ROBERTA M. MARVIN

EDUCATIONAL AND PROFESSIONAL HISTORY Higher Education Ph.D. Historical Musicology Brandeis University 1992 (1986-1992) M.A. Historical Musicology Tufts University 1986 (1984-1986) B.M. Flute Performance Boston Conservatory of Music 1975 (1971-1975) Professional Academic and Administrative Positions University of Massachusetts Chair, Department of Music and Dance 2016-present Professor of Musicology, Cepartment of Music and Dance (tenured 2016) 2016-present University of Iowa Director, Studies Forum 1999-2016 Associate Professor, University College (adjunct) 2013-2016 Associate Dean, International Programs 2010-2012 Associate Professor, International Programs (affiliated faculty/adjunct) 2003-2018 Director, Office of Research, Grants, and Development, International Programs 2003-2005 Head of Musicology, School of Music 1998-2001 Associate Professor, Musicology (tenured in 1999) 1997-2003 University of Chicago Associate General Editor, The Works of , University of 2018-present Chicago Press 2006-2015 University of Alabama Head of Musicology 1993-1997 Assistant Professor, Musicology 1993-1997 Associate Professor (promotion earned before leaving the institution) 1997 Boston University Visiting Assistant Professor, Musicology 1992-1993 Tufts University Visiting Lecturer, Musicology 1991-1992 Visiting Lecturer, Experimental College Spring 1991 Miscellaneous Private studio, flute instructor 1973-1991

GRANTS, FELLOWSHIPS, AWARDS, PRIZES International / National Competitions 2012 Visiting International Research Fellowship, Oxford Brookes University (UK) 2011 Bogliasco Foundation Fellowship, Liguria Center for the Arts and Humanities (Italy) (alternate) 2010 National Endowment for the Humanities Summer Stipend 2010 Visiting Research Fellow, University of London Institute for Musical Research (UK) 2010 Humanities Iowa Grant (for the University of Iowa Opera Studies Forum)

2009-2010 Leverhulme Foundation Research Fellowship (UK) (declined for personal reasons) 2009 Music & Letters Trust Research Grant (UK) 2007 American Philosophical Society Franklin Research Grant 2004-2005 National Endowment for the Humanities Fellowship for University Professors 2003-2004 Bogliasco Foundation Fellowship, Liguria Center for the Arts and Humanities (Italy) 2003 National Endowment for the Humanities Summer Stipend 2002-2003 Howard Foundation Fellowship 1993-1994 Fulbright (Council for International Exchange of Scholars) Research Scholar Fellowship (Italy) 1993 National Endowment for the Humanities Summer Stipend 1993 National Endowment for the Humanities Travel to Collections Grant 1992 American Philosophical Society Franklin Research Grant 1991 Premio Internazionale “Giuseppe Verdi” awarded by the Istituto Nazionale di Studi Verdiani (Italy) 1988-1989 Fulbright (Institute for International Education) Grant for Dissertation Research (Italy)

Institutional Competitions 2018-2020 University of Massachusetts Center for Teaching Excellence National Science Foundation Grant for Teaching Assessment Pilot Program 2017-2018 University of Massachusetts Interdisciplinary Studies Institute Fellow 2010 University of Iowa Summer Research Fellowship, International Programs 2009/2008/2006/1999 University of Iowa International Programs Travel Grants 2005 University of Iowa Stanley International Programs-Obermann Center Research Fellowship 2005 University of Iowa International Programs Major Projects Award (collaborative) 2004 / 2002 / 2000 / University of Iowa Arts and Humanities Initiative Grant 1998 2004 University of Iowa Curriculum Development Award, International Programs 2001 University of Iowa Distinguished International Lecture Series Grant 2001 University of Iowa New Technologies in the Learning Environment Grant 2001 University of Iowa Obermann Center Summer Research Seminar Award (collaborative) 2000-2002 University of Iowa College of Liberal Arts and Sciences Dean’s Scholar Award 1999 University of Iowa Career Development Award 1998 University of Iowa Central Investment Fund for Research Enhancement Grant 1998 University of Iowa Old Gold New Faculty Research Fellowship 1997 / 1995 University of Alabama Research Committee Summer Research Grants 1988 Brandeis University Sachar Dissertation Research Fellowship, Damon Award

Additional Professional Honors 2014 Editor’s Choice Top Ten Book of 2014 for The Cambridge Verdi Encyclopedia, ed. Roberta Montemorra Marvin

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2011 University of Iowa Freshman Initiative “Thank-a-Teacher” Program, honored for First-Year Seminar 2007 Short-listed for the American Musicological Society’s Ruth A. Solie Award for Operatic Migrations: Transforming Works and Crossing Boundaries, ed. Roberta Montemorra Marvin and Downing A. Thomas 1998-2010 Obermann Center, University of Iowa: Associate 2009-10; Scholar-in-Residence 1998-2003, 2005-09 2001 University of Iowa Graduate College Outstanding Faculty Mentor Award, Nominee 2000 University of Iowa “Preparing Our Graduate Students as Teachers” Award 1997 Elected to Phi Beta Delta (international honor society) 1975 Elected to Pi Kappa Lambda (national music honor society)

SCHOLARSHIP Publications

Books (Authored) Verdi and the Victorians. Music in Britain, 1600-1900. Woodbridge: Boydell & Brewer, in progress. The Politics of Verdi’s “Cantica”. Royal Musical Association Monographs. Farnham: Ashgate, 2014. Verdi the Student–Verdi the Teacher. Parma: Istituto Nazionale di Studi Verdiani, 2010. (Winner of the Premio Internazionale “Giuseppe Verdi”).

Books (Edited or Co-edited) Music and World War II. Edited by Pamela Potter, Christina Baade, and Roberta Montemorra Marvin. Bloomington: Indiana University Press, forthcoming. Opera Outside the Box: Cultural Reflections and Notions of Opera in Early Nineteenth-Century Britain (provisional title). Edited by Roberta Montemorra Marvin and (equal contributions). Abingdon: Routledge/Ashgate, in progress. The Idea of Art Music in a Commercial World, 1800-1930. Edited by Christina Bashford and Roberta Montemorra Marvin (equal contributions). Music in Society and Culture. Woodbridge: Boydell & Brewer, 2016. Music in Print and Beyond: Hildegard von Bingen to The Beatles. Edited by Craig A. Monson and Roberta Montemorra Marvin (equal contributions). Eastman Studies in Music. Rochester: University of Rochester Press, 2013. The Cambridge Verdi Encyclopedia. Edited by Roberta Montemorra Marvin. Cambridge: Cambridge University Press, 2013. (Classical Music Editor’s Choice Top Ten Book of 2014). Fashions and Legacies of Nineteenth-Century Italian Opera. Edited by Roberta Montemorra Marvin and Hilary Poriss (equal contributions). Cambridge: Cambridge University Press, 2010.

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Operatic Migrations: Transforming Works and Crossing Boundaries. Edited by Roberta Montemorra Marvin and Downing A. Thomas (equal contributions). Aldershot: Ashgate, 2006. (Short-listed for the American Musicological Society’s Ruth A. Solie Award) Historical Musicology: Sources, Methods, Interpretations. Edited by Stephen A. Crist and Roberta Montemorra Marvin (equal contributions). Rochester: University of Rochester Press, 2004. (Paperback reissue, 2008.) Verdi 2001: Atti del Convegno Internazionale / Proceedings of the International Conference, Parma-New York-New Haven, January-February 2001. Edited by Fabrizio Della Seta, Roberta Montemorra Marvin, and Marco Marica (equal contributions). 2 vols. : Leo S. Olschki, 2003. Books / Critical (Music) Editions Giuseppe Verdi: Juvenilia, co-editor. 2 vols. The Works of Giuseppe Verdi. Chicago: University of Chicago Press / : Ricordi, in preparation. Giuseppe Verdi: Cantatas and Hymns: and Suona la tromba (Inno popolare), sole editor of score and author of historical introduction and critical commentary. The Works of Giuseppe Verdi. Chicago: University of Chicago Press / Milan: Ricordi. Full score, 2007 / Vocal score, 2010. Giuseppe Verdi: , sole editor of score and author of historical introduction and critical commentary. The Works of Giuseppe Verdi. Chicago: University of Chicago Press / Milan: Ricordi. Full score, 2000 / Vocal score, 2004. Giuseppe Verdi: Sinfonia in D Major, sole editor of full score and author of historical introduction and critical commentary. Parma: Istituto Nazionale di Studi Verdiani / Milan: Teatro della Scala, 2000.

