MUSIC / DECEMBER 2000

PRODUCTION/VENUE GUIDE SPEND YOUR NEW YEAR’S EVE WITH FLOATER AND SPECIAL GUESTS AT THE ALADDIN THEATER

Tickets on sale November 27th Available at Ticketmaster and the Aladdin Boxoffice Questions: [email protected]

PO Box 603, McMinnville, Or 97218 • www.floatermusic.com • www.elementalrecords.com

2 - TWO LOUIES, December 2000 REWIND 1993

hirty years after is was recorded at Northwestern for a little over fifty Tbucks, Portland’s Greatest Hit,“” written by and recorded by was honored by the Oregon Historical Society and BMI with a large bronze plaque dedicated at the site. The Kingsmen and Paul Revere & The Raiders both recorded “Louie Louie” at Bob Lindahl’s studio. The Raiders version was the first to find a label (Columbia) and regional suc- Richard Berry Band l to r: Rich Gooch-bass, Mark Spangler-, Richard Berry, Jon Koonce-drums, cess, but the Kingsmen’s version on Wand rose Gregg Perry-Hammond B-3. Not pictured Gary Ogan-piano, Renato Caranto-Saxophone. through Billboard’s charts peaking at #2 in January of 1964. The same week, Cashbox Attending the most prestigious moment in The day after the plaque ceremony Richard reported “Louie Louie” #1. Portland popular music history were the writer Berry headlined the 1993 Waterfront Blues The July 2nd 1993 plaque dedication was of “Louie Louie” Richard Berry, Chet Orloff of Festival with a backup band of distinguished the first co-promotion uniting the Oregon the Oregon Historical Society, the producer of local musicians. Berry passed away at his home Historical Society’s sound and recording archives the Kingsmen’s hit Ken Chase, Raiders manager in in January of 1997. In April of and the Oregon Music Coalition, the organiza- Roger Hart, and Kingsmen guitarist Mike 1998 the Kingsmen were awarded ownership of tions now behind the Oregon Music Hall of Mitchell. Mitchell is the only musician on “Louie the master tape of “Louie Louie” in a precedent Fame. Louie” who still performs with the band. setting appeals court ruling.

3 – TWO LOUIES, December 2000 RELEASING YOUR OWN RECORD: A LEGAL but is such common (and often fatal) problem ic about how the producer’s credits are to be list- CHECKLIST that I feel obliged to mention it here anyway. ed. For musicians performing on the record who By Bart Day 4. Mechanical Licenses. For any cover songs are signed to a label, they will normally need to appearing on the record, you must obtain a be credited as appearing “Courtesy Of” their or artists who are releasing their own mechanical license from the owner of the song label. record for the first time, without the (i.e., the song’s publisher), authorizing the song 9. Liability Releases/Permission Forms. You Finvolvement or assistance of a label, to be recorded, and providing for the payment of need to consider the possible necessity of getting the process can be a little intimidating, and it can mechanical royalties. In many cases this license a liability release or permission form signed in be easy to miss some key legal details in the can be obtained from The Harry Fox Agency any of the following scenarios: (a) If a photo- process. (212/ 370-5330, or http:www.nmpa.org). Allow graph and/or artistic image of an individual out- Therefore, here is a very basic checklist of six to eight weeks for this process. side the group is included in the artwork, (b) If issues to be considered when releasing a record. For songs not licensable through Harry Fox, any of the artwork which you are going to use is Bear in mind, though, that your own particular you must contact the publisher directly. Usually owned by any third party, or (c) If any logos or trademarks owned by third parties appear in your “If there are investors involved, certain documents artwork. There can be some tricky legal issues in this area, so be very careful here. will need to be prepared, in order to comply with 10. Copyright Notices for Songs. Be sure certain Federal and State securities laws.” that the liner notes contain the correct copyright notices for all of the songs on the record, i.e., circumstances may dictate that you take certain the easiest way to do so is to obtain the publish- both for your original songs and any cover songs steps which are different from, or in addition to, er’s contact info from the “song indexing” which you are using. Information about copy- the various steps mentioned below. Also bear in departments at ASCAP and BMI. right notices can be obtained at mind that, due to space limitations here, it has 5. Sampling Clearances. If you are includ- http://lcweb.loc.gov/copyright/. Also, make sure been necessary to greatly oversimplify some of ing any samples on your record, you need to that the song credits correctly state for each song the issues discussed below. obtain sample clearances from the publisher of the name of the song’s publisher and the pub- 1. Agreement Between Members of Group. the song sampled and the label which owns the lisher’s performing rights society (i.e., ASCAP, If it is a group (as opposed to a solo artist) releas- master being sampled. Do this as early as possi- BMI, etc.). ing the record, and if the group has not already ble, as there will be some instances in which 11. Copyrighting Your Original Material. formalized its relationship by way of a partner- either the publisher or label will not be willing to Certain copyright applications need to be filed ship agreement, incorporation, or limited liabili- issue a license, or the licensing fee which they promptly for your recordings and for your own ty company (“LLC”), then there should at least require may not be affordable. original songs. Use “Form SR” for copyrighting be a clear and simple agreement among the 6. “Work for Hire” Agreements. For any ses- the masters of the songs, “Form PA” for each of group members about how the finances of the sion people, engineers, etc. whom you are hiring, your original songs on the record, and “Form recording project will be handled. Also, inciden- it is wise to have them sign a short and simple VA” for the artwork (if you own the artwork and tally, it is always a good idea to deal with the issue “work for hire” agreement, to preclude any pos- want to copyright it). of the ownership of the group’s name, as early in sible future claims by them that they are owed 12. Registering Your Original Songs with the group’s career as possible. royalties or that they have ownership rights in BMI/ASCAP. Assuming that the record contains 2. Investors. If there are investors involved, the masters. one or more songs which you have written, and certain documents will need to be prepared, in 7. Producer Agreement. If you are using an assuming that you are affiliated (or are becoming order to comply with certain Federal and State outside producer, there needs to be a producer affiliated) with ASCAP or BMI, you will need to securities laws. Be especially careful here. agreement signed, defining (among other things) file “title registration” forms for each of your 3. Distribution and Promotion Strategy. how the various costs of the recording sessions original songs appearing on the record. This will Think ahead about how the record will be dis- will be handled, what advances (if any) will be enable your rights society (i.e., ASCAP or BMI) tributed, advertised, and promoted, and how paid to the producer, and what producer royal- to monitor the airplay of your material. much money will be needed to effectively market ties will be paid to the producer. 13. Trademark Notices/Registrations. Be the record. Sometimes all (or almost all) of the 8. Production Credits. Make sure that the very sure that you have the legal right to use the budget for the project is spent on recording and production credits listed in the liner notes—for group name and label name which you have cho- manufacturing costs, and there is little or no session people, producers, and others—conform sen, and consider the advantages of filing trade- money left to effectively advertise or promote the to any contractual requirements. For example, mark applications for those names. Also, make record. This, of course, is not really a legal issue, the producer agreement will often be very specif- continued on page 9

