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Red Centre episode #79 show notes NEWS Mike & Millenium Red Centre episode #79 show notes RED NEWS • Epic-M #00006 has Ship (singular of shipped as only one camera has been delivered) • Ridley Scott Shooting ‘Alien prequel‘ (listed as 2 prequels in imdb) on Stereo Epic with the Element Technica Atom rig. Dariusz Wolski to shoot Dariusz Wolski - IMDb Ridley Scott and Dariusz Wolski... - REDUSER.net Dariusz just wrapped ‘Pirates 4‘ (as well as having shot all the other Pirates of the Caribbean films and Alice in wonderland, Dark City & Sweeney Todd. Red Centre episode #79 show notes Gear/Red Room • Off Hollywood (Mark) Re Epic-M #006 Delivery Red Centre episode #79 show notes Gear/Red Room Red Centre episode #79 show notes Gear/Red Room Red Centre episode #79 show notes RED News Red Centre episode #79 show notes RED News Red Centre episode #79 show notes RED News Red Centre episode #79 show notes RED News • Clarification on SSD’s and RED station.. - Each unit can be bus powered if on FW800, each unit comes with a power supply if running off esata or USB - You dont need a base station unit to power them, is for conveniently powering up to 3 reader only - ‘Redmag1.8’ station uses a proprietary interface to read the 1.8” SSD’s from the camera.. - ‘Redmag 2.5” station is for std off the shelf 2.5” esata notebook drives or SSD drives for back ups (though RED has a list of ‘approved drives’) - All media stations have esata, 2x FW800 & mini USB ports on the rear - there is a red station installation guide on Red’s support page.. https://www.red.com/support Rear of each Red Station module is the same Red Centre episode #79 show notes Gear • Blackmagic Design: UltraStudio Pro UltraStudio Pro is the world’s first broadcast quality SD/HD capture and playback solution for USB 3.0 computers! UltraStudio Pro combines the latest broadcast technology into an attractive ultra-thin design that looks great on your desktop! With the incredible speed of USB 3.0 running at a massive 4.8 Gb/s, UltraStudio Pro easily has enough speed for the highest quality uncompressed 10 bit HD video with the maximum possible real time ef- fects! Red Centre episode #79 show notes Twitter Shoutout • frank jonen Frank Jonen (frankjonen) on Twitter.

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Alien : Covenant
TWENTIETH CENTURY FOX présente Une production Scott Free/Brandywine Un film de Ridley Scott ALIEN : COVENANT Michael Fassbender Katherine Waterston Billy Crudup Danny McBride Demián Bichir Scénario : John Logan, Dante Harper Histoire : Jack Paglen, Michael Green Image : Dariusz Wolski Décors : Chris Seagers Costumes : Janty Yates Un film produit par Ridley Scott, Mark Huffam, Michael Schaefer, David Giler, Walter Hill Sortie nationale : 10 mai 2017 Durée : 2 h 02 Photos et dossier de presse sont téléchargeables sur : www.foxpresse.fr Site officiel : Distribution Presse film TWENTIETH CENTURY FOX Alexis RUBINOWICZ 241 boulevard Pereire Tél. : 01 58 05 57 90 75017 PARIS [email protected] Tél. : 01 58 05 57 00 Giulia GIE Tél. : 01 58 05 57 79/94 [email protected] 1 L’HISTOIRE Le vaisseau spatial Covenant est en route pour la lointaine planète Origae-6 afin d’y établir une colonie, un nouvel avant-poste pour l’humanité. À bord, tout est calme. L’équipage et les 2000 passagers sont en hypersommeil, et seul Walter, le synthétique, arpente les coursives. Mais lorsqu’une explosion stellaire détruit les capteurs d’énergie du vaisseau, les avaries et les pertes humaines sont énormes… Heureusement, les survivants découvrent à proximité ce qui semble être un paradis vierge, une planète aux immenses montagnes couronnées de nuages et aux magnifiques forêts qui pourrait être tout aussi viable qu’Origae-6. Pourtant, très vite, le paradis va révéler sa réalité infernale. Ce monde regorge de dangers inconnus et mortels. Les survivants vont tout tenter pour échapper à une menace qui dépasse l’entendement… 2 NOTES DE PRODUCTION Dans l’espace, personne ne vous entend crier… Près de quarante ans après, ces mots évoquent toujours avec autant de force l’intensité oppressante d’ALIEN, LE HUITIÈME PASSAGER, le chef-d’œuvre de l’horreur futuriste signé Ridley Scott.
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Imperialism and Exploration in the American Road Movie Andy Wright Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2016 Off The Road: Imperialism And Exploration in the American Road Movie Andy Wright Pitzer College Recommended Citation Wright, Andy, "Off The Road: Imperialism And Exploration in the American Road Movie" (2016). Pitzer Senior Theses. Paper 75. http://scholarship.claremont.edu/pitzer_theses/75 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Wright 1 OFF THE ROAD Imperialism And Exploration In The American Road Movie “Road movies are too cool to address serious socio-political issues. Instead, they express the fury and suffering at the extremities of a civilized life, and give their restless protagonists the false hope of a one-way ticket to nowhere.” –Michael Atkinson, quoted in “The Road Movie Book” (1). “‘Imperialism’ means the practice, the theory, and the attitudes of a dominating metropolitan center ruling a distant territory; ‘colonialism’, which is almost always a consequence of imperialism, is the implanting of settlements on distant territory” –Edward Said, Culture and Imperialism (9) “I am still a little bit scared of flying, but I am definitely far more scared of all the disgusting trash in between places” -Cy Amundson, This Is Not Happening “This is gonna be exactly like Eurotrip, except it’s not gonna suck” -Kumar Patel, Harold and Kumar Escape From Guantanamo Bay Wright 2 Off The Road Abstract: This essay explores the imperialist nature of the American road movie as it is defined by the film’s era of release, specifically through the lens of how road movies abuse the lands that are travelled through.
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Alien: Covenant
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