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For Immediate Release: Capitol Theatre and Headcount Offer Scholarships for Local Teachers to Attend Rock and Roll Hall of Fame
FOR IMMEDIATE RELEASE: CAPITOL THEATRE AND HEADCOUNT OFFER SCHOLARSHIPS FOR LOCAL TEACHERS TO ATTEND ROCK AND ROLL HALL OF FAME AND MUSEUM SUMMER TEACHER INSTITUTE The Capitol Theatre has set aside its very best seats for a charitable program to send area schoolteachers to the Rock and Roll Hall of Fame and Museum in Cleveland for a week of intensive curriculum training. Concertgoers can bid on the coveted Presidential Box—four seats directly overlooking the stage—for most events at the historic Theatre, including recent performances by B.B. King, The Black Crowes, Grace Potter and the Nocturnals, Drive-By Truckers, Phish's Trey Anastasio, and Furthur's 9-show sold-out run kicking off this week. Proceeds from each Box auction will directly fund scholarships to the Rock Hall's Summer Teacher Institute. The scholarships are part of the "Capitol Community" program that the Theatre runs in partnership with the non-profit organization HeadCount and are open to fulltime educators at accredited learning institutions in Westchester (NY) and Fairfield (CT) counties. Winners will be awarded the full cost of tuition, and in some cases also have their travel and lodging costs covered. Additional funds from the auctions will also be directed to charities selected by artists appearing at the Cap. "Each Presidential Box auction is a chance for an individual to directly support education in the area," says HeadCount executive director Andy Bernstein. "And by bringing rock history into classrooms, we’ll be opening kids’ minds in a whole new way.” More information, including a list of current auctions and the scholarship application, can be found at http://www.thecapitoltheatre.com/capitolcommunity. -
Brooklyn Family: February, 2019
How to Help your kids lose weigHt February 2019 newyorkFamily.com Explore the City!Great Days out cutting Family costs a look at CharterS SChool WHERE THERE’S A Y THERE’S A WAY SUMMER CAMP 10% EARLY BIRD DISCOUNT* DAY CAMP OPEN HOUSES: 10:00 AM – 3:00 PM January 26 | March 23 | April 27 | May 18 SLEEPAWAY CAMP OPEN HOUSES: 1:00 PM – 4:00 PM January 27 | April 7 | May 5 YMCANYC.ORG/CAMP *Pay in full by 4/27 for 10% Early Bird Discount | Financial Assistance Available contents February 2019 newyorkfamily.com pg. 36 pg. 24 pg. 22 FEATURES columns 6 | winter outing ideas 8 | bits & pieces 24 | Healthy living Looking for things to do during these A dog museum, a breastfeeding tool, How to help kids lose weight chilly months? Check out this easy and more City itinerary 32 | Family Health 10 | events & offers Understanding and treating pink eye 20 | cutting Family costs The scoop on our Camp Fairs, Expert tips on tightening your Blackboard Awards for Teachers 34 | ask an attorney family’s budget the smart way nominations, and more Exploring an irrevocable life insurance trust 26 | continuing the Journey towards 12 | Just write mom Healthy change When moms work from home 44 | treats Parenting mistakes made when Luxurious Valentine’s Day gifts for caring for children with co-occuring 16 | Family Financial planning the deserving moms and dads in your disorders Five steps to catch up on college life savings 30 | Helping children grieve 46 | last word The second part of our interview with 18 | good sense eating How to lose the winter blues counselor Dr. -
Carl Marzani and Union Films