4 – TWO LOUIES, December 2000 5 - TWO LOUIES, December 2000 Because of Poor Steve’s penchant for wondrous. espousing the Lounge-drenched philosophy of “Bleeding Ceremony” begins with acoustic ratpacker Sammy Davis Jr., as well as that of the guitar and tweeky synth injections from key- consummate Cocktail alter-ego, Buddy Love boardist Dustin Lanker, before exploding into an (from Jerry Lewis’ The Nutty ), lazy Aerosmith-like strut, accentuated by Moss’ journalists often mistake the œurvre of Daddies’ chunky lead guitar. brass infused musings as some sort Cab Calloway Finally, “Saddest Thing,” in its stalwart tribute. Anyone familiar with Perry’s life and impeccability, could be the work of Johnny music know the guy is truly a Rocker, in the pure, Mercer and Jimmy Van Heusen— a prototypical existential sense of the term. Las Vegas cocktail lounge torch song— tailor- And anyone party to the incomprehensibly made for Billie Holiday, over forty years after her strange Perry stage shows of the early ‘90s prob- demise. Perry’s vocal is spectacular in it’s ably has a difficult time recognizing Poor Steve in Holiday-like phrasing, as is the brilliant sax work his guise as dapper Swing maven. Back in the old of alto man Ian Early. days one was more likely to catch him in a near It would be a terrible mistake to simply naked state, pretending to be a penis. write off Steve Perry and the Cherry Poppin’ The new , Soul Caddy, gives a good Daddies as the distributors of yet another dis- indication of the rich tradition of musical diver- carded musical fad. Though the band have sity that Perry and the Daddies have truly always always had Swing leanings, that style was never upheld; delivering a baker’s dozen of stylistically the sole milieu. wide-ranging numbers— transforming from Soul Caddy, the band’s first real album in Swing to /Reggae, from moody introspective nearly five years, forthrightly illustrates that the acoustic music, or traditional Vegas Lounge bal- Daddies are hardly flash-in-the-pan stylistic lads to Punky Rock with chameleon-like ease. ambulance chasers. Perry’s growth as a song- Fore those comfortable with the Daddies as writer (one could quibble that his singing, often- a Big Band Swing unit, cuts such as the clever times void of the leering swagger found in his “Swinging With Tiger Woods,” “So Long Toots” Swing compositions, does not always display the and Bob Willsish “Uncle Ray” should satisfy the same level of maturity) is obvious and distinct. Soul Caddy – Cherry Poppin’ Daddies jones. But those seeking the true Daddies’ head- If anything, the band is pointing the way waters should look to the Metal/Ska of “God Is A toward another stylistic trend on the horizon: oor Steve Perry is misunderstood by Spider,” the Specials/Joe Jackson/English Beat Pop/Ska/Punk, álá Madness meets Bad Religion. the press. Lead singer and raison ‘d’e- tinged Ska/Reggae of “Stay Don’t Just Stay,” or The style is not without its precedents. If No tre for the Eugene-based Cherry P “You’re My mistake” and “End Of The Night.” Doubt can do it, why not the Daddies? Poppin’ Daddies, he has been pegged in some And to fully grasp the complex elements quarters as a “hep cat Swing dude,” in the usual which comprise the soul of Perry and the Burning Sosobra – Floater effort to manufacture, pigeon-hole and destroy Daddies, one should pay close attention to the Elemental Records its Pop stars. Most of these naysayers are familiar lead track, “Diamond Light Boogie.” Here we It’s a shame there aren’t awards given local- ly for such categories as “Best Album” cover. If “Because of Poor Steve Perry’s penchant for there were such an award, this year it would most certainly go to the trio from Eugene for their espousing the Lounge-drenched philosophy of album Burning Sosobra. Colorful and magnifi- ratpacker Sammy Davis Jr., lazy journalists often cently staged, the well-photographed image of a burning plaster man set against a purple-orange mistake the œurvre of Daddies’ brass infused seaside sunset perfectly conveys the tensions con- musings as some sort of Cab Calloway tribute.” tained in the music within the package. Having released approximately observe influences such as Bowie, T-Rex and every two years for the past six years, Floater with the Daddies only as far back as their 1997 Adam Ant. Or descry the shoe-gazing splendor approach their fourth recording with a mature hit release Zoot Suit Riot. and the song of the of the acoustic guitar colors of “Grand Mal,” assuredness that can only come from endless same name. comparable to those of E and the Eels. Jason rehearsals and performances, honing their mate- The trend riding success of that album threw Moss’ well-placed guitar punctuations add fur- rial to razor sharpness. Their musical turf is now the Daddies into the national spotlight after more ther texture to the proceedings. clearly defined and the band stalks like a pack of than a decade of hard work at the local and region- The title track combines elements of some wolves the perimeters of that territory. al levels. Though Zoot Suit Riot was actually their of the classic Soul purveyors, such as Otis With the imagery of Jim Morrison, the fourth album and, in reality, a sort of greatest hits Redding and Sam Cooke, along with an English naked emotion of Afghan Whigs and , the package at that, many among the press pro- feel comparable to that of Madness. “Irish musicianship of the Police, Rush, Stone Temple nounced the band a one trick pony: along with Whiskey” is a hard rocking number which incor- Pilots and Zeppelin, Floater contrast and com- Swing revivalists such as Royal Crown Revue, porates the essential Punk/Pop components of bine subtle musical textures to introspective, Squirrel Nut Zippers and Big Bad Voodoo Daddy. bands such as Bad Religion and Offspring. Truly emotionally charged lyrics. Vocalist, bassist Rob

6 – TWO LOUIES, December 2000 Wynia, infuses every Floater song with a sense of personal drama and poetic depth in an highly unique way. Floater still occasionally indulge their predilection for odd sound bites and curious samples, but here, moreso than ever before, it is better integrated into the flow of the material. Drummer Pete Cornett’s exotic percussion loops often set the mood for a given song. Dave Amador’s muscular guitar work echoes that of Rick McCollum of the Whigs in its orchestral aspects. Nearly every song is a standout, cleverly conceived and masterfully executed. Each mem- ber of the band endows the entire production with intricate and indelible sonic architectures in support of somewhat complex lyrical arrangements. Most of the fourteen songs seem to adopt a common mythology, based upon a sort of pan- theistic animism. “Here Comes The Dog” “Watched Over By Crows,” “Queen Of The Goats,” “King Rabbit,” “Milk Of Heaven” “Albatross,”“The Marriage Of The Black Sheep” “Colorblind” the cover of the Doors’ “Waiting For The Sun” and “Equinox” all maintain a cer- tain thematic synergism. “Watched Over By Crows” exhibits a grace- ful poetry over a hardhitting 12/8 time signature. “Exiled” plays with similar Bach-like rhythmic and harmonic structures. “Queen Of The Goats” maintains more of an Eastern motif, driven by Cornett’s polyrhythmic pounding and Amador’s thundering guitar machinations, over which Rob Wynia of Floater Buko Wynia operatically ululates. Taking a different tack, “Colorblind” is a tion, nor their artistry, their intelligence nor their “Independence Day” offers a change of reflective piece, acoustic against integrity, but were their lyrics as direct as the pace. Over hopping upstroke guitars, Cornett restrained drums. Wynia’s protagonist in cover to their album, we would be considering an offers a syncopated salvo lending a Reggae feel to “Alcoholic” is more to the point, though he does award for the band rather than for the graphic the song, as if the early Police were backing U2’s not deal with the issue head on, adopting instead artist. Bono Hewson. Similarly, “Milk Of Heaven” has a U2 flavor and shines from Amador’s thrilling “Floater approached their fourth recording with a guitar pyrotechnics. The sample in the intro of “Albatross” mature assuredness that can only come from appears to be the recitation of a poem by a young boy. It carries a very dense specific gravity. The endless rehearsals and performances, honing their song that follows rides a smart beat, with strut- material to razor sharpness.” ting bass and guitar— and vocal lines that reflect myriad influences, including even Roger Daltry a more philosophical approach to the problem. “Ceiling Tiles (2000)” – Kaitlyn Ni Donovan from the Who’s Next period. In fact if there is to be a complaint about Self-Produced Along the same line, Floater’s cover of the Floater poetry, it’s that it is dominated by third- A little over a year ago, Kait released her Doors’ “Waiting For The Sun” is faithful to the person tales about Goat Queens and Rabbit brilliant album Songs For Three Days which original, though mightily beefed up in the guitar Kings, which may have some unknown esoteric contained the original version of “Ceiling Tiles.” department by Amador. “The Marriage Of The context, but in light of public taste, would seem a Kait and producer extraordinaire Tony Lash Black Sheep” never quite cuts loose, though bit ponderous for general consumption, a bit like elected to re-release the song with a new mix Wynia intimates rancor and rage at intervals and Prog Rock bands of the early ‘70s— Gentle (including new, or different, instrumentation) turns. The rest of the time, he sings as if there Giant, Jethro Tull, Genesis, Yes, etc. giving everyone the opportunity to appreciate were a radiator inside him that, overheating, was But for that, this is a very solid album from Kait all over again. She is an unfamiliar treasure set to burst. Somewhat, analogous to Trent a well-drilled band, Their chops are not in ques- Reznor’s thermostat. continued on next page

7 – TWO LOUIES, December 2000 continued from previous page to this city and a complete secret to the rest of the world. This is a tragic shame. Our review of Songs For Three Days com- pared Kait and Tony’s production to Radiohead’s work on OK Computer . That comparison would seem even more appropri- ate, given Radiohead’s subsequent release, the stunning Kid—A. Utilizing the previous haunt- ing Fender Rhodes keyboard line from the orig- Tim Ellis, Lyle Ford and Jeannine Dawson Buko inal track, Lash layers further keyboard enhancements via a variety of synths, over a The five songs presented on this EP brim shows a lot of promise, delivering compact, con- sparse drum loop. with vigor and vitality. Producer Joe Reineke cise retro Rock of the ‘80s persuasion, with Kaitlyn’s angelic vocal hovers above, glanc- from the band Alien Crime Syndicate, digs deep unabashed authority. ing and dancing like moonlight on an evening into his bag of tricks, affording the band a tough, lake, calling to mind Kate Bush; as Eric Furlong’s aggressive sound. Chambers’ often heavily effect- Voice Of A Ghost – Lyle Ford bouyant bass provides the impetus. A wondrous ed vocals are given a menacing characteristic, Self Produced brief string section appears and recedes at the which blends well with Spring and Chai’s tough, This is Ford’ second release in the mid-point. Synth string pads breathe luxurious- smart guitar onslaught. Portland market. A few of the songs found here ly beneath, as other keyboards whir and purr on One of the guitars on “Tell The Bees” hums appeared on his first release in 1996. The prem- the periphery. maddeningly, while the other guitar merrily ise of this album is somewhat unique. It was In a kinder world, Kaitlyn Ni Donovan chunks along in a riff that calls to mind the recorded completely live in the studio, in one would have already achieved the widespread Breeders. Chambers’ double-tracked vocal helps take with no overdubs. Two sessions and this recognition she so richly deserves. Her mysteri- to maintain an off-handed Chrissie Hynde-like eleven song project was finished. Lyle’s voice and songwriting are so strong that not a lot of “Lyle Ford’s talent too is a well-kept secret in this embellishment is necessary to put him over upon the listener. town—which is an outright shame, because he is His talent too is a well-kept secret in this easily the equal of any other singer/ in town— which is an outright shame, because he is easily the equal of any other singer/songwriter in the area.” the area. To ignore him cheats not only Lyle, but a lot of potential listeners as well, which would be ous songs have a Bronte-like quality that calls cynicism. A perky anthem. “4 Things” twists on a a double shame. forth images of foggy dells, windswept moors stiletto sharp guitar riff, the effect of which could Vested of a sonorous voice and craftsman- and starcrossed lovers. Very few musicians have pass as a revved-up remake of Missing Persons’ like songwriting skills, his style would seem so such keen powers of evocation. Those availed ‘80s nugget “Walking In LA.”Very hot! fall somewhere between Folk and Country. His of such talents are rare enough indeed, and “Thick Skin” sounds like Love, though more songs speak to issues generally experienced by should be cherished for their uncommon gifts. brawny than Hole. “Petite Fleece” veers closer to mature adults: hardscrabble homilies, with the Kaitlyn Ni Donovan and Tony Lash are among the work of the Divinyls, Chambers’ vocal in the barest of imagery, the scantest of adjectives. The those artists. choruses breaking in a way similar to Christine underappreciated Country singer Larry Gatlin Amphlett, like Debbie Iyall of Romeo Void at comes to mind in possible comparison, as does Honey Ryder – Honey Ryder other times. Finally, the band’s version of Adam Bruce Cockburn. Self Produced Ant’s “Physical” is slow and sensual, adding a Supporting him in this unusual “live” Here’s a fine new band to the scene, named completely new dimension to the song. endeavor, are ubiquitous sideman Tim Ellis, after one of the bombshell characters in Ian Cristen Chambers has a distinctive voice, who has played guitar, or participated in some Fleming’s James Bond series. The band is fronted sort of Nancy Sinatra for the new millennium. capacity on literally hundreds of recordings; by Cristen Chambers, a dusky-voiced focal point She’s backed here by a solid band. The material. Kevin Rankin, whose most notable recent gig comparable to No Doubt’s Gwen Stefani with a while not bad, is a bit innocuous and at times was as the drummer for Lea Kreuger in On A little thrown in for good measure. fails to fully challenge Chambers to push herself Llama; and bassist Jeannine Dawson, formerly The band, guitarists Heidi Spring and Van Chai vocally. It might be fun to hear her lose her cool of Finn, the Vultures and the Voodoo Dolls, and the rhythm section of guests Michael Nelson once in a while. among several. on drums and Robert Thorton from Barbarella But apart from that, Honey Ryder are not Of the eleven songs presented, ten are on bass, play edgy, high-energy Rock with without considerable charm, which should Ford-penned, the other is a cover of a Paul panache and aplomb. translate well to the live stage. Here is a band that Stookey (from Peter, Paul & Mary) song, “A

