Issue 10 Fall 2011

Total Page:16

File Type:pdf, Size:1020Kb

Issue 10 Fall 2011 remixes.reusesThe precessionChimerian – Hip hop Man: of culture a technocultureNotes was on birthed a Remix is onefrom Culture that this repeatedly field– Dean of bricolage, Valadez consumes of recycling its own goods,jazz, call recycles, and response, regenerates, and the personasstyles,compositeurban and into into a a singular music scene soundscape. that often Hip features hop fed multiple off of composite artists contributing personas, disparate sometimes rhyming in dj battles, schemes, other erWilliamhiptimes hop in S.battles Burroughs - face-offs devised between in literature competitors – collision which of ultimatelydisparate thoughts,became the shifts product in temporality, itself. What shifts T.S. Eliotin speak and- tricconformsculturelocality, and to fragmentationa generated model of structure of a techno-centric - hip hop made society, mainstream. where the But birthing this acceptance of hip hop by was the preceded larger youth by elec - neityaturinginformation, media ecology possible – a landscape via the telephone, of mediated the television,effects. The and notion the tape of a recorder,remix culture, among articulated other electronics, from the simulta as struc- - Likealltheof theat words once. mediated of Ours Marshall eye is a ofbrand McLuhan, Eadweard new world “Today, Muybridge’s of all-at-onceness.the instantaneous camera, to Time, the world simultaneity in aof sense, electric ofhas information the ceased electric and mediaage space is sensedinvolves has vanished. from all of us, artToday’screatedprimitives, deco, bymodern steel-and-glass wethe now motor man live carin in the ora- recycled, global evenmodern by village thereused,city airplane. occupiesof our re-habbed. own It himselfis making, created It is within in aby factsimultaneous instant the the architectonic modern electronic happening. ideal informationcomposite: to face-lift The global movement.”colonial,the old village into gothic, the is[1] not AsbricolageThenew. Teilhard regenerative puts de Chardinour complex mind writes, at psychologicallyease “Our and habit comforts is requires to divideour needs. this up ourto be human so; an world architectonic into compartments hybridity where of different the chaos sorts of thatappropriationof which‘realities’: is began the from naturalas Muybridgean already and artificial, beganexisting physical to source. disassemble and Or moral,it is visualarguable organic space that and with Gutenberg juridicial, his ‘image-taker’, forin theinstance.” 14th itself century [2] a Themeans disturbed, beginnings of separationinmentsfragmented, Number: ofThe man’s the Language abstract sense offrom of space, Science the concrete or [3],to disappear man’s and sense Euclidean yet offurther space space backwards shifted set into and compartmentsin fragmented time, that, as as thingsTobias numbers thatDantzig markedoriginally com the- ascensionNotseenwere only holistically. is asit the the architectonicDe cultural Chardin norm witnesses that in manyadministers thewestern pluralism to civilizations, us, soof ‘realities’it is also which the as theycontainstransculturated mash us. into Pluralism the environment, same and particular relativism and its spaces. quickas theirtrans-immigrationandterms concepts can timesonly survive there are in afewer remix surviving environment members that is of not an hospitable absolute position to absolutes. who claim Is it no the wonder inerrancy that of in chewsantagonisticasAbsolute Scriptures? towards relativismOr, likewise, as theare inerrancyany ‘fundamentalist’ of their Scientific faith positions, Atheism? notably The New Richard Atheist Dawkins movement who is es just- Whenperceptionoutrelativism the concreteas of anti-intellectual. the urbanized and the phenomenainfluences, It is the dominant the themselves multiple culture truth lose that claimsorigin recycles andwithin andtranscend a reuses,transculturated absolute permits position,context.and perpetuates, the environ with- - presses:Barkerwhichment, is both the object and event, display themselves in its inhabitants. This is the psychic envelope Roger phenomenonwithunstructured,The viewthe programming is not passive,worthy uncommon of heprobabilistic investigation carries among about psychologistsarena for with itself, of himself….Whenobjects and that not and theas events an environment instrumentwe uponlook at which the offor behavior environmentunraveling man behaves is a the relatively of behaviorrelevant inbehavior accordance as a knowledgepatterning….Wearrangementsprogramming of the withinof found….that objects behavior persons, and characteristics eventswe the could environment which predict of coerce the some is drugstores, seen behavior aspects to consist in arithmetic of accordance children’s of highly classes, behavior structured,with theirand more basketballown improbable adequatelydynamic games from they reconfiguration,Edward[Rogerinhabited Barker, T. than Hall similarlyfromEcological also knowledge through problematizes Psychology] Barker’s of the behaviorthevoice: ecological tendencies impressions of particular upon children….