Class of 1991 Marc D

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Class of 1991 Marc D aJie ~G , WUversity of f})a/fas 9{~tIiirty o'cfoctin the Mpming . 1vfay 19, 1991 An Chemistry ---- ~ , ~ I ~ . , l ........ ~ Drama Biology Economics Education EnglishlLi terature History Languages Mathematics Philosophy Physics Psychology Politics Theology Otrfer of Ceremonies Procession Macebearer, Vice Chairman Faculty Senate, Thomas W. Jodziewicz Graduates, Faculty, Administrators, Trustees The Reverend John Gregory Kelly, Director of Religious Life Associate Dean of the College and University Registrar, Sybil Novinski Dean, Braniff Graduate School, Glen E. Thurow Interim Provost and Dean of the Constantin College, Robert E. Wood Brad Miner, Literary Editor of National Review President, Robert F. Sasseen Grand Chancellor, The Most Reverend Charles Grahmann, Bishop, Diocese of Dallas Invocation The Director of Religous Life Greetings The President of the University Commencement Address Brad Miner Presentation of Candidates for Braniff Graduate School Degrees The Dean of the Braniff Graduate School Conferral of Graduate Degrees The Grand Chancellor of the University For the Class of 1991 Marc D. M. Haefner A warding of Academic Honors by the Constantin College of Liberal Arts The Associate Dean of the College The Dean of the College Presentation of Candidates for Constantin College Degrees The Dean of the College Conferral of Constantin College Degrees The Grand Chancellor of the University Closing Remarks and Benediction The Grand Chancellor of the University America the Beautiful Jolie Fontenot Brandon Williams Recession Reception ,Follows: On the Mall fJJie Constantin Cotrege ofLibera[J2IJts For the Degree For the Degree Master of Arts in Politics For the Degree Doctor of Philosophy in Politics David Edwin Kehl Bachelor of Arts Archie Preston Jones Bruce Allan Newman Roy Brian W'adsworth Juan Almandoz Maria Cristina Alsina Lydia Margaret Welches For the Degree Brett Joseph Anderhub Doctor of Philosophy in Psychology Sotiris John Andropoulos Rosemary Joan Cleary For the Degree John Konuparampil Antony Gregory Charles Lendvay Master of Humanities Michael Thomas Appleton Claudia Elizabeth Baker Alexandra F. P. Ashenhart For the Degree Marion Carroll Hall Jonathan Geoffrey Austin Master of Fine Arts J ewell Woods Martin Bernard Anthony A vendanio Amy Lou Brower-Gleason Martha Annette Moore David Ian Banchs Margaret Emerson Ouzts Joan Catherine Banovetz Roxy Laray Polk David Louis Beck Diane Halbert Smith Aimee Elizabeth Berger For the Degree Roland B. Bernardez Master of Arts in Art For the Degree Mary Margaret Bick Joe Stewart Master of Politics Anjali Kumari Biswas Diana Thomas. Susanne Elizabeth Pennell Byron Keith Black J ames Lee Murray Blackman For the Degree For the Degree Michelle Renee Blomster Master of Arts in English Master of Religious Education Edward Livingston Boineau Kathleen Alicia Brady Mary Theresa Youngblood Glenn Edward Bingham Shawna Marie Brady Julie Ann Fulkerson Mona Mae Choucair Noelle Marie Buckley Siyum Zeraghiorghis Kifle . Patrick Michael Butler Sheila Mary Frances O'Connor For the Degree Margaret Mary Callan Edna Suzanne Welborne Master of Theological Studies Darren Keith Carollo Gabriella Veleba Bondy Kathleen Diane Casey . For the Degree Marianne Abbott Brown Jorge Cea Peiia Master of Arts in Humanities Janet Lynn Buchanan Christine Louise Chapman Carlos Antonio Rovelo James E. Gagliardo Natilie Caryl Chaves Nancy Wendell Gagliardo Anne Marie Cipolla Carolyn Cliff Phil Hunter For the Degree Joseph Barclay Cole Master of Arts in Literature Brigitte Rosalie Cordova ' Kathryn Anne Rodriguez Jennifer Kathryn Court Colene Marie Crain For the Degree Ruth Ethel Crawford Master of Arts in Philosophy Jean Yvette Crumly David F. Horkott Teresa Ann Damian Kippy Lee Myers Al isha Renae Darden Kirk DeCardenas Robyn Elizabeth Dennis Patricia Antonia DiFilippo Robert John Dionne Laura Elizabeth Earls William Joseph Eaton Barbara Marie Ehemann Tracey Ann Ehemann Jeanne Ketterer Ell iott Eduardo Luis Esteve The seal of the University of Dallas is emblematic of the Academic costume of today has a history of nearly eight ideals to which the University is dedicated. It is likewise centuries. In medieval Europe men and women wore robes or reminiscent of the deposit of faith of the Roman Catholic gowns. The materials and colors varied greatly, according to Church and of the traditions of two teaching communities the wealth and rank of the individual. Gradually there within the Church. developed distinctive gowns for the various professions, trades and guilds. They survive today in the gowns of religious The decorative outer circle bears the foundation date of the orders and the judiciary, and in academic costume. More University and the motto, "Veritatem, Justitiam Diligite." The colorful survivals are found in Great Britain, especially in quotation, taken from Zacharias VIII, 19, "Love Truth and great ceremonies of state. Justice", or more freely translated, "Through Truth, Seek Ye Justice", emphasizes the University's