8 – TWO LOUIES, December 2000 ning can unnecessarily increase your costs and/or delay the release date. By thinking ahead, the odds are much bet- ter that after the record is released, you will be continued from page 4 able to spend your time and budget effectively promoting the record, rather than having to Soulin’.” “Clear Night In June” is a simply stat- sure that your liner notes contain a proper trade- spend time doing repair damage. ed ballad, wherein Ellis tosses in a few fills at the mark notice for the name of your group, and (if Editor’s Note: Bart Day is a Portland-based turns and Rankin lays down a gentle beat. The addition of hints of Debussy’s “Clair De Lune” at the very end is a nice touch, in reference to a “For any cover songs appearing on the record, you line in the song. must obtain a mechanical license from the owner “In My Bones,” just Lyle and his guitar, is a tender ballad with a pretty chorus. “Broken of the song, authorizing the song to be recorded, Hearts,” featuring the whole band, would sound and providing for the payment of mechanical royalties.” “A little over a year ago, Kait released her applicable) the name of your own label. entertainment attorney in private practice. He is Information about trademark notices can be also a partner in ALLMEDIA, Ltd., a company brilliant album Songs obtained at http://www.uspto.gov/. with offices in Portland and Los Angeles. ALL- 14. Obtaining A Bar Code. For informa- MEDIA specializes in administering the licens- For Three Days which tion about bar codes, check out the following ing of music for film, television, commercials, contained the original website: http://www.adams1.com. Or call the and websites, and represents various record Uniform Code Council at (609) 620-0200 labels, independent music publishers, and version of ‘Ceiling Tiles.’ (Lawrenceville, ). Many CD/cassette Internet companies. duplicators will, as part of their service, provide Bart is also the co-author of a chapter in Kait and producer you with a bar code for your record. Ask about The Musician’s Business and Legal Guide, a extraordinaire Tony this when selecting a duplicator. book compiled by the Beverly Hills Bar Hopefully, the above checklist will help to Association and published by Prentice-Hall Lash elected to release reduce, at least slightly, some of the stress and Publishing (New York). strain of putting out your own records. The key, The reader is cautioned to seek the advice of the song with a new mix, of course, is to think ahead as much as possible. the reader’s own attorney concerning the appli- giving everyone the Some of the steps mentioned above, such as cability of the general principles discussed in this obtaining sampling clearances and mechanical column to the reader’s own activities. opportunity to licenses, can take some time, and a lack of plan- appreciate Kait all over again.” great in KINK’s format. “Goodbye My Heart” • ESTABLISHED 1979 • highlights Lyle’s fluid voice with a little yodel in PUBLISHER the melody of the verse. “Hall Of Mirrors” James E. Crummy stands out as well. EDITOR Perhaps the most successful song is “Go Buck Munger

There With Me.” A solid chorus and standout LAYOUT & GRAPHICS performances from the entire ensemble help to Paula Hay elevate it above the others. “Just A Thing” breaks WEBMASTER free of the emotional doldrums with a jaunty Buko melody that hearkens to Small Faces’ “Itchycoo WRITERS Park.” Lyle’s cover of “A Soulin’” is faithful to the Marc Baker • S.P. Clarke • Bart Day • Denny Mellor • Robin Rosemond original which ran along the lines of PHOTOGRAPHERS “Scarborough Fair” and “God Rest Ye Buko • David Ackerman • Gustavo Rapoport • Pat Snyder Gentleman.” PRINTED BY Though they are pleasant enough, Lyle Oregon Lithoprint Ford’s melodies sometimes fail to go anywhere, TWO LOUIES MAGAZINE they spin around, never arriving at a satisfying 2745 NE 34TH • PORTLAND, OR 97212 • (503) 284-5931 • FAX: (503) 335-3633 • www.twolouiesmagazine..com chorus. On the occasions (such as with “Go EMAIL ADDRESSES: There With Me”) that Lyle puts it all together, he Editorial: [email protected] • Layout: [email protected] • Website: [email protected] proves that he is more than merely competent as © 2000 BY TWO LOUIES MAGAZINE. May not be reproduced in any form without the expressed written consent of the publish- a songwriter. He can be very good. er. Two Louies is available by subscription. Send $35.00 for one year, postpaid to: 2745 NE 34th, Portland, OR 97212 9 – TWO LOUIES, December 2000 SEASONS GREETINGS from BILLY RANCHER and the TWO LOUIES STAFF

10 – TWO LOUIES, December 2000 through a Matchless Chieftain amp. Tim gave me a cool CD recorded live at the sessions. This is a great live two-mike recording featuring 11 sweet cuts. Billed as The Cheers Allstars the players on this CD are as follows-Michael Brummel, Kelly Dunn, Phil Haxton, Mike Rodriguez, Lee Garrett, Jim Hobbs, Kellie Mack, Dave Capron, Joe Casimia, June Howe, Jim Byrd, Dave Wojt, Steve Willette, Mike and Karen Johnson, Rick Hertd, Phil Clayton, Dick Pruiett, Scott Sullivan, Cactus Davis, Kenny Stickler, Rich Layton, Stu Salnave, Jim Wright, Ward Griffiths, Jonny West, Ken Johnson, and Mike Seamans. This is an un released CD, but a nice t had been a few months since I made any of the jams in the Portland area, “Tim played a Japanese powder blue Strat through Ihowever I heard some great stuff when I dropped in to the Cheers To You two 18 watt Vox amps (cool, cool sound), Phil played Tuesday night jam at 122nd and S.E. Holgate a Lakeland 5-string bass through a Trace Elliot amp hosted by Tim Travis. The core band is Tim Travis on guitar, Kelly Dunn on drums, Phil and Mike played a teal green American Strat Haxton on bass and Mike Rodriguez on guitar. If you like to kick back and listen , as well as through a Matchless Chieftain amp.” play, like I do, this is the place to go. The atmos- one none the less. Tim has phere at this jam is very held this session for two laid back everyone gets a years. Good job Tim! chance to play. As is the Sympathy’s go out to case with most jam ses- Portland jazz drummer sions blues is the general Jay Harris. Jay has been format for this jam, how- one of superstar Steve ever if you want to try Allen’s drummers since something different my last year. With the death guess is they would love it. of Mr. Allen in October, Jams can be exhilarat- the music industry loses ing. One time, I was called one of the most prolific up to jam at the old Pine of our time. Street Theater along with a Jay says he was planing to first time Elvis imperson- do nine shows with Steve, ator. A young lady who including some in Canada just before we started and the East Coast. leaned over to me and Shortly before his death whispered into my ear to Allen had recommended reveal that she also had Harris to Marvin never played in front a Hamlich for some crowd before and she had upcoming dates, and I just purchased her bass believe Jay got the gig. that day. And a drummer Portland great Boyd that had forgotten to take Small is doing well in his medication for a men- Amsterdam with his new tal health condition. Now Cool Buzz. that was original music! After a successful release Tim played a Japanese of “this Time No Lies” he powder blue Strat through also just finished working two 18 watt Vox amps on an album for (cool, cool sound), Phil Portlander Jim Wallace played a Lakeland 5 string titled “Rush To Hell”. You bass through a Trace Elliot can reach Boyd at: amp and Mike played a www.coolbuz.nl. teal green American Strat Jay Harris Mellor