83885 05 104-160 r1 js 8/28/09 6:08 PM Page 104 01 02 03 04 05 06 07 08 09 10 CARL MARZANI AND 11 12 UNION FILMS 13 14 CHARLES MUSSER 15 16 17 Making Left-Wing 18 19 Documentaries during 20 21 the Cold War, 1946–53 22 23 24 25 26 27 28 29 30 31 32 33 34 35S 36NO 37L 83885 05 104-160 r1 js 8/28/09 6:08 PM Page 105 01 02 03 04 05 06 07 08 09 10 11 12 13 Jay Leyda—or rather his absence—frequently haunts my efforts at 14 15 film scholarship.1 Consider People’s Congressman (1948), a cam- 16 17 18 paign film for U.S. Congressman Vito Marcantonio, which I first 19 20 encountered in the late 1990s. Ten years earlier, when Jay and I were curating the Before 21 22 Hollywood series of programs, he insisted that campaign films were an unjustly ignored 23 24 genre. (Leyda wanted to include a Woodrow Wilson campaign film in one of our pro- 25 26 grams, but it was only available in 16mm and we reluctantly dropped it.) I never really 27 28 29 understood his passion for the genre—until I saw People’s Congressman. Then I knew. 30 31 The realization that I had once again improperly discounted one of his seemingly casual 32 33 but actually profound remarks increased when I tried to find out who made the film, 34 35S which lacks the most basic production credits in its head titles. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Director of Copyright Services sydney.edu.au/copyright There’s a Problem with the Connection: American Eccentricity and Existential Anxiety Kim Wilkins 305165062 A thesis submitted in fulfilment of the degree of Doctor of Philosophy. University of Sydney. 1 I hereby declare that, except where indicated in the notes, this thesis contains only my own original work. As I have stated throughout this work, some sections of this thesis have been published previously. A version of Chapter Two features in Peter Kunze’s collection The Films of Wes Anderson: Critical Essays on an Indiewood Icon, published by Palgrave Macmillan in 2014, and Chapter Three was published under the title ‘The sounds of silence: hyper-dialogue and American Eccentricity’ as an article in New Review of Film and Television Studies no. -
11. Internationales Berlin Forum 14.2. - 24.2
31. Internationale Filmfestspiele Berlin 11. internationales berlin forum 14.2. - 24.2. des jungen films 1981 Filme von Leo Hurwitz Zur Entstehung des Films Die Idee zu dem Film wurde 1971 durch den Tod meiner Frau und DIALOGUE WITH A WOMAN DEPARTED Mitarbeiterin Peggy Lawson ausgelöst sowie durch den Wunsch, die gemeinsame Erfahrung unserer Zeit zu reflektieren. Dialog mit einer Verstorbenen Sein Thema bezieht sich auf die zunehmende Einsicht einer Frau in die Zusammenhänge ihrer Welt, auf die vielen Ebenen ihrer Er• fahrung. Sein Bogen der Ereignisse ist die Zeit ihres Lebens, von Land USA 1980 der Depression bis zum Vietnamkrieg. Sein Bogen der Gefühle um• Produktion Leo Hurwitz Productions schließt die Welten der Natur, das innere Ich, die Umgebung der Städte und die geschichtlichen Kräfte, die durch diese Ära hin• durchgingen und unser Leben formten. Regie, Buch, DIALOGUE WITH A WOMAN DEPARTED hat lyrische und Kamera, Schnitt Leo Hurwitz epische Aspekte. Seine Struktur kann mit einer poetischen Form verglichen werden, aber in seinem Dahinfließen ist der Film ganz eindeutig *Kino\ Die Struktur des Films ist auf sein zentrales The• Stimmen Kaiulani Lee, Leo Hurwitz ma bezogen: die Gemeinschaft mit Menschen und Dingen, das Mit• Musik Johann Sebastian Bach, Jimmy Giuffre, fühlen ist der wesentliche Stoff menschlichen Lebens, ohne wel• Woodie Guthrie, Billie Holiday, Sara chen das Leben bitter, frenetisch und trocken ist, ohne den wir von Gonzales, Phil Ochs, Pete Seeger u.a. unseren eigentlichen Bedürfnissen und denen der anderen entfrem• Photos Yoshio Kishi, Charles Pratt, det sind, unfähig, für das zu kämpfen, was wir brauchen, als Men• Edwin S. -
Scientific and Cultural Conference for World Peace
