The Bukowski Agency Selected International Rights List
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Writing Beyond the End Times? the Literatures of Canada and Quebec
canadiana oenipontana 14 Ursula Mathis-Moser, Marie Carrière (eds.) Écrire au-delà de la fin des temps ? Les littératures au Canada et au Québec Writing Beyond the End Times? The Literatures of Canada and Quebec innsbruck university press SERIES canadiana oenipontana 14 Series Editor: Ursula Mathis-Moser innsbruck university press Ursula Mathis-Moser Institut für Romanistik, Zentrum für Kanadastudien, Universität Innsbruck Marie Carrière Canadian Literature Centre / Centre de littérature canadienne, University of Alberta Andrea Krotthammer Universität Innsbruck, redaktionelle Mitarbeit Supported by Gesellschaft für Kanada-Studien in den deutschsprachigen Ländern, Stadt Innsbruck, Zentrum für Kanadastudien der Universität Innsbruck, Vizerektorat für Forschung der Universität Innsbruck © innsbruck university press, 2017 Universität Innsbruck 1st edition. All rights reserved. www.uibk.ac.at/iup ISBN 978-3-903122-97-0 Ursula Mathis-Moser, Marie Carrière (eds.) Écrire au-delà de la fin des temps ? Les littératures au Canada et au Québec Writing Beyond the End Times? The Literatures of Canada and Quebec Table des matières – Contents Introduction – Introduction Ursula MATHIS-MOSER – Marie CARRIÈRE Écrire au-delà de la fin des temps ? Writing Beyond the End Times? ................................. 9 Apocalypse et dystopie – Apocalypse and Dystopia Dunja M. MOHR Anthropocene Fiction: Narrating the ‘Zero Hour’ in Margaret Atwood’s MaddAddam Trilogy ............................................................................. 25 Nicole CÔTÉ Nouvelles -
Building Resilience Through Partnership
BUILDING RESILIENCE THROUGH PARTNERSHIP 2019-2020 ANNUAL REPORT TABLE OF CONTENTS 1 HIGHLIGHTS 9 ACHIEVEMENTS 11 ABOUT US 14 MESSAGES MANAGEMENT DISCUSSION 18 AND ANALYSIS INDUSTRY AND 19 ECONOMIC CONDITIONS CORPORATE 28 PLAN DELIVERY ATTRACT ADDITIONAL FUNDING 29 AND INVESTMENT EVOLVE OUR FUNDING 33 ALLOCATION APPROACH OPTIMIZE OUR 45 OPERATIONAL CAPABILITY ENHANCE THE VALUE 50 OF THE “CANADA” AND “TELEFILM” BRANDS 57 FINANCIAL REVIEW 64 RISK MANAGEMENT CORPORATE SOCIAL 66 RESPONSIBILITY 70 TALENT FUND 81 GOVERNANCE FINANCIAL 95 STATEMENTS ADDITIONAL 117 INFORMATION TELEFILM CANADA / 2019-2020 ANNUAL REPORT 1 The Canadian industry and audiences embraced female voices and HIGHLIGHTS Indigenous expression in fiscal year 2019-2020. Telefilm remained committed to greater representation in the films we support and to bringing Canadian creativity to the world. LOOKING TO THE FUTURE, our vision is for Telefilm and Canada to strengthen their role of Partner of Choice—creating and building ties, expanding opportunities and deepening impact. BRINGING CANADIAN CREATIVITY TO THE WORLD The Canada-Norway coproduction THE BODY REMEMBERS WHEN THE WORLD BROKE OPEN, directed by KATHLEEN HEPBURN and ELLE-MÁIJÁ TAILFEATHERS, received praise around the world— premiering at the Berlin Film Festival in 2019, selected as “REMARKABLE” a New York Times Critic’s Pick and being called “remarkable” by the Los Angeles Times. The film went on to be picked up ★★★★★ by Ava DuVernay’s ARRAY releasing for U.S and international. levelFilm distributed the film in Canada, while Another World LOS ANGELES TIMES Entertainment handled Norway. TELEFILM CANADA / 2019-2020 ANNUAL REPORT 2 HIGHLIGHTS BRINGING CANADIAN CREATIVITY TO THE WORLD MONIA CHOKRI’s debut feature filmLA FEMME DE WINNER MON FRÈRE (A Brother’s Love), which she both wrote COUP DE CŒUR AWARD and directed, premiered at the Cannes Film Festival CANNES opening the Un Certain Regard section, bringing home FILM FESTIVAL the jury’s Coup de Cœur award. -
