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Local Commercial Radio Content
Local commercial radio content Qualitative Research Report Prepared for Ofcom by Kantar Media 1 Contents Contents ................................................................................................................................................. 2 1 Executive summary .................................................................................................................... 5 1.1 Background .............................................................................................................................. 5 1.2 Summary of key findings .......................................................................................................... 5 2 Background and objectives ..................................................................................................... 10 2.1 Background ............................................................................................................................ 10 2.2 Research objectives ............................................................................................................... 10 2.3 Research approach and sample ............................................................................................ 11 2.3.1 Overview ............................................................................................................................. 11 2.3.2 Workshop groups: approach and sample ........................................................................... 11 2.3.3 Research flow summary .................................................................................................... -
EMBARGOED 00.01 2 February 2012 REGIONAL
PRESS RELEASE – EMBARGOED 00.01 2 February 2012 Year-on-Year growth for Smooth Radio UK and Real Radio brand Almost 5.6 million adults tune into a GMG Radio station each week – an extra 376,000 (YonY) Smooth Radio’s digital audience approaches 1 million adults each week GMG Radio’s Smooth Radio and Real Radio brands have recorded impressive year-on- year growth, according to the latest audience research out today (Thursday). 5.6 million adults now tune into one of the group’s stations each week - 376,000 more than a year ago. Smooth Radio UK’s weekly reach now stands at over 3.3 million adult listeners a week, up 231,000 on the same time last year. The audience also likes what they hear, with total hours listened to the station now standing at 25.75 million - almost two million (1.88m) more than a year ago – making it the UK’s second most listened to national commercial radio station. Simon Bates at Breakfast is celebrating his first year on Smooth Radio and has grown the breakfast audience by 69,000 to almost 1.4 million a week (YoY). For the group’s Real Radio brand the audience growth trend is also upwards. The stations, which broadcast on FM in Wales, Scotland, the North East and North West of England and Yorkshire and digitally across the UK, have added a total of 164,000 new adult listeners in the last year to give them a new weekly reach of just over 2.5 million adults. -
Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the Podcast Online, Visit
Jeff Smith Head of Music, BBC Radio 2 and 6 Music Media Masters – August 16, 2018 Listen to the podcast online, visit www.mediamasters.fm Welcome to Media Masters, a series of one to one interviews with people at the top of the media game. Today, I’m here in the studios of BBC 6 Music and joined by Jeff Smith, the man who has chosen the tracks that we’ve been listening to on the radio for years. Now head of music for BBC Radio 2 and BBC Radio 6 Music, Jeff spent most of his career in music. Previously he was head of music for Radio 1 in the late 90s, and has since worked at Capital FM and Napster. In his current role, he is tasked with shaping music policy for two of the BBC’s most popular radio stations, as the technology of how we listen to music is transforming. Jeff, thank you for joining me. Pleasure. Jeff, Radio 2 has a phenomenal 15 million listeners. How do you ensure that the music selection appeals to such a vast audience? It’s a challenge, obviously, to keep that appeal across the board with those listeners, but it appears to be working. As you say, we’re attracting 15.4 million listeners every week, and I think it’s because I try to keep a balance of the best of the best new music, with classic tracks from a whole range of eras, way back to the 60s and 70s. So I think it’s that challenge of just making that mix work and making it work in terms of daytime, and not only just keeping a kind of core audience happy, but appealing to a new audience who would find that exciting and fun to listen to. -
Rainbow Pack – Home Learning
