The Houdini Museum of New York Public Relations Proposal
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June 12-13, 2015 • at Auction Haversat & Ewing Galleries, LLC
June 12-13, 2015 • At Auction haversat & ewing galleries, LLC. Magicfrom the ED HILL COLLECTION Rare Books Houdini Ephemera haversat Photographs Apparatus • Postcards &Ewing Unique Correspondence haversat Galleries, LLC. &Ewing PO Box 1078 - Yardley, PA 19067-3434 Galleries, LLC. www.haversatewing.com Auction Catalog: www.haversatewing.com haversat Haversat & Ewing Galleries, LLC. &Ewing Galleries,Magic Collectibles Auction LLC. AUCTION Saturday, November 15, 2014 -11:00 AM AuctionSign-up to bid June at: www.haversatewing.com 12-13, 2015 Active bidding on all lots begin at 11:00 AM EST- Friday, June 12, 2015 First lot closes Saturday, June 13 at 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO POBox BOX 1078 1078 - Yardley,- YARDLEY, PA PA 19067-3434 19067-3434 www.haversatewing.comWWW.HAVERSATEWING.COM A True Story: Back when Ed started collecting he befriended H. Adrian Smith, then current Dean of the Society of American Magicians. At the time, Harold as he was known to his friends, had the largest magic library in the world. Often Harold was a dinner guest at our house and as usual after our meal “the boys” would discuss magic and collecting. Harold’s plan for his books and ephemera was to donate it all to his alma mater, Brown University in Providence, Rhode Island. As we all know that’s what happened to his collection. Ed on the other hand disagreed with Harold’s plan and said that when the time came for him to dissolve his library he wanted everything to be sold; so that other collectors could enjoy what he had amassed. -
September/October 2020 Oakland Magic Circle Newsletter Official Website: Facebook:
September/October 2020 Oakland Magic Circle Newsletter Official Website:www.OaklandMagicCircle.com Facebook: https://www.facebook.com/groups/42889493580/ Password: EWeiss This Month’s Contents -. Where Are We?- page 1 - Ran’D Shines at September Lecture- page 2 - October 6 Meeting-Halloween Special -page 4 - September Performances- page 5 - Ran’D Answers Five Questions- page 9 - Phil Ackerly’s New Book & Max Malini at OMC- page 10 - Magical Resource of the Month -Black Magician Matter II-page 12 -The Funnies- page 16 - Magic in the Bay Area- Virtual Shows & Lectures – page 17 - Beyond the Bay Shows, Seminars, Lectures & Events in July- page 25 - Northern California Magic Dealers - page 32 Everything that is highlighted in blue in this newsletter should be a link that takes you to that person, place or event. WHERE ARE WE? JOIN THE OAKLAND MAGIC CIRCLE---OR RENEW OMC has been around since 1925, the oldest continuously running independent magic club west of the Mississippi. Dozens of members have gone on to fame and fortune in the magic world. When we can return to in-person meetings it will be at Bjornson Hall with a stage, curtains, lighting and our excellent new sound system. The expanding library of books, lecture notes and DVDs will reopen. And we will have our monthly meetings, banquets, contests, lectures, teach-ins plus the annual Magic Flea Market & Auction. Good fellowship is something we all miss. Until then we are proud to be presenting a series of top quality virtual lectures. A benefit of doing virtual events is that we can have talent from all over the planet and the audiences are not limited to those who can drive to Oakland. -
A Magical Calendar for 2020 the Middle Tennessee Magic Club IBM
A Magical Calendar for 2020 compliments of The Middle Tennessee Magic Club The International Brotherhood of Magicians Ring 252 - Murfreesboro, Tennessee www.IBMring252.com “The Sam Walkoff Ring” The Middle Tennessee Magic Club (also known as The Sam Walkoff Ring) is part of the International Brotherhood of Magicians (Ring 252). We meet the first Tuesday of each month (except January & June) at 7:02 PM Central Time at the Linebaugh Library, 105 West Vine Street, in Murfreesboro, Tennessee USA. We hope you can drop by and visit us soon. It is our pleasure to offer you this special 2020 calendar with our compliments. You’ll find many of this year’s local, regional, national, and international magic events listed along with plenty of room for you to write in your own favorites. We hope you find it useful and that you think of us each time you pick it up. Below we’ve listed our Ring’s Meeting Schedule for 2020. Ring President Alan Fisher is continuing the vision he started last year of us being a Learning Ring. We’ll begin every meeting a member of the Ring presenting a mini-lecture and then a member will conduct a Teach-A-Trick. From there we’ll move into Open Time to give everybody, members & guests, a chance to perform as much as they’d like (so bring some magic to share when you visit us). Then we’ll take care of any business. Directions to our meeting location are in the back of this calendar. Our Ring also sponsors a youth magic club that continues to grow. -