Articles and Book Chapters “Coming to Terms with in Victorian Britain.” Under review. “Introduction.” Nineteenth-Century Music Review, special issue on opera and the ancient world. In preparation. “Notions of Verdi in Victorian Britain.” In Opera and Print Culture in Nineteenth--Century Britain. Edited by Christina Fuhrmann and Alison Mero. Forthcoming. “Selling a ‘False Verdi’ in Victorian London.” In The Idea of Art Music in a Commercial World, 1800- 1930, pp. 223-247. Edited by Christina Bashford and Roberta Montemorra Marvin. Music in Society and Culture. Woodbridge: Boydell & Brewer, 2016.

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“Verdi’s Shakespearean : Introduction.” Verdi Forum 41-42 (2014-2015): 73-75. “Verdi’s ‘Music of the Future’.” In Music in Print and Beyond: Hildegard von Bingen to The Beatles, pp. 158-179. Edited by Craig A. Monson and Roberta Montemorra Marvin. Eastman Studies in Music. Rochester: University of Rochester Press, 2013. “Introduction.” Cambridge Opera Journal, special issue on opera reception, 25/2 (2013): 117-120. “Verdi, Conservatory Reform, and the Italian Musical Tradition.” In L’insegnamento dei conservatori, la composizione e la vita musicale nell’Europa dell’Ottocento, pp. 3-30. Edited by Licia Sirch, et al. Milan: Libreria Musicale Italiana, 2012. “‘Idealizing the Prima Donna in Mid-Victorian London.” The Arts of the Prima Donna in the Long Nineteenth Century, Ch. 2, pp. 21-41. Edited by Rachel Cowgill and Hilary Poriss. Oxford: Oxford University Press, 2012. “The Victorian Violetta: The Social Messages of Verdi’s .” Art and Ideology in European Opera, Ch. 10, pp. 224-240. Edited by Rachel Cowgill, Clive Brown, and David Cooper. Woodbridge: Boydell, 2010. “Verdian Opera in the Victorian Parlor.” Fashions and Legacies of Nineteenth-Century Italian Opera, Ch. 4, pp. 53-75. Edited by Roberta Montemorra Marvin and Hilary Poriss. Cambridge: Cambridge University Press, 2010. “Introduction.” Nineteenth-Century Music Review, special issue on ottocento opera, 7/2 (2010): 3-5. “Introduction to The Great Operas: A Verdian Manifesto?” Verdi Forum 34 (2007 [2011]): 28-33. “Verdi Learns to Compose: The Writings of Bonifazio Asioli.” Studi musicali 36/2 (2007): 469-490. “Handel’s Acis and Galatea: A Victorian View.” , Empire, and Spectacle in Nineteenth-Century British Music, pp. 249-264. Edited by Julian Rushton and Rachel Cowgill. Aldershot: Ashgate, 2006. “Burlesques, Barriers, Borders, and Boundaries” and “Introduction: Migrations and Transformations.” Operatic Migrations: Transforming Works and Crossing Boundaries, pp. 205-216 and pp. 1-6. Edited by Roberta Montemorra Marvin and Downing A. Thomas. Aldershot: Ashgate, 2006. “Commercial Intrigue, National Identity, and the Italian Premiere of Rossini’s .” Nineteenth-Century Studies 18 (2004 [2005]): 117-138. “Verdi’s Non-Operatic Works.” Cambridge Companion to Verdi, pp. 169-181 and (notes) pp. 296-299. Edited by Scott Balthazar. Cambridge: Cambridge University Press, 2004. “Andrea Maffei’s ‘Ugly Sin’: The Libretto for Verdi’s I masnadieri” and “Scholarly Inquiry in Historical Musicology.” Historical Musicology: Sources, Methods, Interpretations , pp. 280-301 and pp. 1-7. Edited by Stephen A. Crist and Roberta Montemorra Marvin. Rochester: University of Rochester Press, 2004 / paperback reissue, 2008.

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“Verdian Opera Burlesqued: A Glimpse into Mid-Victorian Theatrical Culture.” Cambridge Opera Journal 15/1 (2003): 33-66; publisher’s errata, 15/2 (2003): 209-211. Reprinted in National Traditions in Nineteenth-Century Opera, Volume 1: Italy, France, England and the Americas, pp. 183-218. Edited by Steven Huebner. Ashgate Library of Essays in Opera Studies. Farmham: Ashgate, 2010. “Reflections of Art and Society: Adaptations of Verdi’s and La traviata for the Stages of Victorian London.” Verdi 2001: Atti del Convegno Internazionale, II: 789-809. Edited by Fabrizio Della Seta, Roberta Montemorra Marvin, and Marco Marica. 2 vols. Florence: Leo S. Olschki, 2003. “La Messa solenne di Rossini: La sua prima esecuzione in Italia” (“Rossini’s Petite Messe solennelle: Its Premiere in Italy”). Bollettino del Centro rossiniano di studi 2001 [2002]: 37-82. “The Censorship of Verdi’s Operas in Victorian London.” Music & Letters 82/4 (2001): 582-610. “Music at Court During the Reign of Maria Luigia, Duchess of Parma, Piacenza, and Guastalla: A Partial Survey.” The Musical Quarterly 83/1 (2000): 475-496. “Verdi, Nationalism, and Cultivation of the Folk Idiom: His Stornelli of the 1860s.” Verdi Forum 26-27 (1999-2000 [2003]): 33-38. “The Censorship of I masnadieri in London.” Verdi Newsletter 25 (1998 [2001]): 20-23. “Aspects of Tempo in Verdi’s Early and Middle Period Italian Operas.” Verdi’s Middle Period: Source Studies, Analysis, and Performance Practice, pp. 393-411. Edited by Martin Chusid. Chicago: University of Chicago Press, 1997. “The Critical Reception of Verdi’s Operas in London, 1845-1847.” Verdi Newsletter 24 (1997[1999]): 7- 11. “Verdi’s Unwritten Operas.” The Maynooth International Musicological Conference 1995: Selected Proceedings, II, pp. 191-204. Edited by Patrick F. Devine and Harry White. 2 vols. Irish Musical Studies, 6. Dublin: Four Courts Press, 1996. “Shakespeare and Primo Ottocento Italian Opera: The Case of Rossini’s .” The Opera and Shakespeare, pp.71-96. Edited by Holger Klein and Christopher Smith. Shakespeare Yearbook, vol.4. Lewiston, New York: Edwin Mellen Press, 1994. “Verdi’s Tempo Assignments in I masnadieri.” Actas del XV Congreso de la Sociedad Internacional de Musicologi'a “Culturas musicales del Mediterraneo y sus ramificaciones,” Madrid 1992. Revista de musicologi'a 16/6 (1993[1997]): 3179-3195. “A Verdi Autograph and the Problem of Authenticity.” Studi Verdiani 9 (1993[1995]): 33-51. “The Censorship of I masnadieri in Italy.” Verdi Newsletter 21 (1993[1995]): 5-12. “Verdi and the Metronome.” Verdi Newsletter 20 (1992): 4-8. “Artistic Concerns and Practical Considerations in the Composition of I masnadieri.” Studi Verdiani 7

