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The Red House ALSO by MARK HADDON
The Red House ALSO BY MARK HADDON Fiction A Spot of Bother The Curious Incident of the Dog in the Night-time Poetry The Talking Horse and the Sad Girl and the Village Under the Sea The Red House Mark Haddon JONATHAN CAPE LONDON Published by Jonathan Cape Copyright © Mark Haddon Mark Haddon has asserted his right under the Copyright, Designs and Patents Act to be identified as the author of this work This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser First published in Great Britain in by Jonathan Cape Random House, Vauxhall Bridge Road, London www.vintage-books.co.uk Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk/offices.htm The Random House Group Limited Reg. No. A CIP catalogue record for this book is available from the British Library ISBN (hardback) ISBN (trade paperback) The Random House Group Limited supports The Forest Stewardship Council (FSC ®), the leading international forest certification organisation. Our books carrying the FSC label are printed on FSC ® certified paper. FSC is the only forest certification scheme endorsed by the leading environmental organisations, including Greenpeace. Our paper procurement policy can be found at www.randomhouse.co.uk/environment Typeset in Bembo by Palimpsest Book Production Ltd, Falkirk, Stirlingshire Printed and bound in Great Britain by Clays Ltd, St Ives PLC To Clare with thanks to Mary Gawne-Cain Friday Cooling towers and sewage farms. -
Shakespeare in Love
FEB Shakespeare 26 MAR in Love 29 Based on the screenplay by Marc Norman & Tom Stoppard Adapted for the stage by Lee Hall Music by Alex Bechtel Directed by Matt Pfeiffer Welcome to Shakespeare in Love. Every year, many of you cry out to us “Dear God, no more Shakespeare!” While others plead “I loved your Winter’s Tale, your Richard III. Please put on Midsummer. I beg you for a Twelfth Night.” With Shakespeare In Love, the Purists and the Never Barders may unite to curse us with a plague on both our houses, but if they — and you — are someone who loves love, well then . Here is a love letter to romantic love, to the theatre, and to the rebellious, transgressive, mysterious, and glorious madness of both. Whether you keep Shakespeare close to your heart or far from it, we invite you to celebrate what he loved most: the stage, its players, poetry . and a dog. Zak Berkman, Producing Director Lend me your ears Matt Pfeiffer, Director I’ve been really blessed to spend most of my career working on the plays of William Shakespeare. I believe his plays are foundational to Western culture. Love him or hate him, his infuence is an essential part of our understanding of stories and storytelling. And I’ve had the privilege for the last six years of fostering a specifc approach to his plays. I found that attempting to be in conversation with the principals of the theatre practices of Shakespeare’s time was a good starting place—not so much aesthetically, but logistically. -
~La6(8Ill COMPA.NIES INC
October 1999 Brooklyn Academy of Music 1999 Next Wave Festival BAMcinematek Brooklyn Philharmonic 651 ARTS ~' pi I'" T if II' II i fl ,- ,.. til 1 ~ - - . I I I' " . ,I •[, II' , 1 , i 1'1 1/ I I; , ~II m Jennifer Bartleli, House: Large Grid, 1998 BAM Next Wave Festival sponsored by PHILIP MORRIS ~lA6(8Ill COMPA.NIES INC. Brooklyn Academy of Music Bruce C. Ratner Chairman of the Board Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents Moby Dick Running time: BAM Opera House approximately ninety October 5, 1999, at 7:00 p.m. (Next Wave Festival Gala) minutes. Songs and October 6-9 & 12-16, 1999, at 7:30 p.m. Stories from Moby Dick is performed without an Visual Design, Music, and Lyrics Laurie Anderson intermission. Performers Pip, The Whale, A Reader Laurie Anderson Ahab, Noah, Explorer Tom Nelis The Cook, Second Mate, Running Man Price Waldman Standing Man Anthony Turner Falling Man Miles Green Musicians