. Set your browser to the adventure and the learning. The www.museumattic.org. approach incorporated both a serious- After selecting a particular object, a ness of purpose and a sense of humor. visitor can choose from three basic ac- Contributors to the project included tivities: zoom in and examine details CMA curators Stephen Harrison and at greater magnification; look through Charles Venable, Education depart- a book full of information about the ment chief Marjorie Williams, Michael object; and read a newspaper that ties Hilliard in the New Media department, the object to major news stories from and Dana Cowan, a Ph.D. candidate in

100 the museum’s joint program with Case Western Reserve University’s department of Art History. Rory Matthews, longtime CMA col- laborator whose well-known projects include the online presentation of the Royal Collection in Britain and a DVD exploration of the art of Joseph Cornell, designed and produced the site. The Cleveland Museum of Art will, of course, add more doors to the Attic in order to explore new topics, but the long-range hope is that other museums will soon create their own doors, making www.museumattic.org a rich collaborative resource for people everywhere.

101 Affiliated Contemporary Art Gayle Goodwin Katherine Solender, Toni S. Miller Society Smith, Treasurer Secretary Organizations Beverly Simmons Board of Trustees Charles Burkett Jr. Linda Butler Charles H. Teare Robert H. Jackson, Cynthia Samples Jennie Jones Karel Paukert, President Mark Cole, Museum Abby Klein Curator Emeritus Barbara Robinson, Advisor Deborah Pinter Vice President Painting and Nancy Stuart Sanford Fox, Friends of Drawing Society Treasurer Photography Michael Weil Board of Trustees Dian Disantis, Board of Trustees John Williams (2005) Secretary (2005) Tom Hinson, Tony Brant, Albert Albano Mark Schwartz, Museum Advisor President President Robert Bostwick Albert DeGulis, Robert Herbst, Vice Musart Society Treasurer Brenda Brown President Board of Trustees Carol Michel, Kathleen Coakley Charles Burkett, Robert Schneider, Secretary Rosalie Cohen Treasurer President Katherine Bolton (as of June 2005) Richard Ferris Katherine Solender, Peta Moskowitz Secretary Carolyn F. Wipper, Harriet Goldberg Anne Ames Laura Bidwell President John Katzenmeyer (until June 2005) Pat Brownell Linda Butler Robert Kiwi James Dickinson, Joan Fountain Jennie Jones Ellen Landau Esq., Secretary Ann Gridley William Lipscomb Beno Michel Shattuck W. Henry Ott-Hansen Nancy Stuart Hartwell Jr., Peta Moskowitz Patricia Stillman Garie Waltzer Advisory Trustee Stephanie Wiles Nancy West John Williams Mrs. Alfred Rankin, Advisory Trustee Friends of African Board of Trustees and African- Board of Trustees A. Chace Anderson, (2006) The Womens Council, American Art (2006) Treasurer one of the sponsors Tony Brant, Board of Trustees Robert Herbst, Virginia Belveal President for Parade the Circle in President Helen Forbes-Fields, Mary Davis Albert DeGulis, 2006, used their President parade entry to hint at Jennie Jones, Vice Samuel E. Henes Treasurer President an event scheduled Franklin Martin, Walter Holtkamp Jr. Anne Ames for the fall—a concert Vice President Charles Burkett, Treasurer Eleanor Bonnie Patricia Ashton by the orchestra Pink Alfred Bright, McCoy Martini. Secretary Pat Brownell

102 Gertrude Chisholm Judith Smith, Young Friends Emmett Saunders Joan Fountain Recording Secretary Board of Directors Aref Shafik Ann Gridley Christy Gray, (2005 only) Karon Shaiva Communications Henry Ott-Hansen Carter Edman, Janus Small Coordinator President Patricia Stillman Lorraine Vega Mary LouAlexander Christopher Wick, Nancy West Charlotte Ballas Vice President Andrew Venable Norman Zaworski Julie Clemens Deborah Koerwitz, Lorna Wisham Mark Cole, Museum Jan Gibson Treasurer Mayor Martin Advisor Zanotti Catherine Keith Lauren Wagner- Heather Lemonedes, Schmidt, Secretary Councilman Matt Sara Mack Museum Advisor Michael Dunn Zone Susan McNamara William Robinson, Robert Hauptman Museum Advisor Jean Sommer Museum Maureen Leech Associates Mary Ann Weber The Print Club of Jennifer Wick Dave Abbott Cleveland Board of Trustees Clifford Wire Tony Brant Board of Trustees (2006) Joanne Clark Convening the Charles Rosenblatt, Katherine Dunlevey, Richard Clark President President Community Advisory Council Charles Edelsberg Kenneth Hegyes, Martha Young, Vice Leslie Edelsberg Vice President President Anita Brindza, Co-Chair Marvin Feldstein Henry Ott-Hansen, Catherine Keith, Treasurer Assistant Treasurer Adrienne Jones, Stephen Gariepy Co-Chair Carol E. Bosley Jan Gibson, Carol Geyer Mary Bounds Richard Cowan Recording Secretary David Geyer Christina M. Bruch Mary Kay DeGrandis Catherine Lee, Susan Hanna Communications Joseph A. Calabrese Carter Edman Karen Hiller Coordinator Jeri Chaikin Barbara Galvin William Hiller Leslie Alperin James Cody Mary Ann Garvey Ralph Horwitz Charlotte Ballas Councilman Kevin Phyllis Gary Sarah Horwitz Mary Ann Conn- Conwell Jennifer Leach Robert Getscher Brody Margot James Jane Glaubinger Doris Hill Copeland Ray Leach Pearl Hachen Karen Hoffman- Deborah Daberko Bruce Loessin Donald M. Jack Jr. Hinkle Theasha Danielly Susan Loessin William Martin Jean Susan McNamara Ella Fong Alan Markowitz Irving Kushner Melissa O’Grady Miriam Gonzalez- Cathy Pollard Gloria Plevin Jean Sommer Lugo Cici Riley M. Neal Rains Carlyn Yanda Kathryn M. Hall Edward Riley Jr. Joseph Russell Louise Mackie, Latisha M. James Jan Roller Larry Santon Museum Advisor Durga Chandran Carole Rosenblatt Jaipuri Judith Sogg The Trideca Society Charles Rosenblatt Jazz Mandair Patricia Stillman Board of Trustees John Shields Franklin Martin Allie Wallace (2005 only) Laura Shields Joseph Meissner Lois Weiss Henry Hawley, Nancy Sin Erica Merritt Trudy Wiesenberger President Lee Warshawsky Stanley Miller Nancy Wolpe Judith Simon, Vice Scott Westover President Kathleen O’Brien Textile Art Alliance Jean Caldwell, Maritza L. Perez Secretary Board of Trustees Councilwoman (2005) Barry Bradley, Sabra Pierce-Scott Treasurer June O’Neil, Greg Reese President Mark Bassett Donna Reid Katherine Dunlevey, Shirley Dawson Gia Hoa Ryan Vice President Cindy Marx Mary Santiago Kathryn Levy, Stephen Ockner Assistant Treasurer Dean Zimmerman

103 Museum Master Ambassadors Ivory Flowers, Standing/Special Programs, Sally Erwin A. Edelman Ambassadors April Audie, Valley Lincoln West Committees Smith and Kate Joan S. Fletcher Stenson Schools and Faculty Forge Deontay Foster, Advocacy, Pat Plotkin Anne S. Frank Bedford High Elizabeth Bonthius, Shaw and Ellen Schermer Ready Volunteers, Melinda Holmes Mary Kate School, Dagmar Shaker Tiffany Hall, Archives, Carolyn Fredriksen Clements Cleveland School of Shanklin Special Decorations, Lisa-Ann Cameron, Linda Friedman Cleveland School of Shaw the Arts Benefit, Jennifer Cathy Miller and Jane Thomas Gail S. Garon the Arts, Ms. Evan Kayleigh Fitch, Jennifer Hill, East Langston Koehler Valley Forge Theresa Hood, Shaw Cleveland Collects/ Study Groups, Peggy Lowell K. Good Sloan and June East High School, Melissa Garcia, Aamina Jenkins, East Parade the Circle, Kermit W. Colette Dowling Helen Cherry Nosan Greeneisen Bedford Adrienne King, Lincoln West High Circle Development, Subscriptions/Capital Marsha Gross James Kozich, Padua Strongsville Campaign, Janet School, Carolyn Franciscan Margie Sachs Joyce S. Hackbarth Hope Alexander Lubera, Coquillette and Joan Tyler Martin, Valley Forge Community Arts, Fountain Karen Hahn Padua Franciscan Zoe Tyler and Strongsville Maya Hercbergs High School, Laurie Sara Massey, Valley Dorothy Ceruti Trips, Lois Bialosky Strompfel and Mary Kari Masevice, Forge and Nancy Goldberg J. Jackson III Valley Forge Database/Roster, Remington Joe Radloff, Bedford Rooney Moy and Youth Initiatives, Gwen Johnson Javon Mottley, Shaw Shaker Heights High Sam Rutchick, JoAnne Lake Gail Schlang Joan E. Kohn Erin O’Connor, Shaker School, Eileen Hospitality, Lois Museum Liaison, Joann Lafferty Blattner, Dr. Ronald Padua Franciscan Nicole Scheuer, Diane DeBevec Davis and Joan Mary Anne Liljedahl Morgan, Gerimae Marika Peplowski, Strongsville Fitchet Kleiman, Jasmene Docent Association Sandra Littman Cleveland School of Adrienne Starr, Shaw Information Desk, Corbitt, David the Arts Officers Diane Maher Peterjohn, R. Jeffrey Paul Szeltner, Joanne Cowan and Anna Ronis, Shaker Robin Ritz, Lewis, Ms. Freddie Strongsville Sabrina Inkley Patricia Markey President Holman, and Renee Jennifer Seda, Padua Jessica Tuma, Padua Lecture Series, Josie Maguy Mavissakalian Larue Franciscan Franciscan Anderson and Peter Dobbins and George Frederic Kate Stenson, Vice Shaw High School, Dan Shinkle, Shaker Marianne Bernadotte McCann Lauren Weinberger, Presidents Irene Shinkle Nathaniel Slany, Shaker Membership Mary McClung Department Liaison, Erva Barton, Strongsville High Strongsville Genita Whitley, East Louinia Mae Corresponding Nancy Mino School, Ellen Wendy Teel, Whittlesly Secretary Helene Morse Goodworth, Joanna Lincoln West Womens Council Museum Erwin A. Edleman William Ott Pusti, Kristi Trussa, Nicholas Travarca, of the Cleveland Ambassadors, and Pat Markey, and Terri Harbart Bedford Museum of Art Anne C. Owens Adrienne Rasmus, Recording Valley Forge High Officers Robin Ritz Kelsey Wagner, Ellen Bishko, and Secretaries School, Andrea Linda McGinty, Bedford Diane Stupay Linda Friedman, Catherine Rose Harchar, Karen Chair Fulop, and Mrs. Kim Erica Williams, New Members, Pam Treasurer Lourdes Sanchez Kate Stenson, First Weber Bedford Isquick and Judy Joann M. Susan Schloss Vice Chair Alexia Willmon, Bourne Broadbooks, Mary Sally Schwartz Facilitators and Shaw Sabrina Inkley, McClung, Nancy Newsletter, Lucia Patricia Volunteers Second Vice Chair Mino, and Sue Alexandra Zoloty, Jezior and Debbie Simpfendorfer Adrienne Rasmus, Valley Forge Christy Latson Schloss, Members- Margaret Sloan Chair Bittenbender, Third Nominating, Edie at-Large Ellen Bishko and Apprentice Vice Chair Taft and Donna Walsh Saabrin Spangler Ambassadors Docent Corps Diane Stupay, Carolyn Horn, Orientation, Mary Jacqueline Spieler Co-Chairs Stolina Qirjazi, Corresponding Anne Liljedahl and Stephen Badman Kate Stenson Intern, Strongsville Secretary Linda McGinty, Thomasine Clark Erva Barton Mary Ann Stepka- Womens Council Loren Bates, Bedford Margaret Wilson, Pedestal Arrangers, Sharon Bell Warner Assistant Thomasine Clark, Brittany Boyd, East Emily Mueller and Anne Berk Kathy Vilas Project Coordinator Corresponding Dorie Farley Lindsay Brom, Padua Secretary Arlene Bialic Ann Walling Gail Calfee Franciscan Photographers, Ryn Clarke, Jane A. Bondi Margaret W. Walton Elaine Gross Kristen Margie Moskovitz Recording Secretary and Lucia Jezior Joann M. Margit Harris Campobenedetto, Broadbooks Padua Franciscan Dosie Rymond, Provisionals, Margaret Mary Ann Assistant Recording Wilson Claire Brugnoletti Katzenmeyer Catherine Campbell- Secretar Morrison, Shaker Prints/Drawing Gail B. Calfee Sandra Rueb Christine Norman, Liaison, Dinny Bell Ran Datta Yesenia Castro, Treasurer Gail Schlang Lincoln-West Product Marie Dellas Karen Sethman Marianne Development, Lorelei Robert Crump, Bernadotte, Assistant Beth Desberg Shaw Stein-Sapir and Treasurer Ruthe Stone Susan Deutsch Shalimma Fadzl, Peter Dobbins Bedford

104 Volunteers Doris Boxerbaum Eloise A. Coxe Keith Filip Anne Adamson Caroline Boylin Lois Crawford Jamie and Ronald Carolyn Adelstein Ruth Boza Shirley and Al+ Fish Catherine Alfred Kevaly Bozes Culbertson Joan Fitchet Sara Allison Barbara Bradley Phyllis Cunningham Joan Fletcher Jinai Amos Emily Brasfield Maria Cutler Marcia Floyd Bill Anderson Joan and John CWRU “Case Mary Lou Foley Brickley AmeriCorp Caroline Folkman Josie Anderson Students” Joann Broadbooks Joan Fountain Lorraine Anderson CWRU “Case for Scott Anderson Mebby Brown Community Day” Charlotte Fowler June Antoine Pat Brownell Sarah Czika Anne and Howard Frank Carol Arnold Claire Brugnoletti Deborah Daberko Barbara Franklin Don Arnold Rita Buchanan Susan Dahm Judy Fredrichs Ann Austin Lenaia Burbank Faye D’Amore Meg Burgess Mary Kate Stephen Badman Mark Darden Fredriksen Sally Burton Margot Baldwin Wyleane Darden Susan and Leonard Charlotte Ballas Pat Butler Ranajit Datta Freed Erva Barton Grace Bynum Barbara Davis Ann Friedman Cherie Bauer Jean Caldwell Lois Davis Linda Friedman Dee Beacham Gail Calfee Kit DeFazio Jean Gaede Aerielle and Tom Lynn Cameron Mary Kay DeGrandis Frances Gale Bedell Margaret Carpenter Rosemary Deioma Liz Gallagher Nick Bedell Dana Carson Marie Dellas Barbara Galvin Ted Bedell Morena Carter Linda DeMarco Mary Gardner Dinny Bell Rita Cerne Beth Desberg Gail Garon Sharon Bell Dorothy Ceruti Susan Deutsch Alicia Garr Emma Benning Ryan Chamberlain Bonnie Dick Brooke Garratt Anne Berk Jennifer Chaykowski Diane Dick Jane Garrett Marianne Bernadotte Helen Cherry Pete Dobbins Marjorie Garrett Arlene Bialic Camille Chesley Pat Dohoda Mary Anne Garvey Lois Bialosky Karen and Joseph Patricia Dolak Carey Gibbons Chinnici Margie Biggar Eleanor Donley Jan Gibson Diane Chou Joanne Billiar Kay Donovan Nancy Gilbert Thomasine Clark Dean Birchfield Molly Downing Ann Gillespie Kathryn Clarke Ellen and Fred Jeffrey Doyne Anne Ginn Bishko Lou Clay Cassandra Dracup Carol and Ronald Christy Bittenbender Phyllis Cleary Katherine Dunlevey Godes Paige Blackburn Sue Clegg Michael Dunn Nancy Goldberg Dorothy Blaha Julie Clemens Linda Easton Lowell Good Suzanne Blaser Suzette Cohen Erwin Edelman Ann and Kermit Phyllis Blau Margaret Collings Greeneisen Betsy Eells Gert Bleisch Esther Collins Karen Gregg Allie Eilers Susan Block Kathy Colquhoun Carolyn Griffen Leatrice Emeruwa Lois Bluhm Lucille Conde Erika Gromosky Lee Ensign Flora Blumenthal Marty Conway Elaine Gross Pam Esch Hilary Bober Christine Coolik Marsha Gross Leigh Fabens Joyce Bock Pat Coppedge Graham Grund Mary Louise Falkner Sandi Bohl Janet Coquillette Lois Guren Doris Farley Muffy Boland Paula Corbin Bryant Pearl Hachen Dorothy Farley Jane Bondi Inez Corrado Joyce Hackbarth John Farley Elda Borroni Carol Costin Karen Hahn Bonnie Femec Judy Bourne Mary Kay Haidi Haiss Karen and Butch Covington Julia Haiss Bourquin Joanne Cowan + deceased Nola Haiss