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(1991[1992]): 79-110. “Il libretto di Berio per l’Otello di Rossini.” Bollettino del Centro Rossiniano di Studi 31(1991): 55-76. “Verdi’s Composition of I masnadieri: A Newly-Discovered Version of Francesco’s Cabaletta, ‘Tremate, o miseri’.” The Opera Journal 24/1 (1991): 19-43. Book Series and Journals Edited Verdi Forum (journal), Editor-in-chief, 2004-present; Co-editor, 2003-2004; Associate Editor, 2000-2003. Ashgate Interdisciplinary Studies in Opera. Series Editor. Farnham: Ashgate Press, 2007-present. Volumes to date: •Grand Opera Outside Paris: Opera on the Move in Nineteenth-Century Europe, ed. Jens Hesselager, forthcoming •The Grand Theatre of the World: Music, Space, and the Performance of Identity in Early Modern , ed. Valeria De Lucca and Christine Jeanneret, forthcoming •Made for the Stage: The Operas of Jean-Baptiste Lully (1673-1686), by Antonia Banducci, forthcoming •“Most Grateful Deceptions of the Sight”: English Dramatick Opera, 1661–1706, by Andrew Walkling, forthcoming •The Operas of Rameau: Genesis, Staging, Reception, ed. Graham Sadler, Shirley Thompson, and Jonathan Williams, forthcoming •Performing Homer: The Voyage of Ulysses from Epic to Opera, ed. Wendy Heller and Eleonora Stoppino, forthcoming •Gustav Holst and British Operatic Culture in the Early Twentieth Century, by Christopher Scheer, forthcoming •Myths of National Identity in Contemporary Australian Opera, by Michael Halliwell, forthcoming •German Opera and Morality in Late Eighteenth-Century Vienna, by Martin Nedbal, in press •Masque and Opera in Restoration England, by Andrew Walkling, in press •Grétry’s Operas and the French Public from the Old Regime to the Restoration, by R. J. Arnold, 2015 •The Business of Opera, ed. Anastasia Belina-Johnson and Derek B. Scott, 2015 •Post-Opera: Reinventing the Voice-Body, by Jelena Novak, 2015 •Musicality in Theatre, by David Roesner, 2014 •Readying Cavalli’s Operas for the Stage, ed. Ellen Rosand, 2013 •Performing Salome, Revealing Stories, ed. Claire Rowden, 2013 •Opera as Soundtrack, by Jeongwon Joe, 2013 •Opera, Theatrical Culture and Society in Late Eighteenth-Century , by Anthony R. DelDonna, 2012 •Modernism and the Cult of Mountains: Music, Opera, Cinema, by Christopher Morris, 2012 •Musical Theatre, Realism and Entertainment, by Millie Taylor, 2012 •Melodramatic Voices: Understanding Music Drama, ed. Sarah Hibberd, 2011 •Opera Indigene: Re/presenting First Nations and Indigenous Cultures, ed. Pamela Karantonis and Dylan Robinson, 2011

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The Works of Giuseppe Verdi. General Editor: Francesco Izzo, 2014-present; , until 2014; Associate General Editor: Roberta Montemorra Marvin. University of Chicago Press and , 2006-2015. Volumes edited: •Giovanna d’Arco, 2008 [performed by Chicago Opera Theatre, spring 2013] •, 2012 [premiered at Metropolitan Opera, New York, Riccardo Muti, conductor, 2010] •, in press [performed by Sarasota Opera, 2013] •I Lombardi alla Prima crociata, in preparation Nineteenth-Century Music Review. Guest co-editor, with Robert Ketterer (University of Iowa, Classics) for special issue on opera and the ancient world. In preparation. Cambridge Opera Journal. Guest co-editor (with Alexandra Wilson, Oxford Brookes University, Musicology) for special issue on opera reception, vol. 25, no. 2 (2013). Ashgate Library of Essays in Opera Studies (six volumes). Series Editor. Farnham: Ashgate Press, 2010. Nineteenth-Century Music Review. Guest sole editor for special issue on ottocento opera, vol. 7, no. 2 (2010). Dictionary and Encyclopedia Entries “Giuseppe Verdi.” The Cambridge Wagner Encyclopedia. Edited by Nicholas Vazsonyi. Cambridge: Cambridge University Press, 2013. Fifty+ entries, including I masnadieri, in The Cambridge Verdi Encyclopedia. Edited by Roberta Montemorra Marvin. Cambridge: Cambridge University Press, 2013. “Giuseppe Verdi.” The New Catholic Encyclopedia. 2nd ed., 2011 supplement. Farmington Hills, MI: Gale Cengage Learning, 2011. “Giuseppe Verdi.” Censorship: A World Encyclopedia, IV: 2563-2566. Edited by Derek Jones, 4 vols. London: Fitzroy Dearborn, 2001 [2002]. Eighteen entries on composers. The New Grove Dictionary of Music and Musicians. 2nd ed. Edited by and John Tyrrell. 29 vols. London: Macmillan, 2001. “Giuseppe Verdi, Operas: Staging.” Reader’s Guide to Music: History, Theory, and Criticism. Edited by Murray Steib. Chicago: Fitzroy Dearborn, 2000. “Filippo Colini.” The New Grove Dictionary of Opera, I: 900. Edited by Stanley Sadie. 4 vols. London: Macmillan, 1992.

Essays in Opera House Program Books Sarasota Opera, program book for The Verdi Cycle: Grand Finale, 2016: “Verdi before Opera,” pp. 12-13. Théâtre Royal de la Monnaie, Brussels, Program Book 2015: “The Mastery of Verdi’s ” (published in Dutch and French).

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Barcelona Opera House Amics del Liceu (Friends of the Liceu) Season Book 2014-2015: “Verdi’s Violetta: Vixen or Victim?” (published in Catalan). Programme Books, London, England, for Verdi’s operas: •“Coming to Terms with Il trovatore in Victorian London,” forthcoming •“The Domestication of La traviata,” for La traviata: 2016, 38-43; 2015, 39-44; 2014, 39-45; 2012, pp. 39-45; 2010, pp. 39-43; 2008, pp. 43-49; 2006, pp. 33-38 • “Verdi and Shakespeare,” for : (in Japanese translation for the company’s Japan tour) 2015; 2011, pp. 35-38; 2006, pp. 35-38 •“Verdi’s Otello: Tradition in Disguise,” for Otello: 2005, pp. 24-29 •“A Question of Quality?: The Reception of ,” for Luisa Miller: 2003, pp. 14-22 •“‘Fiasco’ or ‘Furore’: I masnadieri in England and Italy,” for I masnadieri: 2002, pp. 37-41 •“A Long and Complex Gestation: The Birth of I masnadieri,” for I masnadieri: 2002, pp. 13-17 Santa Fe Opera: “Verdi’s Violetta: Vixen or Victim?” For La traviata, commissioned 2002. Giuseppe Verdi: I masnadieri, Teatro Massimo; pp. 9-19. , Italy: Teatro Massimo, 2001.“La genesi dell’edizione critica de I masnadieri” (“The Genesis of the of Verdi’s I masnadieri”). Reviews A History of Opera, by C. Abbate and R. Parker (W. W. Norton). Journal of Musicological Research 33/3 (2014): 358-360. Fashionable Acts: Opera and Elite Culture in London, 1780-1880, by J. Hall-Witt (University of New Hampshire). Journal of Interdisciplinary History 39/3 (2008): 417-419. Giuseppe Verdi: Un ballo in maschera (recording). Nineteenth-Century Music Review 5/1 (2008): 160-163. nel secondo centenario della nascita: Atti del Convegno internazionale (2001), ed. G. Seminara and A. Tedesco, 2 vols. (Olschki). Music & Letters 88 (2007): 158-160. Il viaggio a Reims, ed. J. Johnson, and , ed. P. Gossett and A. Zedda. Edizione critica delle opere di (Fondazione Rossini). Journal of the American Musicological Society 59 (2006): 202-215. Verdi-Studien: Pierluigi Petrobelli zum 60 Geburtstag, ed. S. Döhring and W. Osthoff (Ricordi). Music & Letters 83 (2002): 474-476. Verdi in Performance, ed. R. Parker and A. Latham (Oxford). Journal of Musicological Research 21 (2002): 359-363. Giuseppe Verdi, Sacred music (multiple recordings). The Choral Journal 42 (April 2002): 91-94. “Verdi Scholarship at the Beginning of the Twenty-First Century.” Review essay. Nineteenth-Century Studies 15 (2001): 89-97. Max Bruch, Oratorios (multiple recordings). The Choral Journal 40 (December 2000): 80-81.

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R. Parker, Leonora’s Last Act (Princeton University). Notes: Journal of the Music Library Association 55 (1999): 914-916. H. Busch, Verdi’s “” in Letters and Documents (Indiana University). Notes: Journal of the Music Library Association 55 (1999): 917-918. Gioachino Rossini, Musique anodine; Album italiano, ed. M. Tartak. Edizione critica delle opere di Gioachino Rossini (Fondazione Rossini). Notes: Journal of the Music Library Association 55 (1999): 1005- 1007. Felix Mendelssohn, Elijah (multiple recordings). The Choral Journal 39 (February 1999): 81-84. Giuseppe Verdi, Messa da (multiple recordings). The Choral Journal 32 (September 1998): 53- 56. T. G. Kaufman, Verdi and His Major Contemporaries: A Selected Chronology of Performances with Casts (Garland). Notes: Journal of the Music Library Association 47 (1992): 113-115.