Violin, keyboards, guitar, talking stick Laurie Anderson Bass, prepared bass, samples Skuli Sverrisson Artistic Collaborators Co-Visual Design Christopher Kondek Co-Set Design James Schuette Lighting Design Michael Chybowski Sound Design Miles Green Costume Design Susan Hilferty Electronics Design Bob Bielecki Video Systems Design Ben Rubin Staging Co-Direction Anne Bogart General Management Julie Crosby Production Management Bohdan Bushell Production Stage Management Lisa Porter Major support for this presentation was provided by The Ford Foundation with additional support from The Dime Savings Bank of New York, FSB. Next Wave Festival Gala is sponsored by Philip Morris Companies Inc. 17 Produced by electronic theater company, Inc. -
The Curious Incident of the Dog in the Night-Time Illinois Theatre
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME ILLINOIS THEATRE A play by Simon Stephens Based on the novel by Mark Haddon Latrelle Bright, director Thursday-Saturday, February 28-March 2, 2019, at 7:30pm Thursday-Saturday, March 7-9, 2019, at 7:30pm Saturday, March 9, 2019, at 1pm (Sensory-friendly Performance) Sunday, March 10, 2019, at 3pm Colwell Playhouse three overlapping audiences, and that our departmental mission of inclusion is enacted on and behind our stages. We have to serve our own students, the people who’ve come to receive the education to make a career as professional theatre makers. We have an obligation to train them to become working designers, actors, technicians, playwrights, stage managers, directors, scholars, and teachers. We also serve the other 44,000+ students on the campus, many of whom take our classes and enjoy our productions. POWER + PLEASURE We have to serve the University of Illinois I think a lot about the enormous privilege at Urbana-Champaign. As part of a I have as Head of Illinois Theatre. I have Research I university, we are obligated the very great pleasure of working with to create new knowledge and to pass it incredibly talented and committed faculty, on. Our productions must take part in students, and staff in the Department broad conversations and reflect the goals of Theatre, the College of Fine and and strategic plan of the university as a Applied Arts, and Krannert Center for the whole. We must make connections across Performing Arts. I have the power to shape disciplines and across campus. -
AITKEN ALEXANDER London Book Fair 2019
AITKEN ALEXANDER ASSOCIATES London Book Fair 2019 For further information on all clients and titles in this catalogue, please contact: LISA BAKER France, Germany, Holland and Italy Email: [email protected] ANNA WATKINS Brazil, Bulgaria, China, Croatia, Czech Republic, Denmark, Estonia, Finland, Greece, Hungary, Iceland, Indonesia, Israel, Japan, Korea, Latvia, Lithuania, Macedonia, Norway, Portugal, Poland, Romania, Russia, Slovakia, Slovenia, Spain, Taiwan, Thailand and Turkey Email: [email protected] MONICA MACSWAN All Arabic and Indian language territories Email: [email protected] Literary Agents Centre Tables: Anna – 33f, Monica – 33e, Lisa – 34f For Film and Television Rights please contact: LESLEY THORNE Email: [email protected] Aitken Alexander Associates Ltd. 291 Gray’s Inn Road London WC1X 8QJ Telephone (020) 7373 8672 www.aitkenalexander.co.uk @AitkenAlexander @aitkenalexander Contents Page Fiction: The Wisdom of Bones by Kitty Aldridge p.1 Saltwater by Jessica Andrews p.2 The Body Lies by Jo Baker p.3 My Sister, the Serial Killer by Oyinkan Braithwaite p.4 In the Full Light of the Sun by Clare Clark p.5 Your Fault by Andrew Cowan p.6 This Brutal House by Niven Govinden p.7 The Porpoise by Mark Haddon p.8 Rabbit Foot Bill by Helen Humphreys p.9 The Harpy by Megan Hunter p.10 The Great Wide Open by Douglas Kennedy p.11 When We Were Rich by Tim Lott p.12 The Anthill by Julianne Pachico p.13 Lanny by Max Porter p.14 All the Water in the World by Karen Raney p.15 The Sandpit by Nicholas Shakespeare -