Rainbow Pack – Home Learning Week 8 Thursday 14th May 2020 Make a Splash! Playing with water is a sensory, immersive, calming experience. It improves fine motor skills, provides opportunities for exploration and experimentation and can be an outlet for creativity and imaginative play. It is also a lot of fun – so this week, let’s make a splash! Washing station Set up a washing station in the garden and ask the children to clean some toys. You’ll need a few bowls of warm water – some with soap in for washing and some without for rinsing – along with sponges and brushes for scrubbing, and towels for drying. You could make this activity more specific, for example, it could be a car wash (for cleaning all the toy vehicles) or a laundry (for washing and pegging out toy clothes). This ‘Muddy Trucks & Car-Wash’ activity from http://busytoddler.com has 2 stages – first enjoy playing in the mud and then move on to playing in the water. This could be even more fun with Bubble Foam. To make this you need bubble bath or body wash and food colouring. The magic of bubble foam is a 2:1 ratio – 2 parts bubblebath to 1 part water. For the activity in the picture, use 1/2 cup bubblebath with 1/4 cupBubb of water for each colour. Add in a few drops of food colouring to make it just a little more special. St. Helens Virtual School Rainbow Pack – Home Learning I’m forever blowing bubbles! Blowing bubbles is always lots of fun. -
RADIO PUBLICZNE.Indb
Recenzent prof. dr hab. Michał Gajlewicz, Społeczna Akademia Nauk Redakcja Anna Goryńska Projekt okładki Studio KARANDASZ Skład i łamanie JOLAKS – Jolanta Szaniawska © Copyright by Poltext sp. z o.o. © Copyright by Akademia Leona Koźmińskiego Warszawa 2015 Wydanie publikacji zostało dofinansowane przez Akademię Leona Koźmińskiego Poltext sp. z o.o. 02-230 Warszawa, ul. Jutrzenki 118 tel.: 22 632-64-20 e-mail: [email protected] internet: www.poltext.pl ISBN 978-83-7561-517-3 SpiS treści Wprowadzenie �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 7 Wykaz skrótów �� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 13 rozdział 1. Media publiczne W społeczeństWie deMokratycznyM �� � � � � � � � � � 15 1.1. oczekiwania społeczne wobec mediów � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 15 1.2. Media publiczne a rynek � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 28 1.3. Media publiczne w europie Środkowo-Wschodniej � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 35 1.4. nowe technologie -
Response to Ofcom Consultation on the Future of Public Service Media
Response to Ofcom Consultation on the Future of Public Service Media About this submission 1. AudioUK is the trade body for the audio-led production sector in the UK. AudioUK has four core priorities: Business; Representation; Community; and Excellence. As well as producing the annual Audio Production Awards it also runs the successful Audiotrain craft skills training programme, which has so far provided around 2,500 learner days. AudioUK, along with Radiocentre, oversees the administration of the Audio Content Fund which distributes a grant from the UK government to fund public service content on commercial and community radio. As a member of the Government Broadcasting, Film and Production Working Group, AudioUK has produced guidelines for safe working in audio production during the COVID-19 pandemic. 2. We recognise and agree with Ofcom’s reasoning for changing the language around PSB. We believe ‘Public Service Media’ is a better term to describe the content produced, partly to reflect the wider range of media created, as well as the manner in which it is distributed. 3. However, we do here refer to ‘public service broadcasters’ (‘PSBs’) to differentiate between the licenced PSBs – BBC, ITV/STV, Channel 4, S4C, Channel 5 - and other broadcasters also providing content which is officially designated PSM content – the main example being commercial and community stations broadcasting programmes funded by the Audio Content Fund. Audio as part of public service media 4. The UK has a thriving audio content production industry with an independent sector made up of around 200 companies around the UK. These companies create compelling content across a wide range of genres which engages audiences and offers them different voices, perspectives, talent and ideas. -
Anti-Stress Garden Coming to RHS Chelsea Flower Show