105 Theresa Haiss John Kelly Idarose Luntz Tiffany Hall Jane Kern Keith Lutz Rick Hamilton Judith Kessler Smith Sara Mack Roberta Hardacre KeyBank Lorrie Magid Margit Harris “Neighbors Make Diane Maher the Difference” Phil Hart Carole Majewski Evelyn Kiefer Bill Hartshorn Pamela Maloney Katherine and Dicc Betsy and Kenneth Klann Marvin Mandel Hegyes Robin Koch Janet Maranciak Lee Heinen Lois Koeckert Teri Markel Bettyann Helms Joan Kohn Patricia Markey Maya Hercbergs Phyllis Koons Audrey and Russell Polly Hermann Marxen Alex Kosenko Maryanne Hertzer Sheila Matter Elaine Koskie Martha Hickox Maguy Mavissakalian Ann Koslow Dale Hilton George McCann Eden Kovacik Ingrid Hoegner Mary McClung Kathleen Kovacik Carol Holder Eveline McElroy Gwen Kraeff Melinda Holmes Linda McGinty Universe Krist Jann Holzman Patricia McIlraith Margaret Krudy Carolyn Horn Jacklynn McKenney Patricia Kuenzig Jim Hubert Judith McMillan Spectators at the 2006 Peggy Kundtz Steven Hubert Dorothy McNulty Parade the Circle could Julie Kurtock pose for a photo with Denise Huck Reathel McWhorter Pilar LaBianca Armorman, a character Charles Hudson Carol Mealy inspired by the Sally Lacombe Colleen Ialacci Cathy Mecaskey museum’s suit of half- Joann Lafferty armor made in 1590 by Katherine Ingalls Mary Merkel JoAnne Lake Pompeo della Cesa. Sabrina Inkley Lorna Mierke Carolyn Lampl Vicki Isphording Betty Miller Kim Landsdowne Pamela Isquick Catherine Miller Joanne and Robert Marta and Donald Lane Suzanne Miller Jack Miranda Lange Nancy Mino James Jackson Barbara Langlotz Dolly Minter John Jackson Jennifer Langston Rita Moore Laurie Jacobs Kim Lansdowne Marie Morelli Beth Jaworski Debbie Latson Claire Morgan Megan Jaworski Bonnie Lau June Morgan Lucia Jezior Braden Lau Kathy Moroscak Gwendolyn Johnson Julie Lau Andrea Morris Amelia Joynes Megan Lau Betsi Morris Susan Kaesgen Michael Lau Helene Morse Ann Kahn Nancy Lavelle Marjorie Moskovitz Richard Karberg Ginny Leonard Rooney Moy Carolyn Karch Freda Levenson Mary Jo Mudgett Dorothy Kasper Sheila Levine Emily Mueller Wilma Kasper Kathryn Levy Lara Mullen Joan Kassan Sue Lewis Janet Neary Donna Kasunic Cathy Lewis-Wright Elise Newman Barbara Kathman Debra Light Christine Norman Blanche and Dudley June Nosan Katz Mary Anne Liljedahl Alyce Nunn Mary Ann Sandra Littman Katzenmeyer Julie Lobo Lisa O’Brien Catherine Keith Nan Lowerre June O’Neil Patricia Kelley Sandra Ong

106 Helen Orton Dosie Rymond Mary Ann Stepka- Suzanne Westbrook SeJeong Kim William Ott Aurelie Sabol Warner Lori Whittington Alexandria Kotoch Anne Owens Marjorie Sachs Ruthe Stone Louinia Mae Lisa Kren Becky Owens Clarine Saks Diane Stupay Whittlesey Lauren Kuntzman Denese Pappas Andrea Sander Mary Lane Sullivan Ann Wieland Bonnie Laessig Edward Parsons Mitzi Sands Mary Lou Sullivan Betty Williams Julie Lafferty Rita Pearlman Ellen Schermer Nancy Swizynski Joan Wilson Adam LaPorta Ethel Pearson Gail Schlang Edith Taft Margaret Wilson Christina Larson Mary Ann Perry Susan Schloss Will Taft Marjorie Wilson Lorenza Macchi Christine Pesch Nancy Schneider May Targett Monica Wilson Aimee Marcereau Peg and Bill Petrovic Barbara and Arnold Sarah Taylor Nancy Wolpe Amy Marshalek Nina Pettersson Schreibman Myra Tesluk Bruce Woodward Lori Ann Martin Emily Phillips Karen Schumaker Jane Thomas Linda Woodward Jill Mendenhall Susan Pim Tracy Schwab Martha Thompson Maggie Xu Thomas Mendenhall Alicia Pletnewski Sally Schwartz Julia Thornton Sana and Jean-Pierre Frank Miller Yared Patricia Plotkin Linda Sebok Jean Thorrat Tami Miller Renate Zeissler Margaret Plumpton Marian Sells Kimberly Tilley Joanne Morse Susan Ziegler Elinor Polster Karen Sethman Allison Tillinger Jennifer Napier Frankie Polster David Shack Melissa Titman Elisabeth Narkin Fran Porter Carolyn Shanklin Diana Tittle Interns Meghan Olis Mary Porter Jane Shapard Ruth Toth Gerald Abt Erin Perme Charlene Powers Marian Shaughnessy Kathleen Totter Julia Barber Christine Pesch Lisa Powers David Shaw Gail and Marty Colleen Barni Jane Pierce Trembly Fillareta Qirjazi Elizabeth Shearer Elsie Baron Ariel Pruitt Mary Trevor Stolina Qirjazi Laura Shields Beth Baucum Myra Rasmussen Pat Triggs Ella Quintrell Dorothy Shrier Barbara Becker Sarah Ratner Kim Troy Lynn Quintrell Sue Sifritt Lisa Bergrin Sarah Rey Rob Tweddle Cathy Randall Patricia Paula Blackman Dartrell Ronney- Simpfendorfer Zoe Tyler Seema Rao Brad Blahnik Chapman Marguerite Skorepa Peter Udycz Adrienne Rasmus Carolyn Boebinger Lisa Roth Margaret Sloan University School Virginia Ratcliffe Patrice Boyer Samatha Barbara Smeltz Senior Service Day Schidemantle Susan Rathbone Kristen Bucher Charles Smick Beverly Vail Ann Schorgl Howard Reinmuth Barbara Van Dyke Matthew Bille Smith Charboneau Aimee Skinner Mary Reynolds Nona Vickers Janice Smith Sasha Chusid Holly Smigelski Shirley Ann Ricketts Kathy Vilas Nan Smith Alexandra Collins Jessica Stork Robin Ritz Deirdre Vodanoff Sally Smith Dana Cowen Tyler Trolio Georgianna Roberts Annie Wainwright Linda Smith- Reagan Duplisea Ellie Ward Erin Robinson Richardson Barbara Walker Alicia East Alesha Washington Rocky River High Malinda Smyth Ann Walling School Fine Arts Brenna Elliott Meghan Williams Becky Smythe Donna Walsh Club Caroline Falivena Emily Wilson Nancy Sneed Hunter Walter Claire Rogers Matthew Fantone Lydia Yun Jean Sommer Margaret Walton Monica Rogers Erica Fisher Meredith Zitron Sabrina Spangler Marie Walzer Thomas Rohweder Katherine Gundlach Diane Spelic Ellie Ward Vivian Rokfalusi Caroline Guscott Jackie Spieler Raquel Wasserman Catherine Rose Dana Hardy Toula Spirtos Mary Ann Weber Carole Rosenblatt Lacey Harrington Sue Spring Lettie Webster Cindy Ross Katherine Hartwyk Julie Stanger Hannah Weil Phyllis Ross Hollie Hayes Mary Rossi Rosemary Stanitz- Eric Weinberger Skove James Horvath Lisa Roth Lois Weiss Shirley Steigman Michael Jaskiw Sandra Rueb Lisa Wells Lorelei Stein-Sapir Heather Johnson Monica Rust Joyce Wells- Kate Stenson Corrigan Lori Karpinecz Mary Ryan Erin Kenney

107 After a brief interruption when the education wing closed, studio classes for young people resumed at Shaker Square.

108 Education and Public Programs

Three events in a three-month period—“Laying Foundations for the Future” on October 1, 2005, the opening of CMA@ Shaker Square in November, and the closing of the museum in January 2006—were semi- nal for education and public programs at the museum. The department of Education and Public Programs was the organizing agent for “Laying Foundations for the Future,” the official groundbreaking ceremony for the museum’s renovation and expansion project. All-day activities commemorated this watershed moment in the history of the museum. Cleveland’s civic and religious leaders who attended the noon ceremony included Mayor Jane Campbell, Rabbi Eric Baum, Imam Ramez Islambouli, Rev. Dr. Otis Moss Jr., Rev. David Novak, Venkatachalapati Samnuvrala, the Venerable Lobsang Tendar, and members of the Greater Cleveland Choral Chapter under the direction of Richard J. Smith, in addition to museum trustees and architect Rafael Viñoly. Family activities enlivened the Fine Arts Garden in the afternoon, and the day ended with a rousing “Party under the Stars” in the outdoor garden court. About 1,200 people attended the day-long program. Off-site activities continued in the community while galleries and classrooms in the museum closed and education staff and offices relocated within the building. Most notably, a corner retail space on Shaker Square became home to art classes and the Ticket Center from November 2005

The Winter Lights Lantern Festival brought magical illumination to Wade Oval in December 2005.

109 The 2005 Chalk Festival enlivened the south terrace.

through the end of July 2006. In addition, most of the department—staff, programs, the parade off-site workshop space, two distance learning studios, and the Education Art Collection of 18,000 objects—moved during the summer months of 2005 as galleries and facilities in the Breuer wing closed. With the closing of the Arts & Crafts exhibition in early January, the entire museum was closed for six months so that renovations could take place in and around the north entrance, but department activities continued uninterrupted. An expected drop in program attendance was counterbalanced by new Hands-on art activities were part of the partnerships with community businesses, colleges, and libraries; overall, museum's offerings attendance fell by only 21%, attributed entirely to the suspension of school for the citywide celebration of Martin tours that had been taught in the permanent collection galleries. The stra- Luther King Jr. Day in January 2005. tegic goal during the renovation of the education facilities has been to maintain a vibrant presence in the community by emphasizing the outreach programs—Distance Learning, Art To Go, and Community Arts— and creating new partnerships with other institutions. The Distance Learning program, which presents interactive videoconferencing classes to K–12 audiences around the country, was one of eight Cleveland projects to participate in the Community Wealth Ven- tures program, which assists nonprofits in realizing the entrepreneurial opportunities of their programs so they can become financially self- sustaining. A resulting three-year business plan seeks to cover costs and reach 50,000 students and teachers annually. In addition to the school-age audience, the studios and staff created a semester-long class on non- Western art for students at Bradley University in Peoria, Illinois, and will continue to offer programs to university-level students.

110 Distance Learning continued in a portion of the building that was relatively unaffected by construction. Here, Debbie Apple-Presser talks about a painting by Henri Matisse (right) and Arielle Levine (below, on monitor) discusses a headdress from the Ejagham people while Tony Fritzgerald (at the controls) monitors the session.

Data about the entire Art To Go collection of 18,000 objects was entered into Apelles, the museum’s collections management system, which helped in the review of works of art by curators and consultants. In April, Bruce Bernstein of the National Museum of the American Indian and CMA staff including Susan Bergh, associate curator of the art of the ancient Americas, assessed the Native American ceramics and basketry; as a result, some 160 objects were transferred into the permanent collection. The education collection was moved into temporary storage during the first phase of the expansion project. Yet docent teachers increased from 10 to 20 (thanks to an influx of gallery docents), four new suitcases were developed, and an art car was acquired—all of which allowed increased service to schools. Teachers from the museum’s constituent schools were very accommo- dating in spring 2005 as galleries closed for the building project. Typically,

111 Art To Go more school tours are scheduled in May and June than during any other presentations brought works from the months, but the museum’s docents were undeterred and showed consid- Education Art erable flexibility and commitment as they continued their service in cre- Collection to schools around the area. ative new ways. Docents who did not assist in Art To Go taught special exhibitions at the museum and at neighboring institutions including MOCA Cleveland and the Maltz Museum of Jewish Heritage, as well as introducing school groups to the sand mandala presentation at City Hall. The school tour program participated in a study of Cleveland Municipal School District (CMSD) classes that come to the museum as part of the school tour programs at University Circle institutions. Conducted by the Institute for Learning Innovation, the study will provide the basis for new curricula. Professional development opportunities for teachers continued at the museum until June 2005, and thereafter at partner institutions. More than 120 workshops were presented to more than 900 teachers. Family and youth programs moved off-site during July 2005, with a dozen events—most at area libraries—in the summer and fall; all programs relocated to Shaker Square when that space was ready. New partnerships built around adult classes were forged with Baldwin-Wallace East in Beachwood and the Tri-C Cooperate College East in Warrensville Heights. The Art & Fiction book club brought together Education and

112 Ingalls Library staff to offer discussions about the genre of art fiction. Art appreciation classes on the history of art featured the museum’s collections and special exhibitions. Thirteen lunchtime and after-work architectural walking tours in Cleveland—and even one to Chicago—accented the programming. Partnerships with schools and teachers thrived. The 27-year Asian- themed collaboration with Shaker Heights and Beachwood high schools became an outreach program with CMA staff teaching classes at the schools. The $750,000 Freeman Foundation grant, now in its last year, funded a student exchange with the Shanghai Foreign Language School in China and Takatori High School in Japan. Simultaneously, the department developed a new project with the CMSD, becoming the lead partner in the creation of the School of Architecture and Design at the renovated John Hay High School, which opened in the fall of 2006; the museum’s collection and construction projects will become a learning laboratory. The department also expanded its networks into the education communities by actively participating in professional organizations. Community Arts, a major outreach arm during this pivotal time, continued its dynamic festivals, always the culmination of numerous off-site studio programs. During the 18-month period, the off-site studio moved to Columbus Road in the Flats for increased space and enhanced security. Two parade seasons brought 100,000 spectators to the circle, and approximately 3,200 people from the community danced through the parades. In 2006 the public parade studios were temporarily situated on the Case campus. Parade staff and ensembles appeared at cultural institutions throughout the city, most notably at the 2005 Ingenuity Festival, for which Robin VanLear designed the opening ceremony. About 400 skate- boarders and dancers performed to the premiere of a composition by composer Greg D’Alessio, assisted by Paul Cox. Also at Ingenuity, the CMA pavilion featured a fusion of art and technology where visitors could view a 3D animation of the medieval Table Fountain and a hologram of the Stone Age Stargazer or explore Picasso’s La Vie. Families donned special glasses to view the debut of a 3D video about the museum’s French Writing Desk directed by noted local video artist and filmmaker Kasumi. Education and Information Technology staff members also collaborated to present a unique educational event, co-sponsored with MOCA Cleveland, the Cleveland Institute of Art, Museum Computer Network, and Case Mask-making and co-chaired by CMA Chief Information Officer Len Steinbach: Under- workshops helped kick off parade season in standing the New Dynamic: Art, Technology, and the Mind was a two-day April 2005 and again international symposium on the relationship of technology, new media, in 2006. art, and the brain in association with MOCA Cleveland’s All Digital exhibition. Steinbach moderated the panel at a public program featuring digital artists, museum educators, and cognitive scientists.

113 Major federal grants from the Institute of Museum and Library Services (IMLS) and the U.S. Department of Education leveraged the department’s work in the community. Through an IMLS grant— $500,000 for two years—the museum forged partnerships with Cuyahoga County Public Library branches in Mayfield Village and Maple Heights using interactive videoconferencing equipment. Teen audiences participated in poetry workshops and slams, while adults learned about art and the places where it was created in a lecture series titled Destinations in Art. The Educators Academy explored the integration of CMA and library resources around themes of literacy, diversity, and technology. The ETTA (Education through the Arts) grant from the Department of Education provided $209,800 for research in planning program installa-

The Moonlady and tions for the Lifelong Learning Center, which is scheduled to open by Her Husband, an ensemble from the 2010. Teacher workshops during the summer of 2005 identified possible Chinese Academy of Cleveland, performed interdisciplinary, curricular-rich themes for the center, while staff visits an acrobatic dance to children’s museums, science centers, and art museums in this country during the 2006 Parade the Circle. and Europe provided valuable insight into the possibilities of immersive interactive learning environments. Gallagher & Associates of Bethesda, Maryland, worked with CMA staff in planning the design of the center. The Lifelong Learning Center will be the final element in the Arts and Education Center, whose mission is to help visitors of all ages and back- grounds find pleasure and meaning in art in general and in the museum’s collection in particular.

