Mary Heller – Curriculum Vitae Recent Teaching (Past
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Women in the United States Congress: 1917-2012
Women in the United States Congress: 1917-2012 Jennifer E. Manning Information Research Specialist Colleen J. Shogan Deputy Director and Senior Specialist November 26, 2012 Congressional Research Service 7-5700 www.crs.gov RL30261 CRS Report for Congress Prepared for Members and Committees of Congress Women in the United States Congress: 1917-2012 Summary Ninety-four women currently serve in the 112th Congress: 77 in the House (53 Democrats and 24 Republicans) and 17 in the Senate (12 Democrats and 5 Republicans). Ninety-two women were initially sworn in to the 112th Congress, two women Democratic House Members have since resigned, and four others have been elected. This number (94) is lower than the record number of 95 women who were initially elected to the 111th Congress. The first woman elected to Congress was Representative Jeannette Rankin (R-MT, 1917-1919, 1941-1943). The first woman to serve in the Senate was Rebecca Latimer Felton (D-GA). She was appointed in 1922 and served for only one day. A total of 278 women have served in Congress, 178 Democrats and 100 Republicans. Of these women, 239 (153 Democrats, 86 Republicans) have served only in the House of Representatives; 31 (19 Democrats, 12 Republicans) have served only in the Senate; and 8 (6 Democrats, 2 Republicans) have served in both houses. These figures include one non-voting Delegate each from Guam, Hawaii, the District of Columbia, and the U.S. Virgin Islands. Currently serving Senator Barbara Mikulski (D-MD) holds the record for length of service by a woman in Congress with 35 years (10 of which were spent in the House). -
GENERAL PHOTOGRAPHS File Subject Index
GENERAL PHOTOGRAPHS File Subject Index A (General) Abeokuta: the Alake of Abram, Morris B.: see A (General) Abruzzi: Duke of Absher, Franklin Roosevelt: see A (General) Adams, C.E.: see A (General) Adams, Charles, Dr. D.F., C.E., Laura Franklin Delano, Gladys, Dorothy Adams, Fred: see A (General) Adams, Frederick B. and Mrs. (Eilen W. Delano) Adams, Frederick B., Jr. Adams, William Adult Education Program Advertisements, Sears: see A (General) Advertising: Exhibits re: bill (1944) against false advertising Advertising: Seagram Distilleries Corporation Agresta, Fred Jr.: see A (General) Agriculture Agriculture: Cotton Production: Mexican Cotton Pickers Agriculture: Department of (photos by) Agriculture: Department of: Weather Bureau Agriculture: Dutchess County Agriculture: Farm Training Program Agriculture: Guayule Cultivation Agriculture: Holmes Foundry Company- Farm Plan, 1933 Agriculture: Land Sale Agriculture: Pig Slaughter Agriculture: Soil Conservation Agriculture: Surplus Commodities (Consumers' Guide) Aircraft (2) Aircraft, 1907- 1914 (2) Aircraft: Presidential Aircraft: World War II: see World War II: Aircraft Airmail Akihito, Crown Prince of Japan: Visit to Hyde Park, NY Akin, David Akiyama, Kunia: see A (General) Alabama Alaska Alaska, Matanuska Valley Albemarle Island Albert, Medora: see A (General) Albright, Catherine Isabelle: see A (General) Albright, Edward (Minister to Finland) Albright, Ethel Marie: see A (General) Albright, Joe Emma: see A (General) Alcantara, Heitormelo: see A (General) Alderson, Wrae: see A (General) Aldine, Charles: see A (General) Aldrich, Richard and Mrs. Margaret Chanler Alexander (son of Charles and Belva Alexander): see A (General) Alexander, John H. Alexitch, Vladimir Joseph Alford, Bradford: see A (General) Allen, Mrs. Idella: see A (General) 2 Allen, Mrs. Mary E.: see A (General) Allen, R.C. -
MARY HELLER – CURRICULUM VITAE C
Heller 1 MARY HELLER – CURRICULUM VITAE c. (208) 310-9913 e. [email protected] w. marychoreographer.com RECENT TEACHING (PAST TEACHING end of CV)________ July – Aug. Urban Bush Women’s Summer Leadership Institute – dancer, researcher and co-creator in 2014 “Soul Deep”, a culminating production of the 100+ participants of the institute. Tulane University, New Orleans, LA Jan. 2014 – Heller Barre Practice®, Adult Tap Workshop, Creative Movement for 3-5 yr. olds, & Present Change Health, Gain Wealth® retreats for teens and adults Locations on marychoreographer.com with Hellet Barre Practice® offered via skype Prescott, Prescott Valley, Chino Valley, & Scottsdale AZ Oct. 2013- Invited Guest Teacher of Contemporary/Modern Technique, and Mentor for Independent Present Study courses. Prescott College, Prescott, AZ Sept. 2013- BeMoved® Artistry 2 Certified Instructor & Breadth of BeMoved® for people sitting – Present Weekly classes for the athlete to assisted living homes. Featured on AZTV, AZKNAU radio, Senior Connection, and Healthhubnetwork.com. Please see CHOREOGRAPHY/CREATIVE WORK for current research being done at this time. Locations on marychoreographer.com & BeMoved-Dance.com, Prescott, Prescott Valley, Chino Valley, & Scottsdale AZ July 2012 - Please see CHOREOGRAPHY/CREATIVE WORK for current research being done at this time. Feb. 2013 BeMoved® substitute in Chicago, IL - see BeMoved-Dance.com Chicago, IL 1994-present Choreographing U.S.A.G Women’s level 7-Elite Gymnastic Floor Routines - Please see seasonal CHOREOGRAPHY/CREATIVE WORK for current research being done at this time as well. Buffalo Grove Dance & Gymnastics Center, Buffalo Grove, IL Aug. 2011 to BeMoved® Certified Instructor, and Floor Barre Fit Instructor – Weekly classes & July 2012 Featured at Family Fun Nights in Moscow, ID in 2011 –Please see CHOREOGRAPHY/ CREATIVE WORK for current research being done at this time as well. -
The Life of Ruth Bryan Owen: Florida’S First Congresswoman and America’S First Woman Diplomat by Sarah Pauline Vickers
Tampa Bay History Volume 24 Issue 1 Article 18 1-1-2010 The Life of Ruth Bryan Owen: Florida’s First Congresswoman and America’s First Woman Diplomat by Sarah Pauline Vickers Doris Weatherford Follow this and additional works at: https://scholarcommons.usf.edu/tampabayhistory Recommended Citation Weatherford, Doris (2010) "The Life of Ruth Bryan Owen: Florida’s First Congresswoman and America’s First Woman Diplomat by Sarah Pauline Vickers," Tampa Bay History: Vol. 24 : Iss. 1 , Article 18. Available at: https://scholarcommons.usf.edu/tampabayhistory/vol24/iss1/18 This Book Review is brought to you for free and open access by the Open Access Journals at Scholar Commons. It has been accepted for inclusion in Tampa Bay History by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Weatherford: <i>The Life of Ruth Bryan Owen: Florida’s First Congresswoman and 86 Tampa Bay History and the U.S. Colored Troops. Waters and Edmonds thus succeed only partially in making known the “secret” history of the Floridians’ war. John David Smith University of North Carolina at Charlotte The Life of Ruth Bryan Owen: Florida’s First Congresswoman and America’s First Woman Diplomat. By Sarah Pauline Vickers (Tallahassee: Sentry Press, 2009. xviii, 231 pp. Dedication, acknowledgments, preface, introduction, B&W photographs, bibliography, index) Every Floridian should know Ruth Bryan Owen: she was the first congresswoman from the South, and Florida voters elected her in 1928. That was just eight years after Florida women got the vote via the Nineteenth Amendment to the U.S. -
That Changed Everything
2 0 2 0 - A Y E A R that changed everything DEADLINE FOR SUBMISSION DECEMBER 18, 2020 For Florida students in grades 6 - 8 PRESENTED BY THE FLORIDA COMMISSION ON THE STATUS OF WOMEN To commemorate and honor women's history and PURPOSE members of the Florida Women's Hall of Fame Sponsored by the Florida Commission on the Status of Women, the Florida Women’s History essay contest is open to both boys and girls and serves to celebrate women's history and to increase awareness of the contributions made by Florida women, past and present. Celebrating women's history presents the opportunity to honor and recount stories of our ancestors' talents, sacrifices, and commitments and inspires today's generations. Learning about our past allows us to build our future. THEME 2021 “Do your part to inform and stimulate the public to join your action.” ― Marjory Stoneman Douglas This year has been like no other. Historic events such as COVID-19, natural disasters, political discourse, and pressing social issues such as racial and gender inequality, will make 2020 memorable to all who experienced it. Write a letter to any member of the Florida Women’s Hall of Fame, telling them about life in 2020 and how they have inspired you to work to make things better. Since 1982, the Hall of Fame has honored Florida women who, through their lives and work, have made lasting contributions to the improvement of life for residents across the state. Some of the most notable inductees include singer Gloria Estefan, Bethune-Cookman University founder Mary McLeod Bethune, world renowned tennis athletes Chris Evert and Althea Gibson, environmental activist and writer Marjory Stoneman Douglas, Pilot Betty Skelton Frankman, journalist Helen Aguirre Ferre´, and Congresswomen Ileana Ros-Lehtinen, Carrie Meek, Tillie Fowler and Ruth Bryan Owen. -
