DOCSLIB.ORG

The American Film Institute M .J

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The American Film Institute M .J " The John F . Kennedy Ce for the Performing Arts Washington, D .C . 20566 Telephone 202-828-4000 PO. Box 27999 2021 North Western Avenue Los Angeles, California 90027 Telephone 213-856-7600 Director Jean Firstenberg Board of Trustees Co-Chairman American Film George Stevens, Jr . The institute President Charlton Heston Vice Chairmen Richard Brandt Franklin J . Schaffner Robert Wise Chairman, Executive Committee Gordon Stulberg Jeanine Basin qer Professor of Film Studies Wesleyan University Richard L . Bloch Orion Pictures Corporation David Brown March 31, 1983 Partner and Director The ZanucklBrown Company George Chasin Chasin-Park-Citron Agency Bruce C . Corwin, President Metropolitan Theatres Corp. Steina Vasulka Robert A . Daly Chairman of the Board Route 6 Warner Bros ., Inc . Michael Eisner, President Box 100 Paramount Pictures Santa Fe, New Mexico 87501 William Ellinghaus, President American Telephone and Telegraph Co . Freddie Fields, President Motion Picture Production Division MGMIUA Entertainment Company Dear Steina, Jean Firstenberg (Ex Officio) Director The American Film Institute M .J . Frankovich, Producer On behalf of the Washington chapter of Women in Film and Michael Fuchs Executive Vice President, Video, and The American Film Institute, we would like to megramming ProHoe Box Office thank you for your participation in WOMEN AND MOVIES III . Ina Ginsburg, Chairman Fans of AFI In addition to allowing us to screen HIGH SKY, your work- Mark Goodson shop Goodson-Todman Productions gave our audience a chance to benefit from the creative Sidney Harman, Chairman Harman International Industries, process of your technical experience and your investigation Incorporated Alan J . Hirschfield of new visual realms . Chairman of the Board and CEO Twentieth Century-Fox Film Corp . Dustin Hoffman Actor Enclosed please find a check for $371 .50 for your planefare Alan Jacobs and taxis . Also, Independent Producer please find a selection of press materials Gene Jankowski, President generated by this festival, program notes, and flyers . CBS Broadcast Group Fay Kanm, WriteriProducer President, Academy of Motion Picture Arts and Sciences We thank you again for your involvement with WOMEN AND MOVIES Sherry Lansing, President Twentieth Century-Fox III and for furthering the participation of women in all aspects Productions Harry C . McPherson of the media . Partner, Verner, Lii/JPert, Bernhard and MCPI7erson Walter Mirisch, Producer Mace Neufeld Producer Richard Orear, President Sincerely, National Association of Theatre Owners Michael S. Ovitz President Creative Artists Agency, Inc . Ted Perry, Professor Liesel Flashenberg ,` Nancy S Middlebury College Frederick S . Pierce President Directo Executive Vice President ABC, Inc. Women in Film and Video Exhibition Services, AFI Eric Pieskow, President Orion Pictures Corporation Frank Price Chairman and Chief Executive Officer Columbia Pictures Michael Pulitzer cc : Shelley Nemerofsky AFI Alumni Association Henry C . Rogers, Chairman Tony Safford Rogers & Cowan, Inc. A . C . Warden Wayne Rogers Actor John A. Schneider, President Warner Amex Satellite Entertainment Company Donald Sutherland Actor Grant A. Tinker Chairman of the Board National Broadcasting Company Jack Valenti President, Motion Picture Association of America Bonita Granville Wrather Vice President Wrather Corporation Bud Yorkin ProducerlDirector theM P.O . Box 27999American/ 2021 North Western Avenue / LosFilmAngeles, CaliforniaInstitute90027 / (213) 856-7600 Fax # (213) 467-4578 FAX #(202) 659-1970 The John F Kennedy Center for the Performing Arts / Washington, D .C. 20566 (202) 828-4000 DIRECTOR Jean Firstenberg BOARD OF TRUSTEES Chairman Gene F Jankowski March 1, 1989 Co-Chairman George Stevens, Jr. President Chariton Heston Honorary Trustee Jack Lemmon Merv Adelson Steina Vasulka Lorimar Telepictures Jon Avnet Rt . 