Embracing Digital, Luxury Ceos Take on the Role of Chief Collaboration Officer

Total Page:16

File Type:pdf, Size:1020Kb

Embracing Digital, Luxury Ceos Take on the Role of Chief Collaboration Officer Retail, Apparel & Luxury Goods Embracing Digital, Luxury CEOs Take on the Role of Chief Collaboration Officer When Patrice Louvet started as president Now more than ever, success for luxury and CEO of Ralph Lauren, the iconic luxury retailers requires a clear and distinctive brand brand’s factories in Italy were still using that is reflected consistently across channels traditional hand-drawn patterns. This and customer experiences. Technology and a was a romantic practice, but one that was digital mindset enable companies to provide impractical and hard to scale. Louvet led the a holistic experience for consumers, one charge for digital transformation at Ralph where brick and mortar is no longer separate Lauren, underscoring his from e-commerce, and vision with his first hire: a where brand strategies are Vintage is great, but not when it chief digital officer. Today, increasingly sophisticated comes to how you work. the company’s designers and differentiated. In are using 3D for product Patrice Louvet, this challenging and CEO, Ralph lauREn creation and RFID (Radio uncertain environment, Frequency Identification) with significant operating technology all along the supply chain. restrictions and heavily reduced international travel, the luxury industry faces an uphill Like Louvet, luxury leaders all over the battle to generate revenues from physical world are grappling with how to adapt to an stores as they reopen. Digital takes an even industry where digital is driving swift change. more prominent role as brands work to The arrival of COVID-19 has significantly attract new local customers while also serving amplified this issue and the need for existing customers who are no longer able to businesses to transform. visit their favorite stores in-person. EMBRACING DIGITAL, LUXURY CEOS TAKE ON THE ROLE OF CHIEF COLLABORATION OFFICER Table stakes for CEOs have always been embodying the Leaders and teams that collaborate effectively across brand, serving as brand guardian and ambassador for functions, whether remote or together, are better the organization. These required attributes of luxury positioned to share ideas, understand evolving leaders remain unchanged, even in these extraordinary customer expectations and deliver an exceptional circumstances. However, the organizations that will experience, whether making an in-store purchase or emerge stronger from the crisis are those with leaders scrolling through a brand’s Instagram account. CEOs who can orchestrate seamless collaboration and who create a collaborative and agile culture are best cooperation across their teams and all customer touch equipped to develop innovative solutions to new points — social media, advertising, the designer they problems and to instill a deep sense of brand loyalty in select, the products and collection structure, the look customers. In short, this is the era of the CEO as chief and feel of stores, and the services offered in the stores. collaboration officer. INTERVIEW PARTICIPANTS As part of our research, we interviewed 20 leaders of luxury companies around the world to learn more about the pressures they’re facing, how they’re adapting and excelling, and which talent trends they believe will define the new era of luxury leadership. While most of these interviews took place before the arrival of COVID-19, we believe the insights they provide are as relevant, if not more so, in the context of the crisis. » Thierry Andretta, CEO, Mulberry » Daniel Lalonde, president and CEO, SMCP » Francesca Bellettini, president and chief » Mark Langer, CEO, Hugo Boss executive, Saint Laurent » Patrice Louvet, president and CEO, Ralph » François-Henry Bennahmias, CEO, Lauren Audemars Piguet » Alexander Pavlov, CEO, TSUM » Bhaskar Bhat, former managing director, Titan Company Limited » Patrick Pruniaux, CEO, Swiss Watchmaking Maisons: Ulysse Nardin & Girard- » Marco Bizzarri, president and CEO, Gucci Perregaux at Kering » Alessandro Bogliolo, CEO, Tiffany & Co. » Vittorio Radice, vice chairman, La Rinascente » Valerie Chapoulaud-Floquet, former CEO, Rémy Cointreau » Stefano Sassi, former CEO, Valentino » Pierluigi Cocchini, CEO, La Rinascente » Paulette Sum, group general manager, King Fook Holdings Limited » Brian Duffy, CEO, The Watches of Switzerland Group » Eric