REVIEW OF THE SCIENTIFIC AND CULTURAL CONFERENCE FORWORLD PEACE ARRANGED BY THE NATIONAL COUNCIL O~ THE ARTS, SCIENCES AND PROFESSIONS AND HELD IN NEW YORK CITY ON MARCH 25, 26, and 27, 1949 APRIL 19, 1949 Prepared and released by the COMMITTEE ON UN-AMERICAN ACTIVITIES, U. S. HOUSE OP REPRESENTATIVES WASHINGTON, D. C. COMMITTEE ON"UN';A:MERICAN' ACTIVITIES, UNITED STATES HOUSE OF REPRESEKTJ\TIVES JOHN B.WOOD, Georgia, Chairman FRANCISE. WALTER, Pcnnsyivanla J. PARNELL THOMAS, New]ersey BURR P. HA.RRISON,Virglnin RICHARD M. NIXON, California JOHN McSWEENEY, Ohio FRANCIS CA.SE, SouthDakota MORGAN M. MOULDER, Missouri HAROLD H. VELDE, illinois LOUIS J. RUSSELL, Senior. IflIJe&tioatoT :attNl~~nNMANDEL, Direclor: Of lU8earch JOlIN W. CARRINGTON, Olerk Of Comrn!t(ie II ~ ... " :... X" ~.~ ...... \" .', - . / A REVIEW OF THE SCIENTIFIC AND CULTURAL CONFERENCE FOR WORLD PEACE ARRANGED BY THE NATIONAL COUN CIL OF THE ARTS, SCIENCES, AND PROFESSIONS AND HELD IN NEW YORK CITY ON MARCH 25, 26,. AND 27, 1949 Parading under the imposing title of the Scientific and Cultural Conference lor World Peace the gathering at the Waldorf~A~toria 'Hotel in New York City on 1tlarch 25, 26, and 27, 1949, was actually a supermabilization of the inveterate wheelhors~s and supporters of the Communist Party and' its auxiliary organizations. It was in a sense a glorified pyramid club, pyramiding into one inflated front the names which had time and again been used by the' Communists as. decoys for the entrapment of innocents. The Communist-front connections of these sponsors, as reflected by the tabulation in this report, are very extensive. -
A Destination Profile
BROOKLYN A DESTINATION PROFILE V1 - MAY 2016 TABLE OF CONTENTS Main Contact Info 2 Brooklyn Children’s Museum 10 Description 3 Brooklyn Historical Society 11 Map & Accessibility 4 Brooklyn Navy Yard Center at BLDG 92 11 Unique or Little-Known Facts 5 Brooklyn Museum 11 Destination Assistance Organizations 5 Green-Wood Cemetery 12 Explore Brooklyn 5 Jewish Children’s Museum 12 Atlantic Avenue BID 5 Prospect Park 13 Transportation Providers 6 Tour Companies and Step-On Guides 14 Chris Limo 6 A Slice of Brooklyn Bus Tours 14 Accommodations 6 Big Onion Walking Tours 14 Holiday Inn Express Brooklyn 6 BQE Tours 14 Nu Hotel Brooklyn 6 Brooklyn Treasures Uncovered 15 Red Lion Inn & Suites Brooklyn 6 Brooklyn Unplugged 15 Wyndham Garden Sunset Park 6 Downtown NY Tours 15 NY Marriott at the Brooklyn Bridge 7 Food on Foot Tours 15 Dining 7 Get Up and Ride 16 Atlantic Bagels 7 Gotham SideWalks 16 The Atlantic Chip Shop 7 Inside Out Tours 16 BOOMwich 7 The Levys’ Unique New York! 17 Brooklyn Crab 8 Like a Local Tours 17 The Camlin 8 New York Like a Native 17 Carnem Prime Steakhouse 8 Turnstile Tours 18 Grand Central Oyster Bar Brooklyn 8 Urban Oyster Tours 18 Mable’s Smokehouse and Banquet Hall 8 Annual Events 19 Shelsky’s of Brooklyn 9 Central Brooklyn Jazz Festival 19 Shopping 9 Venues & Event Space 20 Mast Brothers Chocolate Factory 9 Brownstone Jazz 20 BEAM 9 Brooklyn Winery 20 HEATONIST 9 Destination Assistance Web Links 21 Artists & Fleas 9 Photos and Video Links: 21 Cultural Institutions 10 Press and News 21 Brooklyn Botanic Garden 10 Sheepshead Bay Main Contact Info Antonina Agrusa | Director, Brooklyn Tourism | Brooklyn Chamber of Commerce Email: [email protected] | Website: explorebk.com 2 Description Brooklyn is the new cutting-edge stronghold of culture Brooklyn to design their crown jewel of parks - Prospect and innovation in New York City. -
Screening Schedule
Manfred Kirchheimer February 3 – 11 The Roy and Niuta Titus Theaters Screening Schedule Claw. 1968. Manhattan’s old facades are a cornucopia of carved flora and fauna: craggy stone faces of satyrs and saints, herms, griffins, and medieval troubadours peering down at unsuspecting passerby. Kirchheimer juxtaposes this handcrafted masonry with the restless compulsion of the modern city to rise ever upwards, the jowls of a massive crane laying waste to what once stood proud. 30 min. Stations of the Elevated. 1981. Though it’s taken some 30 years, Kirchheimer’s Stations of the Elevated is now hailed as a classic of proto-hip-hop filmmaking, a plein air study of New York’s graffiti- festooned subway cars as they lumber and screech over elevated tracks in the Bronx and beyond. Set to a sampled soundtrack of Charles Mingus jazz spliced with Aretha Franklin gospel, the film is an “inner” city symphony, a celebration of the brash and defiantly anti-capitalist talents of outlaw paint- bombers like Lee Quiñones, The Fabulous 5, Shadow, Daze, Kase, and Pusher. 