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Osobowości Prawnej, Którym Udzielono Pomocy Publicznej W 2020 Roku
Wykaz osób prawnych i fizycznych oraz jednostek organizacyjnych nie posiadających osobowości prawnej, którym udzielono pomocy publicznej w 2020 roku Lp Nazwa beneficjenta 1 Wojciech Borowski 2 TDM Electronics S.A. 3 AUTO FULL SERWIS Ireneusz Ciołkiewicz 4 ELEKTROPLAN "S M T" STANISŁAW SARNECKI 5 I ACCOUNT SP. Z O.O. 6 ALPI HUMMUS Aleksandra Marciniak 7 ARKADIUSZ BUDEK PROFIT 8 Mechanika u Wojtasa Wojciech Wasielak 9 ELECTRAPLAN SMT SP. ZO.O. 10 Przedszkole Niepubliczne Sióstr Służebniczek Niepokalanego Poczęcia N.M.P im. E. 11 Stowarzyszenie Perły Mazowsza - Lokalna Grupa Działania 12 Filip Olejnik ROBOTY ZIEMNE 13 Cukiernia "Karpatka" S.C. 14 Firma Handlowo-Produkcyjno-Usługowa "JATO" Cieślak Grażyna 15 NailStory 16 Sklep Kosmetyczny Anna Jankowska 17 Cukiernia "Karpatka" S.C. 18 NailStory 19 POSEJDON Marek Hiczewski 20 Sklep Kosmetyczny Anna Jankowska 21 POSEJDON Marek Hiczewski 22 AGA - CATERING Agnieszka Sztender 23 USŁUGI TRANSPORTOWE Jacek Osuch 24 Wiesława TOMALA SALON FRYZJERSKI Wiesława Tomala 25 Studio Fryzur Mariusz Napiórkowski i Spółka s. c. 26 ARAK TRANS LOGISTIC Krzysztof Arak 27 AUTOMANIAK Piotr Pyl 28 BIG-TRANS Robert Plaskota 29 NOVATIO MICHAŁ MICHTA 30 DĄBBUD-ZAKŁAD BUDOWNICTWA OGÓLNEGO TADEUSZ DĄBROWSKI 31 PHU Barbara Sęgnik 32 "DOMINI" - Łuczyńska Grażyna 33 FEST KATARZYNA GURANOWSKA 34 Firma Handlowa TRIUMF Zafer Demirseren 35 JAKIMIUK KRZYSZTOF - P. W. KRIS 36 "JULIA" HURTOWO-DETALICZNA SPRZEDAŻ JAJ. TRANSPORT DORIAN KUCZABA VEL KUCIABIŃSK 37 KATARZYNA MICHALAK 38 KOSMA JACEK SUTKOWSKI 39 Monia Monika Błyskal w Mysiadle 40 MOTO KLINIKA SEBASTIAN KUROWSKI 41 Piotr Wolniak 42 MONIA MONIKA BŁYSKAL 43 MOTO KLINIKA SEBASTIAN KUROWSKI 44 NOVATIO MICHAŁ MICHTA 45 PHU Barbara Sęgnik 46 Piotr Wolniak 47 Studio Fryzur Mariusz Napiórkowski i Spółka s. -
Polish Cinema 2008
New Polish Films: WITH SENSE AND SENSIBILITY Andrzej Wajda’s School: THE MASTER AND HIS TRAINEES “Peter and the Wolf”: SECOND OSCAR FOR A FILM MADE IN SE-MA-FOR STUDIO Russia, Afghanistan and Belarus: IN POLISH DOCUMENTARIES „PETER AND THE WOLF” Polish Cinema 2008 THE TRAGEDY OF PRISONERS OF WAR, THE MISERY OF THEIR FAMILIES ANDRZEJ WAJDA’S “KATYŃ” Polish Cinema 2008 editorial “Kino” monthly , a journal providing a perceptive and original insight into various aspects of the film industry, has accompanied Polish cinema for over forty years now. In line with this tradition, in this special English language issue, we present a selection of articles published in “Kino” in the last year. They include reviews, interviews, as well as articles concerning the history of Polish cinema and opinion columns. However, we focus on the most interesting Polish feature films (of which 41 have been made there between the beginning of 2007 and May 2008), as well as documentary and animated films of the last year. Some of them could be seen at various international festivals, where they received numerous awards. The most prestigious award, an Oscar, came to the short animated film, “Peter and the Wolf”, which is a British-Polish co-production, directed by Suzie Templeton and made in the Studio Se-Ma-For in Łódź. On the other hand, the most awarded Polish film was “Tricks” by Andrzej Jakimowski, which till April 2008 received 12 awards, including at the festivals in Gdynia, Venice, Tokyo, Mannheim, Sao Paulo and Miami. However, what counts more than awards is the fact that Polish viewers have regained pleasure in watching Polish films. -