114 Native North American Transfers

Since June 2005, the museum’s collection of Native North American art has been impressively increased by the addition of some 225 baskets, ceramics, A significant number textiles, and works on paper. All were of works from the transferred from other areas within Education Art Collection Basketry Food or orange-shafted flicker were re-evaluated and the museum, most from an obscure Serving Bowl quills; diam. 49.5 cm; transferred to the and intriguing collection tended by (Presentation Bowl), Presented by William permanent collection. the Education Department and a few 1880–90; United Albert Price in States, Great Basin, memory of Mrs. screenprints from Ingalls Library as Panamint-Shoshone; William Albert Price well. The transfers—identified with plant fiber and 1917.482. the help of the outside expert consultants Dr. Laurie Webster (textiles) and Dr. Bruce Bernstein (baskets, ceramics)—were prompted by the building northern Mexican origin; Pueblo or an- expansion project and the increased cestral Pueblo artists also created the gallery space that it will provide for 50 ceramics. They include 20 bowls of Native North American arts. The ob- New Mexico’s ancient Mimbres cul- jects that remain in the Education Art ture, painted with charming figures or Collection will be put to use in the Art bold geometric designs, and a group Artist-archaeologist (above and borders at To Go program, which takes art into of graceful 19th-century Zuñi ollas Kenneth Chapman, a right). In 1922, SAR area schools. (water jars). Baskets range from very key figure in Santa sponsored the first Fe’s School of southwest Indian Fair, The regions best represented by the large Apache jars to miraculously tiny American Research the precursor of transferred objects are the Southwest miniatures created by a Pomo (SAR), made many today’s enormously and the West. All 30 of the transferred (California) weaver to demonstrate drawings of motifs popular Santa Fe from Indian pottery Indian Market. textiles are of Navajo, Pueblo, or her virtuoso skill. The works on paper like those shown here include watercolors by Julian Martínez and Awa Tsireh (Alfonso Roybal) of koshare (sacred clown) performances at the San Ildefonso Pueblo, the Anglo artist Kenneth Chapman’s many drawings of motifs on Pueblo pottery, and several others.

Olla (Water Jar), 1850– Kenneth M. Chapman top, h. 25.4 cm, 60; United States, (American, 1875–1968); 1928.47; middle (left), Southwest, Zuñi Drawings of Three h. 24.5 cm, 1928.66; Pueblo; ceramic, slip; Designs from the bottom, h. 25.4 cm, Gift of Amelia Elizabeth Pottery of the San 1928.41; Educational White 1937.898. Ildefonso Pueblo, New Purchase Fund. Mexico, before 1928;

115 School and Teacher Services Arts, Collinwood High School, Mary Diversity, Neighborhoods, and Urban Issues; Cranwood Elementary, Paul Dunbar Elemen- Egyptomania (4-part series): Daily Life, Hiero- Art to Go and the Education Art Collection tary, Euclid Park Elementary, Benjamin glyphics, Mummification, Animals in Art; Presentation topics. Ancient Americas: Art Franklin Elementary, Robert Fulton Eye on the Moon; Form, Function, and Faith; from Mesoamerica; The Art of Writing: The Elementary, Joseph Gallagher Elementary, From Estruscan to Modern: A Panorama of Origin of the Alphabet; Artists of Our Region; Glenville High School, Stephen Howe Italian Art; Gods and Heroes from Greece and China: Art and Technology; Classical Art: Elementary, Robert H. Jamison Computech, Rome; Gods and Heroes of India; Gods and Ancient Greece and Rome; Cool Knights: R. G. Jones Elementary, Kentucky Elemen- Heroes of the Maya; Harlem Renaissance; Armor from the European Middle Ages and tary, John F. Kennedy High School, Lincoln Impressionism; Japanese Art: Humble and Renaissance; Diego Rivera: A Mexican Hero West High School, Douglas MacArthur Bold; Knights, Castles, and Kings; L’Art de and His Culture; Early America: Artistry of a Elementary, John Marshall High School, L’Afrique; Math Connections; Medieval Mas- Young Nation; Journey to Africa: Art from McKinley Elementary, Mound Elementary, terpieces; Modernism: Early 20th-Century Art; Central and West Africa; Journey to Asia; Oliver Hazard Perry Elementary, Captain Museum Careers; Native Americans and Journey to Japan: A Passport to Japanese Art; Arthur Roth Elementary, Marion Seltzer Settlers: Encounters in Early Ohio History; Let’s Discover Egypt; Masks: Let’s Face It; Elementary, Tremont Elementary, Charles A. Professional Development: DL and Your Materials and Techniques of the Artist; Mooney Elementary, Walton Elementary, Curriculum; “Race” Is a Four-Letter Word; The Museum Zoo: Animals in Art; Native Watterson–Lake Elementary, and Waverly Renaissance Painting: An Overview; American Art: Clues from the Past; Oodles Elementary. Scary Art: A Halloween Special; Survey of and Oodles of Lines and Shapes; and Problem Schools outside Cleveland. Agnon, All Saints Non-Western Art (13 university-level Solving: What in the World? of St. John Vianney, Art House, Ascension, videoconferences); Spanish Art; and Tessella- tion Exploration. CMSD participants. Almira Elementary, Bryden Elementary, Canterbury Elementary, Audubon Middle, Newton D. Baker Chagrin Falls Intermediate, Citizen’s Acad- Communities served in the United States and Elementary School for the Arts, Alexander emy, Coventry Elementary, Direction for abroad. England: Pinner; Arkansas: Sterling; Graham Bell Elementary, Bethune Elemen- Tomorrow Home School, Dike Montessori, Alabama: Huntsville; California: Quincy and tary, Brooklawn Elementary, Buckeye– Fuchs Mizrahi School, Gates Mills Elementary, San Rafael; Colorado: Durango; Connecticut: Woodland Elementary, Case Elementary, Eleanor Gerson School, Hannah Gibbons East Hartford; Florida: Fort Lauderdale and Clark Elementary, Cleveland School of the Elementary, Greenview Elementary, Naples; Illinois: Chicago and Peoria; Indiana: Hathaway Brown, Hawken, Highland Bluffton, East Chicago, Gary, Indianapolis, Elementary, Holy Cross Elementary, Holy Lanesville, Nashville, Nineveh, Noblesville, Redeemer, Holy Trinity, Thomas Jefferson Petersburg, Shelbyville, Tell City, Williamsport, Elementary, Lakewood Lutheran, Laurel, and Zionsville; Kentucky: Frankfort; Louisi- Lutheran West High, Mayfield High School, ana: New Orleans; Massachusetts: Belchertown, Mercer Elementary, Mt. Auburn, Parma Concord, Dalton, Revere, Shelburne, and Heights Christian Academy, Parma High South Deerfield; Maine: Raymond; Michigan: School Able Learners, Onaway Elementary, Algonac, Alma, Bay City, Berrien Springs, Oxford Elementary, Ratner School, Raymond Bridgman, Canton, Corunna, Fraser, Fremont, Elementary, Roxboro Elementary, Ruffing Galien, Gladwin, Grand Rapids, Holland, Montessori, Shaker Heights High School, Lapeer, Michigan City, New Buffalo, Owosso, St. Ann’s, St. Columkille, St. Gregory the Roscommon, Saginaw, Spring Lake, St. Great, St. Josephat, St. Mark’s School, St. Joseph, Sterling Heights, Watervliet, West Michael Elementary, St. Robert Bellarmine, Olive, and Zeeland; Minnesota: Cambridge; St. Terese, University Settlement, University Missouri: Osage Beach and Otterville; Missis- School, Valley Forge High School, and sippi: Hattiesburg; North Carolina: Durham Woodbury Elementary. and Wallace; New Hampshire: Penacook; Teachers Advisory Committee. Ellen Battle, New Jersey: Alloway, Camden, Galloway, Carole Brown, Nancy Dvorak, Sue Foley, Hillsborough, Lincroft, Linden, Mays Landing, Cindy Guertin, Kathy Heidleberg, Dale Neptune, Sandy Hook, Sewell, Shamong, Hilton, Christina Holtier, Phil Klienhentz, Sicklerville, Wall, and Williamstown; New Shannon Masterson, John Prim, Joan Querry, York: Albany, Amsterdam, Ardsley, Bayport, Kitty Rose, Michael Starinsky, Betty Jo Scurei, Belleville, Bethpage, Burnt Hills, Carle Place, Sister Mary Francismarie Seiler, Jean Sommers, Cheektowaga, Copiague, Deer Park, East and Sue Wilson. Moriches, Eastchester, Elmira, Elmsford, Creativity continued Farmingdale, Freeport, Garnerville, Glen at the Shaker Square Distance Learning Head, Hamburg, Hampton Bays, Henrietta, Hicksville, Horseheads, Irvington, Levittown, studio in early 2006. Class topics. A Is for Animal; A Is for Apple; Lido Beach, Massapequa, Merrick, Miller African Art: Secular and Supernatural; African Place, Mt. Morris, North Massapequa, New Masks; America’s Story through Art (5-part York, Oceanside, Palmyra, Patchogue, Port series): America Emerging (1700s), America Jefferson Station, Rocky Point, Roslyn Heights, Expanding (1801–61), America Transforming Scarsdale, Schenectady, Scotia, Staten Island, (1861–1918), America Enduring (1913–45), Valley Stream, West Hempstead, Wellsville, and America Diversifying (1945–2000); An- West Nyack, White Plains, and Williamsville; cient American Art: The Aztec and Their Ohio: Akron, Alliance, Ashtabula, Atwater, Ancestors; Arms, Armor, and Simple Ma- Avon, Bartlett, Beachwood, Bellbrook, chines; Art and Science: Natural Dyes; Art and Bellefontaine, Bellevue, Belmont, Berea, Science: Photography (2-part series): How Bluffton, Brunswick, Byesville, Cambridge, Does a Camera Work? and What Makes a Canal Fulton, Canton, Chagrin Falls, Good Photograph?; The Art of Adornment; Cincinnati, Cleveland, Columbus, Concord Aztec, Maya, and More!; Contemporary Art; Township, Crooksville, Dayton, Dennison,

116 Young artists learn about silkscreen printing.

Dresden, Elyria, Franklin, Fremont, Gates Color; Materials of the Artist: How Do They Mills, Granville, Hamilton, Haviland, Ironton, Do That?; Modern and Contemporary Art; Jackson, Jamestown, Johnstown, Kent, Kirtland, Speak to the Arts: France; Speak to the Arts: Lagrange, Lisbon, Little Hocking, Lorain, German; Speak to the Arts: Spain; and Sports Lyndhurst, Mason, Massillon, McDermott, in Art. Mentor, Middlefield, Middletown, Minerva, Newark, North Canton, North Ridgeville, School Tour Program Oberlin, Painesville, Parma, Pepper Pike, Students from Ohio counties and school dis- Perrysburg, Piketon, Poland, Proctorville, tricts. Allen: Lima City, Perry Local, and Richfield, Rocky River, Sandusky, Shaker Wapakoneta City; Ashland: Ashland City and Heights, Sheffield, Springfield, St. Clairsville, Crestview Local; Ashtabula: Grand Valley Steubenville, Streetsboro, Strongsville, Local and Jefferson Area Local; Butler: Cincin- Thornville, Tiffin, Tiro, Turin, Uhrichsville, nati Archdiocese; Clark: Cincinnati Archdio- Vincent, Walnut Creek, Wickliffe, Young- cese; Cuyahoga: Bay Village City, Beachwood stown, and Zanesville; Pennsylvania: Allen- City, Bedford City, Berea City, Brecksville– town, Bala Cynwyd, California, Catasauqua, Broadview Heights, Chagrin Falls Exempted Easton, Emmaus, Erie, Fort Washington, Village, Citizens Academy, Cleveland Catholic Glenside, Media, Milford, Old Forge, and Diocese, Cleveland Heights–University Pottstown; Tennessee: Chattanooga and Nash- Heights City, Cleveland Lutheran High ville; Texas: Amarillo, Arlington, Clarendon, School, Cleveland Municipal, Cuyahoga College Station, Copperas Cove, Corpus Heights Local, East Cleveland City, Euclid Christi, Dallas, Godley, Houston, Lubbock, City, Fairview Park City, Hope Academy Magnolia, Mansfield, Mont Belvieu, Quinlan, Cathedral Campus, the Intergenerational Jew- Richardson, San Antonio, and Waco; Virginia: ish Education Center of Cleveland, Lakewood Docent Kermit Alexandria, Reston, and Wirtz; Washington: City, Lutheran Schools of Ohio, Maple Greeneisen answers Shelton and Skokomish Nation; Wisconsin: Heights City, Mayfield City, North Olmsted questions during a Greendale, La Crosse, and Neenah. City, North Royalton City, Old Brooklyn school group tour of Montessori School, Olmsted Falls City, Or- the Asian galleries in Docent Program ange City, Parma City, Polaris JV, Rocky the spring of 2005. School tour topics. All Creatures Great and River City, Shaker Heights City, Solon City, Small: Animals in Art; Children in Art; Strongsville City, Warrensville Heights City, American Art; Arts of the African Continent; and Westlake City; Delaware: Delaware JV; Arts of the Americas; Arts of the Renaissance Erie: Berlin-Milan Local, Perkins Local, and and Baroque Eras; Castles and Knights: An Vermilion Local; Franklin: Canal Winchester Introduction to Life in the Middle Ages; Local, Columbus City, Columbus Diocese, Discover a World of Great Art; Dressed for and Horizon Science Academy Columbus; Success; Egypt, Greece, and Rome; Face to Geauga: Chardon Local, Cleveland Catholic Face; From Anubis to Zeus: Myths and Stories Diocese, Newbury Local, and West Geauga in Art; In the Footsteps of Buddha; Journey to Local; Guernsey: Cambridge City; Hamilton: Asia; Landscape Escapes; Line, Shape, and Cincinnati Archdiocese; Henry: Patrick Henry