Vallat, CEO, Rémy Cointreau » Marco Gobbetti, CEO, Burberry Group SPENCER STUART PAGE 2 EMBRACING DIGITAL, LUXURY CEOS TAKE ON THE ROLE OF CHIEF COLLABORATION OFFICER Oracles of change in a shifting digital landscape Digitization was already a highly significant trend for Everything we do is part of the same story.” the luxury retail sector before COVID-19, impacting all aspects of the business from supply chain processes to Prior to the crisis, online sales represented around 12 consumer touchpoints. Brands are using digital percent of the personal luxury goods market, according technologies in product design, warehouse to Bain-Altagamma’s 2019 Worldwide Luxury Market management, supply chain and product authentication, Monitor, with 75 percent of purchases influenced and are analyzing customer and sales data to develop online. For this reason, many luxury retailers have collections and to structure the assortment of the already shifted much of their marketing spend to digital stores in a more informed and intelligent way. channels. As Alexander Pavlov, CEO of TSUM, explains: “Digital advertising is much more efficient than The pandemic has now magnified the importance of traditional advertising. You can immediately see results digital with McKinsey and The Business of Fashion's and change strategy.” report, "The State of Fashion 2020 Coronavirus Update" reports, “Social distancing has highlighted the Every part of the business must adopt a digital mindset importance of digital channels more than ever and and foster a cohesive culture and organizational model lockdowns have elevated digital as an urgent priority that supports transformation. Marco Gobbetti, CEO of across the entire value chain but, unless companies Burberry Group, explains, “We don’t think it is about scale up and strengthen their digital capabilities in the making the in-store experience more technological, but recovery phase of the crisis, they will suffer in the longer rather it’s about using the store to continue the journey term. Consumers will continue to demand more in this that starts online — and creating experiences and space and brands must act fast to deliver.” information that is a continuation of the social journey to build strong engagement with customers.” The timing for brands that had invested significantly in digital capability could not have been better. Hardest We see digital as a channel to communicate with hit in this crisis are companies with broad brick-and- younger people and help us engage with those mortar footprints that have yet to transition to an omnichannel model. customers. It’s a good way to build brand and customer engagement. Digital today must drive better, more distinctive PauLette Sum, customer experience seamlessly across channels. gROup gEnERal managER, Brick and mortar and e-commerce are no longer King FOOK hOldings limitEd bifurcated in the eyes of consumers. “When they buy something from your brand,” says Thierry Andretta, Whereas a decade ago, “digital” might have been the CEO of Mulberry, “customers don't care if it’s being job of the information technology (IT) function or an delivered or purchased in-store. They simply want isolated digital team, today leaders at the top must impeccable service.” embrace digital, make it a priority and model that mission for the organization. As a result, leaders now need to think about the customer journey in a more unified and collaborative Some companies look to the technology industry to way. They can no longer consider functions or business bridge the gap. SMCP President and Chief Executive units in isolation as they are all part of the experience Daniel Lalonde hired his lead digital executive straight and brand ecosystem. Which is why, says Vittorio from Amazon. He set up a team working transversally Radice, vice chairman of La Rinascente, “We no longer to coordinate business with IT and managed any focus on shopping experience, but on experience. frictions as they arose. SPENCER STUART PAGE 3 EMBRACING DIGITAL, LUXURY CEOS TAKE ON THE ROLE OF CHIEF COLLABORATION OFFICER For luxury leaders, there is now a renewed and even consumption becomes a permanent shift. With all of more urgent responsibility to instill a digital mindset this in mind, here are the approaches luxury leaders across the company every day. One of the most closely will need to take as they “think digitally” into the new watched areas of consumer behavior emerging from decade and as they navigate through the pandemic. the