Florida Women's Heritage Trail Sites 26 Florida "Firsts'' 28 the Florida Women's Club Movement 29 Acknowledgements 32
A Florida Heritag I fii 11 :i rafiM H rtiS ^^I^H ^bIh^^^^^^^Ji ^I^^Bfi^^ Florida Association of Museums The Florida raises the visibility of muse- Women 's ums in the state and serves as Heritage Trail a liaison between museums ^ was pro- and government. '/"'^Vm duced in FAM is managed by a board of cooperation directors elected by the mem- with the bership, which is representa- Florida tive of the spectrum of mu- Association seum disciplines in Florida. of Museums FAM has succeeded in provid- (FAM). The ing numerous economic, Florida educational and informational Association of Museums is a benefits for its members. nonprofit corporation, estab- lished for educational pur- Florida Association of poses. It provides continuing Museums education and networking Post Office Box 10951 opportunities for museum Tallahassee, Florida 32302-2951 professionals, improves the Phone: (850) 222-6028 level of professionalism within FAX: (850) 222-6112 the museum community, www.flamuseums.org Contact the Florida Associa- serves as a resource for infor- tion of Museums for a compli- mation Florida's on museums. mentary copy of "See The World!" Credits Author: Nina McGuire The section on Florida Women's Clubs (pages 29 to 31) is derived from the National Register of Historic Places nomination prepared by DeLand historian Sidney Johnston. Graphic Design: Jonathan Lyons, Lyons Digital Media, Tallahassee. Special thanks to Ann Kozeliski, A Kozeliski Design, Tallahassee, and Steve Little, Division of Historical Resources, Tallahassee. Photography: Ray Stanyard, Tallahassee; Michael Zimny and Phillip M. Pollock, Division of Historical Resources; Pat Canova and Lucy Beebe/ Silver Image; Jim Stokes; Historic Tours of America, Inc., Key West; The Key West Chamber of Commerce; Jacksonville Planning and Development Department; Historic Pensacola Preservation Board. -
Ate9 Dance Company (With Glenn
Featuring Ate9 Dance Company, Deeply Rooted Dance Theater, View in browser and Visceral Dance Chicago 50 E Congress Pkwy (50 E Ida B. Wells Dr) Lily Oberman Chicago, IL 312.341.2331 (office) | 973.699.5312 (cell) AuditoriumTheatre.org [email protected] Release date: October 10, 2018 ATE9 DANCE COMPANY (WITH GLENN KOTCHE OF WILCO), DEEPLY ROOTED DANCE THEATER, AND VISCERAL DANCE CHICAGO PERFORM AT THE AUDITORIUM THEATRE AS PART OF THE “MADE IN CHICAGO” 312 DANCE SERIES ON NOVEMBER 16 AN EVENING OF INNOVATIVE CONTEMPORARY DANCE Ate9 Dance Company/Deeply Rooted Dance Theater/Visceral Dance Chicago on November 16, 2018 (CHICAGO, IL) – On Friday, November 16, three groundbreaking contemporary dance companies perform on the Auditorium Theatre’s landmark stage in the “Made in Chicago” 312 Dance Series. The evening features Ate9 Dance Company, performing the work calling glenn with live music from Chicago-based percussionist Glenn Kotche (Wilco); Deeply Rooted Dance Theater, performing Kevin Iega Jeff’s Church of Nations, Kevin Iega Jeff and Gary Abbott’s Heaven, and Nicole Clarke-Springer’s Until Lambs Become Lions; and Visceral Dance Chicago, performing company founder Nick Pupillo’s Soft Spoken. “We are thrilled to feature these three innovative companies as we open our 2018-19 ‘Made in Chicago’ 312 Dance Series,” says Rachel Freund, Interim Chief Executive Officer of the Auditorium Theatre. “This evening will highlight the creativity of these distinct companies and showcase the breadth of contemporary dance styles that we present on our historic stage.” The Los Angeles-based Ate9 Dance Company makes its Auditorium Theatre debut with calling glenn (2017), created by company founder and artistic director Danielle Agami in collaboration with Chicagoan Glenn Kotche. -
David Justin CV 2014 Pennsylvania Ballet