I Olimpíada Brasileira De Química Júnior
R E S U L T A D O D A I O L I M P Í A D A B R A S I L E I R A D E Q U Í M I C A J Ú N I O R Escore NOME ESCOLA CIDADE ESTADO NOTA padronizado O U R O João Pedro Vieira Mariz 7 de Setembro Fortaleza CE 87,5 100,0 Raul Bruno Machado da Silva Farias Brito Central Fortaleza CE 87,5 100,0 Daniel Arjona de Andrade Hara Objetivo Granja Viana Cotia SP 86,5 98,87 Taynara Carvalho Silva Master Fortaleza CE 84,5 96,58 Lara Mulato Lima Ari de Sá - Aldeota Fortaleza CE 84,5 96,58 Lucas Napoleão Coelho Santa Cecília Fortaleza CE 84,5 96,58 P R A T A João Gabriel Mansano de Oliveira Crescimento São Luis MA 83,5 95,44 Erica Saldanha Freire Simões 7 de Setembro Fortaleza CE 83,0 94,87 Renner Tetzner Ramos Sagrado Coração de Maria Vitória ES 83,0 94,87 Gláucia Sayuri Takaoka Etapa São Paulo SP 83,0 94,87 José Marques Neto Evolutivo Fortaleza CE 83,0 94,87 Marília Vieira do Espírito Santo 7 de Setembro Fortaleza CE 82,5 94,30 Hilanne Linhares Andrade Farias Brito Sobralense Sobral CE 82,5 94,30 Felipe Gustavo Andrade de Magalhães Sartre COC Salvador BA 82,0 93,73 Lizandra Viana Maurat da Rocha Militar Rio de Janeiro RJ 81,5 93,15 Lucas Cordeiro Herculano Farias Brito Central Fortaleza CE 81,5 93,15 Luis Natan da Silva Pinho Dáulia Bringel Fortaleza CE 81,5 93,15 Thaís Vieira Gomes Fontenele Dáulia Bringel Fortaleza CE 81,5 93,15 Gabriel Challub Pires Militar Porto Alegre RS 81,5 93,15 Natalia Aragao Dias Master Fortaleza CE 81,5 93,15 B R O N Z E Juliana de Souza Ribeiro Santa Cecília Fortaleza CE 81,0 92,58 Thais Lopes Bessa Santa Cecília Fortaleza CE -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
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Polish Feature Film after 1989 By Tadeusz Miczka Spring 2008 Issue of KINEMA CINEMA IN THE LABYRINTH OF FREEDOM: POLISH FEATURE FILM AFTER 1989 “Freedom does not exist. We should aim towards it but the hope that we will be free is ridiculous.” Krzysztof Kieślowski1 This essay is the continuation of my previous deliberations on the evolution of the Polish feature film during socialist realism, which summarized its output and pondered its future after the victory of the Solidarity movement. In the paper “Cinema Under Political Pressure…” (1993), I wrote inter alia: “Those serving the Tenth Muse did not notice that martial law was over; they failed to record on film the takeover of the government by the political opposition in Poland. […] In the new political situation, the society has been trying to create a true democratic order; most of the filmmakers’ strategies appeared to be useless. Incipit vita nova! Will the filmmakers know how to use the freedom of speech now? It is still too early toanswer this question clearly, but undoubtedly there are several dangers which they face.”2 Since then, a dozen years have passed and over four hundred new feature films have appeared on Polish cinema screens, it isnow possible to write a sequel to these reflections. First of all it should be noted that a main feature of Polish cinema has always been its reluctance towards genre purity and