6 Jeanine Basinger Wesleyan University Santa Fe, NM 87501 Robert M . Bennett Intertel Communications, Inc . Richard Brandt Dear Steina : Trans-Lux Corporation Daniel Burke Capital Cities/ABC Inc . Congratulations! We are very pleased to Karen Cooper Film Forum inform you that your proposal has been Robert A . Daly selected to receive support from the Warner Bros ., Inc. Suzanne de Passe Independent Filmmaker Program . Motown Productions, Inc . Garth Drabinsky Cineplex Odeon Corporation The quality of applications this year was Jean Firstenberg (Ex Officio) The American Film Institute outstanding . There were 454 applicants and Michael Forman Decurion Corp. your project was one of eighteen that was Charles W. Fries Fries Entertainment, Inc . chosen to be funded . We are very proud of Michael Fuchs your accomplishment and look forward to your Home Box Office Ina Ginsburg project with great anticipation . We will Washington Editor, Interview contact you within the next few weeks with Mark Goodson Suzanne Lloyd Hayes further details about your grant and the Lawrence Herbert Pantone, Inc. Independent Filmmaker Program in general . Vernon Jordan Akin, Gump, Strauss, Hauer & Feld Fay Kanin Again, congratulations on being selected for a Frank Mancuso grant . Please contact me at (213) 856-7696 if Paramount Pictures Marsha Mason you have any questions or if I can be of David Matalon Tri-Star Pictures assistance . Edward H . Meyer Grey Advertising Inc. Ron Meyer Sincerely, Creative Artists Agency, Inc. Mace Neufeld Tom Pollock MCA Motion Picture Group Robert Rehme New World Entertainment Jill Sackler AMS Fdn/Arts, Sciences, Humanities Karin Kary Franklin J . Schaffner Coordinator John A. Schneider Steven Spielberg Independent Filmmaker Dawn Steel Columbia Pictures Program Gordon Stulberg PolyGram Corporation Brandon Tartikoff NBC Entertainment Anthony Thomopoulos Jack Valenti Motion Picture Association of America Robert Wise David L. Wolper Bud Yorkin Rosenfeld, Meyer & Susman General Counsel American Film instituteCalifornia 90027 TheM P.O . Box 27999 / 2021 North Western Avenue / Los Angeles, (213) 856-7600 Fax # (213) 467-4578 The John F . Kennedy Center for the Performing Arts / Washington, D .C . 20566 (202) 828-4000 Fax # (202) 659-1970 1180 Avenue of the Americas, 10th Floor / New York, New York 10036 (212) 398-6890 Fax # (212) 790-4697 DIRECTOR Jean Picker Firstenberg DEPUTY DIRECTOR James Hindman January 24, 1992 BOARD OF TRUSTEES Chairman Gene F Jankowski Co-Chairman George Stevens, Jr. Steina and Woody Vasulka Charlton ItHeston Route 6, Box 100 Honorary Trustee Kirk Douglas Santa Fe, New Mexico 87501 Merv Adelson East West Capital Associates Jon Avnet Dear Steina and Woody: Jeanine Basinger Wesleyan University Robert M. Bennett for FedEX pickup. find Intertel Communications, Inc . Please excuse the perfunctory note as we prepare today's Please James Billington enclosed your air tickets. If you should decide to change your return date, the tickets can Librarian of Congress Richard Brandt be changed without penalty. You should notify the airline directly if you decide to make a Trans-Lux Corporation change . (FYI, we have removed from the ticket book the "ticket receipt" to give to our Daniel Burke Capital Cities/ABC Inc. accounting department.) Robert A . Daly Warner Bros ., Inc . Suzanne de Passe Gordylde Passe Productions Loew's New York Hotel traditionally hosts the Maya Deren awardees. It is located at 569 John DiBiaggio Lexington Avenue, near East 51st Street. The hotel phone number is (212) 752-7000. Michigan State University Jean Picker Firstenberg You have a double room booked for January 29 and 30. The confirmation number The American Film Institute Michael Forman is 9049322. They will hold your room for late arrival. Should there be any question at The Decurion Corporation check-in, inform the clerk that you are part of the group of guests from The American Film Richard Frank Disney Studios