Pierre Falardeau : Un Cinéaste Trop Engagé Pour Les Organismes Subventionnaires Fédéraux Du Canada
The Peaceable Kingdom? Cultural and language communities in Canada and the rule of law / Le Royaume paisible? Relations entre les communautés culturelles et linguistiques du Canada et l’application de la loi TransCanadiana Polish Journal of Canadian Studies / Revue Polonaise d’Études Canadiennes The Peaceable Kingdom? Cultural and language communities in Canada and the rule of law / Le Royaume paisible? Relations entre les communautés culturelles et linguistiques du Canada et l’application de la loi 6. 2013 Poznań 2013 Rada Wydawnicza / Advisory Board / Comité de Rédaction Maciej Abramowicz (Université Marie Curie-Skłodowska, Lublin) Klaus-Dieter Ertler (Université de Graz) Yannick Gasquy-Resch (Université Aix-Marseille) Jan Grabowski (University of Ottawa) Sherrill Grace (University of British Columbia) Thomson Highway (Writer, Distinguished Visiting Professor at Brandon University) Serge Jaumain (Université Libre de Bruxelles) Smaro Kambourelli (University of Guelph) Józef Kwaterko (Université de Varsovie) Peter Kyloušek (Université Masaryk, Brno) Larissa Lai (University of British Columbia) Norman Ravvin (Concordia University; Concordia Institute for Canadian Jewish Studies, Montreal) Anna Reczyńska (Jagiellonian University, Kraków) Radosław Rybkowski (Jagiellonian University, Kraków) Eugenia Sojka (University of Silesia, Katowice) Teresa Tomaszkiewicz (Université Adam Mickiewicz, Poznań) Recenzenci naukowi / Reviewers / Rapporteurs Jacek Fabiszak (Adam Mickiewicz University in Poznań), Sherrill Grace (University of British Columbia), -
(Title of the Thesis)*
WHAT IS WRONG WITH THIS PICTURE?: INDIGENOUS ARTISTS CONTEST THE "PLACE" OF INDIGENOUS PEOPLE IN CANADA By Paula E. Loh A thesis submitted to the Department of Geography in conformity with the requirements for the Degree of Master of Arts Queen’s University Kingston, Ontario, Canada May, 2015 Copyright © Paula E. Loh, 2015 "We see the world, not as it is, but as we are." ~ Stephen R. Covey, The 7 Habits of Highly Effective People ii Abstract Indigenous artists challenge cultural stereotypes by creating images that contest preconceived notions of the "place" of Indigenous people held by the Canadian population at large. This thesis research explores the question of identity and stereotypes and how this is transgressed through the work of contemporary Indigenous artists in Canada to adjust the position of Indigenous people in the social hierarchy that controls their "place." Many Indigenous artists incorporate political statements into their artworks that challenge the ongoing stereotypes that assign Indigenous people to their "place"; the political commentary is often the only aspect of their work that identifies it as "Indigenous," with a variety of techniques, media, and styles used in the creation of the art, reflecting the individuality of the artists. The normativity of whiteness and its impact on ideology and politics is examined, both in historical and contemporary times. Hegemonic images have promoted the Eurocentric concept that the White "race" is the norm and the standard by which others should be judged and put in their "place," contributing to the objectification of Indigenous peoples and the creation of the stereotypical "Indian," such as the "noble savage," and the "ignoble savage." Images created by contemporary Indigenous artists transgress these cultural stereotypes. -
16Th Edition