117 Local; Holmes: West Holmes Local; Huron: Family and Youth Youth slam poets: Asheley Lewis, Jonathon Norwalk City and Western Reserve Local; Lykes, Mary Seats, and Anna Shvets. Jackson: Jackson City; Knox: Mount Vernon Circle Sampler Camp Special guest poets: Eris Dyson (Zion), Kelly City; Lake: Cleveland Catholic Diocese, Cultural institutions: African American Mu- Harris, Meredith Holmes (City of Cleveland Kirtland Local, Painesville City Local, Painesville seum, Cleveland Botanical Garden, Cleveland Heights Poet Laureate), Michelle “Shelly” Township Local, and Willoughby–Eastlake Institute of Art (CIA), Cleveland Institute of Rankins, Michael Salinger, Steven B. Smith, City; Logan: Riverside Local; Lorain: Amherst Music (CIM), Cleveland Museum of Art and Kathy Ireland Walker-Smith. Exempted Village, Avon Lake City, Avon (CMA), Cleveland Museum of Natural His- Local, Columbia Local, Firelands Local, IMLS poets/instructors: Kelly Harris, Vince tory (CMNH), Cleveland Play House, Robinson, Beth Ann Sadowski, Michael Keystone Local, Lorain City, Midview Local, HealthSpace Cleveland, MOCA Cleveland, North Ridgeville City, and Oberlin City; Salinger, Steven B. Smith, and R. A. and Western Reserve Historical Society Washington. Lucas: Springfield Local and Toledo City; (WRHS). Mahoning: Austintown Local, Boardman Instructors: Debbie Apple-Presser and Mary Local, Summit Academy–Youngstown, Ryan. Youngstown Community, and Youngstown Festivals Diocese; Medina: Brunswick City, Highland Early Learning Initiative Local, Medina City, and Wadsworth City; Chalk Festival Montgomery: Cincinnati Archdiocese; Cultural institutions: Children’s Museum of Featured chalk artists: Anna Arnold, Augusto Morrow: Highland Local and Mount Gilead Cleveland, CIM, Cleveland Botanical Garden, Bordelois, Dan Cherney, Barbara Chira, Exempted Village; Muskingum: Zanesville Cleveland Orchestra, Cleveland Play House, Wendy Mahon, Jesse Rhinehart, Story City; Ottawa: Danbury Local; Portage: Aurora CMA, CMNH, Nature Center at Shaker Rhinehart, and Robin VanLear. Lakes, WRHS, and UCI. City, James A. Garfield Local, Kent City, Musicians: Blues de Ville and Roberto Ravenna City, and Waterloo Local; Richland: Day care centers: Church of the Covenant, Ocasio’s Latin Jazz Project. Clear Fork Valley Local and Mansfield City; Cleveland Sight Center, Cleveland Music Seneca: Tiffin City; Shelby: Sidney City; Stark: School Settlement (CMSS), Daniel Morgan, Participating groups: Firelands High (Oberlin), Fairless Local, Lake Local, Marlington Local, Louis Pasteur, Karamu House, University Hershey Montessori Farm School (Huntsburg), Minerva Local, North Canton City, and Perry Hospitals Kindercare, and Wade Day Care Hickory Ridge Elementary (Brunswick), Lake Local; Summit: Akron City, Cleveland Catho- Center. Center Christian School (Hartville), North Olmsted Schools, Riverside High (Painesville), lic Diocese, Manchester Local, Nordonia Hills Instructor: Kate Hoffmeyer. City, Revere Local, Springfield Local, Stow- and Girl Scout Troop 1658 (Parma). Munroe Falls City, Tallmadge City, and Future Connections A Sparx Gallery Hop featured event. Twinsburg City; Trumbull: Brookfield Local, Cultural institutions: Case Western Reserve Lakeview Local, McDonald Local, and Niles Circle of Masks Festival University (Case), Children’s Museum of City; Tuscarawas: Garaway Local, New Cleveland, CIA, CIM, Cleveland Botanical Artists: Wendy Mahon and Ian Petroni. Philadelphia City, and Strasburg-Franklin Garden, Cleveland Play House, CMA, Movement performers: MorrisonDance and Local; Wayne: Chippewa Local, Green Local, CMNH, MOCA Cleveland, WRHS, and Story Rhinehart Group. Orrville City, Rittman Exempted Village, UCI. Southeast Local, and Wooster City; and Parade the Circle Celebration 2005 Wood: Otsego Local. Business partners: Allen Bradley Company, Cleveland Clinic Foundation, General Electric, Guest artists: Pedro Adorno (Puerto Rico), Students from other states and counties. Hard Hatted Women, Jones Day, Judson Park Amy Ballestad (Minnesota), Kelvin Keli Cadiz Kentucky: Madison; Maryland: Anne Arundel; Retirement Community, and Ohio Savings (Trinidad and Tobago), Anne Cubberly Michigan: Ingham, Jackson, Lapeer, and Bank. (Connecticut), Sharon Epperson (New York), Wayne; New Jersey: Morris; New York: Ronald Guy (Trinidad and Tobago), Michael Mentors: Dyane Hronek Hanslik and Arielle Allegany, Chautauqua, Crawford, Erie, Guy-James (Trinidad and Tobago), Brad Levine. Franklin, Lawrence, and Mercer; and West Harley (Canada), Oliver Hospedales (Trinidad Virginia: Brooke. Museum Art Classes and Tobago), Ana Paula Jones (Brazil), Mary Students from other countries and provinces. Jo Nikolai (Minnesota), Nkhruma Potts Canada: Ontario. Instructors: Candice Dangerfield, Pamela (Trinidad and Tobago), Rick Simon (Canada), Dodds, Dessi Ehrlich, Laura Ferrando, Jeanna Cathy Vigo (Puerto Rico), and Rudolph Special Outreach Programs Forhan, Lisa Focaretto, Rich Garr, Justin “Murphy” Winters (Trinidad and Tobago). Garasz, Ashley Gerst, Kate Hoffmeyer, Shari Nia Coffeehouse collaboration with Cleveland Jamison, Christie Klubnik, Arielle Levine, Artists and support staff: Debbie Apple-Presser, Heights Libraries. Michaelle Marschall, Laura Marsh, Aileen Abby Baumgartner, Sue Berry, Philip Brutz, House band: Vince Robinson and the Jazz McKimm, Kiel Mills, Cliff Novak, Colleen Hector Castellanos-Lara, Kathy Colquhoun, Poets. O’Malley, Carol Pressler, Alex Prudic-Dennis, Michael Crouch, Kathy Curnow, Maureen Dixon, Nan Eisenberg, Liza Goodell, Dyane Performers: Eddie Harris, Derrick James, Nick Shawn Prudic-Dennis, Mary Ryan, Pam Sika, Hronek Hanslik, Taliesin Reid Haugh, D. Moore, Duane Morris, Chuck Orange, Greg Jess Stork, Jaymi Zents, and Jenny Zito. Scott Heiser, Vicki Isphording, Mark Jenks, Pickett, and Vince Robinson. Administrative assistants: Sarah Biederman and Barbara A. Kathman, Wendy Mahon, Julia Guest musician: violinist Wanda Sobieska. Mary Ryan. Pankhurst, Ian Petroni, Nancy Prudic, Jesse Guest poets: Kelly Harris and Vince Robinson. Supervisors: Dyane Hronek Hanslik and Rhinehart, Story Rhinehart, Lizzie Roche, Nancy Prudic. Donna Spiegler, Jan Stickney, Chuck Supinski, Gail Trembly, Robin VanLear, Bill Wade, and SLAM IT! Craig Woodson. IMLS grant program collaboration with Poster: Jesse Rhinehart. T-shirt: Mark Jenks. MOCA Cleveland. UCI member institution groups: Abington Band: Vince Robinson and the Jazz Poets. Arms, the Children’s Museum of Cleveland, Poet MCs: Kelly Harris and Michael Salinger. Cleveland Public Library (CPL), CMA and the Womens Council of the CMA, CMNH,

118 CMSS, Judson Retirement Community, Jewish Big Brother/Big Sister Association; Karamu House Inc., Lake View Cemetery, Judson at University Circle; Julia de Burgos Mount Zion Congregational Church, St. Cultural Arts Center; Karamu House Inc.; Adalbert Church, the Sculpture Center. Lakeview Terrace Community Center; Mount Directors ensemble: Case (Edward M. Hundert, Zion Congregational Church UCC; Northeast president), CIM (David Cerone, president), Ohio’s Own OooEeee Teen Talent Troupe; City of Cleveland ( Jane L. Campbell, mayor; Ohio City Bike Co-op Passport Project; Patricia Britt, Ward 6 councilwoman; Kevin Pomerene Center for the Arts; Rainey Insti- Conwell, Ward 9 councilman), Cleveland tute; Raízes da Tradição Institute (Brazil); Hearing and Speech Center (Bernard P. Henri, Sierra Club Inner City Outings; the Sculpture executive director), CMA (Katharine Lee Center; Thea Bowman Center; and Trinity Reid, director, and James T. Bartlett, presi- Commons. dent) and the Womens Council of the CMA Music and dance groups: Agua, Sol y Sereno (Linda McGinty, chair), CMNH (Bruce (Puerto Rico); Aphrodesiatics; Chris Hovan Latimer, executive director), CPL (Andrew and Friends; Cleveland School of the Arts Venable, director), Dunham Tavern Museum Student Dancers; Dahmia’s Turkish Dance; (Garrit Wamelink, president), Epworth-Euclid Galiana Belly Dance; Inlet Dance Theatre; United Methodist Church (L. Chris Martin, Jerry Keller, Mal Barron, and Tim Miller pastor), Judson Retirement Community (Saxophoneville); Maravilhas; Mellow Harps (Cynthia Dunn, president), Lake View Cemetery Steel Band; New Orleans Jazz Ensemble; Panic (William L. Garrison, president and CEO), Steel Ensemble; Pharaoh’s Daughters; MOCA Cleveland ( Jill Sndyer, executive Polyrhythmics with Wall of Sound; Sisters in director), Mount Zion Congregational Church Dance; Yeleni; and Yiddishe Cup. (Paul Hobson Sadler Sr., pastor), Nature Circle Village activities presenters: Children’s Center at Shaker Lakes (Nancy King Smith, Museum of Cleveland, CIA, CIM, Cleveland executive director), the Sculpture Center Botanical Garden, Cleveland Hearing and (Lisa Winstel, executive director), UCI (Terri Speech Center, Cleveland Orchestra, CMA, Hamilton Brown, president), University CMNH, CMSS, CPL, Dunham Tavern Mu- Hospitals Health System ( Jeffrey C. Boutelle seum, Epworth-Euclid United Methodist Sr., vice president, Marketing and Communi- Church, HealthSpace Cleveland, Karamu cations), WRHS (Patrick H. Reymann, House Inc., KinderCare, Lake View Cem- president and CEO), and Young Audiences etery, Montessori School at Holy Rosary, of Greater Cleveland (Marsha Dobrzynski, MOCA Cleveland, Nature Center at Shaker executive director). Lakes, Ohio College of Podiatric Medicine/ Schools and education groups: Andrews School; Cleveland Foot & Ankle Clinic, Puppetry Citizens’ Academy; Cleveland Heights– Guild of Northeastern Ohio, Ronald University Heights Schools: Canterbury McDonald House of Cleveland, Western Re- Featured artist Anna Elementary, Coventry Elementary, and Fairfax serve Association for the Preservation and Arnold works on her Elementary; CMSD: Cleveland School of Perpetuation of Storytelling (WRAPPS), drawing on the south the Arts and Charles Dickens Elementary; WRHS; Womens Council of the CMA, and steps during the 2005 CMSS Preschool and Day School; Coopera- Young Audiences of Greater Cleveland. Chalk Festival. tive Nursery School at Heights Christian Pole banner artists (new banners): CPL, Church; Fairview Park Schools: Parkview Langston Hughes Branch; Kate Hoffmeyer; Intermediate; Hathaway Brown School; Holy Vicki Isphording; Walt Wali Neil; Seema Rao; Name Elementary; Laurel School; Old Brook- Mary Ryan; Horizon Science Academy; and lyn Montessori School (2 groups); Peaceful CMA High School Museum Ambassadors Children’s Montessori School; Positive from Padua Franciscan, Shaw (East Cleveland Education Program; St. Adalbert Enrichment Schools), and Valley Forge (Parma Schools). Program; Strongsville Schools: Chapman Elementary; and University School. Sponsors: The Womens Council of the Cleveland Museum of Art. Additional support Community groups: Abington Arms Art from the Ohio Arts Council; the Cleveland Therapy Program; Art House; Art on Wheels, Coca-Cola Bottling Company; Plidco; Target Inc.; Arts Collinwood; Benjamin Rose Adult Corp; the City of Cleveland, Jane L. Day Program; Bridgeway Inc./Denison Play- Campbell, Mayor; Cleveland City Council house; Café Bellas Artes; Catholic Charities/ members Patricia J. Britt, Ward 6, Sabra Pierce Hispanic Senior Center; Center for Families Scott, Ward 8, and Kevin Conwell, Ward 9; and Children/RapArt; the Children’s Museum Cuyahoga County Board of Commissioners of Cleveland; Chinese Academy of Cleveland; Jimmy Dimora, Timothy F. Hagan, and Peter Cleveland Heights–University Heights Public Lawson Jones. Promotional support provided Library; Cleveland Public Theatre Brick by 89.7 WKSU, The Plain Dealer, and Northern City Players; CMNH Book Explorers; CPL; Ohio Live. Special thanks to Jo-Ann Stores, Cuyahoga County Board of Mental Retarda- Charlie’s Fabrics, and Distillata. Outreach tion and Developmental Disabilities; Families support from Young Friends of the Cleveland with Children from China of Greater Museum of Art. Cleveland; Girl Scouts of Lake Erie Council Junior Troop 598; Global Awareness Through the Arts (& Sciences); Goodrich–Gannett Neighborhood Center; Hessler Street Fair;

119 Abington Arms's “Crazy Mixed-up Circus” from 2005 Parade the Circle.

First Living Expressions International Winter Lights Lantern Festival Community Arts Appearances Conference Environment of Lights installation artists: Akron Children’s Hospital Opening; Held at Case. Presented by CMA Community Michael Guy-James, Mark Jenks, Wendy Cleveland Botanical Garden WinterShow; Arts department with Case and Raízes da Mahon, Jesse Rhinehart, Mark Sugiuchi, Cleveland Indians pre-game; Cleveland Tradição Institute (Brazil). Robin VanLear. Technical assistance: Michael Metroparks Zoo, Boo at the Zoo (8 days); Presenters: Agua, Sol y Sereno, Puerto Rico Guy-James, Carl Johnson. Puppets: Joshua CMA Fast Forward at CIA; CMA Foundation (Pedro Adorno, founder and director); the Arts Brown, Melissa Gruca, Scott Heiser, Ian Day; CMA Summer Courtyard; Discover the League of Michigan (Oliver Ragale Jr., presi- Petroni, Bill Wade, Christopher Whitney. Lakefront at North Coast Harbor (11 appear- dent); Brazil (Leonardo Brant, vice-chairman, Dancers: Meghan Haas, Story Rhinehart, ances); El Dia de los Muertos; First United International Network for Cultural Diversity; Lizzie Roche. Umbrella Dancers: Rebecca Methodist Church; Ingenuity Festival; Na- Fábio de Sá Cesnik, lawyer and partner, Inman, Margret Ludlow, Leila Pelhan, Allison tional City Bank Building; North Union Cesnik, Quintino and Salinas; Ana Paula Jones, Prucha. Farmers Market at Crocker Park (2 appear- founder and director, Raízes da Tradição Music: John Spuzzillo Percussion Group. ances); North Union Farmers Market at Shaker Square (8 appearances); Ocasio Foun- Institute; and Sergio Sá Leitão, assistant to the Guest lantern artists: Debbie Apple-Presser, minister of culture); the Cleveland Foundation dation at Lake Erie College; ParkWorks Dis- Hector Castellanos-Lara, Michael Guy-James, cover the Lakefront at North Coast Harbor (2 (Kathleen Cerveny, program director, Arts and Tim Haas, Wendy Mahon, Abby Maier, Ian Cultural Programs and Initiatives); CMA appearances); Punderson State Park Corporate Petroni, Nancy Prudic, Story Rhinehart, and Dinner; Sparx Street Beats (5 appearances); (Massoud Saidpour, director, Performing Arts, Lizzie Roche. Music, and Film; Robin VanLear, artistic Stan Hywet Hall and Gardens (2 days); director, Community Arts; Marjorie Williams, Winter Lights lantern-making workshops at Tremont Arts and Cultural Festival (2 days); director, Education and Public Programs); Cleveland Botanical Garden. UCI Fall for the Circle; University Circle Cleveland State University (Donald Ramos, CircleFest music: Hathaway Brown Bravuras. Scarecrows; UCI Wade Oval Wednesdays; and Warehouse District Street Festival. department of history); Immigrant Worker Celebrity readers: Margaret Bernstein, Plain Project ( Jeff Stewart, director); Ingenuity Dealer; Gregory Johnson, the Urban League; Festival ( James Levin, co-director); Ohio Arts Circle of Masks Festival at Shaker Square Kim Johnson, WZAK; and Mark Ribbins, 2006 Council ( Jami Goldstein, communications WNWV. manager); and World Music Institute (Isabel Artists: Debbie Apple-Presser and Abby Maier. The Winter Lights Lantern Festival was sup- Soffer, associate director). ported by Cleveland Public Power. Movement performers: MorrisonDance. Performance: Panic Steel Ensemble.

