Newsletter Spring 08 Final

Total Page:16

File Type:pdf, Size:1020Kb

Newsletter Spring 08 Final 2007 Pulitzer Prize Winner for Poetry or National Poetry Cave Canem poetry prize for Natasha Trethewey has a B.A Month, the Humani- the best first book by an Afri- in English from the University F ties Institute is can American of Georgia, an M.A. in Eng- continuing its tradition poet and also lish and Creative Writing from of bringing to the Uni- received the 2001 Hollins University, and a versity of South Flor- Lillian Smith M.F.A. in poetry from the ida a nationally known Award for Po- University of Massachusetts. poet. On April 17, etry. Her second She has received grants from 2008, Natasha Tre- work, Bellocq’s the Guggenheim Foundation, thewey, the 2007 Pul- Ophelia (2002), the Rockefeller Foundation, itzer Prize winner for received the 2003 the Bunting Fellowship Pro- poetry, will read and Mississippi Insti- gram of the Radcliffe Institute discuss her poetry in Photo © Jon Rou tute of Arts and for Advanced Studies at Har- Traditions Hall at 7:00pm. Letters Book prize and was vard University, and Ms. Trethewey won the 2007 a finalist for both the Acad- the National Endow- prize for her third poetry col- emy of American Poets’ ment for the Arts. lection, Native Guard (2006), James Laughlin and the She is presently the poems about black Union sol- Lenore Marshall prizes. It Phillis Wheatley diers who guarded a fort off was named a 2003 Notable Distinguished Chair, the coast of Mississippi during Book by the American Professor of Poetry the United States Civil War. Library Association. Her at Emory University. poetry has appeared in ma- With her first poetry collec- jor poetry journals, such as the This event is co-sponsored by tion, Domestic Work (2000), Kenyon Review, The Southern the Department of English, the she started to gather prizes and Review, and the American Department of Women’s Stud- national recognition. Domes- Poetry Review. ies, and Women in Leadership tic won the inaugural 1999 and Philanthropy. Science Fiction Symposium IV n Tuesday, March 18, ers, the Hugo Award (3), the Professor of English at the O 2008 at the Museum of Nebula Award, the British University of Tampa, who has Science and Industry Science Fiction Association written a book-length critical (MOSI) auditorium at 7:00pm Award (2), the Eurocon Merit study of Brian Aldiss, Aldiss the Humanities Institute and Award, the Prix Jules Verne Unbound: The Science Fic- the USF Tampa Library will (Sweden), and the Kurd Lass- tion of Brian W. Aldiss; from sponsor their fourth science witz Award the scientific view—Brian fiction symposium. Unlike (Germany). Two Space, Department of Chemis- the first three symposia that of his works have try, USF, who has been an featured panels of several been adapted for avid science fiction fan since science fiction authors, this films. Franken- childhood and who believes fourth one will concentrate stein Unbound that his love of science fiction UNIVERSITY OF SOUTH FLORIDA on only one science fiction was filmed by has been enhanced by the in- writer, Brian Aldiss, who Brian Aldiss Roger Corman in sights gained by way of his was named “Grand Master 1990, and his broad scientific training; from of Science Fiction” in 1999, short story “Supertoys Last All Aldiss’s fellow science fiction and on June 11, 2005 was Summer Long” was turned writers—John Clute, a major Humanities Institute awarded an OBE (Order of the into the movie Artificial Intel- producer of encyclopedias on British Empire) for Services to ligence: AI in 2001, directed science fiction and fantasy, Literature by Queen Elizabeth and co-produced by Steven and Elizabeth Hand, an award- II. Spielberg. Along with Aldiss, winning science fiction novel- Brian Aldiss has published a panel of four scholars will ist. Rick Wilber, School of Volume IV, Issue 2 over 80 books. He is a poet, comment on his works