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Juno Talent: Ellen Page, Jennifer Garner, Jason Bateman, Michael Cera, Alison Janney, J. K. Simmons, Olivia Thirlby. Date Of
Juno Talent: Ellen Page, Jennifer Garner, Jason Bateman, Michael Cera, Alison Janney, J. K. Simmons, Olivia Thirlby. Date of review: Thursday 13th December, 2007 Director: Jason Reitman Duration: 91 minutes Classification: M We rate it: 4 and a half stars. Jason Reitman, son of ultra-mainstream (and very successful) Hollywood director Ivan Reitman (he of Ghostbusters, Stripes and Kindergarten Cop fame) may just be able to move out from under his father’s significant shadow with this wonderful film. Jason Reitman’s breakthrough film as a director was 2005’s Thank You for Smoking, a cleverly written and very well performed black comedy that was so well pulled-off that one felt in the presence of promising new talent. It seems that feeling was correct, because with Juno, a very different film to its predecessor, Reitman has made an utterly assured and charming comedy/drama, and has drawn tremendously convincing and engaging performances from the entire cast. The talented young actress Ellen Page (who was so memorable in the confronting thriller Hard Candy) plays the titular character, an intelligent, articulate, out-of-left- field high-school student who, as our story opens, finds herself pregnant to her close friend and would-be boyfriend, Bleeker. Being smart, strong and self-possessed, Juno confronts her situation level-headedly, and decides, on reflection, that she will go through with the pregnancy and offer her child for adoption to a couple who are unable to conceive. With the support of her family - stepmother Bren (the wonderful Alison Janney) and father Mac (the ever-humourous J. -
Race, Markets, and Hollywood's Perpetual Antitrust Dilemma
Michigan Journal of Race and Law Volume 18 2012 Race, Markets, and Hollywood's Perpetual Antitrust Dilemma Hosea H. Harvey Temple University, James E. Beasley School of Law Follow this and additional works at: https://repository.law.umich.edu/mjrl Part of the Antitrust and Trade Regulation Commons, Civil Rights and Discrimination Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Race Commons Recommended Citation Hosea H. Harvey, Race, Markets, and Hollywood's Perpetual Antitrust Dilemma, 18 MICH. J. RACE & L. 1 (2012). Available at: https://repository.law.umich.edu/mjrl/vol18/iss1/1 This Article is brought to you for free and open access by the Journals at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in Michigan Journal of Race and Law by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. RACE, MARKETS, AND HOLLYWOOD'S PERPETUAL ANTITRUST DILEMMA Hosea H. Harvey* This Article focuses on the oft-neglected intersection of racially skewed outcomes and anti-competitive markets. Through historical, contextual, and empirical analysis, the Article describes the state of Hollywood motion-picture distributionfrom its anti- competitive beginnings through the industry's role in creating an anti-competitive, racially divided market at the end of the last century. The Article's evidence suggests that race-based inefficiencies have plagued the film distribution process and such inefficiencies might likely be caused by the anti-competitive structure of the market itself, and not merely by overt or intentional racial-discrimination.After explaining why traditional anti-discrimination laws are ineffective remedies for such inefficiencies, the Article asks whether antitrust remedies and market mechanisms mght provide more robust solutions. -
Suggestions for Top 100 Family Films
SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT.. -
Batman, Screen Adaptation and Chaos - What the Archive Tells Us
This is a repository copy of Batman, screen adaptation and chaos - what the archive tells us. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/94705/ Version: Accepted Version Article: Lyons, GF (2016) Batman, screen adaptation and chaos - what the archive tells us. Journal of Screenwriting, 7 (1). pp. 45-63. ISSN 1759-7137 https://doi.org/10.1386/josc.7.1.45_1 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Batman: screen adaptation and chaos - what the archive tells us KEYWORDS Batman screen adaptation script development Warren Skaaren Sam Hamm Tim Burton ABSTRACT W B launch the Caped Crusader into his own blockbuster movie franchise were infamously fraught and turbulent. It took more than ten years of screenplay development, involving numerous writers, producers and executives, before Batman (1989) T B E tinued to rage over the material, and redrafting carried on throughout the shoot. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Al Cinema Dal 12 Marzo