Institute whose tickets are issued out of The Kennedy Center in Washington, D.C. I can Charles W. Fries Fries Entertainment, Inc . answer any questions when I arrive late Wednesday evening . Michael Fuchs Home Box Office Ina Ginsburg On Thursday, January 301 will meet you and the other Maya Deren awardees in the lobby Washington Editor, Interview Mark Goodson of the hotel 4:0 Two rented cars will transport all of us together to Anthology Film Peter Guber Sony Pictures Entertainment Archives. This w( time for your photography session and a brief run through of the Suzanne Lloyd Hayes ceremony. (Your honorarium check will presented to you at the ceremony.) As you know Lawrence Herbert Pantone, Inc . the ceremony begins at 6 p.m., followed by a reception from 7-9 p.m. in the lobby of Dominique Heriard Dubreuil Remy Martin, S.A . Anthology . Trustee Jill Sackler is hosting a buffet dinner at her home for award recipients Gale Anne Hurd and a few invited guests. We will leave the reception early, at approximately 7:45 pm, in Pacific Western Productions Fay Kanin rented cars to go to the dinner. Lawrence Kasdan Jerry Katzman William Morris Agency If have questions about anyof your arrangements, I'm in the office on Monday and Frank Mancuso you Marsha Mason Tuesday, at (213) 856-7787. My home phone is (213) 666-8066. Call any time of night or Edward H . Meyer Grey Advertising Inc. day, there's a machine. I look forward with great anticipation to meeting you! Ron Meyer Creative Artists Agency, Inc . Mace Neufeld NeufeldlRehme Productions Daniel Petrie Henry Plitt Plitt Entertainment Tom Pollock MCA Motion Picture Group Jill Sackler Cathy Phoe AMS Fdn/Arts, Sciences, Humanities Director Vivian Sobchack Univ. Calif, Santa Cruz Film and Videomaker Services Steven Spielberg Amblin Entertainment Charles A . Steinberg Sony Corporation of America Howard Stringer CBS/BroadcastGroup Gordon Stulberg Philips Interactive Media International Brandon Tartikoff Paramount Pictures Liener Temerlin Bozell, Inc. Anthony Thomopoulos Amblin Entertainment Jack Valenti Motion Picture Association of America Robert Wise David L . Wolper Robert C . Wright fi :/J -Cr-( s NBC, Inc. Bud Yorkin 41 Rosenfeld, Meyer & Susman Z01 - 3197 General Counsel S67- zxj 1 -~ S .~ '7 '" 1,6.3 e'.
Load more

Recommended publications
  • Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
    Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions.
    [Show full text]
  • The Cinema of Oliver Stone
    Interviews Stone on Stone Between 2010 and 2014 we interviewed Oliver Stone on a number of occasions, either personally or in correspondence by email. He was always ready to engage with us, quite literally. Stone thrives on the cut- and- thrust of debate about his films, about himself and per- ceptions of him that have adorned media outlets around the world throughout his career – and, of course, about the state of America. What follows are transcripts from some of those interviews, with- out redaction. Stone is always at his most fascinating when a ques- tion leads him down a line of theory or thinking that can expound on almost any topic to do with his films, or with the issues in the world at large. Here, that line of thinking appears on the page as he spoke, and gives credence to the notion of a filmmaker who, whether loved or loathed, admired or admonished, is always ready to fight his corner and battle for what he believes is a worthwhile, even noble, cause. Oliver Stone’s career has been defined by battle and the will to overcome criticism and or adversity. The following reflections demonstrate why he remains the most talked about, and combative, filmmaker of his generation. Interview with Oliver Stone, 19 January 2010 In relation to the Classification and Ratings Administration Interviewer: How do you see the issue of cinematic censorship? Oliver Stone: The ratings thing is very much a limited game. If you talk to Joan Graves, you’ll get the facts. The rules are the rules.