[4]the human condition, or in a sense the [EdwardIttelson,inBarker which demonstrates andheHall, functions Kilpatrick, Beyond that[italicsCulture] as wellin studyingare as Hall’s]. my earlier man Much it work, is of impossible the leads work to of tothe the separate same transactional conclusion. the individual psychologists [5] from the Ames, environment underphenomenaisIt is a awonder wonder unless concretized that art one forms sees into replay theobjects visionary many produced such role conclusions not from solely the humanas before art form condition. academic but as Thesephenomena expertise artifacts, can risen confirmpre-conditioned from cultureits validity; - as it systematizenecessarypreconditionsecological heat,to itself energize come into being. intothe cultureform This like explainsinto diamonds its behavior. why and Marilyn Thecoal, Monroe’sartifact simultaneously though stage necessitates persona things to through behold circulation image-circulationyet containing for it to the and needersreconfigurationsbodily to fragmentation unknowingly that becameweconfuse still see artifactthe today. image and Yet, with was for the toa staged bereal. beheld, image but to provided re-shape the a society’snecessary real fuel form, for thepassive female receiv- environment,graphicalwhoMcLuhanism stated in contendsconsciously1955 that psychogeographywhat organized the psychogeographers or not, was on “thethe emotions study were of also theand theorizing,precise behavior laws ofprojected individuals.”and specific foremost effects[6] The by ofhuman Guy the Debord, geo mind,- frequentlybarriers,nonporoussituated withindisdaining fused arenas with differentiation the complex electric; in ecologyeffects,between cannottoday, forms, with deter thus the itself‘geography’ mediated from bricolage. and in Debordian the digital Remix andin environments combinatory McLuhanian relationsephemerate time with bors’almostelectric.the self-refutingly, The remix geography without geography is physical, (Africa is virtual, and architectonic, Russia are now literary, proximally audible, located mechanized, alongside electric, our neigh and,- imagecirculation,statesDedoorsteps Chardin that –in well “Time, such points environments in a out sense, the mimetichas ‘frontiers….tend ceased faculty and of space man to vanish’, andhas vanished”the but ephemeral he is [7]).amiss boundaries when he neitherof relativism attributes when it heto pointfrontiersInjuxtapositions a space-time, of view between of of the legitimately imagery, these expansion pairs nor and oftheof opposites perforcelife remix between conditions extended tend a vertebrate to vanish. ofto hisinclude time: eitherIs there the spreading movementsafter all such its limbs of a thegreat or mind equippingdifference within us,themfrom the the traditionPerhaps[Pierrewith feathers, Teilhard ofunknowingly, doing and de so anChardin, since aviator de Chardin even Phenomenon soaring Da pronounces Vinci’s on wings ofera. Man] Thewith the chimerianmorphologicalwhich he has principle, had transition the established ingenuity from man toand provide into elevated chimera himself before in ?the [8]Da long througheitherbyVinci the ancient the camera, Greeks, the has car, only or the seen conversation, fruition in the that mechanical engenders age. the It anthropomorphizing is the mechanizing of of human machines. actions, When [sexualized,topartCharles the visual Dickens romanticized,contrast, admonished the obesity, or cutified], such of mechanizing the psychologically machine. ofToday’s the anthropomorphized labor machinery force in hisis either literature, amidst visually commercialit is anthropomorphizedlikely he capitalism,was reacting or in nowthetweengrowing human indefinitely and the machine invisible. inevitably We are at havethe time ended. where The the chimerian morphological principle, and which psychological Pascal saw delineations as inner, has be - Whatthatnowresulted we a chimera,can in outer. watch then,The this psychic ispronouncement man! envelopeWhat a novelty! inof hindsight.re-configuration/reassembly What a monster, what a chaos, is fast-forwarded what a contradiction, to contemporary what ears The[Blaiseerror;a prodigy! chimerian the Pascal, pride Judge mindPensees]and of refuseall holds things, ofno the absolutes,imbecile universe! worm for [9] an of absolute the earth; denies depositary multiplicity, of truth, just a sink as Renaissance of
Recommended publications
  • Book 5 – Into My Mortal – the Poetry of Allison