11 – TWO LOUIES, December 2000 THE GRAND OL' SOAP OPRY

On The Cover: Kevin Rankin. If they gave Art’s double-header. Grammies for niceness Kevin would have a When the release dates for the two Everclear trophy room full. Rankin came to the attention of albums first came out, one Two Louies wag the original music community through the rise of wrote, “there better be a lot of Everclear on the Lea Krueger’s band, On A Llama. Since then, he’s radio by Thanksgiving or the Capitol promotion added the drive to Jeff Labansky’s Beatle-esque staff will be the turkeys.” project 28If and ruled from the drum throne for a How we didn’t edit such crappy prose is a list of distinguished artists including Nicole mystery to me, but now we look extra dumb Campbell, Robert Rude and Toni Land. (gobble, gobble) because EC is all over the radio. Everclear’s second album in the Songs From Forget the Internet. An American Movie set, “Good Time For A Bad Music entrepreneurs around the world have Attitude” came out November 21st with the first found a new outlet for the hit tune. Phones. Cell single already on BB’s airplay charts joining the phones in Europe and Asia are ringing to pop already big hits “Wonderful” and “AM Radio” tune hooks and National Public Radio says from Vol.1 Learning How To Smile. Portland’s Pink Martini has one of the first wire- Entertainment Weekly (11/24) gave Good less hits. Time For A Bad Attitude a B plus and opined “I Don’t Want To Work” or “Je Ne Veux Pas that Kurt Cobain might have learned a thing or Travailler” as it is sung in French, is so popular in two about angst from Art. “Art Alexakis could France that the chorus is being offered as a ring- probably teach a course in angst but wisely opts ing option for the mobile phone subscribers of to splash and play around in the slough of the French phone company Bouygues Telecom. despair, not wallow in it.” The Pink Martini tune gained popularity “How have these grunge-era vets managed through a Citroen commercial shown in that to survive and prosper in the age of teen pop? country. Good tunes and spirited playing factor into the According to NPR, “Pink Martini had only equation, but Everclear’s real secret is their wry sold about 50,000 copies of their album humor.” “Sympathique” here in the states when Citroen The Billboard review of the first single began running the spot in France last year. And “When It All Goes Wrong Again” (11/25) also since then, the group has sold over 300,000 gave Art major props. “Art Alexakis continues to copies of the album and the single in France.” prove himself as one of the smarter, least preten- Philippe Gondouin manager of World Stoney Brooks on Allegra drums Buko tious dudes in rock-n-roll.” Music for Naïve Records which licensed Pink “His words here display ample self-involve- Martini in France says the reason the song was a ment while somehow managing to also be empa- hit is, audiences were “seduced” by Pink Martini thetic. The track smokes with some fat riffs and a vocalist China Forbes’ “slight American accent”. backbeat that will not allow you to sit still.” China’s accent was also “reminding for us a lot of “When It All Goes Wrong Again” was BB’s cabaret songs and songs from the past.” “Airpower” pick on the Modern Rock Tracks “The success of Pink Martini’s music chart at #18w/bullet.(11/25) and also #23w/bul- among the French public and the ensuing rise in let on the Mainstream Rock Tracks chart. sales for Citroen prompted Volkswagen to get the The first single from Vol 1,“Wonderful”,is a band to help sell the Passat in France, using their solid Top 40 hit as well as #6 on the Hot 100 cover of the tango classic “Amado Mio”. That Singles Sales chart, after 20 weeks, and #55 on the spot began running two weeks ago.” Hot 100 Airplay chart. “And the music in the message is helping the musicians a lot. Pink Martini played at the Incoming... Place du Casino in Monte Carlo two nights ago, Heavy hits to the Portland music industry and tomorrow night the band continues its 25 infrastructure. Mark Miller’s Horseshoe Music in city European tour in Perpignan, France.” Lake Oswego closes after decades of involvement Billy Gibbons visits Council Crest 2L Archives in local music history that goes back to the city’s

12 – TWO LOUIES, December 2000 BY BUCK MUNGER first “combo shop” at 39th & Division. Horseshoe into the space left when the Drum Shop moved Music was founded at the 39th & Division loca- to S.E. Powell. Allegra’s custom built kits have tion after Denny Handa (Denny’s Music) went to captured the interest and passed the scrutiny of work for Fender. Horseshoe owner Mark Miller Portland’s major players. Mel Brown and Carlton took an active interest in the career of many of Jackson endorse Allegra drums. Erik Hargrove of his customers. He helped Black-n-Blue during the James Brown Band and Arthur Marbury of their development into a Geffen recording act. the Temptations also play Allegra kits. Several prominent musicians will lose their “day Oregon also gave the music world the Sunn jobs” in the store’s closing; Guitarist Greg amplifier, which, last year was reintroduced by Georgeson (Sequel-Tommy Tutone) and drum- Fender. Norm Sundholm of the Kingsmen start- mer Andy Gauthier (Jon Koonce-Tommy ed the company in the 60’s and Sunn amps were Tutone) among them. Miller says he’s closing, played by Jimi Hendrix, The Who, Cream and not because of the new competition, but because others. he wants to retire. “I started when I was 22, I’m Billy Gibbons got Jimi Hendrix’s old Sunn now 46. I’ve been thinking about it for three gear when he opened for Jimi with his band, years.” Moving Sidewalks.

The music store scene is shakin’ n quakin’... ZZ Topless. Owner Mark Taylor of Portland Music says I got a call from Billy Gibbons that a friend “the ground is shifting so swiftly underfoot... for of his was in Portland and “really, really bored” so all retail businesses. Look at Nordstrom’s stock”... Mr. Gibbons had given Billy Bob Thornton the It doesn’t take much of a wave to swamp a Two Louies phone number. “Billy Bob’s out of musical instrument retailer. “The whole musical town over the weekend, but he’ll call you after instrument industry, worldwide, is a smaller the first of the week.” says Billy. Mr. Gibbons and number than the retail grocery figure for the city Mr. Thornton are Texas-sized buddies, best illus- of New York.” says Showcase Music owner John trated by Billy Bob’s wearing of a black ZZ Top Chassaign. hat during his post Oscar interviews. In a town the size of Portland, new stores Jennifer Folker of Imogene Snyder “Take him up to Council Crest and show have impact. Within the last year, national chain him around.” suggests Mister Gibbons. Guitar Center opened new stores in Clackamas A musician himself, Mr. Thornton is in and Beaverton and is already on defensive alert. town with Bruce Willis making the movie Another national chain, Music and Recording “Bandits” on location in Oregon City. Superstores-Mars has a deposit on space in Mall Apparently, Mister Gibbons wasn’t the only 205, with a projected store opening in 2001. Mars guy Billy Bob complained to, because, by that “superstores” are typically two and a half to three weekend, things picked up for the movie-loca- times larger than Guitar Center outlets. Mars tion-bound party animals. Music has 46 superstores in 27 major markets in Bruce Willis flew in his band. 24 states. Two stores in , none in Oregon. The “Accelerators” arrived that Sunday from Los Angeles where each member does double The end of the Mom & Pop music store? duty, like Alice Cooper’s keyboardist Teddy Zig Tell it to Fred & Toody Cole at Tombstone Zag. Or, the guy who tours with Aretha. Once in Music. a while they come together for shows with Bruce Oregon has always had a strong musical on harp. instrument community including several manu- Think Café openings or this facturers of international stature. One of the best ultra private gig in Portland at the Crown pedal steel guitars ever built, Sierra, is still made Ballroom, November 5th. in Portland and distributed around the world. Tight security. Dave Peterson’s Allegra Drums just signed a Only movie cast and production people, a world wide distribution agreement with Award handful of outsiders-and to make it a real party- Marketing in Salt Lake City and are expanding Stephanie Smith of Kleveland Snyder 150 of most beautiful strippers in Portland.

