DOCSLIB.ORG

Reader's Guide for Maaza Mengiste's Beneath the Lion's Gaze

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Reader's Guide for Maaza Mengiste's Beneath the Lion's Gaze Wright State University CORE Scholar Ten Years of the Dayton Literary Peace Prize Class Materials Accords: Peace, War, and the Arts Spring 2015 Reader's Guide for Maaza Mengiste's Beneath the Lion's Gaze Andrew Strombeck Wright State University - Main Campus, [email protected] Victoria Carson Abigail Booher Wright State University - Main Campus Andrew Hurst Wright State University - Main Campus Follow this and additional works at: https://corescholar.libraries.wright.edu/celia_ten_years_dlpp_class Part of the Education Commons Repository Citation Strombeck, A., Carson, V., Booher, A., & Hurst, A. (2015). Reader's Guide for Maaza Mengiste's Beneath the Lion's Gaze. https://corescholar.libraries.wright.edu/celia_ten_years_dlpp_class/1 This Guide is brought to you for free and open access by the Accords: Peace, War, and the Arts at CORE Scholar. It has been accepted for inclusion in Ten Years of the Dayton Literary Peace Prize Class Materials by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Reader’s Guide for Beneath the Lion’s Gaze Victoria Carson, Abigail Booher, Andrew Hurst Beneath the Lion's Gaze Reader's Guide 2 Table of Contents Thematic Threads .................................................................................................. 3 1. The family as a frame through which to view conflict. ............................................................. 3 2. Violence as both enchanted and disenchanted. ....................................................................... 3 3. The appropriate response to social injustice. ........................................................................... 4 Historical Contexts ................................................................................................. 5 Emperor Selassie ........................................................................................................................... 5 Lost Families .................................................................................................................................. 5 Executions of November 24, 1975 ................................................................................................ 6 Torture ........................................................................................................................................... 6 Sources .......................................................................................................................................... 7 Reader’s Guide: Review Summary ......................................................................... 8 Strong Points of the Novel ............................................................................................................ 8 Weak Points of the Novel .............................................................................................................. 8 Literary Placement of the Novel and Mengiste ............................................................................ 9 Purpose or Focus of the Novel ...................................................................................................... 9 Works Cited ................................................................................................................................... 9 Annotated Bibliography- ...................................................................................... 10 Beneath the Lion's Gaze Reader's Guide 3 Thematic Threads 1. The family as a frame through which to view conflict. Maaza Mengiste has deliberately chosen to examine the Ethiopian revolution and its effects through the lens of a family unit. While this family, including all the members of Hailu’s compound, has a variety of voices and viewpoints, readers get a local and personal sense of the violence instead of a regional or national one. Each of the family members has a unique approach to and experience of the growing violence around them. Dawit gets involved right from the beginning, Mickey ends up on the wrong side of the conflict, and Hailu, Sara, and Yonas are all initially focused on their personal lives. These different approaches not only give the reader different angles of the conflict, but also show the pervasiveness of the violence. From following Dawit and Mickey, readers understand the separate situations of the revolutionaries and the Derg. Hailu supported Emperor Selassie and did not have any revolutionary tendencies at the beginning of the novel, but when the revolution overtakes and corners Hailu into taking a stand either for or against the Derg, he defies their orders and commits a mercy killing (Mengiste 166). Sara also attempts to ignore the revolution at first (Mengiste 93), but she is also dragged into an active role in the revolution by helping Dawit. This focus on the family not only gives readers a personal view of the violence and its affects, it also shows how the violence affects familial relationships. Dawit and Mickey were like brothers but find themselves on opposing sides. Yonas and Sara are driven apart as Sara “pushed him away, aware that his presence would only raise questions she couldn’t answer” (Mengiste 246). The violent environment that this family are put into forces wedges between members, especially between characters who have experienced violence and those who have not. As readers view the Ethiopian revolution mostly through the eyes of a single family compound (with brief interludes of Emperor Selassie’s perspective), they only know as much as the characters. This lack of omniscience for the reader emphasizes the overwhelming presence of the violence and the inescapability of it; both the characters and the readers don’t know if the characters will make it through this violence in one piece. 