from Mass Communication, USF, dramatist, critic, and a fiction three distinct viewpoints: and a prominent science fic- Spring 2008 and science fiction writer. His From the literary view— tion writer himself, will mod- works have won, among oth- Richard Mathews, the Dana erate the panel discussion. Faculty Publications and Awards PUBLICATIONS English Mass Communications Tim Bajkiewicz. “When the In-Box Breaks: Sara Munson Deats. The critical essay An Exploratory Analysis of Online Network Africana Studies “Tamburlaine and Edward II: The Truth of Breaking News E-mail Alerts” Electronic Deborah G. Plant. Zora Neale Hurston: A Contraries” for the Washington Shakespeare News 1.4 (2007) Biography of the Spirit (London: Praeger, Theater’s Fall 2007 Seasons Guide, and she 2007). delivered the invited lecture “Marlowe and Humanities/American Studies Gender” at the Marlowe Symposium. Anthropology Priscilla Brewer. “The Chafing Dish and Nicole Discenza. “Alfred the Great’s the College Girl: The Evolution and Mean- Robert Tycot. “Early Neolithic obsidian Boethius.” Literature Compass 3 (2006) and ing of the ‘Spread’ at Northern Women’s trade in Sardinia: the Coastal Site of Santa “Teaching Guide to ‘Alfred the Great’s Colleges, 1870-1910” in Eating in Eden: Caterina di Pittinuri (Cuglieri - OR)” in Boethius.’” Compass Teaching Guides 3 Food and American Utopias (Lincoln, Préhistoire et protohistoire de l’aire tyrrhé- (2007). 2006). nienne/Preistoria e protostoria dell’area John Hatcher. The Ascent of Society: The Maria Cizmic. “Of Bodies and Narratives: tirrenica (Felici Editori, 2007); “Stable Iso- Social Imperative in Personal Salvation Musical Representations of Pain and Illness topes as Indicators of Change in the Food (Wilmette, 2007). in HBO’s Wit” in Sounding Off: Theorizing Procurement and Food Preference of Viking Pat Rogers. “What Stranger Cause? Family Disability in Music (Routledge 2006). Age and Early Christian Populations on and Kinship in The Rape of the Lock” in The Annette Cozzi. “Men and Menus: Dickens Gotland (Sweden)” Journal of Anthropo- Times Literary Supplement (Oct. 2007). and the Rise of the ‘Ordinary’ Gentleman” logical Archaeology 26 (2007); and “Dieta Philip Sipiora. “The Phenomenological in Edible Ideologies: Representing Food en sociedades alfareras de Chile Central: Quest of Stanley Kubrick: Eyes Wide Shut” and Meaning (SUNY Press, 2007). aporte de análisis de isótopos estables” in Stanley Kubrick: Essays on His Films and James D'Emilio. “The Cathedral Chapter of Chungara, Revista de Antropología Chilena Legacy (McFarland, 2007) and “Living in a Lugo in the Twelfth and Thirteenth Centu- 39.1 (2007). Darker World: Hemingway’s Figural, Phe- ries: Reform and Retrenchment” in Cross, Linda Whiteford co-authored Primary nomenal Florida Fiction” Florida English 5 Crescent, Conversion: Studies on Medieval Health Care in Cuba: The Other Revolution (2007). Spain and Christendom (Leiden, Brill, (Rowman and Littlefield, 2007). Government and International Affairs 2007) and “Inscriptions and the Roman- Communication esque Church: Patrons, Prelates, and Crafts- Cheryl Hall. “Recognizing the Passion in men in Romanesque Galicia” in Spanish Deliberation: Toward a More Democratic Stacy Holman Jones. Torch Singing: Per- Medieval Art (Arizona Center for Medieval Theory of Deliberative Democracy” in Hy- forming Resistance and Desire from Billie and Renaissance Studies, 2007). patia: A Journal of Feminist Philosophy Holiday to Edith Piaf (Alta Mira Press, Silvio Gaggi. “The Visual, the Verbal, and 22.4 (Fall 2007). 2007). Beyond: Marcel Duchamp and the Large A Japanese translation of Ken Cissna’s co- History Glass in a special issue of Symbolism 8 authored book, The Martin Buber – Carl (2007). Rogers Dialogue: A New Transcript with Giovanna Benadusi. “Carteggi e negozi Adriana Novoa. “Teaching Latin America Commentary (SUNY Press, 1997) was re- della Granduchessa Vittoria della Rovere, in an Interdisciplinary Way” in Social Edu- leased by Shunjusha. 