    Into My Mortal Allison Grayhurst Edge Unlimited Publishing 2 Into My Mortal Copyright © 2004 by Allison Grayhurst First addition All rights reserved No part of this book may be reproduced or transmitted in any form by any means electronic or mechanical, including photocopying, recording or any information storage, retrieval and transmission systems now known or to be invented without permission in writing from the author, except by a reviewer who may quote brief passages in a review. Cover Art (sculpture): “Girl” © 2012 by Allison Grayhurst Canadian Cataloguing in Publication Data Grayhurst, Allison, 1966- Into My Mortal “Edge Unlimited Publishing” Poems. ISBN-13: 978-1478228585 ISBN-10: 147822858X Into My Mortal by Allison Grayhurst Title ID: 3934892 3 Table of Contents New Era 7 Vacant Underground 8 SomeOne New 9 I Do Not Try To Understand 10 Under My Skin 11 Corner of a Dream 12 In The Name 13 New Tree in the Garden 14 Hard Pressed 15 Interlude 16 Only One 17 Six Months Pregnant 18 For Life 19 Kind Escape 20 Pulled from the Lifeless Waters 21 Hard As Cain 22 One Little Heart 23 Looking At Pictures 24 Storm 25 Listening to the Talk 26 Pure and Plastic 27 Born 28 How Lucky I Am 29 In Doubt 30 Hard Time Singing 31 Hood 32 Out From Under 33 No Direction 34 I Know That 35 Until The Ladder Shows 36 New House 37 Tribe 38 Flies 39 4 Still 40 Every Height I Fall 41 Legacy 42 Serpent in my Shoe 43 On this Dock 44 Thinking Outside 45 I Long To Know 46 Mustard Seed 47 This Vision In Hiding 48 Overpass 49 I see the things 50 I Sleep In The Rain
    [Show full text]
  • Illinois Wesleyan University IWU Student Senate Names New President
    January 16, 2009 Athergus VOLUME 115 | ISSUE 12 Illinois Wesleyan University IWU Student Senate names new president NICOLE TRAVIS Afolabi, Jedrzejczak or junior STAFF REPORTER presidential candidate Emily Vock earned a majority of votes as After four elections and a three- required by the election code. week lag in notifying the student Because Afolabi and Vock had body, Student Senate named jun- received the most votes, ior Babawande Afolabi the 2009- Jedrzejczak was removed from the 2010 president. race and a run-off election ended “I was humbled,” Afolabi said in Afolabi’s favor. Sophomore of his win. “Looking back three or Matt Hastings, who ran uncontest- four years ago, I was back in ed, won the title of vice president. Nigeria, and then to be named the “After we had the second run- Student Senate president of a fine ning of the election and it went institution like this? It’s unbeliev- into the run-off, I felt a little bit able.” happy because that showed that But for Afolabi, the victory fol- there was nothing like a name MIKE WHITFIELD/THE ARGUS lowed several complications. advantage [from the large publici- Above: Babwande Afolabi, the recent Student Senate President-elect, speaks at the Student Senate During the initial election peri- ty materials],” Afolabi said. “If debates last November. Afolabi won the position after four elections were held. od, Student Senate received an there were a name advantage, I anonymous complaint against probably should have won out- Afolabi and junior presidential right.” candidate Casey Jedrzejczak for The counts for all election votes Normal Police apprehend Shepard publicity materials exceeding the were withheld due to Student size limit defined in the Senate Senate policy.
    [Show full text]
  • Htemships Offer Popular Afternative Creased to 15 Counts in 2008 from Focused on Removing the Veazie 11 in 2007
    ALUMNI NEWS \ D1WALI FESTIVAL Campus Kulik '76 crime stats counts published river fish By MICHAEL BROPHY By EMMA CREEDEN ASSISTANT NEWS EDITOR CONTRIBUTING WRITER Earlier mis month, College Se- The Penobscot River Restora- curity submitted the College's tion Project is an assertive, ag- 2008 Campus Crime Statistics to gressive, public-private attempt to the U.S. Department of Educa- restore native fish populations in tion and posted the information the Penobscot River. on the Department of Security Over 150 years of land clear- web page. ing, sewage waste and industrial In accordance with federal law, pollution by pulp, paper, textile the report must list the counts for and lumber mills turned the river an array of potential campus into what Brandon Kulik '76 crimes, ranging from burglary all refers to as a "biological desert." the way to murder and arson for The Penobscot River contin- the calendar year of 2008. The ued to succumb to extreme statistics from 2008 are listed amounts of sludge and contami- next to the same statistics for the ¦ nation until the passage of the — CHRIS KASPRA1VTHE CWBY ECHO calendar years 2006 and 2007. Clean Water Act in 1972 and a se- Students danced for a crowd in Foss on Friday to celebrate the holiday of lights. The event featured traditional Indian song and dance. The statistic that stands out ries of hydro quality reforms in most in the report is the signifi- the 1980s. cant increase in larceny, which Today, the Penobscot River increased to 86 counts in 2008 Restoration Project is issuing a from 53 in 2007.