2. Violence as both enchanted and disenchanted. Descriptions of violence and pain are interspersed throughout the novel, which is not surprising considering it is about a revolution. In many ways, the violence is this book is uncomplicated in the sense that it is committed by a relatively clear antagonist; the Derg is brutal and merciless. However the violence in the novel is complex as it seems to both reject and accept the concept of enchantment according to literary critic Sarah Cole’s definition: “Enchantment refers to the tendency to see in violence some kind of transformative power” (1633). The Communist Derg has an enchanted view of violence in that they expect the nation of Ethiopia to be transformed into something better through their violent overtaking. However the results in the novel as well as the results in history discredit this view. The Derg’s violence is not represented as accomplishing any good for the nation. On the contrary, although one of the primary complaints against Emperor Selassie was that he “lost touch with his subjects” (Whitman 40), especially as many of his subjects were suffering from a drought and associated famine (Keller 609), another greater famine savaged Ethiopia from 1983 to 1986 during the Beneath the Lion's Gaze Reader's Guide 4 Derg’s rule. Not only did the violence cause a lot of harm, it did not accomplish the transformative good it set out to do. On the other hand, the violence in the novel does have strong transformative power. The violence transforms the everyday lives of this family unit, changing their decisions and focuses. After Hailu is exposed to the violence that was committed against the girl in the hospital, he does something that he would have never considered doing otherwise: the mercy killing (Mengiste 166). Sara’s entire focus was wrapped up in Tizita, but as the violence infiltrates her world, she says “I don’t want [Tizita] growing up thinking we didn’t fight back” (Mengiste 234). So on the individual level, the novel seems to accept an enchanted and transformative view of violence. 3. The appropriate response to social injustice. A primary question throughout the novel concerns the appropriate individual response to social injustice and violence. In the first chapter of her book Regarding the Pain of Others, Susan Sontag discusses Virginia Woolf’s belief “that the shock of such pictures [of destruction caused by violence] cannot fail to unite people of good will” (Sontag 6). Sontag, however, goes on to question this stance, saying that while for some people these images of the aftermath of violence will trigger feelings of sympathy and longing for peace, the images for others will “quicken hatred of the foe” (Sontag 10). We see these different reactions played out in Hailu’s living room as the family watches footage of the drought stricken parts of Ethiopia. As they look at the “gaping faces…destitute land…another body, another helpless mother, another bloated boy,” Yonas is moved to tears, Dawit is incensed against Emperor Selassie and his government, and Hailu dismisses it as “More propaganda…Haile Selassie loves his country. We’re not being told everything” (Mengiste 50-51). These varying responses expose the complexity of the situation and push the question of what an individual should do in the face of social injustice. Both the Derg and the revolutionary students are pushing against Emperor Selassie, largely triggered by the starvation in parts of the country. Although the starvation was due to a drought and not malicious violence against the peasants, nearly 200,000 people had died by the end of 1973 (Keller 611) and the revolutionaries blamed the government for ignoring the crisis while continuing to live in luxury. The images
Load more

Recommended publications
  • Girl Rising Teacher’S Guide
    GIRL RISING TEACHER’S GUIDE GIRLRISING.COM | 1 INTRODUCTION 01 DISCUSSION GUIDES 04 Build a lesson plan around the full film, any combination of chapters or the issues that a!ect girls getting an education. Find pre- and post- screening questions and additional resources. 01 Full film 02 Chapters 03 Issues CALL TO ACTION 42 Transforming the future starts with small TABLE OF acts today. Find inspiration and information about how students can help change the world. CONTENTS COUNTRY GUIDES 47 Statistics and background information for each of the Girl Rising countries. VIDEO ASSETS 75 Index of supplementary videos found on the DVD, including behind-the-scenes extras. ADDITIONAL RESOURCES 76 ENDNOTES 82 GIRLRISING.COM | 2 Educating girls can break cycles of poverty in just one generation. That’s the fact that inspired us to make this film. That’s the message we want to spread through the stories we tell. And that’s the change we hope to e!ect with a grassroots movement that promotes that message. We believe that students, coming INTRODUCTION: of age in an increasingly interdependent world, will be at the vanguard. W H A T I S Around the world, millions of girls face barriers to education that boys do not. GIRL RISING? Removing barriers, such as early and forced marriage, gender-based violence and discrimination, domestic slavery and sex tra"cking means not only a better life for girls, but a safer, healthier, and more prosperous world for all. Girl Rising is a film. Girl Rising is a movement. THE FILM Girl Rising journeys around the globe to witness the strength of the human spirit and Girl Rising is the future.