Ray Goulet by David Goodsell
Heart and Soul a Collector! Ray Goulet By David Goodsell The wonderful things about a personal tour of Ray Goulet’s Mini Magic Musuem are the stories, the personal details about who previously owned the items and how Ray came to acquire them. Ray showed me three coin wands from the late 1800s. “I got these about 15 years ago from the estate of John Brown Cook, a great amateur magician who lived in New York City. He was great friends with Vernon, Carlyle, Slydini, and everyone else in New York. Cook was very wealthy and owned two Mercedes automobiles, with vanity plates that said Mr. Cook and Mrs. Cook.” Holding the wands in what can only be described as “with affection,” Ray continued. “All three are the same,” he told me, “but one is nickel plated, the second brass and the third a kind of gray, treated metal with black tips. I am familiar with Brema’s work and am pretty sure they were made by him. This looks like his work. These wands used 1800s half dollars, and look, the original half dollars are still in them – 1867, and 1889.” That is the icing on the collector’s cake! Turning toward the huge Houdini Master Mystifier “Bur- ied Alive” poster on the south wall, Ray rested his hand on the post of an upright frame holding well over a dozen small frames of glass, tilted in opposition, zig-zagging down the center of the frame. On top of the frame was a top hat. Picking up a goblet containing several coins, Ray explained how it worked. -
Fall Magic Auction
Public Auction #027 Fall Magic Auction Featuring Personal Artifacts and Memorabilia From The Career of Channing Pollock and The Library of James B. Alfredson Complemented by a Selection of Collectible Magicana Auction Saturday, November 1, 2014 v 10:00 Am Exhibition October 29 - 31 v 10:00 am - 5:00 pm Inquiries [email protected] Phone: 773-472-1442 Potter & Potter Auctions, Inc. 3759 N. Ravenswood Ave. -Suite 121- Chicago, IL 60613 Channing Pollock Channing West Pollock (1926 – 2006) was one of the most Snow-white birds materialized from the hands of the tall, dark, sophisticated, professional, accomplished—and imitated— and handsome magician. Then they vanished, along with the magicians of his generation. cage that held them. He began studying magic at the age of 21. Upon Pollock’s popularity was not only derived from his sleight of graduation from the Chavez College of Manual Dexterity hand technique, however. Often billed as “the most handsome and Prestidigitation in 1952, he was regarded as its most man in the world,” his appeal to general audiences led him into accomplished pupil and soon held a teaching position at starring roles in European films such as Judex and Rocambole, the school, but quickly moved on to a storied career in show and to regular appearances in American television on a number business. In 1954, he appeared on Ed Sullivan’s famous of popular programs. television variety show. Soon thereafter, Pollock went on to Although Pollock retired from show business completely conquer American stages, and then set his sights abroad to in 1969, he never lost his love for magic. -
David Copperfield PAGE 36
JUNE 2012 DAVID COPPERFIELD PAGE 36 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Fax: 866-591-7392 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - JUNE 2012 M-U-M JUNE 2012 MAGAZINE Volume 102 • Number 1 S.A.M. NEWS 6 From the Editor’s Desk Photo by Herb Ritts 8 From the President’s Desk 11 M-U-M Assembly News 24 New Members 25 -
The Underground Sessions Page 36
MAY 2013 TONY CHANG DAN WHITE DAN HAUSS ERIC JONES BEN TRAIN THE UNDERGROUND SESSIONS PAGE 36 CHRIS MAYHEW MAY 2013 - M-U-M Magazine 3 MAGIC - UNITY - MIGHT Editor Michael Close Editor Emeritus David Goodsell Associate Editor W.S. Duncan Proofreader & Copy Editor Lindsay Smith Art Director Lisa Close Publisher Society of American Magicians, 6838 N. Alpine Dr. Parker, CO 80134 Copyright © 2012 Subscription is through membership in the Society and annual dues of $65, of which $40 is for 12 issues of M-U-M. All inquiries concerning membership, change of address, and missing or replacement issues should be addressed to: Manon Rodriguez, National Administrator P.O. Box 505, Parker, CO 80134 [email protected] Skype: manonadmin Phone: 303-362-0575 Fax: 