    [Show full text]
  • Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected]
    Clemson University TigerPrints Presentations University Libraries 5-2017 Blockbusters: Films and the Books About Them Display Maggie Mason Smith Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/lib_pres Part of the Library and Information Science Commons Recommended Citation Mason Smith, Maggie, "Blockbusters: Films and the Books About Them Display" (2017). Presentations. 105. https://tigerprints.clemson.edu/lib_pres/105 This Display is brought to you for free and open access by the University Libraries at TigerPrints. It has been accepted for inclusion in Presentations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Blockbusters: Films and the Books About Them Display May 2017 Blockbusters: Films and the Books About Them Display Photograph taken by Micki Reid, Cooper Library Public Information Coordinator Display Description The Summer Blockbuster Season has started! Along with some great films, our new display features books about the making of blockbusters and their cultural impact as well as books on famous blockbuster directors Spielberg, Lucas, and Cameron. Come by Cooper throughout the month of May to check out the Star Wars series and Star Wars Propaganda; Jaws and Just When you thought it was Safe: A Jaws Companion; The Dark Knight trilogy and Hunting the Dark Knight; plus much more! *Blockbusters on display were chosen based on AMC’s list of Top 100 Blockbusters and Box Office Mojo’s list of All Time Domestic Grosses. - Posted on Clemson University Libraries’ Blog, May 2nd 2017 Films on Display • The Amazing Spider-Man. Dir. Marc Webb. Perf. Andrew Garfield, Emma Stone, Rhys Ifans.
    [Show full text]
  • The Glitterball (Dir
    The Glitterball (dir. Harley Cokeliss, 1977) Lesson by Michael Aitchison, Teach First English, Key Stage 3 In this lesson, students study the character of the ‘glitterball’, and how it reacts to the life on our planet. This discussion leads to an investigation into how we might start to understand the unknown, and how we can try to recognise danger. Students will then construct a creative piece of writing based on the learning of the lesson, contextualising the events of the film to show a critical reading of the text. Students are given the opportunity to consider how we interact with unknown ideas and concepts, and how to recognise the difference between safety and danger. Lesson Objective You will need… • To identify key moments of the film The Glitterball which inform the alien's ability to The Glitterball DVD survive and adapt to its new surroundings, and make inferences about the character's Post-it notes personality. Optional: access to Curriculum Links I.T. suite (for production of • Read critically through studying setting, plot, survival guides) and characterisation, and the effects of these. • Knowing the purpose, audience for and context of the writing and drawing on this knowledge to support comprehension. 1 Activities TRAILER: What is the glitterball? After viewing the film (or extracts from the opening 30 minutes), students complete a think-pair-share activity on the following questions: 1. Is the glitterball good or bad? 2. How can you tell? Students are encouraged to provide evidence from the film to back up their opinions. • Think - students spend thirty seconds silently reflecting on the events of the film and their own interpretations of events.
    [Show full text]
  • Why YOU Should Be an English Major
    Why YOU should be an English Major You’ll be able to communicate your ideas effectively. This is what employers want the most – people who can communicate clearly. Impress your employer with your ability to communicate, and you’ll get promoted. You’ll also sound smarter than everybody else. You’ll be able to learn new tasks and ideas. A liberal arts education teaches you how to learn, not how to do a specific job. Your employer will provide on-the-job training. Besides, the hot jobs of 20 years from now haven’t even been thought of yet; major in English, learn how to learn new job skills, and stay employed. You’ll be prepared for med school, law school, business school… Being an English major teaches you how to think critically. Graduate schools in every field are more interested in your ability to analyze situations and make connections between concepts than in your ability to memorize lists. You’ll get a good job. Major scientific, technological, industrial, and financial companies like to hire English majors. They want employees who can analyze problems, think up creative answers, and communicate those answers to coworkers. And an English degree teaches you to do all these things. You’ll earn lots of money. Well, maybe not as much as science graduates, but the 201 201 Payscale College Salary Report listed salaries for popular careers for English majors that ranged from $ to $ . 5- 6 40,000 76,000 You’ll move up the company ladder. Your English major taught you how to analyze problems, think creatively, synthesize intelligent solutions, and communicate those solutions to your bosses and coworkers.