45 min. Friday, February 3, 4:30 p.m. T2 Tuesday, February 7, 8:00 p.m. T2 My Coffee with Jewish Friends. 2017. MoMA presents the world premiere of Kirchheimer’s latest film, a humorous and illuminating series of coffee klatches with 20 friends that proves the old adage, “Where you have two Jews, you have three opinions.” Ranging in age from 18 to 85, and in experience from greenhorn to Pulitzer-Prize winner, the film’s subjects kibitz over all manner of concern, from Israel to tight pants, gay rights, and the place of women at the Wailing Wall. -
Open Julius Lobo DISSERTATION Final
The Pennsylvania State University The Graduate School College of the Liberal Arts DOCUMENTARY POETRY AND AMERICAN MODERNISM FROM THE DEPRESSION TO WORLD WAR 2 A Dissertation in English by Julius Lobo © 2011 Julius Lobo Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2011 ii The dissertation of Julius Lobo was reviewed and approved* by the following: Robin Schulze Head of the Department of English Professor of English Dissertation Co-Adviser Mark Morrisson Director of Graduate Studies Professor of English and of Science, Technology, and Society Dissertation Co-Adviser Aldon Nielsen Kelly Professor of American Literature Jeffrey T. Nealon Liberal Arts Research Professor of English John Marsh Assistant Professor of English Adam Rome Associate Professor of History *Signatures are on file in the Graduate School. iii Abstract This dissertation argues that American modernist poets sought out and incorporated innovations from documentary film, photography, and traditions of testimonial witness in an effort to create poetry that could engage and respond to contemporary political and social issues. Documentary art and media dominated American mass culture between the Depression and World War 2, and poets seized upon the cultural authority and semblance of objectivity that documentary provided for their work. Recent scholars have recognized the importance of documentary to American modernist art and literature, yet the productive relationship between documentary and American modernist poetry has been overlooked. This thesis will show that documentary poetics is essentially an interdisciplinary practice, borrowing and adapting developments from film and photography in order to shape a variety of source materials. American documentary poets also experimented with a myriad of primary resources, ranging from presidential letters, legal reports, government hearings, historical and political texts, and eyewitness accounts, while simultaneously experimenting with poetic form and arrangement. -
No Art Without Propaganda: La Constitución De Nykino Contra La Institución Documental*
No art without propaganda: la constitución de Nykino contra la institución documental* NO ART WITHOUT PROPAGANDA: NYKINO’S CONSTITUTION AGAINST THE DOCUMENTARY INSTITUTION NO ART WITHOUT PROPAGANDA: A CONSTITUIÇÃO DE NYKINO CONTRA A INSTITUIÇÃO DE DOCUMENTÁRIO Ana Rodríguez Granell** Cuadernos de Música, Artes Visuales y Artes Escénicas / Volumen 12 - Número 1 / Enero - Junio de 2017 / ISSN 1794-6670/ Bogotá, D.C., Colombia / pp. 47–61 Fecha de recepción: 18 de mayo de 2016 Fecha de aceptación: 12 de agosto de 2016 Disponible en línea: 10 de marzo de 2017 doi:10.11144/Javeriana.mavae12-1.nawp * Artículo de investigación. Estudios de Artes y Humanidades de la Universitat Oberta de Catalunya (Barcelona). ** Doctora en Historia del Arte por la Universidad de Barcelona. Profesora de los Estudios de Artes y Humanidades de la Universitat Oberta de Catalunya (Barcelona). NO ART WITHOUT PROPAGANDA: LA CONSTITUCIÓN DE NYKINO CONTRA LA INSTITUCIÓN DOCUMENTAL | Ana Rodríguez Granell 47 Resumen of antiavant-garde dogmatism of Communist Party Este artículo analiza, a través de fuentes histó- of the United States of America or the alleged objec- ricas y obras de historia cultural, la emergencia tivity of the documentarism, conducting a critique of de colectivos de cine y documental militante du- the creative work in the areas of militancy. Thus, we rante el periodo del New Deal estadounidense try to insert these practices within the framework of teniendo en cuenta las tensiones entre estos y American modernism. las políticas documentalistas institucionales o las directrices realistas de la década de 1930. Se Keywords: militancy; creative work; realism; plantea así que, ante la eclosión de nuevas tecno- documentarism; New Deal; modernism. -
