Adelaide Festival Centre Annual Report 2004-05

Total Page:16

File Type:pdf, Size:1020Kb

Adelaide Festival Centre Annual Report 2004-05 ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2004-05 16 September 2005 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au Our Vision: The Adelaide Festival Centre is considered one of the world’s best performing arts centres. Our Mission is to: Provide leadership and a visible focus for development and collaboration in the arts in South Australia. Engage with people and create opportunities to learn. Be focused on creative innovation. Work with, welcome and be accessible to the whole community. Provide outstanding customer service. 2 Introduction..........................................................................................................5 Highlights of 2004-05......................................................................................6 The Ring Cycle .................................................................................. 6 Open Day 2004................................................................................... 7 Adelaide Cabaret Festival................................................................. 7 Long-running favourites................................................................... 8 Chairman’s Report ...........................................................................................9 Chief Executive Officer’s Report .............................................................11 Adelaide Festival Centre Trust Act 1971.............................................14 Trustees ..............................................................................................................14 The Objectives of Arts SA ..........................................................................15 The Objectives of the Adelaide Festival Centre Trust ..................16 Objective 1.........................................................................................................17 ENGAGE........................................................................................... 17 Objective 2.........................................................................................................18 INVITE and WELCOME.................................................................... 18 Adelaide Cabaret Festival 2005........................................................................19 Adelaide’s Big Backyard ...................................................................................20 Morning Melodies .............................................................................................21 Something on Saturday ....................................................................................21 Education Program (CentreEd).........................................................................22 Arts and Culture Learning at the Centre ...........................................................23 Performing Arts Collection ................................................................................23 Visual Culture ...................................................................................................23 Membership......................................................................................................24 Disability Action Plan ........................................................................................24 Objective 3.........................................................................................................25 RESPECT and COLLABORATE...................................................... 25 Cultural Diversity...............................................................................................26 Aboriginal Reconciliation Statement .................................................................27 Client Partnerships ...........................................................................................27 Adelaide Festival Centre Season 2004-05........................................................27 Objective 4.........................................................................................................43 INNOVATE........................................................................................ 43 iNSPACE Program ...........................................................................................44 Objective 5.........................................................................................................45 SERVE .............................................................................................. 45 Patron Services ................................................................................................45 Showbitz ...........................................................................................................45 Catering ............................................................................................................45 Car Park............................................................................................................46 Production Services..........................................................................................46 Corporate Communications ..............................................................................46 Objective 6.........................................................................................................48 3 FINANCE .......................................................................................... 