Saturday-Night-Fever.Pdf
® PHILADELPHIA, PENNSYLVANIA PLAYBILL.COM PLAYBILLVAULT.PLAYBILL.COMCOM PLAYBILLVAULT.COM 06-01 SatNightFever2_Live.indd 1 5/12/17 3:22 PM Dear Theatregoer, Welcome to Saturday Night Fever! I am so glad to have you as our guest for this incredible season finale. The energy this cast brings to the stage will make you want to get up and dance to the iconic music from the legendary Bee Gees. I’m thrilled to share this electrifying production with you. Next season the excitement continues on our Mainstage with a spectacular line-up. The 2017–18 season will begin with Broadway’s classic Tony Award-winning Best Musical A Funny Thing Happened On the Way to the Forum. You’ll meet Pseudolus, a crafty slave who struggles to win the hand of a beautiful, but slow-witted, courtesan for his young master. The plot twists and turns with cases of mistaken identity, slamming doors and a bevy of beautiful showgirls. I think this musical comedy is one of the funniest Broadway shows ever written, and I’m sure you’ll agree. During the holiday season we’ll look to a brighter “tomorrow” with one of the world’s best-loved musicals Annie. This Tony Award- winning Best Musical features some of the greatest musical theatre Photo: Mark Garvin hits ever written including “It’s the Hard Knock Life,” “Easy Street,” and “Tomorrow.” I’m excited to share this exciting production with you and your family, as Annie fills our hearts with joy! Our season continues with The Humans. This comedy won more than 20 Best Play awards in 2016, including the Tony Award. -
The Chamber Orchestra of Philadelphia 4-RC-21019 6-9-05
UNITED STATES OF AMERICA BEFORE THE NATIONAL LABOR RELATIONS BOARD REGION FOUR CONCERTO SOLOISTS d/b/a THE CHAMBER ORCHESTRA OF PHILADELPHIA1 Employer and Case 4–RC–21019 PHILADELPHIA MUSICIANS’ UNION LOCAL 77, AMERICAN FEDERATION OF MUSICIANS, AFL-CIO2 Petitioner REGIONAL DIRECTOR’S DECISION AND DIRECTION OF ELECTION The Employer, The Chamber Orchestra of Philadelphia, is a small, elite orchestra which performs at concerts and other engagements. The Petitioner, Philadelphia Musicians’ Union Local 77, has filed a petition with the National Labor Relations Board under Section 9(c) of the National Labor Relations Act seeking to represent a unit of the Musicians who perform in the Chamber Orchestra. There are about 33 Musicians in the petitioned-for unit. The Employer contends that the Musicians are independent contractors and thus are excluded from the coverage of the Act. A hearing officer of the Board held a hearing, and the parties filed briefs. I have considered the evidence and the arguments presented by the parties, and as discussed below, I have concluded that the Musicians are statutory employees. Accordingly, I am directing an election in a bargaining unit of the Employer’s Musicians.3 To provide a context for my discussion, I will first present a brief overview of the Employer’s operations. Then, I will review the factors that must be evaluated in determining independent contractor status and present in detail the facts and reasoning that support my conclusion that the Musicians are statutory employees. 1 The Employer’s name was amended at the hearing. 2 The Petitioner’s name was amended at the hearing. -
International Flavor General-Interest Newspapers Typically Publish
Periódico by Eduardo Manso π Periódico Display version overview (Several weights and sizes) El cultural Communication by writing INDEPENDIENTE One of the best magazine Periódico REGIONAL Y NACIONAL The printed publications and the iPad News Headlines This supplement that contain a lot of things International flavor General-interest newspapers typically publish π Periódico Text version overview A newspaper is a regularly Early publications played The worldwide recession General-interest newspa- Most traditional papers scheduled publication con- into the development of of 2008, combined with the pers typically publish sto- also