    [Show full text]
  • Eastern African Women Writers' 'National Epics': a New Force In
    Eastern African women writers’ ‘national epics’: A new force in creative fiction? Annie Gagiano Eastern African women writers’ ‘national epics’: A new force in creative fiction? In this article, I bring five recent, substantial novels by Eastern African women writers together for the first time in a study regarding the texts as modern ‘national epics’, analysing some of their shared characteristics in foregrounding local participation in the making of East African ethno- national histories. I trace the novelists’ implicit, open-eyed moral evaluation of their leaders and peoples, neither sentimentalising nor deriding the often terrible struggles of their peoples against both inside and outside powers that seek to keep them in subjugation. The texts eschew traditional heroic portrayal of single, male leaders in national epics and allow us to grasp diverse, communal contributions to the growth of nationhood, while giving larger, often central roles to women. The texts earn the epithet ‘epic’ by authoritatively demonstrating that their embodied, localised histories matter, testifying to the wide human spectrum of the peoples they portray; as novelistic acts they are impressive and moving bids for recognition. As post-colonial endeavours, the texts effectively decentre colonial interventions. While the chosen novels are shown to be relatable, their individual power of portrayal and aesthetic achievements are scrupulously differentiated.Keywords: ‘national epics’, Eastern African women writers, localised histories, authority. In considering noteworthy developments in East African creative writing, one particularly striking phenomenon is the recent publication of novels by women authors depicting these writers’ societies and cultures of origin on a broad spectrum that might be termed ethno-national in scope, with a focus on key moments and periods in the history of these peoples.
    [Show full text]
  • Interview with Maaza Mengiste
    Interview with Maaza Mengiste [00:00:09] Kendra Hello, I'm Kendra Winchester, here with Autumn Privett. And this is Reading Women, a podcast inviting you to reclaim half the bookshelf by discussing books written by or about women. And today we're talking to Maaza Mengiste about her book THE SHADOW KING, which is out now from W.W. Norton. [00:00:25] Autumn So we first saw this week at Book Expo way back earlier this year. And the cover, since we're suckers for beautiful covers, the cover is what drew us in. But oh, man, this book is big and beautiful. And it just covers so many things I never even thought about before. [00:00:47] Kendra I never heard of, let alone read, a novel about the Ethiopian-Italian conflict during World War II until this book. And I mean, it's a really fabulous way to enter the topic. [00:01:00] Autumn Like you just said, this is a part of World War II history that I think was literally glossed over in my history books. And so it's. Like, a novel is such a great way to learn about areas of history like this that you might not have known about previously. And this one is a beautiful, sweeping, mesmerizing story that I just couldn't put down, which is always a bonus. [00:01:23] Kendra It's definitely a type of novel where you read it and then you want to go read all of the nonfiction things about it, for sure.
    [Show full text]
  • IAAA Directors
    Institute of African American Affairs & Center for Black Visual Culture 50th Anniversary Celebration October 17, 2019 IAAA Directors In 1969, ROSCOE C. In 1946, Dr. Brown was employed as a social investigator BROWN JR. (1922–2016) with the NYC Department of Welfare and as a physical was named founding director education instructor at West Virginia State College until of the Institute of African 1948. Brown attended New York University, where he American Affairs (IAAA) and earned his master’s degree in 1949 and his PhD in served in that position for education in 1951, and became a professor at New York eight years before leaving to University for twenty-seven years. become the president of Bronx Community College in EARL S. DAVIS had a fifty- 1977. During his time at the year career, which began and IAAA, Dr. Brown hosted Soul ended with New York of Reason (SOR), a popular University. He received an radio series produced by MSW in 1957 from the WNYU and WNYC from Graduate School of Public 1971 to 1986. SOR aired on Administration and Social commercial radio station Service, and practiced social Roscoe Brown, Founding Director, WNBC and later on NYU's work in the field until 1972, 1969 – 1977 station WNYU and featured when he joined the Silver interviewees ranging from politicians to professional School of Social Work athletes to medical professionals to contemporary artists. (SSSW) staff as the assistant Dr. Brown focused on building a platform for dean for admissions, financial contemporary academics, thinkers, authors, and aid and student affairs. Davis community leaders who spoke directly to students, faculty, directed NYU’s IAAA from staff, and community members about issues impacting 1979 until 1994, and returned Earl S.