display of the filmmaker’s individuality. That is what I addressed in my earlier article by pointing out the “authorial strategies.” It is still possible to do it right now – by treating the authorial strategy as a research construct to be understood quite widely: both as the “sphere of the director” or the subjective choice of “authorial role,”3 a kind of social strategy or social contract.4 Closest to my approach is Tadeusz Lubelski who claims: “[…] The practical application of authorial strategies must be related to the range of social roles functioning in the culture of a given country and time. -
Speed Kills / Hannibal Production in Association with Saban Films, the Pimienta Film Company and Blue Rider Pictures
HANNIBAL CLASSICS PRESENTS A SPEED KILLS / HANNIBAL PRODUCTION IN ASSOCIATION WITH SABAN FILMS, THE PIMIENTA FILM COMPANY AND BLUE RIDER PICTURES JOHN TRAVOLTA SPEED KILLS KATHERYN WINNICK JENNIFER ESPOSITO MICHAEL WESTON JORDI MOLLA AMAURY NOLASCO MATTHEW MODINE With James Remar And Kellan Lutz Directed by Jodi Scurfield Story by Paul Castro and David Aaron Cohen & John Luessenhop Screenplay by David Aaron Cohen & John Luessenhop Based upon the book “Speed Kills” by Arthur J. Harris Produced by RICHARD RIONDA DEL CASTRO, pga LUILLO RUIZ OSCAR GENERALE Executive Producers PATRICIA EBERLE RENE BESSON CAM CANNON MOSHE DIAMANT LUIS A. REIFKOHL WALTER JOSTEN ALASTAIR BURLINGHAM CHARLIE DOMBECK WAYNE MARC GODFREY ROBERT JONES ANSON DOWNES LINDA FAVILA LINDSEY ROTH FAROUK HADEF JOE LEMMON MARTIN J. BARAB WILLIAM V. BROMILEY JR NESS SABAN SHANAN BECKER JAMAL SANNAN VLADIMIRE FERNANDES CLAITON FERNANDES EUZEBIO MUNHOZ JR. BALAN MELARKODE RANDALL EMMETT GEORGE FURLA GRACE COLLINS GUY GRIFFITHE ROBERT A. FERRETTI SILVIO SARDI “SPEED KILLS” SYNOPSIS When he is forced to suddenly retire from the construction business in the early 1960s, Ben Aronoff immediately leaves the harsh winters of New Jersey behind and settles his family in sunny Miami Beach, Florida. Once there, he falls in love with the intense sport of off-shore powerboat racing. He not only races boats and wins multiple championship, he builds the boats and sells them to high-powered clientele. But his long-established mob ties catch up with him when Meyer Lansky forces him to build boats for his drug-running operations. Ben lives a double life, rubbing shoulders with kings and politicians while at the same time laundering money for the mob through his legitimate business. -
Weather Has the Bill Has Matter
T H U R S D A Y 161st YEAR • NO. 227 JANUARY 21, 2016 CLEVELAND, TN 16 PAGES • 50¢ A year of project completions ‘State of the City’ eyes present, future By JOYANNA LOVE spur even more economic growth a step closer toward the Spring Banner Senior Staff Writer FIRST OF 2 PARTS along the APD 40 corridor,” Rowland Branch Industrial Park becoming a said. reality. Celebrating the completion of some today. The City Council recently thanked “A conceptual master plan was long-term projects for the city was a He said the successes of the past state Rep. Kevin Brooks for his work revealed last summer, prepared by highlight of Cleveland Mayor Tom year were a result of hard work by city promoting the need for the project on TVA and the Bradley/Cleveland Rowland’s State of the City address. staff and the Cleveland City Council. the