Appendix: Biographical Information of Artists Interviewed for the Project
Total Page：16
File Type：pdf, Size：1020Kb
APPENDIX: BIOGRAPHICAL INFORMATION OF ARTISTS INTERVIEWED FOR THE PROJECT © The Editor(s) (if applicable) and The Author(s), 175 under exclusive license to Springer Nature Switzerland AG 2019 M.-S. Song, Hanguk Hip Hop, East Asian Popular Culture, https://doi.org/10.1007/978-3-030-15697-8 176 Artist Gender Year of Place of birth Experience Introduction to Introduction to hip hop Year of birth of living hip hop (Year) (Song / Album / Artist) debut abroad … APPENDIX: BIOGRAPHICALINFORMATION Basick M 1986 Daegu Y 1992– Seo Taiji and Boys, Deux / All Eyez on 2007 1993 / 2000 Me by Tupac, The Marshall Mathers LP by Eminem Beenzino M 1987 Seoul Y 1995 2008 BewhY M 1993 Daejeon N 2009 Dynamic Duo, Verbal Jint 2012 Bizzy M 1980 New Zealand Y 2002 Boobagraphy M 1986 Busan Y Late teenage Cypress Hill, Wu-Tang Clan, Tupac 2007 years Born Kim M 1981 Seoul N 1997 Tupac, The Notorious B.I.G., 2001 NWA Chaboom M 1985 Ansan Y 1998 “I’ll Be Missing You” by Puff 2006 Daddy, Wu-Tang Clan, Mobb Deep Changmo M 1994 Gangwon-do 2006 “Hip Hop Music” by Joosuc, 2009 Jeongseon Tupac, T.I. Gohan-eup Choiza M 1980 Seoul N Sixth grade Naughty By Nature, MC Hammer, 1999 Marky Mark and the Funky Bunch Code Kunst M 1989 Incheon Y Ninth grade “Doo Rags” by Nas 2012 Crucial Star M 1989 Seoul N 2005 Dynamic Duo, The Quiett 2008 Deegie M 1981 Seoul Y 1992 / 1995 Seo Taiji and Boys, Deux / Cypress 1998 Hill Deepfow M 1984 Seoul N 1998 Cho PD, Drunken Tiger 2002 DJ Son M 1980 Busan Y 1992 Seo Taiji and Boys, Hyun Jinyoung, 2000 Deux DJ Soulscape M 1979 Korea Y 1988 Licensed to Ill by Beastie Boys 1998 Artist Gender Year of Place of birth Experience Introduction to Introduction to hip hop Year of birth of living hip hop (Year) (Song / Album / Artist) debut abroad DJ Wreckx M 1974 N Tenth grade Music videos that were aired on the 1998 AFKN segment “Video Link” Dok2 M 1990 Gyeongju N Early childhood Nas 2005 Don Mills M 1988 Suwon Y 2002 Eminem 2010 Double K M 1982 Seoul Y 1993 Shaq Diesel by Shaquille O’Neal 2001 Fana M 1985 Gwangmyeong 1998 Black Sunday by Cypress Hill 2001 Gaeko M 1981 Seoul N Sixth grade Naughty By Nature, MC Hammer, 1999 Marky Mark and the Funky Bunch Hash Swan M 1995 Seoul Y 2011 MC Sniper, Baechigi APPENDIX: BIOGRAPHICAL INFORMATION … APPENDIX: BIOGRAPHICALINFORMATION Huckleberry P M 1984 Seongnam N 1992 / 1999 Seo Taiji and Boys, Deux / Cho 2007 PD, Drunken Tiger, 1999 Daehanminguk Ignito M 1982 Seoul N 1992 / 1997 Seo Taiji and Boys, Hyun 2001 Jinyoung / Wu-Tang Clan, Dr. Dre Illinit M 1982 Seoul Y 1994 Cypress Hill 2001 Jerry.k M 1984 Seoul N 1998 Cho PD, Jinusean 2004 JJK M 1985 USA Y Seventh grade Korean hip hop Tenth grade Jolly V F 1989 Y Late elementary Nelly, Ying Yang Twins 2008 school years Junggigo M 1980 1999 Wu-Tang Clan 2002 Kayon F 1986 Seoul N 2002 The Chronic by Dr. Dre 2014 Kebee M 1983 1996 Wu-Tang Clan, Tupac, The 1999–2000 Notorious B.I.G. (continued) 177 Table (continued) 178 Artist Gender Year of Place of birth Experience Introduction to Introduction to hip hop Year of birth of living hip hop (Year) (Song / Album / Artist) debut … APPENDIX: BIOGRAPHICALINFORMATION abroad Keem Hyo M 1993 Age 20 Eun Lil Cham F 1991 2005 Missy Elliott, Ludacris 2008 Maniac M 1980 Nurnberg, Y Age 13 Compilation album called 2 Nasty 1999 Germany 4 Radio MC Meta M 1971 Daegu N 1988 Something on AFKN radio which 1998 he cannot recall the name of Naachal M 1977 Paju N “Hip Hop Hooray” by Naughty 1998 by Nature Nada F 1991 2004 / 2006 “Somunui Geori” by Garion, YDG, 2013 Leessang, Dynamic Duo / “Hip Hop is Dead” by Nas Olltii M 1996 Anyang N Fifth, sixth grade Tenth grade P-Type M 1979 Seoul N 1999 Paloalto M 1984 Seoul Y Ninth grade Wu-Tang Clan, Jay-Z, Garion, 2003 Joosuc Pento M 1985 Pohang N Elementary “I’ll Be Missing You” by Puff 2002 school years Daddy, Tupac, Talib Kweli, Madlib Pinnacle M 1985 Cincinnati, Y 1997 “Make Em Say Uhh” by Master P 2008 TheHustler Ohio, USA Rap Monster M 1994 Seoul 2006 “Fly” by Epik High, Garion, Nas, 2013 (now known Jay-Z as RM) Artist Gender Year of Place of birth Experience Introduction to Introduction to hip hop Year of birth of living hip hop (Year) (Song / Album / Artist) debut abroad Row Digga M 1986 Bucheon Y Seventh grade DMX San E M 1985 Incheon Y 1994 Seo Taiji and Boys 2010 Bupyeong Sleeq F 1991 N 2000 / 2004 “I’ll Be Missing You” by P 2007 Diddy / “Nu Skool” by Double K Sool J M 1983 Geoje-do Okpo N 1992 / 2002 Seo Taiji and Boys / Dr. Dre, 2005 Eminem, Tupac, Nas, Wu-Tang Clan, Notorious B.I.G., Cho