Translations Several entries (from Italian and French). Cambridge Verdi Encyclopedia. Cambridge: Cambridge University Press, 2013. Abstracts (from Italian). Verdi 2001: Atti del Convegno Internazionale. Florence: Leo S. Olschki, 2003. “Appendix: Verdi and Tannhäuser,” by Marcello Conati (from Italian). Verdi Forum 28-29 (2001-2002): 42-44. Istituto Nazionale di Studi Verdiani (Parma), 2002, 2000, 1988-1989. Various publications (translations from Italian).

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Conference Presentations, Lectures, Colloquia (refereed = §; invited = *) 2018 *North American British Music Studies Association Fifth Biennial Conference: invited speaker for Senior scholars Panel titled “Border sand Boundaries” 2018 §University of Massachusetts Interdisciplinary Seminar ‘Dissent”: “Verdi’s Inno della nazioni, a Weapon of Art” 2017 University of Massachusetts Philio Bezanson Centenary celebration: “The Life and Legacy of Philip T. Bezanson: A Retrospective” 2017 *Interpreting Shakespeare: A Celebration of Poetic Reception: “Othello as Otello: Shakespeare, Rossini, and Verdi” 2017 *Music and Print Culture in Nineteenth-Century Britain, King’s College / European Research Council Symposium: Notions of Verdi in Victorian Britain” 2017 §American Musicological Society, New England Chapter: “Notions of Verdi in Victorian Britain” 2016 §North American British Music Studies Association Fourth Biennial Conference: “Notions of Verdi in Victorian England” 2016 *Sarasota Opera Conference “The Score and Beyond: Performing, Staging, and Experiencing Verdi”: “Getting to Know Verdi in Victorian Britain” 2015 §Fourth Biennial North American Conference on Nineteenth-Century Music: “ in Victorian London” 2015 *University of Iowa Performance Studies Colloquium, Obermann Center for Advanced Studies: “What was Jenny Lind Performing?” 2015 University of Iowa Opera Studies Forum, Obermann Center for Advanced Studies: “Aida and Go to London” 2015 §Midwest Victorian Studies Association Conference: “Sense, Sensibility, and Victorian Perceptions of Verdian Opera” 2013 *“Traces of Performance: Opera, Music Theatre, and Theatre Music in the Long Nineteenth Century” International Symposium, organized by the Academy of Finland, the Nordic Research Councils in the Humanities and Social Sciences, and the University of the Arts Helsinki, Sibelius Academy (Finland), keynote lecture (invitation declined for personal reasons) 2013 *University of Iowa Eighteenth- and Nineteenth-Century Interdisciplinary Working Group, Obermann Center for Advanced Studies, colloquium: “Marketing Verdi in Victorian London” 2012 *Finnish Literary Society Conference (Finland): “Traditionalism and Modernism in Portraying Prima Donnas in Victorian London,” keynote lecture 2012 *Finnish Network for the Study of Nordic Operatic Culture Workshop (Finland): “Operatic Migrations: What? How? Why?” 2012 *University of Wisconsin, Madison, Musicology Colloquium: “Coming to Terms with Jenny Lind in Victorian England” 2012 *Northwestern University Musicology Colloquium: “Coming to Terms with Jenny Lind in Victorian England” 2012 *“Love to Death”: Annual Conference of the Royal Musical Association (Wales): Roundtable participant on “Staging Opera” 2012 *Bird Lecture Series, Cardiff University (Wales): “Jenny Lind as Commercial Entity” 2012 *Catholic University of America Musicology Colloquium: “The Politics of Verdi’s Cantica” 2012 *Visiting International Fellow Lecture, Oxford Brookes University (UK): “Music, Political

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Propaganda, and National Pride: Verdi’s Inno delle nazioni, a ‘Weapon of Art’” 2010 §North American British Music Studies Association Fourth Biennial Conference: “Coming to Terms with Jenny Lind in Victorian England” 2010 §North American Victorian Studies Association Conference (Canada): ”Perspectives on Operatic Celebrity in Victorian England” 2010 §Sixteenth Annual Conference on Nineteenth-Century Music (UK): “Coming to Terms with Jenny Lind in Victorian England” 2010 *University College London Interdisciplinary Workshop “Game Theory, Drama, and Opera” (UK): “Verdi’s Otello and Iago’s ‘Game’” 2010 §Midwest Victorian Studies Association Conference: “Coming to Terms with Jenny Lind in Victorian England” 2010 §Royal Musical Association Annual Conference (UK): “Verdi and the Italian Musical Tradition” 2010 *Chicago Opera Theater, Symposium on Rossini’s “Mosé in Egitto”: “Between the Devil and Holy Water: The History of Lenten Opera in Naples” 2010 *University of Chicago Opera Symposium in honor of Philip Gossett: Respondent for panels on textual criticism and opera performance 2009 *University of Iowa International Programs Eighteenth- and Nineteenth-Century Studies Interdisciplinary Colloquium: “‘Veiled beneath the simplest guise’: Idealizing the Prima donna in Mid-Victorian London” 2008 *Società Italiana di Musicologia and Conservatorio di Musica “G. Verdi”di Milano Bicentenary Celebration Conference (Italy): “Envisioning a National Musical Identity: Verdi’s Italian ‘Music of the Future’” 2008 §North American British Music Studies Association Third Biennial Conference (Canada): “The Victorian Violetta: The Social Messages of La traviata” 2008 §American Musicological Society Annual Meeting: “Idealizing the Prima Donna in Mid-Victorian London” 2008 §“Music, Body, and Stage: The Iconography of Music Theater and Opera” Conference of the Répertoire International d’Iconographie Musicale and the Research Center for Music Iconography, The City University of New York Graduate Center (New York): “Visual Imagery and the Prima Donnas of Mid-Victorian London: The Illustrated London News, A Case in Point” 2007 §Sixth Biennial Conference on Music in Nineteenth-Century Britain (UK): “‘Veiled beneath the simplest guise’: The Iconography of the Prima Donna in Mid-Victorian London” 2007 §Midwest Victorian Studies Association Conference: “Domesticating Verdi: Italian Opera and Victorian Sensibilities” 2007 §North American Victorian Studies Association Conference (Canada): “‘Veiled beneath the simplest guise’: The Role of Iconography in Creating the Prima Donna in Mid-Victorian London” 2006 *“Staging the Feminine: The Arts of the Prima Donna” Symposium (UK): “The Role of Iconography in Creating the Prima Donna in Victorian London: The Illustrated London News, A Case in Point” 2006 *Institute for Historical Research, “Music and Social History” Seminar (London): “Music, Political Propaganda, and National Pride: Verdi’s Inno delle nazioni, a ‘Weapon of Art’” 2006 *University of Leeds Musicology Seminar (UK): “Music, Political Propaganda, and National Pride: Verdi’s Inno delle nazioni, a ‘Weapon of Art’” 2006 §North American British Music Studies Association Second Biennial Conference (USA): “Verdi’s