    [Show full text]
  • Thursday, October 29Th, 2020 Visiting Writers Series Presents Maaza
    Thursday, October 29th, 2020 Visiting Writers Series Presents Maaza Mengiste for Virtual Reading AMHERST, Mass. — The University of Massachusetts Amherst's MFA for Poets and Writers presents a ​ ​ ​ reading by Maaza Mengiste on Thursday, October 29th at 6:00 p.m. EDT on Zoom. The reading will be followed by a conversation and Q&A with MFA prose faculty member, Sabina Murray. All Fall 2020 readings are virtual, free, and open to the public. To register for this reading visit the UMass ​ Amherst MFA's Visiting Writers Series page. You can RSVP on Facebook here. ​ ​ ​ Maaza Mengiste is the author of the novels, The Shadow King and Beneath the Lion's Gaze. ​ ​ ​ ​ ​ The Shadow King was a New York Times' Notable Book, one of TIME's 100 Must-Read Books, and a ​ ​ ​ ​ ​ finalist for the LA Times Book Prize in Fiction in 2019. It is currently shortlisted for The Booker Prize. Beneath the Lion's Gaze was selected by The Guardian as one of the 10 best contemporary African ​ ​ ​ books. Writing for the Los Angeles Review of Books, Francesca Capossela described Mengiste's The Shadow ​ ​ ​ King as "A beautiful and thoughtful epic, the book celebrates the role of women in the Ethiopian ​ ​ ​ resistance, illuminating how (as Mengiste writes in her author’s note) “[t]he story of war has always been a masculine story, but this was not true for Ethiopia and it has never been that way in any form of struggle.” According to BookPage, "[when] asked what she is most proud of in The Shadow King, Mengiste points ​ ​ ​ ​ to 'the freedom I gave myself.
    [Show full text]
  • Board of Trustees of the City University of New York
    Board of Trustees of The City University of New York RESOLUTION TO Award Maaza Mengiste with Early Tenure at Queens College with an Application of Bylaw 6.2.c(2) June 7, 2021 WHEREAS, Maaza Mengiste, MFA, is a published novelist who joined Queens College as a tenure track assistant professor of creative writing in 2015, following three years as a visiting assistant professor in our MFA program, as well as visiting positions at NYU, Princeton and Northwestern; and WHEREAS, When Professor Mengiste joined the Queens College faculty, she had already published a well-regarded first novel, Beneath the Lion’s Gaze, published by WW Norton, in 2010, and her second novel has won wide acclaim, including short listing for the Booker Prize; and WHEREAS, Based on her previous experience and her record of publications, Professor Mengiste was offered the possibility of early tenure consideration at the time of her tenure track hire, and her record since then has more than fulfilled that promise; and WHEREAS, Professor Mengiste teaches a wide range of literature and creative writing courses, from the introductory creative writing workshop to the MFA fiction workshop and while she was hired primarily to teach creative writing at the undergraduate and graduate levels in the department, her knowledge of African literature and history, partly stemming from the extensive research that she has done to support her fiction writing, also allowed Queens College to once again teach African literature on a regular basis; and WHEREAS, Since her hire at Queens College, Professor. Mengiste has published ten essays in journals and magazines, five essays in anthologies, and edited an anthology of fiction, Addis Ababa Noir.
    [Show full text]
  • 2020 the Great Pretender the Undercover Mission That Changed Our Understanding of Madness SUSANNAH CAHALAN
    Canongate 2020 The Great Pretender The Undercover Mission that Changed our Understanding of Madness SUSANNAH CAHALAN From ‘one of America’s most courageous young journalists’ (NPR) comes a propulsive narrative history investigating the fifty-year-old mystery behind a dramatic experiment that changed the course of modern medicine For centuries, doctors have struggled to define mental illness – how do you diagnose it, how do you treat it, how do you even know what it is? In search of an answer, in the 1970s a Stanford psychologist named David Rosenhan and seven other people – sane, normal, well-adjusted members of society – went undercover into asylums around America to test the legitimacy of psychiatry’s labels. Forced to remain inside until they’d ‘proven’ themselves sane, all eight emerged with alarming diagnoses and even more troubling stories of their treatment. Rosenhan’s watershed study broke open the field of psychiatry, RELEASE DATE: 2 JANUARY 2020 closing down institutions and changing mental health diagnosis HARDBACK forever. 9781838851415 £16.99 But, as Cahalan’s explosive new research shows, very little in this saga is exactly as it seems. What really happened behind those closed asylum doors, and what does it mean for our understanding of mental illness today? ABOUT THE AUTHOR Susannah Cahalan is the award-winning, New York Times bestselling author of Brain on Fire: My Month of Madness, a memoir about her struggle with a rare autoimmune disease of the brain. She lives in Brooklyn.@scahalan | susannahcahalan.com Canongate 2020 02 The Shadow King MAAZA MENGISTE An utterly captivating novel about female strength.