crisis will be the extent to which increased online Embrace data-informed decision-making Brands can now use data to analyze consumer chief executive of Saint Laurent, explains, “We don’t decision-making and behavior, using artificial necessarily need a data science department isolated by intelligence (AI) and other methods to target the rest of the company. We need digital and analytical customers with relevant, precise recommendations and talent in every function — a cross-pollination of offers. But today’s luxury leaders are harnessing data capabilities and competencies, fully integrated in for much more than just personalized marketing. each team.” They’re using AI in the supply chain to automate the management of warehouses and the maintenance of
Recommended publications
  • Mise En Page 1
    WorldReginfo - 8abd55dc-f279-4f41-ad6a-48394863a352 WorldReginfo - 8abd55dc-f279-4f41-ad6a-48394863a352 TABLE OF CONTENTS CHAPTER 1 Kering in 2017 3 CHAPTER 2 Our activities 15 CHAPTER 3 Sustainability 57 CHAPTER 4 Report on corporate governance 139 CHAPTER 5 Financial information 201 CHAPTER 6 Risk management procedures and vigilance plan 363 CHAPTER 7 Additional information 377 This is a free translation into English of the 2017 Reference Document issued in French and is provided solely for the convenience of the English speaking users. WorldReginfo - 8abd55dc-f279-4f41-ad6a-48394863a352 2017 Reference Document ~ Kering 1 WorldReginfo - 8abd55dc-f279-4f41-ad6a-48394863a352 2 Kering ~ 2017 Reference Document CHAPter 1 Kering in 2017 1. History 4 2. Key consolidated figures 6 3. Group strategy 8 4. Kering Group simplified organisational chart as of December 31, 2017 13 WorldReginfo - 8abd55dc-f279-4f41-ad6a-48394863a352 2017 Reference Document ~ Kering 3 1 KERING IN 2017 ~ HISTORY 1. History Kering has continuously transformed itself since its inception 1999 in 1963, guided by an entrepreneurial spirit and a commitment • Acquisition of a 42% stake in Gucci Group NV, marking to constantly seek out growth and create value. the Group’s entry into the Luxury Goods sector. Founded by François Pinault as a lumber and building • First steps towards the creation of a multi- brand Luxury materials business, the Kering group repositioned itself on Goods group, with the acquisition by Gucci Group of the retail market in the 1990s and soon became one of Yves Saint Laurent, YSL Beauté and Sergio Rossi. the leading European players in the sector.
    [Show full text]
  • Gucci Publishes First Impact Report and Surpasses Environmental Reduction Target 4 Years Early
    GUCCI PUBLISHES FIRST IMPACT REPORT AND SURPASSES ENVIRONMENTAL REDUCTION TARGET 4 YEARS EARLY Gucci releases new 2020 EP&L results with significant decrease in footprint Milan, 15 June 2021 – Today, Gucci published its inaugural Impact Report on Equilibrium.Gucci.com, one year after expanding its Equilibrium digital platforms. The Gucci Equilibrium Impact Report has been designed to summarize the commitments, progress and actions taken by the House to generate positive change for people and planet, while looking toward the future. Incorporating 2020 data, Gucci’s new Environmental Profit and Loss (EP&L)1 results (link) were also published in the report today revealing that the House surpassed its 2025 reduction target four years ahead of time: -44% reduction of total environmental impacts and -47% decrease in greenhouse gas emissions (2015 baseline). This positive trend also reveals a continued reduction pathway year-over-year starting from 2015. Just in 2020, Gucci achieved a -17% decrease in greenhouse gas emissions and a -9% reduction of its total footprint versus 20192. “Our inaugural Gucci Equilibrium Impact Report illustrates our actions and commitments to be inclusive, sustainable, responsible and accountable in everything we do,” said Marco Bizzarri, Gucci’s President and CEO. “We have surpassed our target to reduce our total footprint four years early, an achievement that underlines our commitment to transformative change. It is our mission to be part of the solution for a better tomorrow and we will continue to build authentic value across our business and in the wider world – value for people, value for climate and value for nature." Divided between two pillars, People and Planet, the Gucci Equilibrium Impact Report highlights a selection of initiatives that are translating the House’s strategic vision into actions to drive lasting social impact and environmental stewardship.