Spring 2019 News from the University of Surrey for Guildford residents SURREY.AC.UK UNIVERSITYOFSURREY @ UNIOFSURREYCPE Page 4 - Surrey graduate Page 7 - Could your car Page 10 - Iain Sinclair, Page 11 - Shrek workshop meets Michelle Obama park itself? Writer-in-Residence supports local group Guildford Residents’ Survey 2019 The University is calling on residents of Guildford to take part in our fifth annual residents’ survey. Since its launch in 2015, the Guildford Residents’ Survey has provided the Right: an artist’s impression of the garden design University with Main image: the garden will feature irises, flowers celebrated valuable insight, for their wellbeing properties. Credit: Getty Images feedback and ideas to build greater links with our home town. Last year, more than Anti-stress garden coming to 1,300 local residents took part, with many entering the annual RHS Chelsea Flower Show prize draw to win The University has partnered with Silent Pool Gin to present an anti-stress garden at the one of five £100 RHS Chelsea Flower Show, transporting visitors to the Surrey Hills using scents and sounds. cash prizes. We want to hear The exciting collaboration with Albury-based He will be using sensors to detect and from you – to gin brand Silent Pool, acclaimed Surrey-based capture changing electrical signals directly complete the survey garden designer David Neale and Dutch from the plants, enabling the garden to visit: surrey.ac.uk/ horticultural pioneers Plant-e will explore govern and interact with the soundscape. guildfordsurvey plant technologies that encourage wellbeing. Professor Murphy said: “This truly exciting The survey closes Through their combined expertise, the team collaboration brings to life the hidden power on 1 July 2019. -
FREEVIEW DTT Multiplexes (UK Inc NI) Incorporating Planned Local TV and Temporary HD Muxes
As at 07 December 2020 FREEVIEW DTT Multiplexes (UK inc NI) incorporating planned Local TV and Temporary HD muxes 3PSB: Available from all transmitters (*primary and relay) 3 COM: From *80 primary transmitters only Temp HD - 25 Transmiters BBC A (PSB1) BBC A (PSB1) continued BBC B (PSB3) HD SDN (COM4) ARQIVA A (COM5) ARQIVA B (COM6) ARQIVA C (COM7) HD ARQIVA D (COM8) HD LCN LCN LCN LCN LCN LCN LCN 1 BBC ONE 65 TBN UK 12 QUEST 11 Sky Arts 22 Ideal World 64 Free Sports BBC RADIO: 1 BBC ONE NI Cambridge, Lincolnshire, 74 Shopping Quarter 13 E4 (Wales only) 17 Really 23 Dave ja vu 70 Quest Red+1 722 Merseyside, Oxford, 1 BBC ONE Scot Solent, Somerset, Surrey, 101 BBC 1 Scot HD 16 QVC 19 Dave 26 Yesterday 83 NOW XMAS Tyne Tees, WM 1 BBC ONE Wales 101 BBC 1 Wales HD 20 Drama 30 4Music 33 Sony Movies 86 More4+1 2 BBC TWO 101 BBC ONE HD 21 5 USA 35 Pick 36 QVC Beauty 88 TogetherTV+1 (00:00-21:00) 2 BBC TWO NI BBC RADIO: 101 BBC ONE NI HD 27 ITVBe 39 Quest Red 37 QVC Style 93 PBS America+1 726 BBC Solent Dorset 2 BBC TWO Wales BBC Stoke 102 BBC 2 Wales HD 28 ITV2 +1 42 Food Network 38 DMAX 96 Forces TV 7 BBC ALBA (Scot only) 102 BBC TWO HD 31 5 STAR 44 Gems TV 40 CBS Justice 106 BBC FOUR HD 9 BBC FOUR 102 BBC TWO NI HD 32 Paramount Network 46 Film4+1 43 HGTV 107 BBC NEWS HD Sony Movies Action 9 BBC SCOTLAND (Scot only) BBC RADIO: 103 ITV HD 41 47 Challenge 67 CBS Drama 111 QVC HD (exc Wales) 734 Essex, Northampton, CLOSED 24 BBC FOUR (Scot only) Sheffield, 103 ITV Wales HD 45 Channel 5+1 48 4Seven 71 Jewellery Maker 112 QVC Beauty HD 201 CBBC -
Removal of Absolute 80S & Planet Rock
Radio Multiplex Licence Variation Request Form This form should be used for any request to vary a local or national radio multiplex licence, e.g: • replacing one programme or data service with another • adding a programme or data service • removing a programme or data service • changing the Format description of a programme service • changing a programme service from stereo to mono • changing a programme service's bit-rate Please complete all relevant parts of this form. You should submit one form per multiplex licence, but you should complete as many versions of Part 3 of this form as required (one per change). Before completing this form, applicants are strongly advised to read our published guidance on radio multiplex licence variations, which can be found at: http://licensing.ofcom.org.uk/radio-broadcast- licensing/digital-radio/radio-mux-changes/ Part 1 – Details of multiplex licence Radio multiplex licence: DM01 National Commercial Licensee: Digital One Contact name: Glyn Jones Date of request: 4th April 2016 1 Part 2 – Summary of multiplex line-up before and after proposed change(s) Existing line-up of programme services Proposed line-up of programme services Service name and Bit-rate Stereo/ Service name and Bit-rate Stereo/ short-form description (kbps)/ Mono short-form (kbps)/ Mono Coding (H description Coding (H or F) or F) Absolute Radio 80F M Absolute Radio 80F M BFBS 80F M BFBS 80F M Capital XTRA 112F JS Capital XTRA 112F JS Classic FM 128F JS Classic FM 128F JS Heart extra 80F M Heart extra 80F M KISS 80F M KISS 80F M LBC 64H M LBC 64H M Magic UK 80F M Magic UK 80F M Radio X 80F M Radio X 80F M Smooth Extra 80F M Smooth Extra 80F M talkSPORT 64H M talkSPORT 64H M UCB 1 64H M UCB 1 64H M INRIX UK TPEG 16 Data INRIX UK TPEG 16 Data Absolute 80s 64H M Planet Rock 64H M Any additional information/notes: Part 3 – Details of proposed change For each proposed change you wish to make to your licence, please answer the following question and then complete the relevant sections of the rest of the application form. -