120 Parade the Circle 2006 gram: Audubon, Mary M. Bethune, George Guest artists: Mauricio Alves (Brazil), Kelvin Washington Carver; CMSS Preschool and Day Keli Cadiz (Trinidad and Tobago), Liza School; CMA Museum Ambassadors from Goodell (Pennsylvania), Ronald Guy (Trinidad Strongsville High, Valley Forge High (Parma and Tobago), Michael Guy-James (Trinidad Schools), and Padua Franciscan High; Fairview and Tobago), Brad Harley (Canada), Ana Paula Park Schools: Parkview Intermediate Art Club; Jones (Brazil), Nkhruma Potts (Trinidad and Holy Name Elementary; Laurel School; Tobago), Myra Rasmussen (Oregon), Inskip Mayfield Schools: Mayfield Middle; Old Rochford (Trinidad and Tobago), Rick Simon Brooklyn Montessori School; Peaceful Children (Canada), Kelvin “Zuzie” St. Rose (Trinidad Montessori School; St. Joseph Elementary; and Tobago), and Rudolph “Murphy” Winters Shaker Heights Schools: Woodbury Elemen- (Trinidad and Tobago). tary; South Euclid–Lyndhurst Schools: Ridgebury Elementary, Sunview Elementary; Artists and support staff: Debbie Apple-Presser, Strongsville Schools: Chapman Elementary and Abby Baumgartner, Sue Berry, Chris Auerbach Strongsville High. Brown, Hector Castellanos-Lara, Kathy Colquhoun, Michael Crouch, Joe DeJarnette, Community groups: Abington Arms Art Maureen Dixon, Nan Eisenberg, Dyane Therapy Program; Art House; Art on Wheels, Hronek Hanslik, Taliesin Reid Haugh, D. Inc.; Benjamin Rose; Broadway Project on Scott Heiser, Vicki Isphording, Mark Jenks, Public Art; Catholic Charities/Hispanic Senior Center; Center for Families and Children/ Parade the Circle Carl Johnson, Buff Jozsa, Barbara A. Kathman, artistic director Robin Sheila Keller, Wendy Mahon, Abby Maier, RapArt; Cleveland Magazine; Cleveland Peace Action; Concordia Care; The Children’s Mu- VanLear works on a Julia Pankhurst, Ian Petroni, Nancy Prudic, giant puppet head. Jesse Rhinehart, Story Rhinehart, Lizzie seum of Cleveland; The Chinese Academy of Roche, Donna Spiegler, Jan Stickney, Chuck Cleveland; CMNH Book Explorers; Cleveland Supinski, Gail Trembly, Robin VanLear, Bill Public Theatre Brick City Theatre; CPL; Wade, and Craig Woodson. Cuyahoga County Board of Mental Retarda- tion and Developmental Disabilities (2 groups); Pole banner artists (new banners): Brunswick Poster and T-shirt: Story Rhinehart. Daisy Scouts of East Cleveland; Despertar High, Cleveland Hearing and Speech Center, UCI member institution groups: Abington Community Association (Brazil); Girl Scouts of Hawken School, Kate Hoffmeyer, Horizon Arms, Benjamin Rose, the Children’s Museum Lake Erie Council Troop 598; Global Aware- Science Academy, and New Life Community. of Cleveland, CMA, CMNH, CMSS, CPL, ness through the Arts (& Sciences); Golden Sponsors: The Womens Council of the Judson at University Circle, Lake View Cem- Ciphers; Goodrich-Gannett Neighborhood Cleveland Museum of Art. Additional support etery, Mount Zion Congregational Church, Center; Great Lakes Theater Festival; Hessler from the Ohio Arts Council; the Cleveland and the Womens Council of the CMA. Street; Judson at University Circle; Lakeview Coca-Cola Bottling Company; the City of Directors ensemble: Children’s Museum of Terrace Community Center; Miguate (Mayan Cleveland, Frank G. Jackson, mayor; Cleveland Cleveland ( Jeffrey A. Saxon, president and Immigrants from Guatemala); Mount Zion City Council members Patricia J. Britt, Ward 6, executive director), Cleveland Hearing and Congregational Church; Northeast Ohio’s Sabra Pierce Scott, Ward 8, and Kevin Speech Center (Bernard P. Henri, executive Own OooEeee Teen Talent Troupe; Ohio Conwell, Ward 9; Cuyahoga County Board of director), CIA (David Deming, president), City Bike Co-op Passport Project; Rainey Commissioners Jimmy Dimora, Timothy F. CIM (David Cerone, president), CMA Institute; Raízes da Tradição Institute (Brazil); Hagan, and Peter Lawson Jones; Huntington (Timothy Rub, director, and James T. Bartlett, Sierra Club Inner City Outings; University National Bank; Case; and Plidco. Promotional president) and the Womens Council of the Settlement; and Woodbury Road Neighbors. support provided by 89.7 WKSU and Cleveland CMA (Linda McGinty, chair), CMNH (Bruce Music and dance groups: 7 Mile Island; Magazine. Special thanks to Charlie’s Fabrics Latimer, executive director), CPL (Andrew Aquarela do Mundo; Brunswick High; Cheryl and Distillata. Outreach support from Young Venable, director), Cleveland Sight Center and Cheryl; Chris Hovan and Friends; Gypsy Friends of the Cleveland Museum of Art. (Michael E. Grady, director); Dunham Tavern Soul; Hareem Shar’eem; Inlet Dance Theatre Museum (Marsha French, co-president), Company and Student Dancers; Jerry Keller, Community Arts Appearances Epworth-Euclid United Methodist Church Mal Barron, Norman Tischler, and Tim Miller January–June 2006. Allen Memorial Art Mu- (L. Chris Martin, pastor), Judson Services Inc. (The Cleveland Saxtet); Panic Steel Ensemble; seum Chalk Festival and Workshop (Oberlin), (Cynthia H. Dunn, president and CEO), Pharaoh’s Daughters; Polyrhythmics Featuring Coventry Street Fair, Grand Prix of Cleveland MOCA Cleveland ( Jill Snyder, executive di- Wall of Sound; and Sutphen School of Music at (2 days), Larchmere Street Festival, North rector), Mount Zion Congregational Church Phillis Wheatley Association. Union Farmers Market at Crocker Park, North (Paul Hobson Sadler Sr., pastor), Musical Arts Circle Village activities presenters: Children’s Union Farmers Market at Shaker Square (4 Association ( James D. Ireland III, president), Museum of Cleveland, Cleveland Botanical appearances), Meet Me at the Mall (2 appear- Nature Center at Shaker Lakes (Steve Cadwell, Garden, Cleveland Hearing and Speech Center, ances), Movie under the Stars, Orange High executive director), UCI (Chris Ronayne, CIA, CIM, CMA, CMNH, CMSS, Cleveland School Spring Fair, ParkWorks, Sparx Street president, and R. Thomas Stanton, chairman), Orchestra, Cleveland Play House, CPL, Beats, and University Heights Memorial Day WRHS (Patrick H. Reymann, president and Dunham Tavern Museum, Epworth-Euclid Parade. CEO), and Young Audiences of Greater United Methodist Church, Huntington Cleveland (Marsha Dobrzynski, executive National Bank, Judson at University Circle, director). Karamu House Inc., KinderCare, Lake View School and education groups: Bedford City Cemetery, MOCA Cleveland, Nature Center Schools: Carylwood Intermediate, Bedford at Shaker Lakes, Ohio College of Podiatric High; Brunswick High (3 groups); Citizens’ Medicine/Cleveland Foot & Ankle Clinic, Academy; Cleveland Heights–University Puppetry Guild of Northeastern Ohio, Ronald Heights Schools: Coventry Elementary, Fairfax McDonald House of Cleveland, WRAPPS, Elementary, Cleveland Heights High Art Club; WRHS, Womens Council of the CMA, and CMSD Motivation Through Excellence Pro- Young Audiences of Greater Cleveland.

121 Adult Programs A class on Chinese ink brush painting Exhibition Programs delighted adult students. Dukes & Angels: Art from the Court of Burgundy 1364–1419 Lecture: Colin Eisler, Robert Lehman Pro- fessor of Fine Arts, Institute of Fine Arts, New York University, “Theatrical Illusion and the Art of the Court of Burgundy, circa 1400.”

From Leipzig Lectures: Saul Ostrow, CIA, “The Leipzig School”; and Andrea Falcione Feldman, curator, Ortiz Family Collection, “From Leipzig.”

Masterworks from The Phillips Collection Lectures: Jay Gates, director, the Phillips Collection, “Renoir’s Luncheon of the Boating Party and Beyond: Duncan Phillips as a Col- Lecture Series Studio Courses lector”; Richard R. Brettell, professor, Uni- versity of Texas at Dallas, “The Unspoken Archaeological Institute of America Series Education staff: Art Extravaganza Studio Open Rivalry between Collectors Duncan Phillips Kathleen Lynch, University of Cincinnati, House. Debbie Apple-Presser: Explorations in and Albert Barnes”; Debra N. Mancoff, au- “Sex Sells, But Who’s Buying? Erotic Imagery Textiles; Stories in Your Life: Textile Scrolls; thor and scholar, “Monet’s Garden”; Marga- on Attic Vases”; Suzanne Richard, Gannon Materials of the Artist: Egg Tempera and Gold ret E. Burgess, CMA, “Duncan Phillips University, “Khirbet Iskander ( Jordan): Leaf; and Pursemaking. Susan Gray Bé: Oil Paintings and CMA Comparisons”; and A City in Collapse at the End of the Early Painting in the Galleries; Portraiture; Painting Alexandra Leaf, independent scholar, “The Bronze Age”; and Stuart Manning, University in Oil; Still Life; Drawing for the Painter; Impressionist Table.” of Toronto, “Origins of Minoan Palaces.” Seasonscapes; Composition in Oil; Drawing and Painting from Life; and Botanical Arts The NEO Show The Annual John and Helen Collis Lecture Classes. Emily Blaser: Jewelry. Robert Dasher: Artist lecturers: Nina Barcellona, Elaine Dr. Helen C. Evans, curator for Byzantine art, Trompe L’Oeil. Charles Eiben: Basics of Battles, Brian Benchek, John Beukemann, department of Medieval Art and the Cloisters, Framing. Laura Ferrando: Art Sampler: Explo- Philip Brutz, Kathy Buszkiewicz, Shane the Metropolitan Museum of Art, “Art and rations for Beginners; Mosaics; and Weaving. Carrico, Laurence Channing, Jeffry Chiplis, Empire—Byzantium: Faith and Power at The Dyane Hronek Hanslik: Watercolor. Kate Terry Clark, Blake Cook, Jeff Falsgraf, Mary Metropolitan Museum of Art.” Hoffmeyer: How Do You Draw from the Lou Ferbert, George Fitzpatrick, Carol Right Side of the Brain?; Relief Printmaking; Hummel, Benjamin Kinsley, Eva Kwong, Other Lectures Printmaking; Drawing the Human Figure; Jason Lee, Stephen Litchfield, Kathy Lynn, Henry Adams, Case, “Thomas Eakins”; Introduction to Painting; and Introduction to Brigitte Martin, Andrew McAllister, Loren Charlotte Vignon, CMA, “Collecting Drawing. Diane Klann: Calligraphy. George Naji, Jeanne Reagan, Mark Reigelman, 18th-Century French Decorative Art during Kozmon: Drawing the Figure. Mitzi Lai: Chi- Dante Rodriguez, and James Seward. the American Golden Age (1880–1930)”; and nese Brush Painting and The Art of Chinese Seema Rao, CMA, “The Art of Flora: Depic- Brush Painting—A Focus on Orchids. Arielle Visions of Japan: Prints and Paintings from tion of Flowers in Western and Eastern Art.” Levine: Memory Books and Memorybooks Cleveland Collections and Bookmaking. A. D. Peters: Oil Pastels. Lecture: Mitzi Verne, collector, and Michael Lecture Courses Shresta Premnath: Digital Photography. Jesse Verne, director, the Verne Gallery, “Visions Rhinehart: Advanced Watercolor; Drawing; Education department staff, “Art Appreciation of Japan: Personal Insights.” Watercolor in the Evenings; and Beginning for Beginners: Egypt, Greece, Rome, Early Watercolor. Judy Smith: Quilting for Today. Lecture course: Marjorie Williams, CMA, Christian and Byzantine, Romanesque, “Visions of Japan.” Jaymi Zents: Papercrafting; Dollmaking; Bead- Gothic, Italian Renaissance, Northern Renais- ing; and Classical Figurative Sculpture. Demonstration: Paul Arnold, artist, Oberlin, sance, Baroque Italy and Spain, 18th-Century “Woodblock Printing Techniques.” France, and 19th-Century France,” “Destina- tions in Art History: The Taj Mahal and the CMA@ MOCA Emperors of India, Versailles, and Buddhist The Persistence of Geometry Temples in Japan,” and “Art and Faith Lecture It’s Geometric Family Day. Series: Hinduism, Buddhism, Christianity, Islam, and Judaism”; Education department Transitions: Linda Butler and Philip Brutz staff and Ingalls Library staff, “The Art and Lecturers: Linda Butler and Philip Brutz. Fiction Book Club”; Stephen Fliegel, CMA, and Rev. David A. Novak, pastor of Holy Trinity Church, Lorain, “Faith and Power: Meaning in Christian Art in the Middle Ages”; Dale Hilton, CMA, “America’s Stories Lecture Series”; Seema Rao, CMA, “Tibetan Art”; and Michael St. Clair, CMA, “Architecture Thursdays: The Architecture of Cleveland in Walking Tours.”

122 Summary of Attendance, 2005–6

Total Attendance, Museum 334,234 Performing Arts, Music, and Film Reference questions answered 1,905 Gala Music Series 2,683 including 614 e-mail questions Master classes and lectures 311 Website questions answered 121 Music of the Belle Époque 325 Books handled via courier run 4,825 Education and Public Programs Panorama Film Series 5,495 Interlibrary loans 1,613 Community Arts VIVA! & Gala Around Town 27,373 284 as borrower, 1,329 as lender Chalk Festival 4,000 VIVA! Festival of Performing Arts 3,261 Serials Circle of Masks 1,250 Total 39,448 Total serial titles 3,086 Community Arts (off-site events) 134,840 Grand Total 414,311 Current subscriptions and memberships 1,151 Parade the Circle Celebration 103,000 New subscriptions 31 Winter Lights Lantern Festival 11,000 Current serials gifts and exchanges 480 Total 254,090 Total serial issues received 7,175 Ingalls Library Total serials holdings 53,754 School and Teacher Services Website 1,466,762 visits Volumes bound 4,342 Top three requested items, in order: image Art To Go 8,535 SCIPIO (Sales Catalog Index Project collection, book collection, and May Show Distance Learning 28,129 Input Online) database Docent-led groups (children) 23,781 Sales catalogs received and Freeman grant 840 Book Library records added 2,918 IMLS grant teacher programs 47 Cataloging Total records in online system 84,993 Monitored drawing 169 Books cataloged 9,411 titles in 9,557 items School studio programs 1,826 includes books, serials, electronic resources, Image Library Self-guided groups (children) 11,369 microforms, scores, and video and audio Images downloaded from catalog Staff-guided groups (children) 2,792 recordings, in Roman and CJK scripts (since 1/1/2006) 1,645 Teacher Resource Center 409 Volume count as of Images scanned for patrons/ Teacher Resource Center (off-site) 341 June 30, 2006 CMA faculty 9,560 Total 78,238 325,743 titles in 418,743 volumes BackStage digitization project 83,990 Book repairs 2,721 Image plus data 56,850 Family and Youth Programs Headings added to ArtNACO 135 Image only 27,140 CMA image catalog and storage facilities Community outreach programs 958 Acquisitions Records in Zoph (images) only 178,188 Family workshops 930 Books ordered 5,171 Records online in Re:Discovery High school programs 174* Books received 8,651 (cataloged data and metadata) 229,482 Martin Luther King Jr. Day 2,103 Gifts received 1,811 Museum Art Classes 4,377* Exchanges received 1,051 Acquisitions SLAM IT! (IMLS program) 46 Digital images purchased 852 Special youth programs 699* Public Services Total 9,587 Staff use 2,260 Cataloging Nonstaff users registered 3,898 Entered 5,029 Book circulation 32,652 Cataloged 16,219 For Adults Museum staff 19,977 Case audit classes for members 666* Case 10,161 Archives Case classes 7,254* Members 768 Records accessioned 502 cubic feet Docent-led groups 1,096 Other researchers 1,746 Records processed 50 cubic feet Docent-led gallery talks 1,612 Books shelved 43,774 Plus 65 drawers of architectural drawings, Docent-led highlights tours 1,549 approximately 6,000 drawings Lifelong learning programs 388* Total holdings Public lectures 1,456 as of June 30, 2006 2,323 cubic feet Recorded tours 1,160 Plus 65 drawers of architectural drawings Self-guided groups 2,252 and electronic records Staff-guided groups 6,853 Staff-led gallery talks 1,684 Finding aids/box lists prepared 15 Studio classes 6,978* Record schedules implemented 14 Total 32,948 Reference questions answered 314 Museum staff 203 Grand Total, Education 374,863 Public 111

*reflects multi-attendance 123 Staff Director’s Office Mark McClintock, Deanna Miller, David Setny, Museum Store Katharine Lee Reid, Installation General Cleaner Supervisor Catherine Surratt, Consulting Director Technician Bobby Shoulders, Kamilia Abadier, Manager, Retail and (until April 2006) Hannah Ries, General Cleaner Guard Merchandising Timothy Rub, Installation John Weems, Frank Cacciacarro, John Baburek, Director (as of April Technician General Cleaner Guard Buyer/Product 2006) Dante Rodriguez, Cynthia Wiggins, Mervin Clary, Guard Developer Installation Roberto Prcela, General Cleaner Dexter Davis, Guard Dedeja Tsiranany, Assistant Secretary of Technician* Office Coordinator/ Monica Wiggins, Charles Ellis, Guard the Board General Cleaner Retail Analyst Operations Division Michael Evans, Judy Bennington, Avila Winston, Hedvig Novota, Facilities Guard Executive Assistant General Cleaner Senior Assistant Thomas Catalioti, Leonard Gipson Jr., Manager Administration Director of Facilities Grounds Guard Rachel Coon, Sales Janet Ashe, Deputy Tonya Shaffer, Thomas Hornberger, Alexander Gulkin, Assistant* Director of Assistant to the Grounds Supervisor Guard Tony Shields, Sales Administration and Facilities Manager Clifford Hicks, Assistant* Treasurer Ronald L. Crosby, Bern Ninteenofive, Group Leader/ Guard Renee Suich, Cindy Ross, General Helper Groundskeeper Louris Malaty, Guard Warehouse Executive Assistant Allen C. Jesunas, James McNamara, Supervisor Construction Services Grounds Assistant Guard Design and Mark Unick, Distribution Services Architecture Lott Crosby, Salwa Melek, Guard Foreman, Wanda Ankrom, Division Groundskeeper Construction Teresa Najarro, Distribution Services Jeffrey Strean, Services William Foster, Guard Supervisor Director of Design Groundskeeper Dominique Halley, Dezso Novota, Kimberly Grice, and Architecture Construction Joseph L. Hrovat, Guard Distribution Services Andrew Gutierrez, Services Technician Groundskeeper Timothy Roach, Associate Exhibition Designer John Sawicki, Guard Engineering Michael Meredith, Amy Draves, Groundskeeper Abram Shneyder, Assistant Supervisor Administrative Joseph Z. Jamrus, Guard of Shipping and Engineering Protection Services Assistant Reginald Sturdivant, Receiving Supervisor Peter Mroczkiewicz, Guard Design Anthony Lee, Director of Martin Tkac Jr., Finance Division JoAnn Dickey, Facilities Technician Protection Services Guard Accounting Graphic Designer Frank Babudar, Carol Camloh, Alexander Verni, Ed Bauer, Assistant Terra Pileski, Engineer Coordinator Guard Treasurer and Production Designer Thomas J. Cari, Jeff Cahill, Manager Janet Voss, Guard Controller Mary Thomas, Engineer Salvador Gonzalez, George Youssef, Russ Klimczuk, Production Anthony Ceo, Manager Guard Manager of Financial Designer* Engineer Carolyn M. Ivanye, Planning Alton Avery, Night Fred E. Sanders, Manager Installation Watch Person Kimberly Cerar, Engineer Jaime Juarez, Assistant Controller Jeff Falsgraf, Chief of Vincent D’Amico, Ibn Taylor, Engineer Manager Installation Night Watch Person Amy Banko, Frederick D. Martin Construction/ Joseph R. Blaser Jr., Building Services Jr., Manager Lawrence Fitch, Development Lead Technician, Night Watch Person Accountant Permanent Joe Savage, Building Steven Witalis, Lee Hebebrand, Collection Services Supervisor Manager Christine Hoge, Night Watch Person Endowment Robin Roth, Shawn Burns, William McGee, Leonard Kile, Night Accountant Graphics Technician General Cleaner Electronic Security Coordinator Watch Person Karen Pinson, Gerald L. Smith+ LaTonya Cozart, Dwayne Kirkland, Accounts Receivable Carpenter/Museum General Cleaner Robert Andrews, Night Watch Person Specialist Technician Susan Evan, General Supervisor David Robbins, Patricia Wilson, Robin Presley, Cleaner James Donovan, Night Watch Person Payroll Coordinator Facilities Painter Brian Ferguson, Supervisor John Somogyi, Philip Brutz, General Cleaner Ken Haffner, Night Watch Person Installation Brian Fields, General Supervisor Technician Cleaner Eugene Irwin, John Williams, Night Rebecca Harrison, Supervisor Watch Person General Cleaner Carol Meyers, Carey Yancey, Night Supervisor Watch Person * part-time + deceased

124 Moving the entire collection allowed the photography studio its first opportunity to rephotograph many masterworks of the collection using its state-of-the-art digital imaging system.