    [Show full text]
  • Stock Story: Kering
    Stock Story: Kering Offering Gucci, Yves Saint Laurent and other luxury brands to the world Celebrating its centenary year in 2021, Gucci the brand’s sales, and the brand is a fixture among young Hollywood actors and musicians. invokes a glamorous, romantic, eclectic and The second is the craftmanship of the brands. They inclusive ideal. The brand, in its premium are acknowledged for their unique design, instantly position in fashion, is cemented in popular recognisable signifiers such as the horse bit, tri-stripe and culture and beloved by its followers. flora patterns, and designed and made-in-Italy credibility Gucci is the flagship and highly profitable brand within and product quality. the glittering portfolio of greatly coveted brands owned The third is control of its distribution. About 87% of by Kering, one of the largest luxury groups in the world. Gucci’s products are sold via its owned-retail or online Kering is controlled and managed by the Pinault family networks, which enables control of the presentation, from France. ambience and, importantly, pricing. The products are In addition to Gucci, Kering owns Yves Saint Laurent, never sold at a discount (even by third parties) – an Bottega Veneta, Balenciaga and Alexander McQueen important factor in the maintenance of the cachet of the among other clothing, jewellery and eyewear businesses. brands. The business has generated substantial growth in the past The fourth element is economies of scale. This creates decade. The brands have seen insatiable demand from a virtuous circle as it gives the company the ability to the rapidly growing affluent class of consumers within outspend peers on advertising and promotion and control China and the Gucci brand has enjoyed a revival under the customer conversation around its brands.
    [Show full text]
  • Gucci Introduces Its Gucci Basket Sneakers in North America Unveiling a Special Collaboration with the Shoe Surgeon
    Gucci Introduces its Gucci Basket Sneakers in North America Unveiling a Special Collaboration with The Shoe Surgeon June 18, 2021 - Gucci introduces Gucci Basket, a distinctive high-top designed by House Creative Director Alessandro Michele. It is mainly made of Demetra, Gucci’s pioneering luxury material that combines quality, softness, durability, and scalability with an eco-friendly ethos. Gucci Basket, inspired by basketball, is a genderless sneaker, and features a special identification tag. The style comes in three different colour and fabric combinations globally with an exclusive colourway for North America in red, white and blue. The shoes have a distressed look, and bright colour details in mixed materials are integrated into the distinctive design, including blue soles, violet mesh tops, padded and ribbed orange backs that wrap around the ankles, and green laces. Fluorescent rubber trim displaying House motifs, including the Interlocking G, is applied to the tongues and on the outsides of the shoes. Demetra, the main material used, is the culmination of two years of research and development by Gucci’s own technicians and artisans. Produced entirely in Italy in Gucci’s factory, it is created using the same expertise and processes for tanning thereby achieving characteristics that give Demetra a distinctive, pliable and resilient performance, with a supple and luxurious finish. The eco-innovation behind Demetra combines efficient processes with animal-free raw materials that are primarily from sustainable, renewable, and biobased sources. In 2020, the Gucci Sneaker Garage section on the Gucci App launched, providing users the ultimate tool to experiment within the distinctive world of the Gucci sneakers by creating their own model, tweaking, hybridizing, and combining elements from the existing designs.
    [Show full text]
  • Mise En Page 1
    Reference document 2016 1_VA_V4 04/04/2017 13:21 Page1 TABLE OF CONTENTS CHAPTER 1 Kering in 2016 3 CHAPTER 2 Our activities 17 CHAPTER 3 Sustainability 57 CHAPTER 4 Corporate governance 141 CHAPTER 5 Financial information 221 CHAPTER 6 Share capital and ownership structure 367 CHAPTER 7 Additional information 379 This is a free translation into English of the 2016 Reference Document issued in French and is provided solely for the convenience of the English speaking users. 2016 Reference Document ~ Kering 1 1_VA_V4 04/04/2017 13:21 Page2 2 Kering ~ 2016 Reference Document 1_VA_V4 04/04/2017 13:21 Page3 CHAPter 1 Kering in 2016 1. History 4 2. Key consolidated figures 6 3. Group strategy 8 4. Kering Group simplified organisational chart as of December 31, 2016 15 2016 Reference Document ~ Kering 3 1_VA_V4 04/04/2017 13:21 Page4 1 KERING IN 2016 ~ HISTORY 1. HISTORy The Kering group was founded by François Pinault in 1963, 1997 as a timber and building materials business. In the mid- • Takeover by Redcats (Kering’s home shopping business) 1990s, the Group repositioned itself on the retail market of Ellos, the leader on the Scandinavian mail order market. and soon became one of the leading players in the sector. • Creation of Fnac Junior, a concept store for children The acquisition of a controlling stake in Gucci Group in 1999 under 12. and the establishment of a multi-brand Luxury Goods group marked a new stage in the Group’s development. 1998 • Takeover of Guilbert, the European leader in office In 2007, the Group seized a new growth opportunity with supplies and furnishings.
