Annual Report
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Here Comes Television
September 1997 Vol. 2 No.6 HereHere ComesComes TelevisionTelevision FallFall TVTV PrPrevieweview France’France’ss ExpandingExpanding ChannelsChannels SIGGRAPHSIGGRAPH ReviewReview KorKorea’ea’ss BoomBoom DinnerDinner withwith MTV’MTV’ss AbbyAbby TTerkuhleerkuhle andand CTW’CTW’ss ArleneArlene SherShermanman Table of Contents September 1997 Vol. 2, . No. 6 4 Editor’s Notebook Aah, television, our old friend. What madness the power of a child with a remote control instills in us... 6 Letters: [email protected] TELEVISION 8 A Conversation With:Arlene Sherman and Abby Terkuhle Mo Willems hosts a conversation over dinner with CTW’s Arlene Sherman and MTV’s Abby Terkuhle. What does this unlikely duo have in common? More than you would think! 15 CTW and MTV: Shorts of Influence The impact that CTW and MTV has had on one another, the industry and beyond is the subject of Chris Robinson’s in-depth investigation. 21 Tooning in the Fall Season A new splash of fresh programming is soon to hit the airwaves. In this pivotal year of FCC rulings and vertical integration, let’s see what has been produced. 26 Saturday Morning Bonanza:The New Crop for the Kiddies The incurable, couch potato Martha Day decides what she’s going to watch on Saturday mornings in the U.S. 29 Mushrooms After the Rain: France’s Children’s Channels As a crop of new children’s channels springs up in France, Marie-Agnès Bruneau depicts the new play- ers, in both the satellite and cable arenas, during these tumultuous times. A fierce competition is about to begin... 33 The Korean Animation Explosion Milt Vallas reports on Korea’s growth from humble beginnings to big business. -
Sunrise a Tribute to Our Founders
Museum of Contemporary Art Cleveland Sunrise A Tribute to Our Founders Sunrise: A Tribute to Our Founders March 15 – August 11, 2019 Sunrise pays homage to our founders, Marjorie Talalay, Nina Sundell, and Mueller Family Gallery Agnes Gund, through artworks that speak to their passions and pursuits. The title references the logo of The New Gallery (moCa’s original name) Organized by Jill Snyder, that was designed by Roy Lichtenstein. A sun rising above a dotted plane Kohl Executive Director with graphic rays fanning through the sky, the logo was a metaphor for the with Kate Montlack, organization, suggesting the vitality and potential of contemporary art. Assistant Director of Exhibitions For this exhibition we invited the daughters of our founders to select works in honor of their mothers. This exhibition represents some of the 20th century’s most influential artists, and each previously has been shown at moCa. Agnes, together with her daughter Catherine, selected sculptural works by three female artists who reinforce her support for the early careers of women artists. Margaret Sundell chose works that reflect her late mother Nina’s professional relationship with Robert Rauschenberg and her embrace of his desire to work in the gap between art and life. Kathy, Nina, and Lauren Talalay’s choices represent meaningful professional and personal moments in their late mother Marjorie’s career as moCa’s longest serving Executive Director (1968–1993). Shown on the cover, Lichtenstein’s logo signals our vanguard legacy. Andy Warhol’s garishly hued portrait of China’s revolutionary leader, (Mao, 1972), Robert Rauschenberg’s collage of American trauma and triumph in the sixties (Signs, 1970), and Lynda Benglis’s vulvar minimalist sculpture (Lagniappe II Major support for this Glitter, 1977) reflect the sociopolitical climate of The New Gallery’s early exhibition provided by years. -
Discovering the Contemporary