Notes on Sinhalese Magic Author(S): W
Notes on Sinhalese Magic Author(s): W. L. Hildburgh Source: The Journal of the Royal Anthropological Institute of Great Britain and Ireland, Vol. 38 (Jan. - Jun., 1908), pp. 148-206 Published by: Royal Anthropological Institute of Great Britain and Ireland Stable URL: http://www.jstor.org/stable/2843132 . Accessed: 25/06/2014 08:00 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Royal Anthropological Institute of Great Britain and Ireland is collaborating with JSTOR to digitize, preserve and extend access to The Journal of the Royal Anthropological Institute of Great Britain and Ireland. http://www.jstor.org This content downloaded from 195.78.108.163 on Wed, 25 Jun 2014 08:00:42 AM All use subject to JSTOR Terms and Conditions 148 NOTES ON SINHALESE MAGIC. BY W. L. HILDBURGH, M.A., PH.D. [WITH PLATES XI-XVI.] CONTENTS. INTRODUCTORY(p. 149). GENERAL NOTES: Impurity(ceremonial uncleanness), use of iron in magic, use of gold in magic,use of stonesin magic,use of garlicin magic,animals in connectionwith magic,colours in connectionwith magic, "5'; in connectionwith magic, transmutatioln of copper to silver, miscellaneous notes (p. 151). ASTROLOGY: Horoscopes, amulets (p. -
A Distinctive BBC
A distinctive BBC April 2016 1 TABLE OF CONTENTS Foreword 1. Executive Summary 2. What is distinctiveness 3. Measuring distinctiveness today – what the audience thinks 4. Measuring distinctiveness today – comparisons to other services 5. Enhancing distinctiveness in the future 2 FOREWORD I believe that the case for the BBC is a very straightforward, pragmatic one. We have produced, and continue to produce, some of the very best programmes and services in the world. That is why people like the BBC. That is why they enjoy it. That is why they trust it. That is why they value it. That is what they pay us to do. If the BBC stands for anything, it stands for quality. In just the last month, we have seen Panorama’s exposé of the Panama Papers; Radio 4’s previously unseen footage of Kim Philby speaking to the Stasi; the domestic abuse storyline on The Archers; Inside Obama’s White House and Behind Closed Doors; The Night Manager, Undercover and Cuckoo. We have just launched the 2016 BBC Proms. And those are just a few highlights. This is the BBC I believe in. A beacon of cultural excellence in a world increasingly awash with media of all kinds. A trusted voice in a crowded arena, accountable to the public and focused on their interests, independent of both government and market. A benchmark of quality. But the unique way the BBC is funded places two further obligations on us. Because the BBC’s funding is independent, that gives us creative freedom. That means a BBC that must be more prepared than ever to take risks. -
We've Come a Long Way!
Spotlight The halow project’s magazine Issue 1 in June 2008 with the appointment of Project Director, We’ve come a Yvonne Hignell - by November of that year, Yvonne had produced a business plan, halow had moved into an office in Quarry Street, Guildford and held an official launch party. long way! In January of 2009, a dedicated social activities group was established for halow young people. By March of the same Over seven years since halow was formed, we bring year halow had secured its first tranche of much needed supporters new and old a sense of just where halow has come funding from Surrey Short Breaks and by June, funding was from, where it is now, and where the Guildford-based charity obtained from the LDD Fund (Learning Disability Development) is heading... to set up the Building Futures Programme and the charity’s first The inspiration for halow came from Harriet, Amber, Laura, website was launched. That summer also saw the first major Oliver and William. Their parents, all friends, came together at activity, with 36 young people and volunteers attending the the beginning of 2006 concerned with the prospect for their WOMAD festival in Malmesbury, Wiltshire. children’s future and others like them. Passionate that these In September 2009, the Building Futures Programme young people should lead positive and happy lives, near their commenced, shortly followed in October with the registration own friends and families in Surrey, the parents established the of halow care, a social enterprise, which runs alongside the halow project. halow project. Through this, our Buddy service was launched The first major turning point in the charity’s growth story was for our young people.