    [Show full text]
  • Hyperreality in Radiohead's the Bends, Ok Computer
    HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A Thesis Presented as Partial Fulfillment of the Requirements for the Attainment of the Sarjana Sastra Degree in English Language and Literature By: Azzan Wafiq Agnurhasta 08211141012 STUDY PROGRAM OF ENGLISH LANGUAGE AND LITERATURE DEPARTMENT OF ENGLISH LANGUAGE EDUCATION FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2014 APPROVAL SHEET HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A THESIS By Azzan Wafiq Agnurhasta 08211141012 Approved on 11 June 2014 By: First Consultant Second Consultant Sugi Iswalono, M. A. Eko Rujito Dwi Atmojo, M. Hum. NIP 19600405 198901 1 001 NIP 19760622 200801 1 003 ii RATIFICATION SHEET HYPERREALITY IN RADIOHEAD’S THE BENDS, OK COMPUTER, AND KID A ALBUMS: A SATIRE TO CAPITALISM, CONSUMERISM, AND MECHANISATION IN POSTMODERN CULTURE A THESIS By: AzzanWafiqAgnurhasta 08211141012 Accepted by the Board of Examiners of Faculty of Languages and Arts of Yogyakarta State University on 14July 2014 and declared to have fulfilled the requirements for the attainment of the Sarjana Sastra degree in English Language and Literature. Board of Examiners Chairperson : Nandy Intan Kurnia, M. Hum. _________________ Secretary : Eko Rujito D. A., M. Hum. _________________ First Examiner : Ari Nurhayati, M. Hum. _________________ Second Examiner : Sugi Iswalono, M. A. _________________
    [Show full text]
  • Escaping Eden
    Escaping Eden Chapter 1 I wake up screaming. Where am I? What’s going on? Why do I feel so cold? It’s dark. I look around, blinking sleep from my eyes. I notice a window somewhere in the back of the room. It’s open and moonlight shines through, casting a square beam of light across the floor. A breeze drifts in, and white curtains float like pale ghosts in the darkness. In the narrow light of the moon, I see that the carpet is burgundy. I also see the outlines of furniture. My head vaguely aching, I look at the shadows scattered messily across the room. I feel like sweeping them up to make room for light. I shake off the urge. Stop being delusional. There’s a funny smell in the air, ​ ​ like a mixture of old home mustiness and laboratory sterilization. I realize that I’m lying on the floor. Why am I not on the bed? ​ The last thing I remember is pain. Maybe that’s why I woke up screaming. The ​ ​ pain was intense. The pain was… cold. I decide to swallow my fear. It tastes terrible. ​ I stand up and my neck aches. As I rub my hand across it, my bones crack like I haven’t moved in a long time. I whisper to myself. “As Grandpa always said…” My train of thought rolls off into the distance. Where was I going with this? Who is “Grandpa”? I put my hand on my sweaty ​ forehead. I must be tired. I look for a light switch by approaching the walls and groping ​ ​ around.