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Inno delle nazioni and the 1862 London International Exhibition” 2005 §American Musicological Society Annual Meeting: “Forging ‘Weapons of Art’: Verdi, Toscanini, and the Inno delle nazioni Across Two Centuries” 2005 §Fifth Biennial Conference on Music in Nineteenth-Century Britain (UK): “Verdi’s Inno delle nazioni and the 1862 London International Exhibition: A Case of National Pride and International Intrigue” 2005 *Royal Academy of Music (London) “Music and Performance in Nineteenth-Century Britain” Lecture Series: “Verdi’s Operas in the Victorian Parlor” 2005 *University of London, Royal Holloway, Musicology Colloquium: “Verdi’s ‘Music of the Future’” 2005 *Institute of Advanced Musical Studies, King’s College, Colloquium Series (London): “Verdi’s ‘Italian’ Music” 2005 §University of Iowa Stanley International Programs - Obermann Center Research Fellow University Lecture: “Music, Political Propaganda, and National Pride: Verdi’s Inno delle nazioni, a ‘Weapon of Art’” 2004 §Thirteenth Annual Conference on Nineteenth-Century Music (UK): “The ‘Real’ Thing?: Verdi’s Operas in the Victorian Parlor” 2004 §Interdisciplinary Nineteenth-Century Studies Association Conference (USA): “The ‘Real’ Thing?: Verdi’s Operas in the Victorian Parlor” 2004 *Stanford University Musicology Colloquium: “Envisioning a National Musical Identity: Verdi’s Italian ‘Music of the Future’” 2003 §Fourth Biennial Conference on Music in Nineteenth-Century Britain (UK): “Handel’s Acis and Galatea: A Victorian View” 2003 §Midwest Chapter of the American Musicological Society Meeting: “Verdi’s ‘Italian’ Music: Nationalism and Music Education in Secondo Ottocento Italy” 2003 *American Handel Society International Conference: “Handel’s Acis and Galatea: A Victorian View” 2002 §American Musicological Society Annual Meeting: “Envisioning a National Musical Identity: Verdi’s ‘Music of the Future’” 2002 *University of Cambridge Colloquium (UK): “Verdian Opera Adaptations and Theatrical Culture in Mid-Century Victorian London” 2002 *University of Oxford Colloquium (UK): “Verdian Opera Burlesqued: A Glimpse into Mid- Victorian Theatrical Culture” 2002 §Royal Musical Association Annual Conference (UK): “The Dissemination of Verdi’s Music Outside the Theaters of Victorian London” 2002 *Twelfth International Conference on Nineteenth-Century Music (UK): “Burlesques, Barriers, Borders, and Boundaries” 2002 *University of Iowa Opera Studies Group and School of Music Musicology and Theory Colloquium: “Verdian Opera Burlesqued: A Glimpse into Mid-Victorian Theatrical Culture” 2001 *Pre-performance lecture for the premiere of my critical edition of Verdi’s I masnadieri (Teatro Massimo, Palermo, Italy): “Un viaggio dei masnadieri attraverso gli orecchi di un musicista ottocentesco” (“The Voyage of the masnadieri through the Ears of a Nineteenth-Century Musician”) 2001 §Third Biennial Conference on Music in Nineteenth-Century Britain (UK): “Reflections of Art and Society: Comic Adaptations of Verdi’s La traviata and Il trovatore on the Stages of Victorian

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London” 2001 §“Textual Intersections in the Nineteenth Century”Conference (UK): “Reflections of Art and Society: Comic Adaptations of Verdi’s La traviata and Il trovatore on the Stages of Victorian London” 2001 *University of London, Royal Holloway, Musicology Colloquium (UK): “Victorian Decorum, English Censorship, and Verdi’s Operas” 2001 *University of Southampton Musicology Colloquium (UK): “Verdi’s Cultural Patriotism” 2001 §Convegno internazionale “Verdi 2001” (Italy and USA): “Reflections of Art and Society: Adaptations of Verdi’s La traviata and Il trovatore on the Stages of Victorian London” 2001 *“Primal Scenes: Staging and Interpreting Verdi’s Operas” Conference (University of California, Berkeley): “Verdian Opera Burlesqued: A Glimpse into Mid-Victorian Theatrical Culture” 2001 *Catholic University of America, Lecture: “Preparing a Critical Edition of Verdi’s Operas” 2001 *Boston University Music Colloquium: “Victorian Decorum, English Censorship, and Verdi’s Operas” 2001 §Northeast Victorian Studies Association Annual Conference (USA): “‘Celestial Bodies’ and ‘An Erring Sister’s Shame’: Victorian Decorum, Censorship, and Verdi’s Operas” 2001 §Nineteenth-Century Studies Association National Conference, “The Century of Victoria and Verdi” (USA): “‘Celestial Bodies’ and ‘An Erring Sister’s Shame’: Victorian Decorum, Censorship, and Verdi’s Operas” 2001 *University of Illinois, Urbana-Champaign, Musicology Colloquium: “Victorian Decorum, English Censorship, and Verdi’s Operas” 2001 *University of Iowa International Programs Eighteenth- and Nineteenth-Century Studies Interdisciplinary Colloquium: “‘Celestial Bodies’ and ‘An Erring Sister’s Shame’: Victorian Decorum, English Censorship, and Verdi’s Operas” 2000 §International Conference on Censorship (UK): “The Censorship of Verdi’s Operas in Victorian London” 2000 §Eleventh International Conference on Nineteenth-Century Music (UK): “Rossini’s Petite Messe solennelle: Its Journey to Italy” 2000 §American Musicological Society Annual Meeting: “Celestial Bodies and ‘An Erring Sister’s Shame’: Victorian Decorum, Censorship, and Verdi’s Operas” 2000 *University of Colorado Musicology Colloquium: “The Censorship of Verdi’s Operas in Victorian London” 2000 *University of Kansas Musicology Colloquium: “The Censorship of Verdi’s Operas in Victorian London” 1999 §British Musicological Societies Conference: “Envisioning a National Musical Identity: Giuseppe Verdi and Music Education in Secondo Ottocento Italy” 1999 *Second Biennial Conference on Music in Nineteenth-Century Britain (UK): “The Censorship of Verdi’s Operas in Victorian London” 1999 *DEI-Middlesex University, Music Seminar / Lecture (Greece): “Verdi’s Sinfonia in D Major” 1999 §Fifth Annual Women’s Studies Conference (USA): “Verdi’s Violetta: Vixen or Victim?” 1998 §Tenth International Conference on Nineteenth-Century Music (UK): “The Censorship of Verdi’s Operas in Victorian London” 1998 *City University, London, Graduate Musicology Research Seminar (UK): “Maria Luigia as Patroness of Music: Archival Research Techniques”

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1998 §Royal Musical Association Annual Conference (UK): “Schiller’s Die Ra"uber and Verdi’s I masnadieri: Andrea Maffei’s ‘Ugly Sin’” 1998 *Loyola University Biever Lecturer (New Orleans): “Verdi and Shakespeare” 1998 *Louisiana State University Musicology Colloquium (Baton Rouge): “The Musical-Dramatic Language of Verdi’s Otello” 1998 §Southern Chapter of the American Musicological Society Meeting: “Verdi’s Otello: A Musical Homage to Rossini?” 1998 *University of Iowa School of Music Musicology Colloquium: “The Censorship of Verdi’s Operas in Victorian London” 1997 §International Musicological Society Sixteenth Congress (London): “The Stornello and Its Popularity in Ottocento Italy” 1997 *Rutgers University Musicology Colloquium: “Verdi and the Art of Dramatic Composition” 1997 *“Verdi and Censorship” Conference (New York): “Censorship of Verdi’s Operas Outside Italy” 1997 §Southern Chapter of the American Musicological Society : “Andrea Maffei’s ‘Final Sacrifice’: A Study in the Genesis of the Libretto for Verdi’s I masnadieri” 1997 *University of Iowa School of Music Musicology Colloquium : “Aspects of Tempo in Verdi’s Operas” 1997 *University of Iowa School of Music Musicology Colloquium: “Verdi Learns to Compose: The Teachings of Bonifazio Asioli” 1996 §Ninth International Conference on Nineteenth-Century Music (UK): “A Tale of Two Singers: , Jenny Lind, and Verdi” 1996 §Royal Musical Association and Society for Music Analysis British Musicology Conference (UK): “Music at the Court of Maria Luigia, Duchess of Parma, Piacenza, and Guastalla” 1996 *“Austria, 996-1996: Music in a Changing Society” International Musicology Conference (Canada): “Music in Parma During the Reign of Maria Luigia” 1996 *Florida State University Musicology Colloquium and Class lectures: “A Tale of Three Singers: Jenny Lind, Italo Gardoni, , and Giuseppe Verdi” and “Preghiere, Brindisi, and Giuramenti in the Operas of Verdi” 1996 §Southern Chapter of the American Musicological Society: “Verdi’s Unwritten Operas” 1995 §Maynooth International Musicology Conference (Ireland): “Verdi’s Unwritten Operas” 1995 *Wayne (New Jersey) Chamber Orchestra pre-concert lecture: “The Discovery of Verdi’s Sinfonia in D Major” 1995 §New England Chapter of the American Musicological Society: “Verdi Learns to Compose: The Writings of Bonifazio Asioli” 1995 *Heritage Academy, George Hazard Lecturer (Mississippi):”Verdi’s Creative Process” 1995 *University of Kentucky Musicology Colloquium: “Verdi Learns to Compose” 1995 §Southern Chapter of the American Musicological Society: “Verdi Learns to Compose: The Writings of Bonifazio Asioli” 1994 *International Congress of Verdi Studies (Italy): “Ottocento Liriche da Camera”: a concert of songs by Verdi and his contemporaries organized; historical and analytical commentary provided in Italian 1994 §Royal Musical Association Annual Conference (UK): “Verdi Learns to Compose: The Writings of Bonifazio Asioli” 1994 §Southern Chapter of the American Musicological Society: “Aspects of Tempo in Verdi’s Early and

