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Chamber Music Series 2014/15 Chamber Music Series Chicago Symphony Orchestra at the Art Institute of Chicago “ Experience, travel— Once considered the capstone of an education, the Grand Tour was a tradition that encouraged generations to travel through Europe, gaining an appreciation of art and music. these are as education After exploring the nonpareil sites of France, Switzerland, Italy, Austria and Germany, travelers returned home to share their cultural sophistication and create masterpieces of their own. in themselves.” —EURIPEDES This season, let the Chicago Symphony Orchestra and Art Institute of Chicago escort you on a modern version of the Grand Tour. Set over five Sunday afternoons in Fullerton Hall, the CSO Chamber Music series explores audio and visual masterpieces, many of which were inspired by or studied during the Grand European Tours of the seventeenth and eighteenth centuries. Featuring chamber music by composers ranging from Ludwig van Beethoven to Claude Debussy, concerts are preceded by short talks discussing the artworks and followed by a gallery tour. Standard Logo For reproduction when the logo is 0.75" wide or greater Small Logo For reproduction when the logo is 0.5" wide Type is slightly bolder for smaller logo 2014 /15 Chamber Music Series 5 Sundays at 2:00 SUBSCRIBE ORDER FORM For new subscribers only DECEMBER 7 JANUARY 25 MARCH 22 MAY 24 JUNE 14 TODAY SUBSCRIPTIONS Spiritual Strokes of The Golden Age French Reveries Russian SERIES # Seats Price TOTAL Redemption Genius on the Periphery & Passions Soul & Regular 5-concert series $115 Student 5-concert series* $45 ENJOY Subtotal: $ Optional prepaid parking $13.25 x no. of concerts= $ EXCLUSIVE Handling fee: $6 *Valid student ID BENEFITS required Total subscription price: $ All seating will be assigned at the discretion of Subscription Services. Please note any special needs or requests: Savings Save 21% off the price Odilon Redon. Andromeda, 1904–10. Vasily Kandinsky, Improvisation No. 30 (Cannons), of single tickets James Ensor. The Tempation of Saint Anthony, 1887. Battista Franco, Il Semolei. A Male Nude Bending Mr. and Mrs. Martin A. Ryerson Collection. 1913. Arthur Jerome Eddy Memorial Collection. SINGLE TICKETS $29 Regenstein Endowment and the Louise B. and Over, 1560/61. Promised gift of Jean and Steven © 2014 Artists Rights Society (ARS), New York / 15% off Symphony Store To order, please call 312-294-3000. Frank H. Woods Purchase Fund. © 2014 Artists Goldman. Home to a world-renowned collection ADAGP, Paris. merchandise Please note that single tickets for this series go on sale October 24. Rights Society (ARS), New York / SABAM, Brussels. John Egan. Portable Harp, c. 1820. Courtesy of the of French artwork, the Art Institute of Inspired by works from the O’Brien Collection. Photograph by Jamie Stukenberg, Chicago provides the ideal setting Inspired by CSO Zell Music Director PAYMENT James Ensor’s The Temptation exhibition Strokes of Genius: Professional Graphics. for an all-French program of music. Riccardo Muti’s attention to the Check enclosed, payable to Chicago Symphony Orchestra of Saint Anthony depicts his Italian Drawings from the Goldman String quartets by Debussy and works by legendary Russian Flexibility subject surrounded by worldly Collection, this concert looks to The Art Institute of Chicago’s Fauré complement the CSO’s French composers Alexander Scriabin and Please charge my: American Express MasterCard enticements and the temptations Italy as the source of creative exhibition Ireland: Crossroads Reveries and Passions Festival, which Pyotr Ilyich Tchaikovsky during the Quick and easy Discover Visa of modernity. This program genius. Works for string quartet of Art and Design, 1690-1840 explores works that share themes of 2014/15 season, this program phone exchanges with will feature works that contrast by Italian masters Busoni, Puccini showcases artworks created beauty, fantasy and darkness. These features rich, gritty and deeply no exchange fee spiritual redemption against the and Verdi exhibit a musical during the Golden Age of the two works, the only contributions to musical string quartets by Russian NAME (please print) temptations of life. Closing the sampling of the country’s perhaps 18th century by artists living the chamber music canon by these composers Shostakovich and Day-of-concert program is John Adams’ seminal unmatched legacy of contribution far from the cosmopolitan illustrious composers, are considered Borodin. No stranger to the powers exchanges ADDRESS composition Shaker Loops. to the arts and dedication to the epicenters of Vienna, Paris and iconic Impressionist masterpieces. of music, Russian painter Vasily ($10 fee per concert) — artistic process. London. This program features — Kandinsky used his artwork to conjure CITY STATE ZIP Silver Linings Players — chamber works by men who Quatuor Seize Cordes sound through sight and is widely Baird Dodge violin Avari Quartet found inspiration in their native So Young Bae violin regarded as creator of the world’s DAYTIME PHONE EVENING PHONE Kozue Funakoshi violin Cornelius Chiu violin folk tunes and travels. Sylvia Kilcullen violin first purely abstract paintings. In the Service Hermine Gagné violin So Young Bae violin — Weijing Wang viola words of Kandinsky, this program EMAIL Danny Lai viola Danny Lai viola Tononi Ensemble Daniel Katz cello of Russian art will be sure to “inspire Priority seating Daniel Katz cello Karen Basrak cello Fox Fehling violin — vibrations in the soul.” CREDIT CARD NUMBER EXPIRATION DATE Gary Stucka cello — Hermine Gagné violin Debussy String Quartet — Free lost ticket Robert Kassinger bass Busoni String Quartet No. 2 Charles Pikler viola Fauré String Quartet Lincoln String Quartet replacement SIGNATURE John Bruce Yeh clarinet Puccini Crisantemi Daniel Katz cello Qing Hou violin J’nai Bridges mezzo-soprano Verdi String Quartet Roger Cline bass Lei Hou violin Check here if you’d like to receive special offers and Matthew Aucoin piano/conductor Susan Merdinger piano Lawrence Neuman viola updates from Symphony Center via email. — — Kenneth Olsen cello Matheson Falling Field Piano Quintet — 5 CONCERTS BY MAIL RETURN TO: BY PHONE: Aucoin Celan Fragments Glinka Grand Sextet Shostakovich String Quartet No. 11 Chicago Symphony Orchestra Call 312-294-3000 Matheson The Anatomy Dvorˇák Piano Quintet No. 2 Beethoven String Quartet Op. 18, FOR JUST of Melancholy No. 3 Subscription Services Aucoin Celan Songs Borodin String Quartet No. 2 220 S. Michigan Ave. Adams Shaker Loops $115 ! Chicago, IL 60604 cso.org/csochamber 312-294-3000 RENEWAL DEADLINE: OCTOBER 17, 2014 CHICAGO SYMPHONY ORCHESTRA 220 South Michigan Avenue Chicago, IL 60604 Standard Logo For reproduction when the logo is 0.75" wide or greater 5 Chamber Music Concerts Small Logo for $115For reproduction when the logo is 0.5" wide Type is slightly bolder for smaller logo HURRY! This series sells out fast! cso.org/csochamber • 312-294-3000.
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  • January 2017
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  • Verdi String Quartet Program Notes
    Verdi, Giuseppe (1813-1901) String Quartet in E minor Allegro Andantino Prestissimo Scherzo Fuga. Allegro assai mosso Giuseppe Verdi was not a composer readily associated with chamber music—or instrumental music of any kind. He is most famous for transforming Italian opera from a vehicle that displayed vocal technique into an epic and dramatic art form rivalling the innovations of his German contemporary, Richard Wagner. Born in what was then French-controlled northern Italy, Verdi studied music in Milan, and first ventured into opera in 1839 with the moderately successful Oberto. Even greater fame came with his third opera, Nabucco, which led to an impressive string of triumphs. By the early 1870s, Verdi was at the height of his career, producing his newest operas Don Carlos and Aida. The latter work had received its world premiere in Cairo in late 1871, and was subsequently working its way through the major Italian opera houses under Verdi’s supervision. In March of 1873, Aida was scheduled to be performed in Naples, and Verdi was on hand working to adapt this large-scale work for the Teatro di San Carlo. But just before the première, the soprano Teresa Stolz, who had sung the part of Aida in every Italian performance thus far, became ill. As there was no understudy for the challenging new role, the Naples première had to be postponed for some weeks. With free time on his hands, Verdi decided to occupy himself by composing a string quartet, a genre he had never before attempted. The work received its première in a surprise performance for Verdi’s friends in his Naples hotel suite on April 1.
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