    [Show full text]
  • Relevance Models for Collaborative Filtering
    Relevance Models for Collaborative Filtering Relevance Models for Collaborative Filtering Proefschrift ter verkrijging van de graad van doctor aan de Technische Universiteit Delft, op gezag van de Rector Magnificus prof.dr.ir. J. T. Fokkema, voorzitter van het College voor Promoties, in het openbaar te verdedigen op maandag 7 april 2008 om 12:30 uur door Jun Wang MSc in Computer Science from National University of Singapore, Singapore, Bachelor in Electrical Engineering from Southeast University, China, geboren te Jiangsu, China. Dit proefschrift is goedgekeurd door de promotor: Prof.dr.ir. M.J.T. Reinders Toegevoegd promotor: Dr.ir. A.P. de Vries Samenstelling promotiecommissie: Rector Magnificus, voorzitter Prof.dr.ir. M.J.T. Reinders, Technische Universiteit Delft, promotor Dr.ir. A.P. de Vries, CWI, toegevoegd promotor Prof.dr.ir. G. Jongbloed, Technische Universiteit Delft Prof.dr. S.E. Robertson, Microsoft Research, Cambridge, UK Prof.dr.ir. M. van Steen, Vrije Universiteit Prof.dr. B. Berendt, Katholieke Universiteit Leuven, Belgium Dr.ir. D. Hiemstra, Universiteit Twente Advanced School for Computing and Imaging This work was carried out in the ASCI graduate school; ASCI dissertation series number 158. The research reported in this thesis was financed by the CACTUS and I-Share projects. ISBN 978-90-9022932-4 Copyright c 2007 by Jun Wang All rights reserved. No part of the material protected by this copyright notice may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without written permission from the copyright owner. The Master said, “When I walk along with two others, they may serve me as my teachers.
    [Show full text]
  • LIVING NETWORKS Leading Your Company, Customers, and Partners in the Hyper-Connected Economy
    LIVING NETWORKS Leading Your Company, Customers, and Partners in the Hyper-Connected Economy Table of Contents Part 1: Evol ving Networks Chapter 1 - The Networks Come Alive: What the Changing Flow of Information and Ideas Means For Business 3 Chapter 2 - Emerging Technologies: How Standards and Integration Are Driving Business Strategy 19 Part 2: Evolving Organizations Chapter 3 - The New Organization: Leadership Across Blurring Boundaries 39 Chapter 4 - Relationship Rules: Building Trust and Attention in the Tangled Web 59 Chapter 5 - Distributed Innovation: Intellectual Property in a Collaborative World 79 Chapter 6 - Network Presence: Harnessing the Flow of Marketing, Customer Feedback, and Knowledge 101 Part 3: Evolving Strategy Chapter 7 - The Flow Economy: Opportunities and Risks in the New Convergence 123 Chapter 8 - Next Generation Content Distribution: Creating Value When Digital Products Flow Freely 149 Chapter 9 - The Flow of Services: Reframing Digital and Professional Services 167 Chapter 10 - Liberating Individuals: Network Strategy for Free Agents 191 Part 4: Future Networks Chapter 11 - Future Networks: The Evolution of Business 207 What Business Leaders Say About Living Networks "I'm not sure that even Ross Dawson realizes how radical—and how likely—his vision of the future is. Ideas that spread win, and organizations that spawn them will be in charge." - Seth Godin, author, Unleashing the Ideavirus , the #1 selling e-book in history "Dawson is exactly right—pervasive networking profoundly changes the business models and strategies required for success. Living Networks provides invaluable insights for decision makers wanting to prosper in an increasingly complex and demanding business environment." - Don Tapscott , author, Wikinomics "Ross Dawson argues persuasively that leading economies are driven by the flow of information and ideas.
    [Show full text]
  • The Most Depressive Songs of Radiohead
    The most depressive songs of Radiohead 150 000 1 500 000 listeners at listeners at Last.fm Last.fm 15 Step Jigsaw Falling Into Place Feral Fitter Happier There, There Bodysnatchers Cheerful Backdrifts Separator Go To Sleep My Iron Lung Airbag Packt Like Sardines In a Crushed Tin Box Burn the Witch Sulk House Of Cards Lotus Flower Little By Little Optimistic Myxomatosis A Punch Up At a Wedding Anyone Can Play Guitar Idioteque Sit Down. Stand Up I Might Be Wrong In Limbo Where I End and You Begin Bones Thinking About You Morning Mr Magpie Vegetable Morning Bell Lurgee (Nice Dream) The National Anthem Just 2 + 2 = 5 High And Dry Identikit Subterranean A Wolf At the Door Present Tense Homesick Alien Electioneering Bloom The Bends Karma Police You Blow Out Stop Whispering Black Star Prove Yourself Planet Telex I Can't How Do You? Decks Dark Ripcord Scatterbrain Climbing Up the Walls Morning Bell/Amnesiac Faust Arp Reckoner How To Disappear Paranoid Android Like Spinning Plates Lucky Completely Weird Fishes/ Arpeggi Knives Out Ful Stop Exit Music (For a Film) I Will Kid A Nude Give Up The Ghost Pulk/Pull Revolving Desert Island Disk Street Spirit (Fade Out) Let Down Doors Fake Plastic Trees No Surprises You And Whose Army? The Gloaming Daydreaming Depressing Creep Dollars & Cents All I Need Tinker Tailor Soldier Bullet Proof ... I Wish I Sailor Rich Man Poor Hunting Bears Was Treefingers Man Beggar Man Thief Pyramid Song Codex Everything In Its Right Glass Eyes Life In a Glasshouse Sail To The Moon Videotape The Tourist Place The Numbers Motion Picture We Suck Young Blood True Love Waits Soundtrack Hail To the The King Of A Moon Pablo Honey The Bends OK Computer Kid A Amnesiac In Rainbows Thief Limbs Shaped Pool Data source: https://data.world/rcharlie/gloom-index-of-radiohead-songs.