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Middle Period Operas” 1993 §Royal Musical Association and British Society for Music Analysis Conference (UK): “Artistic Concerns and Practical Considerations in the Composition of I masnadieri” 1993 *Belfast International Verdi Congress (Northern Ireland): “Aspects of Tempo in Verdi’s Operas” 1993 §American Musicological Society Annual Meeting: “Andrea Maffei’s ‘Final Sacrifice’: A Study in the Genesis of the Libretto for Verdi’s I masnadieri” 1992 §Fifteenth Congress of the International Musicological Society (Spain): “Verdi’s Tempo Assignments: I masnadieri: A Case in Point” 1992 §New England Chapter of the American Musicological Society: “Verdi’s Tempo Assignments: I masnadieri: A Case in Point” 1991 *American Institute for Verdi Studies and Greater New York Chapter of the American Musicological Society: “Verdi’s Artistic Concerns and Practical Considerations in I masnadieri: A Newly Discovered Version of Francesco’s Cabaletta “Tremate, o miseri!” 1990 §New England Chapter of the American Musicological Society: “Artistic Concerns and Practical Considerations in the Composition of I masnadieri: A Newly Discovered Version of Francesco’s Cabaletta “Tremate, o miseri!” 1990 *“Celebration of Puccini” Symposium (University of Rhode Island): “Behind the Scenes and Beyond the Footlights: Opera Production and Performance in Ottocento Italy” 1989 *Harvard University Musicology Colloquium: “Verdi’s Artistic Concerns and Practical Considerations in the Composition of I masnadieri” 1987 §New England Chapter of the American Musicological Society: “Verdi’s Otello: A Musical Homage to Rossini?”

Performance-Related Activities Selected performances of my critical edition of Giuseppe Verdi’s opera I masnadieri 2019 Teatro alla Scala, Milan, Italy 2018 Opera, Rome, Italy 2013 Teatro Regio, Parma, Italy 2012 Teatro San Carlo, Naples, Italy 2003 Teatro Comunale, Bologna, Italy 2001 Teatro Massimo, Palermo, Italy (premiere) Selected performances of my edition of Giuseppe Verdi’s Sinfonia in D Major 2016 Sarasota Opera Orchestra, Victor De Renzi, conductor 2000 Orchestra of the Teatro alla Scala, Teatro alla Scala, Milan, Italy, Riccardo Muti, conductor 1998 Orquesta Sinfónica of the Universidad de Guanajuato, Mexico, Sergio Espinosa, conductor (Mexican premiere) 1995 Wayne Chamber Orchestra, New Jersey, Murray Colosimo, conductor (U.S. premiere) 1995 Orchestra Sinfonica dell’Emilia-Romagna “,” Salsomaggiore (Parma), Italy (twentieth-century world premiere)

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SERVICE TO THE PROFESSION Scholarly Journals and Presses

Editorial Boards •The Works of Giuseppe Verdi, 2014-present •Nineteenth-Century Music Review, 2002-present •Verdi Forum (formerly Verdi Newsletter), 2000-present •Ars Lyrica, 2005 •Grout / Palisca / Burkholder, History of Western Music, 7th edition •Current Musicology, corresponding editor, 1991-1992

Referee / Reviewer •Journal of the American Musicological Society (multiple times) •Cambridge University Press (multiple times) •University of Chicago Press (multiple times) •Nineteenth-Century Music Review (multiple times) •Cambridge Opera Journal (multiple times) •Music & Letters •Oxford University Press •Ashgate Press (multiple times) •University of California Press •Finnish DocMus Research Series •Mayfield Publishing •Schirmer Books

Lecture Series, Conferences, and Professional Seminars Organized 2016 “Operatic Reflections and Reverberations, Britain, 1800-1851.” Symposium in preparation for a co- edited volume of essays (Opera Outside the Box), co-organizer 2009- “The Metropolitan Opera in Iowa.” A lecture series for the general public coordinated with the Met 2016 Live in HD theater series, funded in part (2010-2011) by Humanities Iowa, the Iowa division of the National Endowment for the Humanities 2014 North American British Music Studies Association Biennial Conference, program chair 2013 “Verdi’s Third Century: Italian Opera Today.” American Institute for Verdi Studies Conference (New York), program committee member 2013 “The Idea of Art Music in a Commercial World.” Two workshops in preparation for a co-edited essay volume, co-coordinator 2007 “Interdisciplinarity and Opera.” University of Iowa Ida Cordelia Beam Distinguished Visiting Professorship Lecture Series by Herbert Lindenberger: proposer and coordinator 2004 “Viewing Opera Through a Humanistic Lens.” University of Iowa Ida Cordelia Beam Distinguished Visiting Professorship Lecture Series by Linda Hutcheon and Michael Hutcheon: proposer and coordinator 2001 “Perspectives on the Music of Verdi.” University of Iowa Distinguished International Lecture Series by , Philip Gossett, Roger Parker, Pierluigi Petrobelli: proposer and

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coordinator 2001 “Opera in Context.” University of Iowa Obermann Center for Advanced Studies Summer Research Seminar: co-director with Downing Thomas 2001 Istituto Nazionale di Studi Verdiani, Celebrazioni Verdiane 2001, member of Comitato Scientifico per il Convegno Internazionale Verdi 2001, 1999-2001 1997 Southern Chapter Meeting of the American Musicological Society (University of Alabama): conference organizer and local arrangements chair

Conference Sessions Organized and/or Chaired 2016 Fifth Biennial Conference of the North American British Music Studies Association: chair for paper session titled “Musical Personalities” 2016 “The Score and Beyond: Performing, Staging, and Experiencing Verdi”: Sarasota Opera Conference: chair for paper session “Verdi’s Music, Verdi’s Theater” 2015 “Editing Early Opera”: Pre-conference Colloquium for joint Society for Seventeenth-Century Music and American Handel Society Annual Conference: organizer and moderator 2012 “Love to Death” Annual Conference of the Royal Musical Association (Wales): chair for paper session on Puccini 2012 North American Victorian Studies Association Annual Conference: chair for paper session 2010 Fourth Biennial Conference of the North American British Music Studies Association: chair for paper session 2007 Sixth Biennial Conference on Music in Nineteenth-Century Britain (UK): session chair 2006 “Staging the Feminine” Symposium (UK): co-moderator for session on future planning for research/projects 2005 Fifth Biennial Conference on Music in Nineteenth-Century Britain (UK): opera session chair 2005 American Council on Education Internationalization Collaborative Annual Meeting: discussion facilitator for roundtable titled “Internationalizing the Curriculum” 2004 Thirteenth International Conference on Nineteenth-Century Music (UK): 1) organizer, proposer, and presenter for session titled “Musical Mutations;” 2) chair for session titled “Italian Opera” 2004 Interdisciplinary Nineteenth-Century Studies Association National Conference: 1) moderator, organizer, proposer, and presenter for session titled “Musical Mutations;” 2) music plenary session chair 2003 American Handel Society National Conference: session chair 2001 Convegno internazionale “Verdi 2001”: chair for two sessions, 1) “Verdi’s French Operas” and 2) “Verdian Heroes and Heroines” 2001 Midwest American Society for Eighteenth-Century Studies: music keynote session chair 2000 Southern Chapter of the American Musicological Society: organizer, moderator, and panelist for panel titled “Writing for the Profession” 1999 American Musicological Society National Meeting: co-organizer and co-moderator for two panels, 1) “Professional Etiquette and the Job Market” and 2) “Writing for the Profession” 1998 Tenth International Conference on Nineteenth-Century Music (UK): organizer, proposer, and presenter for session on “Verdi and Censorship” 1998 American Musicological Society National Meeting: organizer and moderator for panel on “Careers in Musicology: Preparing for the Twenty-First Century”

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1998 Midwest Chapter of the American Musicological Society: session chair 1997 American Musicological Society National Meeting: co-organizer and co-moderator for panel titled “The Juggling Act: Musicology Faculty Positions in the 1990s” 1997 Southern Chapter of the American Musicological Society: session chair 1996 Southern Chapter of the College Music Society: session chair 1996 Southern Chapter of the American Musicological Society: session chair 1995 Maynooth International Musicology Conference (Ireland): session chair 1994 Eighth International Conference on Nineteenth-Century Music (UK): session chair