48 BASS ................................................................................................................48 Workshops........................................................................................................48 Business Partnerships and Corporate Hospitality.............................................49 Risk Management.............................................................................................52 Fraud ................................................................................................................52 Freedom of Information ....................................................................................52 Energy Efficiency Action Plan ...........................................................................53 Account Payment Performance 2004-05 ..........................................................54 Asbestos Management .....................................................................................54 Our People.........................................................................................................55 Structural Efficiency ....................................................................... 55 Organisation Structure .............................................................................................57 Staff List 2004-05..............................................................................................59 Executive Employment, Staff Employment and Other Human Resource Matters ..........................................................................................................................67 Occupational Health and Safety and Injury Management.................................71 Overseas Travel ...............................................................................................75 Consultants.......................................................................................................76 ADELAIDE FESTIVAL CENTRE FOUNDATION ANNUAL REPORT .......................................................................................................... 77 Chairman’s Report .......................................................................... 77 Members of the Board .................................................................... 78 Committees...................................................................................... 78 Adelaide Festival Centre Foundation Activities ........................... 80 Adelaide Festival Centre Foundation Supporters ........................ 82 4 Introduction The Centre was established as a statutory authority under the Adelaide Festival Centre Trust Act 1971, charged with the responsibility for encouraging and facilitating artistic, cultural and performing arts activities throughout South Australia, as well as maintaining and improving the building and facilities of the Centre complex. The Centre is committed to delivering artistic, educational, social and economic outcomes of the highest order, for the people of South Australia. Our philosophy is one of excellence, access, learning and sustainability. Our corporate plan focuses on innovation, facilitation, collaboration and education, as the means of delivering these outcomes. At the Adelaide Festival Centre, we are driven by a passionate belief in the arts as marking some of the finest achievements of human civilisation. We believe that all people have a deep-seated need - and a fundamental right - to participate in the arts. The arts serve as a vehicle for the expression of our common humanity, as a way of understanding the world in which we live and as an occasion for sharing that understanding with others. We are proud of our leadership role within the Australian arts sector and of our contribution to a vibrant and healthy community. What is meant by ‘the arts’ is a continually evolving phenomenon. Across the world, in every society, one of the challenges facing each generation is to give shape to our dreams, our hopes and fears. Within the cultural fabric of each of our many and diverse traditions, arts practices are continually
Recommended publications
  • 98Th ISPA Congress Melbourne Australia May 30 – June 4, 2016 Reimagining Contents
    98th ISPA Congress MELBOURNE AUSTRALIA MAY 30 – JUNE 4, 2016 REIMAGINING CONTENTS ACKNOWLEDGEMENT OF PEOPLE & COUNTRY 2 MESSAGE FROM THE MINISTER FOR CREATIVE INDUSTRIES, 3 STATE GOVERNMENT OF VICTORIA MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, ARTS CENTRE MELBOURNE 4 MESSAGE FROM THE DIRECTOR OF PROGRAMMING, ARTS CENTRE MELBOURNE 5 MESSAGE FROM THE CHAIR, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 6 MESSAGE FROM THE CHIEF EXECUTIVE OFFICER, INTERNATIONAL SOCIETY FOR THE PERFORMING ARTS (ISPA) 7 LET THE COUNTDOWN BEGIN: A SHORT HISTORY OF ISPA 8 MELBOURNE, AUSTRALIA 10 CONGRESS VENUES 11 TRANSPORT 12 PRACTICAL INFORMATION 13 ISPA UP LATE 14 WHERE TO EAT & DRINK 15 ARTS CENTRE MELBOURNE 16 THE ANTHONY FIELD ACADEMY SCHEDULE OF EVENTS 18 THE ANTHONY FIELD ACADEMY SPEAKERS 22 CONGRESS SCHEDULE OF EVENTS 28 CONGRESS PERFORMANCES 37 CONGRESS AWARD WINNERS 42 CONGRESS SESSION SPEAKERS & MODERATORS 44 THE ISPA FELLOWSHIP CHALLENGE 56 2016 FELLOWSHIP PROGRAMS 57 ISPA FELLOWSHIP RECIPIENTS 58 ISPA STAR MEMBERS 59 ISPA OUT ON THE TOWN SCHEDULE 60 SPONSOR ACKNOWLEDGEMENTS 66 ISPA CREDITS 67 ARTS CENTRE MELBOURNE CREDITS 68 We are committed to ensuring that everyone has the opportunity to become immersed in ISPA Melbourne. To help us make the most of your experience, please ask us about Access during the Congress. Cover image and all REIMAGINING images from Chunky Move’s AORTA (2013) / Photo: Jeff Busby ACKNOWLEDGEMENT OF PEOPLE MESSAGE FROM THE MINISTER FOR & COUNTRY CREATIVE INDUSTRIES, Arts Centre Melbourne respectfully acknowledges STATE GOVERNMENT OF VICTORIA the traditional owners and custodians of the land on Whether you’ve come from near or far, I welcome all which the 98th International Society for the Performing delegates to the 2016 ISPA Congress, to Australia’s Arts (ISPA) Congress is held, the Wurundjeri and creative state and to the world’s most liveable city.
