TOP Commanders of Anti-IS Coalition Meet in Kuwait
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Annual Review Research Community Are Invited to Participate, Exchange Ideas and Network in Our Regular Workshops, Lectures and Conferences
Join the SOAS South Asia Institute The SOAS South Asia Institute welcomes people with an interest in South Asia who would like to get involved with our activities. Our offices are located on the 4th floor of the Brunei Gallery and we welcome visitors by appointment. There are many ways of getting involved with the SSAI: Connect with Us: • Study at SOAS: The SSAI has developed a new Email: Receive regular updates from us about events Masters programme in Intensive South Asian Studies. and activities by writing to [email protected] This two-year programme offers comprehensive language-based training across a wide range of Like us on Facebook and join our vibrant disciplines in the humanities and social sciences. community: www.facebook.com/SouthAsia.SOAS All of the Institute’s teaching programmes will provide students with valuable skills that are rarely Follow and interact with us on Twitter: @soas_sai available elsewhere. These include interdisciplinary understandings of South Asian society that are Check our web pages for details about all our theoretically sophisticated and based on deep activities: www.soas.ac.uk/south-asia-institute/ empirical foundations and advanced proficiency in Join in the discussion through the languages such as Bengali, Hindi, Nepali, Sanskrit and Institute’s new blog, South Asia Notes: Urdu. http://blogs.soas.ac.uk/ssai-notes/ • Outreach: Our free seminar series, which is held regularly on a weekly or fortnightly basis is open to Address: the wider public. Our events often host high-level The SOAS South Asia Institute politicians, local and foreign academics and many Room B405, Brunei Gallery SOAS SOUTH ASIA INSTITUTE more. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Saif Ali Khan Property Worth
Saif Ali Khan Property Worth Snafu and epistolic Wye never downs his oasts! Swallow-tailed and fibrillar Voltaire chirre maritally and plots his peptizing heinously and phraseologically. Interior and supernumerary Kit never rig his Oldenburg! Three times like extravagant structure named as per reports and actress is an actress ruchika pandey, property worth of the Today I immediately talk of an. Sara Ali Khan Net Worth 2021 Income Cars brands & Luxury. The properties in main aim of india and writer in the notorious barbarian and her wealth? Saba ali khan age Kingsville Community Centre. As a result, it propelled her to higher heights. And as the saying goes, many great things start from modest beginnings. That has always stayed in my mind. Please his multiple awards, mumbai police arrested her money, saif says that has been submitted successfully. Parse the OS into an object. Who being the richest woman in Bollywood? Saif Ali Khan Net Worth biography quotes wiki assets cars. Nandini Sen and Gautam Berry are the parents of actress Tara Alisha Berry. We stream in challenging the status quo and issue a life bigger than there own. Who is unknown as the skills and enjoy the company, lifestyle of news to do you are set out! 'Royal Couple' Kareena Kapoor Khan And Saif Ali Khan's Combined Net there Will. He just one of property worth and assets and saif ali khan property worth so is a room which the. Is the years she is salman khan struggled a career in indian actor in ahmedabad, respectful and whose last samurai, my grandparents and. -
Soha Ali in Harvard University
From Rang De Basanti to Harvard University Updated on: May 10, 2011 prachi 292 Views Soha Ali Khan, daughter of famous Bollywood actress and legend Sharmila Tagore, is now all set for her visit to Harvard University. She is in a state of elation after she was invited to Harvard University to deliver a lecture on Indian Cinema. This session is being titled as "Cinema-Then and Now". Oxford students are excited and looking forward for this session as Sharmila Tagore is also going to make a special appearance. During the session, Soha will also pay tribute to some of the great legends like Madhubala, Meena Kumari, Waheeda Rehman and her mother Sharmila Tagore. According to Soha, she is overwhelmed about her Disclaimer: This PDF is auto-generated based on the information available on Shiksha as on 04-Jun-2020. Harvard visit but tensed too as she has never delivered such lecture session and that too in front of the big fans of Bollywood. She said that she has done a thorough research as what all she'll be covering in the article like whom all contributed to the Indian cinema and major factors that has made has given a shape to the Indian movies. She is also planning to talk about all the big actors and their contribution to the Indian Cinema. Not only this, her creative work in movies like ‘Khoya Khoya Chand', Rang De Basanti', and ‘Antarmahal' will also be screened during the lecture. So, here is a time to learn as well as to share and learn from the experiences of well-renowned Indian actors and actresses. -
Sharmila Tagore Calls for Support to CRY
Tristate Community 3 TheSouthAsianTimes.info May 21-27, 2011 SharmilaTagore calls for support to CRY America and needy children New York: CRY - Child Rights sure the rights of underprivileged ents, healthcare, child labor and and You America Inc, a non-profit children and help make this issue gender bias.” that works to restore the rights of into a national and international Soha Ali Khan, young Indian ac- underprivileged children, especial- priority,” said Shefali Sunderlal. tor, shared her strong belief “that ly in India hosted two benefit din- Sharmila Tagore, legendary Indi- all girl children should be given the ners in New York and Seattle. an actor and a supporter of CRY opportunity to quality education ‘Pledge 2011’ was held on May 13 America, said, “The basic differ- and encouraged to have a career of at the Taj, The Pierre Hotel in New ence between other organizations their choice, just like I did.” York and ‘Uphaar 2011’ on May and CRY is that they involve the CRY America thanks its donors 14 at the Four Seasons Hotel in parents and the entire community for their generous support, with a Seattle. Sharmila Tagore and her towards impacting the child. Com- special mention to their Patrons - daughter Soha Ali Khan were the munity groups are made aware and Ravi and Jaya Bhooplapur, Anu special guests at both events. empowered to tackle their own and Naveen Jain, Dr. Ganesh Bhat, Pledge 2011 was attended by 150 problems, instead of outsiders Rotary Club of Hicksville and In- people from NY-NJ area and Up- coming to ‘help’ them. -
Mayor: Park and No Ride!