of formalist distance upon which modernists had relied for understanding the world. Critics increasingly pointed to a correspondence between the formal properties of 1960s art and the nature of the radically changing world that sur- rounded them. In fact formalism, the commitment to prior- itizing formal qualities of a work of art over its content, was being transformed in these years into a means of discovering content. Leo Steinberg described Rauschenberg’s work as “flat- bed painting,” one of the lasting critical metaphors invented 1 in response to the art of the immediate post-World War II Discovering the Contemporary period.5 The collisions across the surface of Rosenquist’s painting and the collection of materials on Rauschenberg’s surfaces were being viewed as models for a new form of realism, one that captured the relationships between people and things in the world outside the studio. The lesson that formal analysis could lead back into, rather than away from, content, often with very specific social significance, would be central to the creation and reception of late-twentieth- century art. 1.2 Roy Lichtenstein, Golf Ball, 1962. Oil on canvas, 32 32" (81.3 1.1 James Rosenquist, F-111, 1964–65. Oil on canvas with aluminum, 10 86' (3.04 26.21 m). The Museum of Modern Art, New York. 81.3 cm). Courtesy The Estate of Roy Lichtenstein. New Movements and New Metaphors Purchase Gift of Mr. and Mrs. Alex L. Hillman and Lillie P. Bliss Bequest (both by exchange). Acc. n.: 473.1996.a-w. Artists all over the world shared U.S. -
Uncle Milton Industries Dinosaur Train Announcement
FOR MORE INFORMATION CONTACT: Nancy Davies, Salmon Borre Group [email protected]; 847.582.1610 FOR IMMEDIATE RELEASE THE JIM HENSON COMPANY AWARDS UNCLE MILTON INDUSTRIES A LICENSING AGREEMENT TO DEVELOP SCIENCE-THEMED EDUCATIONAL TOYS FOR DINOSAUR TRAIN™ LOS ANGELES – (October 5, 2010) – The Jim Henson Company and Uncle Milton Industries, a leader in creating fun, educational science and nature toys for more than 50 years, announce a multi-year licensing agreement for Uncle Milton to develop science-themed educational toys based on the hit animated children’s series, DINOSAUR TRAIN™. The announcement came at the beginning of today’s Toy Industry Association’s Fall Toy Preview, being held October 5-8 in Dallas, TX. The Jim Henson Company granted Uncle Milton Industries the rights to develop all-new educational toys focused on the science behind the exciting world of DINOSAUR TRAIN and its cast of loveable prehistoric characters. The Uncle Milton licensed product line will launch in North America in the spring of 2011 and in the U.K., Spain, France and Australia in fall of 2011. “At Uncle Milton, our goal is to make science more interesting, engaging and accessible for children. DINOSAUR TRAIN provides the perfect platform for us to do what we do best—create products that encourage kids to explore scientific concepts in a fun and meaningful way,” states Frank Adler, President of Uncle Milton Industries. “We are honored to partner with The Jim Henson Company on this strong property. It presents us with such an exciting opportunity because the property resonates so well with preschoolers, allowing us to start this important relationship between kids and science at the very earliest age.” “We know Uncle Milton will introduce a compelling new educational line that allows kids the opportunity to explore real science within the familiar and popular Dinosaur Train world,” said Melissa Segal, Senior Vice President Global Consumer Products for The Jim Henson Company. -
(Exhibition Catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin
SOL LEWITT SELECTED BIBLIOGRAPHY BOOKS AND EXHIBITION CATALOGUES 2018 American Masters 1940–1980 (exhibition catalogue). Texts by Lucina Ward, James Lawrence and Anthony E Grudin. Canberra: National Gallery of Australia, 2018: 186–187, illustrated. Cameron, Dan and Fatima Manalili. The Avant-Garde Collection. Newport Beach, California: Orange County Museum of Art, 2018: 57, illustrated. Destination Art: 500 Artworks Worth the Trip. New York: Phaidon, 2018: 294, 374, illustrated. LeWitt, Sol. “Sol LeWitt: A Primary Medium.” In Auping, Michael. 40 Years: Just Talking About Art. Fort Worth, Texas and Munich: Modern Art Museum of Fort Worth; DelMonico BooksꞏPrestel, 2018: 84–87, illustrated. Picasso – Gorky – Warhol: Sculptures and Works on Paper, Collection Hubert Looser (exhibition catalogue). Edited by Florian Steininger. Krems an der Donau, Austria and Zürich: Kunsthalle Krems; Fondation Hubert Looser, 2018: 104, illustrated. Sol LeWitt: Between the Lines (exhibition catalogue). Texts by Francesco Stocchi. Rem Koolhaas and Adachiara Zevi. Milan: Fondazione Carriero, 2018 Sol LeWitt: Wall Drawings. Edited by Lindsay Aveilhé. [New York]: Artifex Press, 2018. 