    [Show full text]
  • Commercial Radio Awards (Acras), Announced This Evening at the Royal International Convention Centre in Brisbane
    MEDIA RELEASE 19 October 2019 Jonesy & Amanda win Best On-Air Team FM at Radio Awards Successful WSFM breakfast hosts Jonesy and Amanda (Brendan Jones and Amanda Keller), have been crowned Best On- Air Team (Metro FM category) at the 31st Australian Commercial Radio Awards (ACRAs), announced this evening at the Royal International Convention Centre in Brisbane. The win caps off a great year for the much-loved duo, who have notched up 14 years on air together and previously won the coveted award in 2012 and 2014. 2GB’s drive time host Ben Fordham won Best Talk Presenter for the fifth time and 2GB morning presenter Ray Hadley was awarded Best Current Affairs Presenter, bringing his career tally of ACRAs to 33 across all categories. The Best On-Air Team (Metro AM) was won by Afternoons with Erin Molan & Natalie Peters, the first female duo to host a news/talk show on 2GB and the first all-female team to win this award in ACRAs history. NOVA’s popular drive show Kate, Tim & Marty won Best Networked Program and Best Syndicated Australian Program. Best Entertainment Presenter went to Triple M funny man Lawrence Mooney, while Rebecca Morse, half of Hit107 Adelaide’s new breakfast duo Bec & Cosi, won Best Newcomer On-Air. Winners of other major awards included: Best Sports Presenter – Peter Sterling (Triple M, Sydney) Best Music Presenter – Kent “Smallzy” Small, Nova Network Best Community Service Project – Kennedy Molloy’s trip to Yuendumu for Red Dust, Triple M. Best News Presenter (Metro AM) – Mel Usher, FIVEaa, Adelaide Best News Presenter (Metro FM) – Ange Anderson, Nova 106.9 Brisbane Brian White Award for Radio Journalism - Matthew Pantelis, FIVEaa, Adelaide Best Music Special - Carrie Bickmore & Tommy Little, Southern Cross Austereo Best Original Podcast (Unbranded) – Hamish & Andy, PodcastOne Australia.
    [Show full text]
  • Outback Meets the Beach SUNDAY 10 MARCH – MONDAY 18 MARCH 2011
    Elimatta asgmwp.net Winter 2011 Aboriginal Support Group – Manly Warringah Pittwater ASG acknowledges the Guringai People, the traditional owners of the lands and the waters of this area. Outback Meets the Beach SUNDAY 10 MARCH – MONDAY 18 MARCH 2011 In 2007, North Palm Beach SLSC launched a Following a lot of planning the very first group Jawoyn reconciliation and cultural exchange programme group taking part in Outback Meets the Beach were titled Outback meets the Beach. The objective of the flying from Darwin to Sydney on February 13, 2008, programme was to promote iconic young groups of while Australia’s then Prime Minister, Kevin Rudd, was Australians from the beaches with those of Outback apologising to the Stolen Generations on behalf of all Australia to travel to each other’s communities and spend Australians in Parliament. invaluable time learning and living in the vastly different While staying with members of the Surf Club at North environments that each has to offer. Palm Beach the Jawoyn mob are given the opportunity Each year young Indigenous youths between the to learn how to surf and gain instruction in swift water ages of 14 to 20 travel to Sydney’s Northern Beaches rescue techniques, as well as receive basic training from the remote Jawoyn communities of Burunga, in first aid and resuscitation. They also meet with and Manyallaluk, Bulman and Wugularr – from south west receive mentoring from Indigenous people working in Arnhem Land, near the heritage listed Kakadu National sport and the arts. Park in the Northern Territory of Australia. During their stay our Jawoyn visitors are taken on “It’s not just a holiday,” North Palm Beach SLSC behind the scenes tours to Taronga Zoo and the Sydney representative Terry Kirkpatrick said.
    [Show full text]
  • Stephen Page on Nyapanyapa
    — OUR land people stories, 2017 — WE ARE BANGARRA We are an Aboriginal and Torres Strait Islander organisation and one of Australia’s leading performing arts companies, widely acclaimed nationally and around the world for our powerful dancing, distinctive theatrical voice and utterly unique soundscapes, music and design. Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national currently in our 28th year. Our dance technique tour of a world premiere work, performed in is forged from over 40,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra, and represent the pinnacle of Australian dance. Each an international tour to maintain our global has a proud Aboriginal and/or Torres Strait reputation for excellence. Islander background, from various locations across the country. Complementing this touring roster are education programs, workshops and special performances Our relationships with Aboriginal and Torres and projects, planting the seeds for the next Strait Islander communities are the heart generation of performers and storytellers. of Bangarra, with our repertoire created on Country and stories gathered from respected Authentic storytelling, outstanding technique community Elders. and deeply moving performances are Bangarra’s unique signature. It’s this inherent connection to our land and people that makes us unique and enjoyed by audiences from remote Australian regional centres to New York. A MESSAGE from Artistic Director Stephen Page & Executive Director Philippe Magid Thank you for joining us for Bangarra’s We’re incredibly proud of our role as cultural international season of OUR land people stories.