303-362-0424 Send assembly reports to: [email protected] For advertising information, reservations, and placement contact: Mona S. Morrison, M-U-M Advertising Manager 645 Darien Court, Hoffman Estates, IL 60169 Email: [email protected] Telephone/fax: (847) 519-9201 Editorial contributions and correspondence concerning all content and advertising should be addressed to the editor: Michael Close - Email: [email protected] Phone: 317-456-7234 Submissions for the magazine will only be accepted by email or fax. VISIT THE S.A.M. WEB SITE www.magicsam.com To access “Members Only” pages: Enter your Name and Membership number exactly as it appears on your membership card. 4 M-U-M Magazine - MAY 2013 M-U-M MAY 2013 MAGAZINE Volume 102 • Number 12 26 28 36 PAGE STORY 27 COVER S.A.M. NEWS 6 From -
SHOWMANSHIP for MAGICIANS
SHOWMANSHIP For MAGICIANS TABLE Of CONTENTS INTRODUCTION CHAPTER XIII—Physical Action, Group CHAPTER I—Do Magicians Need Higher Coordination, Precise Attack, Economy and Entertainment Standards? Brevity CHAPTER II—Things From Another Era CHAPTER XIV—Efficient Pacing, Punch, Instinct Appeals, Combined Appeals, Grace, CHAPTER III—How to Find Out What the Effortless Skill, Spectacle and Contrast Public Really Wants CHAPTER XV—Comedy CHAPTER IV—The Things Big Audiences Really Buy CHAPTER XVI—Getting and Holding Interest and Attention CHAPTER V—How Music Adds Interest CHAPTER XVII—Types of Audiences and Their Preferences CHAPTER VI—Rhythm, Youth and Sex Appeal CHAPTER XVIII—How to Routine CHAPTER VII—Personality and the Necessity CHAPTER XIX—How to Routine - Continued of Selling Yourself CHAPTER XX—How to Get Ideas For Acts CHAPTER VIII—Color, Harmony, Sentiment, Romance CHAPTER XXI—How to Put An Act Together CHAPTER IX—Timing and Pointing CHAPTER XXII—How to Make Your Act Salable CHAPTER X—Surprise, Unity, Character and Situation CHAPTER XXIII—A Magic Show in the Modern Manner CHAPTER XI—Costuming, Grooming, Make- up, Personal Behavior and Smoothness CHAPTER XXV—Check Charts CHAPTER XII—Confidence Through Rehearsal INTRODUCTION The fact that I feel there to be a definite need for this book is evidenced by my having written it. While this work is intended primarily for magicians, there is very much here, particularly the analysis of audience preferences and appeals, which applies to entertainers generally. There is a right way and a wrong way of doing anything. But the right way of yesterday is not necessarily the right way of today. -
Flash Paper Feb 2020 (Pdf)
The Flash Paper February, 2020 Bob Gehringer, Editor Presidential Ponderings Introduction: The Effect Our own member, Theron Christensen's first book “To produce a magical effect, of original conception, is Plotting Astonishment has just a work of high art.” --Nevil Maskelyne been published and is now Dear reader, I hold my breath as you turn the available on Amazon. It was pages of this book for the first time. I was hesitant to add good for me to read it. I plan to this work to the vast cacophony of magic literature. I am read it again. I believe the not well-known among magicians, nor do I pretend to be insights he shares has the power any sort of expert; and to publish your knowledge and to raise your own performances opinion is to invite the scorn and rebuttal of many. But to yet another level. With his permission, I share a too many of my close friends and the nudge of my portion of the book's introduction with you. conscience have pushed me to produce the work which you hold in your hands. To start out, I would like to explain my intentions. When Maskelyne and Devant published Our Magic in 1911, they urged magicians to recognize the importance of being original in magic. “Without originality,” they said, “no man can become a great artist.” Their efforts paid off. Today, magicians almost universally accept the importance of originality. Just as Maskelyne observed over one hundred years ago, magicians tend to seek after originality in one of three ways. -
Happy Dan the Magic Man