1634-1694” in Le donne Medici nel sistema cation (2007). Art Bochner. “Notes Toward an Ethics of europeo delle corti (Florence, 2007) and “La Memory in Autoethnography” in Ethical madre e il granduca: Stato e famiglia nelle Interdisciplinary Social Science Futures in Qualitative Research: Decoloniz- suppliche al Magistrato Supremo” in Kennan Ferguson. William James: Politics ing the Politics of Knowledge. (Left Coast Famiglie e Potere in Italia tra Medioevo ed in the Pluriverse (Rowman & Littlefield, Press, 2007). Età Moderno (Rome, 2007). 2007). Eric Eisenberg. E.. Strategic Ambiguities: Barbara Berglund. Making San Francisco Religious Studies Essays on Communication, Organization, American: Cultural Frontiers in the Urban and Identity (Sage, 2007) and co-authored West, 1846-1906 (Kansas UP, 2007). James Strange. “Some Observations from Organizational Communication: Balancing Case Boterbloem. “The Genesis of Jan Archaeology and from Religious Studies on Creativity and Constraint (5th ed.) (St. Mar- Struys’s Perillous Voyages and the Business ETI,” Alien Worlds: Social and Religious tin's Press, 2007). of the Book Trade in the Dutch Republic” in Dimensions of Extraterrestrial Contact, Caroline Ellis. “Teaching Qualitative Meth- the Papers of the Bibliographical Society of (Syracuse U, 2007); “Archaeological Evi- ods” in Qualitative Methods: Syllabi and America (June 2007). dence for Jewish Christianity?” in Jewish Instructional Materials (Washington, DC, William Cummings. A Chain of Kings: The Believers in Jesus: The Early Centuries, 2007) and “Telling Secrets, Revealing Makassarese Chronicles of Gowa and Tal- (Hendrickson, 2007); “Sepphoris and the Lives: Relational loq (U of Washington P, 2007). Earliest Christian
Recommended publications
  • To Sunday 31St August 2003
    The World Science Fiction Society Minutes of the Business Meeting at Torcon 3 th Friday 29 to Sunday 31st August 2003 Introduction………………………………………………………………….… 3 Preliminary Business Meeting, Friday……………………………………… 4 Main Business Meeting, Saturday…………………………………………… 11 Main Business Meeting, Sunday……………………………………………… 16 Preliminary Business Meeting Agenda, Friday………………………………. 21 Report of the WSFS Nitpicking and Flyspecking Committee 27 FOLLE Report 33 LA con III Financial Report 48 LoneStarCon II Financial Report 50 BucConeer Financial Report 51 Chicon 2000 Financial Report 52 The Millennium Philcon Financial Report 53 ConJosé Financial Report 54 Torcon 3 Financial Report 59 Noreascon 4 Financial Report 62 Interaction Financial Report 63 WSFS Business Meeting Procedures 65 Main Business Meeting Agenda, Saturday…………………………………...... 69 Report of the Mark Protection Committee 73 ConAdian Financial Report 77 Aussiecon Three Financial Report 78 Main Business Meeting Agenda, Sunday………………………….................... 79 Time Travel Worldcon Report………………………………………………… 81 Response to the Time Travel Worldcon Report, from the 1939 World Science Fiction Convention…………………………… 82 WSFS Constitution, with amendments ratified at Torcon 3……...……………. 83 Standing Rules ……………………………………………………………….. 96 Proposed Agenda for Noreascon 4, including Business Passed On from Torcon 3…….……………………………………… 100 Site Selection Report………………………………………………………… 106 Attendance List ………………………………………………………………. 109 Resolutions and Rulings of Continuing Effect………………………………… 111 Mark Protection Committee Members………………………………………… 121 Introduction All three meetings were held in the Ontario Room of the Fairmont Royal York Hotel. The head table officers were: Chair: Kevin Standlee Deputy Chair / P.O: Donald Eastlake III Secretary: Pat McMurray Timekeeper: Clint Budd Tech Support: William J Keaton, Glenn Glazer [Secretary: The debates in these minutes are not word for word accurate, but every attempt has been made to represent the sense of the arguments made.