    [Show full text]
  • Compiled by Ksenia Chmutina Author and Title Brief Description Fiction Bernardine Evaristo 'Girl, Woman, Other' the Lives
    Compiled by Ksenia Chmutina Author and title Brief description Fiction Bernardine Evaristo The lives and struggles of twelve very different ‘Girl, Woman, Other’ characters - mostly women, black and British - who tell the stories of their families, friends and lovers, across the country and through the years. Marilyn French Set in 1950s America, the sotry follows the ‘The Women’s Room’ fortunes of Mira Ward, a conventional and submissive young woman in a traditional marriage, and her gradual feminist awakening. Elizabeth Gilbert The lives of young and older women living in New ‘City of Girls’ York in 1940s. Maaza Mengiste An exploration of female power, and what it ‘The Shadow King’ means to be a woman at war. Rebecca Tamás A thrilling, visceral and totally unexpected ‘Witch’ collection that is part poetry book, part questionnaire, and part spell book. Brit Bennett ‘The A story that is at once a riveting, emotional Vanishing Half’ family story and a brilliant exploration of the American history of passing. Elena Ferrante Four-part series about female friendship. ‘Neapolital Novels’ series Joanne Ramos A story about women serving as surrogates for ‘The Farm’ wealthy clients. Octavia Butler A book about a society broken into enclaves, all ‘Parable of the Sower’ fighting for their survival. Rachel Kushner A story about what it means to be poor and ‘The Mars Room’ female in America. Compiled by Ksenia Chmutina Megan Hunter A lyrical vision of the strangeness and beauty of ‘The end we start from’ new motherhood, and a tale of endurance in the face of unimaginable change. Zadie Smith The story takes place in London, New York and ‘Swing Time’ West Africa, and focuses on two girls who can tap dance.
    [Show full text]
  • 2013-2014 Annual Report July 1, 2013–June 30, 2014
    UCLA Center for the Study of Women 2013-2014 Annual Report July 1, 2013–June 30, 2014 KATHLEEN MCHUGH Director Contents A. MISSION ........................................................................................................................................................................................5 B. SUMMARY OF ACCOMPLISHMENTS 1. Most Important Accomplishment .........................................................................................................................................6 2. CSW’s Impact on UCLA .........................................................................................................................................................7 C. PROGRESS REPORT ON GOALS 1. Complete final year of NEH/Mazer project ..........................................................................................................................8 2. Continue Faculty Manuscript Workshop..............................................................................................................................8 a. Winter Workshop: Louise Hornby ..............................................................................................................................9 b. Spring Workshop: Anurima Banerji ........................................................................................................................11 3. Expand the Life(Un)Ltd. Project ..........................................................................................................................................13 a.
    [Show full text]
  • Akashic Books London Rights List 2020
    Akashic Books London Rights List 2020 ADULT FICTION Out of Mesopotamia a novel by Salar abdoh Creatures of Passage a novel by Morowa yejidé The Nicotine Chronicles edited by lee Child (featuring: eriC bogoSian, joyCe Carol oateS, Jonathan aMeS, hannah tinti, and More.) Cutting Edge: New Stories of Mystery and and Crime by Women Writers edited by joyCe Carol oateS (featuring: Margaret atwood, aiMee bender, Edwidge dantiCat, valerie Martin, and More.) HUMOR You Can Keep That to Yourself: A Comprehensive List of What Not to Say to Black People, for Well-Intentioned People of Pallor by adaM SMyer CHILDREN’S PICTURE BOOK How Did Humans Go Extinct? written by johnny MarCiano; illuStrated by Paul hoppe NONFICTION Little Wonder: The Fabulous Story of Lottie Dod, The World’s First Female Sports Superstar a biograPhy by SaSha abramsky Akashic Books | London 2020 | Featured Titles Out of Mesopotamia a novel by Salar Abdoh Informed by firsthand experience on the battlefronts ofIraq and Syria, Abdoh captures the horror, confusion, and absurdity of combat from a seldom-glimpsed perspective that expands our understanding of the war novel. BOOK DETAILS: 1 September 2020, 256 pages; fiction/literature COMP TITLES: The Things They Carried by Tim O’Brien; Redeployment by Phil Klay; The Association of Small Bombs by Karan Mahajan HIGHLIGHTS: Tehran at Twilight, Salar Abdoh’s previous novel was licensed into: Arabic: Sefsafa Culture & Publishing; Armenian: Antares; Lithuanian: Versus Aureus; Malaysian: Buki Fix; Polish: Sonia Draga; Turkish: Matbuat “Out of Mesopotamia is a brutally realistic look at war and love and fear and everything else that humans do.