2017 Sol LeWitt: Selected Bibliography—Books 2 The Art Museum. London: Phaidon, 2017: 387, illustrated. Booknesses: Artists’ Books from the Jack Ginsberg Collection (exhibition catalogue). Johannesburg, South Africa: University of Johannesburg Art Gallery, 2017: 129, 151, 221, illustrated. Delirious: Art at the Limits of Reason 1950–1980 (exhibition catalogue). Texts by Kelly Baum, Lucy Bradnock and Tina Rivers Ryan. New York: Met Breuer, 2017: pl.21, 22, 23, 24, illustrated. Doss, Erika. American Art of the 20th–21st Centuries. New York and Oxford: Oxford University Press, 2017: fig. 113, p.178, illustrated. Gross, Béatrice. -
Sturm Und Drang : JONAS BURGERT at BLAIN SOUTHERN GALLERY DAFYDD JONES : JONAS BURGERT at JONAS BURGERT I BERLIN
FREE 16 HOT & COOL ART : JONAS BURGERT AT BLAIN SOUTHERN GALLERY : JONAS BURGERT AT Sturm und Drang DAFYDD JONES JONAS BURGERT I BERLIN STATE 11 www.state-media.com 1 THE ARCHERS OF LIGHT 8 JAN - 12 FEB 2015 ALBERTO BIASI | WALDEMAR CORDEIRO | CARLOS CRUZ-DÍEZ | ALMIR MAVIGNIER FRANÇOIS MORELLET | TURI SIMETI | LUIS TOMASELLO | NANDA VIGO Luis Tomasello (b. 1915 La Plata, Argentina - d. 2014 Paris, France) Atmosphère chromoplastique N.1016, 2012, Acrylic on wood, 50 x 50 x 7 cm, 19 5/8 x 19 5/8 x 2 3/4 inches THE MAYOR GALLERY FORTHCOMING: 21 CORK STREET, FIRST FLOOR, LONDON W1S 3LZ CAREL VISSER, 18 FEB - 10 APR 2015 TEL: +44 (0) 20 7734 3558 FAX: +44 (0) 20 7494 1377 [email protected] www.mayorgallery.com JAN_AD(STATE).indd 1 03/12/2014 10:44 WiderbergAd.State3.awk.indd 1 09/12/2014 13:19 rosenfeld porcini 6th febraury - 21st march 2015 Ali BAnisAdr 11 February – 21 March 2015 4 Hanover Square London, W1S 1BP Monday – Friday: 10.00 – 18.00 Saturday: 10.00 – 17.0 0 www.blainsouthern.com +44 (0)207 493 4492 >> DIARY NOTES COVER IMAGE ALL THE FUN OF THE FAIR IT IS A FACT that the creeping stereotyped by the Wall Street hedge-fund supremo or Dafydd Jones dominance of the art fair in media tycoon, is time-poor and no scholar of art history Jonas Burgert, 2014 the business of trading art and outside of auction records. The art fair is essentially a Photographed at Blain|Southern artists is becoming a hot issue. -
The Sculpture Center 1834 East 123Rd Street Cleveland, Ohio 44106-1910
THE SCULPTURE CENTER 1834 EAST 123RD STREET CLEVELAND, OHIO 44106-1910 November 15, 2004 Contact: Deirdre Lauer, Director of Exhibitions & Public Programs 216-229-6527 Significant Sculpture Presented in Private Collections Exhibition The Sculpture Center presents Private Collections, December 17, 2004 – January 21, 2005, a rare opportunity to view an exciting display of impressive sculpture culled from Cleveland’s most significant private collections, that includes works by internationally recognized sculptors, members of The Cleveland School and significant local artists. Many of these works have never been publicly exhibited before. The Sculpture Center, best known for its exhibitions of emerging artists, offers Private Collections to place the work of emerging artists in context with an informed look at what are considered more traditional forms. Private Collections will prompt discussion of what makes a lasting artistic impression and what led certain artists to success in their careers. Generous private collectors have loaned two- and three-dimensional works by sculptors with international reputations such as Isamu Noguchi, Claes Oldenburg, Arnaldo Pomodoro and Mark di Suvero, among others, as well as pieces by venerated Cleveland artists such as Viktor Schreckengost, William McVey, Edris Eckhardt and David E. Davis. Collectors have also loaned valuable works by local artists David Deming, Robert Thurmer, Terry Durst, Bruce Biro and Andrew Chakalis. The exhibition will open December 17, 2004 and run through January 21, 2005. The opening night reception will take place December 17 from 5:30 pm – 8:30 pm and will feature a gallery talk by the curator, noted art historian Professor Edward J. Olszewski. The cost for this special reception is $15 per person or $25 per couple. -