13 – TWO LOUIES, December 2000 Letcher, Sean Web Address: www.alohasound.com (503) 771-7488; (503) 938-9626 pager Email: [email protected] Services: Sound Services: Sound & Lighting Years Experience: 14+ Years Experience: 13 Music Specialties: Anything but Country Music Specialties: Blues, jazz, bluegrass, Availability: Call for Schedule country. Specialties: Experienced at all levels of Availability: Always. record/music industry. Tech any and Specialties: Live demos on location, all instruments, good stage festivals, fairs, conventions. management skills, total of 15 years PRODUCTION Equipment: JBL & Crown experience in Portland music scene. House Engineer @ Moosehead Café. Clients: Curtis Salgado, Linda Hornbuckle, Clients: Maiden Mine, Nurse Diesel, Paul De Lay, Soul Vaccination Norman Sylvester, Hudson Rocket Band. Prescription Electronics P.O. Box 42233 Logic General, Inc. Portland, OR 97242 6713 SW Bonita Rd #210 Tigard, OR 97224 Ripplinger, Joseph Phone: 503-598-7747 (503) 655-3869 Fax: 503-603-0141 Services: Sound & lighting engineer, small All Service Musical Electronics Repair full production. Contacts: PA and Light rental, Psychedelic Liquid (Formerly KMA Electronics) Clients: 7 1/2 years national tours w/ Tom Dickey 503-598-7747 x301 Light Show 617 S.E. Morrison Rufus, Dr. Hook, Grateful Dead, Blue email: [email protected] Years Experience: Pro since ‘81 Portland, OR 97214 Oyster Cult. Paul Gusman 503-598-7747 x303 Music Specialties: Blues, rock, jazz, Phone/Fax: (503) 231-6552 Duke Sound and Light Productions email: [email protected] classical, Electric/Acoustic Services: CD Duplication Services, Toll Free: 1-888-231-6552 Duke Pippitt Availability: Yes! Contact: Randy Morgan 541-747-5660 Including on-site CD manufacturing; Email: http://www.teleport.com/~fixitman 525 Main Street CDR disk and tape duplication; Specialties: Excellent live mix, stage Services: Quality electronic service for Springfield, Oregon 97477 graphic design, retail ready packaging management and light direction. musicians, studios and music dealers. Years Experience: 15 services, warehousing & distribution Production efficiency. Factory authorized for most major Services: Concert production, sound services. Clients: Candelight Room, Cascade Tavern, brands. reinforcement, stage roofs, small P.A. Terry Robb, Sundown Sound, Hours: 9-6 Monday through Friday, and instrument rental. Mincks, Dennis Spectrum Sound, Razorbacks, Saturday 10-5 Equipment: 32 input house console, 24 x 8 (206) 576-9007 Terraplanes, Duffy Bishop, Lily Wilde, Years Experience: 27+, over 20,000 repairs monitor, 30 x 40 canvas stage roof Services: Sound. Paul De Lay, Soul Vaccination, Gemini Specialties: electronic musical equipment (portable). Years Experience: 15. Pub & Trails End Tavern. from vintage to state of the art. If you Music Specialties: Original, alternative, Music Specialties: All. can plug it in and make music with it, cover rock, but also blues and country. Availability: Any hours. Thomas, Dwayne we probably repair it. Clients: Love Load, Edgar Winter Group, Specialties: Sound mixing, front of house (503) 281-0203, Msg.: (503) 784-0361 Clients: We have performed repairs for Norton Buffalo, Steve Morse as well as monitors, production services. Fax: (503) 231-9679 almost every music store in Portland books bands for the Mill Camp and Services: Lighting and . We have done work for Swingers Night Club. Pro Sound and Video Years Experience: 14 acts such as Cheap Trick, , Steve Hills Music Specialties: Rock, all others also. , 98 Degrees, Monica, I.H.S. Production 1020 Greenacres Road Specialties: Full-time professional lighting Everclear and many local artists. Gary Miles Eugene, OR (503) 731-0383 (541)4844-4252 design—concerts, clubs, special events, Brown, Ray 8063 SE 17th Avenue Years Experience: 7 years touring, Intellibeam trained, substance (503) 286-4687 Msg. (503) 285-2473 Portland, OR 97202 Specialties: live sound recordings, do-it- free. Services: Sound Service: Promotion, Sound Recording, yourself demo tapes. Clients: Quarterflash, Nu Shooz, Jon Years Experience: 20 Video post work. Clients: Love, Death & Agriculture, Don Koonce, Dub Squad, Tales Untold, Music Specialties: Rock, Blues, Country, All Years Experience: 12 years. Latarski, Eisneblaak. Blubinos, The Killing Field, Cool’r, Cal Availability: Any Hours. Speciality: Servicing the Christian community. Pellegrin, Terry Scott, Caryl Mack, Roseland Theatre, Specialties: Excellent live mix, monitors, Availability: Anytime. (503) 645-5422, (503) 330-3840 John Bunzow & Cowboy Angels.

Equipment: PA, mics, lights Candlelight Cafe & Bar Headliners: 2032 S.W. 5th Avenue Portland, OR 97201 Berbati’s Pan 503-222-3378 231 S.W. Ankeny Street Format: Blues Portland, OR 97213 Booking: Joe Shore 246-4599 503-248-4579 Capacity: 150 503-417-1107 (fax) Equipment: none Format: Acoustic, Alternative, Funk, Jazz, Headliners: Norman Sylvester, Linda VENUE Blues, Rock Hornbuckle, Jay “Bird” Koder Booking: Tres Shannon: 721-0115 Capacity: 350 The Country Inn Equipment: PA, lights 18786 S.W. Boones Ferry Road Headliners: National, Regional and Local Tualatin, OR 97062 acts 503-692-2765 503-691-2675 (fax) Buffalo Gap Format: Blues 6835 S.W. Macadam Avenue Booking: Sunny Portland, OR 97201 Capacity: 150 503-244-7111 Equipment: none 503-246-8848 (fax) Headliners: Paulette & Power, Cowboy Portland Vancouver, WA 98665 Format: Soft Jazz, Folk, Rock’n Roll Angels, Steve Brodie 360-750-9596 Booking: Scott Aladdin Theater Format: rock, blues ,jazz, acoustic Capacity: 85 EJ’s 3017 S.E. Milwaukie Blvd. Booking: J.T. Equipment: sound system 2140 N.E. Sandy Blvd. Portland, OR 97202 Capacity: 200 Headliners: Craig Carothers, Jon Koonce, Portland, OR 97213 503-233-1994 info line Equipment: Full P.A., mic stands monitors Reckless Kelly 503-234-3535 Format: All styles (no punk) Headliners: Blyss, Mel, Rustvein 503-232-7719 (fax) Cafe Lena Booking: Mark Adler 503-234-9694 Format: punk/ 620 S.E. Hawthorne Blvd. Booking: Joel (503) 817-2060 503-234-9699 (fax) Ash Street Saloon Portland, OR 97214 Capacity: 307 Capacity: 588 225 S.W. Ash Street 503-238-7087 Equipment: PA, lights, sound engineer Equipment: PA, lights Portland, OR 97205 Format: Open Mic, Folk Acoustic Headliners: National, Regional and Local Headliners: Warren Zevon, Ray Davies, 503-226-0430 Booking: LeAnn acts Chic Corea, Keb Mo, Paula Cole 503-227-2403 (fax) Capacity: 50 Format: Acoustic, Alt. Rock, Blues, Funk Equipment: none Arnada Cafe Booking: Donny Headliners: Billy Kennedy, Lew Jones, 1717 Broadway Capacity: 80 Lorna Miller continued on pagre 20

14 – TWO LOUIES, December 2000 4811 SE Hawthorne 238-1646 Main Room, December SUNDAY, DEC 31 Higher Ground WEDNESDAY, DEC 13 Dan Murray Band Clubfoot Sandwich THURSDAY, DEC 14 Acoustic Room, December TBA FRIDAY, DEC 8 WEDNESDAY 10:30-MIDNIGHT FRIDAY, DEC 15 Joy Wilson Carmina Piranha Saratoga Park Miss 92.7 FM Columbia Gorge Brandon Carmody WEDNESDAY, DEC 13 Nicholas Dylan 100.7 FM Corvallis/Albany SATURDAY, DEC 16 Shawn Miller Lisa Miller & the Trailer Park Dave Callahan Honies Countrypolitans THURSDAY, DEC 14 Dryer Allison Violet artist • label • title Maria Webster LAST MONTH MONTH THIS WEDNESDAY, DEC 20 The Penca FRIDAY, DEC 15 31BRAILLE STARS Wicked Witch CD ...... Golden Stream Bonobos Brandon Schaeffer Gringo Stars SATURDAY, DEC 16 72RICK BAIN & THE GENIUS POSITION Official CD ...... Crooked Autumn Sun THURSDAY, DEC 21 Delgata Noumena Jonah Howard & the ...... 4th Plain Giants American Dream 62JOE DAVIS Demo CD Hope Chest Rain Like I Know Spigot 43KING BLACK ACID Cavity Search CD ...... Loves a Long Song FRIDAY, DEC 22 THURSSDAY, DEC 21 Winter ball with Lava Mandocellin ...... Demure 53THE HELIO SEQUENCE Cavity Search CD Com Plex Rotating Leslies FRIDAY, DEC 22 Red Dance Clan Yasha 24MOTHBALL Fat Lip Records ...... Mothball Michael Jodel SATURDAY, DEC 23 Jellyhead SATURDAY, DEC 23 74KAITLYN NI DONOVAN Demo CD ...... Ceiling Tiles 2000 (Remix) Easy WEDNESDAY, DEC 27 Brian Hillman 85WOW AND FLUTTER Demo CD ...... Confessionals Whirleybird Jason Lambert THURSDAY, DEC 28 WEDNESDAY, DEC 27 12 5 MEL BROWN Karmen Policy CD ...... Mister Greeve The Buds of May John Strider with many friends Alava 10 6 THE PINKOS Empty 45 ...... “To My Valentine 7" EP” FRIDAY, DEC 29 THURSDAY, DEC 28 Nothing but Family -Redwood Highway 96BINGO Demo CD ...... Final Master with Top Shelf Candidt FRIDAY, DEC 29 •7OH SUSANNA Stella-CD ...... Oh Susanna Cappucino w/Semaj Molly Bloom SATURDAY, DEC 30 SUNDAY, DEC 31 97JEFF LONDON Post Pablo Records 2000 CD ...... Home: Volume 1 Rubberneck Slot Rocket •8LYNN CANOVER Tailfeathers CD ...... Strange Bird •12THE COUNTRYPOLITANS Demo CD ...... “Killing Shoes” 13 9 BUNCO KELLY Demo CD ...... Love Is Strong 2000 •94 HR. RAMONA Demo CD ...... The Ride EP 12 10 CALEB KLAUDER Padré CD ...... Sings Out 13 10 JERRY JOSEPH Ulftone CD ...... Everything was Beautiful 11 11 THE FOLD J-Bird CD ...... The Fold •11XIARIOUS Kwali-T CD ...... X Ray Visions •12IKNOWKUNGFU Drunken Fist CD ...... Songs in the Rey of Fu 11 13 VOYAGER ONE Loveless CD ...... From the New Nation top tracks

