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Roberta M. Marvin ROBERTA M. MARVIN EDUCATIONAL AND PROFESSIONAL HISTORY Higher Education Ph.D. Historical Musicology Brandeis University 1992 (1986-1992) M.A. Historical Musicology Tufts University 1986 (1984-1986) B.M. Flute Performance Boston Conservatory of Music 1975 (1971-1975) Professional Academic and Administrative Positions University of Massachusetts Chair, Department of Music and Dance 2016-present Professor of Musicology, Cepartment of Music and Dance (tenured 2016) 2016-present University of Iowa Director, Opera Studies Forum 1999-2016 Associate Professor, University College (adjunct) 2013-2016 Associate Dean, International Programs 2010-2012 Associate Professor, International Programs (affiliated faculty/adjunct) 2003-2018 Director, Office of Research, Grants, and Development, International Programs 2003-2005 Head of Musicology, School of Music 1998-2001 Associate Professor, Musicology (tenured in 1999) 1997-2003 University of Chicago Associate General Editor, The Works of Giuseppe Verdi, University of 2018-present Chicago Press 2006-2015 University of Alabama Head of Musicology 1993-1997 Assistant Professor, Musicology 1993-1997 Associate Professor (promotion earned before leaving the institution) 1997 Boston University Visiting Assistant Professor, Musicology 1992-1993 Tufts University Visiting Lecturer, Musicology 1991-1992 Visiting Lecturer, Experimental College Spring 1991 Miscellaneous Private studio, flute instructor 1973-1991 GRANTS, FELLOWSHIPS, AWARDS, PRIZES International / National Competitions 2012 Visiting International Research Fellowship, Oxford Brookes University (UK) 2011 Bogliasco Foundation Fellowship, Liguria Center for the Arts and Humanities (Italy) (alternate) 2010 National Endowment for the Humanities Summer Stipend 2010 Visiting Research Fellow, University of London Institute for Musical Research (UK) 2010 Humanities Iowa Grant (for the University of Iowa Opera Studies Forum) 2009-2010 Leverhulme Foundation Research Fellowship (UK) (declined for personal reasons) 2009 Music & Letters Trust Research Grant (UK) 2007 American Philosophical Society Franklin Research Grant 2004-2005 National Endowment for the Humanities Fellowship for University Professors 2003-2004 Bogliasco Foundation Fellowship, Liguria Center for the Arts and Humanities (Italy) 2003 National Endowment for the Humanities Summer Stipend 2002-2003 Howard Foundation Fellowship 1993-1994 Fulbright (Council for International Exchange of Scholars) Research Scholar Fellowship (Italy) 1993 National Endowment for the Humanities Summer Stipend 1993 National Endowment for the Humanities Travel to Collections Grant 1992 American Philosophical Society Franklin Research Grant 1991 Premio Internazionale “Giuseppe Verdi” awarded by the Istituto Nazionale di Studi Verdiani (Italy) 1988-1989 Fulbright (Institute for International Education) Grant for Dissertation Research (Italy) Institutional Competitions 2018-2020 University of Massachusetts Center for Teaching Excellence National Science Foundation Grant for Teaching Assessment Pilot Program 2017-2018 University of Massachusetts Interdisciplinary Studies Institute Fellow 2010 University of Iowa Summer Research Fellowship, International Programs 2009/2008/2006/1999 University of Iowa International Programs Travel Grants 2005 University of Iowa Stanley International Programs-Obermann Center Research Fellowship 2005 University of Iowa International Programs Major Projects Award (collaborative) 2004 / 2002 / 2000 / University of Iowa Arts and Humanities Initiative Grant 1998 2004 University of Iowa Curriculum Development Award, International Programs 2001 University of Iowa Distinguished International Lecture Series Grant 2001 University of Iowa New Technologies in the Learning Environment Grant 2001 University of Iowa Obermann Center Summer Research Seminar Award (collaborative) 2000-2002 University of Iowa College of Liberal Arts and Sciences Dean’s Scholar Award 1999 University of Iowa Career Development Award 1998 University of Iowa Central Investment Fund for Research Enhancement Grant 1998 University of Iowa Old Gold New Faculty Research Fellowship 1997 / 1995 University of Alabama Research Committee Summer Research Grants 1988 Brandeis University Sachar Dissertation Research Fellowship, Damon Award Additional Professional Honors 2014 Classical Music Editor’s Choice Top Ten Book of 2014 for The Cambridge Verdi Encyclopedia, ed. Roberta Montemorra Marvin 2 2011 University of Iowa Freshman Initiative “Thank-a-Teacher” Program, honored for First-Year Seminar 2007 Short-listed for the American Musicological Society’s Ruth A. Solie Award for Operatic Migrations: Transforming Works and Crossing Boundaries, ed. Roberta Montemorra Marvin and Downing A. Thomas 1998-2010 Obermann