    [Show full text]
  • Lettre Aux Actionnaires PPR MARS 2012
    n° 37 • MARs 2012 Lettre aux Actionnaires Entreprendre, notre grande aventure MEssAgE du présIdEnt MEssAgE du présIdEnt et sociologiques structurelles, tenant notamment à l’émergence de nouveaux marchés et Nos performances opérationnelles et aux nouvelles aspirations des consommateurs. financières en 2011 ont été excellentes.” Notre culture entrepreneuriale est également un élément moteur de notre transformation. Elle se traduit par la responsabilisation des marques et des collaborateurs du Groupe, une appétence pour la réalisation concrète, un goût de l’audace et de l’imagination. Enfin, parce que le développement durable est au cœur de notre projet d’entreprise, nous hers Actionnaires, avons, en 2011, créé PPR HOME. Au-delà du modèle classique de Responsabilité sociale C d’Entreprise, PPR HOME a pour ambition d’établir de nouveaux standards en matière Nos performances opérationnelles et financières de développement durable et de pratiques professionnelles dans les secteurs du Luxe, en 2011 ont été excellentes. notre chiffre d’affaires du sport & Lifestyle. Cet engagement au profit du développement durable s’appuie sur annuel est en progression de plus de 11 % au niveau la conviction que le développement durable crée de la valeur et constitue un avantage consolidé, c’est-à-dire en incluant les Pôles Luxe et compétitif durable pour les marques de PPR. sport & Lifestyle, ainsi que la Fnac, dont l’activité est impactée par l’environnement de consommation Pour accompagner notre transformation, nous nous sommes livrés avec chacune de nos sur ses marchés. Grâce à une progression record de marques à un exercice de prospective à l’horizon 2020, qui dessine les contours de nos plus de 26 %, notre résultat net part du Groupe des activités poursuivies hors éléments ambitions collectives.
    [Show full text]
  • Gucci Introduces Demetra: a New Groundbreaking Luxury Material
    GUCCI INTRODUCES DEMETRA: A NEW GROUNDBREAKING LUXURY MATERIAL • Made In Italy luxury material for an evolving world • First Gucci products made with Demetra material available now • Gucci to offer Demetra material as open innovation to the fashion industry Milan, 17 June 2021 - Today, Gucci presented Demetra1: a new groundbreaking luxury material that combines quality, softness, durability, and scalability with an eco-friendly ethos. Demonstrating the versatility of the material, three sneaker models have been introduced to mark Gucci’s first products made with Demetra. Born from Gucci’s desire to explore and innovate materials for the future, Demetra is the culmination of two years of research and development by Gucci’s own technicians and artisans. Produced entirely in Italy in Gucci’s factory, the new material is created using the same expertise and processes for tanning thereby achieving characteristics that give Demetra a distinctive, pliable and resilient performance, with a supple and luxurious finish. The eco-innovation behind Demetra combines efficient processes with animal-free raw materials that are primarily from sustainable, renewable, and bio based sources. “In our 100th anniversary year, Demetra is a new category of material that encapsulates Gucci’s quality and aesthetic standards with our desire to innovate, leveraging our tradi- tional skills and know-how to create for an evolving future,” said Marco Bizzarri, President and CEO of Gucci. “Demetra offers our industry an easily scalable, alternative choice and a more sustainable material that also answers the needs of animal-free solutions.” As a versatile, more sustainable new material, Demetra is suitable for a wide range of product categories.