    [Show full text]
  • Black Portraiture[S]
    Black Portraiture[s]: The Black Body in the West Représentation du corps Noir en occident 17–20 January/Janvier 2013 Paris Black Portraiture[s]: Conference Sponsors The Black Body in the West Partenaires de la conférence Représentation du corps Noir Centre d’études africaines École des hautes études en sciences en occident sociales/Institut de recherche pour le Développement (EHESS/IRD) Cornell University, Department of History of Art and Visual Studies École nationale supérieure des beaux-arts Fondation de la Maison des Sciences de l’Homme (FMSH) Ford Foundation Goethe Institut Angola Goethe Institut South Africa Harvard University, W. E. B. Du Bois Institute for African and African American Research Institut Français South Africa K’a Yéléma Productions musée du quai Branly New York University, Clive Davis Department of Recorded Music New York University New York University, Department of Photography & Imaging Tisch School of the Arts and Institute of African American Affairs New York University, Department of Social and Cultural Analysis New York University, Global Research Initiatives, Office of the Provost Harvard University New York University Paris W. E. B. Du Bois Institute for African and African American Research Standard Bank in South Africa École des hautes études en sciences Studio Museum in Harlem sociales/Institut de recherche Université Paris Diderot - Paris 7 pour le développement United States Embassy Paris Centre d’études africaines Front cover: The Merchant of Venice, 2010 Musée du quai Branly Kiluanji Kia Henda Table
    [Show full text]
  • Violence and Memory in the Ethiopian Novel: Maaza Mengiste's Beneath
    VIOLENCE AND MEMORY IN THE ETHIOPIAN NOVEL: MAAZA MENGISTE’S BENEATH THE LION’S GAZE AND DINAW MENGESTU’S CHILDREN OF THE REVOLUTION JULIUS KANYARI MWANGI A Project Submitted in Partial Fulfilment of the Requirements for the Award of the Degree of Master of Arts in Literature, University of Nairobi 2013 DECLARATION This project is my original work and has not been presented for the award of any de- gree in any other university Signed……………………………..Date:………………………………. Julius Kanyari Mwangi C50/65491/2010 This project has been submitted for examination with our permission as University Supervisors Signed……………………………….Date:………………………………... Dr. Godwin Siundu Signed………………………………Date:………………………………. Dr. Alina Rinkanya ii DEDICATION This work is dedicated to Mami Guka and Cucu iii ACKNOWLEDGEMENTS I am very grateful for the academic and spiritual guidance offered to me by my super- visors Dr. Godwin Siundu and Dr. Alina Rinkanya. I would also like to thank Mr. Kimingichi Wabende and Dr. Waigwa Wachira for offering me moral guidance in the course of my studies at the University of Nairobi. I am also grateful for the support extended to me in the course of my course work by the following lecturers: Prof. Wanjiku Mukabi Kabira, Prof. Ciarunji Chesaina, Dr. Tom Odhiambo, Dr. Masumi Odari, Dr. Jennifer Muchiri, Dr. Joseph Muleka, Mr. Mumia Osaaji, Prof. Chris Wan- jala, Dr. Alex Wanjala, Prof. Henry Indangasi, Prof. Peter Wasamba, and Prof. D. H. Kiiru. Most importantly, I would like to thank my family and friends for standing by me throughout my studies. Special thanks go to Elizabeth Muringi, Wanjiru, Martin, John Nyaga, Robert Kimotho, Cyrus Kanyari, Esther Wangari, Mercy Karimi, Agnes Wangui, Wycliffe Macharia, Milkah Wambui, Elizabeth Wanjiku and Grace Muthoni.
    [Show full text]