Human Resources Conservation Judy Devere, Senior Art of the Ancient Decorative Art and Medieval Art Division Division Assistant (retired Americas Design Holger Klein, Ph.D., Sharon Reaves, D. Bruce Christman, September 2005) Susan E. Bergh, Stephen Harrison, The Robert P. Director of Human Chief Conservator Katarina Ph.D., Associate Curator of Decorative Bergman Curator of Resources Marcia C. Steele, Kirchenbauer, Senior Curator of Art of the Art and Design Medieval Art Sara Allison, Human Conservator of Assistant Ancient Americas Carol A. Ciulla, Stephen N. Fliegel, Resources Paintings Lisa Simmons, Curatorial Assistant Curator of Medieval Curatorial Division Administrator Jennifer Perry, Curatorial Assistant Art Carla Petersen, Associate Conservator African Art European and Elizabeth Saluk, Asian Art American Art Benefits Specialist of Asian Paintings* Constantine Petridis, Curatorial Assistant Heather Weisenseel, Robin Hanson, Ph.D., Associate Stanislaw J. Czuma, William H. Human Resources Associate Conservator Curator of African Ph.D., The George P. Robinson, Ph.D., Prints and Drawings Administrator* of Textiles Art Bickford Curator of Curator of Modern Jane Glaubinger, Indian and Southeast European Art Lisa Simmons, Ph.D., Curator of Beth Wolfe, Textile Asian Art (retired Collections and Curatorial Assistant Mark Cole, Ph.D., Prints Conservation November 2005) Programs Technician Associate Curator of Heather Lemonedes, Charles Venable, Ancient Art Anita Chung, Ph.D., American Painting Ph.D., Assistant Moyna Stanton, Associate Curator of and Sculpture Ph.D., Deputy Paper Conservator Michael Bennett, Curator of Prints and Director for Ph.D., Curator of Chinese Art Jordi Falgàs, Drawings Sari Uricheck, Collections and Greek and Roman Nancy Grossman, Cleveland Fellow for Joan Brickley, Programs Associate Conservator Art Curatorial Assistant Modern Art of Objects Curatorial Assistant Lynn Cameron, David Smart, Ph.D., Anthony Morris, Contemporary Art and Executive Assistant James George, Curatorial Assistant Research Assistant Textiles and Islamic Art Preparator Photography June de Phillips, Louise W. Mackie, Joan Neubecker, Tom E. Hinson, Curatorial Assistant Curator of Textiles Preparator Curator of and Islamic Art Photography Jennifer French, Deirdre Vodanoff, Mellon Fellow, Robin Koch, Curatorial Assistant Objects Conservation Curatorial Assistant Juliette Jacqmin, Kress Fellow, Objects Conservation

125 Collections Care Tyler Trolio, Gifts Archives Jennifer Qualiotto, Community Arts Division and Exchanges Leslie Cade, Archivist Assistant Registrar* Robin VanLear, Exhibition Office Assistant* and Records Manager Jeanette Saunders, Artistic Director, Heidi Domine Strean, Marsha Morrow, Hillary Bober, Assistant Registrar* Community Arts Director of Acquisitions Assistant Assistant Archivist Andrea S. Bour, Nan Eisenberg, Exhibitions Frederick Friedman- Assistant Registrar for Coordinator, Morena Carter, Romell, Systems Photographic and Collections Community Arts Exhibitions Librarian and Interim Digital Imaging Services Information* Gail Trembly, Coordinator Image Librarian Howard T. Agriesti, Kristen Bucher, Assistant, Community Ruth Weible, Steven Szatmary, Chief Photographer Department Arts Exhibitions Assistant Systems Librarian* Gary Kirchenbauer, Assistant* Maria C. Downey, Associate Larry Sisson, Packing Community Outreach Ingalls Library and Serials Librarian Photographer Specialist Cavana I. O. Archives Michael Becroft, David Brichford, Faithwalker, Assistant Serials Assistant Photo and Digital Education and Director, Community Library Public Programs Outreach Lori Thorrat, Imaging Technician Elizabeth A. Lantz, Division Associate Librarian for Bruce Shewitz, Director of Library Distance Learning Bibliographic Access Assistant Manager Marjorie Williams, and Archives Director of Education Dale Hilton, Christine Bardwell, Elizabeth Berke, Publications and Public Programs Director, Distance Library Technician* Learning Administrative Laurence Channing, Kathleen Colquhoun, Violet Ryder, Library Assistant Director of Special Projects David Shaw, Director Technician* Louis Adrean, Publications Coordinator of Technical Joanna Maniglia, Operations, Distance Associate Librarian for Barbara J. Bradley, Jinai Amos, Cataloger* Learning Reader and Senior Editor Administrative Circulation Services Stacie A. Murry, Arielle Levine, Jane Takac Panza, Assistant Cataloging Assistant Distance Learning Christine Edmonson, Editor Reference/ Melanie Seal, Art To Go Instructor Interlibrary Loan Cataloger Registrar’s Office Michael Starinsky, Lenaia Burbank, Librarian Distance Learning Sara Jane Pearman, Mary Suzor, Chief Associate Director, Scheduler* Ken Burington, Image Librarian Registrar Education Art Library Assistant* (retired October Collection Gretchen Shie Miller, Docent Program Shezza Edris, Library 2005) Alicia Hudson Garr, Associate Registrar Barbara A. Kathman, Assistant* Becky Bristol, Image Assistant Director, Art for Loans Assistant Director, Manager To Go Jennifer Smith, Bridget Weber, Docent Program Library Assistant William Kennedy, Karen Bourquin, Assistant Registrar Jennie Devaney, Image Cataloger Assistant, Art To Go* Jennifer Vickers, Kathleen Kornell, Assistant* Circulation Assistant Erin Robinson, Rights and Mary Kate Helen F. Carter, Image Cataloger* Reproductions Frederiksen, Assistant Librarian for Coordinator Instructor, Art To Acquisitions Go*

Nearly half of the museum staff relocated to the Penton Media Building in downtown Cleveland as the building project got under way. Here, Robin Koch, curatorial assistant in Contemporary Art and Photography, works in the curatorial area of the temporary office space.

126 Exhibition and Adult Jeremy Shubrook, Rachel Rosenzweig, Guest and Member Volunteer Initiatives Programs Manager, Office and Ph.D., Foundation Services Diane De Bevec, Joellen DeOreo, Production Relations John Alan, Manager, Associate Director, Associate Director, Michael McKay, Coordinator Guest and Member Volunteer Initiatives Exhibition and Adult Assistant Manager, Services Membership Liz Pim, Volunteer Programs Office Operations Beverly Essinger, Placement Manager Shannon Masterson, Caren Babich, Mary Wheelock, Ticket Center Associate Director, Administrative Associate Director, Assistant Supervisor Information Membership Exhibition and Assistant Gina DeSantis, Ticket Technology Teacher Programs Tom Denk, Senior Agent* Leonard Steinbach, Seema Rao, Development and Membership Assistant Chief Information External Affairs Douglas Dear, Ticket Coordinator, Special Maureen Kelly, Agent* Officer Education Programs Susan Jaros, Deputy Membership Assistant Judy Fredrichs, IT Director of Patricia Dolak, Ticket Michael St. Clair, John Kelly, Agent* Department Department Head, Development and Membership Assistant Administrator AV Services External Affairs John C. Dunigan, Ticket Agent* Information Services Les Vince, AV Jacqueline Kelling, External Affairs Assistant Campaign Division Susan Flickinger, Douglas Hiwiller, Coordinator and Ticket Agent* Information Timothy Harry, AV Donna Brock, Division Manager Technology Manager Assistant* Director of External Martha Jacoby, Linda Goldstein, Affairs Ticket Agent* Robert Hlad, Systems Family and Youth Executive Assistant Robine Andrako, Faye Grinage, Coordinator Dyane Hronek Assistant Switchboard Allison Hegedus, Development Hanslik, Assistant Operator User Support Division Director, Family and Marketing Specialist Youth Programs Development Rebecca Murphy, Outreach and Audience Development Marvin Richardson, Mary Ryan, Jack Stinedurf, Associate Director, User Support Assistant* Director of Marketing Cathy Lewis-Wright, Specialist Development Nina Arrowood, Associate Director, Audience School and Teacher Liz Irwin, Marketing Associate New Media Intiatives Development Services Administrative Thomas H. Barnard Holly Witchey, Claire Lee Rogers, Assistant III, Senior Graphic Lisa Roth, Outreach Ph.D., Director of Assistant* Associate Director, Amy Martin, Designer New Media Initiatives School and Teacher Associate Director, Gregory M. Donley, Services Individual Giving Constituent Michael Hilliard, Senior Writer/ Relations Division Karen Gregg, Jennifer Porter, Designer, External Assistant Manager, Scheduling Individual Giving Affairs Karen Carr, Director New Media Administrator Manager of Constituent Initiatives Charles Szabla, Relations, Protocol, Katherine Klann, Biserka Mikleus, Production Manager and Events Network Services Assistant* Individual Giving Mel Horvath, Printer Tom Hood, Network Coordinator Special Events Teacher Resource Center Blaine Stojkov, Press Manager Katherine McNally, Operator John Royak, Food Mary Ann Popovich, Development Robert Nuhn, Service Manager Assistant Network Assistant Director, Assistant Communications Teacher Resource Ann Koslow, Manager Center (retired Kathleen Branscomb, Rob Bruder, Media Manager, Special December 2005)* Planned Giving Relations Events Department Support Coordinator Coordinator Anthony Fritzgerald, Eliza Parkin, Senior Dave Andrews, IMLS Technical Patricia J. Butler, Jill Mendenhall, Special Events Department Support Assistant* Support Services Media Relations Coordinator Specialist Administrator Coordinator Hunter Walter, (Administration) Performing Arts, Karen Wellman, Assistant Manager, Linda Wetzel, Music, and Film Development Conference and Department Support Division Assistant Special Events Specialist Massoud Saidpour, Cindy Naegele, Martha Lattie, (Development/ Director, Performing Associate Director, Affiliate Group External Affairs and Arts, Music, and Film Development Services Coordinator Education) John Ewing, Ali Lombardo, Margaret Day, Associate Director, Research Associate Administrative Film Joan O’Brien, Assistant Associate Director, Grants and Government Relations

127 Statuary from around the museum grounds set up camp on a hill overlooking Doan Brook.

Works of art in the collection were Distance Learning staff: p. 111 (top); Greg photographed by museum photographers Donley: pp. 7, 11 (top), 12 (bottom), 15, 16 Howard Agriesti and Gary Kirchenbauer; these (top), 19 (top and lower left), 40, 50–51 photographs are copyright by the Cleveland (bottom), 60 (both), 126, 128; Sue Foley: p. Museum of Art. The works of art themselves 112; Barbara A. Kathman: p. 117 (bottom); may be protected by copyright in the United Rory Matthews: pp. 100 (bottom), 101; Frank States or abroad and may not be reproduced Miller: pp. 19 (center), 28 (both), 29 (bottom), in any form or medium without permission 67 (bottom, both), 110 (top); Robert A. from the copyright holders. The following Muller: pp. 13, 54, 56 (bottom), 57 (top), 62, photographers are acknowledged: Howard 63 (top), 70 (bottom), 72 (both), 73, 74, 75 Agriesti: pp. 1, 2, 6 (both), 16 (bottom), 50 (top and bottom), 92 (both), 93, 94; © Zoran (top), 51 (top), 64, 65, 66, 68, 71, 125; David Orlic: p. 69; Seema Rao: p. 122; Adrienne Brichford: back cover and pp. 8, 9 (top), 10 Rasmus: p. 70 (top); Larry Sisson: pp. 58 (both), 11 (bottom), 12 (top), 14, 17, 18 (both), (bottom), 59 (bottom); Michael Starinsky: p. 19 (lower right), 29 (top), 55, 56 (top), 67 115 (top left); Les Vince: front cover and pp. 9 (top), 75 (center), 90, 100 (top), 102, 108, 110 (bottom), 20–21, 51 (center), 111 (center); (bottom), 113, 116, 117 (top), 119, 120, 123; courtesy World Art Museum, Beijing: pp. 8 Philip Brutz: pp. 109, 114, 121; Anita Chung: (bottom), 57 (bottom), 63 (bottom). pp. 58 (top), 59 (top); Eric Clark: p. 106;

128 Financial Report

Year Ended June 30, 2006, and Six Months Ended June 30, 2005

129 TREASURER

Since our last annual report, which covered the calendar year 2004, two significant financial events have occurred for the Cleveland Museum of Art. First, in 2005 we converted to a June 30 fiscal year-end, which will allow us to align ourselves more closely with other institutions in the art museum world. This conversion resulted in the issuance of statements consisting of a six-month stub period for the period ending June 30, 2005. Our financial results for June 30, 2005 were negative due to one-time charges related to the renovation and expansion of the building, including the write-off of assets not fully depreciated at the start of the project, certain expenses related to the debt offering, and severance for retired or severed employees. Excluding these one-time charges of approximately $2.4 million, the deficit would be approximately $450,000 for the six months, which was anticipated because of timing differences. To give you some comparative data on an annual basis, in the five-year Summary of Key Financial Data (see p. 131) we have included unaudited 12-month results from June 30, 2005. Excluding the one-time expenses, the museum would have had a positive result for the 12-month period. Audited comparative financial statements will again be available at year-end June 30, 2007. Second, in October 2006 the museum issued $90 million in tax- exempt bonds through the Cleveland-Cuyahoga County Port Authority for its expansion and renovation project using Nat City Investments, Inc. and KeyBanc Capital Markets as underwriters for the bonds. For this debt offering the museum underwent a review by Standard and Poor’s. Standard and Poor’s recognized the financial strength of the museum by issuing an AAA rating in connection with the bond issue, the highest rating an institution can receive. In connection with the $90 million Cultural Facility Revenue Bonds, the museum entered into an 8-year floating-to-fixed rate swap. The swap is intended to limit the museum’s interest rate exposure during construction. The financial picture at June 30, 2006 remains strong with a balanced operating budget and solid investment performance within the endowment, net of withdrawals.