    [Show full text]
  • Table of Contents MAIN STORIES Gardner Dozois, Ed.; Throy, Jack Vance
    Table of Contents MAIN STORIES Gardner Dozois, ed.; Throy, Jack Vance. ABA draws 27,000 ...............................................6 Reviews by Gary K. Wolfe:............................... 27 Baen Unveils New L ogo..................................... 6 Hearts, Hands and Voices aka The Broken Land, Fritz Leiber V Margo Skinner............................6 Ian McDonald; Tales of Chicago, R.A. Lafferty; Clarke Takes Plunge............................................ 6 Canadian Science Fiction and Fantasy, David THE NEWSPAPER OF THE SCIENCE FICTION FIELD Foundation: The Movie....................................... 6 Ketterer; Fairy Tale Romance: The Grimms, Wyatt Quits Ballantine Books............................7 Basile, and Perrault, James M. McGlathery. (ISSN-0047-4959) DimeNovels Debacle........................................... 7 Reviews by Dan Chow:...................................... 29 EDITOR & PUBLISHER Bloch’s 75th Birthday B ash.................................9 Beachhead, Jack Williamson; Labyrinth of Night, Charles N. Brown THE DATA FILE Allen Steele; Mining the Oort, Frederik Pohl; ASSOCIATE EDITOR Worldcon News....................................................7 The Year’s Best Science Fiction: Ninth Annual Faren C. Miller Bookstore News...................................................7 Collection, Gardner Dozois, ed. ASSISTANT EDITORS Satanic Verses Update........................................ 7 Reviews by Carolyn Cushman:..........................31 Marianne S. Jablon Copyright News..................................................69
    [Show full text]
  • SF Commentary 83
    SSFF CCoommmmeennttaarryy 8833 October 2012 GUY SALVIDGE ON THE NOVELS OF PHILIP K. DICK ALSO IN THIS ISSUE: Brian ALDISS Eric MAYER John BAXTER Cath ORTLIEB Greg BENFORD Rog PEYTON Helena BINNS Mark PLUMMER Damien BRODERICK Franz ROTTENSTEINER Ned BROOKS Yvonne ROUSSEAU Ian COVELL David RUSSELL Bruce GILLESPIE Darrell SCHWEITZER Fenna HOGG Steve SNEYD John-Henri HOLMBERG Ian WATSON Carol KEWLEY Taral WAYNE Robert LICHTMAN Frank WEISSENBORN Patrick MCGUIRE Ray WOOD Murray MACLACHLAN Martin Morse WOOSTER Tim MARION Cover: Fenna Hogg S F Commentary 83 SF Commentary No 83, October 2012, 107 pages, is edited and published by Bruce Gillespie ([email protected]), 5 Howard St., Greensborough VIC 3088, Australia, and http://efanzines.com/SFC/SFC83.pdf. All correspondence: [email protected]. Member fwa. First edition and primary publication is electronic. All material in this publication was contributed for one-time use only, and copyrights belong to the contributors. Alternate editions: * A very limited number of print copies are available. Enquiries to the editor. * The alternate PDF version is portrait-shaped, i.e. it looks the same as the print edition, but with colour graphics. Front cover: Melbourne graphic artist Fenna Hogg’s cover does not in fact portray Philip K. Dick wearing a scramble suit. That’s what it looks like to me. It is actually based on a photograph of Melbourne writer and teacher Steve Cameron, who arranged with Fenna for its use as a cover. Graphic: Carol Kewley (p. 105). Photographs: Damien Broderick (p. 5); Guy Salvidge (p. 10); Jim Sakland/Dick Eney (p. 67); Jerry Bauer (p.
    [Show full text]
  • Science Fiction
    Science Fiction Module Convenors: Dr Caroline Edwards & Dr Joe Brooker Module Level: BA Level 6 (optional module) Time: Wednesdays 6-7.20pm, 2014-15 Module description This module introduces students to some of the key concepts and methodological approaches used in the contemporary study of science fiction (SF). SF is understood inclusively, as a capacious genre overlapping at times with fantasy, utopian/dystopian literature, Gothic, satire, speculative fiction, and the alternate mappings of literary history offered by modernism or postmodernism. Focusing on its development throughout the twentieth and into the twenty-first century, we will consider the ways in which SF has evolved: in particular in the novel and the short story, but also at times invoking other forms such as drama and film. We will be drawing on a range of critical approaches through which to explore some of the defining interests of SF literature and to reflect upon its critical reception in secondary literature. Module aims and objectives • To develop understanding of debates about genre. What is ‘genre fiction’? What distinctions or hierarchies are established between ‘literary’ and ‘genre’ texts? How have our understandings of SF as a genre changed over the last century? • To become familiar with recurring tropes such as robots, space exploration, genetic engineering, dystopian futures and (post-) apocalyptic worlds. • To explore ways that Science Fiction has acted as a social commentary on contemporary society. • To gain an understanding of how Science Fiction has explored ideas including parallel worlds, alternate histories and different models of time and reality. • To gain knowledge of diverse critical approaches to SF, including those from Marxism, structuralism, gender studies, postcolonial theory, cultural history, adaptation studies, ecocriticism and utopianism / dystopianism.