Center, University of Iowa: Associate 2009-10; Scholar-in-Residence 1998-2003, 2005-09 2001 University of Iowa Graduate College Outstanding Faculty Mentor Award, Nominee 2000 University of Iowa “Preparing Our Graduate Students as Teachers” Award 1997 Elected to Phi Beta Delta (international honor society) 1975 Elected to Pi Kappa Lambda (national music honor society) SCHOLARSHIP Publications Books (Authored) Verdi and the Victorians. Music in Britain, 1600-1900. Woodbridge: Boydell & Brewer, in progress. The Politics of Verdi’s “Cantica”. Royal Musical Association Monographs. Farnham: Ashgate, 2014. Verdi the Student–Verdi the Teacher. Parma: Istituto Nazionale di Studi Verdiani, 2010. (Winner of the Premio Internazionale “Giuseppe Verdi”). Books (Edited or Co-edited) Music and World War II. Edited by Pamela Potter, Christina Baade, and Roberta Montemorra Marvin. Bloomington: Indiana University Press, forthcoming. Opera Outside the Box: Cultural Reflections and Notions of Opera in Early Nineteenth-Century Britain (provisional title). Edited by Roberta Montemorra Marvin and Roger Parker (equal contributions). Abingdon: Routledge/Ashgate, in progress. The Idea of Art Music in a Commercial World, 1800-1930. Edited by Christina Bashford and Roberta Montemorra Marvin (equal contributions). Music in Society and Culture. Woodbridge: Boydell & Brewer, 2016. Music in Print and Beyond: Hildegard von Bingen to The Beatles. Edited by Craig A. Monson and Roberta Montemorra Marvin (equal contributions). Eastman Studies in Music. Rochester: University of Rochester Press, 2013. The Cambridge Verdi Encyclopedia. Edited by Roberta Montemorra Marvin. Cambridge: Cambridge University Press, 2013. (Classical Music Editor’s Choice Top Ten Book of 2014). Fashions and Legacies of Nineteenth-Century Italian Opera. Edited by Roberta Montemorra Marvin and Hilary Poriss (equal contributions). Cambridge: Cambridge University Press, 2010. 3 Operatic Migrations: Transforming Works and Crossing Boundaries. Edited by Roberta Montemorra Marvin and Downing A. Thomas (equal contributions). Aldershot: Ashgate, 2006. (Short-listed for the American Musicological Society’s Ruth A. Solie Award) Historical Musicology: Sources, Methods, Interpretations. Edited by Stephen A. Crist and Roberta Montemorra Marvin (equal contributions). Rochester: University of Rochester Press, 2004. (Paperback reissue, 2008.) Verdi 2001: Atti del Convegno Internazionale / Proceedings of the International Conference, Parma-New York-New Haven, January-February 2001. Edited by Fabrizio Della Seta, Roberta Montemorra Marvin, and Marco Marica (equal contributions). 2 vols. Florence: Leo S. Olschki, 2003. Books / Critical (Music) Editions Giuseppe Verdi: Juvenilia, co-editor. 2 vols. The Works of Giuseppe Verdi. Chicago: University of Chicago Press / Milan: Ricordi, in preparation. Giuseppe Verdi: Cantatas and Hymns: Inno delle nazioni and Suona la tromba (Inno popolare), sole editor of score and author of historical introduction and critical commentary. The Works of Giuseppe Verdi. Chicago: University of Chicago Press / Milan: Ricordi. Full score, 2007 / Vocal score, 2010. Giuseppe Verdi: I masnadieri, sole editor of score and author of historical introduction and critical commentary. The Works of Giuseppe Verdi. Chicago: University of Chicago Press / Milan: Ricordi. Full score, 2000 / Vocal score, 2004. Giuseppe Verdi: Sinfonia in D Major, sole editor of full score and author of historical introduction and critical commentary. Parma: Istituto Nazionale di Studi Verdiani / Milan: Teatro della Scala, 2000. Articles and Book Chapters “Coming to Terms with Jenny Lind in Victorian Britain.” Under review. “Introduction.” Nineteenth-Century Music Review, special issue on opera and the ancient world. In preparation. “Notions of Verdi in Victorian Britain.” In Opera and Print Culture in Nineteenth--Century Britain. Edited by Christina Fuhrmann and Alison Mero. Forthcoming. “Selling a ‘False Verdi’ in Victorian London.” In The Idea of Art Music in a Commercial World, 1800- 1930, pp. 223-247. Edited by Christina Bashford and Roberta Montemorra Marvin. Music in Society and Culture. Woodbridge: Boydell & Brewer, 2016. 4 “Verdi’s Shakespearean Operas: Introduction.” Verdi Forum 41-42 (2014-2015): 73-75. “Verdi’s ‘Music of the Future’.” In Music in Print and Beyond: Hildegard von Bingen to The Beatles, pp. 158-179. Edited by Craig A. Monson and Roberta Montemorra Marvin. Eastman Studies in Music. Rochester: University of Rochester Press, 2013. “Introduction.” Cambridge Opera Journal, special issue on opera reception, 25/2 (2013): 117-120. “Verdi, Conservatory Reform, and the Italian Musical Tradition.” In L’insegnamento dei conservatori, la composizione e la vita musicale nell’Europa dell’Ottocento, pp. 3-30.
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