    [Show full text]
  • Extreme Leadership Leaders, Teams and Situations Outside the Norm
    JOBNAME: Giannantonio PAGE: 3 SESS: 3 OUTPUT: Wed Oct 30 14:53:29 2013 Extreme Leadership Leaders, Teams and Situations Outside the Norm Edited by Cristina M. Giannantonio Amy E. Hurley-Hanson Associate Professors of Management, George L. Argyros School of Business and Economics, Chapman University, USA NEW HORIZONS IN LEADERSHIP STUDIES Edward Elgar Cheltenham, UK + Northampton, MA, USA Columns Design XML Ltd / Job: Giannantonio-New_Horizons_in_Leadership_Studies / Division: prelims /Pg. Position: 1 / Date: 30/10 JOBNAME: Giannantonio PAGE: 4 SESS: 3 OUTPUT: Wed Oct 30 14:53:29 2013 © Cristina M. Giannantonio andAmy E. Hurley-Hanson 2013 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical or photocopying, recording, or otherwise without the prior permission of the publisher. Published by Edward Elgar Publishing Limited The Lypiatts 15 Lansdown Road Cheltenham Glos GL50 2JA UK Edward Elgar Publishing, Inc. William Pratt House 9 Dewey Court Northampton Massachusetts 01060 USA A catalogue record for this book is available from the British Library Library of Congress Control Number: 2013946802 This book is available electronically in the ElgarOnline.com Business Subject Collection, E-ISBN 978 1 78100 212 4 ISBN 978 1 78100 211 7 (cased) Typeset by Columns Design XML Ltd, Reading Printed and bound in Great Britain by T.J. International Ltd, Padstow Columns Design XML Ltd / Job: Giannantonio-New_Horizons_in_Leadership_Studies / Division: prelims /Pg. Position: 2 / Date: 30/10 JOBNAME: Giannantonio PAGE: 1 SESS: 5 OUTPUT: Wed Oct 30 14:57:46 2013 14. Extreme leadership as creative leadership: reflections on Francis Ford Coppola in The Godfather Charalampos Mainemelis and Olga Epitropaki INTRODUCTION How do extreme leadership situations arise? According to one view, they are triggered by environmental factors that have nothing or little to do with the leader.
    [Show full text]
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • Oral History Interview – 5/25/1982 Administrative Information
    Jack Valenti Oral History Interview – 5/25/1982 Administrative Information Creator: Jack Valenti Interviewer: Sheldon M. Stern Date of Interview: May 25, 1982 Length: 15 pp. Biographical Note Valenti was the Special Assistant to President Lyndon Johnson (1963-1966), Chairman and Chief Executive Officer of the Motion Picture Association of America (1966-2004). This interview focuses on Lyndon Johnson’s relationships with John and Robert F. Kennedy, his role as vice president, President Kennedy’s trip to Texas, and the plane ride following the assassination, among other issues. Access Restrictions No restrictions. Usage Restrictions Copyright of these materials have passed to the United States Government upon the death of the interviewee. Users of these materials are advised to determine the copyright status of any document from which they wish to publish. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. The copyright law extends its protection to unpublished works from the moment of creation in a tangible form.
    [Show full text]
  • Jews Control U.S.A., Therefore the World – Is That a Good Thing?