Consultancies / Reviews (grants, tenure and promotion), etc. Consultant, National Endowment for the Humanities Scholarly Editions and Translations, grant submission from the University of Chicago Press for “The Works of Giuseppe Verdi,” 2014 (funded, $260,000) Consultant, Reef Television for the BBC (London, UK), Victorian culture documentary, 2014 Reviewer, American Philosophical Society, Franklin Research Grants, 2012-2016 Review panelist, National Endowment for the Humanities, 2013, 2007-2008, 2005-2006 Reviewer, Italian Ministry for Education, University and Research, Funding Schemes, 2012-2013 Evaluator, Italian Research Assessment Exercise (Italian Ministry of Education), 2012 Consultant, “Opera on the Move in the Nordic Countries,” grant submission from the Sibelius Academy, Helsinki, Finland, 2012 (grant funded, 550,000 Euros) Evaluator, European Research Council Grant Competitions, 2010-2013 Consultant, Center for Educational Policy Research, University of Oregon, 2003-2005 University of Iowa representative, Alliance for Education / Association of International Education Administrators Legislative Advocacy for International Education Meetings, United States Congress, Washington, D.C., 2005 Tenure/promotion reviews 2000-2013: Eastman School of Music, Tufts University, University of Maryland, Northern Illinois University, University of Michigan

Professional Organizations American Musicological Society, member 1984-present National Publications Committee 2015-2020 (appointed) Nominated by the Society to stand for election as Director-at-Large, 2015 Program Committee for Annual Meeting 2011 (appointed) Pisk Prize Committee 2007-2009, Chair 2009 (appointed) Board of Directors / Society Officers Nominating Committee 2005 (appointed) Committee on Career-Related Issues 1997-2001, Chair 2000, 2001(appointed) Mid-West Chapter Program Committee 1998-1999 Nominated for the office of Chapter Secretary 1997 (nomination declined) Southern Chapter Representative to the National Council 1996-1998 Secretary-Treasurer 1997-1999 (moved from chapter, term not served) Abstracts Editor 1997

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Program Committee 1996, 1997 Local Arrangements Committee Chair 1997 New England Chapter Representative to the National Council 1993 North American British Music Studies Association, member 2006-present Program Committee, Chair for 2014 biennial conference, 2012-2014 Board of Directors (elected position) 2009-2012 Nominee, for President 2009, elected post (nomination declined) Development Committee, 2011-2012 Local Arrangements Committee for biennial conference 2010 Nominating Committee 2006 American Institute for Verdi Studies, member 1984-present Executive Board 2010-present Advisory Board 1998-2009 Royal Musical Association, member 1993-present Association of International Education Administrators, associate member 2012, 2005 North American Victorian Studies Association, member 2007-2013 Midwest Victorian Studies Association, member 2010, 2007 Fulbright Association, member 2009, 2005-2006, 1994-1997 Board of Directors, Alabama Chapter, 1996-1997 University of Alabama Campus Liaison to the State Chapter 1996-1997 College Music Society, member 1995-2008 Campus Representative, University of Iowa 2002-2003 Modern Language Association, member 2006-2007 National Association of Fellowship Advisors, member 2005-2006 Council for the Advancement of Secondary Education, member 2004-2006 International Musicological Society, member 1997-2004, 1987-1992 Interdisciplinary Nineteenth-Century Studies Association, member 2003-2004 Nominated to stand for election to Board of Directors 2004 Nineteenth-Century Studies Association, member 2003-2004 Northeast Victorian Studies Association, member 2001 North American Society for the Study of Romanticism, member 1994-1997 The American Bach Society, member 1992-1997

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ADMINISTRATIVE SERVICE TO ACADEMIC INSTITUTIONS University of Massachusetts University Activities Faculty Senate Academic Matters Council, member 2017-present Faculty Senate Academic Priorities Council, member 2017-present National Association of Schools of Music, institutional representative, 2016-present National Association of Music Executives in State Universities, institutional representative, 2016-present College of Humanities and Fine Arts Chairs Council, 2016-present University of Iowa Obermann Center for Advanced Studies Activities Opera Studies Forum, Director 2014-present Performance Studies Group, member 2014-2015 Eighteenth- and Nineteenth-Century Interdisciplinary Colloquium, Advisory Board 2003-2015 Research Associate 2009-2010 Research Scholar-in-Residence 2005-2009, 1998-2003 Graduate College Activities Humanities, Arts, and Social Sciences, Graduate Student Professional Editor Seminar Series, initiator, coordinator, presenter, 2015-2016 International Programs Activities Curricular •Director of Graduate Studies, International Studies M.A., 2011-2012 (as Associate Dean) •Curriculum oversight and faculty appointments, 2010-2012 (as Associate Dean) Programmatic •Opera Studies Forum (formerly Opera Studies Group), Founding Director, Director/Co- Director 1999-2014 •Eighteenth- and Nineteenth-Century Interdisciplinary Colloquium, Advisory Board member 2001-2013 •European Studies Group, Co-Director August 2004-October 2005 and member 2004- present [also Advisory Board Member 2004-2005; Lecture Committee member ex officio 2004-2005 Curriculum Committee member ex officio 2004-2005; Founding Committee member 2003-2004] Administrative and General •Executive Committee 2002-2012 (appointed) •As Associate Dean (2010-2012), duties included (but were not limited to) •Director for the Office of Academic Programs and Services •Crossing Borders Executive Committee, ex officio member •Global Health Studies Steering Committee, ex officio member •International Studies Undergraduate Curriculum Committee, Chair •International Programs Graduate Affairs Committee, Chair •IP faculty awards review committees, Chair •IP-Division of World Languages, Literatures, and Cultures oversight

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Committee (2012), member •International Studies B.A. Faculty Mentor 2003-present •Provost’s Humanities Initiative Advisory Group, summer 2002 University Responsibilities As Associate Dean of International Programs (2010-2012), committee service included (but was not limited to) •Associate Deans for Research •Associate Deans and Directors for Undergraduate Education •Associate Deans for Graduate Studies Research Council, alternate member 2004-2005, regular member 1998-2001 •Subcommittee member •for the development of internal funding for interdisciplinary projects 2001 •for the provision of travel funding for arts and humanities 2001 •for the formulation of procedural guidelines for the UI Arts and Humanities Initiative competition 1999 •Liaison to Vice President for Research Advisory Committee for the Humanities 1998-1999 Council on Teaching, chair 2002-2003, member 2000-2003 Miscellaneous •Fulbright Campus Interviews, review panelist, 2010, 2007, 2006 •Arts and Humanities Initiative Review Committee, consultant, 2006 •Fulbright U.S. Student Program Campus Advisor 2003-2005 •Committee for Review of Non-Resident Fees, member 2001-2003 •Faculty Senate Committee to establish University of Iowa Academy of Distinguished Teachers, chair 2001-2002 •Lecture Committee1999-2001 •University Librarian Search Committee 1999-2000 •Library Symposium on “Scholarly Publishing in the Arts, Humanities, and Social Sciences” 1998, opinion paper: “Issues of Concern to Junior Faculty” College of Liberal Arts and Sciences Committees Faculty Assembly •Nominating Committee 2002 (appointed by the Dean) •Nominated (by Dean) as at-large CLAS member 2001 (nomination declined) •School of Music Representative 1999-2002 Graduate Examination and Dissertation Committees, college-wide (details on request) School of Music Responsibilities Musicology Area •Mentor/Consultant to Ph.D. candidates 2003-2008 •Area Head October 1998-May 2001 •Graduate Student Academic Advisor 2001-2003 •Course Schedule Facilitator 2001-2002 •Teaching Assistant Workshop, designer and coordinator 2000 School of Music •Executive Committee 1999-2002, Secretary, fall 2000 •Graduate Committee 1998-2001

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•Junior Faculty Mentoring / Review / Tenure Committees 1999-2003 •Faculty Search Committees (Musicology, Theory) •Library Committee, Chair 1997-1998 •Graduate Examination, Thesis, Dissertation, and Recital Committees (details on request)

University of Alabama University Committees •Academic Advising Committee 1995-1997 •Fulbright Fellowship Fiftieth Anniversary Campus Committee 1995 College of Arts and Sciences Activities •Instruction Committee 1994-1997 •Dean’s Faculty Advisory Council 1994-1995 •Teaching and Course Evaluation Committee 1994-1995 •National Endowment for the Humanities Campus Screening Panel 1995, 1994 •Mentoring Program, Faculty Advisor 1995-1997 School of Music Responsibilities Administrative positions •Director of Undergraduate Advising, 1993-1997 •Music History Area Head 1996-1997, Acting Head 1993-1994 •Faculty Advisor, B.A. in Music, B.A. in Music Administration, and music minors 1993- 1997 •Coordinator, Departmental Honors, 1994-1996 •Coordinator, activities for Endowed Chair in Music History 1996-1997 and 1993-1994 Committees •Library 1993-1997, Chair 1996-1997 •Undergraduate Curriculum 1995-1997 •Chamber Music 1995-1996 •Graduate Council 1993-1995 •Graduate Recital, Examination, Thesis, and Dissertation Committees (details on request)