Presenta CHLOE Diretto da ATOM EGOYAN Sceneggiatura di ERIC CRESSIDA WILSON Con JULIANNE MOORE LIAM NEESON AMANDA SEYFRIED I materiali sono scaricabili dall’ area stampa di www.eaglepictures.com Visita anche www.chloeilfilm.it Durata 96’ AL CINEMA DAL 12 MARZO Ufficio Stampa: Marianna Giorgi [email protected] Cast Artistico Catherine Stewart JULIANNE MOORE David Stewart LIAM NEESON Chloe AMANDA SEYFRIED Michael Stewart MAX THIERIOT Frank R.H. THOMSON Anna NINA DOBREV Reception MISHU VELLANI Bimsy JULIE KHANER Alicia LAURA DE CARTERET Eliza NATALIE LISINSKA Trina TIFFANY KNIGHT Miranda MEGHAN HEFFERN Ospite festa ARLENE DUNCAN Altra ragazza KATHY MALONEY Maria ROSALBA MARTINNI Cameriera TAMSEN McDONOUGH Cameriera 2 KATHRYN KRIITMAA Barman ADAM WAXMAN Giovane Co-Ed KRYSTA CARTER Infermiere SEVERN THOMPSON Studente Oral SARAH CASSELMAN Ragazzo DAVID REALE Ragazzo 2 MILTON BARNES Donna barista KYLA TINGLEY Cliente Chloe SEAN ORR Cliente Chloe2 PAUL ESSIEMBRE Cliente Chloe 3 ROD WILSON Stunt Giocatore Hockey RILEY JONES Cast Tecnico Regista ATOM EGOYAN Sceneggiatore ERIN CRESSIDA WILSON Prodotto da IVAN REITMAN Produttori JOE MEDJUCK JEFFREY CLIFFORD Co-produttuori SIMONE URDL JENNIFER WEISS Produttori esecutivi JASON REITMAN DANIEL DUBIECKI THOMAS P. POLLOCK RON HALPERN Produttori associati ALI BELL ERIN CRESSIDA WILSON Direttore di produzione STEPHEN TRAYNOR Direttore della fotografia PAUL SAROSSY Scenografo PHILLIP BARKER Montatore SUSAN SHIPTON Musiche MYCHAEL DANNA Costumi DEBRA HANSON Casting JOANNA COLBERT (US) RICHARD MENTO (US) JOHN BUCHAN (Canada) JASON KNIGHT (Canada) Operatore PAUL SAROSSY Primo aiuto regista DANIEL J. MURPHY Suono BISSA SCEKIC Supervisore sceneggiatura JILL CARTER Attrezzista CRAIG GRANT Elettricista BOB DAVIDSON Macchinista CHRIS FAULKNER Location Manager EARDLEY WILMOT Breve sinossi CHLOE è una storia di amore, di suspense e tradimenti. -
Entretien Avec Atom Egoyan / Felicia's Journey
Document généré le 25 sept. 2021 16:13 Ciné-Bulles Le cinéma d’auteur avant tout Entretien avec Atom Egoyan Felicia's Journey Jean-Philippe Gravel Volume 18, numéro 2, automne–hiver 1999 URI : https://id.erudit.org/iderudit/2121ac Aller au sommaire du numéro Éditeur(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (imprimé) 1923-3221 (numérique) Découvrir la revue Citer ce document Gravel, J.-P. (1999). Entretien avec Atom Egoyan / Felicia's Journey. Ciné-Bulles, 18(2), 4–9. Tous droits réservés © Association des cinémas parallèles du Québec, 1999 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ avec Atom Egoynn «Nous sommes tous, en quelque sorte "préconditionnés". » Atom Egoyan PAR JEAN-PHILIPPE GRAVI me jeune fille irlandaise apprend qu'elle est enceinte d'un soldat, dont elle est sans doute tombée trop vite amoureuse, et quitte les vertes prairies de son Irlande natale pour le retrouver. Ainsi commence Felicia's Journey, qu'Atom Egoyan venait présenter à la dernière édition du Festival du nouveau cinéma et des nouveaux médias. Plus linéaire que The Sweet Hereafter, Felicia's Journey n'est pas moins complexe, en entrechoquant presque autant d'univers fermés qu'on y trouve de personnages. -
Chloe Adultère, Mode D’Emploi Chloé — États-Unis / France 2009, 99 Minutes Catherine Schlager
Document generated on 09/30/2021 2:28 a.m. Séquences La revue de cinéma Chloe Adultère, mode d’emploi Chloé — États-Unis / France 2009, 99 minutes Catherine Schlager Cinéma et propagande Number 266, May–June 2010 URI: https://id.erudit.org/iderudit/63481ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Schlager, C. (2010). Review of [Chloe : adultère, mode d’emploi / Chloé — États-Unis / France 2009, 99 minutes]. Séquences, (266), 51–51. Tous droits réservés © La revue Séquences Inc., 2010 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Critiques | Les films 51 Chloe Adultère, mode d’emploi Une femme soupçonne son mari d’infidélité. Pour en avoir le cœur net, elle engage une escorte qui a pour mission de séduire ce dernier et de lui rapporter les moindres faits et gestes de l’infidèle. Ce scénario vous rappelle quelque chose ? C’était celui de Nathalie, film de la réalisatrice française Anne Fontaine sorti en 2003, mais c’est également celui de Chloe, dernière réalisation d’Atom Egoyan, qui tourne pour la première fois un film qu’il n’a pas scénarisé. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 AMERICAN ULTRA Actors: Jesse Eisenberg. Topher Grace. Walton Goggins. John Leguizamo. Bill Pullman. Tony Hale. Actresses: Kristen Stewart. Connie Britton. AMY ANOMALISA Actors: Tom Noonan. David Thewlis. Actresses: Jennifer Jason Leigh. ANT-MAN Actors: Paul Rudd. Corey Stoll. Bobby Cannavale. Michael Peña. Tip "T.I." Harris. Anthony Mackie. Wood Harris. David Dastmalchian. Martin Donovan. Michael Douglas. Actresses: Evangeline Lilly. Judy Greer. Abby Ryder Fortson. Hayley Atwell. ARDOR Actors: Gael García Bernal. Claudio Tolcachir. -
Mentors Screenwriting & Filmmaking Mentorship & Competition
SBIFF 10-10-10 SCREENWRITING & FILMMAKING MENTORSHIP & COMPETITION MENTORS Guy Smith- Program Director Guy Smith has worked extensively with media, communications and film in his 40 year career at Santa Barbara City College and Antioch University, both as a Dean and faculty member. He has been the lead in helping to establish media arts and film pro- grams at multiple colleges in Southern California. For the past 15 years, he has worked with the Santa Barbara International Film Festival as Director of 10-10-10, the student filmmaking compe- tition. He received his B.A. & M.F.A.in creative writing from San Diego State University before completing doctoral coursework in rhetoric and linguistics at the University of Southern California. Lowell Blank- Screenwriting Mentor Lowell Blank has over twenty-five years’ experience as a producer and executive on both studio and independent productions, including Walt Disney Pictures’ Holes, starring Shia LeBeouf, Sigourney Weaver, Jon Voight, and Patricia Arquette, The Guardian, starring Kevin Costner and Ashton Kutcher, and A Perfect Murder, starring Michael Douglas, Gwyneth Paltrow and Viggo Mortensen. He is currently producing the documentary Mentors: Tony & Santi directed by filmmaker Andrew Davis and the feature film Addict Named Hal from first time writer/director Lane Michael Stanley. Mr. Blank holds a B.A. in Television & Film from San Diego State University and an MFA in Writing & Contemporary Media from Antioch University. He previously served as President of Chicago Pacific Entertainment, Director Davis’ Santa Barbara based production company. Ross Brown - Screenwriting Mentor Ross Brown is the Program Director for the MFA in Writing & Con-temporary Media at Antioch University, Santa Barbara. -
Paperny Films Fonds
Paperny Films fonds Compiled by Melanie Hardbattle and Christopher Hives (2007) Revised by Emma Wendel (2009) Last revised May 2011 University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Administrative History o Scope and Content o Notes Series Descriptions o Paperny Film Inc. series o David Paperny series o A Canadian in Korea: A Memoir series o A Flag for Canada series o B.C. Times series o Call Me Average series o Celluloid Dreams series o Chasing the Cure series o Crash Test Mommy (Season I) series o Every Body series o Fallen Hero: The Tommy Prince Story series o Forced March to Freedom series o Indie Truth series o Mordecai: The Life and Times of Mordecai Richler series o Murder in Normandy series o On the Edge: The Life and Times of Nancy Greene series o On Wings and Dreams series o Prairie Fire: The Winnipeg General Strike of 1919 series o Singles series o Spring series o Star Spangled Canadians series o The Boys of Buchenwald series o The Dealmaker: The Life and Times of Jimmy Pattison series o The Life and Times of Henry Morgentaler series o Titans series o To Love, Honour and Obey series o To Russia with Fries series o Transplant Tourism series o Victory 1945 series o Brewery Creek series o Burn Baby Burn series o Crash Test Mommy, Season II-III series o Glutton for Punishment, Season I series o Kink, Season I-V series o Life and Times: The Making of Ivan Reitman series o My Fabulous Gay Wedding (First Comes Love), Season I series o New Classics, Season II-V series o Prisoner 88 series o Road Hockey Rumble, Season I series o The Blonde Mystique series o The Broadcast Tapes of Dr.