    Jews Control U.S.A., Therefore the World – Is That a Good Thing? By Chairman of the U.S. based Romanian National Vanguard©2007 www.ronatvan.com v. 1.6 1 INDEX 1. Are Jews satanic? 1.1 What The Talmud Rules About Christians 1.2 Foes Destroyed During the Purim Feast 1.3 The Shocking "Kol Nidre" Oath 1.4 The Bar Mitzvah - A Pledge to The Jewish Race 1.5 Jewish Genocide over Armenian People 1.6 The Satanic Bible 1.7 Other Examples 2. Are Jews the “Chosen People” or the real “Israel”? 2.1 Who are the “Chosen People”? 2.2 God & Jesus quotes about race mixing and globalization 3. Are they “eternally persecuted people”? 3.1 Crypto-Judaism 4. Is Judeo-Christianity a healthy “alliance”? 4.1 The “Jesus was a Jew” Hoax 4.2 The "Judeo - Christian" Hoax 4.3 Judaism's Secret Book - The Talmud 5. Are Christian sects Jewish creations? Are they affecting Christianity? 5.1 Biblical Quotes about the sects , the Jews and about the results of them working together. 6. “Anti-Semitism” shield & weapon is making Jews, Gods! 7. Is the “Holocaust” a dirty Jewish LIE? 7.1 The Famous 66 Questions & Answers about the Holocaust 8. Jews control “Anti-Hate”, “Human Rights” & Degraded organizations??? 8.1 Just a small part of the full list: CULTURAL/ETHNIC 8.2 "HATE", GENOCIDE, ETC. 8.3 POLITICS 8.4 WOMEN/FAMILY/SEX/GENDER ISSUES 8.5 LAW, RIGHTS GROUPS 8.6 UNIONS, OCCUPATION ORGANIZATIONS, ACADEMIA, ETC. 2 8.7 IMMIGRATION 9. Money Collecting, Israel Aids, Kosher Tax and other Money Related Methods 9.1 Forced payment 9.2 Israel “Aids” 9.3 Kosher Taxes 9.4 Other ways for Jews to make money 10.
    [Show full text]
  • Sir Howard Stringer
    SIR HOWARD STRINGER Chairman and CEO of the Sony Corporation (2005 -2012) Sir Howard served as Chairman and CEO of the Sony Corporation from June 2005 until June 2012 when he became Chairman of the Board of Directors, retiring in June 2013. Sir Howard joined Sony in May 1997 and was named Chairman and CEO of the Sony Corporation of America in 1998, responsible for Sony’s entertainment companies, Sony Pictures Entertainment, Sony Music Entertainment, and Sony Music Publishing. Prior to joining Sony, Sir Howard was President of CBS from 1988 to 1995, which became the first network to rise from last to first place in one season. From 1986 to 1988, Sir Howard served as President of CBS News. He was executive producer of the CBS Evening News with Dan Rather from 1981 to 1984, the dominant network evening newscast of its day. From 1976 to 1981, while he was executive producer of the CBS REPORTS, the documentary unit won more than 30 Emmys including nine individual awards. He holds a B.A. and an M.A. in Modern History from Oxford University. He also serves on the Board of Directors for TalkTalk and Time Inc., he is Chair of the School Board at Said Business School, Oxford University, Chair of the Board of Trustees for the American Film Institute and Chairman of Board of Advisors, Department of Opthalmology, Columbia University Medical Centre. Sir Howard has also received Honorary Doctorates from Oxford University, the University of Glamorgan, the University of the Arts London, the American Film Institute and the University of Swansea.