    [Show full text]
  • 1X 86Min Feature Documentary Press Kit
    ELLA 1x 86min Feature Documentary Press Kit INDEX ! CONTACT DETAILS AND TECHNICAL INFORMATION………………………… P3 ! PROGRAM DESCRIPTIONS.…………………………………..…………………… P4-6 ! KEY CAST BIOGRAPHIES………………………………………..………………… P7-9 ! DIRECTOR’S STATEMENT………………………………………..………………… P10 ! PRODUCER’S STATEMENT………………………………………..………………. P11 ! KEY CREATIVES CREDITS………………………………..………………………… P12 ! DIRECTOR AND PRODUCER BIOGRAPHIES……………………………………. P13 ! PRODUCTION CREDITS…………….……………………..……………………….. P14-22 2 CONTACT DETAILS AND TECHNICAL INFORMATION Production Company WildBear Entertainment Pty Ltd Address PO Box 6160, Woolloongabba, QLD 4102 AUSTRALIA Phone: +61 (0)7 3891 7779 Email [email protected] Distributors and Sales Agents Ronin Films Address: Unit 8/29 Buckland Street, Mitchell ACT 2911 AUSTRALIA Phone: + 61 (0)2 6248 0851 Web: http://www.roninfilms.com.au Technical Information Production Format: 2K DCI Scope Frame Rate: 24fps Release Format: DCP Sound Configuration: 5.1 Audio and Stereo Mix Duration: 86’ Production Format: 2K DCI Scope Frame Rate: 25fps Release Formats: ProResQT Sound Configuration: 5.1 Audio and Stereo Mix Duration: 83’ Date of Production: 2015 Release Date: 2016 ISAN: ISAN 0000-0004-34BF-0000-L-0000-0000-B 3 PROGRAM DESCRIPTIONS Logline: An intimate and inspirational journey of the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history Short Synopsis: In October 2012, Ella Havelka became the first Indigenous dancer to be invited into The Australian Ballet in its 50 year history. It was an announcement that made news headlines nationwide. A descendant of the Wiradjuri people, we follow Ella’s inspirational journey from the regional town of Dubbo and onto the world stage of The Australian Ballet. Featuring intimate interviews, dynamic dance sequences, and a stunning array of archival material, this moving documentary follows Ella as she explores her cultural identity and gives us a rare glimpse into life as an elite ballet dancer within the largest company in the southern hemisphere.