feature an editorial taining news, information, what would today be rec- rapid growth of web-based ries on local and national page containing editorials and advertising, usually ognized as the newspaper, alternatives, caused a seri- political events and per- written by an editor and printed on relatively inex- which came about around ous decline in advertising sonalities, crime, business, columns that express the pensive, low-grade paper 1600. Around the fifteenth and circulation, as many entertainment, society and personal opinions of writ- such as newsprint. The news- and sixteenth centuries, in papers closed or sharply re- sports. ers. Other features include paper is typically funded England and France, long trenched operations. Periódico Display and clas- by paid subscriptions and news accounts called “rela- sified advertising. advertising. tions” were published. Available from emtype.net and its distributors. -
Philadelphia, Pennsylvania Clichés Rule the Thinking of Most People Who Comment on Philadelphia Without Knowing the 1990S Version of the City
Philadelphia, Pennsylvania Clichés rule the thinking of most people who comment on Philadelphia without knowing the 1990s version of the city. The standard knock is that it’s unhip—the place W.C. Fields thought would be a mite better than six feet under, the spiritual and real home of Dick Clark and his ’50s bandstand beat, the old-fashioned “City of Firsts’’ that never threw off the arts stigma of being Constitution City, birthplace of the nation. A second cliché is that it operates in the shadow of New York. Doesn’t everyone just drive up to Manhattan when an urge for real culture hits? Don’t Philadelphia artists tremble at what New Yorkers think of their work? Don’t Philadelphia audiences diss their local wares as second-rate stuff? The images are as stale as a week-old non- Philadelphia pretzel to those who know. Philadelphia’s arts scene—from historic insti- tutions like The Philadelphia Orchestra to the fast-growing Philadelphia Fringe Festival, from touring Broadway companies to the area’s more than 20 innovative theaters—is bigger and more vibrant than at any point in the city’s history. In recent years, Mayor Ed Rendell has com- mitted his administration to creating an “Avenue of the Arts” with 16 new and renovated arts facil- ities on the city’s South Broad Street— Philadelphia’s historic arts thoroughfare. Private philanthropy has also kicked in. The result so far is three newly constructed playhouses, including a smashing new space for the Wilma Theater and the just-reopened Prince Music Theater, which will serve as base for the former American Music Theater Festival, now renamed the “Prince Music Theater” after its new home. -
Artsguide Philadelphia
ALA Midwinter Meeting, January 24-28, 2014 ArtsGuide Philadelphia American Library Association Association of College and Research Libraries (ACRL) Arts Section ArtsGuide Philadelphia | 1 ALA Midwinter Meeting, January 24-28, 2014 Introduction Welcome to the ACRL Arts Section’s ArtsGuide Philadelphia! This selective guide to cultural attractions and events has been created for attendees of the 2014 ALA Midwinter Meeting in Philadelphia, PA. Map of sites listed in this guide - See what’s close to you or plot your course by car, foot, or public transportation using the Google Map version of this guide: https://mapsengine.google.com/map/edit?mid=zqJ- Ed3bmpRo.kk2kwWFt8ygQ Pennsylvania Convention Center 1101 Arch Street Philadelphia, PA 19107 (215) 418-4700 Local Transportation . http://www.visitphilly.com/getting-around/ . http://alamw14.ala.org/local-transportation (**Note: SEPTA service schedules change throughout the day, please confirm availability of Public Transportation with the intended time of your visit. http://www.septa.org **) Where to search for arts and entertainment . VisitPhilly.com : Official Visitor Site for Greater Philadelphia http://www.visitphilly.com/things-to-do/ . Philadelphia’s Official Convention & Visitors Site http://www.discoverphl.com . Philly Fun Guide http://www.phillyfunguide.com . Philadelphia Weekly or City Paper’s events listing http://www.philadelphiaweekly.com/events/ http://citypaper.net/agenda/ This guide has been edited and formatted by: Bridget O’Donnell (New York University) Contributors: Claudia Covert (Rhode Island School of Design) Bridget O’Donnell, editor (New York University) Lauren McDonald (California College of Arts) Ariel Turner (Kennesaw State University) *Efforts were made to gather the most up to date information but please be sure to check the web sites provided. -
N E W S R E L E a S E
N E W S R E L E A S E CONTACT: Katherine Blodgett phone: 215.893.1939 e-mail: [email protected] Alyssa Porambo phone: 215.893.3136 e-mail: [email protected] DRAFT 7/20/2015 4:10 PM FOR IMMEDIATE RELEASE DATE: July 20, 2015 The Philadelphia Orchestra and The Kimmel Center Partner for FREE Neighborhood Concert in Verizon Hall and FREE Commonwealth Plaza Entertainment, July 30 from 4-8:30 PM Wells Fargo Presents Neighborhood Concert, conducted by Principal Guest Conductor Stéphane Denève Neighborhood Concert will be LiveNote ® enabled and streamed live at www.philorch.org FREE tickets may be reserved beginning July 21 at 10 AM at www.philorch.org (Philadelphia, July 20, 2015)—The Philadelphia Orchestra and The Kimmel Center partner for a free Neighborhood Concert presented by Wells Fargo, and free entertainment in Commonwealth Plaza on Thursday, July 30. Beginning at 4 PM on the Plaza Stage, Philadelphia area musical theater actors Jeff Coon and Fran Prisco will perform a medley of classic Broadway songs, accompanied by their music director, John Daniels. From 5 PM to 6 PM, Brazilian duo Minas will entertain audiences with their innovative sound, blending Brazilian guitar, jazz piano, and mixed vocals. Philadelphia Orchestra Principal Guest Conductor Stéphane Denève conducts the Neighborhood Concert, which begins at 6:30 PM in Verizon Hall. Immediately following the Orchestra’s Free Neighborhood Concert, from 7:30-8:30 p.m. there will be a performance by jazz singer Shakera Jones bringing the evening of diverse musical entertainment to a close. All activities are free but tickets are required for the Neighborhood Concert, and will be available on July 21 at 10 AM through the Orchestra’s website. -
The Glass Menagerie
2010-11 HOT Season for Young People Teacher Guidebook The Glass Menagerie Walnut Street Theatre PHOTO BY MARK GARVIN Tennessee Performing Arts Center TPAC Education is made possible in part by the generous contributions, sponsorships, and in-kind gifts from the following corporations, foundations, government agencies, and other organizations. AT&T Mapco Express/Delek US American Airlines Meharry Medical College The Atticus Trust The Memorial Foundation Bank of America Metropolitan Nashville Airport Baulch Family Foundation Authority BMI Miller & Martin, PLLC Bridgestone Americas Trust Fund Morton’s,The Steakhouse, Brown-Forman Nashville Cal IV Entertainment Nashville Predators Foundation Caterpillar Financial Services National Endowment for the Arts Corporation Nissan North America, Inc. Central Parking Corporation NovaCopy Coca-Cola Bottling Co. Piedmont Natural Gas Foundation The Community Foundation of Middle Tennessee Pinnacle Financial Partners Corrections Corporation The Premiere Event HOT Transportation grants underwritten by of America Publix Super Markets Charities The Danner Foundation Mary C. Ragland Foundation Davis-Kidd Booksellers Inc. The Rechter Family Fund* The Dell Foundation Sheraton Nashville Downtown Dollar General Corporation South Arts Doubletree Hotel Downtown Irvin and Beverly Small Foundation This performance is Nashville presented through SunTrust Bank, Nashville Fidelity Offset, Inc. arrangements Earl Swensson Associates, Inc. made by Baylin Artists First Tennessee Bank Management. Target Samuel M. Fleming