31 BRAILLE STARS Wicked Witch CD ...... Golden Stream 52 RICK BAIN AND THE GENIUS POSITION Official CD ...... I Want To Die •3 JOE DAVIS Demo CD ...... Bed of Pain •4 KING BLACK ACID Cavity Search CD ...... School Blood •5 THE HELO SEQUENCE Cavity Search CD ...... Transistor Radio

live offerings at the church

Wednesday, Nov 22 ...... Jesus Presley Live Wednesday, Dec 6 ...... Pirate Jenny Live Wednesday, Dec 13 ...... Wow and Flutter Live Wednesday, Dec 20 ...... Holiday Special Wednesday, Dec 27 ...... Year in Review

Please send submissions to... Church of NW Music • PO Box 9121 • Portland, Oregon 97207

15 – TWO LOUIES, December 2000 TheThe DrumDrum ShopShop of of Portland Portland has is moving,moved to Monday, 3366 SE August Powell 21Blvdst • New, Biggerto Showrom3366 S.E. with ExpandedPowell InventoryBlvd • New,• Lare Bigger hand DrumShowroom Department with Expanded (Congas, InventoryBongos, Djembes) • Large• Enclosed Hand Cymbal Drum Department Room (Congas, Bongos, Djembes) • Enclosed• New Kids Cymbal Dept &Room Kids Classes • New• Group Kids Classes Dept & for Kids Conga, Classes Djembe, Drum Circle & More • Group Classes for Conga, Djembe, Drum Circle & More MainMain Store Store WestsideWestside 33663366 S.E. SE Powell 1353013530 NW NW Cornell Cornell Rd Rd Portland,Portland, OR OR 97202 Portland,Portland, OR OR 97229 97229 (503)(503) 771-7789 771-7789 (503)(503) 626-3786 626-3786 email: [email protected]: [email protected] • www.drumshopofportland.com

16 – TWO LOUIES, December 2000 appy Holidays Two Louies readers. By the time you read this we should Hhave a President elect, but there are no guarantees are there? I began my November column with a foreboding about our choices in the election, but it was astonished when it deteri- orated to a stalemate. Election Day was weird and I felt hostility from just about everyone I encountered. People are frustrated and I think many Americans are sick to death of know-it-all pundits who feel they are more informed, better educated and all knowing when it comes to pol- itics. I think the thing to remember is that it’s just you and the ballot, but from there it’s a crap- shoot. The premature results and the revealing Hyatt or Portteus, you will not be disappointed. bash. Owner John Brodie designed this wonderful weaknesses of an antiquated system, was a clear On the way to wine country we visited the little restaurant that serves sweet and savory crepes reminder that the country is not only split, but Maryhill Museum which was very enjoyable. The and salad. The opening night was packed with even people who voted for the same candidate view of the Gorge is breathtaking and the free Portland’s hipsters and a smattering of old scen- are at each others throats over what they believe esters. Everyone seemed like they were smoking is the truth and what they feel is right. It’s like the cigarettes, talking fast and laughing loud. The country started ringing a bell and when it kept buckwheat crepes were delectable and the choices on ringing, we realized not only was it annoying, for wine and beer were respectable. Having but we couldn’t stop it. Bridget O’Conner behind the bar was a welcoming The Seattle Weekly is getting a new editor. sight and she looked smashing in her brown We all remember the lovely and talented Audrey leather shirt with buckskin ties. John Brodie has VanBuskirk, who was the Arts and done a great job on the interior design of Le Entertainment editor for the Willamette week Happy. His choice of color and detail are close to until she moved to Santa Fe to man the helm of perfection and Cecilia Hallinan and Lauren WW’s sister weekly rag, The Santa Fe Reporter. Mantecon’s paintings hanging on the walls compli- She told me getting the new position happened mented the sweet restaurant. Brodie had his signa- rather suddenly and she’s thrilled about coming ture plastic flower wall looking like it was in full back to the Northwest. She moves into her new bloom. I spotted Marty Hughley at the bar with digs right after Thanksgiving and assumes her Karen Donovan and Eva Lake told me her art stu- new role as editor of the Seattle Weekly soon dio is close by so Le Happy is her neighborhood after. An added blessing to her move to Seattle is bar. Chris Monlux from Monqui Presents was she will be working with her old comrade, looking incredibly handsome as he selectively gave Richard Martin (ex-music critic for WW). Look out passes to the premiere of his movie “Eban And out King County! Charley”.LeHappy is located @ 1011 Northwest 16 The new Portland paper called, The Avenue (between Lovejoy and Marshall Streets). Portland Tribune (this week) is the talk of the For more information call: 503 226-1258. town. Those in the know are making squawks For all you theater lovers, a good show to about deep pockets, many columnists, and some Bridget O’Conner Rosemond check out is Artist Repertory Theatres produc- Oregonian writers who’ve jumped ship. Plus: Jim sculpture garden is a nice stroll around the well- tion of “Ain’t Misbehavin”.It’s an enjoyable night Redden! When I spoke to Roger Anthony, who’s manicured grounds. The Queen Marie and The of theater, with a great band, excellent singing doing the hiring, he seemed like a no-nonsense Romanovs exhibit was divine. Her clothing and and a powerful cast. I recommend taking the conversationalist. I asked him what the paper furniture that she had designed and made for her family to this historical review of some of the needed in terms of contributors, he replied “We need some humor!” Don’t we all? “Chris Monlux from Monqui Presents was looking I recently spent a weekend in Yakima Valley wine country in State. I tasted a incredibly handsome as he selectively gave out pass- variety of fine wines from around twelve winer- es to the premiere of his movie Eban and Charley.” ies, but what they do best is Merlot. We traveled with friends and stayed at a Bed & Breakfast were ornate and intricate works of art worthy of best songs of Fats Waller’s day. It’s foot stomping, where we lived off the fat of the land. We ate any great museum. The Maryhill also has work toe tapping, entertainment with a capital E. I many tortillas, chilies, apples, and onions, red by Rodin with a step by step display of how he attended opening night and the audience sang and green bell peppers and drank good wines cast his sculpture. The drive out there alone is along to Fat & Greasy and we clapped our way with the spectacular dishes we prepared in the well worth it and you can always visit the replica through the last medley. The show runs through kitchen of the B&B. Yakima Valley is filled with of Stonehenge down the road from the museum. December 15, so check it out if you want to enjoy all sorts of characters and visiting the wineries Maryhill is open seven days a week. For more a night of live theater. For ticket information call: and meeting the wine makers and their families information call: 509 773-3733. 503 241-1ART. was endlessly entertaining. Try the Merlot from I went to LeHappy for the opening night Write to me: [email protected]

17 – TWO LOUIES, December 2000 Dressed to impress. Mak’s” on Karmenpolicy Records...Steve The Movie Star thing. Bradley and Turtle Vandemarr have a new Bruce set up two microphones on stage for album out, “It Came From The Patio”. Bradley people who wanted to sit-in but Billy Bob and and Turtle have worked together as a duo for 12 the other musician guests, including Dan Reed years...The Steve Bradley Band plays the and Patrick Lamb, passed. Willis delivered some Tillicum Club December 15th & 16th...Curtis wicked harp and his super-sidemen burned in Salgado’s new album has Fabulous front of a vintage Fender backline. The Thunderbirds guitar legend Jimmie Vaughan Accelerators squeezed out a tight 60 minute set all over it, Salgado plays Berbati’s Pan of mainly blues covers and after the encore, November 28th...Caleb Klauder’s first solo Willis played disc jockey. release “Caleb Klauder Sings Out” was pro- Did I mention the 150 strippers? duced by Luther Russell. Klauder is also a song- Next week: Billy Bob visits Council Crest. writer and vocalist for the band Calobo. Caleb Right. plays the White Eagle December 2nd and the Cobalt Lounge December 29th...Gary Ogan The Dandy’s are handy... plays drums for the Jack McMahon Band at the The Dandy Warhols breeze through Buffalo Gap December 29th. Gary does a solo Portland visiting the Pine Street Theater shot at the White Eagle December 12th... Wednesday, December 6th. Portland’s other Kerosene Dream at Berbati’s Pan, Friday, band at the mercy of Capitol promotion flacks December 29th... Congratulations to the musi- continues to be news in the music business, even cians of the Oregon Symphony. A new three- without chart support of their current Capitol year contract between the Oregon Symphony release, “Thirteen Tales From Urban Bohemia”. Association and Local#99 of the American ’s Random Notes offered a little Federation of Musicians was negotiated using tour support with a nice big color picture and the Interest-Based Bargaining process. Local coverage of Dandy backstage antics in the Drew #99 President Denise Westby said, “The IBB Barrymore cover issue. process certainly assisted all parties to step into Arist Direct .com conducted a Dandy each others’ shoes and try looking at the world Warhols “fan conference” online November 8th with a new point of view. That view made it and helped answer burning questions like, relatively easy for us all to find common “What’s the deal with Courtney becoming ground and the best possible solution to each ‘Taylor-Taylor’? How high is Brent going to let others’ needs.”...the formerly feuding founding that afro grow? And how come sometimes Zia members of the Mayor’s Ball must’ve used that takes it all off and sometimes, she doesn’t?” IBB process, otherwise how did they agree to Before Portland, the Dandy Warhols will Lea Krueger Snyder hold a 15 Year Anniversary Mayor’s Ball visit Detroit, December 1st, Vancouver, British Reunion at the Roseland Grill, January 21st, Columbia on the 4th and The Showbox in Seattle Books and found a book in 5 minutes that I had 20001. The founders will reunite for a private December 5th. been looking for, for five years and said this is dinner and Oregon Music Hall of Fame concert it.”While living in cloudytown Warren collabo- open to the public. Michael Kearsey remembers Trade secrets...Warren Pash is moving to rated with Luther Russell on an album for John Entwistle of the Who showing up at the Nashville. The writer of Hall & Oates hit Cravedog. Before coming to Portland Warren first business meeting at Michael’s home. “Private Eyes” discovered Portland opening for played with homie Duane Jarvis in Los Angeles Backstage passes and laminates from the eight Pete Droge in June of ‘97. Warren said “I was and is expecting to hook up again in Mayor’s Balls will be honored January 21st. staying at the Mark Spencer Hotel. I walked Nashville...Mel Brown will appear at Music “This event is an attempt to recapture that down to Jake’s for Happy Hour, the food was Millennium East December 2nd at 1:00PM to original spirit and reassemble that volunteer fabulous, I walked across the street to Powell’s sign copies of his latest CD “Live At Jimmy corps.” says one organizer.