state level by asking that the Industrial Development Board,” “Our city achieved several long- The mayor said, “Exit 20 is one of Legislature name the interchange for Rowland said. term goals the past year, making 2015 our most visible missions accom- him. The interchange being constructed an exciting time,” Rowland said. “But plished in 2015. Our thanks go to the “The wider turn spaces will benefit to give access to the new industrial just as exciting, Cleveland is setting Tennessee Department of trucks serving our existing park has been named for Rowland. new goals and continues to move for- Transportation and its contractors for Cleveland/Bradley County Industrial “I was proud and humbled when I ward, looking to the future for growth a dramatic overhaul of this important Park and the future Spring Branch learned this year the new access was and development.” interchange. -
BODY Presskit
A FILM BY XXXXXXX www.athoms.fr graphic design: WORLD SALES AND FESTIVAL MEMENTO FILMS INTERNATIONAL 9, cité Paradis - 75010 Paris - France T 33 1 53 34 90 33 [email protected] [email protected] NOWHERE PRESENTS A FILM BY Malgorzata Szumowska PRODUCERS NOWHERE Jacek Drosio Malgorzata Szumowska AND MICHAl ENGLERT CO-PRODUCERS D35 S.A. Marcin Kryjom KINO SWIAT Marcin Piasecki MAZOWIECKI FUNDUSZ FILMOWY Aleksandra Kielan EXECUTIVE PRODUCER LAMBROS ZIOTAS A POLISH FILM INSTITUTE CO-FINANCED PRODUCTION GENERAL DIRECTOR Agnieszka Odorowicz POLAND / COLOUR / 90 MIN / 2K / 2.39 / 2015 World sales and Festival PRESS IN BERLIN producer MEMENTO FILMS INTERNATIONAL MAGALI MONTET NOWHERE 9, cité Paradis - 75010 Paris - France T +33 6 71 63 36 16 ul. Narbutta 27/4, 02-536 T +33 1 53 34 90 33 [email protected] Warsaw, Poland [email protected] DELPHINE MAYELE tel :+48 500 892253 [email protected] T +33 6 60 89 85 41 [email protected] [email protected] synopsis Poland, nowadays. The intertwined stories of a criminal prosecutor, his anorexic daughter and her therapist who claims she can communicate with the dead loved ones. Three radically different approaches to the body and soul. What was the initial trigger for BODY? interview WITH THE DIRECTOR I wanted to make a film about anorexics. body has a lot of different meanings were still I thought about it for a long time but then gave present in my mind. A body – physical, astral, How has the Polish religious and political culture up this idea as I felt that this theme would be dead - might be treated as an object, might be influenced the way you’ve treated this subject, especially so hermetic and closed that it would not reach adored and hated. -
1 Tribunal De Justiça Do Estado Do Amazonas Concurso Público Para O Provimento De Vagas E a Formação De C
TRIBUNAL DE JUSTIÇA DO ESTADO DO AMAZONAS CONCURSO PÚBLICO PARA O PROVIMENTO DE VAGAS E A FORMAÇÃO DE CADASTRO DE RESERVA EM CARGOS DE NÍVEL SUPERIOR E DE NÍVEL MÉDIO RELAÇÃO FINAL DOS CANDIDATOS QUE SE AUTODECLARARAM NEGROS 1 Relação final dos candidatos que se autodeclararam negros, na seguinte ordem: cargo/especialidade, número de inscrição e nome do candidato em ordem alfabética. 