    [Show full text]
  • 500 Drugstore Feat. Thom Yorke El President 499 Blink
    500 DRUGSTORE FEAT. EL PRESIDENT THOM YORKE 499 BLINK 182 ADAMS SONG 498 SCREAMING TREES NEARLY LOST YOU 497 LEFTFIELD OPEN UP 496 SHIHAD BEAUTIFUL MACHINE 495 TEGAN AND SARAH WALKING WITH A GHOST 494 BOMB THE BASS BUG POWDER DUST 493 BAND OF HORSES IS THERE A GHOST 492 BLUR BEETLEBUM 491 DISPOSABLE HEROES TELEVISION THE DRUG OF THE OF... NATION 490 FOO FIGHTERS WALK 489 AIR SEXY BOY 488 IGGY POP CANDY 487 NINE INCH NAILS THE HAND THAT FEEDS 486 PEARL JAM NOT FOR YOU 485 RADIOHEAD EVERYTHING IN ITS RIGHT PLACE 484 RANCID TIME BOMB 483 RED HOT CHILI MY FRIENDS PEPPERS 482 SANTIGOLD LES ARTISTES 481 SMASHING PUMPKINS AVA ADORE 480 THE BIG PINK DOMINOS 479 THE STROKES REPTILIA 478 THE PIXIES VELOURIA 477 BON IVER SKINNY LOVE 476 ANIMAL COLLECTIVE MY GIRLS 475 FILTER HEY MAN NICE SHOT 474 BRAD 20TH CENTURY 473 INTERPOL SLOW HANDS 472 MAD SEASON SLIP AWAY 471 OASIS SOME MIGHT SAY 470 SLEIGH BELLS RILL RILL 469 THE AFGHAN WHIGS 66 468 THE FLAMING LIPS FIGHT TEST 467 ALICE IN CHAINS MAN IN THE BOX 466 FAITH NO MORE A SMALL VICTORY 465 THE THE DOGS OF LUST 464 ARCTIC MONKEYS R U MINE 463 BECK DEADWEIGHT 462 GARBAGE MILK 461 BEN FOLDS FIVE BRICK 460 NIRVANA PENNYROYAL TEA 459 SHIHAD YR HEAD IS A ROCK 458 SNEAKER PIMPS 6 UNDERGROUND 457 SOUNDGARDEN BURDEN IN MY HAND 456 EMINEM LOSE YOURSELF 455 SUPERGRASS RICHARD III 454 UNDERWORLD PUSH UPSTAIRS 453 ARCADE FIRE REBELLION (Lies) 452 RADIOHEAD BLACK STAR 451 BIG DATA DANGEROUS 450 BRAN VAN 3000 DRINKING IN LA 449 FIONA APPLE CRIMINAL 448 KINGS OF LEON USE SOMEBODY 447 PEARL JAM GETAWAY 446 BEASTIE
    [Show full text]
  • FWWH Revised Songbook ―This Camp Was Built to Music Therefore Built Forever
    FWWH Revised Songbook Revised Summer 2011 ―This camp was built to music therefore built forever‖ These are the songs sung by Four Winds and Westward Ho campers – songs that have expressed their interests and ideals through the years. As you sing the songs again, may they recall memories of sunny days, and some misty and rainy ones too, of sailing on sparkling blue water, of cantering along leafy trails, of exploring the beach when the tide is out. May these songs remind you of unexpected adventure, and of friendships formed through the sharing of Summer days, working and playing together. 1 Index of songs A Gypsy‘s Life…………………………………………………….7 A Junior Song……………………………………………………..7 A Walking Song………………………………….…….………….8 Across A Thousand Miles of Sea…………..………..…………….8 Ah, Lovely Meadows…………………………..……..…………...9 All Hands On Deck……………………………………..……..…10 Another Fall…………………………………...…………………10 The Banks of the Sacramento…………………………………….…….12 Big Foot………………………………………..……….………………13 Bike Song……………………………………………………….…..…..14 Blow the Man Down…………………………………………….……...14 Blowin‘ In the Wind…………………………………………………....15 Boy‘s Grace…………………………………………………………….16 Boxcar……………………………………………………….…..……..16 Canoe Round…………………………………………………...………17 Calling Out To You…………………………………………………….17 Canoe Song……………………………………………………………..18 Canoeing Song………………………………………………………….18 Cape Anne………………………………………………...……………19 Carlyn…………………………………………………………….…….20 Changes………………………………………………………………...20 Christmas Night………………………………………………………...21 Christmas Song…………………………………………………………21 The Circle Game……………………………………………………..…22
    [Show full text]
  • Rock Harmony Reconsidered: Tonal, Modal and Contrapuntal Voice&