WE LOVE BACHELOR PARTIES! Featuring the most beautiful NE 122nd & Glisan & dancers in the Northwest! 255.5039 Club Cabos Come on in for CHAR BROILED STEAKS BREAKFAST, LUNCH, or DINNER SE 18th & McLOUGHLIN Open Daily 7am–2am 232.3799 we have Oregon Lottery Games too!!

18 – TWO LOUIES, December 2000 Carmina Piranha Snyder

19 – TWO LOUIES, December 2000 VENUE

continued from page 14 Metropolis 311 S.W. Washington Gemini Pub Portland, OR 97205 456 N. State Street 503-223-7515 Lake Oswego, OR 97034 Format: 70xs & 80xs Retro 503-636 9445 Booking: Rami 503-636-9445 (fax) Capacity: 500 Format: Blues, Jazz Equipment: PA, lights Booking: Randy Lilya 503-556-0405 Headliners: Capacity: 170 Equipment: lights Mt. Tabor Pub Headliners: Robbie Laws, Curtis Salgado, 4811 S.E. Hawthorne Blvd. Leon Russell, Jim Mesi Portland, OR 97215 503-238-1646 Green Onion Format: all styles 15 S.W. 2nd Booking: Peggy 503-232-8813 Portland, OR 97205 Capacity: Main Room 339 503-227-2372 Acoustic Room 72 Format: Middle Eastern, East Indian, Equipment: PA, Lights Reggae, World Music Headliners: Buds of May, Omar Torrez, Booking: Susan Fernando, Ezra Holbrook, Steve Smith Capacity: 180 Equipment: none The New Paris Theatre Headliners: SW 3rd & Burnside Portland, Oregon 97204 Green Room 503-224-8313 2280 N.W. Thurman Street Booking: Senor Frogg (503) 236-7745 Portland, OR 97210 Format: Punk/Gothic/Industrial/After 503-228-6178 Hours Dance 503-228-5068 (fax) Headliners: Written in Ashes, Grindstone, Format: Acoustic Folk, Rock, Bluegrass Mobius, Monkey Fur, Soy Futura, Booking: Declan Sumerland, Good For Nothing, Honey Capacity: 100 Rider, Mortal Clay, Faith & Disease, Equipment: PA, board, monitors, 1 mic Fuckpriest Fantastic Headliners: Buds of May, Sweet Juice, Little Sue, Jim Boyer, Billy Kennedy Ohm 31 N.W. 1st Avenue Jazz de Opus Portland, OR 97205 33 N.W. 2nd Avenue 503-223-9919 Musicians Technical Services a.k.a. Portland, OR 97205 Format: Blues, Jazz, Acoustic, Pop, 503-222-6077 Alternative. 503-224-6631 (fax) Booking: Dan Reed Uncle Joe’s Format: Jazz Capacity: 250 has moved to Morrison Bridge Music Booking: Haley Equipment: SA PA system, lights, Capacity: 50 soundman 522 SE Belmont Equipment: Piano & speakers Headliners: Slowrush, Imogene, The Portland, OR 97214 Headliners: Mel Brown, Thara Memory, Sensualists Kelly Broadway. 503-234-9500 The Rabbit Hole & Mad Hatter Lounge MTS Jimmy Mak’s 203 S.E. Grand Avenue 300 N.W. 10th Portland, OR Portland, OR 97209 503-231-2925 503-295-6542 Booking: Bill Leeds (503) 236-2455 503-279-4640 Format: original acoustic Format: Jazz, Blues Equipment: PA Booking: Jimmy Headliners: Fernando, Luther Russell, 44 Capacity: 95-165 Long, Kaitlyn ni Donovan Equipment: none Headliners: Tony Starlight, Pepe & Bottle The Red Sea Blondes, Ben Fowler, Art Davis 318 S.W. 3rd Avenue Quartet, Thara Memory Portland, OR 97205 503-241-5450 Laurelthirst 503-224-6570 2958 N.E. Glisan Street Format: Reggae, World Beat Portland, OR 97232 Equipment: PA 503-232- 1504 Format: Blues, Folk, Acoustic Rock Roseland Booking: Bill Leeds: 236-2455 8 N.W. 6th Avenue Capacity: 100 Portland, OR 97209 Equipment: PA Website: www.doubletee.com Headliners: Belmont Street Octet, Jim Format: all musical styles NW PORTLAND EAST PORTLAND Boyer, Little Sue, Plumb Bob Booking: Double Tee/Adam Zacks 23rd & NW Johnson 32rd & E Burnside 503-221-0288 503-248-0163 503-231-8926 503-227-4418 (fax)

20 – TWO LOUIES, December 2000 VENUE

P r o A u d i o R e p a i r s i n c e 1 9 7 8 F a c t o r y A u t h o r i z e d S e r v i c e : Alesis Denon Fender Fostex Korg Marshall Peavey Roland Sony Tascam Yamaha Capacity: 1350 Tug Boat Brewery and most other brands Equipment: PA, lights 711 S.W. Ankeny Street 1818 SE Division Street • Portland • OR 97202 • 503-238-1955 • email:[email protected] Headliners: Local, Regional and National Portland, OR 97205 acts 503-226-2508 Format: acoustic rock, jazz Roseland Grill Booking: Megan Red Carpet Recording 8 N.W. 6th Avenue Capacity: 50 503.848.5824 Portland, OR 97209 Equipment: mixer, speakers and mic. Format: all musical styles Headliners: Creative Music Guild, Rob Booking: Double Tee/Adam Zacks New! 503-221-0288 Blakely 503-227-4418 (fax) New! Capacity: 400 Trails End Saloon Equipment: PA, lights 1320 Main Street New! Headliners: Local, Regional and National acts Oregon City, OR 97045 503-656-3031 New! Satyricon 503-656-7872 (fax) 125 N.W. 6th Avenue Format: Blues Tuesday-Saturday New! Portland, OR 97209 Booking: Randy Lilya (503) 556-0405 503-243-2380 Capacity: 150 503-243-2844 (fax) Equipment: P.A., lighting New! Aloha Location w/many Advantages! • MORE racks of tube gear Format: Alternative Rock/Punk/Various Headliners: Little Charley, Paul DeLay, • Silver soldered Patch Bays • Tube Driven JBL/Alnico Mains + Near Booking: Ingrid Duffy Bishop Capacity: 250 Feilds • Vintage Amps • Hammond Leslie &’ Grand • Massive Analog • Equipment: PA, lights Vic’s Tavern Computer Editing • CD Burning • RCT 4x8 Tube Plate Reverb Headliners: , Poison Idea, 10901 S.E. McLoughlin Everclear, Fernando, Flapjacks Milwaukie, OR The Jazz Bar at Sweetbrier Inn 503-653-9156 7125 SW Nyberg Rd. Booking: Lynn Tualatin, OR 97206 Format: Original music-Rock 503-692-5800 Capacity: 100 503-691-2894 (fax) Format: Jazz White Eagle Booking: Denny 425-454-4817 836 N. Russell Capacity: 50 Portland, OR 97227 Equipment: Piano, PA 503-282-6810 Headliners: Mary Kadderly, Dana Lutz, 503-282-0842 (fax) Jean-Pier Gareau, Format: Various (no punk/techno) Marilyn Keller, Johnny Martin Booking: McMenamins/Jan 503-249-3983 x 497 WE HAVE MOVED ACROSS THE STREET. St. John’s Pub Capacity: 110 8203 North Ivanhoe Equipment: P.A., mics, Lighting, Some in- Come and see us in our new location. Portland, OR 97203 house sound assistance 18th & Hawthorne on the south side of the street. 503-493-4311 Headliners: Buds of May, Steve Bradley, Format: Blue Grass, Soft Rock Jerry Joseph & Jackmormons, Booking: John Malloy 289-7798 VACATION HOURS Capacity: 300 Jeff Trott, John Bunzow 503/238-4487 Equipment: PA, lights, two stages Headliners: Regional, National, Local Salem www.guitarcrazy.com Bluegrass & Americana Tommy John’s Tonic Lounge 248 Liberty Street 3100 NE Sandy Blvd. Salem, OR 97301 Portland, Oregon 97232 503-540-4069 www.twolouiesmagazine.com 503-239-5154 Format: Rock, Alternative, Funk Format: Rock, Alternative, Goth Booking: Dennis Ayres Booking: Devon Capacity: 150 Equipment: Equipment: 6 channel PA, no mics, Headliners: American Girls, Asthma lighting Hounds, Feller, Mel Headliners: Xing, Jesus Presley, American Girls Tillicum 8585 S.W. Beaverton Hillsdale Hwy. Westside Station Portland, OR 97225 503-292-1835 610 Edgewater N.W. Format: Blues, Jazz, Rock nx Roll Salem, Or 97304 Booking: Cindy 503-363-8012 Capacity: 200 Format: Classic Rock Equipment: none Booking: Donny Headliners: Lloyd Jones, Norman Sylvester, Capacity: 100 • Exclusive Advance Copy • Back Issues • Jim Mesi Band, Midnight Blue Equipment: PA, lights • Free Band Links • On Line Guides •