1.1 CARGO 1: ANALISTA JUDICIÁRIO – ESPECIALIDADE: ANALISTA DE SISTEMAS 10066922, Abraao Danziger de Matos / 10085893, Adiane Fernandes de Sousa / 10056250, Adilson Silva Chaves / 10059634, Adria Oliveira da Silva / 10083557, Afonso Goncalves de Souza Neto / 10077024, Aguinaldo Alves Braga Neto / 10014399, Alceir da Silva Amorim / 10016755, Alessandro Castro Pereira / 10066313, Alessandro Oliveira dos Anjos / 10059414, Alysson Simoes Souza / 10094505, Ana Sarah Teles Monteiro / 10067862, Anderson Pereira da Silva / 10050600, Anderson Pimentel dos Santos / 10089057, Andre Binda Bezerra / 10029349, Andre Claudio Marques / 10076794, Andre Resplandes Martins / 10057958, Andresa da Silva Santos / 10016690, Andreson Santos de Moura / 10038797, Andrimarciely Silva de Souza / 10067924, Andvagner Rodrigues da Silva / 10067201, Antonia Silva de Sousa / 10073973, Antonio Augusto Oliveira de Lima / 10073876, Antonio Fernando da Possa Pantoja / 10025098, Antonio Marcos Teixeira de Araujo / 10099246, Aquila Alves de Castro / 10005785, Artur Bruno da Silva Cancio / 10027321, Benivaldo Honorio da Silva Junior / 10075392, Carlos Adrian Correa Costa / 10056362, Carlos Alberto -
„To Kłamstwo! Kopernik Była Kobietą!” – Sposoby Budowania Komizmu Językowego W Wybranych Filmach Juliusza Machulskiego
http://dx.doi.org/10.18778/7969-405-1.26 Małgorzata Miławska Uniwersytet im. Adama Mickiewicza w Poznaniu „To kłamstwo! Kopernik była kobietą!” – sposoby budowania komizmu językowego w wybranych filmach Juliusza Machulskiego Obszerne zagadnienie kreatywności językowej – pojęcia prze- wodniego konferencji – zachęca do tego, by przyjrzeć się różnym użyciom polszczyzny, zwłaszcza tym artystycznym, a więc niety- powym i niecodziennym. Ten ostatni przymiotnik to swoiste sło- wo klucz; w niniejszym artykule wielokrotnie pojawią się odwo- łania do kategorii potoczności, bezpośrednio przecież związanej z codziennym doświadczaniem świata [Lebda 2003]. Okazuje się bowiem, że trzeba nie lada słuchu i umiejętności, by stylizowany na potoczny dialog filmowy został odebrany przez widownię jako naturalny i swojski, a nie jako nieporadny czy sztuczny [Hendry- kowski 2013]. Za jednego z wirtuozów słowa wśród rodzimych filmowców z pewnością należy uznać Juliusza Machulskiego, autora dzieł – wypada chyba w tym miejscu posłużyć się modnym neosemanty- zmem – kultowych, takich jak Vabank, Seksmisja czy Kiler. Utwory Machulskiego stanowią fenomen społeczno-kulturowy: są uwiel- biane przez pokolenia, nawet mimo zmiany realiów, do których na- wiązywały w czasie premiery [Zarębski 2010]. Swoją żywotność zawdzięczają nie tylko sprawności warsztatowej twórcy (w więk- szości przypadków reżysera i scenarzysty zarazem) czy niezapo- mnianym kreacjom aktorskim, ale i charakterystycznej konstrukcji filmowej polszczyzny, zwracającej uwagę na samą siebie, a zatem – ukształtowanej pod dyktatem funkcji poetyckiej w rozumieniu 338 Małgorzata Miławska Romana Jakobsona [1960]. O unikatowym talencie autora Kingsajzu do swobodnego operowania mową potoczną świadczy fakt, że cytaty z jego scenariuszy funkcjonują w powszechnym obiegu, zasilając tym samym zasób skrzydlatych słów [Lubelski 2009b; Szczygieł, Zalewski 2003]. Juliusza Machulskiego włącza się do grona autorów w polskiej kinematografii1, choć on sam nie przyzwala sobie nawet na miano artysty i traktuje swoją rolę dość „usługowo” [Lubelski 2009a]. -
Sparksofhoped:Layout 1