Janet G. Ashe Deputy Director of Administration and Treasurer

130 Revenues

Investments—general and specific purpose 71.5%

Individual, corporate, and government gifts and grants 25.7%

Programs and miscellaneous 2.8%

Operating Expenditures

Design, building, and depreciation 26.7% Membership and development 17.8%

Curatorial, conservation, and programs 33.2%

Administrative and retirees 22.3%

Summary of Key Financial Data Unaudited Audited year 12 months Audited years ended June 30 ended June 30 ended December 31 (in thousands) 2006 2005 2004 2003 2002 Investment $ 402,671.6 $382,052.4 $388,322.3 $368,099.9 $316,259.8 Charitable perpetual trusts 323,698.5 302,479.0 307,080.2 289,775.5 249,369.2 Total 726,370.1 684,531.4 695,402.5 657,875.4 565,629.0

Art purchases 4,748.3 6,820.1 13,878.6 8,404.7 14,003.0 Unrestricted revenue and support 29,481.3 32,430.7 31,607.9 33,904.6 33,678.9 Operating expenses 29,479.7 34,223.5 31,584.9 33,850.0 33,658.4 Excess (deficiency) of operating revenue and support over operating expenses 1.6 (1,792.8) 23.0 54.6 20.5 Less one-time expenses 2,390.0A Comparative annualized operating position excluding one-time charge 1.6 597.2 23.0 54.6 20.5 Five-year average (excluding one-time charge) $139.4 A. Includes one-time charges for building construction, severance

131 Report of Independent Auditors

We have audited the accompanying statements of financial position of the Cleveland Museum of Art (the Museum) as of June 30, 2006 and 2005, and the related statements of activities and cash flows for the year ended June 30, 2006, and six months ended June 30, 2005. These financial statements are the responsibility of the Museum’s management. Our responsibility is to express an opinion on these financial statements based on our audits. We conducted our audits in accordance with auditing standards generally accepted in the United States. Those standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. We were not engaged to perform an audit of the Museum’s internal control over financial reporting. Our audits included consideration of internal control over financial reporting as a basis for designing audit procedures that are appropriate in the circumstances, but not for the purpose of expressing an opinion on the effectiveness of the Museum’s internal control over financial reporting. Accordingly, we express no such opinion. An audit also includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements, assessing the accounting principles used and significant estimates made by management, and evaluating the overall financial statement presentation. We believe that our audits provide a reasonable basis for our opinion. In our opinion, the financial statements referred to above present fairly, in all material respects, the financial position of the Museum as of June 30, 2006 and 2005, and the changes in its net assets and its cash flows for the year ended June 30, 2006 and six months ended June 30, 2005, in conformity with accounting principles generally accepted in the United States.

November 1, 2006

132 Statements of Financial Position

June 30, 2006 June 30, 2005 Assets Current assets: Cash and cash equivalents $ 3,347,921 $ 5,153,423 Short-term investments 26,749,248 1,580,948 Funds held by bond trustees 32,231,871 Accounts receivable 399,430 139,056 Inventories 220,763 266,043 Other current assets 49,075,284 53,010,865 Total current assets 112,024,517 60,150,335

Investments 402,671,629 382,052,362

Buildings and equipment: Buildings and improvements 41,470,755 34,247,718 Equipment 13,875,258 13,246,205 Construction-in-progress 79,774,186 28,665,680 135,120,199 76,159,603 Less accumulated depreciation 36,751,197 34,488,429 Total buildings and equipment – net 98,369,002 41,671,174

Other assets: Deferred issuance costs – net 985,127 Charitable perpetual trusts 323,698,463 305,479,045 Pledges receivable 25,547,379 30,886,065 Other 2,621,113 604,324 Total other assets 352,852,082 336,969,434

Total assets $965,917,230 $ 820,843,305

June 30, 2006 June 30, 2005 Liabilities and net assets Current liabilities: Accounts payable and accrued expenses $ 12,166,648 $ 4,879,484 Short-term borrowings 10,000,000 Deferred revenue 1,146,558 382,847 Other current liabilities 47,567,023 51,553,266 Total current liabilities 60,880,229 66,815,597

Long-term debt 90,000,000

Other liabilities: Accrued postretirement medical benefits 5,256,711 5,391,180 Other 1,955,350 1,663,878 7,212,061 7,055,058 Total liabilities 158,092,290 73,870,655

Net assets: Unrestricted 180,244,347 171,449,196 Temporarily restricted 284,137,873 250,300,152 Permanently restricted 343,442,720 325,223,302 Total net assets 807,824,940 746,972,650 Total liabilities and net assets $965,917,230 $ 820,843,305 See notes to financial statements.

133 Statement of Activities Year Ended June 30, 2006

Temporarily Permanently Unrestricted Restricted Restricted Total Revenues and support Contributions and memberships $ 3,438,897 $ 3,438,897 Trust fund revenues $ 3,138,748 $ 178,986 3,317,734 Gifts from independent dedicated trusts: John Huntington Art and Polytechnic Trust 4,629,167 4,629,167 Horace Kelley Art Foundation 340,000 340,000 Grants 591,152 152,502 743,654 Program revenues 553,372 553,372 Special events 489,793 489,793 Other 411,290 1,034,140 1,445,430 Stores, café, parking, and products 691,691 691,691 Grants and gifts for specific capital expenditures 13,224,067 13,224,067 Investment return designated for current operations 12,309,890 1,030,135 13,340,025 Net assets released from restrictions used for operations 2,887,296 (2,887,296) Total revenues and support 29,481,296 12,732,534 42,213,830

Expenses Curatorial, conservation, and registrar 4,544,953 4,544,953 Design and security expenses 5,751,185 5,751,185 Education, library, and extensions 4,362,155 4,362,155 Publications, printing, and photography 576,142 576,142 Membership services 330,713 330,713 Development, special events, and visitor services 4,755,459 4,755,459 Administration 6,367,302 6,367,302 Specific building repairs and maintenance 76,854 76,854 Stores, café, parking, and products 929,970 929,970 Depreciation 1,784,922 1,784,922 Total expenses 29,479,655 29,479,655 Excess of revenues and support over expenses before changes in net assets 1,641 12,732,534 12,734,175

Other changes in net assets Trust revenue designated for art purchases 4,867,654 4,867,654 Investment return designated for art purchases 2,605,053 2,605,053 Proceeds from the sale of art objects 415,800 415,800 Net assets released from restrictions used to fund acquisition of art objects 4,748,300 (4,748,300) Expenditures for the acquisition of art objects (4,748,300) (4,748,300) Gifts, contributions, and other changes 91,622 1,055,891 1,147,513 Investment return after amounts designated 7,358,762 16,909,089 24,267,851 Change in fair value of derivative instrument 1,820,971 1,820,971 Change in fair value of charitable perpetual trusts $ 18,219,418 18,219,418 Cumulative effect of change in accounting principle (477,845) (477,845)

Increase in net assets 8,795,151 33,837,721 18,219,418 60,852,290 Net assets at beginning of year 171,449,196 250,300,152 325,223,302 746,972,650

Net assets at end of year $180,244,347 $284,137,873 $ 343,442,720 $ 807,824,940

See notes to financial statements.

134 Statement of Activities Six Months Ended June 30, 2005

Temporarily Permanently Unrestricted Restricted Restricted Total Revenues and support Contributions and memberships $ 1,213,516 $ 1,213,516 Trust fund revenues 1,534,441 $ 87,264 1,621,705 Gifts from independent dedicated trusts: John Huntington Art and Polytechnic Trust 2,525,000 2,525,000 Horace Kelley Art Foundation 215,000 215,000 Grants 973,173 202,172 1,175,345 Program revenues 236,249 236,249 Special events 64,711 64,711 Other 234,415 49,790 284,205 Stores, café, parking, and products 1,024,249 1,024,249 Grants and gifts for specific capital expenditures 11,728,463 11,728,463 Investment return designated for current operations 6,118,372 365,628 6,484,000 Net assets released from restrictions used for operations 1,172,003 (1,172,003) Total revenues and support 15,311,129 11,261,314 26,572,443

Expenses Curatorial, conservation, and registrar 3,664,777 3,664,777 Design and security expenses 3,192,829 3,192,829 Education, library, and extensions 2,254,947 2,254,947 Publications, printing, and photography 328,954 328,954 Membership services 139,355 139,355 Development, special events, and visitor services 2,281,030 2,281,030 Administration 3,571,067 3,571,067 Stores, café, parking, and products 788,334 788,334 Depreciation 1,050,250 1,050,250 Loss on disposal of fixed assets 952,121 952,121 Total expenses 18,223,664 18,223,664 (Deficiency) excess of revenues and support over expenses before other changes in net assets (2,912,535) 11,261,314 8,348,779

Other changes in net assets Trust revenue designated for art purchases 2,337,225 2,337,225 Investment return designated for art purchases 3,950,000 3,950,000 Net assets released from restrictions used to fund acquisition of art objects 2,791,938 (2,791,938) Expenditures for the acquisition of art objects (2,791,938) (2,791,938) Gifts, contributions, and other changes ( 17,949) 464,174 446,225 Investment (loss) after amounts designated (4,035,378) (2,078,476) (6,113,854) Change in fair value of charitable perpetual trusts $ (1,601,180) (1,601,180)

(Decrease) increase in net assets (6,965,862) 13,142,299 (1,601,180) 4,575,257 Net assets at January 1, 2005 178,415,058 237,157,853 326,824,482 742,397,393

Net assets at June 30, 2005 $ 171,449,196 $ 250,300,152 $ 325,223,302 $ 746,972,650

See notes to financial statements.

135 Statements of Cash Flows

Year Ended Six Months Ended June 30, 2006 June 30, 2005 Reconciliation of change in net assets to net cash used in operating activities Increase in net assets $ 60,852,290 $ 4,575,257 Adjustments to reconcile increase in net assets to cash provided by (used in) operating activities: Depreciation 1,784,923 1,050,250 Change in fair value of derivative instrument (1,820,971) Cumulative effect of change in accounting principle 477,845 Loss on disposal of fixed assets 952,121 Net realized and unrealized gains on long-term investments (36,021,786) (2,335,567) Changes provided by (used in) operating assets and liabilities: (Increase) decrease in accounts receivable (260,374) 232,359 Decrease in inventories and other current assets 3,980,861 1,945,326 Decrease (increase) in pledges receivable 5,338,686 (6,999,911) (Increase) decrease in other assets (195,818) 195,816 Increase (decrease) in accounts payable and accrued expenses 7,287,164 (6,152,079) Increase in deferred revenue 763,711 227,836 (Decrease) in other current liabilities (3,986,243) (2,429,560) (Decrease) increase in accrued postretirement medical benefits (134,469) 75,124 Increase in other liabilities 291,472 740,186 Net cash provided by (used in) operating activities $ 38,357,291 $ (7,922,842)

Financing activities Proceeds from long-term debt 90,000,000 Amortization of deferred issuance costs (985,127) Payments on short-term borrowings (10,000,000) (1,250,000) Net cash provided by (used in) financing activities 79,014,873 (1,250,000)

Investing activities Purchases of buildings and equipment (58,960,596) (5,285,865) (Increase) in short-term investments (25,168,300) (1,580,948) (Increase) in investments held by trustee (32,231,871) (Increase) decrease in fair value of charitable perpetual trusts (18,219,418) 1,601,180 Proceeds from sales and maturities of investments 19,936,004 10,616,676 Purchases of investments (4,533,485) (2,011,098) Net cash (used in) provided by investing activities (119,177,666) 3,339,945

Net (decrease) in cash and cash equivalents (1,805,502) (5,832,897) Cash and cash equivalents at beginning of year 5,153,423 10,986,320

Cash and cash equivalents at end of year $ 3,347,921 $ 5,153,423

See notes to financial statements.

136 Notes to Financial Statements Year Ended June 30, 2006, and Six Months Ended June 30, 2005

1. Organization The Cleveland Museum of Art (the Museum) maintains in the City of Cleveland a museum of art of the widest scope for the benefit of the public.

2. Significant Change in Year-End restricted net assets until amounts are expended Accounting Policies The Museum’s year-end changed from De- in accordance with the donors’ specifications. cember 31 to June 30 starting June 30, 2005. As a result, the financial statements reflect the Art Collection year ended June 30, 2006, and the six-month The Museum’s collections are made up of art period ended on June 30, 2005. The conver- objects and artifacts of historical significance sion to a fiscal calendar brings the Museum in that are held for educational, research, scien- line with other cultural institutions and enables tific, and curatorial purposes. Each of the items the Museum to budget educational programs to is cataloged, preserved, and cared for, and coincide with the traditional school calendar. It activities verifying their existence and assessing also provides flexibility for the Museum to their condition are performed continuously. adjust expenditures, if necessary, based on cal- Purchases for the collection are recorded as endar year-end contributions that comprise a expenditures for the acquisition of art objects significant portion of yearly contributed rev- in the statements of activities in the year in enue. Twelve-month comparative financials which the objects are acquired. Proceeds from will be available beginning with the June 30, the deaccession of art objects are recorded as 2007 financial statements. temporarily restricted net assets and are restricted to the acquisition of other art objects. Use of Estimates In keeping with standard museum practice, the The preparation of financial statements in con- collections, which were acquired via purchases formity with accounting principles generally and contributions, are not recognized as assets accepted in the United States requires manage- on the statements of financial position. ment to make estimates and assumptions that affect the amounts reported in the financial Cash Equivalents statements and accompanying notes. Actual Cash equivalents are highly liquid investments results could differ from those estimates. with a maturity of three months or less when purchased. Cash equivalents are measured at Temporarily and Permanently Restricted Net Assets fair value in the statements of financial position Temporarily restricted net assets are used to and exclude amounts restricted or designated differentiate resources, the use of which is for long-term purposes. restricted by donors or grantors to a specific time period or for a specific purpose, from Inventories resources on which no restrictions have been Inventories consist of merchandise available for placed or that arise from the general operations sale and are stated at the lower of average cost of the Museum. Temporarily restricted gifts, or market. grants, and bequests are recorded as additions to temporarily restricted net assets in the period Investment Income received. When restricted net assets are ex- Investment income, including realized gains pended for their stipulated purpose or time (losses), is added to (deducted from) the appro- restriction expires, temporarily restricted net priate unrestricted or temporarily restricted net assets become unrestricted net assets and are assets. Unrealized gains (losses) are added to reported in the statements of activities as net (deducted from) the applicable unrestricted, assets released from restrictions. For temporarily temporarily, or permanently restricted net restricted net assets used for major capital assets. projects, the Museum records the additions to temporarily restricted net assets and then Financial Instruments records a reclassification to unrestricted net The carrying values of accounts receivable, assets as net assets released from restrictions for accounts payable, accrued expenses, and short- an amount equal to annual depreciation. There term borrowings are reasonable estimates of were no such reclassifications in the 2006 or their fair value due to the short-term nature of 2005 statements of activities. these financial instruments. Permanently restricted net assets consist of Donated Services amounts held in perpetuity or for terms desig- No amounts have been reflected in the finan- nated by donors. Earnings on investments, cial statements for donated services. The Mu- unless restricted by donors of the permanently seum pays for most services requiring specific restricted net assets, are included in unrestricted expertise. However, many individuals volun- revenues and other changes in net assets. Re- teer their time and perform a variety of tasks stricted earnings are classified as temporarily that assist the Museum with various programs.

137 Special Exhibitions Other Current Assets and Liabilities Other current assets and deferred revenue in- Other current assets and liabilities at June 30, clude expenditures and revenues in connection 2006 and 2005, include $47.6 million and $51.6 with the development of special exhibitions. million, respectively, of collateral investments Revenues and expenses are recognized pro rata related to securities lending whereby certain over the life of the exhibition. Revenues in- securities in the Museum’s portfolio were clude such items as corporate and individual loaned to other institutions generally for a short sponsorships. The expenditures generally in- period of time. The Museum receives as collat- clude such items as research, travel, insurance, eral the market value of securities borrowed transportation, and other costs related to the plus a premium approximating 2% of the mar- development and installation of the exhibition. ket value of those securities. In accordance with Statement of Financial Accounting Standards Contributions (SFAS) No. 140, Accounting for Transfers and Unconditional pledges to give cash, marketable Servicing of Financial Assets and Extinguishment of securities, and other assets are reported at fair Liabilities, the Museum recorded the collateral value and discounted to present value at the received as both a current asset and a current date the pledge is made to the extent estimated liability since the Museum is obligated to return to be collectible by the Museum. Conditional the collateral upon the return of the borrowed promises to give and indications of intentions to securities. Also included in other current assets give are not recognized until the condition is are deferred exhibition expenses of $0.9 million satisfied. Pledges received with donor restric- and $0.4 million, grants and other receivables of tions that limit the use of the donated assets are $0.3 million and $0.7 million, and prepaid ex- reported as either temporarily or permanently penses of $0.3 million as of June 30, 2006 and restricted support, or other changes in net assets 2005, respectively. if designated for long-term investment. When a donor restriction expires, that is, when a stipu- Asset Retirement Obligations lated time restriction ends or purpose restriction Asset retirement obligations (ARO) are legal is accomplished, temporarily restricted net assets obligations associated with the retirement of are reclassified to unrestricted net assets and long-lived assets. These liabilities are initially reported in the statements of activities as net recorded at fair value and the related asset re- assets released from restrictions. June 30, 2006 June 30, 2005 Pledges due: In less than one year $ 4,023,558 $ 6,378,480 In one to five years 19,903,059 22,063,629 Greater than five years 7,361,049 8,060,752 31,287,666 36,502,861 Present value discount on pledges (3.25% –5.38% discount rate) (5,740,287) (5,616,796)

$ 25,547,379 $ 30,886,065

Buildings and Equipment tirement costs are capitalized by increasing the Buildings and equipment are carried at cost. carrying amount of the related assets by the Expenditures that substantially increase the same amount as the liability. Asset retirement useful lives of existing assets are capitalized. costs are depreciated over the useful lives of the Routine maintenance and repairs are expensed related assets. Subsequent to initial recognition, as incurred. Depreciation is computed by the the Museum records year-to-year changes in straight-line method using the estimated useful the ARO liability resulting from the passage of lives of the assets. Buildings and improvements time and revisions to either the timing or the are assigned a useful life of up to forty years. amount of the original estimate of undiscounted Equipment is assigned a useful life ranging from cash flows. three to five years. Interest cost incurred on borrowed funds during the period of construc- Derivative Instruments and Hedge Activities tion of capital assets is capitalized as a compo- The Museum follows SFAS No. 133, Accounting nent of the cost of acquiring those assets. for Derivative Instruments and Hedging Activities, which was amended by SFAS No. 138, Ac- The Museum is undertaking a major construc- counting for Certain Derivative Instruments and tion, renovation, and expansion project. In Hedging Activities, to account for its derivative total, approximately $77.8 million and $26.4 instruments. FAS No. 133 requires the Mu- million have been expended and included in seum to recognize its derivative instruments as construction-in-progress related to the expan- either an asset or liability in the statement of sion and renovation project at June 30, 2006 financial position at fair value. The gain or loss and 2005, respectively. In connection with this on the derivative instrument is recognized in project, the Museum identified certain build- the statement of activities in the period of ings and equipment that will no longer be used. change. The net book value of these assets of $952,121 was recorded as a loss on disposal of fixed assets in the statement of activities for the six months ended June 30, 2005.