134TH COMMENCEMENT James E
134 th Commencement MAY 2021 Welcome Dear Temple graduates, Congratulations! Today is a day of celebration for you and all those who have supported you in your Temple journey. I couldn’t be more proud of the diverse and driven students who are graduating this spring. Congratulations to all of you, to your families and to our dedicated faculty and academic advisors who had the pleasure of educating and championing you. If Temple’s founder Russell Conwell were alive to see your collective achievements today, he’d be thrilled and amazed. In 1884, he planted the seeds that have grown and matured into one of this nation’s great urban research universities. Now it’s your turn to put your own ideas and dreams in motion. Even if you experience hardships or disappointments, remember the motto Conwell left us: Perseverantia Vincit, Perseverance Conquers. We have faith that you will succeed. Thank you so much for calling Temple your academic home. While I trust you’ll go far, remember that you will always be part of the Cherry and White. Plan to come back home often. Sincerely, Richard M. Englert President UPDATED: 05/07/2021 Contents The Officers and the Board of Trustees ............................................2 Candidates for Degrees James E. Beasley School of Law ....................................................3 Esther Boyer College of Music and Dance .....................................7 College of Education and Human Development ...........................11 College of Engineering ............................................................... -
GFT Abbreviated Vita 030121
ABBREVIATED VITA (3.1.21) George F. Thompson 217 Oak Ridge Circle Staunton, VA 24401–3511 (c) 540-746-5263 [email protected] www.gftbooks.com PUBLISHING EXPERIENCE Book Publishing George has been immersed in the book publishing world since 1984 as a pioneering acquisitions editor and publisher, author/editor of 8 place-based books, and founder and director of 15 book series. He has developed and brought to publication more than 500 books, supported in part by more than $2,600,000 in financial support from numerous foundations, non-profit organizations, federal and state agencies, and other philanthropic donors. George’s books have garnered more than 115 major editorial awards, including “best-book” honors in 35 academic fields and categories. Historically, George’s books and book series appeal equally to the academic (scholar, student, professional) and general reader, and they consistently receive sterling reviews in academic and professional journals in addition to widespread attention in the larger world. GFT authors have been interviewed about their books on local and national public radio and television programs, including Twin Cities (MN) PBS, NPR’s Radiolab, the Diane Rehm Show, Cary Barbor on All Things Considered, Scott Simon’s Weekend Edition, KSFR’s “Cline’s Corner” (Santa Fe), KPNR’s “State of Nevada” (Las Vegas), WPFW’s “On the Margin” (DC), and WWNO’s “The Reading Life” (New Orleans). GFT books have received glowing reviews in professional journals such as Atlas Obscura, Environmental History, High Country News, Hyperallergic, Journal of Folklore Research, Journal of Historical Geography, Journal of the Society of Architectural Historians, Landscape Architecture, Lenscratch, LensWork, Library Journal, Panorama: Journal of the Association of Historians of American Art, photo district news (pdn), The Photo Review, Photographer’s Forum, and siteLINES. -
Lois Conner [email protected]