16TH EDITION OUR FILMS IN OUR SCHOOLS II CELEBRATING FILM EVERYWHERE We’re finally back to the big screen, but we never stopped showing your favourite films along the way. We believe the magic of movies continues to inspire anywhere. Whether you’re visiting us or watching from home, enjoy the unforgettable stories while they move you. 1 ACKNOWLEDGMENT OF INDIGENOUS TERRITORY REEL CANADA’s offices are located on the treaty lands and territory of the Mississaugas of the Credit First Nation, which is also the traditional territory of the Anishinaabe, Haudenosaunee and Huron Wendat nations. This territory is subject to the Dish With One Spoon Covenant, a sacred agreement between the Haudenosaunee Confederacy, the Anishinaabe, and allied nations to peaceably share and care for the land and waters of the Great Lakes regions. REEL CANADA also conducts activities and presents programming across Canada. We acknowledge the treaty lands and traditional territories of Indigenous nations across the country. We acknowledge that the relationship between these Indigenous nations and their lands has existed since time immemorial and is ongoing. We make these acknowledgments as a sign of respect, in the spirit of reconciliation, and in recognition of Indigenous sovereignty. TABLE OF CONTENTS Who We Are p. 4 Message from the Founders p. 10 Our Team p. 11 Letters p. 12 Guests, Educational Partners & Consultants p. 16 Feature Films p. 19 Elementary School Programme p. 55 Canada On TV p. 56 Short Films p. 61 2020 Catalogue Additions p. 71 Reference Guide p. 73 Festival Partners, Donors and Supporters p. 102 Index p. -
Species Panic: Interspecies Erotics in Post-1900 American Literature
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-23-2018 10:00 AM Species Panic: Interspecies Erotics in Post-1900 American Literature David Huebert The University of Western Ontario Supervisor Schuster, Joshua The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © David Huebert 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, North America Commons Recommended Citation Huebert, David, "Species Panic: Interspecies Erotics in Post-1900 American Literature" (2018). Electronic Thesis and Dissertation Repository. 5646. https://ir.lib.uwo.ca/etd/5646 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This project elaborates a concept of “species panic,” a severe and often violently-charged reaction to the notion that one’s privileged species status as a human being is under threat. In this project’s post-1900 American literary archive, species panic is often provoked by nonhuman eros, which provokes and threatens the fantasy of human exceptionalism. Theoretically, this project yokes animal studies and posthumanism (Donna Haraway, Dominic Pettman, Kathy Rudy) with queer theory and critical race studies (Mel Y. Chen, Zakiyyah Iman Jackson, Alexander Weheliye) as its central driving forces. This theoretical backdrop informs my reading of American authors Jack London, Ernest Hemingway, Philip K. -
Émissions Financées De 2015-2016 À 2020-2021
Émissions financées de 2015-2016 à 2020-2021 La liste des émissions financées de 2015-2016 à 2020-2021 (jusqu’au 21 octobre 2019) est fournie aux télédiffuseurs à titre de référence pour les aider à préparer leur dépôt du succès auprès de l’auditoire (SA) (voir le document Aperçu pourles critères). Les titres présentés ci-dessous sont ceux qui ont été indiqués dans les demandes de financement, et il est possible qu’ils diffèrent des titres des émissions à la mise en ondes. La société requérante, l’année de financement et le genre de financement sont également précisés. Si vous avez des questions sur les titres, communiquez avec Suzanne Keppler ([email protected]). Pour les questions concernant le dépôt du SA, communiquez avec Richard Koo ([email protected]) Title Applicant Company Year of funding Genre of funding À fond de train III Blimp Télé Inc. 2018-2019 Children's & Youth Autiste, bientôt majeur I (anc. Maudit mongol) Productions Pixcom Inc. 2018-2019 Documentary Autre histoire (Une) I Sphère Média 2011 Inc. 2019-2020 Drama Bear Road (The) Bear Road Films Inc. 2017-2018 Documentary Julian: Inmigrante, Artista, Activista TLN Media Group Inc. 2017-2018 Documentary Mathieu-Martin (aka 1999 / Wish 9231-8419 Québec Inc. dba you were here) Productions Parabola 2016-2017 Documentary Mirage de Terre des Hommes (Le) Productions Telimagin inc. 2016-2017 Documentary Unité 9 - Documentaire V Aetios Documentaires Inc. 2018-2019 Documentary #5règles I Zone3-XIV Inc. 2017-2018 Children's & Youth Nose For Trouble Productions #Roxy Inc. 2015-2016 Drama Attraction Images Productions II 100 % Animal II (13-25) inc. -