138 3. Temporarily June 30, 2006 June 30, 2005 Restricted Net Acquisition of art $181,960,459 $ 164,209,933 Assets Specific operating activities: Temporarily re- Curatorial and conservation 16,179,861 10,794,249 stricted net assets are Education and extensions 4,027,713 3,760,628 available for the Library 2,078,214 2,148,297 following purposes: Publications, printing, and photography 4,723,490 4,470,324 Musical programming 3,787,719 3,598,829 Buildings, grounds, and protection services 65,688,414 55,938,619 Fine Arts Garden 3,144,151 2,715,338 Sundry 2,547,852 2,663,935

Total temporarily restricted net assets $284,137,873 $ 250,300,152

4. Permanently June 30, 2006 June 30, 2005 Restricted Net Purchase of art $116,661,201 $ 107,237,716 Assets Specific operating activities 5,018,741 4,765,544 Permanently restricted General operating activities 221,762,778 213,220,042 net assets are amounts held in perpetuity, or Total permanently restricted net assets $343,442,720 $ 325,223,302 for terms designated by donors, the income from which is expend- able to support the following purposes:

5. Net Assets Year Ended Six Months Ended Released from June 30, 2006 June 30, 2005 Restrictions Net assets were Acquisition of art $ 4,748,300 $ 2,791,938 released from restrictions by incurring Specific operating activities: expenses or making Curatorial and conservation $ 1,256,144 $ 946,497 capital expenditures Education and extensions 685,997 51,044 satisfying the re- Library 61,358 31,203 stricted purposes as Musical programming 186,717 59,288 follows: Fine Arts Garden 595,001 57,867 Sundry 21,195 26,104 Buildings, repair, and maintenance 80,884

Net assets released from restrictions used for operations $ 2,887,296 $ 1,172,003

139 6. Investments The fair value of Museum investments is based and others of which employ less traditional and Charitable on quoted market prices, except for other strategies (long and short equity or fixed in- Perpetual Trusts investments, primarily limited partnerships or come, event driven, macro, relative value, and limited liability corporations (i.e., alternative arbitrage strategies) that may include the use of investments), for which fair value is estimated options, futures, and other derivative instru- in an unquoted market. Fair value of alterna- ments. Because alternative investments are not tive investments is generally determined by readily marketable, their estimated fair value is principal market makers or an investment subject to uncertainty and therefore may differ manager of the individual investment fund, from the value that would have been used had including audited financial statements of the a ready market for such investments existed. alternative investments. Generally, fair value of Such difference could be material. alternative investments reflects net contribu- The Museum is the sole income beneficiary of tions to the investee and an ownership share of several charitable perpetual trusts and a partial realized and unrealized investment income and income beneficiary of other charitable per- expenses. petual trusts. Because the trusts are not con- Alternative investments include certain inter- trolled by the Museum, the assets are classified ests in absolute return (hedge funds), private as permanently restricted net assets. The chari- equity, or fixed income depending on the legal table perpetual trusts are presented at the fair structure, and investment strategy of the un- value of the Museum’s portion of the underly- derlying manager. The Museum invests in ing trust assets. The change in the fair value of limited partnerships and commingled vehicles, the charitable perpetual trusts is classified as a some of which employ traditional strategies change in permanently restricted net assets (long only) in readily marketable securities within the statements of activities. (liquid equities or bonds traded on exchanges) Museum investments consist of the following:

June 30, 2006 June 30, 2005 Cash and cash equivalents $ 6,254,585 $ 3,929,956 Bonds and combined bond funds 47,057,607 49,218,575 Stocks and combined stock funds 238,046,695 238,026,611 Alternative investments 111,312,742 90,877,220 402,671,629 382,052,362 Charitable perpetual trusts 323,698,463 305,479,045

$726,370,092 $ 687,531,407

Temporarily Permanently The following sum- Year ended June 30, 2006 Unrestricted Restricted Restricted marizes returns from the Museum’s in- Dividends and interest $ 2,016,165 $ 2,174,978 vestments and chari- Realized and unrealized gains net of table perpetual trusts realized and unrealized losses 17,652,487 18,369,299 and the related classi- Change in fair value of charitable perpetual trusts $ 18,219,418 fications in the state- Investment return 19,668,652 20,544,277 18,219,418 ments of activities. Investment return designated for current operations (12,309,890) (1,030,135) Investment return designated for art purchases (2,605,053)

Investment income after amounts designated $ 7,358,762 $ 16,909,089 $ 18,219,418

Six months ended June 30, 2005 Dividends and interest $ 968,291 $ 1,016,287 Realized and unrealized gains net of realized and unrealized losses 1,114,703 1,220,864 Change in fair value of charitable perpetual trusts $ (1,601,180) Investment return 2,082,994 2,237,151 (1,601,180) Investment return designated for current operations (6,118,372) (365,627) Investment return designated for art purchases (3,950,000)

Investment (loss) after amounts designated $ (4,035,378) $ (2,078,476) $ (1,601,180)

140 The Museum uses the spending rule concept in making distributions from its investments. In doing so, the Museum takes into account the distributions from the charitable perpetual trusts. Under this method, a portion of its investment earnings is recorded as unrestricted revenue. The amount of investment income used by the Museum for its operations and purchases of art is calculated using a spending rate of between 4.5% to 5.5% of the market value of the investments for the prior 20-quarter average ended March 31, 2005 for fiscal year ended June 30, 2006 and September 30, 2004 for the fiscal year ended June 30, 2005, as adjusted (subject to certain limitations) for inflation and additional contributions. For fiscal 2006 and 2005, the calculations resulted in an annual spending rate of 5.0%. Investment returns in excess of (less than) amounts designated for current operations are classified as other changes in net assets in the statements of activities.

7. Benefit Plans The Museum converted from a contributory final five-year average compensation. It is the defined benefit pension plan for eligible em- policy of the Museum to fund with an insur- ployees to a noncontributory defined benefit ance company at least the minimum amounts pension plan (the Plan) on January 1, 2002. required by the Employee Retirement Income Eligible participants in the Plan on December Security Act. Plan assets are invested in group 31, 2001 were given the option of continuing annuity contracts. to contribute to the Plan. For those employees The Museum uses December 31 as the mea- not making this election, their accumulated surement date for the Plan. The following benefit was converted to the noncontributory table sets forth the actuarial present value of defined benefit plan. For either contributing or benefit obligations and aggregate funded status noncontributing participants, benefits under of the Plan: the Plan are based on years of service and the

June 30, 2006 June 30, 2005 Projected benefit obligation $ (22,163,299) $ (22,312,669) Fair value of plan assets 21,589,528 22,252,106 Underfunded status of the plan (573,771) (60,563) Unrecognized prior service cost 113,040 165,035 Unrecognized net actuarial loss (gain) 610,033 (150,986)

Prepaid (accrued) pension cost in statements of financial position $ 149,302 $ (46,514)

Accumulated benefit obligation $ 20,059,336 $ 20,121,328

Weighted-average June 30, 2006 June 30, 2005 assumptions are as Discount—liability 6.25% 5.75% follows: Discount—cost 5.75% 6.00% Expected rate of return on plan assets 7.00% 7.00% Compensation growth rate 3.00% 3.00%

The assumptions used in the actuarial valuations plan assets was established using the Museum’s were established by the Museum in conjunc- target asset allocation for equity and fixed tion with its actuary. The weighted-average income and the historical average rates of return rates of increase in compensation were estab- for equity and fixed income adjusted by an as- lished based upon the Museum’s long-term sessment of possible future influences that could internal compensation plans. The expected cause the returns to trail long-term patterns. long-term weighted-average rate of return on

141 The following infor- Year Ended Six Months Ended mation is provided June 30, 2006 June 30, 2005 for the defined benefit Components of net periodic benefit cost: plan of the Museum Service cost $ 682,046 $ 310,275 for: Interest cost 1,250,773 616,689 Expected return on plan assets (1,535,288) (757,147) Amortization of prior service cost 51,995 25,998

$ 449,526 $ 195,815

Employer contributions $ 645,342 Employee contributions 84,575 $ 51,136 Benefits paid 1,223,914 523,918 Actual (loss) return on plan assets (168,581) 787,117

The Plan invests in an unallocated immediate participation guarantee group annuity contract with John Hancock Life Insurance Company (the Insurer). The Insurer credits the Plan’s deposits that are intended to provide future benefits to present employees to an account that is invested with other assets of the Insurer. The account is credited with its share of the Insurer’s actual investment income. The actual asset allocations by asset category are as follows:

June 30, 2006 June 30, 2005 Debt securities 94% 94% Equity securities 2 2 Real estate 2 2 Other 2 2

Total 100% 100%

In August 2005, the Museum made a payment to the Plan totaling $195,816 related to the pension expense for the first six months of 2005. The Museum expects to make a contri- bution of $481,356 to the Plan in 2006. Benefit payments over the next five fiscal years are estimated as follows: 2007 – $1,179,079; 2008 – $1,204,741; 2009 – $1,213,185; 2010 – $1,278,023; 2011 – $1,317,541; and in the aggregate for the five years thereafter is $7,186,468. In addition, effective January 1, 2002 the Museum initiated a 401(k) savings plan. The Museum matches employee contributions at a rate of 50% of the first 4% of total compensation. The Museum’s contributions to the 401(k) plan were $175,478 and $88,879 for the year ended June 30, 2006 and the six months ended June 30, 2005, respectively.

142 8. Postretirement The Museum provides health care benefits Medical Benefits upon retirement to certain employees meeting eligibility requirements as of December 31, 2001, and contractually required additions. No other employees are eligible to receive these postretirement heath care benefits. The Museum’s policy is to fund the annual costs of these benefits from unrestricted net assets of the Museum. The following information is provided for the Museum’s postretirement medical benefits: June 30, 2006 June 30, 2005 Benefit obligation $ 4,783,686 $ 5,604,373 Fair value of plan assets

Underfunded status of the plan $ (4,783,686) $ (5,604,373)

(Accrued) postretirement medical benefits in statements of financial position $ (5,256,711) $ (5,391,180)

The discount rate used in determining the accumulated postretirement benefit obligation was 6.25% and 5.5% at June 30, 2006 and 2005, respectively. The health care cost trend rate used is 12.0% for fiscal year 2006 declining to 5.5% by 2014. A one-percentage-point increase or decrease in the health care cost trend rate would have increased or decreased the fiscal 2006 service and interest costs in total by $26,800 and $23,700, respectively. Year Ended Six Months Ended June 30, 2006 June 30, 2005 Components of net periodic benefit cost recognized in the statements of activities: Interest cost $ 294,991 $ 149,786 Amortization of prior service cost (26,230) (13,115)

$ 268,761 $ 136,671

Employer contributions $ 403,229 $ 193,401 Employee contributions 18,075 17,045

Benefits paid $ 421,304 $ 210,446

The gross benefits expected to be paid in each year for the fiscal years 2007-2011 are $483,175, $500,408, $515,532, $523,653, and $528,011, respectively. The anticipated benefits to be paid in the five years 2012-2016 are $2,437,202. The Medicare Part D subsidy reduced the postretirement medical benefit obligation by $266,000 in fiscal 2006 and re- duces the payments by approximately $70,000 on average beginning in fiscal 2006. Beginning in January 2007, the Museum will no longer offer prescription drug coverage to Medicare eligible retirees. The effect of this change is not yet determined or recorded in the financial statements.

143 9. Financing Short-term Financing Arrangements the loan agreement with the Cleveland- Arrangements and At June 30, 2005, the Museum had Cuyahoga Port Authority obligates the Mu- Long-term $10,000,000 of short-term borrowings out- seum to make payments equal to the principal Obligations standing under a line of credit and two de- of and premium, if any, and interest on the mand notes with various banks. The Museum respective Bonds, whether at maturity, upon did not have any short-term borrowings at acceleration, or upon redemption. Bond June 30, 2006. Interest rates on the London Service Charges due on the Bonds will be Interbank Offering Rate (LIBOR) based loans required to be made by the Museum as loan range from 3.49% to 4.58% and 2.86% to payments under the agreement. Interest only 4.16% at June 30, 2006 and 2005, respectively. payments are required to be made until October 1, 2036. Operating Lease Unamortized financing costs are amortized In fiscal 2005, the Museum entered into a over the period the obligation is outstanding three-year operating lease for office space, with using the bonds outstanding method. an option for an additional two years. Total rental expense for the year-end June 30, 2006, Interest Rate Swap and the six months ended June 30, 2005, was In connection with the $90,000,000 Cultural $402,690 and $26,650, respectively. Minimum Facility Revenue Bonds, the Museum entered operating lease payments for each of the next into a floating-to-fixed rate swap. The swap two fiscal years are approximately $330,000. consists of a $90 million 8-year floating-to- fixed rate swap whereby the Museum pays a Cultural Facility Revenue Bonds fixed rate of 3.341% and receives 70% of In October 2005, pursuant to certain agree- 1-month LIBOR. The nominal amount of the ments between the Museum and the Cleveland- swap will begin to decline on July 1, 2008 and Cuyahoga Port Authority, the Cleveland- will continue to decline until maturity on Cuyahoga Port Authority issued $90 million in January 1, 2014. This derivative instrument is variable rate, tax exempt Cultural Facility not designated as a hedging instrument. At Revenue Bonds (The Cleveland Museum of June 30, 2006, the fair value of the swap agree- Art Project) (the Bonds), Series 2005, payable ment, based on mid-market levels as of the October 1, 2040. The proceeds of the Bonds close of business that day, was $1,820,971 due will be used to finance the Museum’s con- from the counterparty and has been recorded struction, renovation and expansion project. in other assets on the statements of financial The Bonds were issued in four series: (i) the position. The change in fair value of the swap Series A Bonds in the principal amount of agreement is recorded in other changes in net $30,000,000, (ii) the Series B Bonds in the assets on the statement of activities. Net inter- principal amount of $20,000,000, (iii) the est cost incurred under the swap agreement Series C Bonds in the principal amount of was $55,187 for fiscal 2006 and was capitalized $20,000,000, and (iv) the Series D Bonds in as an addition to construction-in-progress. the principal amount of $20,000,000. The Bonds have adjustable methods of interest rate Interest determination and interest payment dates, and Interest paid was approximately $2.3 million were in weekly variable rate mode on June 30, and $153,000 in fiscal 2006 and for the six 2006 bearing interest at 3.97% (range from months ended June 30, 2005, respectively. 2.6% to 3.98% during the year ended June 30, Capitalized interest was approximately $1.2 2006). million in fiscal 2006, net of interest income While the Cultural Facility Revenue Bonds earned on the investment of bond proceeds of are not a direct indebtedness of the Museum, $1.5 million.

10. Income Taxes The Museum is a nonprofit organization and is exempt from federal income taxes on related income under Section 501(c)(3) of the Internal Revenue Code.

11. Impact of In March 2005, the Financial Accounting Stan- The Museum adopted FIN 47 in fiscal 2006 Recently Issued dards Board (FASB) issued Interpretation No. and recorded an ARO liability of $477,845 as Accounting 47, Accounting for Conditional Asset Retirement of June 30, 2006 for known and identifiable Standard Obligations (FIN 47), which clarifies the term abatement issues related to future construction “conditional asset retirement obligation” as projects. Upon implementing FIN 47, the used in FASB Statement No. 143, Accounting for Museum recorded a $477,845 charge at June Asset Retirement Obligations. FIN 47 clarifies that 30, 2006, which is reported as a cumulative an entity is required to recognize a liability for effect of change in accounting principle in the the fair value of a conditional asset retirement fiscal 2006 statement of activities. obligation if a settlement date and fair value of the liability can be reasonably estimated.

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