Lois Conner [email protected] www.loisconner.net Education 1981-Yale University-MFA, Photography; 1975-Pratt Institute, BFA, Photography Fashion Institute of Technology, New York (1971-73); University of Delaware, Newark (1969-1971) Grants and Fellowships 2010, 2011 Sol and Carol Lewitt Artist-in-Residence, Praiano, Italy 2007 Anonymous was a Woman Fellowship 2006, 2010 Princeton University Research Fellowship 1984 Guggenheim Fellowship 1983 New York State Council on the Arts Fellowship 1979 National Endowment of the Arts Fellowship Collections (selected) Metropolitan Museum of Art; Museum of Modern Art, New York; San Francisco Museum of Modern Art; Los Angeles County Museum of Art; National Museum of American Art; Smithsonian Institution; Corcoran Gallery of Art; Sackler Gallery, Washington, D.C; Philadelphia Museum of Art; New Orleans Museum of Art; Santa Barbara Museum of Art, California; Brooklyn Museum of Art; Chicago Art Institute; Cleveland Museum of Art; Toledo Art Museum; Yale University Art Gallery; The Getty Museum; Chicago Art Institute; Museum of Fine Arts, Boston; Fogg Art Museum, Harvard; The New York Public Library; The British Library; Victoria and Albert Museum, London; National Gallery of Art, Canberra; National Gallery of Victoria, Australia Solo Exhibitions 2018 Shanghai Center of Photography, “A Long View” Wairapa Academy, Featherston, New Zealand, “Lotus Leaves”; 2017 Zhizhusi, Gallery at Temple, Beijing, “Diandao: Downside Up” 2016 Naumkeag, Stockbridge, Massachusetts, “Arcadian Realms”; 2015 KMR Arts, Connecticut, -
Popmusik Musikgruppe & Musisk Kunstner Listen
Popmusik Musikgruppe & Musisk kunstner Listen Stacy https://da.listvote.com/lists/music/artists/stacy-3503566/albums The Idan Raichel Project https://da.listvote.com/lists/music/artists/the-idan-raichel-project-12406906/albums Mig 21 https://da.listvote.com/lists/music/artists/mig-21-3062747/albums Donna Weiss https://da.listvote.com/lists/music/artists/donna-weiss-17385849/albums Ben Perowsky https://da.listvote.com/lists/music/artists/ben-perowsky-4886285/albums Ainbusk https://da.listvote.com/lists/music/artists/ainbusk-4356543/albums Ratata https://da.listvote.com/lists/music/artists/ratata-3930459/albums Labvēlīgais Tips https://da.listvote.com/lists/music/artists/labv%C4%93l%C4%ABgais-tips-16360974/albums Deane Waretini https://da.listvote.com/lists/music/artists/deane-waretini-5246719/albums Johnny Ruffo https://da.listvote.com/lists/music/artists/johnny-ruffo-23942/albums Tony Scherr https://da.listvote.com/lists/music/artists/tony-scherr-7823360/albums Camille Camille https://da.listvote.com/lists/music/artists/camille-camille-509887/albums Idolerna https://da.listvote.com/lists/music/artists/idolerna-3358323/albums Place on Earth https://da.listvote.com/lists/music/artists/place-on-earth-51568818/albums In-Joy https://da.listvote.com/lists/music/artists/in-joy-6008580/albums Gary Chester https://da.listvote.com/lists/music/artists/gary-chester-5524837/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums Hilde Marie Kjersem https://da.listvote.com/lists/music/artists/hilde-marie-kjersem-15882072/albums -
Impressionist & Modern
IMPRESSIONIST & MODERN ART Thursday 1 March 2018 IMPRESSIONIST & MODERN ART Thursday 1 March 2018 at 5pm New Bond Street, London VIEWING ENQUIRIES Brussels Rome Thursday 22 February, 9am to 5pm London Christine de Schaetzen Emma Dalla Libera Friday 23 February, 9am to 5pm India Phillips +32 2736 5076 +39 06 485 900 Saturday 24 February, 11am to 4pm Head of Department [email protected] [email protected] Sunday 25 February, 11am to 4pm +44 (0) 20 7468 8328 Monday 26 February, 9am to 5pm [email protected] Cologne Tokyo Tuesday 27 February, 9am to 3pm Katharina Schmid Ryo Wakabayashi Wednesday 28 February 9am to 5pm Hannah Foster +49 221 2779 9650 +81 3 5532 8636 Thursday 1 March, 9am to 2pm Department Director [email protected] [email protected] +44 (0) 20 7468 5814 SALE NUMBER [email protected] Geneva Zurich 24743 Victoria Rey-de-Rudder Andrea Bodmer Ruth Woodbridge +41 22 300 3160 +41 (0) 44 281 95 35 CATALOGUE Specialist [email protected] [email protected] £22.00 +44 (0) 20 7468 5816 [email protected] Livie Gallone Moeller PHYSICAL CONDITION OF LOTS ILLUSTRATIONS +41 22 300 3160 IN THIS AUCTION Front cover: Lot 16 Aimée Honig [email protected] Inside front covers: Lots 20, Junior Cataloguer PLEASE NOTE THAT THERE IS NO 21, 15, 70, 68, 9 +44 (0) 20 7468 8276 Hong Kong REFERENCE IN THIS CATALOGUE Back cover: Lot 33 [email protected] Dorothy Lin TO THE PHYSICAL CONDITION OF +1 323 436 5430 ANY LOT.