    [Show full text]
  • Adelaide Radio
    EMBARGOED UNTIL 9:30AM (AEST) ADELAIDE RADIO - SURVEY 4 2021 Share Movement (%) by Demographic, Mon-Sun 5.30am-12midnight People 10+ People 10-17 People 18-24 People 25-39 People 40-54 People 55-64 People 65+ Station This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- This Last +/- FIVEaa 12.3 10.8 1.5 1.9 2.0 -0.1 5.8 ** 3.2 1.7 1.5 9.5 6.9 2.6 13.0 13.3 -0.3 24.2 24.0 0.2 CRUISE1323 10.6 11.1 -0.5 1.0 2.0 -1.0 7.7 6.8 0.9 2.4 3.9 -1.5 7.0 8.3 -1.3 20.4 18.2 2.2 17.0 17.7 -0.7 MIX102.3 13.2 13.0 0.2 19.1 10.1 9.0 19.7 19.7 0.0 11.2 12.3 -1.1 15.8 15.9 -0.1 15.9 18.2 -2.3 7.4 7.3 0.1 5MMM 9.2 10.1 -0.9 11.1 13.4 -2.3 8.8 10.1 -1.3 11.8 14.9 -3.1 13.8 13.5 0.3 9.3 9.7 -0.4 3.7 3.6 0.1 NOVA91.9 10.4 11.5 -1.1 29.0 31.5 -2.5 24.0 22.9 1.1 16.7 16.0 0.7 9.8 13.3 -3.5 3.9 4.9 -1.0 1.0 2.1 -1.1 SAFM 7.9 7.1 0.8 14.7 9.4 5.3 16.1 15.0 1.1 14.7 12.5 2.2 7.5 8.3 -0.8 5.2 5.4 -0.2 1.2 0.8 0.4 ABC ADE 9.8 10.0 -0.2 1.5 1.7 -0.2 0.7 1.4 -0.7 1.6 3.6 -2.0 5.6 5.1 0.5 10.5 11.3 -0.8 22.4 22.1 0.3 5RN 1.5 1.9 -0.4 0.1 0.1 0.0 0.5 0.5 0.0 0.2 0.2 0.0 1.1 1.2 -0.1 1.7 2.3 -0.6 3.2 4.1 -0.9 ABC NEWSRADIO 1.3 1.4 -0.1 1.0 1.4 -0.4 0.3 0.5 -0.2 0.5 0.8 -0.3 1.7 1.7 0.0 2.4 1.9 0.5 1.3 1.6 -0.3 5JJJ 4.9 5.4 -0.5 5.6 8.3 -2.7 7.8 9.3 -1.5 11.6 11.1 0.5 6.8 7.1 -0.3 1.6 1.9 -0.3 0.2 0.4 -0.2 ABC CLASSIC 3.2 3.2 0.0 0.2 0.3 -0.1 0.2 0.6 -0.4 0.9 1.9 -1.0 1.4 2.2 -0.8 2.4 0.7 1.7 8.1 7.7 0.4 Share Movement (%) by Session, P10+ Mon-Fri Breakfast Morning Afternoon Drive Evening Weekend Station Mon-Fri 5:30am-12mn Mon-Fri 5:30am-9:00am
    [Show full text]
  • Media Tracking List Edition January 2021
    AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool
    [Show full text]
  • Bangarra Dance Theatre: Rethinking Indigeneity in Australia
    Bangarra Dance Theatre: Rethinking Indigeneity in Australia A thesis by: Charlotte Schuitenmaker 10212795 rMA Art Studies Supervisor: Dr. B. Titus Second reader: Prof. Dr. J.J.E. Kursell University of Amsterdam 21/01/2019 CONTENT INTRODUCTION……………………………………………………………….. 3 1 – BANGARRA’S EXPRESSIONS…...…………………………………………9 1.1 – Dance and Indigenous Australia………………………………………9 1.1.1 – Dance and music as modes of expression…………………...11 1.1.2 – Dance and music as systems of authority…………………...14 1.2 – Contemporary dancing………………………………………………..15 1.2.1 – Contemporary dance: An Overview......................................15 1.2.2 – Bangarra’s dance…………………………………………….20 1.3 – Presenting Indigeneity………………………………………………...22 1.3.1 – Bangarra’s performances…………………………………….22 1.3.2 – Bangarra’s promotion………………………………………. 31 2 – REASSEMBLING BANGARRA: THE INSTITUTION AS AND WITHIN A NETWORK……………………. 34 2.1 – Bangarra’s establishment……………………………………………...37 2.2 – A Page family business: choreographer, dancer and songman………. 39 2.3 – The theatre…………………………………………………………… 45 2.4 – Audiences and tickets………………………………………………....49 2.5 – Institutions and modernity...................................................................51 3 – MESSAGES: THE POLITICS OF IDENTITY AND STORIES…………54 3.1 – Indigeneity as identity…………………………………………………55 3.2 – Contemporary storytelling…………………………………………….60 3.2.1 – Stories: past-present-future…………………………….…....64 CONCLUSION……………………………………………………………….……67 REFERENCES……………………………………………………….……….……71 2 INTRODUCTION The Bangarra Dance Theatre Company is a Sydney-based institution that produces contemporary dance theatre shows inspired by Indigenous cultures in Australia. Carole Johnson, a dancer of African-American heritage, established the company in 1989, with Stephen George Page as Artistic Director since 1991. Page’s Aboriginal heritage stems from both the Nunukul people and the Munaldjali, a clan of the Yugambeh tribe in the south east of Queensland. Since 1992 the company has produced new shows almost annually and the team tours across the country.