Happy Dan the Magic Man The Biggest Little Laughs in the Carolinas® Happy Dan the Magic Man The Biggest Little Laughs in the Carolinas® Everyone Laughs Louder when Happy Dan the Magic Man is in the House! "A hundred years from now it will not matter what my bank account was, the sort of house I lived in, or the kind of car I drove...but the world may be different because I was important in the life of a child.” - Forest E. Witcraft. Happy Dan grew up in a time when television delivered positive adult role models worthy of a child’s admiration into our living rooms. Sadly, the likes of Mister Rogers and Captain Kangaroo have all but vanished from our children’s lives. Happy Dan works to fill this gap as he helps each child discover his or her personal reservoir of confidence, imagination, and merriment. He delivers over forty years of comedic and magical mastery honed before families across North America, Europe, the Middle East, and Asia. Happy Dan is accomplished at working table to table in a restaurant or banquet setting, roaming through a crowd at a fair or festival, or on stage before a large family audience. His talents stretch to thoroughly holding the attention of children as young as 3 years to golden age adults. Wherever laughter and a caring heart is needed, Happy Dan delivers! Here’s what happens when we work together: Guaranteed 100% Family-Friendly Entertainment! Entirely Self-Contained, Stress-Free Shows! A Positive Role Model reminiscent of Mister Rogers and Captain Kangaroo! Reliability—Your Entertainment is Assured On Time Every Time! Entertainment that your Families will Talk About for Weeks to Come! Affordable, Budget-Friendly Performances! YOUR EVENT Happy Dan the Magic Man The Biggest Little Laughs in the Carolinas® CLIENTS Happy Dan the Magic Man The Biggest Little Laughs in the Carolinas® Sandusky, Ohio native Roger Way first appeared as Happy Dan the Magic Man in 1973 while serving with the U.S. -
Tommy Wonder & Stephen Minch)
Downloaded from www.vanishingincmagic.com by Ray Hyman EDITED by Joshua Jay Cover designed by Vinny DePonto Layout by Andi Gladwin Downloaded from www.vanishingincmagic.com by Ray Hyman Magic in Mind was prepared in cooperation with the Society of American Magicians, and the ebook will be made available for free to all members worldwide. www.vanishingincmagic.com All rights reserved. The essays in this book are copyrighted by their respective authors and used with permission. No portion may be reproduced without written permission from the authors. Downloaded from www.vanishingincmagic.com by Ray Hyman AcknowledgEments Magic in Mind started out as a project intended expressly for serious young magicians, but the first of many lessons I learned during my two-year endeavor is this: age has little to do with learning. It was evident, early on, that this collection would benefitanyone serious about getting serious in magic. So here we are. Thanks to all the generous magicians who have allowed me to include their work in this collection. I am overwhelmed by the support they have shown. In particular, I wish to single out Darwin Ortiz, whose writings I admire greatly, and who went against a personal policy, and agreed to participate. I consider it a favor to me, and a favor to all those who will learn from his writings. Thanks, Darwin, for being flexible and generous. Thanks to Stephen Minch, whose encouragement and “pull” helped initiate the project. Irving Quant helped with the translation of “Fundamentals of Illusionism” by Juan Tamariz. Denis Behr suggested a few essays I was not familiar with. -
The Magic Gang’ Unit to Deceive German Field Marshal Rommel with Fake Tanks, Railway Lines Etc
In WW II, A British Illusionist Formed ‘The Magic Gang’ Unit To Deceive German Field Marshal Rommel With Fake Tanks, Railway Lines Etc. National Magic Day each year on October 31st recognizes the thrill of seeing the performance art. It takes place during National Magic Week. One of the most renowned magicians was Harry Houdini. Known for his *escapology, Houdini had developed a range of stage magic tricks and made full use of the variety of conjuring techniques, including fake equipment and collusion with individuals in the audience. His show business savvy was as exceptional as his showmanship. Magic Day started with a “Houdini Day”, the first of which took place in the summer of 1927, less than one year after the famous magician’s death. His wife presented a trophy in honour of him on that day. Houdini died at 1:26pm on October 31st, 1926. The Houdini Museum is located in Scranton, Pennsylvania. Some magic categories: Stage illusions –a kind of large scale performance on a stage. Parlor magic – a performance before a medium scale audience such as an auditorium. Micromagic – performed close up using coins, cards, and other small items. It’s also known as close-up or table magic. This type of performance occurs in an intimate setting. Escapology – In this type of performance, the artist escapes from a dangerous situation such as being submerged underwater while handcuffed or dangling from a burning rope. Pickpocket magic – A distraction type of performance, the artist, makes watches, jewelry, wallets, and more disappear through misdirection. The audience witnesses the entire event.