Introduction to Documentary Door Bill Nichols
[Geschiedenis voor een breed publiek] [2011-2012] Professor: Prof. Tom Verschaffel Handboek: DE GROOT, J., Consuming History. Historians and Heritage in Contemporary Popular Culture, 2009. Gemaakt door: Andrea Bardyn (geupload, niet zelf gemaakt) Opmerkingen: PDF van de eerste editie van het boek Introduction to Documentary door Bill Nichols. Noch Project Avalon, noch het monitoraat, noch Historia of eender ander individu of instelling zijn verantwoordelijk voor de inhoud van dit document. Maak er gebruik van op eigen risico. Nichols, Intro to Documentary 8/9/01 10:18 AM Page i Introduction to Documentary Nichols, Intro to Documentary 8/9/01 10:18 AM Page ii Nichols, Intro to Documentary 8/9/01 10:18 AM Page iii Bill Nichols Introduction to Documentary Indiana University Press | Bloomington & Indianapolis Nichols, Intro to Documentary 8/9/01 10:18 AM Page iv This book is a publication of Indiana University Press 601 North Morton Street Bloomington, IN 47404-3797 USA http://iupress.indiana.edu Telephone orders 800-842-6796 Fax orders 812-855-7931 Orders by e-mail [email protected] © 2001 by Bill Nichols All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses’ Resolution on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984. -
TEN GRAND STREET on the Modern Office – 6,000 RSF Single Occupant Office Floors on Williamsburg’S Waterfront Overlooking Domino Park
Two Trees presents an entirely unique perspective TEN GRAND STREET on the modern office – 6,000 RSF single occupant office floors on Williamsburg’s waterfront overlooking Domino Park. Ten Grand Street features floor to ceiling ENDLESS VIEWS windows, sweeping 360-degree panoramic views and UNLIMITED POSSIBILITES exceptional amenities. Completed in 2020, Ten Grand Street represents the most exciting boutique office space available anywhere in New York City. Designed by world-renowned architecture firm COOKFOX, the interlocking tower adds a completely new dimension to the Brooklyn skyline – seamlessly integrating office, retail and residential spaces. TENGRANDSTREET.COM [email protected] 718-222-2505 OFFICES Individual 6,000 RSF floor plates Floor-to-ceiling windows Ten Grand Street features 18 stunning single-occupant 360-degree panoramic views floors not to be found anywhere else in New York City. 11’-5” ceiling height Surrounded on all sides by floor-to-ceiling windows, the offices have some of the most exceptional views in Fully finished private bathrooms on each floor New York City. Whether for a remote-first company, a Four elevators with destination dispatch system regional hub or new headquarters, the mostly column- free space can be built out to any desired configuration. Options for pre-built spaces and flexible layouts Ability to connect adjacent floors Immediate occupancy TENGRANDSTREET.COM [email protected] 718-222-2505 PRE-BUILTS RIVER ST & DOMINO PARK RIVER ST & DOMINO PARK GRAND ST GRAND ST GRAND 7TH FLOOR 11TH FLOOR 6,083 RSF 6,083 RSF 44 Seats 62 Seats Hardwood Floors Polished Concrete Floors 5 Private Offices 1 Private Office 2 Conference Rooms 1 Conference Room DW REF Pantry DW REF 2 Phone Booths Private Restrooms Pantry Private Restrooms KENT AVE KENT AVE 0 0.5 1 2 4 8 0 0.5 1 2 4 8 OPTION 7 TYPICAL FLOOR PLAN RIVER ST & DOMINO PARK FLOORS 7 - 21 5,168 - 6,083 RSF Ten Grand Street offers move-in ready pre-builts or the flexibility to customize your office to suit your business needs.