    [Show full text]
  • W Washington Mutual T H E P O W E R of Y©S®
    CANTON PUBLIC LIBRARY POP OPERA Amici Forever pitches itself as the world's first opera band. Section E Your hometown newspaper serving Canton for 29 years Super food S<r\i CANTON A super spread for THURSDAY the big game. January 29,2004 Taste, 01 75 cents ©2004 HOMETOWN COMMUN VOLUME 29 NUMBER 60 (Dbsenrewww.hometownIife.com r Memo Jobs talk on guests Some of the Plymouth Whalers will be at the Bob Evans Restaurant on Ford Road at 1-275 6-8 p.m. Tuesday, Feb. 3. They will wait on guests. A makes points raffle will be held for Whaler merchandise and Bob Evans gift certificates. Proceeds of the raffle will go to the Karmanos Cancer institute. Bob Evans is for governor the official sponsor of the Plymouth Whalers Kid Ciub. Gov. Jennifer Granholm's State "Speeding up the process of giving of the State address seemed some- permits to business," he pointed Summit what familiar to Rep. Bruce out was "doable." The Plymouth Patterson (R-Canton Township). Yack said he thought Granholm Historical Museum is "In my opinion, it was more a and the legislature were on the the site of a manufac- Republican conservative speech right track when she talked about turing summit hosted by than that of a Democrat," said what could be done to retain jobs state Rep. John Stewart Patterson. "She didn't want to in Michigan. (R-Plymouth Township) raise taxes, and the importance of And State Rep. Phil LaJoy (R- and Plymouth jobs and job creation; those are Canton) also picked up on that point Community Chamber of the things we in the Republican .
    [Show full text]
  • Adelaide Festival Centre Annual Report 2005-06
    ADELAIDE FESTIVAL CENTRE ANNUAL REPORT 2005-06 18 September 2006 Adelaide Festival Centre King William Road ADELAIDE SA 5000 GPO Box 1269 ADELAIDE SA 5001 Telephone: (08) 8216 8600 Facsimile: (08) 8212 7849 Website: www.afct.org.au ABN: 90940 220 425 Contents Our Vision: ...........................................................................................................4 Our Mission is to: ..............................................................................................4 Introduction..........................................................................................................5 Highlights of 2005-06......................................................................................6 Chairman’s Report ...........................................................................................7 Chief Executive Officer’s Report ...............................................................9 Adelaide Festival Centre Trust Act 1971.............................................10 Trustees ..............................................................................................................11 The Objectives of Arts SA ..........................................................................12 The Objectives of the Adelaide Festival Centre Trust ..................12 Objective 1.........................................................................................................14 ENGAGE........................................................................................... 14 Education Program (CentrEd)...........................................................................15
    [Show full text]
  • Comedy and Theatre Sports Events