    [Show full text]
  • UNIVERSITA' DEGLI STUDI DI PADOVA the Relationship Between
    UNIVERSITA’ DEGLI STUDI DI PADOVA DIPARTIMENTO DI SCIENZE ECONOMICHE E AZIENDALI “MARCO FANNO” CORSO DI LAUREA MAGISTRALE IN ECONOMIA INTERNAZIONALE LM-56 Classe delle lauree magistrali in SCIENZE DELL’ECONOMIA Tesi di laurea The relationship between Brand Identity and Ownership Status in the Luxury Industry: the Gucci Brand Case Relatore: Prof. Dal Santo Piergiorgio Laureanda: Pastore Alessandra 1150736 Anno Accademico 2017 – 2018 Il candidato dichiara che il presente lavoro è originale e non è già stato sottoposto, in tutto o in parte, per il conseguimento di un titolo accademico in altre Università italiane o straniere. Il candidato dichiara altresì che tutti i materiali utilizzati durante la preparazione dell’elaborato sono stati indicati nel testo e nella sezione “Riferimenti bibliografici” e che le eventuali citazioni testuali sono individuabili attraverso l’esplicito richiamo alla pubblicazione originale. _________________ Ringraziamenti A conclusione dei miei studi, mi sento di dover fare alcuni doverosi ringraziamenti. Innanzi tutto, vorrei ringraziare il professore Piergiorgio Dal Santo per avermi accettato come sua tesista, per avermi incoraggiato e spronato a dare il meglio di me stessa. La ringrazio per tutto l’aiuto e l’appoggio che ha saputo darmi. Vorrei ringraziare i miei genitori che mi hanno sempre sostenuto, non smettendo di credere in me e nelle mie capacità. Sarò sempre grata a loro per avermi teso una mano nei momenti di difficoltà e per avermi esortato a dare sempre il massimo di me stessa senza pretendere nulla. Non ce l’avrei mai fatta senza di voi! Inoltre, ringrazio mia sorella Cecilia per essere stata la famiglia di cui avevo bisogno nei momenti di difficoltà.
    [Show full text]
  • HOW FASHIONABLE IS the CORPORATE SOCIAL RESPONSIBILITY? Human Rights, Workers’ Safety and Environmental Sustainability in the Fashion Industry
    Department of Political Science Chair of International Organization and Human Rights HOW FASHIONABLE IS THE CORPORATE SOCIAL RESPONSIBILITY? Human rights, workers’ safety and environmental sustainability in the fashion industry. SUPERVISOR: Prof. Francesco Cherubini CANDIDATE: Ginevra Bartoli Matr. 630952 CO-SUPERVISOR: Prof. Marcello Di Paola ACADEMIC YEAR 2017/2018 Table of Contents: Introduction ............................................................................................................................................... 1 Chapter 1: Corporate Social Responsibility .............................................................................................. 5 1.1 Origin .............................................................................................................................................. 5 1.2 Development of CSR’ concept ....................................................................................................... 9 1.3 Sethi and Carroll thought .............................................................................................................. 12 1.4 Ratio between CSR and SDGs ...................................................................................................... 15 1.5 Stakeholder theory ........................................................................................................................ 19 1.6 CSR explained by "Socrates: the corporate social ratings monitor" ............................................. 23 1.6.1 Community support...............................................................................................................