Film List Aug 14
Pitzer College Film List Title Sub-Title Resource Type Order !Kung Short Films Kung Short Films DVDs 5796 !W.A.R. !Women Art Revolution DVDs 6068 "Charley Says" DVDs 6968 "Now is the Time For All Good..." Cartoongate!: Irreverent Cartoon Anthology About Presidents Past Video Tapes - VHS 1196 #Regeneration Regeneration DVDs 6503 $4 A Day? No Way! Video Tapes - VHS 609 (Nostalgia) Avant Garde, 1947-1986; Program 2; American film treasures IV DVDs 4665 ... And The Pursuit of Happiness DVDs 3840 [Pi] DVDs 3311 ®™ark: Bringing it to You! Video Tapes - VHS 1061 10 Days That Unexpectedly Changed America, Disc 01 DVDs 3240 10 Days That Unexpectedly Changed America, Disc 02 DVDs 3240 10 Days That Unexpectedly Changed America, Disc 03 DVDs 3240 100 Terrible Hours Dick Van Dyke Show, The; Season Four, Disc 05 DVDs 4908 Treasures III, Program 4, Americans in the Making; Social issues in American 100% American DVDs 4032 film, 1900-1934 100,000 Airplanes West Wing, 03. The Complete Third Season, The, Disc 2 DVDs 3592 1002nd Ruse, The Video Tapes - VHS 1985 101 Dalmatians DVDs 3809 101 Dead Legends Featuring Funerals of the Famous Video Tapes - VHS 1234 11:11 Best of Resfest Volume 1, The DVDs 4749 11001001 Star Trek, the Next Generation, Season 01, disc 04 DVDs 6070 1126 Dewey Ave., Apt. 207 Unseen Cinema, Disc 6 DVDs 3302 11th Hour, The DVDs 5659 12 Angry Men DVDs 4531 12 Angry Men DVDs 6642 12 Monkeys DVDs 3573 12 Years a Slave DVDs 7032 1-2-3 DVDs 6012 13 Most Beautiful .. -
Contemporary Voices from Anima Mundi View Which Is Taking Us to the Brink of Self-Destruction
Stefano Varese, Eds. Stefano Varese, and Apffel-Marglin Frédérique This book is a reconsideration of spirituality as a lived experience in the lives of the contributors. The authors speak both as well-informed scholars and as individuals who experienced the lived spirituality they give voice to. The authors do not place themselves above and outside of what they are writing Contemporary Voices about but within that world. They speak of living psychospiritual traditions of healing both the self and the world; of traditions that have not disembedded the self from the wider world. Those traditions are from indigenous North from Anima Mundi and South America (5 essays), a Buddhist/Shakta from Bengal, an Indo- Persian Islamic psychoanalyst, and a mystical Jewish feminist rabbi. The book also includes a historical essay about the extermination of the Renaissance worldview of Anima Mundi. A Reappraisal “This book is a remarkable collection of essays on a topic of immense importance for our times. Bringing years of experience and expertise, the authors illustrate brilliantly the healing dimensions of the living world. Apffel- Marglin and Varese are to be congratulated on this singular achievement.” —Mary Evelyn Tucker, Yale University Forum on Religion and Ecology “We have seen the de-sacralization of nature by a reductionistic materialist from Anima Mundi Contemporary Voices view which is taking us to the brink of self-destruction. This book brings forth an array of multicultural and 21st century post-materialistic science perspectives, which reveal that spirit is indeed embedded in matter, and that we are surrounded by visible and invisible non-human subjects.