    Comedy and theatre sports events Posters PS120 To view items in the Poster collection, contact the State Library of Western Australia. Date Number Venue Title Performers Notes Size 1993 9 Nov 1993 PS120/1993/1 Playhouse Theatre Ennio Marchetto; Ennio Marchetto; Costumes made out of Choux Choux Baguette Annette Tesoriero card‐board and paper; Remembers and Cathie Travers Opera spoof 1995 10‐11 Feb PS120/1995/1 Regal Theatre Flacco and Sandman in Flacco and Corridor of Uncertainty 1995 the Corridor of Sandman National Tour 1995 Uncertainty 2004 15 – 20 June PS120/2004/1 His Majesty’s Melbourne Comedy Live comedy 60 x 42 cm 2004 Theatre Festival 2004 Roadshow 2007 Jan – March PS120/2007/1 Comedy Lounge, Raw Comedy 2007 Various Presented by 42 x 30 cm 2007 Hyde Park Hotel Melbourne International Comedy Festival 2008 28 Oct – 22 PS120/2008/1 Various venues in Wild West Comedy Various Nov 2008 Subiaco PS120 Page 1 of 5 Copyright SLWA ©2010 Date Number Venue Title Performers Notes Size 16 – 18 Oct PS120/2008/2 Octagon Theatre Wilosophy Will Anderson 14 – 15 Aug PS120/2008/3 Curtin Theatre, John A funny thing happened National Science Week 2008 Curtin College of the on the way to the lab: a comedy sketch revue Arts sketchy history of science By Steve Browning & Glenn Hall 5 September PS120/2008/4 Comedy Lounge, The Girls Stand‐Up Claire Hooper, 2008 Charles Hotel Kehau Jackson, Hanna Gadsby, Andrea Gibbs 20 – 21 July PS120/2008/5 Perth Concert Hall Where you from? Lenny Henry Stand‐up, music and 2008 character comedy 23 – 24 Sept PS120/2008/6 Perth Concert Hall Rove 2008 stand up Rove McManus 2008 tour 8 – 9 Sept PS120/2008/7 Burswood Theatre Tinselworm Bill Bailey 2008 15 – 15 Feb PS120/2008/8 Regal Theatre Hughesy goes bananas Dave Hughes 60 x 42 cm 2008 24 – 25 Feb PS120/2008/9 Perth Concert Hall Russell Peter and Russell Peters, Jo Australian tour 42 x 30 cm 2008 Friends Koy, Ahmed Ahmed, DJ ‘Starting from Scratch’.
    [Show full text]
  • Book Now Brisbanecomedyfestival.Com
    BRISBANE POWERHOUSE + BRISBANE CITY HALL + SUNPAC BOOK NOW BRISBANEPAGEC OMED1 YFESTIVAL.COM Canned laughter. Brisbane Comedy Festival Partner newsteadbrewing.com.au Powerhouse Comedy Fest Ad.indd 1 15/11/18 5:16 pm Celebrate in Style! See our 5 new collections Bloom Breeze Cresence Outline Casablanca NSW | QLD | VIC Valiant.com.au | valiant.events PAGE 2 CONTENTS Brisbane Comedy Queerstories 29 Festival Opening Gala 02 Nath Valvo 30 Ross Noble 03 Alex Ward 30 Frocking Hilarious 04 Rhys Nicholson 31 Felicity Ward 05 Around the Campfire 37 Danny Bhoy 06 CONTENTS Class Clowns 38 Damien Power 07 Whimpy Chimpy 38 Tim Ferguson 07 The World According Ronny Chieng 08 to Farts 39 Mel Buttle 09 Stinky Silly Show 39 Welcome to Nazeem Hussain 09 Jeff Green 40 Dave Hughes 10 Georgie Carroll 41 Brisbane Comedy Luke Heggie 11 Breakout Showcase 41 FESTIVAL COMEDY BRISBANE Jan van de Stool 11 Neel Kolhatkar 42 Festival 2019 Lawrence Mooney 12 Nikki Osborne 43 DeAnne Smith 13 Ivan Aristeguieta 44 Brisbane Comedy Festival is turning double Dave Thornton 13 Brisburned 45 digits, and just like any pre-teen, we are Demi Lardner 14 The Elvis Dead 45 growing up before your very eyes…minus Corey White 14 Guy Montgomery 46 the awkward haircut and Justin Bieber Daniel Sloss 15 Charity Werk 46 fascination. We’re celebrating hitting the big Scared Weird Little Guys 16 Michael Shafar 46 1-OH with 75 hilarious comedy acts. From Paul Foot 17 ImproMafia 47 stand-up, sketch, improvisation and cabaret, Double Denim 17 Dusty Rich 48 we’re inviting you to get skit-faced with Becky Lucas 18 New in Town 48 Australia’s fastest growing comedy festival.
    [Show full text]