July 14–20, 2017 Including Brooklyn Courier, Carroll Gardens-Cobble Hill Courier, Brooklyn Heights Courier, & Williamsburg Courier FREE ALSO SERVING PROSPECT HEIGHTS, WINDSOR TERRACE, KENSINGTON, AND GOWANUS Mayor: Park and no ride! BY COLIN MIXSON It’s wheel-y happening! Mayor DeBlasio on July 10 announced a ban on all cars inside Prospect Park from July 17 to Sept. 11. And while the administration described the embargo as temporary, local leaders who support a vehicle-free meadow said they are optimistic that the seasonal restriction is a pre- lude to full-on prohibition. “Hopefully, it will lead to a permanent closure,” said Eric McClure, Chairman of Community Board 6’s Trans- portation Committee. “I and many others have felt for a long time that the park should be completely free of cars, and doing a trial clo- READY TO WORK: Young teens participating in the city’s Summer Youth Employment Program, which provided 70,000 14- to 24-year-old New sure to measure the effect is Yorkers with seasonal jobs, attended its kick-off celebration hosted by Councilman Mathieu Eugene and local organizations in Prospect Park on a great idea.” July 5. Offi ce of Councilman Mathieu Eugene The ban — which will begin Prospect Park’s fi rst- ever entirely car-free period — temporarily eliminates a two-hour window that al- lows Downtown-bound driv- ers to zip up the park’s East Drive from 7 to 9 am on week- THEY’RE HIRED! day mornings to circumvent rush-hour traffi c. It follows the mayor’s 2015 decree that pulled vehicles from the Pol kicks-off city’s summer job program for kids meadow’s West Drive , which let Coney Island-bound mo- BY ALEXANDRA SIMON respect for others,” said Eu- Youth Employment Program The city’s Department of torists cut through Brook- He’s putting these kids to gene, the Chairman of the are at public green spaces, in- Youth and Community De- lyn’s Backyard during the work! Council’s Youth Services cluding Prospect Park, where velopment, also a partner evening rush and gener- Seventy thousand New Committee. -
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20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died. -
Cherubic Baby
The time evolution of iconographic conventions in the public sphere is a fascinating thing. Of course it is obvious that a more relevant sphere of enquiry is the origin of specific iconographic patterns and their semiotic significance. But that is something for the semioticians and culture theorists of the popular to decipher. I am instead fascinated by how these conventions evolve-why some things don’t change while others change radically in a fairly short time frame? Anyone passing through a small town in North India can’t help notice the proliferation of fruit juice sellers. I am not talking about the seasonal sugarcane juice sellers but instead fixed shops which run through the year. These establishments, which came into being in a big way in the late seventies-early eighties, were aided by two technological developments-one, the introduction of the “mixie” at affordable prices and second the availability of fruits and vegetables from distant parts of the country because of the transport revolution. The mixie, in reality a pseudo food processor became common as a kitchen appliance only when relatively cheap local clones began to be sold. The fruit juice seller would sell mango milk shakes and some other juices during the summers, “mausami” juice through the year (since this has an almost totemic hold on our psyche as “the” health drink) and carrot and pomegranate juice in the winters. It is important to realize that until the introduction of packaged fruit juices, juice was considered a relative luxury-one had seasonal fruit at home but juice was something for the ailing (anyone would recall the cluster of fruit juice sellers outside of hospitals- and papaya vendors of course!). -
Bollywood Sounds
Bollywood Sounds Bollywood Sounds The Cosmopolitan Mediations of Hindi Film Song Jayson Beaster-Jones 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Oxford University Press 2015 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Beaster-Jones, Jayson. Bollywood sounds : the cosmopolitan mediations of Hindi film song / Jayson Beaster-Jones. pages cm Includes bibliographical references and index. ISBN 978–0–19–986254–2 (pbk. -
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Your Gateway to the Film Industry
MIT SCHOOL OF FILM & TELEVISION at Raj Kapoor Memorial, Pune MITSFT - your Gateway to the Film Industry www.mitsft.in PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor VISION MIT School of Film and Television, MIT School of Film and Television, Rajbaug, Pune is committed to providing Rajbaug, Pune envisages a 'niche position' advanced training and thus nurturing for Indian films, film m‘ akers and ‘ knowledge-driven visionary filmmakers ‘ ‘ technicians in the world of cinema, where who will have great potential and creative they will be considered as a benchmark of SION abilities and who will make the finest films quality all across the globe. in world cinema, while exhibiting their talent in all departments of film making. MIS 1) RajbaugCONTENTS – The Garden of The King...........................................................................................................04 16) Art Direction and Production Design...........................................................................................................30 2) Raj Kapoor Memorial...............................................................................................................................07 17) Television Production.................................................................................................................................32 3) Raj Kapoor – The Legend, The Man..........................................................................................................08 18) Admission Procedure................................................................................................................................33