    [Show full text]
  • Larry D. Horricks Society of Motion Picture Stills Photographers
    Larry D. Horricks Society of Motion Picture Stills Photographers www.larryhorricks.com Feature Films: Spaceman of Bohemia – Netflix – Johan Renck Director Cast – Adam Sandler, Carey Mulligan Producers: Michael Parets, Max Silva, Ben Ormand, Barry Bernardi White Bird – Lionsgate – Marc Forster Director (Unit + Specials_ Cast: Gillian Anderson ,Helen Mirren, Ariella Glaser, Orlando Schwerdt Producers: Marc Forster, Tod Leiberman, David Hoberman, Raquel J. Palacio Oslo – Dreamworks Pictures / Amblin / HBO / Marc Platt Prods.– Bart Sher Director (Unit + Specials) Cast: Ruth Wilson, Andrew Scott, Jeff Wilbusch,Salim Dau, Producers: Steven Spielberg, Kristie Macosko Krieger, Marc Platt, Cambra Overend, Mark Taylor Atlantic 437 – Netflix. Ratpack Entertainment – Director Peter Thorwath Producers: Chritian Becker,Benjamin Munz The Dig – Netflix, Magnolia Mae Films – Simon Stone Director Cast: Ralph Fiennes, Carey Mulligan, Lily James, Ken Stott, Johnny Flynn Producers: Gabrielle Tana, Carolyn Marks Blackwood, Redmond Morris A Boy Called Christmas – Netflix – Gil Kenan Director (Unit + Specials) Cast: Sally Hawkins, Kristen Wiig,Maggie Smith, Jim Broadbent, Toby Jones, Michiel Huisman, Harry Lawful Producers: Graham Broadbent, Pete Czernin, Kevan Van Thompson Minamata - Metalwork Pictures /HanWay Films / MGM - Andrew Levitas Director (Unit + Specials) Cast: Johnny Depp, Bill Nighy, Minami, Hiro Sanada, Ryo Kase, Sato Tadenobu, Jun Kunimura Producers: Andrew Levitas,Gabrielle Tana, Jason Foreman, Johnny Depp, Sam Sarkar, Stephen Deuters, Kevan
    [Show full text]
  • Julianne Moore Liam Neeson Amanda Seyfried
    JULIANNE MOORE LIAM NEESON AMANDA SEYFRIED in Directed by Atom Egoyan Screenplay by Erin Cressida Wilson CHLOE is fully financed by France‘s StudioCanal and developed by Montecito Picture Company, co-founded by Ivan Reitman and Tom Pollock. Ivan Reitman, Joe Medjuck and Jeffrey Clifford are producers for Montecito. Co-producers are Simone Urdl and Jennifer Weiss. Executive Producers are Tom Pollock along with Jason Reitman, Daniel Dubiecki, and Ron Halpern. CHLOE will be distributed by StudioCanal in France and in the United Kingdom and Germany through its subsidiaries Optimum Releasing and Kinowelt. It will also handle worldwide sales outside its direct distribution territories. The Cast Catherine Stewart JULIANNE MOORE David Stewart LIAM NEESON Chloe AMANDA SEYFRIED Michael Stewart MAX THIERIOT Frank R.H. THOMSON Anna NINA DOBREV Receptionist MISHU VELLANI Bimsy JULIE KHANER Alicia LAURA DE CARTERET Eliza NATALIE LISINSKA Trina TIFFANY KNIGHT Miranda MEGHAN HEFFERN Party Guest ARLENE DUNCAN Another Girl KATHY MALONEY Maria ROSALBA MARTINNI Waitress TAMSEN McDONOUGH Waitress 2 KATHRYN KRIITMAA Bartender ADAM WAXMAN Young Co-Ed KRYSTA CARTER Nurse SEVERN THOMPSON ‗Orals‘ Student SARAH CASSELMAN Boy DAVID REALE Boy 2 MILTON BARNES Woman Behind Bar KYLA TINGLEY Chloe‘s Client #1 SEAN ORR Chloe‘s Client #2 PAUL ESSIEMBRE Chloe‘s Client #3 ROD WILSON Stunt Hockey Player RILEY JONES • CHLOE 2 The Filmmakers Director ATOM EGOYAN Writer ERIN CRESSIDA WILSON Produced by IVAN REITMAN Producers JOE MEDJUCK JEFFREY CLIFFORD Co-Producers SIMONE URDL JENNIFER WEISS Executive Producers JASON REITMAN DANIEL DUBIECKI THOMAS P. POLLOCK RON HALPERN Associate Producers ALI BELL ERIN CRESSIDA WILSON Production Manager STEPHEN TRAYNOR Director of Photography PAUL SAROSSY Production Designer PHILLIP BARKER Editor SUSAN SHIPTON Music MYCHAEL DANNA Costumes DEBRA HANSON Casting JOANNA COLBERT (US) RICHARD MENTO (US) JOHN BUCHAN (Canada) JASON KNIGHT (Canada) Camera Operator PAUL SAROSSY First Assistant Director DANIEL J.
    [Show full text]