PD, Drunken Tiger, Leessang, Garion APPENDIX: BIOGRAPHICAL INFORMATION … APPENDIX: BIOGRAPHICALINFORMATION Tablo M 1980 Seoul Y 1994 Illmatic by Nas 2003 The Quiett M 1985 Anyang N 1999 No Way Out by Puff Daddy 2001 Tiger JK M 1974 Korea Y Elementary 1995 school years Vasco (now M 1980 Y Early MC Hammer, Kriss 2000 known as Bill 1990s / 1997 Kross / “Hypnotize” by The Stax) Notorious B.I.G. Wutan M 1989 Ilsan Y High school Drunken Tiger, CB Mass, Epik 2010 years High, Nas, Jay-Z Zico M 1992 Seoul Y Fourth Eminem, 50 Cent / Numyeong by 2010 grade / Ninth Verbal Jint, New Blood Rapper Vol. grade 1 by E-Sens 179 180 APPENDIX: BIOGRAPHICAL INFORMATION … This table documents the artists who participated in life timeline interviews. I use the term “artist” loosely to encompass many profes- sions within the scene from rapper and DJ to hip hop photographer and album art director. Those who engaged in informal interviews have not been included in this table. Information that was not offcially provided during the interviews has been left blank. A simple internet search may very well provide this information. With regard to one’s “introduction to hip hop,” this does not necessarily correspond to the very frst hip hop song, album, or musician that the individual heard. Rather, it marks the frst memorable and/or infuential encounter with hip hop. Some artists distinguished the moments from when they frst heard American hip hop with Korean hip hop and vice versa. What counts as “debut” differed for each artist. While some saw their frst stage performance as their offcial debut, others considered their frst featured track, single, mixtape, EP or LP release as their debut. The years recorded here should not be taken as a unifed method of verifying one’s debut. Rather, the years should work to illustrate a general fow and trajectory in the start of one’s career. The Korean education system consists of six years of elementary school (frst to sixth grade); three years of middle school (seventh to ninth grade); and three years of high school (tenth to twelfth grade). Early elementary school years are from frst to third grade, while late elementary school years are from fourth to sixth grade. BIBLIOGRAPHY Abelmann, N. (2003). The melodrama of mobility: Women, talk, and class in con- temporary South Korea. Honolulu: University of Hawaii Press. Abelmann, N., Park, S., & Kim, H. (2013). On their own: Becoming cosmo- politan subjects beyond college in South Korea. In A. Anagnost, A. Arai, & H. Ren (Eds.), Global futures in East Asia: Youth, nation, and the new economy in uncertain times. Stanford: Stanford University Press. Abowitz, K. K. (1997). Horatio Alger and hip hop. Review of Education, Pedagogy, and Cultural Studies, 19(4), 409–425. Ahn, J.-H. (2014). Rearticulating black mixed-race in the era of globalization. Cultural Studies, 28(3), 391–417. Ahn, Y.-r. (2009). Club culture as cultural text: Textual structure of Hongdae club culture and cultural practice. Visual Cultures, 14, 287–335. Alim, H. S., Ibrahim, A., & Pennycook, A. (Eds.). (2008). Global linguistic fows: Hip hop cultures, youth identities, and the politics of language. New York: Routledge. Appadurai, A. (1996). Modernity at large: Cultural dimensions of globalization. Minneapolis: University of Minnesota Press. Balaji, M. (2010). Vixen resistin’: Redefning black womanhood in hip-hop music videos. Journal of Black Studies, 41(1), 5–20. Banet-Weiser, S. (2012). Authentic: The politics of ambivalence in a brand cul- ture. New York: New York University Press. Banet-Weiser, S., & Mukherjee, R. (Eds.). (2012). Commodity activism: Cultural resistance in neoliberal times. New York: New York University Press. Becker, H. (1982). Art worlds. Berkeley and Los Angeles: University of California Press. © The Editor(s) (if applicable) and The Author(s), 181 under exclusive license to Springer Nature Switzerland AG 2019 M.-S. Song, Hanguk Hip Hop, East Asian Popular Culture, https://doi.org/10.1007/978-3-030-15697-8 182 BIBLIOGRAPHY Benson, P. (2013). English and identity in East Asian popular music. Popular Music, 32(1), 23–33. Berggren, K. (2014). Hip hop feminism in Sweden: Intersectionality, feminist critique and female masculinity. European Journal of Women’s Studies, 21(3), 233–250. Billboard Korea K-Pop Hot 100. Billboard. Retrieved April 4, 2014 from http://www.billboard.com/charts/k-pop-hot-100. Born, G. (2011). Music and the social. In M. Clayton, T. Herbert, & R. Middleton (Eds.), The cultural study of music: A critical introduction. New York: Routledge. Cha, W., & Choi, M. (2013a). Idol Maker, Bang Si-Hyuk.