David Justin 4603 Charles Ave Austin TX 787846 Tel: 512-576-2609 Email: [email protected] Web site: http://www.davidjustin.net CURRICULUM VITAE ACADEMIC EDUCATION • University of Birmingham, United Kingdom, Master of Arts in Dance in Education and the Community, May 2000. Thesis: Exploring the collaboration of imagination, creativity, technique and people across art forms, Advisor: Tansin Benn • Royal Academy of Dramatic Arts, Edward Kemp, Artistic Director, London, United Kingdom, 2003. Certificate, 285 hours training, ‘Acting Shakespeare.’ • International Dance Course for Professional Choreographers and Composers, Robert Cohen, Director, Bretton College, United Kingdom, 1996, full scholarship DANCE EDUCATION • School of American Ballet, 1987, full scholarship • San Francisco Ballet School, 1986, full scholarship • Ballet West Summer Program, 1985, full scholarship • Dallas Metropolitan Ballet School, 1975 – 1985, full scholarship PROFESSIONAL EXPERIENCE Choreographer, 1991 to present See full list of choreographic works beginning on page 6. Artistic Director, American Repertory Ensemble, Founder and Artistic Director, 2005 to present $125,000 annual budget, 21 contract employees, 9 board members11 principal dancers from the major companies in the US, 7 chamber musicians, 16 performances a year. McCullough Theater, Austin, TX; Florence Gould Hall, New York, NY; Demarco Roxy Art House, Edinburgh, Scotland; Montenegrin National Theatre, Podgorica, Montenegro; Miller Outdoor Theatre, Houston, TX, Long Center for the Performing Arts, -
Focus on Dance Education
FOCUS ON DANCE EDUCATION: Engaging in the Artistic Processes: Creating, Performing, Responding, Connecting In Partnership with the International Guild of Musicians in Dance (IGMID) 17th Annual Conference October 7-11, 2015 Phoenix, Arizona CONFERENCE PROCEEDINGS National Dance Education Organization Kirsten Harvey, MFA Editor Focus on Dance Education: Engaging in the Artistic Processes: Creating Performing, Responding, Connecting Editorial Introduction In October 2015, the National Dance Education Organization met for their annual conference in Phoenix, Arizona to celebrate and honor the legacy, and individuality of the NDEO dance community. The warm spirit of Phoenix resonated with each educator and artist that came together at the beautiful Pointe Hilton Tapatio Cliffs Resort. Over 150 workshops, papers presentations, panels, master classes, social events, and performances were offered including full day pre-conference intensives that preceded the official start of the conference. The range of offerings for dance educators included a variety of experiences to foster inspiration, education, response, dialogue and connection to one another. Contributions to Focus on Dance Education: Engaging in the Artistic Processes: Creating Performing, Responding, Connecting Conference Proceedings include paper presentations, panel discussions, workshops, and movement sessions presented from October 7-11, 2015. The proceedings include 4 abstracts, 9 full papers, 6 movement session summaries, 6 summary of workshop presentations, 2 panel discussion summaries, and 1 special interest group summary. One of the broadest ranges of submissions since I have been editing the proceedings. The NDEO top paper selection committee selected Caroline Clark’s paper titled “We Learned to Perform by Performing: Oral Histories of Ballet Dancers in a Beer Hall” for the Top Paper Citation. -
Women in the United States Congress: 1917-2005
Order Code RL30261 CRS Report for Congress Received through the CRS Web Women in the United States Congress: 1917-2005 Updated June 21, 2005 Mildred L. Amer Specialist in American National Government Government and Finance Division Congressional Research Service ˜ The Library of Congress Women in the United States Congress: 1917-2005 Summary A record 83 women serve in the 109th Congress: 69 in the House (46 Democrats and 23 Republicans) and 14 in the Senate (9 Democrats and 5 Republicans). Representative Jeanette Rankin (R-MT, 1917-1919, 1941-1943) was the first woman elected to Congress. Rebecca Latimer Felton (D-GA) was the first woman to serve in the Senate. She was appointed in 1922 and served for only one day. A total of 228 women have served in Congress, 144 Democrats and 84 Republicans. Of these women, 195 have served only in the House; 26 have served only in the Senate; and seven have served in both houses. The figures include one Delegate each from Guam, Hawaii, District of Columbia, and the U.S. Virgin Islands. Of the 202 women who have served in the House, 36 were elected to fill vacancies caused by the death of their husbands. Fifteen of the 36 were subsequently elected to additional terms. Nineteen women have been elected to fill other vacancies. Edith Nourse Rogers (R-MA), who served in the House for 35 years, holds the record for length of service by a woman in Congress. Margaret Chase Smith (R- ME), the first woman elected to the House and Senate, holds the record for Senate service by a woman with 24 years. -