function of advancing the Students and teachers in medieval universities such as Paris, search for truth and encouraging the pursuit of good. Bologna, Oxford, and Cambridge organized themselves into guilds. Gradually the costume became distinctive for Enclosed within the blue band which bears the motto in an Bachelors (apprentices) of Arts, Masters (teachers) and octagonal field of green are several emblems associated with Doctors (teachers who had completed postgraduate studies). the traditions of the University. The central figure of the The distinction appeared mostly in the hood. triquetra interwoven with the triangle is a double symbol of the Holy Trinity to Whom the University is dedicated. The The hood, originally a practical element of dress, evolved into circle is a symbol of eternity and of the unity of the Godhead. a separate and purely ornamental article, draped over the shoulders and down the back. The color of the outside trim The fleur-de-lis, at once an ancient symbol of the Blessed of the hood is indicative of the degree earned as is the tassel. Virgin Mary and of France, recalls the direct and indirect Arts and letters can be recognized by the white, taken from French origins of the two teaching orders which cooperated the traditional white fur trimming of the Oxford and initially with the Roman Catholic Diocese of Dallas-Fort Cambridge Bachelor of Arts hood. Scarlet red, long Worth in establishing the University of Dallas. The Cistercian traditional of the church, indicates theology. The royal purple Order originated in France in the Eleventh Century; the of the King's court signifies law. Philosophy is signified by Congregation of the Sisters of Saint Mary of Namur was the traditional color for wisdom and truth, blue. Science is founded in Belgium by a Cistercian in the Nineteenth Century. identified by golden yellow, fine arts by brown. Drab is used for business administration. The colors of the hood lining are A crusader's shield, emblematic of faith, stands within the those of the university conferring the degree. The University green field on either side of the central device. The shield on of Dallas hood is lined in navy and white, for instance. the left contains a star, a traditional emblem of Mary, as well as the chosen emblem of Texas, the Lone Star State. The The academic cap was a later development. It was first shield on the right presents the torch of liberty and learning. conferred as a symbol of the M.A. degree. Some caps were The branches of live oak and olive trees, taken from the Seal stiff, some soft, some square, some round with a tuft in the of Texas, make further reference to the State. center. The tassel of today is an elaboration of the tuft. Round caps are still used at some institutions. The "mortar The Trinity River, on which the University is located, is board" style comes to us from Oxford. represented by the heraldic device of the wavy lines centered beneath the emblem of the Blessed Trinity. In Europe there is still great variation in the color and shape of the three articles of academic costume, but in the United The colors of the University - navy blue and white - are given States usage was standardized by the Intercollegiate Code in special prominence in the seal. The green of the octagonal . 1895. Taking the Oxford costume as a starting point, the field represents the liturgical season of the Holy Trinity. The American system is as follows: The Bachelor's gown has red of the central device typifies holy zeal. The white of long, pointed sleeves; the Master's gown has closed sleeves surrounding areas and of the small shield is symbolic of purity with a slit for the arms; the Doctor's gown has round full and innocence just as the blue of the inclosing circle sleeves with three bars of velvet on each, and velvet facing. symbolizes Mary. Like the velvet, the gold tassel on the cap is reserved to Doctors, Presidents, and those of similar estate such as university trustees. The variety of the regalia seen in faculty procession arises from the fact that each University retains its own distinguishing customs as especially revealed by its doctoral robe. The University of Dallas Ph.D. robe and hood were designed by Waltraud Bartscht, a member of the University faculty. Robe and hood are blue with the robe trimmed in navy velvet. The special blue of the doctor of philosophy degree occurs in the hood. Margaret Mary Fahey Gregory John Maloney Kathleen Marie Uhl Guenther C. Feigl Maria Terese McArdle Vanessa Coral Vanderpol William Joseph Fine Brian Leo McCullough Matthew Todd Victorine Annmarie Flynn Linda Sharpe McDonald Rosanna Rowena R. Villanueva Jolie Carol Fontenot Jennifer Ann Meese Celia Munoz-Virgen Tracey Suzanne Fontenot Giuseppe Mignosa Jr. Shannon Maureen Walbran Lisa Christine Fougerousse Mobus Christopher J. Miller Jennifer Kathryn Walker Sarah Louise Therese Fougerousse Andrew Damian Finnian Moran Margaret Cox Wallace Miguel A. Frascella Lisa Anne Morreale Rachel Walter Karen Renee Freeman Richard D. Neidballa Lydia K.
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