21 – TWO LOUIES, December 2000 MAYOR’S BALL REUNION VENUE The Roseland Grill Sunday, January 21, 2001

Celebrating Corvallis John Henry’s 136 East 11th The Peacock Tavern Eugene, OR 97401 15 years since the founding. 125 S.W. 2nd Avenue 541-342-3358 Corvallis, Or Format: alternative, hip-hop, funk, etc. 541-754-8522 Booking: Bruce 541-343-2528 Opening remarks Billy Hults Format: R & B, Alternative, Acoustic Capacity: 300 Booking: Randy: 503-556-0405 Equipment: PA, lights Capacity: 350, 275 Headliners: The Daddies, Floater Michael Burgess Equipment: PA, lights Headliners: Linda Hornbuckle, Wild Duck Music Hall Rubberneck 169 W. 6th Eugene, OR 97405 Albany 541-485-3825 Format: all musical styles VIP Dinner The Venetian Theater Booking: Dog House Entertainment, 241 W. 1st Avenue Brendon Relaford: 541-342-7743 Albany, OR 97321 Capacity: 500 Moderator Jim Miller 541-928-6733 Equipment: PA, lights Format: all musical styles Headliners: Charlie Musselwhite, Calobo, Booking: Robert Connell John Hammond Tony DeMicoli Capacity: 685 Equipment: PA, lights, soundtech, The WOW Hall Headliners: Calobo, Floater, The Daddies 291 W. 8th Avenue Eugene, OR 97405 Eugene 541-687-2747 541-687-2746 (fax) Roseland Grill Poster Installation Good Times Format: all styles: music, dance, theater 375 East 7th Booking: Allison Carter Eugene, OR 97405 Capacity: 400 sponsored by Double Tee 541-484-7181 Equipment: PA, lights, soudtech, stage Format: all musical styles manager Booking: Dog House Entertainment, Headliners: Greg Brown, Vassar Clements, Artist Sue Schenck Brendon Relaford: 541-342-7743 NoMeansNo. Capacity: 250 Equipment: PA, lights, sound tech Headliners: Body & Soul, The Daddies, Oregon Music Hall of Fame Technical Inductions QUARTERLY

Ken Chase/ producer of “Louie Louie” LISTINGS FOCUS Bob Sterne/ live concert sound Bryan Bell/ advancement of computer music Recording Studio Guide January • April • July • October Conrad Sundholm/ musical instruments

Oregon Label Guide 9PM-close February • May • August • November Mayor’s Ball Reunion Concert

MB backstage passes & laminates honored Production/Venue Guide Talent: Michael Kearsey, Co-ordinator March • June • September • December

22 – TWO LOUIES, December 2000 MUSICIANS CLASSIFIEDS STOP IN ANY PORTLAND MUSIC FREE LOCATION & FILL OUT THE FREE FORM

Percussionist. Congas, timbales etc. Versatile guitarist playing 25 years Live Sound Engineering & Production. Good bass player likes funk. Call Rob at Looking to jam join/start band into looking to join Jazz hobby band-work- Reasonable rates. Bill Cushman 649- 657-9302. Santana, War, Blues, R&B, World. Call: shop. I play a wide variety of styles also. 7741 Keith 236-2722 Neil 292-7592 Very established NW act seeks sax & 82nd USA Band trumpeter seeks band. trumpet. Must be able to write & read Mandolinist/Bassist seeks upright Working cover band seeking keyboard Age 48. Al Olsen 722-2162 charts. Call John at 288-1218. bass drums & horns for Jazz, Funk, player for 1 to 2 gigs a month. Beatles to Metallica. Class act - no drugs. All Looking for Country lead player, key- Guitarist with studio looking for good Jamming and rehearsal. Jason 232- board or rhythm player with vocals. Joe with jobs, transportation & pro gear. You singer to write and record with. Talent 5277 Archer 6507646 need solid keys and a car. Vocals a plus. more important than experience. Call Steve 293-6301, Mike 356-6565 Metal singer who can Scream/Sing Slipsand searching for versatile musi- Jack at 503/753-5151. needed bad. Experience pref. but not Keyboard player wanted. Classic rock cian with multi-instrumental talent for We’re a bassist, guitarist and drummer, necessary. Sevendust, Nin, band. Vocals a plus. You need to be in already moving and active rock Machinehead, Meshugga. Call Andy your 40’s or so to fit in with this bunch, (Jazzish, Funkish, etc) band. Joe (503) mature, experienced, responsible look- 360/513-3973 Must have hair! and know your instrument. Bill 228-7088 ing for piano and Hammond-style key- 503/643-5206 boardist/ organist for hobby band. P.A.W.N. seeking soundman and or key- Vocalist looking for all original hard Practice once a week gig once a boardist. Back vox or lighting exp a Azedelirium. Original heavy rock with a rock band. Influences Godsmack, month. Very big on tight arrangements Powerman 5000, Filter, AC/DC etc. plus. Gigging w/CD. 257-2864 funk edge seeks a leadman/vocalist. and enjoying the musical experience, Must have own gear, be motivated and Call Rick (360) 883-3780 very low on ego and ear-splitting amps. drug free. Steve 649-6966. \Death/Punk band needs insane Guitarist looking for a band or people to Kevin 238-3884 drummer. Call Sam or Tim at 775-8448 start a band. Influences Van Halen, Bass player looking. Hear and now. Bands! Get a live DAT recording of your Country, Blues, Rock, Oldies and Queensryche, various others. I have my Free form clarinet player open to Beat own gear. Clayton (503) 356-0400 show on CD for only $50. You play—I Poetry sessions. James Marble 255- Standards. Gene 245-5116 do the rest. Jeff, 503/239-0332. 6355. Wanted: Experienced Bass player. The Looking for female singer to work on band plays Country, Classic Rock and Musician (blues, country, R&B, swing) studio recording, tape-CD. Heavy R&R band w/CD, Gigs, NxNW more. We have gigs. (503) 266-1818. seeks others for local gigs. I play guitar, Guitarist/songwriter with 24 dig studio. seeking drummer with experience and bass, lap steel & sing. Greg, 771-4285. Peter 359-0928 commitment. Call today Jim (503) 977- Looking to form or join 3 or 4 piece acoustic band. I play bass & acoustic Local band seeks musicians of all 0976 Guitarist and bass player looking for guitar. I also write and sing lead and kinds! MCs, DJs, multi instrumentalists, drummer, keyboardist and sax player. harmony vox. David (503) 648-3474 Al Perez Band seeking guitar and key- We have jam space, come join us in a etc. Into hip hop/jazz/groove gigs, etc. board player. Pro attitude and gear Hi mom! 503/286-7744. rising white funnel of rhythms and Keyboardist, we need you ASAP. Call: required. Wayne (503) 286-6389. groove. 282-6414 (503 698-5580) Bassist for aggressive band. Must have Christian rock band seeking guitarist & Seeking drummer and bassist. Creative Fiction, Portland’s premier progressive own gear, good sense of humor, and keyboardist with good vocal skills. with an understanding of rhythm and Jazz/Rock Fusion band is looking for drive. We are not looking for a flake or Please call Larry 360/600-4025. good at discourse. We’re two vocal- keyboards, guitar, violin & cello to aug- a guitarist. be ready to play songs like: ist/guitarists with original material. ment our core group. Complex and Master of Puppets, L.A. Woman, or Bass player seeks other musicians to Michael 503/963-8867 challenging original instrumental music Dirty Deeds Done Dirt Cheap. Gender play jam-oriented rock, reggae, acid with odd time signatures and aggres- unimportant Tom, 503-685-9783. jazz, etc. 10 years experience. Scott New Christian band looking for sea- sive arrangements. Return To Forever, Leave a message! (Please no swearing 794-7272 soned guitarist with vocals and some King Crimson, Weather Report, Yes, on the answering machine!) keyboard abilities. Larry 360/263- Mahavishnu. Brian 771-1907 Bass player looking for musicians to 6634 or Josh 360/694-7530 Wanted: Lead vocalist, lead guitarist. make a frantic, aggressive, thrash type Original project in need of a big, bad, Established working group. Pop, R&B, Bass player wanted for Rock style bottom end. Innovative drummer and of music. Call Jan at 493-2989 funk, dance music. quality original band. We need an experienced and bass person needed. Think of Little music also. 503-321-5185. creative bass player who wants to play Feat conceiving with The Dead only Heavy Rock Band Seeks Singer With live and record. Josh 356-8049 Zappa could just be the real papa. Call www.xprt.net/~11. Attitude! 774-5249 Stu at 284-9672 Real Musician Seeks Same Sort Of Capture the moment! Musicians, poets, Experienced singer/ songwriter/ gui- Multi Inst Singer. No amateurs, working Sound & lights for hire. DJ sound & speakers. Sound Is A Vision produc- tarist seeks bassist, drummer to form stiffs, cops or puritans. You gotta play look like you should. Live recording tions does on-sight live recordings. folk/ blues/ reggae trio with room to because I do and sing because I do. available- CD or tape. Call Kevin at Recording + 1 CD, $50. Fast turn over. grow, record & tour (503) 774-4984 Gene 245-5116 503/762-4883. 503-790-0726.

23 – TWO LOUIES, December 2000