River North Dance Chicago
Cheryl Mann River North Dance Chicago Frank Chaves, Artistic Director • Gail Kalver, Executive Director The Company: Levizadik Buckins, Taeler Cyrus, Michael Gross, Hank Hunter, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Michael McDonald*, Hayley Meier, Olivia Rehrman, Ahmad Simmons, Jessica Wolfrum *Performing apprentice Artistic & Production Sara Bibik, Assistant to the Artistic Director • Claire Bataille, Ballet Mistress Joshua Paul Weckesser, Production Stage Manager and Technical Director Mari Jo Irbe, Rehearsal Director • Laura Wade, Ballet Mistress Liz Rench, Wardrobe Supervisor Administration Alexis Jaworski, Director of Marketing • Salena Watkins, Business Manager Diana Anton, Education Manager • Paula Petrini Lynch, Development Manager Christopher W. Frerichs, Grant Writer Lisa Kudo, Development and Special Events Assistant PROGRAM The Good Goodbyes Beat Eva (World Premiere) -Intermission- Three Renatus Forbidden Boundaries Thursday, April 4 at 7:30 PM Friday, April 5 at 8 PM Saturday, April 6 at 2 PM & 8 PM Media support for these performances is provided by WHYY. 12/13 Season | 23 PROGRAM The Good Goodbyes Choreography: Frank Chaves Lighting Design: Todd Clark Music: Original composition by Josephine Lee Costume Design: Jordan Ross Dancers: Taeler Cyrus, Michael Gross, Lauren Kias, Ethan R. Kirschbaum, Melanie Manale-Hortin, Hayley Meier, Jessica Wolfrum Artistic Director Frank Chaves’ newest work, The Good Goodbyes, is an homage to the relationships forged and nurtured within the dance community. Set to an original piano suite by Josephine Lee, artistic director of the acclaimed Chicago Children’s Choir, this wistful and bittersweet work for seven dancers suggests “the beautiful memories and the wonderful relationships I’ve forged with dancers over the years. I want to celebrate the incredibly intimate, intense, fulfilling and—because of the nature of our profession—often short-lived connections we’ve made, and have bid goodbye along the way,” says Chaves. -
Former Women Members “I’M No Lady, I’M a Member of Congress”
★ PART ONE ★ Former Women Members “I’m No Lady, I’m a Member of Congress” women pioneers on capitol hill, 1917–1934 Great triumphs and historic firsts highlight women’s initial foray into national political office. Four years after Jeannette Rankin was elected to the House of Representatives in 1916, women won the right to vote nationally, with the ratification of the 19th Amendment in 1920. Rebecca Felton of Georgia became the first woman to serve in the U.S. Senate in 1922. That same year, Alice Robertson of Oklahoma became the first woman to preside over the House of Representatives. In 1923, Representative Mae Ella Nolan of California became the first woman to chair a congressional committee. Two other women followed her lead, including Mary Norton of New Jersey, the first woman elected from the East Coast, who would chair four House committees during her quarter-century career. In 1932, Hattie Caraway became the first woman elected to the Senate. Several other women attained prominent committee positions, including Representative Florence Prag Kahn of California, the first woman to serve on the powerful Appropriations Committee. Nevertheless, women were still a distinct minority of the 435 House Members; at their peak during this period, nine served in the 71st Congress (1929–1931). They lacked the power to focus congressional attention on the issues that were important to them. Jeannette Rankin of Montana, a suffragist and peace activist, was the first woman to serve in Congress. painting by sharon sprung, 2004, collection of the u.s. house of representatives Without seniority, and facing institutional prejudices, the early Congress- women viewed leadership positions as an elusive quest.