COMMUNITY ENGAGEMENT

Local and Regional (related to University of Iowa)

Educational Outreach / Community Engagement •Opera Studies Forum: lectures for “The Metropolitan Opera in Iowa” Lecture Series: . on Verdi’s Otello, 2015 . on Verdi’s , 2013 . on Verdi’s La traviata, 2012 . on Verdi’s Il trovatore, 2011 •Senior College course: “The Art of Opera,” 2015 •Martha Ellen Tye Opera Theater, 2011:

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. “The Many Faces of La traviata,” public pre-performance lecture . “Verdi’s Violetta: Vixen or Victim?” essay for printed program •Choruses and Orchestras: essay on Verdi’s Pezzi sacri for printed program, 2001 •Chamber Orchestra: narrator for Prokofiev’s Peter and the Wolf, 1999 •Choruses and Orchestra: program notes for Mendelssohn’s Elijah, 1998 Television and Radio •“WorldCanvass,” “Cultural Memory and Commemoration: The Verdi and Wagner Bicentenaries,” 2013 •“WorldCanvass,” “Italian Culture,” discussion of Verdi and operatic culture in Italy, 2011 •KSUI / WSUI Fundraiser, co-host, 2004, 2001 •“Know the Score,” KSUI Public Radio program in conjunction with the performance of Verdi’s Pezzi sacri by the University of Iowa Choruses, 2001

Local and Regional (not related to University of Iowa) Cedar Rapids Opera Theater Pre-Performance Lecture: “Why ?” 2011 Board of Directors 2006-2009 Board Artistic Committee, Chair 2007-2009, Co-Chair, 2006-2007 Public reading group discussion facilitator 2005 External consultant for productions and grants 2009, 2006, 2003-2004 Pre-Performance Lecture: “Verdi’s Violetta: Victim or Vixen?” 2004 Pre-Performance Lecture: “Verdi’s Shakespearean Operas,” 2003 Planning committee for outreach events 2002-2003

TEACHING EXPERIENCE Courses Taught / Developed University of Iowa Graduate (for music students): •Opera Across the Centuries: Interpretation, Expression, Analysis •Nineteenth-Century Music •Seminar: Operatic Convention and Verdi’s Late Style in Otello and Falstaff •Introduction to Graduate Study in Music (research and bibliography) •Introduction to Musicology •Seminar: The Reception of Musical Works from the Eighteenth Century to the Present •The History of Opera •Advanced History and Literature of Music II (1750-present) •Seminar: The Operas of Verdi •Seminar: Compositional Process Through the Ages Undergraduate (for music majors): •History of Music: 1750-present Undergraduate: •The Arts and Human Rights (interdisciplinary) •Women and the Stage in Victorian England (in preparation) •Politics and Music: Understanding Global Issues Through Musical “Voices” (interdisciplinary) First-Year Seminars: •Music, Meanings and Messages in Opera (International Studies, interdisciplinary): taught in fall 2012, fall 2011, spring 2010 •Music, Conflict, Disaster, Celebration, fall 2015, fall 2016 (interdisciplinary)

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University of Alabama Graduate: •Renaissance Music •Music of the Romantic Era •Twentieth-Century Music •History and Literature of Opera •The Operas of Verdi •Seminar: Text and Music in the Nineteenth Century •Seminar: The Aesthetics of Music •Seminar: The Historical Process of Composition •Graduate History Review •Introduction to Music Research Undergraduate (for music majors): •Music History III (19th and 20th centuries) •Honors Music History III Undergraduate (for non-majors): •Music of World Cultures (interdisciplinary) •Music Literature (interdisciplinary) Boston University Graduate Level: •History of Italian Opera •Music Research and Bibliography Techniques •Seminar: The Compositional Process •The Music of Mozart •History and Literature of Art Song Tufts University Graduate (for non-music students): •Opera as Drama and Music (interdisciplinary seminar) Undergraduate (for music majors): •History of Western Music (two-semester survey) Undergraduate (for non-majors): •Introduction to Western Music (music appreciation) •The Operas of Verdi (interdisciplinary) •The Creative Process in Music (interdisciplinary)

Guest Class Lectures

University of Iowa  Musicology Graduate Student Study Group, guest speaker and coordinator for seminar on academic publishing, 2016 (by invitation)  Musicology Graduate Student Study Group, guest speaker (on my research) 2015 (by invitation)  Music Editing Seminar, guest lecturer 2015 (by invitation)  Literature, Music, and Aesthetics Seminar, 2004: Puccini’s La bohème and Rent  Nationalism and Music, 1999: “Verdi and Musical Nationalism”  Flute Seminar, 1998: “The Teachings of Marcel Moyse”  Twenty-Fourth Annual Honor Choir Festival 1998: “Giuseppe Verdi: ‘Father of Choruses’” University of Alabama  Introduction to Graduate Studies, 1996, 1994: “Research Methodologies in Musicology”  Crimson Music Camp, 1996: “The English Madrigal”  German Romanticism and Its European Context (undergraduate),1996: “Music and Romanticism: An Overview”  Music Convocation, 1995: “Joe Green’s Wastebasket”  German Romanticism and Its European Context (graduate),1995: “Musical Romanticism and Romantic Music”  Humanities Undergraduate Seminar, 1996, 1995: “The Operas of Giuseppe Verdi”  Music Convocation, 1993: “Opera in Nineteenth-Century Italy: Behind the Scenes and Beyond the Footlights”

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Ph.D. Dissertations and M.A. / B.A.-Honors Theses Advised (all at University of Iowa, supervised as primary advisor or co-advisor) Jeanne Thompson, Ph.D., Interdisciplinary Studies (Music and Cultural History), 2005: “Creating a Dutch National Opera: Opera in The Netherlands during The German Occupation, 1940-45” Kyle Gassiott, M.A., Musicology, 2004: “The Women of Brucemore and the Wagnerian Gilded Age” Rainer Weissenberger, M.A., Musicology, 2004: “Aesthetics and the Emerging Autonomy of the Musical Arts as Delineated in Multiple Lied Settings of Two Mignon Poems by Carl Friedrich Zelter” Jama Stilwell, Ph.D., Musicology, 2003: “‘A Story Altogether Foolish, Bizarre, and Buffoonish’: The Théâtres de la foires and the Eighteenth-Century Captivity Opera” (Professor, Music, Cornell College) Heather Foote, M.A., Musicology, 2003: “Bombastic and Scheming Sopranos: Character Profiles of Falstaff and Alice in Giuseppe Verdi’s Falstaff” Jennifer Jackson, M.A., Musicology, 2001: “Musical Style as a Representation of Social Milieu: The 1927 Premieres of Ernst Krenek’s Jonny spielt auf and Erich Korngold’s Das Wunder der Heliane” Margaret Darby, B.M., Violoncello Performance (Honors Thesis), 2001: “Verdi’s ” Christopher Scheer, B.A., Oboe Performance (Honors Thesis), 2000: “Gustav Holst’s The Perfect Fool” (Ph.D., Musicology, University of Michigan; Associate Professor, Utah State University) Jana LaHood, D.M.A., Piano Performance, 2000: “Composers as Critics: Two Case Studies of the Reception History of the Romantic Piano Sonata”

Additional Instructional Activities University of Iowa University of Iowa Graduate College, Center for Teaching and Learning, and International Programs: Professional Etiquette Seminar Series, initiator, coordinator, presenter, 2015- 2016 University of Iowa Musicology Study Group, participant 2014-2016 Designed and taught grant-writing workshops on Fulbright Fellowships, general grant opportunities and proposals for Engineering, Computer Science, Art History; Honors Program, College of Education, Crossing Borders Seminar, Global Health Studies Program, 2003-2005 Participant, University of Iowa’s session of the national teaching workshop “Standards for Success” (by invitation), 2001 Assisted the Woodwind and Brass Areas in redesigning the Performance Research Seminar, 1999 Redesigned the Graduate Music History Advisory Examination, 1998

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