    [Show full text]
  • The Mutual Influence of Science Fiction and Innovation
    Nesta Working Paper No. 13/07 Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Reader in Digital Media, Professor of Information and Research Fellow, Faculty of Arts, Research Centre for Material Technology, SPRU, University University of Brighton, Visiting Digital Culture, School of of Communication Sussex Fellow at SPRU, University of Media, Film and Music, Sussex University of Sussex Nesta Working Paper 13/07 March 2013 www.nesta.org.uk/wp13-07 Abstract This report examines the relationship between SF and innovation, defined as one of mutual engagement and even co-constitution. It develops a framework for tracing the relationships between real world science and technology and innovation and science fiction/speculative fiction involving processes of transformation, central to which are questions of influence, persuasion, and desire. This is contrasted with the more commonplace assumption of direct linear transmission, SF providing the inventive seed for innovation– instances of which are the exception rather than the rule. The model of influence is developed through an investigation of the nature and evolution of genre, the various effects/appeals of different forms of expression, and the ways in which SF may be appropriated by its various audiences. This is undertaken (i) via an inter- disciplinary survey of work on SF, and a consideration the historical construction of genre and its on-going importance, (ii) through the development of a prototype database exploring transformational paths, and via more elaborated loops extracted from the database, and (iii) via experiments with the development of a web crawl tool, to understand at a different scale, using tools of digital humanities, how fictional ideas travel.
    [Show full text]
  • Reading by Starlight
    READING BY STARLIGHT Science fiction’s impact on popular culture has been striking. Yet sf’s imaginative texts often baffle or dismay readers trained to enjoy only the literary or ‘canonical’. Reading by Starlight explores those characteristics in the writing, marketing and reception of science fiction which distinguish it as a mode. Damien Broderick analyses the postmodern self-referentiality of science fiction narrative, its intricate coded language and discursive ‘encyclopaedia’. He shows how, for rich understanding, sf readers must learn the codes and vernacular of these imaginary worlds, while absorbing the ‘lived-in futures’ generated by the overlapping intertexts of many sf writers. Reading by Starlight includes close readings of cyberpunk and other postmodern texts, and writings by such sf novelists and theorists as Brian Aldiss, Isaac Asimov, Christine Brooke-Rose, Arthur C.Clarke, Samuel R.Delany, William Gibson, Fredric Jameson, Kim Stanley Robinson, Vivian Sobchack, Darko Suvin, Michael Swanwick, Tzvetan Todorov and John Varley. Damien Broderick, author of The Architecture of Babel: Discourses of Literature and Science, is an award-winning writer who sold his first collection of stories at 20, has published eight novels and holds a PhD in the semiotics of science, literature and science fiction. POPULAR FICTIONS SERIES Series editors: Tony Bennett Graham Martin Professor of Cultural Studies Professor of English Literature School of Humanities Open University Griffith University In the same series Cover Stories: Narrative and
    [Show full text]
  • SF Commentary 96
    112211 ppaaggeess AApprriill 22001188 SSFF CCoommmmeennttaarryy 9966 TRIBUTES TO URSULA LE GUIN, KATE WILHELM, PETER NICHOLLS, BRIAN ALDISS 49th Anniversary Edition PETER YOUNG on THE INTERNATIONAL SF DATABASE ANDREW MILNER on GEORGE TURNER RON DRUMMOND on STEVE ERICKSON RAY SINCLAIR-WOOD on SF POETRY COLIN STEELE on THE SF/FANTASY FIELD ANDERS BELLIS GREG BENFORD RANDY BYERS STEPHEN CAMPBELL ELAINE COCHRANE PAUL COLLINS AGNES COSSATO GIAMPAOLO COSSATO ROBERT DAY LEIGH EDMONDS ROB GERRAND BRUCE GILLESPIE TERRY GREEN STEVE JEFFERY CAROL KEWLEY JOHN LITCHEN PATRICK MCGUIRE DENNY MARSHALL MURRAY MOORE GERALD MURNANE TONY PEACEY ANDY ROBSON FRANZ ROTTENSTEINER YVONNE ROUSSEAU SANJAR SIRCAR PAUL SKELTON MARTIN MORSE WOOSTER and many others Cover: Carol Kewley: ‘Utopian Cat’. S F Commentary 96 April 2018 121 pages SF COMMENTARY No. 96, April 2018, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. Available only from eFanzines.com: Portrait edition (print page equivalent) at http://efanzines.com/SFC/SFC96P.PDF or Landscape edition (widescreen): at http://efanzines.com/SFC/SFC96L.PDF or from my email address: [email protected] All correspondence: [email protected]. Member fwa. Front cover: Carol Kewley: ‘Utopian Cat’. Back cover: Elaine Cochrane: ‘Untitled (2014).’ Cotton embroidery on linen. Artwork: Irene Pagram (p. 8); Anders Sandberg (pp. 19–20); Denny Marshall (pp. 83, 98, 102, 119); Agnes Cossatto (p. 113). Photographs: Fay Godwin (p. 8); Richard Wilhelm (p. 10); Andrew Porter (p. 12); George Turner Collection (p. 32); Randy Byers (‘King-sized Pine Cones’) (p. 42); Ray Sinclair-Wood (pp. 52, 54, 55, 57, 58, 95); John Litchen (pp.