    DOI: 10.1111/musa.12085 BRAD OSBORN ROCK HARMONY RECONSIDERED:TONAL,MODAL AND CONTRAPUNTAL VOICE-LEADING SYSTEMS IN RADIOHEAD A great deal of the harmony and voice leading in the British rock group Radiohead’s recorded output between 1997 and 2011 can be heard as elaborating either traditional tonal structures or establishing pitch centricity through purely contrapuntal means.1 A theory that highlights these tonal and contrapuntal elements departs from a number of developed approaches in rock scholarship: first, theories that focus on fretboard-ergonomic melodic gestures such as axe- fall and box patterns;2 second, a proclivity towards analysing chord roots rather than melody and voice leading;3 and third, a methodology that at least tacitly conflates the ideas of hypermetric emphasis and pitch centre. Despite being initially yoked to the musical conventions of punk and grunge (and their attendant guitar-centric compositional practice), Radiohead’s 1997– 2011 corpus features few of the characteristic fretboard gestures associated with rock harmony (partly because so much of this music is composed at the keyboard) and thus demands reconsideration on its own terms. This mature period represents the fullest expression of Radiohead’s unique harmonic, formal, timbral and rhythmic idiolect,4 as well as its evolved instrumentation, centring on keyboard and electronics. The point here is not to isolate Radiohead’s harmonic practice as something fundamentally different from all rock which came before it. Rather, by depending less on rock-paradigmatic gestures such as pentatonic box patterns on the fretboard, their music invites us to consider how such practices align with existing theories of rock harmony while diverging from others.
    [Show full text]
  • Radiohead: the Guitar Weilding, Dancing, Singing Commodity
    Georgia State University ScholarWorks @ Georgia State University Communication Theses Department of Communication 2-23-2009 Radiohead: The Guitar Weilding, Dancing, Singing Commodity Selena Michelle Lawson Follow this and additional works at: https://scholarworks.gsu.edu/communication_theses Part of the Communication Commons Recommended Citation Lawson, Selena Michelle, "Radiohead: The Guitar Weilding, Dancing, Singing Commodity." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/communication_theses/47 This Thesis is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. RADIOHEAD: THE GUITAR WEILDING, DANCING, SINGING COMMODITY by SELENA LAWSON Under the Direction of Jeffery Bennett ABSTRACT In 2007, Radiohead released a downloadable album, In Rainbows, allowing consumers to pay what they thought the album was worth. The band responded to a moment of change in the music industry. Since then, other bands, like Nine Inch Nails and Coldplay, have made similar moves. Radiohead's capability to release an album and let the fans decide its worth relied on the image they built, which foregrounded their commodification. The historic move redefined the boundaries between art and commodity, a well know tension in popular music studies. The thesis focuses on popular music as communication in the changing industry. Using Radiohead’s album as a case study, it looks at the changing boundaries in the tension between art and commodity. The thesis examines Radiohead's performance, its mediation by the press, and what the album’s distribution method meant to the fans.
    [Show full text]