SPARKS OF HOPE IMPERIAL WAR MUSEUM POLISH HISTORY MUSEUM POLISH NATIONAL FILM ARCHIVE Maciej Buszewicz „Elections tomorrow. Red Sun, Go Under” (1990). Sun, Go Under” (1990). Red „Elections tomorrow. Maciej Buszewicz PRESENT Part 3 Images on previous page: Jacek Marczewski and Aleksandra Król, „Vote with us” (1989); and Aleksandra page: Jacek Marczewski Images on previous Król, „Vote POLISH PATHS TO FREEDOM We are grateful to Maciej Buszewicz for granting us the right to use the image of his poster. are grateful for granting to Maciej Buszewicz us the right to use image of his poster. We SPARKS OF HOPE POLISH FILM SEASON June 1 — July 6, 2009 Imperial War Museum Lambeth Road, London SE1 6HZ www.iwm.org.uk www.muzhp.pl The fall of the Berlin Wall became a symbol of the collapse of communism and the democratic changes in Central and Eastern Europe in 1989. It was the most spectacular event of the “Autumn of Nations”. It was also a very fitting symbol – a metaphor – for the fall of communism’s totalitarian system and for the reunification of Europe. Yet, the bringing down of the Berlin Wall was merely the final stage of a process that had been initiated nearly ten years earlier at the Gdansk Shipyards. In August 1980, as the result of a weeks-long workers’ strike, the ruling Polish United Workers Party agreed to the legalization of Solidarity, the first independent labour union in that part of Europe controlled by the Soviet Union. Solidarity was the first step towards freedom in the 40 years since the Red Army installed communist regimes throughout the Central European countries it had “liberated” during the war. -
Správa O Činnosti Organizácie SAV Za Rok 2015
Ústav experimentálnej endokrinológie SAV Správa o činnosti organizácie SAV za rok 2015 Bratislava január 2016 Obsah osnovy Správy o činnosti organizácie SAV za rok 2015 1. Základné údaje o organizácii 2. Vedecká činnosť 3. Doktorandské štúdium, iná pedagogická činnosť a budovanie ľudských zdrojov pre vedu a techniku 4. Medzinárodná vedecká spolupráca 5. Vedná politika 6. Spolupráca s VŠ a inými subjektmi v oblasti vedy a techniky 7. Spolupráca s aplikačnou a hospodárskou sférou 8. Aktivity pre Národnú radu SR, vládu SR, ústredné orgány štátnej správy SR a iné organizácie 9. Vedecko-organizačné a popularizačné aktivity 10. Činnosť knižnično-informačného pracoviska 11. Aktivity v orgánoch SAV 12. Hospodárenie organizácie 13. Nadácie a fondy pri organizácii SAV 14. Iné významné činnosti organizácie SAV 15. Vyznamenania, ocenenia a ceny udelené pracovníkom organizácie SAV 16. Poskytovanie informácií v súlade so zákonom o slobodnom prístupe k informáciám 17. Problémy a podnety pre činnosť SAV PRÍLOHY A Zoznam zamestnancov a doktorandov organizácie k 31.12.2015 B Projekty riešené v organizácii C Publikačná činnosť organizácie D Údaje o pedagogickej činnosti organizácie E Medzinárodná mobilita organizácie Správa o činnosti organizácie SAV 1. Základné údaje o organizácii 1.1. Kontaktné údaje Názov: Ústav experimentálnej endokrinológie SAV Riaditeľ: Ing. Štefan Zórad, CSc. Zástupca riaditeľa: prof. MUDr. Boris Mravec, PhD. Vedecký tajomník: Ing. Július Brtko, DrSc. Predseda vedeckej rady: Mgr. Jozef Ukropec, PhD. Člen snemu SAV: Ing. Štefan Zórad, CSc. Adresa: Vlárska 3, 833 06 Bratislava http://www.endo.sav.sk Tel.: 02/ 5477 2800 kl.250,259,209 Fax: E-mail: [email protected] Názvy a adresy detašovaných pracovísk: nie sú Vedúci detašovaných pracovísk: nie sú Typ organizácie: Rozpočtová od roku 1954 1.2.