    [Show full text]
  • Guide to the Brian Aldiss Collection, 2004-2009 Descriptive Summary
    Guide to the Brian Aldiss collection, 2004-2009 Descriptive Summary Title : Brian Aldiss collection Creator: Aldiss, Brian Wilson (1925-2017) Dates : 2004-2009 ID Number : A45 Size: 3 boxes Abstract: The collection includes personal and professional correspondence, manuscript and typescript drafts of approximately thirty books and short stories, biographical works, and some of personal logs. Language(s): English Repository: Special Collections University of South Florida Libraries 4202 East Fowler Ave., LIB122 Tampa, Florida 33620 Phone: 813-974-2731 - Fax: 813-396-9006 Contact Special Collections Administrative Summary Provenance: Aldiss, Brian Wilson, 1925-2017 Acquisition Donation Information: Access Conditions: Access to series 1, subseries 2 "Personal Correspondence" (box 1, folders 4 to 7), is restricted. Written permission from the director of Special & Digital Collections is required to view the materials. Use Conditions: The contents of the collection may be subject to copyright. Visit the United States Copyright Office's website at http://www.copyright.gov/ for more information. Preferred Citation: Brian Aldiss Collection, Special Collections Department, Tampa Library, University of South Florida, Tampa, Florida. Biographical Note Brian Wilson Aldiss, OBE, is a science fiction author, a mainstream novelist, a poet, an essayist, a dramatist, a science fiction historian, and a critic whose work has been published in dozens of countries around the world. He was born on August 18, 1925 in Dereham, Norfolk, England. In 1943, he was drafted by the Army and was sent to the Britannia Barrack, Norwich; after his training, he joined the Royal Corps of Signals at Catterick Camp, Yorkshire. In 1944, he was transferred abroad and served in India, Assam, Burma, Sumatra, Singapore, and Hong Kong.
    [Show full text]
  • Science Fiction and the History of Science
    Honors 4920/History 4730 Spring 2019 Science Fiction and the History of Science Instructors: Dr. Eric Swedin and Dr. David Ferro Offices: LH274 (Swedin) and ET110 (Ferro) Office phone: 801-395-3553 (Swedin) and 801-626-6303 (Ferro) E-mail: [email protected] and [email protected] Office Hours: Tuesdays and Thursdays, 2:30-5:00 (Swedin) Other office hours are available by appointment. Text: Leonard Mlodinow, The Upright Thinkers: The Human Journey from Living in Trees to Understanding the Cosmos (2015) ISBN-10: 0345804430 Class Description and Objectives: This course will examine current and historical writings of science fiction in the context of the history of scientific and technological developments. Class participation and discussion is expected. Grading Policies: Grades will be determined on the following basis: Quizzes 60% Term Paper 30% Class Participation 10% Grades: A: 90 - 100% B: 80 - 89% C: 70 - 79% D: 60 - 69% E: 0 - 59% (Grades at the high or low ends of these ranges will earn plus and minus grades.) Readings: The readings for each day are available on Canvas or listed on the Schedule in this syllabus. Quizzes: There will a short quiz every day at the beginning of class. Each quiz will be based on the readings that you were given for that day, or will be given on the content of the previous class’s presentations. There may also be a couple of questions from previous quizzes’ content. Book Presentation: Each student will read an additional book from a list to be distributed by the instructors. The student should research book reviews and academic papers on the book, if they exist.