    [Show full text]
  • Nominations for the Fashion Awards 2017 in Partnership with Swarovski Announced
    PRESS RELEASE 23RD OCTOBER 2017 NOMINATIONS FOR THE FASHION AWARDS 2017 IN PARTNERSHIP WITH SWAROVSKI ANNOUNCED Today, Monday 23rd October 2017, Dame Natalie Massenet, Chairman of the British Fashion Council (BFC), Nadja Swarovski, Member of the Swarovski Executive Board and Caroline Rush, Chief Executive of the British Fashion Council announced the nominations for The Fashion Awards 2017 in partnership with Swarovski at a press screening at Soho House, 76 Dean Street, London. The Fashion Awards in partnership with Swarovski recognise creativity and innovation in fashion, celebrating exceptional individuals whose imagination and creativity have broken new ground in fashion globally over the past 12 months as well as brands and businesses that have transformed the possibilities of fashion today. Watch The Fashion Awards 2017 Nominees video created by Robin Derrick and Spring Studios here: https://youtu.be/dN5v5Tr5Frc The Fashion Awards 2017 voting body represents media, retail, communications and creative disciplines such as photography, art direction, set design and production across 38 countries. 2000 key members of the fashion industry were invited to put forward their preferences for each category and nominations were made in nine categories with the five brands/individuals receiving the most nominations shortlisted in each category. The Fashion Awards 2017 Nominees are (designers listed in alphabetical order): British Emerging Talent - Menswear Ben Cottrell and Matthew Dainty for Cottweiler Charles Jeffrey for Charles Jeffrey LOVERBOY
    [Show full text]
  • Kering and the Festival De Cannes Welcomed Cate Blanchett
    Kering and the Festival de Cannes welcomed Cate Blanchett, Catherine Deneuve, Ava DuVernay, Agnès Varda, Isabelle Huppert, Diane Kruger, Golshifteh Farahani, and Kristen Stewart to the official Women in Motion 2018 Awards Dinner Credits: Vittorio Zunino Celotto/Getty Images Credits: Vittorio François-Henri Pinault, Patty Jenkins, Carla Simón, Pierre Lescure and Thierry Frémaux Through its Women in Motion initiative, Kering aims to shine a light on women’s contribution to cinema and their status within the industry. This 4th edition of the Women in Motion Award Dinner was celebrated on Sunday May 13th on the magical Place de la Castre, on the hills of Cannes. On this occasion, François-Henri Pinault, Chairman and CEO of Kering, Pierre Lescure, President of the Festival de Cannes, and Thierry Frémaux, General Delegate of the Festival of Cannes, awarded the Women in Motion Prize to the outstanding American filmmaker Patty Jenkins. Actress and producer Salma Hayek Pinault chose to honor the Catalan Director Carla Simón with the Young Talents Award and financial support for her future film projects. Among the 200 guests attending this year’s dinner, were actresses Isabelle Huppert, Diane Kruger, Léa Seydoux, Golshifteh Farahani, Laetitia Casta, Claudia Cardinale, Chiara Mastroianni, Chris Lee, Anaïs Demoustier, Cécile Cassel, Chloë Sevigny, Virginie Ledoyen, Clémence Poésy along with actors Vincent Perez, Pierre Deladonchamps, Matt Dillon, Z. Tao and Laurent Lafitte. Kering and the Festival de Cannes also welcomed filmmakers Agnès Varda, Ava DuVernay, Lisa Azuelos, Rebecca Zlotowski, Deniz Gamze Ergüven, Valérie Donzelli, Vivian Qu, Costa-Gavras, Robert Guédiguian, Andrey Zvyagintsev, Christopher Nolan and Ronald Chammah.
    [Show full text]
  • CODE of ETHICS Code of Ethics - 2
    CODE OF ETHICS Code of ethics - 2 Contents Foreword by François-Henri Pinault 03 Commitment by the Kering Executive Committee 05 I. Our ethical principles in the conduct of business 07 II. Our principles of business practice and behavior towards our principal stakeholders 09 III. Monitoring application of the Code and whistleblowing system 21 Code of ethics - 3 FOREWORD BY FRANÇOIS-HENRI PINAULT Placing ethics at the heart of our business conduct is a powerful moral commitment, and the principle of trust is essential to the sustainable development of our business. This culture of integrity is of course based on compliance with laws and regulations, but equally on commitment to the values of the Group. It must be embodied by every one of Kering’s employees in their daily activities, whatever their nationality, location, position or seniority in the business. Since 2005, when our Code of ethics replaced the Ethics Charter which we drew up in 1996, our Code of ethics has defined the major principles which frame and guide our daily actions. This Code provides a framework for what is expected from each of us in our professional activities, and when we are in contact with our employees, customers, shareholders and business partners. It also defines our commitment to the environment, which we are dedicated to protecting and on The Code of ethics powerfully reaffirms our which we wish to minimize our impact, and commitment to respect for human rights, not to society at large, in which we intend to fully only for all our employees, but also for all play our part as a good corporate citizen, those who work in our supply chains and engaged and responsible.
    [Show full text]