    [Show full text]
  • SFRA Newsletter Publ Ished Ten Times a Year for the Science Fiction Research Association by Alan Newcomer, Hypatia Press, Eugene, Oregon
    University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 10-1-1991 SFRA ewN sletter 191 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 191 " (1991). Digital Collection - Science Fiction & Fantasy Publications. Paper 134. http://scholarcommons.usf.edu/scifistud_pub/134 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Past Presidents of afi! Thomas D. Clareson (1970-76) Arthur O. Lewis, Jr. (1977-78) Joe De Bolt (1979-80) James Gunn (1981-82) Patricia S. Warrick (1983-84) Donald M. Hassler (1985-86) William H. Hardesty (1987-89) Elizabeth Anne Hull (1989-90) Past Editors of the Newsletter Fred Lerner (1971-74) Beverly Friend (1974-78) Roald Tweet (1978-81) Elizabeth Anne Hull (1981-84) Richard W. Miller (1984-87) Robert A. Collins (1987-89) Pilgrim Award Winners J. O. Bailey (1970) Marjorie Hope Nicolson (1971 ) Julius Kagarlitski (1972) Jack Williamson (1973) I. F. Clarke (1974) Damon Knight (1975) James Gunn (1976) Thomas D. Clareson (1977) Brian W. Aldiss (1978) Darko Suvin (1979) Peter Nicholls (1980) Sam Moskowitz (1981 ) Neil Barron (1982) H Bruce Franklin (1983) Everett Bleiler (1984) Samuel R. Delany (1985) George Slusser (1986) Gary K. Wolfe (1987) Joanna Russ (1988) Ursula K.
    [Show full text]
  • Interaction Souvenir Book 2
    Interaction Special Guests Alan Lee Jane Johnson I encountered Alan Lee’s work in the first week I scope for other hands started in publishing. Castles – a beautiful wielding paint and hardback by Canadian author David Day, music and drama’.... illustrated by a young British artist – was about to Even so it took a very be launched at Canada House in London’s West long time to persuade End. My boss, the publisher of George Allen & the Estate to give us Unwin, had a copy on his desk, hot off the press. I the go ahead for the remember gazing at it with considerably more project. The deciding interest than I had in my haphazard shorthand factor was Alan’s notes as he dictated a complicated letter. As a beautifully illustrated result I rather botched the important missive to a Mabinogion, the great famous TV naturalist (which later resulted in the legend cycle of the latter being very terse with me on the phone – Welsh. Alan had mountain gorillas being clearly, and treated the tales with understandably rather more endearing to him than all the respect and inefficient PAs). Castles is a gorgeous book. The delicacy one would subject matter was already appealing to me in expect from him. The finished work is one of itself, but the illustrated contents were magical: considerable grandeur, and it won over the Estate dreamy and occasionally gruesome evocations of at long last. I commissioned 50 full-colour original mythical realms in subtly-hued watercolour and paintings from Alan, with a delivery date set a the most exquisitely detailed pencil work you good three years hence.
    [Show full text]
  • Paul Tomlinson Compiled Harry Harrison: an Annotated Bibliography Annotated Bibliography
    Science Fiction Book Club Interview with Paul Tomlinson (June 2021) Paul Tomlinson compiled Harry Harrison: An Annotated Bibliography Annotated Bibliography. With fellow author Michael Carroll he created and maintains Harry Harrison – The Official Website and for many years he ran a Harry Harrison news blog. He also writes genre fiction and books about how to write genre fiction. He is a qualified librarian and before becoming a freelance writer he worked in academic libraries and the book trade. His website is www.paultomlinson.org Antoine Tinnion: What did Harry Harrison think of the 2000AD comic version of the Stainless Steel Rat (which many of us Brits loved) I loved it too, the artwork was great. The comics introduced a lot of people in the UK to Harry’s stories and he definitely appreciated that. If anything, he felt the scripts stuck too closely to his books – he felt they should have cut more to keep the plot moving. He’d been a comics writer and artist himself and knew that too many words in a comic slowed things down and hampered the artist. Eva Sable: Is there a particular work of his that fully embodies his strengths as a writer? This is a good question and one I’ve thought about a few times. Harry wrote three kinds of story – fast- paced action-adventure stories or thrillers; humour, and serious science fiction. His best book would be one where he brought all of these things together. The West of Eden trilogy probably comes closest to achieving this, though there is only a limited amount of humour in it.
    [Show full text]